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Oral history interview with Leroy Davis and Cecily Langdale, 2007 June 26-August 7

Interviewee:
Davis, Leroy, 1922-  Search this
Interviewer:
Langdale, Cecily  Search this
Subject:
Shikler, Aaron  Search this
Barnes, Albert C. (Albert Coombs)  Search this
Bly, Boris  Search this
De Mazia, Violette  Search this
Davis, Terry Ritter  Search this
Bouché, Louis  Search this
Levine, David  Search this
Penn, Arthur  Search this
Hirschl & Adler Galleries  Search this
Tyler School of Art  Search this
Barnes Foundation  Search this
Widgeon Point Charitable Foundation  Search this
Type:
Sound recordings
Interviews
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13624
(DSI-AAA_SIRISBib)271983
AAA_collcode_davis07
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271983
Online Media:

Marlene Park and Gerald E. Markowitz research materials on New Deal Art, 1931-1999

Creator:
Park, Marlene, 1931-  Search this
Markowitz, Gerald E., 1944-  Search this
Subject:
Palmer, William  Search this
Magafan, Ethel  Search this
Markowitz, Gerald E.  Search this
Reisman, Philip  Search this
Rothschild, Lincoln  Search this
Burchfield, Charles Ephraim  Search this
Refregier, Anton  Search this
Van Veen, Stuyvesant  Search this
Solman, Joseph  Search this
Sternberg, Harry  Search this
Walton, Marion  Search this
Alston, Charles Henry  Search this
Bolotowsky, Ilya  Search this
Barnet, Will  Search this
Brooks, James  Search this
Cadmus, Paul  Search this
Cronbach, Robt.(Robert M.)  Search this
Citron, Minna Wright  Search this
Gottlieb, Adolph  Search this
Gellert, Hugo  Search this
Bouché, Louis  Search this
King, Roy E.  Search this
Katz, Leo  Search this
Lanning, Edward P.  Search this
Kotin, Albert  Search this
National Personnel Records Center (U.S.)  Search this
United States  Search this
Type:
Sound recordings
Interviews
Transcripts
Photographs
Topic:
Federal aid to the arts  Search this
Record number:
(DSI-AAA_CollID)6277
(DSI-AAA_SIRISBib)216622
AAA_collcode_parkmarl
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216622
Online Media:

Oral history interview with Bartlett H. Hayes, 1972 Oct. 24

Interviewee:
Hayes, Bartlett H., 1904-1988  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
American Academy in Rome  Search this
Type:
Sound recordings
Interviews
Topic:
Museum directors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12945
(DSI-AAA_SIRISBib)211947
AAA_collcode_hayes72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211947

Oral history interview with Bartlett H. Hayes, 1974 July-1975 May 1

Interviewee:
Hayes, Bartlett H., 1904-1988  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Addison Gallery of American Art  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Arts administrators -- Massachusetts -- Boston -- Interviews  Search this
Museum directors -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13233
(DSI-AAA_SIRISBib)212716
AAA_collcode_hayes74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212716

Oral history interview with August Heckscher, 1970 May 25-Dec. 29

Interviewee:
Heckscher, August, 1913-1997  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12562
(DSI-AAA_SIRISBib)212718
AAA_collcode_hecksc70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212718
Online Media:

Oral history interview with Clement Haupers, 1965 June 15

Interviewee:
Haupers, Clement Bernard, 1900-1982  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Cahill, Holger  Search this
McMahon, Audrey  Search this
Federal Art Project (Minn.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Arts administrators -- Minnesota -- Interviews  Search this
Painters -- Minnesota -- St. Paul -- Interviews  Search this
Printmakers -- Minnesota -- St. Paul -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13315
(DSI-AAA_SIRISBib)213562
AAA_collcode_hauper65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213562

Oral history interview with Alonzo Hauser, 1965 Oct. 12

Interviewee:
Hauser, Alonzo, 1909-1988  Search this
Interviewer:
Nagle, Virginia  Search this
Subject:
Federal Art Project  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Educators -- New Mexico -- Interviews  Search this
Painters -- New Mexico -- Interviews  Search this
Sculptors -- New Mexico -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12540
(DSI-AAA_SIRISBib)213563
AAA_collcode_hauser65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213563

Oral history interview with Mary Dill Henry, 1964 May 12

Interviewee:
Henry, Mary Dill, 1913-  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mosaicists -- California -- Interviews  Search this
Designers -- California -- Interviews  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)12650
(DSI-AAA_SIRISBib)213564
AAA_collcode_henry64
Theme:
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213564

Oral history interview with Bertha Louise Hellman, 1965 May 13

Interviewee:
Hellman, Lillian Florence, 1906-1984  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mural painting and decoration -- Texas -- Houston  Search this
Women painters -- Interviews  Search this
Muralists -- Texas -- Houston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12976
(DSI-AAA_SIRISBib)213782
AAA_collcode_hellma65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213782

Oral history interview with Deana Haggag, 2020 August 14

Interviewee:
Haggag, Deana, 1987-  Search this
Interviewer:
Gillespie, Benjamin, 1988-  Search this
Subject:
Pandemic Oral History Project  Search this
United States Artists  Search this
Type:
Interviews
Video recordings
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Record number:
(DSI-AAA_CollID)21958
AAA_collcode_haggag20
Theme:
African American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21958

Oral history interview with Peter Harvey, 2011 Sept. 30-Oct. 1

Interviewee:
Harvey, Peter, 1933-  Search this
Interviewer:
Katz, Jonathan D., 1958-  Search this
Type:
Sound recordings
Interviews
Topic:
Designers -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15997
(DSI-AAA_SIRISBib)305687
AAA_collcode_harvey11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_305687

Corbino Galleries records, 1979-2009

Creator:
Corbino Galleries  Search this
Type:
Video recordings
Topic:
Latino and Latin American artists  Search this
Record number:
(DSI-AAA_CollID)21651
(DSI-AAA_SIRISBib)397957
AAA_collcode_corbgall
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_397957

Program in African American Culture Collection

Collector:
Maltsby, Portia  Search this
Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
100 Cubic feet (309 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Audiotapes
Videotapes
Photographs
Date:
1850-2004, undated
Summary:
The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.
Scope and Contents:
The collection consists primarily of administrative files, audio, video, and photographic documentation of the programs presented by the Program in African American Culture (PAAC) from 1979 through 2004. There is a substantial amount of material documenting research conducted by the Program in African American Culture (PAAC) for its programming. In addition, administrative paperwork relating to the day-to-day activities of the Program in African American Culture (PAAC) are also included in the materials.

The collection is divided into four series. Series one consists of the material created for each program and is arranged in chronological order. Series two contains background materials and publications relating to subjects of program interest and is arranged in alphabetical order. Series three includes correspondence, contracts, resumes of presenters and performers and other forms of administrative files. Series four are materials relating to Smithsonian Institution or outside programs and performances.
Arrangement:
The collection is arranged into four series.

Series 1, Programs Files, 1979-2004, undated

Series 2, Research Files, 1850-1995, undated

Series 3, Administrative Files, 1850-1995, undated

Series 4, Interviews, Speaking Engagements and Performances, 1964-2000, undated
Biographical / Historical:
The Program in African American Culture (PAAC) is a Smithsonian Institution research and programming office located in the National Museum of American History that was created as an outgrowth of the African Diaspora component of the 1975 and 1976 Festival of American Folklife. Founding director, Bernice Johnson Reagon, developed the Program in Black Culture, as the PAAC was originally, as a center for researching and presenting topics of interest to the study of African American history and culture. Reagon is a song leader, composer, scholar, and social activist, who was a founding member of the Student Nonviolent Coordinating Committee (SNCC) Freedom Singers in the Albany Movement in Georgia. The Program, which was transferred to the National Museum of American History in 1983, provided, and continues to provide, a forum for the presentation of traditional and historical forms of African American cultural expression. To accomplish this, Program in African American Culture (PAAC) staff conducted thorough research, which resulted in public programs including conferences, concerts, colloquia, and seminars on a wide range of topics.
Related Materials:
Archives Center, National Museum of American History

Duke Ellington Collection (NMAH.AC.0301)

Ruth Ellington Collection of Duke Ellington Materials (NMAH.AC.0415)

Eugene D. Smallwood Gospel Music Collection (NMAH.AC.0456)

Wade in the Water Radio Series Collection (NMAH.AC.0516)

Moses Moon Civil Rights Movement Audio Collection (NMAH.AC.0556)

Bernice Reagon Johnson Collection of African American Sacred Music (NMAH.AC0653)

Edward and Gaye Collection of Duke Ellington Materials (NMAH.AC.0704)

Smithsonian Institution

Ralph Rinzler Folklife Archives and Collections

Smithsonian Institution Center for Folklife and Cultural Heritage, June 25-July 6, 1997 (CFCH.SFF.1997)

Smithsonian Institution Archivesemph>

Oral History Interview with Bernice Reagon Johnson, 1986 (Accession 009612)

National Museum of American History, Program in African American Culture, 1982-2002 (Accession 05-116)

National Museum of American History, Program in African American Culture, 1983-2004 (Accession 06-002)

National Museum of American History, Program in African American Culture, 1972-1999 (Accession 08-107)

National Museum of American History, Program in African American Culture, 1975-2000 (Accession 12-102)

National Museum of American History, Program in African American Culture, 1976-1999 (Accession 12-358)

National Museum of American History, Program in African American Culture, 1980-1992, 1961 (Accession 96-147)

Duke Ellington Collection Records, circa 1985-1993 (Accession 98-129)

National Museum of American History, Program in Black American Culture, circa 1976-1987 (Accession 98-136)
Provenance:
Collection created by the Program in African Amerian Culture at the Smithsonian Institution from 1979-1986.
Restrictions:
Collection is open for research. Use of reference audio and video cassette copies only.
Rights:
Reproduction fees for commercial use. Copyright restrictions. Contact staff for information.
Topic:
Civil rights  Search this
African American history  Search this
African American religion  Search this
Gospel music  Search this
African Americans -- Music  Search this
Civil rights movements  Search this
Jazz  Search this
Genre/Form:
Audiocassettes
Audiotapes
Videotapes
Photographs -- 1980-2000
Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0408
See more items in:
Program in African American Culture Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0408
Online Media:

Skowhegan School of Painting and Sculpture records

Creator:
Skowhegan School of Painting and Sculpture  Search this
Names:
Bishop, Isabel, 1902-1988  Search this
Cummings, Willard Warren, 1915-1975  Search this
Fortess, Karl E. (Karl Eugene), 1907-1993  Search this
Gonzalez, Xavier, 1898-1993  Search this
Simon, Sidney, 1917-1997  Search this
Extent:
35.42 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Motion pictures (visual works)
Date:
1945-2013
Summary:
The Skowhegan School of Painting and Sculpture records measure 35.42 linear feet and date from 1945 to 2013. The paper records of the school document the period from circa 1945 to 1977 and consist of administrative records, financial records, visiting artist files, faculty files, student files, and photographic material. Also included are motion picture films by Jack Eastman and Karl Fortess, dating from circa 1950 to 1968, showing the school's campus and faculty, staff, and students at work and leisure. A large portion of the collection consists of the Skowhegan Lecture Archives, a sound recording archive of lectures given by artists speaking at the school between 1952 and 2013.
Scope and Contents:
The Skowhegan School of Painting and Sculpture records measure 35.42 linear feet and date from 1945 to 2013. The paper records of the school document the period from circa 1945 to 1977 and consist of administrative records, financial records, visiting artist files, faculty files, student files, and photographic material. Also included are motion picture films by Jack Eastman and Karl Fortess, dating from circa 1950 to 1968, showing the school's campus and faculty, staff, and students at work and leisure., artists, and students. A large portion of the collection consists of the Skowhegan Lecture Archives, a sound recording archive of lectures given by artists speaking at the school between 1952 and 2013.

Administrative records include files for the school's board, exhibitions and benefits, fundraising, government agencies, publicity, and other office files. Financial records consist of accounting procedure documents, bills paid, budgets, student drawing accounts, payroll, real estate expenses, and reports.

Files for visiting artists such as Philip Pearlstein, Yasuo Kuniyoshi, and William Zorach contain correspondence, lecture notes and transcripts, and records regarding the broadcast of artists' lectures. Faculty files consist of correspondence, faculty lists, and other material for Isabel Bishop, Xavier Gonzalez, Sidney Simon, and other faculty members. Student files include alumni records, correspondence, recommendations and rejections, and scholarship material.

Photographs and negatives are of Janet Fish, Paul Rasika, Alice Neel, Bette Davis, Jacob Lawrence, Roy Lichtenstein, faculty and visiting artists, and students at events, lectures, social gatherings, and in class.

Motion picture films include silent, color footage of the school's campus, working faculty and students, and social activities. Footage includes both edited footage and outtakes (footage shot but not used in the edited piece), that form three distinct sets of films from three different periods: 16 mm films from the 1950s, 8 mm films from 1964-1965, and super 8 mm films from 1966-1968. Based on handwritten notes on the original film containers, Karl Fortess was the creator of the 16 mm films, and Jack Eastman was the creator of the 8 mm film. It is unclear who created the super 8 mm films, but some of the footage appears to have been shot by Willard Cummings.
Arrangement:
The collection is arranged as 8 series.

Series 1: Administrative Records, 1945-1977 (Boxes 1-5, 12, OV 31; 5.0 linear feet)

Series 2: Financial Records, 1945-1967 (Boxes 5-8, 12, OV 31; 3.0 linear feet)

Series 3: Visiting Artists Files, 1948-1965 (Boxes 8; 0.5 linear feet)

Series 4: Faculty Files, 1946-1965 (Boxes 8-9; 0.4 linear feet)

Series 5: Student Files, 1946-1964 (Boxes 9-12; 2.0 linear feet)

Series 6: Photographic Materials, 1955-1977 (Boxes 11-12; 0.5 linear feet)

Series 7: Motion Picture Films, circa 1955-1970 (Box 11, film cans FC 13-30; 1.9 linear feet)

Series 8: Skowhegan Lecture Archives, 1952-2013
Biographical / Historical:
Skowhegan School of Painting and Sculpture (est. 1946) is an art school and artist residency in Skowhegan, Maine. Since the school's beginnings, it has attracted prominent visiting artists and faculty members such as Jacob Lawrence, Philip Pearlstein, Ben Shahn, Isabel Bishop, and Yasuo Kuniyoshi.

The school was founded by Willard W. Cummings, Henry Varnum Poor, Sidney Simon, and Charles Cutler. While serving in Europe during World War II on The War Art Unit project, a project that sent artists to battle zones in order to record their impressions, they noticed that the European system of studying art allowed students intimate access to artists, their studios, and creative life. The Skowhegan School founders wanted to create a similar intimacy between students and artists in the U.S. After returning to the U.S., Cummings, Poor, Simon, and Cutler built an art program that included visiting artists and an artist lecture series that enabled students to interact with professional, well-established artists. In 1960, the school's administration was reorganized due to a fire that burned down the barn, which served as a fresco painting studio, and other nearby buildings. The reorganization introduced trustees and other facets of the administration that were needed to sustain the school's funding and operations.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reels N68-27-N68-30, N68-78-N68-80, and N68-96-N68-97. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
Skowhegan School of Painting and Sculpture records were lent to the Archives of American Art for microfilming in 1968. The Skowhegan School of Painting and Sculpture via Willard Cummings and Jack Eastman donated portions of the lent material from 1968 to 1977. The lecture archive was donated between 2002 to 2014 via the Executive Director.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Skowhegan Lecture Archives: Authorization to publish, quote or reproduce requires written permission from Skowhegan in addition to the copyright holders. A list of copyright holders is available at the Archives of American Art Washington, D.C. office. Transcripts may not be duplicated.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American -- Study and teaching  Search this
Function:
Art Schools -- Maine -- Skowhegan
Genre/Form:
Sound recordings
Motion pictures (visual works)
Citation:
Skowhegan School of Painting and Sculpture records, 1945-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.skowscho
See more items in:
Skowhegan School of Painting and Sculpture records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-skowscho

Printed Materials

Collection Creator:
Skowhegan School of Painting and Sculpture  Search this
Container:
Box 5, Folder 8-16
Type:
Archival materials
Date:
1946-1977
Scope and Contents:
Assorted printed materials include Skowhegan program brochures and catalogs, bulletins and newsletters, clippings, as well as notes, correspondence, and a few annotations within some of the printed materials.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
Skowhegan Lecture Archives: Authorization to publish, quote or reproduce requires written permission from Skowhegan in addition to the copyright holders. A list of copyright holders is available at the Archives of American Art Washington, D.C. office. Transcripts may not be duplicated.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Skowhegan School of Painting and Sculpture records, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Skowhegan School of Painting and Sculpture records
Skowhegan School of Painting and Sculpture records / Series 1: Administrative Records / 1.6: Publicity
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-skowscho-ref300

Printed Materials - Brochures

Collection Creator:
Skowhegan School of Painting and Sculpture  Search this
Container:
Box 5, Folder 7
Type:
Archival materials
Date:
1946-1958
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
Skowhegan Lecture Archives: Authorization to publish, quote or reproduce requires written permission from Skowhegan in addition to the copyright holders. A list of copyright holders is available at the Archives of American Art Washington, D.C. office. Transcripts may not be duplicated.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Skowhegan School of Painting and Sculpture records, 1945-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Skowhegan School of Painting and Sculpture records
Skowhegan School of Painting and Sculpture records / Series 1: Administrative Records / 1.6: Publicity
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-skowscho-ref92

Federal Works Agency Buildings Administration

Collection Creator:
Jones, Amy, 1899-1992  Search this
Container:
Box 2, Folder 4
Type:
Archival materials
Date:
1942
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Amy Jones papers, 1910s-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Amy Jones papers
Amy Jones papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-joneamy-ref43

Corbino Galleries records

Creator:
Corbino Galleries  Search this
Extent:
5.3 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1979-2009
Summary:
The records of the Corbino Galleries, a Florida gallery representing American, Latin American, and other emerging artists, measure 5.3 linear feet and date from 1979-2007. The collection documents the gallery's activities through administrative files and business records, artist files, and printed materials.
Scope and Contents:
The records of the Corbino Galleries, a Florida gallery representing American, Latin American, and other emerging artists, measure 5.3 linear feet and date from 1979-2007. The collection documents the gallery's activities through administrative files and business records, artist files, and printed materials. The records include loan agreements, collector files, financial and sales records, correspondence, biographical information regarding artists, slides and negatives of works of art, several VHS video recordings as well as loose scrapbook pages with news clippings and additional printed material.
Arrangement:
The collection is arranged as 3 series.

Series 1: Administrative Files and Business Records, 1980-2003 (Box 1-3; 2.1 linear feet)

Series 2: Artist Files, 1979-2009 (Box 3-5; 2.8 linear feet)

Series 3: Printed Material, 1981-2004 (Box 5-6; OV 7)
Biographical / Historical:
Corbino Galleries (established 1985; closed 2003), established by Marcia and Michael Corbino, artist Jon Corbino's wife and son, was a contemporary art gallery in Sarasota and Longboat Key, Florida. The gallery represented American, Latin American, and other emerging artists including Dorothy Gillespie, Eric and Jimmy Ernst, Popliteo (Luis Montoya and Leslie Ortiz), Humberto Calzada, and many others.
Provenance:
The collection was donated in 2018 by Lee Corbino, daughter of Marcia and Jon Corbino.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Latino and Latin American artists  Search this
Function:
Art galleries, Commercial -- Florida -- Sarasota
Genre/Form:
Video recordings
Citation:
Corbino Galleries records, 1979-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.corbgall
See more items in:
Corbino Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-corbgall

Advertisements

Collection Creator:
Corbino Galleries  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1987-2003
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Corbino Galleries records, 1979-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Corbino Galleries records
Corbino Galleries records / Series 1: Administrative Files and Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-corbgall-ref10

The American Scene Gallery

Collection Creator:
Corbino Galleries  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1989-1993
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Corbino Galleries records, 1979-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Corbino Galleries records
Corbino Galleries records / Series 1: Administrative Files and Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-corbgall-ref11

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