Search Results

Collector:

McCormick, Mack  Search this

Musician:

Badeaux, Ed, 1926-2015  Search this

Chenier, Clifton, 1925-1987  Search this

Cotten, Elizabeth  Search this

Estes, Sleepy John, 1899-1977  Search this

Hopkins, Lightnin', 1912-1982  Search this

House, Son  Search this

Howling Wolf  Search this

James, Harry  Search this

Jefferson, Blind Lemon, 1897-1929  Search this

Johnson, Robert, 1911-1938  Search this

Leadbelly, 1885-1949  Search this

Lipscomb, Mance, 1895-1976  Search this

Muddy Waters, 1915-1983  Search this

Rinzler, Ralph  Search this

Shaw, Robert, 1908 August 9-1985  Search this

Thomas, Henry, 1874-1952  Search this

Wallace, Sippie  Search this

Historian:

Oliver, Paul, 1927-2017  Search this

Singer:

Spivey, Victoria  Search this

Producer:

Strachwitz, Chris  Search this

Extent:

60 Cubic feet (171 boxes, 9 map folders)

Culture:

African Americans -- Mississippi  Search this

Arkansas  Search this

Type:

Collection descriptions

Archival materials

Business cards

Compact discs

Contracts

Correspondence

Folklore

Newspaper clippings

Posters

Road maps

Television scripts

Ephemera

Black-and-white negatives

Contact sheets

Color slides

Business records

Family papers

Resumes

Diaries

Journals (periodicals)

Financial records

Audio cassettes

Manuscripts

Playbills

Field recordings

Writings

Transcripts

Manuscripts for publication

Color negatives

Negatives

Articles

Place:

United States -- Race relations

Delta (Miss.)

Sugarland Prison (Tex.)

Greenwood (Miss.)

Robinsonville (Miss.)

Dallas (Tex.)

Houston (Tex.)

San Antonio (Tex.)

Tunica (La.)

Texarkana (Tex.)

Galveston (Texas)

Date:

1858-2015, undated

Summary:

Field notes, manuscripts, photographs, booking contracts, correspondence, personal papers, newspaper clippings, magazine articles, interviews, and other research materials primarily relating to the history of American blues music. Collection documents the lives of significant blues musicians Robert Johnson, Blind Lemon Jefferson, Lightnin' Hopkins, and Mance Lipscomb; insight into the life, writings, and research practices of Robert "Mack" McCormick; and the business side of recording and selling the blues.

Scope and Contents:

The collection documents the life, writings, research practices, and business activities of blues scholar Robert "Mack" Burton McCormick who came to serve as a leading authority on the genre. Personal papers include diaries, curriculum vitae, biographical sketches, school papers, employment documents, correspondence, financial records, and an interview transcript. McCormick's writings consist of published magazine and journal articles, plays, essays, television scripts, short stories, and album liner notes. There are complete unpublished manuscripts, drafts with notes and research materials, and ideas for future work. McCormick's research practices and subjects of interest are documented in correspondence, field notes, annotated maps, newspaper clippings, magazine articles, city directories, interviews, photographic prints, negatives, slides, and contact sheets. American blues, Texas blues, and the music of significant blues artists, who McCormick served as an agent and manager for, dominated his extensive research efforts. In addition, the collection documents the recording, distribution and sale, and identification of consumer markets for American music in correspondence, contracts, agreements, music journals, publicity and promotional materials, music manuscripts, and interviews.

Throughout the collection preservation measures were performed to ensure long term use of the materials. Newspaper clippings were photocopied, and the originals were discarded. Audio cassette tapes have been reformatted and the digital copies will soon be available for research use.

Arrangement:

Collection is arranged into fifteen series.

Series 1: Photographic Negatives, Photographs and Slides, 1959-1998, undated

Subseries 1.1: Photographic Negatives and Contact Sheets, 1967-1977, undated

Subseries 1.2: Photographs, 1959-1998, undated

Subseries 1.3: Photographs, Texas Blues (TB), 1961-1964, undated

Subseries 1.4: Photographic Slides, 1964-1977, undated

Subseries 1.5: Negative and Photograph Indices and Assorted Material, 1963-1975

Series 2: Personal Papers, 1937-2015, undated

Subseries 2.1: Biographical Information, 1945-2003, undated

Subseries 2.2: Correspondence, Greeting Cards, and Postcards, 1937-2010, undated

Subseries 2.3: Education, 1938-1946

Subseries 2.4: Employment Records, 1948-1961, undated

Subseries 2.5: Family Papers, 1945-1988, undated

Subseries 2.6: Press, 1960-2015, undated

Subseries 2.7: Archive, 1972-2015, undated

Subseries 2.8: Campaign, 1959-2015, undated

Subseries 2.9: Financial Papers, 1952-2015

Subseries 2.10: Legal Papers, 1950-2015, undated

Subseries 2.11: Business Records, 1941-2006, undated

Series 3: Project Files, 1960-2003, undated

Subseries 3.1: Library of Congress, 1960-1964

Subseries 3.2: Newport Folk Festival, 1965-1969

Subseries 3.3: Hemisfair, 1968

Subseries 3.4: Smithsonian Institution, Festival of American Folklife 1966-1980, undated

Subseries 3.5: Other Blues Project, 2001-2003, undated

Series 4: Manuscripts and Writings, 1952-2015, undated

Subseries 4.1: Almost A Savage Joy, 1959-1980

Subseries 4.2: Another Fine Mess, 1981-1987, undated

Subseries 4.3: Blues: A New Look, 1965-1984, undated

Subseries 4.4: Blues Odyssey, 1971, undated

Subseries 4.5: Death and Tragedy, 1975-1980, undated

Subseries 4.6: Down in Texas Blues, undated

Subseries 4.7: Folk Songs of Men, 1952-1977, undated

Subseries 4.8: Hang Down Your Head Tom Dooley, 1958-1976, undated

Subseries 4.9: Henry Thomas, 1975-2002, undated

Subseries 4.10: Ira, George, Edward, and Lee, 1994, undated

Subseries 4.11: The Magic Room, 1961-1962, undated

Subseries 4.12: Origin of Blues, 1991-2004, undated

Subseries 4.13: Snake in the Belly, 1956-1957, undated

Subseries 4.14: Wiley, 1957-1984, undated

Subseries 4.15: Articles, Ideas and Drafts, 1961-2004, undated

Series 5: Artist Files, 1880-2010, undated

Series 6: Texas Blues Research, 1858-2011, undated

Subseries 6.1: Texas Blues Research, 1910-2010, undated

Subseries 6.2: Lead Files, 1962-1980, undated

Subseries 6.3: Trip Notes, 1960-1989, undated

Subseries 6.4: Song Histories, 1920-1982, undated

Subseries 6.5: Music, 1928-2011, undated

Subseries 6.6: Record Catalogs, 1963-2006, undated

Subseries 6.7: Maps, 1958-1989, undated

Series 7: Robert Johnson, 1910-2015, undated

Subseries 7.1: Research Materials, 1910-2015, undated

Subseries 7.2: Who Killed Robert Johnson Manuscript, 1955-2015, undated

Series 8: Office Files, 1938-2000, undated

Series 9: Correspondence, 1959-2015, undated

Series 10: Organizations, Groups and Buffs, 1961-2003, undated

Series 11: Festivals and Living Museums, 1960-2003, undated

Series 12: Music Journals, 1971-2006, undated

Series 13: Subject Files, 1896-2015, undated

Series 14: People Files, 1928-2014, undated

Series 15: Audio Cassette Tapes and Digital Files, 1941-2007, undated

Biographical / Historical:

Robert Burton "Mack" McCormick (August 3, 1930-November 18, 2015) was a self-taught folklorist who spent a lifetime researching, collecting, and writing about vernacular music in the United States. Most of his work focused on the blues and other musical traditions of Black, brown, and white communities living throughout Texas, Arkansas, Louisiana, Mississippi, and Alabama. After experiencing a difficult, transient childhood and eventually dropping out of high school, McCormick settled in Houston, Texas and began to work a series of odd jobs while relentlessly pursuing his goal of becoming a successful writer. Although researching and writing about music came to occupy most of his time, he also pursued passions as a screenwriter and novelist. The volume of historical research and personal interviews he conducted from the 1950s through the early 1970s is remarkable, and his published writings during this period about music and the musicians he doggedly studied were lauded by his peers as among the best in the field. Along the way he worked for a time as a manager for the careers of the Texas songsters Sam "Lightnin'" Hopkins and Mance Lipscomb, and briefly ran his own record label. He made hundreds of hours of field recordings with musicians living throughout the South. He collaborated with colleagues such as Chris Strachwitz, founder of Arhoolie Records, and Paul Oliver, with whom McCormick spent over a decade researching and writing a manuscript on the history of Texas Blues. Beginning in the late 1960s, he was contracted by the Smithsonian Institution as a field worker for its annual Festival of American Folklife, and around the same time began researching the life of blues legend Robert Johnson for a manuscript that McCormick wrote and re-wrote but failed to publish in his lifetime.

McCormick's research, along with his personal archive, became the stuff of legend among fellow blues researchers and enthusiasts, particularly after his publishing output dwindled in the 1970s. He lived with a bipolar disorder that drew him into bouts of depression and paranoia. He came to distrust many of those colleagues working most closely with him, and sometimes shared untrue information to throw them off the trail of his research discoveries. He also "borrowed" heirloom photographs from the family members and descendants of blues artists and, in several cases documented in this collection, he refused to return them. Overcome with challenges that lay both within and without his control, he came to describe the massive archive in his Houston, Texas home as "the monster," and spent his final decades attempting with little success to publish his writings.

Related Materials:

National Museum of American History, Smithsonian Institution

W. C. Handy Collection, NMAH.AC.0132

Sam DeVincent Collection of Illustrated American Sheet Music, Series 3, African American Music, NMAH.AC.0300

Sam DeVincent Collection of Illustrated American Sheet Music, Series 16: Country, Western, and Folk Music, NMAH.AC.0300

Duke Ellington Collection, NMAH.AC.0301

Frank Driggs Collection of Duke Ellington Photographic Reference Prints, NMAH.AC.0389

Program in African American Culture Collection, NMAH.AC.0408

Ruth Ellington Collection of Duke Ellington Materials, NMAH.AC.0415

Alan Strauber Photoprints, 1990-1994, 1999, NMAH.AC.0517

Jonas Bernholm Rhythm and Blues Collection, NMAH.AC.0551

Ray McKinley Music and Ephemera, NMAH.AC.0635

Bluestime Power Hour Videotapes, NMAH.AC.0657

Edward and Gaye Collection of Duke Ellington Materials, NMAH.AC.0704

Bill Holman Collection, NMAH.AC.0733

Andrew Homzy Collection of Duke Ellington Stock Arrangements, NMAH.AC.0740

Harry Warren Papers, NMAH.AC.0750

Benny Carter Collection, NMAH.AC.0757

W. Royal Stokes Collection of Music Photoprints and Interviews, NMAH.AC.0766

Fletcher and Horace Henderson Collection, NMAH.AC.0797

Smithsonian Jazz Oral History Program Collection, NMAH.AC.0808

William Russo Music and Personal Papers, NMAH.AC.0845

Milt Gabler Papers, NMAH.AC.0849

Leonard and Mary Gaskin Papers, NMAH.AC.0900

Bobby Tucker Papers, NMAH.AC.1141

Floyd Levin Jazz Reference Collection, NMAH.AC1222

Duncan Schiedt Jazz Collection, NMAH.AC1323

Maceo Jefferson Papers, NMAH.AC1370

Jazz and Big Band Collection, 1927-1966, NMAH.AC.1388

Nick Reynolds Kingston Trio Papers, NMAH.AC.1472

McIntire Family Hawaiian Entertainers Collection, NMAH.AC.1511

Native Peoples Musicians and Music Collection, NMAH.AC.1512

Ralph Rinzler Folklife Archives and Collections, Smithsonian Center for Folklife and Cultural Heritage

Arhoolie Business Records and Audio Recordings, 1960-2016, CFCH.ARHO

Moses and Frances Asch Collection, 1926-1986, CFCH.ASCH

CFCH Audiovisual Projects, 2011-2018, CFCH.AVPR

Diana Davies Photographs, 1963-1969, CFCH.DAVIE

Frederic Ramsey Audio Recordings, 1945-1959, CFCH.RAMS

Ralph Rinzler Papers and Audio Recordings, 1950-1994, CFCH.RINZ

Smithsonian Folklife Festival Records: 1968 Festival of American Folklife, CFCH.SFF.1968

Smithsonian Folklife Festival Records: 1969 Festival of American Folklife, CFCH.SFF.1969

Smithsonian Folklife Festival Records: 1970 Festival of American Folklife, CFCH.SFF.1970

Smithsonian Folklife Festival Records: 1972 Festival of American Folklife, CFCH.SFF.1972

Smithsonian Folklife Festival Records: 1973 Festival of American Folklife, CFCH.SFF.1973

Smithsonian Folklife Festival Records: 1974 Festival of American Folklife, CFCH.SFF.1974

Smithsonian Folklife Festival Records: 1975 Festival of American Folklife, CFCH.SFF.1975

Smithsonian Folklife Festival Records: 1976 Festival of American Folklife, CFCH.SFF.1976

Smithsonian Folklife Festival Records: 1983 Festival of American Folklife, CFCH.SFF.1983

Smithsonian Folklife Festival Records: 1985 Festival of American Folklife, CFCH.SFF.1985

Smithsonian Folklife Festival Records: 1987 Festival of American Folklife, CFCH.SFF.1987

Smithsonian Folklife Festival Records: 1988 Festival of American Folklife, CFCH.SFF.1988

Smithsonian Folklife Festival Records: 1989 Festival of American Folklife, CFCH.SFF.1989

Smithsonian Folklife Festival Records: 1991 Festival of American Folklife, CFCH.SFF.1991

Smithsonian Folklife Festival Records: 1996 Festival of American Folklife, CFCH.SFF.1996

Smithsonian Folklife Festival Records: 1997 Festival of American Folklife, CFCH.SFF.1997

Smithsonian Folklife Festival Records: 2011 Festival of American Folklife, CFCH.SFF.2011

Smithsonian Institution

Division of Performing Arts Records, 1966-1979, Accession T90055

Office of Public Affairs, Biographical Files, 1963-1988, Record Unit 420, SIA.FARU0420

National Museum of American History, Department of Public Programs, 1968-1992, Record Unit 584, SIA.FARU0584

Smithsonian Productions, 1967-2000, undated, SIA.FA09-055

Separated Materials:

National Museum of American History's Division of Culture and the Arts

Artifacts acquired as part of the collection include:

Washburn style G guitar, serial number 46472, Accession number 2019.0234.01.

Set of quills (or panpipes) made and played by blues artist Joe Patterson. Accession number 2019.0234.02.

Smithsonian Center for Folklife and Cultural Heritage, Ralph Rinzler Folklife Archives and Collections

Audio recordings acquired as part of the collection are listed in The Guide to the Mack McCormick Audio Tapes Collection prepared by Jeff Place, 2020-2022.

Provenance:

Collection donated by Susannah Nix to the Archives Center in 2019.

Restrictions:

Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

African American musicians  Search this

Topic:

Drafts (documents)  Search this

Blues (Music)  Search this

Blues musicians  Search this

Photographs  Search this

Postcards -- 20th century  Search this

telephone -- Directories  Search this

Plays  Search this

African American music -- 20th century  Search this

Sharecropping  Search this

Plantations  Search this

Zydeco music  Search this

Commercial recordings  Search this

Piano music (Barrelhouse)  Search this

Genealogy  Search this

African Americans -- Texas  Search this

Songsters  Search this

Blues (Music) -- Delta (Miss. : Region)  Search this

Rodeos -- United States  Search this

Prisons -- Songs and music  Search this

Festival of American Folklife -- History  Search this

Festival of American Folklife -- Planning  Search this

Street scenes  Search this

Blues (Music) -- Texas.  Search this

African Americans -- Folklore  Search this

American South  Search this

African American -- Social life and customs  Search this

Blues (Music) -- Mississippi.  Search this

Blues (Music) -- Alabama.  Search this

Blues (Music) -- New Orleans (La.)  Search this

Conjunto music  Search this

Jazz -- 20th century -- United States  Search this

Folk music -- United States  Search this

Ethnomusicology -- History  Search this

Sound recordings  Search this

Sound recording and reproduction  Search this

Tejano music  Search this

Transcripts  Search this

Folklorists  Search this

Zydeco musicians  Search this

Musicians, Cajun  Search this

Folk music -- United States -- History and criticism.  Search this

Music -- History and criticism  Search this

Festival of American Folklife  Search this

African Americans -- Alabama -- Music  Search this

Guitar -- 20th century  Search this

Guitar music  Search this

Guitarists  Search this

Country musicians  Search this

Sound recording executives and producers -- United States -- Biography.  Search this

Sound recording industry  Search this

Blues (Music) -- Southern States.  Search this

Blues musicians -- United States -- Interviews.  Search this

Hawaiian guitar  Search this

Hawaiian guitar music  Search this

African American farmers  Search this

Sharecroppers  Search this

Labor -- Southern states -- 20th century  Search this

manuscripts -- Editing  Search this

African Americans -- Songs and music  Search this

Sound recordings -- Album covers  Search this

African American prisoners  Search this

Crafts  Search this

Museum outreach programs  Search this

Folk music -- New Orleans (La.)  Search this

Black people -- Race identity  Search this

Race discrimination -- United States  Search this

Sound recordings -- Collectors and collecting  Search this

Genre/Form:

Business cards

Compact discs

Contracts

Correspondence

Folklore

Newspaper clippings

Posters

Road maps -- United States

Television scripts

Ephemera -- 20th century

Black-and-white negatives

Contact sheets -- 20th cenury

Color slides -- 20th century

Business records -- 20th century

Family papers -- 20th century

Resumes

Diaries -- 20th century

Journals (periodicals) -- 20th century

Financial records -- 20th century

Audio cassettes -- 20th century

Manuscripts -- Music -- 20th century

Playbills

Field recordings

Writings -- 20th century

Transcripts -- 20th century

Manuscripts for publication

Manuscripts -- 20th century

Color negatives

Negatives -- 20th century

Articles -- 20th century

Citation:

Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.1485

See more items in:

Robert "Mack" McCormick Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87d0d0dd0-eaee-4e5e-9e87-ebca1a5d86d7

EDAN-URL:

ead_collection:sova-nmah-ac-1485

Creator:

Gillespie, Dizzy, 1917-1993  Search this

Fishman, Charles  Search this

Extent:

20 Cubic feet ( 31 boxes, 2 map folders)

Type:

Collection descriptions

Archival materials

Awards

Business records

Clippings

Manuscripts

Financial records

Photographs

Music

Posters

Audiovisual materials

Date:

1941-2006

bulk 1987-1993

Summary:

Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.

Scope and Contents:

The collection primarily documents Charles Fishman's tenure as Gillespie's manager, 1985-1993, and is composed of business records. There is also a significant amount of personal material and photographs from the 1940s-1980s, much of which was saved by Mr. Fishman when Dizzy Gillespie wanted to throw these materials away or take them home.

Arrangement:

The collection is divided into eleven series.

Series 1, Personal Materials, 1988-1993, undated

Series 2, Correspondence, 1987-2002

Series 3, Business Files, 1979-2001, undated

Series 4, Contracts, 1987-1993

Series 5, Performance Programs, 1984-1997

Series 6, Awards and Honors, 1989-1991

Series 7, Music Manuscripts, undated

Series 8, Photographs, 1941-1993, undated

Subseries 8.1, Dizzy Gillespie, 1941-1993, undated

Subseries 8.2, Albums, 1988-1993

Subseries 8.3, Other Artists, undated

Subseries 8.4, Negatives, undated

Series 9, Newspaper Clippings and Magazine Articles, 1958-2000, undated

Series 10, Artwork and Posters, 1982-2006, undated

Subseries 10.1, Artwork, 1990-2004, undated

Subseries 10.2, Posters, 1982-2006, undated

Series 11, Audio Visual Materials, 1950-1992, undated

Subseries 11.1, Sound Recordings, 1989-1992, undated

Subseries 11.2, Moving Images, 1946-1992, undated

Biographical / Historical:

Born in South Carolina in 1917, John Birks "Dizzy" Gillespie was a master jazz trumpeter, bandleader, singer, and composer. In the 1940s, he was one of the principal developers of both bebop and Afro-Cuban jazz. Through the multitudes of musicians with whom he played and who he encouraged; he was one of the most influential players in the history of jazz.

The youngest of nine children, Gillespie was exposed to music by his father, a part-time bandleader who kept all his band's instruments at home, where young Gillespie tried them out. At age twelve, he received a music scholarship to the Laurinburg Institute in North Carolina, where he played trumpet in the school band. In 1935, at age eighteen, he moved to Philadelphia and joined his first band, where his clownish onstage behavior and sense of humor earned him his nickname, "Dizzy." Thereafter, he was almost constantly joining and leaving, or forming and disbanding, bands of various size and style, as he set out to first hone his talent, then to develop his own creative innovations and to publish his recordings, and then to fulfill his lifelong desire to lead his own band. Along the way, he played with, collaborated with, encouraged, and influenced, all the major – and most of the minor – jazz musicians of his age, including Charlie Parker, Duke Ellington, Ella Fitzgerald, Benny Carter, Billy Eckstine, Cab Calloway, and John Coltrane.

In 1937, Gillespie moved to New York, where he joined Teddy Hill's band; with Hill he made his first overseas tour, to England and France. By 1939, he had joined Cab Calloway's band and had received his first exposure to Afro-Cuban music. In 1940, Gillespie met Charlie "Bird" Parker, Thelonious Monk, and Kenny Clarke and together they began developing a distinctive, more complex style of jazz that became known as bebop or bop. In the early 1940s, Gillespie made several recordings of this new sound. In 1945, he formed and led his own big band, which was quickly downsized into a quintet due to financial problems. He was able to reform the band the next year and keep it together for four years, but it was disbanded in 1950. During this time, he began to incorporate Latin and Cuban rhythms into his work. In 1953, a dancer accidentally fell on his trumpet and bent the bell. Gillespie decided he liked the altered tone and thereafter had his trumpets specially made that way.

In 1956, after leading several small groups, the United States State Department asked Gillespie to assemble a large band for an extensive cultural tour to Syria, Pakistan, Turkey, Greece, and Yugoslavia; a second tour, to South America, took place several months later. Although he kept the band together for two more years, the lack of government funding prevented him from keeping such a large group going and he returned to leading small ensembles. In 1964, displaying the humor for which he was well-known, Gillespie put himself forward as a candidate for President.

Gillespie continued to tour, perform, record, and to collaborate with a wide range of other musicians throughout the 1970s and 1980s. He continued to encourage new styles and new talents, such as Arturo Sandoval, whom he discovered during a 1977 visit to Cuba. In 1979, Gillespie published his autobiography, To Be or Not to Bop. In the late 1980s, he organized and led the United Nations Orchestra, a 15-piece ensemble that showcased the fusion of Latin and Caribbean influences with jazz. In these later years, although still performing, he began to slow down and enjoy the rewards of his extraordinary talent. He received several honorary degrees, was crowned a chief in Nigeria, was awarded the French Commandre d'Ordre des Artes et Lettres, won a Grammy Lifetime Achievement Award, and received both the Kennedy Center Medal of Arts and the ASCAP Duke Ellington Award for Fifty Years of Achievement as a composer, performer, and bandleader. Dizzy Gillespie passed away on January 6, 1993.

Related Materials:

Materials held in the Archives Center

John and Devra Hall Levy Collection NMAH.AC1221

Paquito Rivera NMAH.AC0891

James Moody Papers NMAH.AC1405

Chico O'Farrill Papers NMAH.AC0892

Boyd Raeburn Papers NMAH.AC1431

William Claxton Photographs NMAH.AC0695

Ray Brown Papers NMAH.AC1362

Earl Newman Collection of Monterey Jazz Festival Posters NMAH.AC1207

Graciela Papers NMAH.AC1425

Leonard Gaskin Papers NMAH.AC0900

Ella Fitzgerald NMAH.AC0584

Herman Leonard Photoprints NMAH.AC0445

Stephanie Myers Jazz Photographs NMAH.AC0887

John Gensel Collection of Duke Ellington Materials NMAH.AC0763

Duke Ellington Collection NMAH.AC0301

Benny Carter Collection NMAH.AC0757

Chuck Mangione NMAH.AC1151

Bill Holman Collection NMAH.AC0733

Duncan Schiedt Photograph Collection NMAH.AC1323

Fletcher and Horace Henderson Music and Photographs NMAH.AC0797

Ernie Smith Jazz Film Collection NMAH.AC0491

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews, and Posters NMAH.AC0766

William Russo Music and Personal Papers NMAH.AC0845

Pat and Chuck Bress Jazz Portrait Photographs NMAH.AC1219

Milt Gabler Papers NMAH.AC0849

Floyd Levin Reference Collection NMAH.AC.1222

Materials held in the Division of Culture and the Arts

Includes Dizzy Gillespie's iconic "bent" trumpet (1986.0003.01); sound recordings, a button, and a sculpture.

Materials held in the Smithsonian Institution Archives

National Museum of American History. Office of Public Affairs Accession 95-150

Smithsonian Press/Smithsonian Productions Accession 04-091

Smithsonian Associates. Resident Associate Program Accession 03-086

Smithsonian Resident Associate Program Accession 98-031

Smithsonian Productions Accession 06-181

Smithsonian Resident Associate Program. Office of Public Affairs Record Unit 632

National Museum of American History. Department of Public Programs Accession 17-312

National Museum of American History. Office of Special Events Record Unit 595

Smithsonian Institution. Division of Performing Arts Accession T90055

America's Smithsonian. (Traveling exhibition) Accession 98-142

Smithsonian Institution. Division of Performing Arts Accession 84-012

Smithsonian Institution. Office of Telecommunications Record Unit 296

Smithsonian Institution. Office of Telecommunications Record Unit 590

Materials held in the Archives of American Art, Smithsonian Institution

Gertrude Abercrombie AAA.abergert

Materials at Other Organizations

Dizzy Gillespie Collection, circa 1987-2000, University of Idaho Library, Special Collections and Archives

Provenance:

The collection was donated by Charles Fishman, Dizzy Gillespie's manager, in 2007.

Restrictions:

The collection is open for research. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- United States  Search this

Trumpet players -- 20th century  Search this

Genre/Form:

Awards

Business records -- 20th century

Clippings -- 20th century

Manuscripts -- Music -- 20th century

Financial records -- 20th century

Photographs -- Black-and-white photoprints -- 1940-2000

Music -- Manuscripts

Posters -- 20th century

Audiovisual materials

Citation:

Charismic Productions Records of Dizzy Gillespie, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0979

See more items in:

Charismic Productions Records of Dizzy Gillespie

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep845912e18-7dc1-4340-81f5-68770d687b08

EDAN-URL:

ead_collection:sova-nmah-ac-0979

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Culture:

Afro-Caribbean cults  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Business records

Videotapes

Plans (drawings)

Negatives

Audiotapes

Contracts

Digital images

Audiocassettes

Correspondence

Sound recordings

Memorandums

Photographic prints

Notes

Video recordings

Plena

Place:

Caribbean Area

Haiti

Jamaica

Puerto Rico

Trinidad and Tobago

Date:

June 16-September 6, 1976

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1976 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 9 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1976 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The Festival of American Folklife's first decade culminated with the Bicentennial Festival of American Folklife that took place for twelve weeks in the summer of 1976, from June 16 to September 6 (programs typically ran from Wednesday through Sunday each week). More than 5000 participants took part over the course of the summer. The 1976 Festival involved the participation of every region of the United States, 38 foreign governments, scores of American Indian tribes, and many labor organizations. Some 4.5 million people attended the Festival.

The Bicentennial Festival resulted from the collaboration of the Smithsonian with thousands of national and international scholars, community spokespeople, and cultural exemplars involved in the documentation, presentation, transmission, and conservation of cultural traditions. Preceding the Festival were several years of establishing cultural networks, training students, and providing opportunities for diverse peoples to interpret and present their traditions. The Bicentennial also saw the flowering of a touring program, begun in 1973, in which foreign groups at the Festival subsequently toured the United States. Scores of groups from the African Diaspora and Old Ways in the New World programs gave some 200 performances in 50 cities and towns across the U.S.

The 1976 Festival again took place in the western part of the National Mall to the south of the Reflecting Pool, between 17th and 23rd Streets (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Gary Everhardt, Director). Ralph Rinzler was Director of the Festival, and Bess Lomax Hawes and Robert Byington were Deputy Directors of the Festival. Tom Vennum served as Ethnomusicologist, and Frank Proschan as Archivist. The Bicentennial Festival was sponsored by American Airlines and General Foods.

The 1976 Festival again featured seven thematic programs, complemented by a Festival Stage. African Diaspora featured different countries every two weeks. The Festival Stage brought together participants from other areas and - for the last four weeks - its own dedicated performers. Native Americans changed focus by region every week; similarly, Old Ways in the New World changed focus by country every week. Regional America (June 16-August 8) changed focus by region every week, and Working Americans changed focus by theme every two weeks, with an expanded program on Transportation the last four weeks (August 11-September 6).

The 1975 Program Book provided information on each of the programs. Biweekly, a Program Supplement provided schedules and participant information.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1976 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Related Materials:

See the United States Information Agency film production "Festival of Understanding", collection at the National Archives and Records Aministration in record referenced here: https://catalog.archives.gov/id/54029 . Additional outtake reels stewarded by NARA: 306.8078x1 - Senegal (1 ORSK Reel); 306.8078x2 - Yoruba (1 ORSK Reel); 306.8078x3 - Liberia (1 ORSK Reel); 306.8078x4 - Zaire (4 ORSK Reels); 306.8078x5 through 306.8078x11 - Festival Footage - unidentified (1 ORSK Reel each); 306.8078x12- Festival Footage - "Burning the Bush" (1 ORSK Reel; 1 MAG Reel); 306.8078x13 - Hindu Music (1 MAG Reel); 306.8078x14 - "Liberian Repeat" (1 MAG Reel); 306.8078x15 - Senagalese Wild Track (1 MAG Reel)

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

arts and crafts  Search this

Folklore  Search this

Food habits  Search this

Folk festivals  Search this

World music  Search this

Folk art  Search this

occupational folklore  Search this

Orisha religion  Search this

Vodou -- Haiti -- Rituals.  Search this

Genre/Form:

Slides (photographs)

Business records

Videotapes

Plans (drawings)

Negatives

Audiotapes

Contracts

Digital images

Audiocassettes

Correspondence

Sound recordings

Memorandums

Photographic prints

Notes

Video recordings

plena

Citation:

Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1976

See more items in:

Smithsonian Folklife Festival records: 1976 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5858643e8-749f-494f-b205-eca860d96375

EDAN-URL:

ead_collection:sova-cfch-sff-1976

Collector:

Maltsby, Portia  Search this

Creator:

Smithsonian Institution. Program in African American Culture  Search this

Extent:

100 Cubic feet (309 boxes)

Type:

Collection descriptions

Archival materials

Audiocassettes

Audiotapes

Videotapes

Photographs

Date:

1850-2004, undated

Summary:

The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.

Scope and Contents:

The collection consists primarily of administrative files, audio, video, and photographic documentation of the programs presented by the Program in African American Culture (PAAC) from 1979 through 2004. There is a substantial amount of material documenting research conducted by the Program in African American Culture (PAAC) for its programming. In addition, administrative paperwork relating to the day-to-day activities of the Program in African American Culture (PAAC) are also included in the materials.

The collection is divided into four series. Series one consists of the material created for each program and is arranged in chronological order. Series two contains background materials and publications relating to subjects of program interest and is arranged in alphabetical order. Series three includes correspondence, contracts, resumes of presenters and performers and other forms of administrative files. Series four are materials relating to Smithsonian Institution or outside programs and performances.

Arrangement:

The collection is arranged into four series.

Series 1, Programs Files, 1979-2004, undated

Series 2, Research Files, 1850-1995, undated

Series 3, Administrative Files, 1850-1995, undated

Series 4, Interviews, Speaking Engagements and Performances, 1964-2000, undated

Biographical / Historical:

The Program in African American Culture (PAAC) is a Smithsonian Institution research and programming office located in the National Museum of American History that was created as an outgrowth of the African Diaspora component of the 1975 and 1976 Festival of American Folklife. Founding director, Bernice Johnson Reagon, developed the Program in Black Culture, as the PAAC was originally, as a center for researching and presenting topics of interest to the study of African American history and culture. Reagon is a song leader, composer, scholar, and social activist, who was a founding member of the Student Nonviolent Coordinating Committee (SNCC) Freedom Singers in the Albany Movement in Georgia. The Program, which was transferred to the National Museum of American History in 1983, provided, and continues to provide, a forum for the presentation of traditional and historical forms of African American cultural expression. To accomplish this, Program in African American Culture (PAAC) staff conducted thorough research, which resulted in public programs including conferences, concerts, colloquia, and seminars on a wide range of topics.

Related Materials:

Archives Center, National Museum of American History

Duke Ellington Collection (NMAH.AC0301)

Ruth Ellington Collection of Duke Ellington Materials (NMAH.AC0415)

Eugene D. Smallwood Gospel Music Collection (NMAH.AC0456)

Wade in the Water Radio Series Collection (NMAH.AC0516)

Moses Moon Civil Rights Movement Audio Collection (NMAH.AC0556)

Bernice Reagon Johnson Collection of African American Sacred Music (NMAH.AC0653)

Edward and Gaye Collection of Duke Ellington Materials (NMAH.AC0704)

Ruth Koenig Mississippi Summer Collection (NMAH.AC0558)

Ed King Collection of Civil Rights Material (NMAH.AC0559)

Smithsonian Institution

Ralph Rinzler Folklife Archives and Collections

Smithsonian Folklife Festival records: 1969 Festival of American Folklife (CFCH.SFF.1969)

Smithsonian Institution Center for Folklife and Cultural Heritage, June 25-July 6, 1997 (CFCH.SFF.1997)

Diana Davies Photographs (CFCH.DAVIE)

Smithsonian Institution Archivesemph>

Oral History Interview with Bernice Reagon Johnson, 1986 (Accession 009612)

National Museum of American History, Program in African American Culture, 1982-2002 (Accession 05-116)

National Museum of American History, Program in African American Culture, 1983-2004 (Accession 06-002)

National Museum of American History, Program in African American Culture, 1972-1999 (Accession 08-107)

National Museum of American History, Program in African American Culture, 1975-2000 (Accession 12-102)

National Museum of American History, Program in African American Culture, 1976-1999 (Accession 12-358)

National Museum of American History, Program in African American Culture, 1980-1992, 1961 (Accession 96-147)

Duke Ellington Collection Records, circa 1985-1993 (Accession 98-129)

National Museum of American History, Program in Black American Culture, circa 1976-1987 (Accession 98-136)

Smithsonian Institution. Division of Performing Arts (Accession 84-012)

Provenance:

Collection created by the Program in African Amerian Culture at the Smithsonian Institution from 1979-1986.

Restrictions:

Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu

Rights:

Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Civil rights  Search this

African American history  Search this

African American religion  Search this

Gospel music  Search this

African Americans -- Music  Search this

Civil rights movements  Search this

Jazz  Search this

Genre/Form:

Audiocassettes

Audiotapes

Videotapes

Photographs -- 1980-2000

Citation:

Program in African American Culture Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0408

See more items in:

Program in African American Culture Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8095b9870-25ba-427d-b5f2-cf0108109c01

EDAN-URL:

ead_collection:sova-nmah-ac-0408

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

459 Sound tape reels (approximate)

Type:

Collection descriptions

Archival materials

Sound tape reels

Plans (drawings)

Audiotapes

Digital images

Memorandums

Audiocassettes

Negatives

Photographic prints

Sound recordings

Business records

Notes

Videotapes

Video recordings

Slides (photographs)

Contracts

Correspondence

Cha-chas (music)

Lindy (dance)

Place:

Caribbean Area

Trinidad and Tobago

Puerto Rico

Cuba

Date:

July 3-14, 1974

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1974 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 9 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1974 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

With the 1974 Festival of American Folklife (July 3-7 and July 10-14, 1974), the seven programs that would constitute the Bicentennial Festival were all in place. As in 1973, the Festival took place in the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of the Folklife Program and the Festival.

The 1974 Festival included seven programs, with a Festival Stage bringing together performers from other programs and, in the second week, its own participants. The 1974 Program Book was supplemented by daily folios with additional information on that day's programs.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1974 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk art  Search this

Folk festivals  Search this

Food habits  Search this

Folk music  Search this

Folklore  Search this

arts and crafts  Search this

World music  Search this

occupational folklore  Search this

Orisha religion  Search this

African diaspora  Search this

Afro-Caribbeans  Search this

Steel bands (Music)  Search this

Calypso (Music)  Search this

Mambos (Music)  Search this

Jitterbug (Dance)  Search this

Genre/Form:

Plans (drawings)

Audiotapes

Digital images

Memorandums

Audiocassettes

Negatives

Photographic prints

Sound recordings

Business records

Notes

Videotapes

Video recordings

Slides (photographs)

Contracts

Correspondence

Cha-chas (Music)

Lindy (Dance)

Citation:

Smithsonian Folklife Festival records: 1974 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1974

See more items in:

Smithsonian Folklife Festival records: 1974 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5c04ee5c0-e362-495e-8db1-3073cf7c17af

EDAN-URL:

ead_collection:sova-cfch-sff-1974

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Photographic prints

Audiocassettes

Notes

Slides (photographs)

Contracts

Video recordings

Plans (drawings)

Audiotapes

Business records

Digital images

Videotapes

Correspondence

Sound recordings

Negatives

Memorandums

Date:

June 30-July 8, 1973

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1973 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Regional America: Kentucky

Series 3: Native Americans: Northern Plains Indians

Series 4: Old Ways in the New World

Series 5: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1973 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

In 1973, the Smithsonian Institution began preparing its multi-year commemoration of the Bicentennial of the American Revolution in 1976. Beginning with this year's Festival, the National Park Service of the U.S. Department of the Interior became co-sponsor of the Festival with the Smithsonian, and it was moved to the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). As explained by Secretary S. Dillon Ripley, "Themes and presentations for this Festival are a trial run for the themes around which our own celebration of America's 200th birthday will be organized."

The 1973 Festival ran from June 30 to July 8 and included four programs that initiated the Bicentennial preparations: Regional America featured the Commonwealth of Kentucky; Native Americans featured Northern Plains tribes; Working Americans featured the building trades; and Old Ways in the New World was inaugurated with two programs: Tribute to the Tamburashi presented Yugoslavian and Yugoslavian American traditions, and British Isles Music, Song, and Dance Traditions included participants from England, Scotland, Ireland and the U.S. Of these programs, Native Americans and Working Americans extended throughout the nine-day Festival, with the British Isles program running the first four days, the Tamburashi program running the first five days, and Kentucky featured for the last five days. During the Festival, evening concerts were presented on a stage at the base of the Lincoln Memorial; documentation of those concerts is found within each of the relevant programs whose musicians were featured.

The 1973 Festival was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of Folklife Programs, with Gerald L. Davis serving as Associate Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1973 Program Book provided information on all of the programs, including a schedule and participant lists.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

arts and crafts  Search this

Folklore  Search this

Folk art  Search this

Folk festivals  Search this

World music  Search this

Food habits  Search this

occupational folklore  Search this

Genre/Form:

Photographic prints

Audiocassettes

Notes

Slides (photographs)

Contracts

Video recordings

Plans (drawings)

Audiotapes

Business records

Digital images

Videotapes

Correspondence

Sound recordings

Negatives

Memorandums

Citation:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1973

See more items in:

Smithsonian Folklife Festival records: 1973 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk57d4b15d8-799d-49a4-a5d1-ef3b37c9cb80

EDAN-URL:

ead_collection:sova-cfch-sff-1973

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

516 Sound tape reels (approximate)

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Sound tape reels

Correspondence

Photographic prints

Audiotapes

Video recordings

Digital images

Business records

Slides (photographs)

Plans (drawings)

Notes

Videotapes

Negatives

Contracts

Sound recordings

Memorandums

Audiocassettes

Place:

Caribbean Area

Jamaica

Date:

June 25-July 6, 1975

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1975 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 9 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1975 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1975 Festival (June 25-29 and July 2-6) again took place in the western part of the National Mall to the south of the Reflecting Pool, between 17th and 23rd Streets (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher, Deputy Director) and the National Park Service (Gary Everhardt, Director). Ralph Rinzler was Director of the Festival, and Robert Byington was Deputy Director of the Festival. Mack McCormick served as Consultant for Bicentennial Planning. The 1975 and 1976 Festivals were sponsored by American Airlines and General Foods.

The 1975 Festival included seven programs, with cross-Festival presentations on the Festival Stage. The 1975 Program Book provided information on each of the programs, as well as a schedule and participant lists.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk festivals  Search this

arts and crafts  Search this

World music  Search this

Food habits  Search this

Folk music  Search this

Folklore  Search this

Folk art  Search this

occupational folklore  Search this

African languages  Search this

Genre/Form:

Correspondence

Photographic prints

Audiotapes

Video recordings

Digital images

Business records

Slides (photographs)

Plans (drawings)

Notes

Videotapes

Negatives

Contracts

Sound recordings

Memorandums

Audiocassettes

Citation:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1975

See more items in:

Smithsonian Folklife Festival records: 1975 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk59610f08b-de06-414e-a004-5d8ea1d40f19

EDAN-URL:

ead_collection:sova-cfch-sff-1975

Producer:

Rinzler, Ralph  Search this

Collection Creator:

Rinzler, Ralph  Search this

Extent:

1 Phonograph record (analog, 33 1/3 rpm, 12 in.)

Culture:

Americans  Search this

Type:

Archival materials

Phonograph records

Place:

United States

Washington (D.C.)

Contents:

The old man and the old woman / traditional (Riendeau Family, Berlin, New Hampshire) (1:35) -- Old rattler / traditional (Grandpa Jones, Nashville, Tenn.) (1:36) -- Medley. Fisher's hornpipe ; Rickett's hornpipe ; Chicken reel / traditional (Chet Parker, Rockford, Michigan) (1:30) -- Tambor de Yuca / Arsenio Rodriguez (Rodriguez Brothers, Los Angeles, California) (3:04) -- Long distance call / McKinley Morganfield (Muddy Waters Blues Band, Chicago, Illinois) (7:06) -- Sjaj mjesece / traditional (Aliquippa Tamburitzans, Aliquippa, Pennsylvania) (3:15) -- What is the color of the soul of man Jimmy Driftwood (Jimmy Driftwood, Timbo, Arkansas) (4:12) -- Carmela reño con chinto / traditional (Antonio Mosquera, Selden, New York) (2:42) -- Bosco stomp / Lawrence Walker (Ardoins and Balfas (Cajun bands)) (3:35) -- 'T ain't but me one / collected by Willis James (Bernice Reagon, Atlanta, Georgia) (2:10) -- Jim and John / traditional (Ed, G.D. and Lonnie Young, Memphis, Tennessee, and Como, Mississippi) (3:26) -- I know my Lord's gonna lead me out / traditional (Monroe Brothers: Charlie, Cross Plains, Tenn., Birch, Martinsville, Indiana, and Bill, Nashville, Tenn.) (1:25) -- Uncle Pen / Bill Monroe (Bill Monroe and the Blue Grass Boys, Nashville) (2:22) -- Cherry Ball blues / Skip James (Skip James, Philadelphia, Pennsylvania) (2:43) -- Cadirimin üstüne = The top of my tent / traditional (Turkish cabaret ensemble, New York, N.Y.) (2:43) -- Hindustan / Harold Weeks and Oliver Wallace (Billie and DeDe Pierce and the Preservation Hall Band) (2:42).

Local Numbers:

FP-RINZ-LP-1093

Smithsonian Division of Performing Arts.100

General:

Folk and folk-style music of various ethnic groups in America; 5th and 14th are blues songs; 16th an instrumental jazz ensemble. Collection of performances from 1st three Festivals (1967?-1969?). Program notes on container.

Smithsonian Institution. Division of Performing Arts.

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk songs -- United States  Search this

Collection Citation:

Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.RINZ, Item FP-RINZ-LP-1093

See more items in:

Ralph Rinzler papers and audio recordings

Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5a79ed96e-6149-4088-b4b8-fa4659de6167

EDAN-URL:

ead_component:sova-cfch-rinz-ref6201

Extent:

8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)

Type:

Collection descriptions

Archival materials

Manuscripts

Date:

1846-1995

Descriptive Entry:

These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.

Historical Note:

The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.

Topic:

Museums -- Administration  Search this

Museum trustees  Search this

Genre/Form:

Manuscripts

Citation:

Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes

Identifier:

Record Unit 1

See more items in:

Minutes

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_collection:sova-sia-faru0001

Creator:

Smithsonian Institution.. Division of Performing Arts  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Type:

Archival materials

Sound recordings

Place:

United States

Washington (D.C.)

Local Numbers:

FP-1973-7RR-0164

FLP.73698

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, October 14, 1973.

General:

Q70

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Identifier:

CFCH.AVPR, Item FP-1973-7RR-0164

See more items in:

CFCH Audiovisual Projects

CFCH Audiovisual Projects / Audio Recordings

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5270af0c1-9c84-4e57-818b-143fc10fdc65

EDAN-URL:

ead_component:sova-cfch-avpr-ref603

Creator:

Smithsonian Institution.. Division of Performing Arts  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Type:

Archival materials

Sound recordings

Place:

United States

Washington (D.C.)

Local Numbers:

FP-1973-7RR-0165

FLP.73699

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, October 14, 1973.

General:

Q69

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Identifier:

CFCH.AVPR, Item FP-1973-7RR-0165

See more items in:

CFCH Audiovisual Projects

CFCH Audiovisual Projects / Audio Recordings

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5fd5a32d9-6ad4-41c1-92ef-e9ef63b426a8

EDAN-URL:

ead_component:sova-cfch-avpr-ref604

Creator:

National Museum of American History (U.S.) Office of Audience Engagement  Search this

Subject:

Hatch, Josiah O  Search this

Reagon, Bernice Johnson 1942-  Search this

Simmons, Gwendolyn Zoharah  Search this

Sharpe, Elizabeth M  Search this

Taylor, Lonn 1940-  Search this

Weaver, James Merle  Search this

Cherkasky, Shirley E  Search this

Clapp, Rebecca B  Search this

Closter, Harold A  Search this

Kilkenny, Niani  Search this

Melendez, Manuel J  Search this

Sanderson, Geraldine E  Search this

Gradwohl, Judith  Search this

Kotcho, Carrie  Search this

Smithsonian Institution Division of Performing Arts  Search this

National Museum of American History (U.S.) Office of Public Services  Search this

National Museum of History and Technology (U.S.) Office of Public and Academic Programs  Search this

National Museum of American History (U.S.) Office of Public and Academic Programs  Search this

National Museum of American History (U.S.) Department of Public Programs  Search this

National Museum of American History (U.S.) Department of Education and Public Programs  Search this

National Museum of American History (U.S.) Office of Public Programs  Search this

National Museum of American History (U.S.) Office of Education and Public Programs  Search this

National Museum of American History (U.S.) Office of Education and Public Engagement  Search this

Type:

Mixed archival materials

Date:

1980

1980-

Topic:

Museums--Public relations  Search this

Museums--Educational aspects  Search this

Historical museums  Search this

Local number:

SIA AH00146

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_221105

Creator:

Unknown  Search this

Subject:

Morris, James R  Search this

Bock, Peter  Search this

Farrand, Duffy  Search this

Smithsonian Institution Division of Performing Arts  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1967

December 21, 1967

Local number:

SIA Acc. 11-008 [OPA-1145]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372139

Creator:

Unknown  Search this

Subject:

Museum of History and Technology (U.S.)  Search this

Smithsonian Institution Division of Performing Arts  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1967

December 26, 1967

Local number:

SIA Acc. 11-008 [OPA-1155]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372147

Creator:

Unknown  Search this

Subject:

Abel, Walter 1898-1987  Search this

Smithsonian Institution Division of Performing Arts  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1968

March 27, 1968

Local number:

SIA Acc. 11-008 [OPA-1187]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372173

Creator:

Unknown  Search this

Subject:

Museum of History and Technology (U.S.)  Search this

Smithsonian Institution Division of Performing Arts  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1968

June 15, 1968

Local number:

SIA Acc. 11-008 [OPA-1369R1]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372379

Creator:

Unknown  Search this

Subject:

Museum of History and Technology (U.S.)  Search this

Smithsonian Institution Division of Performing Arts  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1968

June 15, 1968

Local number:

SIA Acc. 11-008 [OPA-1369R2]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372380

Creator:

Unknown  Search this

Subject:

Morris, James R  Search this

Museum of History and Technology (U.S.)  Search this

Smithsonian Institution Division of Performing Arts  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1968

October 14, 1968

Local number:

SIA Acc. 11-008 [OPA-1372]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372383

Creator:

Unknown  Search this

Subject:

Smithsonian Institution Division of Performing Arts  Search this

Museum of Natural History (U.S.)  Search this

Smithsonian Institution Office of Public Affairs  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1969

March 25, 1969

Local number:

SIA Acc. 11-008 [OPA-1465]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372470

Creator:

Unknown  Search this

Subject:

Smithsonian Institution Division of Performing Arts  Search this

American Airlines  Search this

Friends of the Kennedy Center  Search this

American Educational Theatre Association  Search this

ANTA (Organization)  Search this

Smithsonian Institution Office of Public Affairs  Search this

American College Theatre Festival  Search this

Physical description:

35mm;

Type:

Black-and-white negatives

Date:

1969

Local number:

SIA Acc. 11-008 [OPA-1479R1]

Restrictions & Rights:

No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu

No Copyright - United States

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_372492