This accession consists of records created and maintained by Karen Loveland, Director of Special Projects for the Office of Telecommunications, documenting the planning,
development, and execution of film, video, and television productions for general release, for accompaniment to exhibitions and exhibition halls, for training, and for television
spots. Film, video, and television productions for general release include Smithsonian Video Collection; American Picture Palaces; Coral Reefs: How to Make Use of 400 Million
Years of Evolution; John Bull; Maine Coast; Leaf Making: Or the Secret Life of Museum Plants; Smithsonian World; Changes: The Story of Evolution and Speciation; Quadrangle;
Flue-Cured Tobacco Culture; The Big Cats and How They Came to Be; Indiana Engine Retrieval; Census: Accounting for the Nation; Enter Life; Thomas A. Edison and His Amazing
Invention Factories; The Ghosts of Forever; Who Would Have Thought?; The Giant Panda Story; Shells and the Animals Inside; Columbus and His Time; Mirror of Kings: Tales from
Kalila Wa Dimna; and Reunions: Memories of an American Experience.
Films and videos accompanied American Sailor, 1984-1985; Harry S. Truman Centennial: The Berlin Airlift, 1984; Clockwork Universe: German Clocks and Automata, 1550-1650
in 1980; Hall of Dynamic Evolution, beginning in 1979; Hall of Paleontology, beginning in 1982; FDR: The Intimate Presidency, 1982; Field to Factory: Afro-American Migration,
1915-1940, beginning in 1987; Festival of American Folklife; Hall of American Maritime Enterprise, beginning in 1978; the Communication Exhibition, beginning in 1977; Hall
of Western Civilization, beginning in 1978; and It All Depends: How Man Affects and is Affected by his Natural Environment. Training films and videos include Communication
and Security.
Materials include memoranda, correspondence, video proposals, scripts, interview transcripts, production and post-production schedules, computer editing forms, story boards,
roll logs, budget summaries and expense reports, orders and requisitions for supplies and services, travel vouchers, invoices, notes, mailing lists for premieres, publications
with articles about videos, clippings, press releases, fact sheets, copies of contracts, color and black and white negatives and transparencies of credits, and research materials.
See accession 01-230 for a 16 mm distribution print of the "Mirror of Kings:...".
Topic:
Video recordings -- Production and direction Search this
National Museum of American Art (U.S.) Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1985-1989
Scope and Contents:
Photographs, slides, and video of self-taught artists taken by Liza Kirwin, Southeast Regional Collector, Archives of American Art, when traveling for the Archives.
Subjects include Howard Finster, Vollis Simpson, Clyde Jones, Dilmus Hall, Mary Smith, David Butler, Royal Robertson, Horacio Valdez, Eddie Owens Martin, Burgess Dulaney, Joseph Fury, Sam Doyle, James "Money Man" McClain, and William C. Rice. Many photographs include images of works of art. Two video recordings taken by Kirwin are of Horacio Valdez at his home in Dixon, New Mexico, in conversation with Andrew L. Connors, Associate Curator, National Museum of American Art (NMAA), and Tonia L. Horton, October 20, 1987, on a research trip in preparation for the exhibition, "Made with Passion: The Hemphill Folk Art Collection in the National Museum of American Art," 1990.
Also found are contact sheets and slides of Finster taken by Smithsonian photographer Richard Strauss on the occasion of filming of "The Living Smithsonian" for Smithsonian World (public television) at Finster's Paradise Garden in Pennville, Georgia, January 1988.
Biographical / Historical:
Liza Kirwin is a curator, arts administrator and author, and Deputy Director and former Southeast Regional Collector, Archives of American Art, Smithsonian Institution.
Provenance:
Donated 2015 by Liza Kirwin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Arts administrators -- Washington (D.C.) Search this
