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Jerry Dreva papers, 1964-1984

Creator:
Dreva, Jerry  Search this
Subject:
Gronk  Search this
Citation:
Jerry Dreva papers, 1964-1984. Archives of American Art, Smithsonian Institution.
Topic:
Gay artists  Search this
Mail art  Search this
Activists (LGBTQ)  Search this
Artists (LGBTQ)  Search this
Latino and Latin American artists  Search this
Sound recordings  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)22044
AAA_collcode_drevjerr
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22044
Online Media:

Jerry Dreva papers

Creator:
Dreva, Jerry, 1945-1997  Search this
Names:
Gronk, 1954-  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1964-1984
Summary:
The Jerry Dreva papers measures 1.0 linear foot and dates from circa 1963-1982. The papers include biographical information; rare printed material; scrapbooks; correspondence consisting of letters of support for the exhibition DREVA/GRONK 1968-78: Ten Years of Art/Life (Los Angeles Contemporary Exhibitions, 1978) and mail art; zines and small artist books exchanged with collaborators and friends; material documenting Dreva's relationship with performance artist, Gronk, including staged photographs, candid snapshots, correspondence, and ephemera, chronicling their shared practice, and the glam Hollywood, activist Chicana/o, and queer scenes in 1970s and 80s Los Angeles. Also included are two small labeled vinyl albums, one of which appears to have been used in a piece of artwork.
Scope and Contents:
The Jerry Dreva papers measures 1.0 linear foot and dates from circa 1963-1982. The papers include biographical information; rare printed material; scrapbooks; correspondence consisting of letters of support for the exhibition DREVA/GRONK 1968-78: Ten Years of Art/Life (Los Angeles Contemporary Exhibitions, 1978) and mail art; zines and small artist books exchanged with collaborators and friends; material documenting Dreva's relationship with performance artist, Gronk, including staged photographs, candid snapshots, correspondence, and ephemera, chronicling their shared practice, and the glam Hollywood, activist Chicana/o, and queer scenes in 1970s and 80s Los Angeles. Also included are two small labeled vinyl albums.

Correspondence consists of letters to friends and institutions for which Dreva created mail and graphic art for. Some of the indiduals include: Vittore Baroni, John Jack, The Gay Activists Alliance, Michael Scott, and Sandy Robertson. Also included are files of mail art created by Dreva or sent to him by friends and other artists.

Professional files consist of some invoices and receipts, material related to the "Dreva/Gronk 1968-1978 Ten Years of Art/Life" exhibition, work for Mohammed publication company in Italy, certificates, a vinyl record produced by Le Petite Bon-Bons, and a scrapbook.

Printed material consists of clippings, announcements and posters, editions of Mainman Newsletter, "Despair" comic book, "How I Became Rich and Famous" by Captain Zerox, and "Mail Art Show" exhibition catalog.

Photographic material consists of photographs of Dreva, photographs of Dreva and Gronk, photographs of Le Petite Bon-Bons band members and various famous rock stars, and candid shots.
Arrangement:
The collection is arranged into four series

Series 1: Correspondence, 1972-1983 (0.5 linear feet; Box 1)

Series 2: Professional Activity Files, 1975-1984 (0.2 linear feet; Box 1)

Series 3: Printed Material, 1964-1979 (0.2 linear feet; Box 1)

Series 4: Photographic Material, circa 1975-1979 (0.1 linear feet; Box 1)
Biographical / Historical:
Jerry Dreva (1945-1997) was a performance artist, writer, activist, and teacher based in Milwaukee, Wisconsin and Los Angeles, California. Dreva was a leader in the mail art movement during the 1970s and 1980s. He was a founding member (together with Robert J. Lambert) of Les Petites Bon-Bons, a flamboyantly attired musical group that never played a single concert. In fact, they never so much as picked up an instrument. Instead they dressed as glitter rock musicians of the era (1970's) and were frequently featured in newspapers and magazines.
Provenance:
Donated in 2020 by Patrick Veda, a family attorney and the executor of Dreva's mother's estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Performance artists -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Performance artists -- Wisconsin -- Milwaukee  Search this
Topic:
Gay artists  Search this
Mail art  Search this
Activists (LGBTQ)  Search this
Artists (LGBTQ)  Search this
Latino and Latin American artists  Search this
Sound recordings  Search this
Citation:
Jerry Dreva papers, 1964-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.drevjerr
See more items in:
Jerry Dreva papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93651c7ad-554e-49e2-987f-1a12d12cd12e
EDAN-URL:
ead_collection:sova-aaa-drevjerr
Online Media:

Claudia Schwalb Papers

Collection Creator:
Schwalb, Claudia  Search this
Extent:
0.2 Linear feet (Box 1)
Type:
Archival materials
Date:
1984-1996
Scope and Contents:
Artworks by Schwalb are mixed media works created with snapshots taken by Schwalb with an overlay of crayon on clear film. Correspondence concerns the publication of writings by Schwalb in Arts Magazine and includes letters from Barry Schwabsky and Hilton Kramer. Photographs include photography by Schwalb and slides of works of art. A writing entitled "Sculptural Alchemy" by Schwalb includes an interview with Alan Saret.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Claudia Schwalb papers, 1984-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schwclau, Series 1
See more items in:
Claudia Schwalb papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f19f1b4b-df9e-4f72-b41d-7815150201f9
EDAN-URL:
ead_component:sova-aaa-schwclau-ref3

Teacher Workshop: Community Snapshots: 145th Street Stories

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-06-30T14:30:09.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_5ho6CxPxfFo

Verona Quartet: Stravinsky, Beethoven, and Reena Esmail’s “Ragamala”

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-05-20T23:30:14.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_40xoNsVO-4M

Jazz Beyond Borders | San Francisco Snapshot

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2019-03-07T13:18:45.000Z
YouTube Category:
Music  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_RFlRkHBqEUw

Tour: Assessing The Habitability of Planets Around Old Red Dwarfs

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2020-10-30T13:00:09.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_WTxqmPUIMmY

From Earth to the Solar System Image Collection (Standard Definition)

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2011-07-13T16:47:53.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_d-NtMev-YnI

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-1984  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Function:
Art schools -- Massachusetts
Art Schools -- New York (State)
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Stanley Twardowicz papers

Creator:
Twardowicz, Stanley, 1917-  Search this
Names:
Contemporary Arts (Gallery)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Ohio State Fair  Search this
Whitney Museum of American Art  Search this
Dodson, Lillian  Search this
Kerouac, Jack, 1922-1969  Search this
Lichtenstein, Dorothy  Search this
Lichtenstein, Roy, 1923-1997 -- Photographs  Search this
Nicosi, Gerald  Search this
Olitski, Jules, 1922-2007  Search this
Parker, Raymond, 1922- -- Photographs  Search this
Smith, David, 1906-1965 -- Photographs  Search this
Verzyl, Kim Greer  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Resumes
Drawings
Photographs
Sound recordings
Scrapbooks
Awards
Memoirs
Theses
Date:
1942-2009
Summary:
The papers of painter and photographer Stanley Twardowicz measure 1.1 linear feet and date from 1942-2009, with the bulk of the papers dating from 1942-1981. The papers contain biographical material, scrapbooks, letters, printed material, photographs, and audio and video recordings regarding the career of Stanley Twardowicz as a painter and photographer.
Scope and Content Note:
The papers of painter and photographer Stanley Twardowicz measure 1.1 linear feet and date from 1942-2009, with the bulk of the papers dating from 1942-1981. The papers contain biographical material, scrapbooks, letters, writings, printed material, photographs, and audio and video recordings regarding the career of Stanley Twardowicz as a painter and photographer.

Biographical material consists of various curriculum vitae, a list of exhibitions and awards from 1942-1954, and typed excerpts from reviews of Twardowicz's one-man shows at Contemporary Arts Gallery during 1951.

Writings include an unpublished hand-written 70 page memoir by Twardowicz entitled "A Life with No Tears" covering the artist's early life through 1970, a master's thesis "Stanley Twardowicz, Tracing the Roots of an American Modernist" by Kim Greer Verzyl written in 1978, and a 2008 writing by Gerald Nicoisa which describes his relationship with Twardowicz.

Scrapbooks are two disbound volumes organized by years. They contain the artist's collection of exhibition announcements, catalogs, and lists; press clippings; letters advising of awards and fellowships; and Ohio State Fair ribbons for excellence in fine art.

Printed materials and related items consist of chronological files that retain their original order. Found are printed materials relating to exhibitions, letters, and audio visual materials. Of particular interest is the 1956 letter advising Twardowicz that he has been awarded a John Simon Guggenheim Memorial Foundation Fellowship in creative painting.

Photographs include pictures of the artist and ones taken by Twardowicz. Twardowicz's photographs are of Roy Lichtenstein, David Smith, Jules Olitski, Roy Parker, Mike Kanemitsu, Betty Parsons, Lillian Dodson (the artist's wife), and Jack Kerouac. There also is a photograph by Dorothy Lichtenstein of Twardowicz, Parker, Dodson and Roy Lichtenstein and casual snapshots of the artist and friends and family.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Biographical Material, 1951-2008 (Box 1; 1 folder)

Series 2: Writings, 1951-2008 (Box 1; 0.1 linear ft.)

Series 3: Scrapbooks, 1942-1951 (Box 1; 0.25 linear ft.)

Series 4: Printed Material and Related Items, 1946-2009 (Box 1; 0V 2; 0.6 linear ft.)

Series 5: Photographs, circa 1960-1979 (Box 1; 3 folders)
Biographical Note:
Stanley Twardowicz (1917-2008) was a painter, photographer and teacher. He is associated with the 1950's Abstract Expressionists of the Cedar Tavern in Greenwich Village, New York and with Beat Generation poet Jack Kerouac.

Twardowicz was born Stanley Jon Leginsky in July, 1917, but took his godfather's surname at age 20 when he married. After working at various jobs, in 1940 Twardowicz enrolled in Detroit's Meinzinger's Art School.

In 1946 Twardowicz was awarded a scholarship to the Skowhegan School of Painting and Sculpture in Maine, his first exposure to a creative arts community. There he met Yasuo Kuniyoshi, Jack Levine and Philip Guston. Through his associations at Skowhegan, Twardowicz obtained a teaching position at Ohio State University. He taught there until 1951, becoming friends with fellow instructor, Roy Lichtenstein. Twardowicz married (Ruth) Ann Mandel in 1949 and they lived in an artists' community near Guadalajara, Mexico. Twardowicz then travelled in Europe, his work edging towards an expressionist technique and mood. By 1953 Twardowicz painted in a fully abstract manner.

Upon his return to the States, Twardowicz frequented the Cedar Tavern in Greenwich Village, New York, where he met and was deeply influenced by Abstract Expressionists such as Willem de Kooning, Franz Kline and Jackson Pollock. During this time he had one-man shows and participated in group shows at the Whitney Museum of American Art, the Art Institute of Chicago, the Solomon R. Guggenheim Museum, and the Pennsylvania Academy of Fine Arts. He was represented in the Museum of Modern Art's travelling exhibition "Young American Painters."

In 1956 Twardowicz received a Guggenheim Fellowship in creative painting and moved to Northport, Long Island, where he befriended area artists Jules Olitski and George Grosz. Between 1958 and 1970 the Peridot Gallery in New York presented annual one-man shows of Twardowicz's work. Twardowicz also participated in numerous major group shows at institutions such as the Whitney Museum of American Art.

Twardowicz began his long teaching career at Hofstra University in 1964, where he met his third wife, Lillian Dodson, a fellow artist. Twardowicz's career as a photographer also prospered. Edward Streichen, then Director of Photography at the Museum of Modern Art, selected six of Twardowicz's photographs for the Museum's permanent collection. In June, 1967 Tardowicz took photographs of Jack Kerouac in his Lowell, Massachusetts home, which became the subject of an art book portfolio called Stashou and Yasho.

During the 1990's there was renewed interest in Twardowicz's work with a show at Mitchell Algus' Gallery in Soho, New York City. In 2001, the Phoenix Art Museum celebrated Twardowicz's contributions as a Color Field painter with a retrospective exhibition "Moving Color."

Twardowicz died on June 12, 2008 in Northport, Long Island.
Provenance:
The papers were donated to the Archives of American Art in 2010 by Lillian Dodson, widow of Stanley Twardowicz.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Material created by Twardowicz: The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Photographers -- New York (State)  Search this
Genre/Form:
Video recordings
Resumes
Drawings
Photographs
Sound recordings
Scrapbooks
Awards
Memoirs
Theses
Citation:
Stanley Twardowicz papers, 1942-2009, bulk 1942-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.twarstan
See more items in:
Stanley Twardowicz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9041731d9-8f44-4bf3-93e4-e3191a0777ea
EDAN-URL:
ead_collection:sova-aaa-twarstan

Lee Woodward Zeigler papers

Creator:
Zeigler, Lee Woodward, 1868-1952  Search this
Names:
Enoch Pratt Free Library  Search this
Federal Art Project (U.S.)  Search this
Public Works of Art Project  Search this
United States. Works Progress Administration  Search this
Bruce, Edward, 1879-1943  Search this
Cram, Ralph Adams, 1863-1942  Search this
Force, Juliana, 1876-1948  Search this
Grainger, Percy, 1882-1961  Search this
Leiber, Fritz, 1882-1949  Search this
Murray, Oscar H., 1882-1957  Search this
Osgood, Charles Grosvenor, 1871-1964  Search this
Wheeler, Joseph Lewis, 1884-  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1911-1968
Scope and Contents:
Biographical material, correspondence files, writings, photographs, and printed material.
Biographical material includes Zeigler's Works Progress Administration identification card, 1936, obituaries, 1952, a biographical sketch, pages from an engagement book, 1914-1917, and an address book.
Correspondence, 1920-1941, relates to Zeigler's freelance painting, mural designs for Tiffany Studios, mural commissions for churches and other public and private commissions, including the Chapel of the Transfiguration Glendale, Oh. (1927-1928), St. Michael's Church, N.Y.C. (1929); Calvary Church, Cincinnati, Oh. (1936-1937), the "Faerie Queene" murals in the Enoch Pratt Free Library, Baltimore, Md. (1933-1941); WPA-FAP projects in New York State (1933-1937), including murals for Washington Hall, West Point Military Academy, the Stony Point Battlefield Museum, Stony Point-on-the Hudson, and the Newburgh Free Academy, Newburgh. Among the correspondents are architects responsible for the designs of the buildings, such as Ralph Adams Cram and O.H. Murray, individuals associated with the execution of the projects, including Charles Osgood and Joseph L. Wheeler; and WPA adminstrators Edward Bruce and Juliana Force.
Printed material includes clippings, ca. 1910-1948, regarding Zeigler's works of art and his involvement in the war effort and local politics; exhibition catalogs and programs, ca. 1925, 1940-1968; and reproductions of Zeigler's illustrations for bookplates, Christmas cards, magazines, including Gunter's Magazine, Harper's Weekly, and Life, ca.1890-1900, and for limited edition books by such authors as Jane Austen, Honore' de Balzac, Amelia E. Barr, Theophile Gautier, Charles Kingsley, and William Stearns Davis, ca.1890-1915.
Photographs consist of three portraits of Zeigler, ca. 1930-1940, and photographs of works by him, ca.1900, 1915, 1993, and by others ca. 1900-1913. Also included are portrait of actor Fritz Leiber, ca. 1900, a snapshot of Percy and Ella Grainger, 1929.
Also included are copyrights for Zeigler's art work, 1911, 1944, 1945, 1979; an unpublished typescript of a short story by Zeigler, "Story of the Son of Roland"; a sketch of a suit of armor created by Zeigler, ca. 1945; a project file regarding a statue of "Ushabti," created by Zeigler, 1923-1924; and a guestbook from an exhibition at the Vanderbilt Galleries, 1941.
Biographical / Historical:
Illustrator, muralist; Baltimore, Md. Studied at the Maryland Institute of Art and was founding member of the Charcoal Club of Baltimore. He began his career as an illustrator and later specialized in mural painting.
Provenance:
Donated 1979 and 1994 by Audrey Z. Archer-Shee; Zeigler's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Architects  Search this
Illustrators  Search this
Muralists -- Maryland -- Baltimore  Search this
Topic:
Mural painting and decoration -- 20th century -- United States  Search this
Mural painting and decoration -- 20th century -- Maryland -- Baltimore  Search this
Mural painting and decoration, American  Search this
Church decoration and ornament -- United States  Search this
Identifier:
AAA.zeiglee
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9169e7e38-30b4-46ff-bdda-2fbc155123ec
EDAN-URL:
ead_collection:sova-aaa-zeiglee

Photographs, Snapshots, and Transparencies of Works of Art by Ed Clark and Others

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 8, Folder 20
Type:
Archival materials
Date:
1958-2014
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 7: Photographic Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw913770dae-5e27-45bd-80c3-9ca7f2eaf8eb
EDAN-URL:
ead_component:sova-aaa-clarked-ref234

Photographs, Snapshots, and Designs for Lewis Family and TLC Beatrice International Holdings

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 8, Folder 21
Type:
Archival materials
Date:
circa 1988-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 7: Photographic Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984d929b8-eee1-4e4a-839b-8cf43b823917
EDAN-URL:
ead_component:sova-aaa-clarked-ref236

Photograph Albums, Works of Art, Studio, Events, and Travel Snapshots

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 8, Folder 27
Type:
Archival materials
Date:
1985-circa 2000s
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 7: Photographic Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4d58db4-3ad2-4535-a5a7-4e84a7aca7c6
EDAN-URL:
ead_component:sova-aaa-clarked-ref244

Photographic Material

Collection Creator:
Clark, Edward, 1926-2019  Search this
Type:
Archival materials
Date:
1928
1952-2014
undated
Scope and Contents:
Photographic material includes photographs, snapshots, photograph albums, and transparencies documenting Ed Clark, his work, and exhibitions. Also included are photos documenting family, friends, pets, and travel.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clarked, Series 7
See more items in:
Ed Clark papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990a6e9be-b5eb-46fe-be0a-e9af95680901
EDAN-URL:
ead_component:sova-aaa-clarked-ref7

Postwar Couple, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Figure group  Search this
Landscape\road  Search this
Landscape\California  Search this
Animal\dog  Search this
Dress\uniform\military uniform  Search this
Architecture Exterior\domestic\house  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76fa8377f-ff07-46f2-9ff1-b187294eccfb
EDAN-URL:
edanmdm:saam_2020.26.2.1

Space Shuttle, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Landscape\California  Search this
Landscape\celestial\star  Search this
Architecture\vehicle\spacecraft  Search this
History\United States\space program  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk793e204a5-f25d-4fe2-9271-f996f17f1590
EDAN-URL:
edanmdm:saam_2020.26.2.2

Drive-In Movie, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Figure group  Search this
Architecture\vehicle\automobile  Search this
Landscape\time\night  Search this
Landscape\California  Search this
Performing arts\theater\performer  Search this
Architecture Exterior\civic\theater  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk79c117e79-8f04-4eff-8c51-a6c31d9f4b8d
EDAN-URL:
edanmdm:saam_2020.26.2.3

Orange Groves, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Landscape\California  Search this
Landscape\tree\orange tree  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7dc5508f3-543c-458b-989f-cf0c1fe96f0f
EDAN-URL:
edanmdm:saam_2020.26.2.4

Freeway Interchange, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Architecture\vehicle\automobile  Search this
Landscape\California  Search this
Landscape\road\highway  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk775196b59-81ab-4eb5-8f05-8f957d8e9813
EDAN-URL:
edanmdm:saam_2020.26.2.5

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