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How an Art Exhibition in Breonna Taylor's Hometown Honors Her Life and Impact

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 14 Apr 2021 15:26:58 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_98f446dced913c35ffe29b59d9d35bf2

Photograph Album, Artist Portraits, Personal Snapshots, and Works of Art

Collection Creator:
Modern Multiples  Search this
Duardo, Richard, 1952-2014  Search this
Container:
Box 24, Folder 20
Type:
Archival materials
Date:
circa 1980s-1990s
Scope and Contents:
Includes contact sheets, negatives, and transparencies, many interleaved between pages of album. Also includes clipping at front.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Modern Multiple records, 1970s-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Modern Multiples records
Modern Multiples records / Series 5: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-modemult-ref479

Gottlieb and Bodansky Family Papers

Creator:
Bodansky, Lony Gottlieb  Search this
Gottlieb, Camilla Klaber, 1884-1964  Search this
Bodansky, Harry  Search this
Gottlieb, Hermann, 1875-1943  Search this
Extent:
1.5 Cubic feet (4 boxes)
Type:
Collection descriptions
Archival materials
Place:
Theresienstadt (concentration camp)
Date:
1901-1981, undated
Summary:
The Gottlieb and Bodansky family papers are a collection of correspondence, immigration material, photographs, and ephemera related to the family of Hermann and Camilla Gottlieb and their daughter Lony Gottlieb Bodansky. Hermann and Camilla were interred at Theresienstadt concentration camp by the Nazi government during World War II.
Scope and Contents:
The Gottlieb and Bodansky family papers are a collection of letters, diaries, immigration material, photographs, and ephemera related to the family of Herman and Camilla Gottlieb and their daughter Lony Gottlieb Bodansky and her husband Harry Bodansky. Herman and Camilla were interned at Theresienstadt by the Nazis during World War II. Herman died in 1943 while at Terezin and Camilla survived and immigrated to the United States in 1946. Lony Gottlieb and Harry Bodansky immigrated to the United States in 1938. The greatest portion of the materials in all series and subseries are written in German.

The collection is divided into two series. Each series is arranged by subject and chronologically at the folder level beginning with correspondence arranged by date then followed by other materials arranged chronologically and within each folder chronologically:

Series 1, Camilla Klauber Gottlieb Papers, 1901-1981, undated, is arranged into two subseries: Subseries 1, Purse Contents, 1901-1981, undated and Subseries 2, Papers, 1937-1964, undated.

Subseries 1, Purse Contents, 1901-1981, undated, is arranged with loose purse papers first, then United States War Department Envelope (WDE) documents (in ten folders), then the envelope marked "Mia" envelope (in one folder), all the contents of Camilla's purse. Each grouping begins with correspondence. The correspondence is between relatives and friends in the United States, Germany, Austria, and Palestine (later Israel). In addition to correspondence, this subseries also contains diaries, documents related to Hermann Gottlieb; financial, medical, education, immigration, and employment materials as well as photographs. The one item dated "1981" is a document that was produced earlier but carries dates up to 1981.

Subseries 2, Papers, 1937-1964, undated, contains papers relating to the Gottlieb family but that were not contained within the purse. The subseries begins with correspondence arranged chronologically and then with documents arranged chronologically. In addition to correspondence this series contains a diary for Camilla; obituary files for both Camillia and Hermann, immigration documents, travel papers, financial, loose photographs consisting of snapshots as well as formal portraits and passport photographs, and one photograph album with small snapshots of Camilla, family, and scenery.

Series 2, Bodansky Family, 1933-1964, undated, is arranged chronologically with correspondence heading the series. This series contains material about and generated by Lony Gottlieb Bodansky and her husband Harry Bodansky. The series contains correspondence, diaries, schooling, medical, immigration and travel documents for Lony; immigration materials related to their sustained efforts to secure Camilla Gottlieb status in the United States; financial material; news clippings (obituaries, fashion and a few German language items); ephemera; documents related to Harry Bodansky's efforts on behalf of Gerard T. Oschinsky's desire to immigrate to the United States; one photograph album with unidentified snapshot photographs of Lony and Harry as well as other friends and/or family members taken circa 1930s-1940s. There are also photographs taken at the 1939 New York World's Fair.
Arrangement:
This collection is arranged into two series.

Series 1, Camilla Klauber Gottlieb Papers, 1901-1981, undated

Subseries 1, Purse contents, 1901-1981, undated

Subseries 2, Papers, 1937-1964, undated

Series 2, Bodansky Family Papers, 1933-1964, undated
Biographical / Historical:
Camilla Klauber Gottlieb (1884-1964), nickname "Mia", was born on December 10, 1884 in Vienna, Austria to Ludwig and Caroline Hirsch Klauber. She married Hermann Gottlieb (1875-1943) on August 15, 1918 in Vienna. They had one child, Lony (1919-1970). During the rise of the Nazi government in Germany, efforts were repeatedly made by their daughter, Lony, the Klauber relations in the United States, and Harry Bodansky and his family to secure Camilla and Harry's immigration to the United States. These efforts failed. During World War II, Camilla and her husband were interned in Theresienstadt concentration camp by the Nazi government. Hermann died while in Theresienstadt of natural causes. Camilla was at last allowed to immigrate to the United States in 1946. After her immigration to the United States Camilla lived in New York City with Lony and her son-in-law Harry Bodansky (1919-2009). For a time Camilla worked at home as a hand embroiderer sewing insignia on sweaters and scarves for G.A. Embroidery Company of New York. She moved with her family when they relocated to Kensington, Maryland in 1952. Camillia died in Maryland in 1964 and was interred in the Adas Israel Cemetery in Kensington.

At some point, Camilla acquired a purse. She used this purse as a defacto file cabinet at least until 1952. Within this purse she kept all of the documents detailed in Series 1, Subseries 1.

Harry Bodansky was born on March 19, 1919 in Berlin, Germany and with the rise of Adolf Hitler he and his family moved to Vienna, Austria. He and Lony Gottlieb both attended the same school in Vienna, Austria. Lony immigrated to the United States in 1938. Harry, his parents and brother Ralph had also immigrated to the United States in 1938. Lony and Harry married in 1943 and lived in New York, New York. Harry attended the City College of New York and obtained a degree in economics. He received his master's in economics from Columbia University. He reportedly sold purse handles before becoming a writer on business and economics for a German language publication. The Bodanskys moved to Kensington, Maryland in 1952 when Harry accepted a job with the Commerce Department. They had two sons, Harvey and Robert. Lony died in 1970 and Harry died on May 21, 2009 and was interred in the Adas Israel Cemetery in Kensington.

References

"Harry Bodansky, economist, activist, 90", obituary, Washington Jewish Week, May 27, 2009.

"Mr. Harry Bodansky", obituary, Hines-Rinaldi Funeral Home, Inc., website, accessed January 31, 2012.
Related Materials:
Objects related to this acquisition, Camilla's purse, clothing, jewelry, examples of her embroidery, and other objects are housed in the Division of Home and Community Life. See accesion #: 2011.0164.01-2011.0164.48.
Provenance:
Donated to the Division of Home and Community Life, National Museum of American History, Smithsonian by Robert Bodansky in August 2011.
Restrictions:
This collection is open for research use. Researchers must handle unprotected photographs with cotton gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
World War, 1939-1945  Search this
Citation:
The Gottlieb and Bodansky Family Papers, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1245
See more items in:
Gottlieb and Bodansky Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1245
Online Media:

Snapshots, "Your Snapshots Enlarged" Greene Art Studios, PO Box 40, Madison Sq. Station, New York, NY. Gold toned wooden frame with colored photo of mother and child; white cardboard adv.flap; black and red print; easel 27.7 x l4.l x 1.4

Collection Collector:
Levitt, Alan  Search this
Medical Sciences, Division of (NMAH, SI)  Search this
Levitt, Elaine  Search this
Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Alan and Elaine Levitt Advertisement Collection, 1920-early 1960s, National Museum of American History.
See more items in:
Alan and Elaine Levitt Advertisement Collection
Alan and Elaine Levitt Advertisement Collection / Series 4: Advertisements for Enlargements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0303-ref72

Snapshots, "Your Snapshots Enlarged" Greene Art Studios, PO Box 40, Madison Sq. Station, New York, NY Gold toned wooden frame with colored photo of young girl in the grass; white cardboard adv. flap; black and red print; easel 27.5 x l4.6 x 1.5

Collection Collector:
Levitt, Alan  Search this
Medical Sciences, Division of (NMAH, SI)  Search this
Levitt, Elaine  Search this
Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Alan and Elaine Levitt Advertisement Collection, 1920-early 1960s, National Museum of American History.
See more items in:
Alan and Elaine Levitt Advertisement Collection
Alan and Elaine Levitt Advertisement Collection / Series 4: Advertisements for Enlargements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0303-ref73

Black album page, with 8" x 10" print of parade, showing woman carrying "Chinese Women's Parade" banner, with date in ink, 1932. Three snapshots of young people glued to verso. Large print is fading and yellowing, others are in reasonable condition.

Collection Creator:
Mead, Virginia Lee  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1932
Collection Restrictions:
Collection is open for research. The scrapbooks are in fragile condition. See repository for more details about handling.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Lee Chinese American Family Papers, circa 1915-1970, Archives Center, National Museum of American History.
See more items in:
Lee Chinese-American Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0555-ref518

Album page with various snapshots glued to both sides. One image, probably made by a boardwalk photographer, shows two men and two children in a 3-wheeled vehicle, with ink captions: "Atlantic City boardwalk" and "Augsut 12—1921."

Collection Creator:
Mead, Virginia Lee  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1921
Collection Restrictions:
Collection is open for research. The scrapbooks are in fragile condition. See repository for more details about handling.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Lee Chinese American Family Papers, circa 1915-1970, Archives Center, National Museum of American History.
See more items in:
Lee Chinese-American Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0555-ref519

Ste.-Anne-de-Beaupré, Quebec, July 1976. Preparation of roast lamb, and posing for snapshots. Non-Gypsy onlookers in background.

Collection Photographer:
Salo, Sheila  Search this
Container:
Box 24
Type:
Archival materials
Collection Rights:
Copyright restrictions. No reproduction permitted without permission from the photographers. Several images are specifically restricted against any reproduction at all, although they are available for exhibition. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Sheila Salo Gypsy Photographs, 1973-1979, Archives Center, National Museum of American History.
See more items in:
Sheila Salo Gypsy Photographs
Sheila Salo Gypsy Photographs / Series 1: Color Photoprints by Sheila Salo
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0357-ref73

The seven scrapbooks contain numerous press clippings, mainly photographs of major league baseball players. Some are facial or full length portraits; others are action snapshots of batters, fielders and pitchers. Names of publications from which clip...

Collection Collector:
Community Life, Div. of (NMAH, SI)  Search this
McTiernan, Charles A.  Search this
Container:
Box 1
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Charles E. McTiernan Baseball Scrapbooks, 1929-1931, Archives Center, National Museum of American History.
See more items in:
Charles E. McTiernan Scrapbook Collection
Charles E. McTiernan Scrapbook Collection / Series 1: Scrapbook
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0202-ref17

Rosalie O'Connell Photograph Album

Collector:
O'Connell, Rosalie Melita  Search this
Names:
Baltimore and Ohio Railroad Company  Search this
Pennsylvania Railroad.  Search this
Gable family  Search this
Barry, George  Search this
Extent:
0.1 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Albums
Photographs
Place:
Baltimore (Md.) -- 1910-1920
Date:
1912-1917
Scope and Contents:
The collection contains 205 photoprints, including 149 informal outdoor portraits and 46 studio portraits. Although the photographs, post cards, and other materials have been physically removed from the cyanotype album, album captions for the photographs are preserved in copy photographs made before the materials were removed during conservation treatment. The following is excerpted from Carolyn Long's paper, "The History and Conservation Treatment of the Baltimore and Ohio Cyanotype Book and Rosalie O'Connell's Album, Plus the Cyanotype Process Explained" (copy in control file).

Snapshots, newspaper clippings, and other memorabilia were adhered to the reverse of the cyanotypes, and several sentimental poems, evidently Rosalie's own compositions, were written on the back pages. At the time the album was assembled, she dated the pages and wrote formal inscriptions with dark brown ink in a flowing script. In later years she wrote further explanations and made humorous comments with a blue ballpoint pen, apparently in the 1940's or later. The pictures and inscriptions create a record of a young woman's life in the early twentieth century that is as interesting as the views of railroad bridges and depots on the front of the pages.

Rosalie appears to have been in her teens or early twenties at the time, and was a pretty, vivacious girl with long dark hair. Her family, the C. T. O'Connells, lived at 2011 Barclay Street, Baltimore, in a blue-collar neighborhood near the railroad yards. Many railroad employees lived in the area, which offers an explanation of how Rosalie happened to have the cyanotype book. The O'Connells were a large Irish Catholic family, according to the album, which mentions Rosalie's siblings: Florence, an older sister with two children, Charles and Ursula; Bill, who served in the Mexican War; Ed, a football player; Richard, who ran for Democratic delegate to the State Convention in 1915; and a younger brother named Bartlett. Apparently Richard was Rosalie's favorite brother, for she wrote inscriptions such as "My Pal" and "My Dick" under his pictures. It was Richard's wife Ona who later sold the album to the Museum.

The O'Connells' neighbors were the Gables and the Feldmeyers. The Gables and their children are shown behind their house, with a wooden privy in the background. Above their picture, Rosalie wrote "The Dirty Dozen in 1916." "Pop" Gable apparently worked for the Pennsylvania Railroad and is pictured on top of a "Pennsy" engine. There are also snapshots of Rosalie with her flock of chickens in the back yard, and of neighborhood girls having a "fresh air fund" bake sale at 2003 Barclay.

Rosalie's best friend was Beatrice "Beets" Malstrom. The two girls, with other friends and family members, swam and ice skated at Jane's Creek and went to Riverview Park. Rosalie worked at Turner's Grocery Store on North Avenue, and a series of snapshots shows her co-workers clowning with a bottle of beer on a motor scooter.

Rosalie was courted by George Barry, who is shown with her on the boat Louise when he was home on furlough from the Navy in 1917. Poems and inscriptions suggest an eventual breakup of the relationship. Above one of these pictures she wrote, "The arrival -peace and happiness unexpected." Later, however, she wrote in ballpoint, "so mixed up," and "He was nice, but I was not in love."
Arrangement:
The collection is arranged into one series. Materials arranged topically, with a copy photographic key to the original album arrangement.
Biographical / Historical:
In the 1890s the Baltimore & Ohio Railroad maintained a photographic record of its properties along its routes (Divisions); a book of cyanotype prints was made of each Division for railroad officials. The Museum purchased a book of the Baltimore & Ohio Philadelphia Division from the sister-in-law of Rosalie M. O'Connell, and found that it contained personal photographs mounted on the backs of the cyanotypes. Rosalie O'Connell had used the book as a personal photograph album from 1912 to 1917. Because the scrapbook material was damaging the cyanotypes, the National Museum of American History, Division of Conservation removed the photographs in 1985.

Rosalie apparently had come into possession of the cyanotype book when she was a teen-aged girl, possibly due to her father's job with the Baltimore & Ohio Railroad and/or the presence of other B & O employees in the neighborhood. Between the years 1912-1917 Rosalie used it as a personal photo album and scrapbook, adhering snapshots, newspaper clippings, and memorabilia to the reverse side of the cyanotypes. Because these items and the adhesives were causing damage to the cyanotypes, in 1985 Carolyn Long of the NMAH Division of Conservation removed the O'Connell material from the cyanotype pages. Thus for the first time the "Rosalie O'Connell Photograph Album" was physically separated from the B & 0 cyanotype album.
Related Materials:
Materials in the Archives Center

Baltimore & Ohio cyanotype book in mechanical and civil engineering collection, NMAH.
Provenance:
The collection was purchased by the Division of Mechanical and Civil Engineering from Mrs. Richard C. O'Connell in 1979.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Recreation -- 1910-1920 -- Baltimore (Md.)  Search this
Parks -- 1910-1920 -- Baltimore (Md.)  Search this
Swimming -- 1910-1920  Search this
Skating -- 1910-1920 -- Baltimore (Md.)  Search this
Soldiers -- 1910-1920  Search this
Outhouses -- 1910-1920 -- Baltimore (Md.)  Search this
Youth -- 1910-1920 -- Baltimore (Md.)  Search this
Catholics -- 1910-1920 -- Baltimore (Md.)  Search this
Railroads -- 1910-1920 -- Baltimore (Md.)  Search this
Priests -- 1910-1920  Search this
Irish Americans -- 1910-1920 -- Baltimore (Md.)  Search this
Family -- 1910-1920 -- Baltimore (Md.)  Search this
Genre/Form:
Albums -- 1900-1920
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1910-1920
Citation:
Rosalie O'Connell Photograph Album, 1912-1917, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0187
See more items in:
Rosalie O'Connell Photograph Album
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0187

Chevalier Jackson Papers

Source:
Medical Sciences, Division of (NMAH, SI)  Search this
Creator:
Jackson, Chevalier, Dr,, 1865-1958 (physician)  Search this
Names:
Jefferson Medical College.  Search this
Temple University.  Search this
University of Pennsylvania  Search this
University of Pittsburgh.  Search this
University of Western Pennsylvania.  Search this
Western Medical College.  Search this
Women's College of Pennsylvania.  Search this
Foster, Gilmore  Search this
Jackson, William Stanford  Search this
Mackenzie, Morell  Search this
Morage, Katherine Ann  Search this
Former owner:
Medical Sciences, Division of (NMAH, SI)  Search this
Extent:
3 Cubic feet (8 boxes)
Type:
Collection descriptions
Archival materials
Legal documents
Clippings
Biographies
Autobiographies
Books
Photographs
Correspondence
Personal papers
Place:
Philadelphia (Pa.)
Date:
1883-1955
Summary:
Collection documents Chevalier Jackson, a physician and an American pioneer in the field of endoscopy.
Scope and Contents:
The Jackson papers include autobiographical notes, a draft of a brief biography for the National Cyclopedia of America Biography, some business papers among which are correspondence relating to a mill and to repairs to a dam, several legal papers including those concerned with real estate mortgages, and letters to and from Mrs. Jackson and household servants.

There are mementos such as dried flowers, family snapshots, final notes from Dr. Jackson to his wife, advising her of actions to be taken upon his death, and drafts of his obituary. There are a number of photographs, and negatives, primarily of Dr. Jackson.

The articles, reports and reprints are primarily by Dr. Jackson but include a few by or with his son and a few by other physicians. The papers include proofs and color proofs of equipment and procedures relating to Jackson publications and four books, one of which is by Dr. Jackson.

The material, most of which is relatively recent, is in good condition. Some of the notes are in pencil but are legible.

In addition to the papers in the Archives Center, the Division of Medical Sciences has a large number of surgical instruments including Dr. Jackson's bronchoscopes, esophagoscopes, laryngoscopes and microscopes, awards and medals, items of furniture from Dr. Jackson's study and oil paintings by him. The list of instruments is seven single-spaced pages. There are many Chevalier Jackson papers and memorabilia in the National Library of Medicine, Bethesda, the Library and Museum of the College of Physicians, Philadelphia and the Library of Temple University.
Arrangement:
The collection is divided into nine series.

Series 1: Personal Papers

Series 2: Correspondence

Series 3: Legal Papers (including mortgages)

Series 4: Newsclippings, Articles and Book Reviews

Series 5: Photographs

Series 6: Chronological Journal

Series 7: Reports and Reprints

Series 8: Illustrations and Proofs

Series 9: Books
Biographical / Historical:
Chevalier Jackson, a physician and an American pioneer in the field of endoscopy, was born November 14, 1865 in Pittsburgh, Pennsylvania and died August 16, 1958 in Philadelphia. His father, William Stanford Jackson, was a stock raiser and veterinarian. His mother was Katherine Ann Morage. Family financial reverses forced a move to Crafton, Pennsylvania, a working class community. Young Chevalier was not readily accepted by his classmates and seemed to have had a difficult time during his school years there. Money earned by decorating glass and pottery enabled Chevalier Jackson to attend the University of Western Pennsylvania (University of Pittsburgh) from 1878 to 1882. He then apprenticed himself to a local physician, Gilmore Foster. Continuing to paint china at night he earned enough to enroll at the Jefferson Medical College in Philadelphia in 1884, from which he graduated in 1886. During vacations he sold medical books and served as a cook on a fishing boat. Following his graduation from Jefferson Dr. Jackson went to England to pursue his interest in laryngology under a world-famous authority, Morell Mackenzie.

Upon his return to Pittsburgh, Dr. Jackson opened an office limited to the practice of laryngology. His patients were mostly indigent and income from the practice was limited. In 1890 he devised an instrument to remove a dental plate that a patient had swallowed. The news of this meant referral of other patients with similar problems that caused obstruction of the esophagus, including blockages in children from swallowing lye. From that time on Dr. Jackson carried on an unremitting campaign to have lye bottles labeled as poison, until in 1927 Congress passed the Federal Caustic Labeling Act.

On July 9, 1899, Chevalier Jackson and Alice Bennett White were married. They had one child, Chevalier Lawrence Jackson, who also became a surgeon. In the year of his marriage, Dr. Jackson developed a bronchoscope that could be passed through the larynx to visualize the bronchi. He became chief of laryngology at Western Medical College in 1900. In 1902 he adapted a suggestion of placing a light carrier at the far ends of the scopes used in bronchscopy and esophagoscopy, thus making those procedures relatively safe. He and a machinist friend built the instruments in the friend's shop in Pittsburgh.

Dr. Jackson developed tuberculosis in 1911. He spent the two years of convalescence writing an important text book, Peroral Endoscopy and Laryngeal Surgery, published in 1915, the year he was made head of the Department of Laryngology at Jefferson Medical College. Appointments at the Graduate School of Medicine of the University of Pennsylvania followed, and his 1930 appointment to the faculty at Temple meant that Chevalier Jackson held simultaneous appointments at five Philadelphia schools. He later relinquished all appointments except the chair at Temple from which he retired in 1938 to be succeeded by his son, Chevalier Lawrence Jackson. From 1935 to 1941 Chevalier Jackson was president of the Women's College of Pennsylvania. An early advocate of equal rights, he championed the role of women in medicine.

During his noted career Dr. Jackson wrote 250 papers, twelve text books, chapters in a number of other books, and an autobiography (1938). He was somewhat eccentric. He protected his hands by wearing silk gloves, even in summer, turned doorknobs by placing his hand in his coat pocket, preferred bowing to shaking hands, and developed a reputation for social aloofness.
Materials at the National Museum of American History:
The Division of Medicine and Science has surgical instruments, awards, medals, furniture, and oil paintings owned by Chevalier Jackson. See accession numbers are 300428.338 through .343.
Provenance:
Collection donated by Mrs. Joan Bugbee (a granddaughter of Dr. Jackson), date unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Surgeons  Search this
Topic:
Laryngoscopy  Search this
Esophagus  Search this
Esophagoscopy  Search this
Endoscopy  Search this
Bronchoscopy  Search this
Physicians  Search this
Genre/Form:
Legal documents
Clippings
Biographies
Autobiographies
Books
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Correspondence -- 1930-1950
Personal papers
Citation:
Chevalier Jackson Papers, 1883-1960, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0023
See more items in:
Chevalier Jackson Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0023
Online Media:

Snapshots

Collection Source:
Medical Sciences, Division of (NMAH, SI)  Search this
Collection Creator:
Jackson, Chevalier, Dr,, 1865-1958 (physician)  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Chevalier Jackson Papers, 1883-1960, Archives Center, National Museum of American History.
See more items in:
Chevalier Jackson Papers
Chevalier Jackson Papers / Series 5: Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0023-ref37

Miscellaneous snapshot negatives (personal),

Collection Creator:
Du Mont, Allen B. (Allen Balcom), 1901-1965  Search this
Collection Source:
Electricity and Modern Physics, Division of, NMAH, SI.  Search this
Container:
Box 16 (Series 13), Folder 1
Type:
Archival materials
Date:
1944-1952
Collection Restrictions:
Collection is open for research. Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Only reference copies of audiovisual materials may be used. Contact the Archives Center for more information: archivescenter@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Allen Balcom Du Mont Collection, 1929-1965, Archives Center, National Museum of American History.
See more items in:
Allen Balcom Du Mont Collection
Allen Balcom Du Mont Collection / Series 13: Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0018-ref814

Photographic Material

Collection Creator:
Roko Gallery  Search this
Extent:
(Box 6; 0.3 linear feet)
Type:
Archival materials
Date:
1946-circa 1970s
Scope and Contents note:
Found are black and white photographs, a handful of color snapshots, slides, and negatives of artwork. Photographs of gallery directors Michael Leon Freilich, Cynthia Bernadini, and Manu Sassoonian, and other unidentified people are found in this series.
Arrangement note:
Folders are arranged alphabetically by type of material, then alphabetically by subject.
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Roko Gallery records, 1929-1982, bulk 1970-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rokogall, Series 8
See more items in:
Roko Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rokogall-ref314

James Graham & Sons records

Creator:
James Graham & Sons  Search this
Names:
Coe Kerr Gallery  Search this
Duveen-Graham (Gallery)  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Cicero, Carmen, 1926-  Search this
Coheleach, Guy  Search this
Crile, Susan, 1942-  Search this
De Kooning, Elaine  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Duveen, Albert  Search this
Fogel, Seymour, 1911-1984  Search this
Fried, Nancy  Search this
Graham, Robert Claverhouse, 1913-1994  Search this
Kriesberg, Irving, 1919-  Search this
Melchers, Gari, 1860-1932  Search this
Perrine, Van Dearing, 1869-1955  Search this
Santlofer, Jonathan, 1946-  Search this
Schley, Reeve, 1936-  Search this
Stevens, Peter  Search this
Thorne, Joan, 1943-  Search this
Trieff, Selina, 1934-  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
103.2 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Scrapbooks
Photographs
Date:
1821
1815
circa 1896-2011
Summary:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.. There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.
Scope and Content Note:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions of artwork by Jamie Wyeth, and to a lesser extent, Andrew and N.C. Wyeth.

Over the years, the gallery changed names and established contemporary art departments. In addition to records of James Graham & Sons, the collection holds the records of Duveen-Graham Modern Art (in partnership with Albert Duveen), Graham Gallery, Graham Modern, JG|Contemporary, and, to a lesser extent, The Clapp and Graham Co.

Alphabetical files are a mix of business correspondence and business records. The bulk of the series contains correspondence with galleries, museums, other institutions, and, to a lesser extent, clients regarding sales, consignments, and loans of artwork. Also found are materials relevant to the daily operations of the gallery, including correspondence, subject files, and scattered financial, business and legal records.

Exhibition files provide scattered documentation of the gallery's exhibitions through catalogs, clippings, correspondence, guest books, notes, photographs, press materials, price lists, and sales receipts and other financial records.

Artists' Files document the numerous artists who have been represented by the gallery, especially modern American artists. Folders for each artist can contain a variety of materials, including correspondence with the artist or with institutions regarding consignments, loans, sales and exhibitions; photographic materials primarily of artwork; sales invoices; exhibition catalogs, postcards, and other printed materials; press releases; magazine and newspaper clippings; price lists; artist binders; and research materials on artists and artwork. Also found are some subject files, per original arrangement. There is extensive material related to artists Carmen Cicero, Susan Crile, Elaine De Kooning's portrait of President John F. Kennedy, Edwin Dickinson, muralist Seymour Fogel, Nancy Fried, Irving Kriesberg, Gari Melchers, Jonathan Santlofer, Reeve Schley, Peter Stevens, Joan Thorne, and Selina Trieff.

Artwork files document sales, consignments, and loans of artwork primarily from the mid-1980s to 2000s. Materials include agreements and contracts; condition reports; correspondence; invoices and receipts; photographs of artwork; shipping records; and photocopied printed material and other documentation. This series requires written permission from the donor in order to access.

Sales records from 1959-1984 (missing 1974) are found in the Financial Records series. Also found are check stub books from the mid-late 1950s; price lists; records for the Four Seasons Charter Corp.; and scattered banking, consignment, tax, and other financial records. Inventory cards from mid-1950s-1970s and inventory lists, often with notations and prices, are found in the series Inventory Records.

Coe Kerr Gallery Records regarding the Wyeths document Jamie Wyeth's exhibitions primarily from the mid-1970s-early 1980s. Also found is limited material regarding Andrew Wyeth and N.C. Wyeth. Materials include correspondence, photographs, exhibition printed materials, and extensive newspaper clippings.

There are exhibition catalogs, books, announcements, magazines, clippings, postcards, posters and other printed materials related to artists, John Graham & Sons exhibitions, and exhibitions by Graham artists held at other galleries and museums. Also found is an 1815 fifty cent note which was redeemed in 1821.

Seven scrapbooks document discrete aspects of the business, including the gallery's advertising, participation in an art fair, and the careers of artists Guy Coheleach and Van Dearing Perrine. Materials housed in the scrapbooks include clippings, catalogs, photographs, and other printed materials.

Photographic Materials include mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.

There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.
Arrangement:
The collection is arranged as 11 series:

Series 1: Alphabetical Files, circa 1896, 1902-1999, bulk 1955-1986 (Boxes 1-15; 15 linear feet)

Series 2: Exhibition Files, 1912, 1947-2004 (Boxes 16-24; 8 linear feet)

Series 3: Artists' Files, circa 1907-2006, bulk 1955-1999 (Boxes 24-62, 95-96; 39.1 linear feet)

Series 4: Artwork Files, circa early 1900s-2011, bulk mid-1980s-2009 (Boxes 63-71, 94, 101; 9.3 linear feet)

Series 5: Financial Records, circa 1937-1993 (Boxes 72-76, 96; 4.5 linear feet)

Series 6: Inventory Records, circa 1954-1993 (Boxes 76-78, 96; 2.1 linear feet)

Series 7: Coe Kerr Gallery Records Regarding Wyeths, 1964-1988 (Boxes 78-80, 97; 2.7 linear feet)

Series 8: Printed Materials, 1815, 1821, 1949-2006 (Boxes 81-82, 97; 2.1 linear feet)

Series 9: Scrapbooks, 1897-1990s (Boxes 82, 98-100; 0.9 linear feet)

Series 10: Photographic Materials, 1929-1990s (Boxes 83-93, 96, 100-101; 11.5 linear feet)

Series 11: Unprocessed Addition, circa 1940-1980 (Boxes 102-109; 8 linear feet)
Historical Note:
The James Graham & Sons gallery has been owned and managed by the Graham family in New York City since 1857. Throughout its history, the gallery has specialized in decorative arts, antiques, and 19th-early 20th century and contemporary American art.

In 1857, Samuel Graham founded a gallery at 66 Third Street and specialized in furniture. Graham was joined by his son James in the 1880s and expanded the business to include antiques and decorative arts. James A. Graham, the third generation Graham, joined the gallery in the early 20th century. James Graham and antiques dealer Marshall Clapp created Clapp & Graham in 1914, a partnership which was dissolved around 1940.

James R. Graham, the fourth generation Graham, joined the gallery in 1937, followed by his brother Robert Claverhouse Graham, Sr. in 1940. The gallery was then named James Graham & Sons and was located at 514 Madison Avenue. At this time, the gallery specialized in bronzes, ceramics, silver, sculptures, and 19th-early 20th century American art. Robert C. Graham, Sr. introduced modern American art, especially The Eight, into the gallery's inventory.

In 1955, the gallery moved to 1014 Madison Avenue, where it remained until the late 2000s. That same year, Graham opened its first contemporary department with Albert Duveen. Duveen-Graham Modern Art gallery was based on the third floor of the Madison Avenue building and dealt solely in contemporary art until its closing in 1958. Robert C. Graham, Jr. (Robin) joined the gallery in 1963, becoming the fifth generation Graham to run the family business. The gallery is currently located at 32 East 67th Street.

Betsy Fahlman's "James Graham & Sons: A Century and a Half in the Art Business" (2007) was a valuable resource in constructing this Historical Note.
Related Material:
Among the other resources relating to James Graham & Sons in the Archives of American Art is an oral history interview with Robert Claverhouse Graham, November 19, 1976, and the David Herbert papers, 1950-1995.
Provenance:
The James Graham & Sons records were donated in 2007, 2008, and 2012 by Priscilla Caldwell and Jay Grimm of James Graham & Sons and in 2018 by Cameron Shay of James Graham & Sons.
Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Economic aspects  Search this
Painting -- United States  Search this
Sculpture -- United States  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Visitors' books
Scrapbooks
Photographs
Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jamegras
See more items in:
James Graham & Sons records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamegras
Online Media:

Photographic Materials

Collection Creator:
James Graham & Sons  Search this
Extent:
11.5 Linear feet (Boxes 83-93, 96, 100-101)
Type:
Archival materials
Date:
1929-1990s
Scope and Contents note:
Photographic Materials includes mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.

The photographs of artwork frequently include descriptive information on the back, including title, date of painting, dimensions, inventory number, price (sometimes in code), sold date, buyer name, and photographer's contact information. Also found are a few disassembled binders of collated photographs, and scattered exhibition catalogs, price lists, artists' biographies, and newspaper clippings interfiled with the photographs. Additional photographs are found in Artists' Files, following the original arrangement.
Arrangement note:
Folders are filed alphabetically by artist's last name or subject, followed by unidentified photographs and photographs of artwork by various artists. Photographs of Seymour Fogel's artwork, exhibitions, and installations, as well as one folder of negatives related to Charlie Dye are filed at the end of this series and requires written permission of the donor in order to access ( Boxes 93 and 101).
Restrictions:
Artwork Files (Boxes 63-71, 94-95) and some photographic materials (Boxes 93 and 101) are ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jamegras, Series 10
See more items in:
James Graham & Sons records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref1856

Snapshots

Collection Creator:
James Graham & Sons  Search this
Container:
Box 93, Folder 21
Type:
Archival materials
Date:
circa 1960s-1980s
Series Restrictions:
Artwork Files (Boxes 63-71, 94-95) and some photographic materials (Boxes 93 and 101) are ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 10: Photographic Materials / Fogel, Seymour
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref2201

Photographic Materials

Collection Creator:
Hess, Thomas B.  Search this
Extent:
0.8 Linear feet (Boxes 9-10, OV 14)
Type:
Archival materials
Date:
1949-circa 1960s
Scope and Contents:
Professional photographs and snapshots of Hess, passport photos of Hess and his wife Audrey, and snapshots of other family members are in this series. Other photographs are of Larry Rivers, Ad Reinhardt, and others; works of art; Hess' travels to Europe; and views of a house and grounds. Two sets of slides are of architecture, outdoor scenes, and snapshots of people taken during Hess' travels. Additional slides, transparencies, and negatives are also found throughout the series.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Hess papers, 1939-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hessthom, Series 6
See more items in:
Thomas Hess papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hessthom-ref17

Otto and Ilse Gerson papers

Creator:
Gerson, Otto  Search this
Gerson, Ilse, 1901-1980  Search this
Names:
Fine Arts Associates  Search this
Galerie Dina Vierny  Search this
Marlborough-Gerson Gallery  Search this
Otto Gerson Gallery (New York, N.Y.)  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marcks, Gerhard  Search this
Smith, David, 1906-1965  Search this
Turner, J. M. W. (Joseph Mallord William), 1775-1851  Search this
Valentin, Curt, 1902-1954  Search this
Wotruba, Fritz, 1907-1975  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1933-1980
Summary:
The papers of New York art dealers and gallery owners Otto and Ilse Gerson measure 3 linear feet and date from 1933 to 1980. This collection includes biographical materials, correspondence, exhibition files, artists' files, collectors' files, business records, inventory and stock records, printed materials, and photographs.
Scope and Contents:
The papers of New York art dealers and gallery owners Otto and Ilse Gerson measure 3 linear feet and date from 1933 to 1980. This collection includes biographical materials, correspondence, exhibition files, artists' files, collectors' files, business records, inventory and stock records, printed materials, and photographs.

Biographical material consists of Otto and Ilse Gerson's naturalization certificates and Ilse Gerson's will.

Correspondence includes a mixture of personal and professional letters. There are a few scattered letters between Otto and Ilse Gerson as well as correspondence with clients, museums, dealers, and artists. Notable correspondents include art dealer Curt Valentin and the artist Gerhard Marcks. There is also correspondence with the Dina Vierny Gallery in Paris, France.

There is a small number of files on the Joseph Mallord William Turner exhibition at Gerson Gallery in 1960 which include correspondence, loan forms, and printed material.

Artists' files contain correspondence, estimates, inventories, sales records, and printed material for art work by five different artists such as Jacques Lipchitz, David Smith, and Fritz Wotruba.

Collectors' files include correspondence, invoices, photographs, and other material related to purchases by various art collectors.

Business records consist of purchase and sales records, audit reports, balance sheets, certificates of authenticity, a sales ledger, and legal documents regarding the business conducted by Fine Arts Associates and Otto Gerson Gallery, and legal agreements and contracts related to the Marlborough-Gerson Gallery merger.

Inventory and stock records include assorted art inventories, a stock book, and stock cards for artists.

Printed material includes a few Gerson Gallery exhibition catalogs and clippings of exhibition reviews.

Photographs consists of a few snapshots of Otto and Ilse Gerson and images of gallery installations.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1933-1973 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1937-1980 (0.5 linear feet; Box 1)

Series 3: Turner Exhibition Files, 1960-1961 (0.1 linear feet; Box 1)

Series 4: Artists' Files, 1950-1966 (0.3 linear feet; Boxes 1-2)

Series 5: Collectors' Files, 1956-1966 (0.3 linear feet; Box 2)

Series 6: Business Records, circa 1945-1964 (0.3 linear feet; Box 2)

Series 7: Inventory and Stock Records, 1946-1965 (1.3 linear feet; Boxes 2-3)

Series 8: Printed Material, 1951-1962 (0.1 linear feet; Box 3)

Series 9: Photographs, circa 1945-circa 1960 (2 folders; Box 3)
Biographical / Historical:
Otto Gerson was born in Germany and immigrated to the United States, where he met and married Ilse Goehler in 1939. They both became U.S. citizens and together they rose to prominence as art dealers in New York City, circa 1940-1962, bringing works by noted post-war European (and some American) artists to the American market.

The Gersons also owned and operated galleries in New York, including Fine Arts Associates and Gerson Gallery. The Gerson Gallery was located at 41 East 57th Street in New York City and later merged with another gallery to form the Marlborough-Gerson Gallery around 1963, shortly after Otto Gerson's death.
Provenance:
The Otto and Ilse Gerson papers were donated to the Archives of American Art in 1984 by Indian Head Bank North on behalf of Otto and Ilse Gerson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers  Search this
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Gallery owners  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Photographs
Citation:
Otto and Ilse Gerson papers, 1933-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gersotto
See more items in:
Otto and Ilse Gerson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gersotto
Online Media:

Photographs

Collection Creator:
Gerson, Otto  Search this
Gerson, Ilse, 1901-1980  Search this
Extent:
2 Folders (Box 3)
Type:
Archival materials
Date:
circa 1945-circa 1960
Scope and Contents:
Photographs consists of a few snapshots of Otto and Ilse Gerson and several images of gallery installations of sculptures.
Arrangement:
The photographs are arranged by subject.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Otto and Ilse Gerson papers, 1933-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gersotto, Series 9
See more items in:
Otto and Ilse Gerson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gersotto-ref245

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