An interview with Alexis Smith conducted 2014 January 24 and April 14, by Hunter Drohojowska-Philp, for the Archives of American Art at Smith's studio, in Venice, California.
Ms. Smith discusses growing up in Southern California and her early years living with her parents on the grounds of Metropolitan State Hospital, a mental institution in Norwalk, California; her mother's death when Ms. Smith was 11; the family's time in Whittier and Palm Springs and being raised as an only child by her father; her early interest in French studies and travel to France as a student; her interest in studying art beginning with a John Coplans class at UC Irvine; her time at at UC Irvine in the early days of the university and her growing attraction to the life of an artist; the origin of her name Alexis Smith; and the encouragement of her fellow artists to continue pursuing her cut-up collages from literature, photos, magazines, and Hollywood ephemera. Ms. Smith also describes her time with her artist women's group in the 70s; her husband Scott Grieger; working for Frank Gehry; her showing with the Nicholas Wilder Gallery; her relationship with Chris Burden and her time with him during his period of performance pieces in the 70s; the Riko Mizuno Gallery; her work with terrazzo and its use for installations at the LA Convention Center, Ohio State University, and other installations; the appropriation of text and the assistance of Jerry Solomon utilizing custom frames in her artwork; the impact of women from history, media and literature on her art; her relationship with Coy Howard; the Holly Solomon Gallery; her Jane series; her On the Road series; her installation Snake Path at UC San Diego; her piece for SITE Santa Fe Red Carpet; teaching at UCLA; her installation of the piece Scarlet Letter at Las Vegas Central Library and its subsequent removal; her associations with Margo Leavin Gallery and Honor Fraser gallery; and the loss of her long-time studio space and the challenges of storing her artwork. Ms. Smith also recalls Judy Chicago, Robert Irwin, Vija Celmins, Larry Bell, Barbara Burden, Richard Sedivy, Avilda Moses, Craig Krull, and Allen Ruppersberg among others.
Biographical / Historical:
Alexis Smith (1949- ) is a collage, multimedia, and installation artist in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
Originally recorded as 5 sound files. Duration is 3 hr., 11 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.
Artists' files including biographical information, slides, reviews; exhibition files; a scrapbook (unbound); slides and photographs of works of art and exhibition installations; works of art; printed material including posters; and financial material regarding the Rosamund Felsen Gallery.
Among the artists are Alicia Beach, Meg Cranston, Richard Jackson, Kaz Oshiro, John Boskovich, Jeff Gambill, Robert Rauschenberg, William Wegman, Ann Thorny Craft, Raymond Pettibon, Jeffrey Vallance, Mitchell Syrop, Mac James, Stephen Bush, Ali Acerol, Marnie Weber, Keith Sklar, Leland Rice, Steve Rogers, Greg Brown, Robert Ackerman, Dan Burkhart, Oliver Andrews, Ron Cooper, Guy Dill, James Hayward, Billy Al Bengston, Erika Rothenberg, Peter Lodato, Keith Sonnier, Tom Knechtel, Paul McCarthy, Jim Shaw, Maria Nordman, Kori Newkirk, Laura Owens, Al Ruppersberg, Ilya Kabakov, Alexis Smith, Roy Dowell, Lari Pittman, Guy de Cointet, Cisco Jiménez, Glenn Kaino, John Miller, Chris Burden, Mike Kelley, Heidi Kidon and others.
Biographical / Historical:
The Rosamund Felsen Gallery (established 1978) is an art gallery in Santa Monica, California that focuses on the art community in Los Angeles, California.
Donated 2014- 2016 by the Rosamund Felsen Gallery via Rosamund Felsen, gallery founder and owner.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.