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National D-Day Memorial, (sculpture)

Sculptor:
Brothers, Jim 1942-2013  Search this
Kirby, Matt  Search this
Pumphrey, Richard  Search this
Architectural firm:
Byron Dickson & Associates  Search this
Subject:
Eisenhower, Dwight D  Search this
Bradley, Omar N  Search this
Stalin, Joseph  Search this
Churchill, Winston  Search this
Roosevelt, Franklin D  Search this
De Gaulle, Charles  Search this
Tedder, Arthur William  Search this
Medium:
Bronze
Culture:
French  Search this
Russian  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
National D-Day Memorial 3 Overlord Circle Bedford Virginia 24523
Date:
Dedicated June 6, 2001
Topic:
History--United States--World War II  Search this
Landscape--France--Normandy  Search this
Figure group--Male  Search this
Occupation--Military--Soldier  Search this
Dress--Uniform--Military Uniform  Search this
Portrait male--Full length  Search this
Portrait male--Bust  Search this
Portrait male  Search this
Ethnic  Search this
Control number:
IAS 71500626
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_355977

Will Barnet papers, 1897

Creator:
Barnet, Will, 1911-  Search this
Subject:
Booth, Cameron  Search this
Pearson, Henry  Search this
Savelli, Angelo  Search this
Sternberg, Harry  Search this
Barnet, Peter. Will Barnet: artist and teacher  Search this
Von Wicht, John  Search this
Art Students League (New York, N.Y.)  Search this
Waddell Gallery  Search this
Esther-Robles Gallery  Search this
Type:
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Citation:
Will Barnet papers, 1897. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8871
(DSI-AAA_SIRISBib)211056
AAA_collcode_barnwill
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211056
Online Media:

Harry Sternberg papers, 1927-2000

Creator:
Sternberg, Harry, 1904-2001  Search this
Subject:
Warner, Malcolm  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Zigrosser, Carl  Search this
Wickey, Harry  Search this
Secunda, Arthur  Search this
Kent, Rockwell  Search this
Siqueiros, David Alfaro  Search this
Blume, Peter  Search this
Evergood, Philip  Search this
Art Students League (New York, N.Y.)  Search this
Idyllwild School and Museum for the Arts  Search this
Type:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Citation:
Harry Sternberg papers, 1927-2000. Archives of American Art, Smithsonian Institution.
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9477
(DSI-AAA_SIRISBib)211675
AAA_collcode_sterharr
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211675
Online Media:

John Wilde papers, 1935-2011

Creator:
Wilde, John, 1919-2006  Search this
Subject:
Seefeldt, Michael  Search this
Whitney, J. D.  Search this
Karidis, Jerome  Search this
Laird, Mary Louise  Search this
Hamady, Walter  Search this
Glasier, Marshall  Search this
Ernst, Max  Search this
Minasian, Khatchik  Search this
Fein, Sylvia  Search this
Gardetto, Peter  Search this
Littleton, Harvey K.  Search this
Abercrombie, Gertrude  Search this
Gardetto, Helga  Search this
Bouras, Harry  Search this
Terkel, Studs  Search this
Colescott, Warrington  Search this
Wolff, Theodore F.  Search this
Cozzolino, Robert  Search this
Priebe, Karl J.  Search this
Economou, George  Search this
Huppler, Dudley  Search this
Lindbergh, Reeve  Search this
Tandem Press  Search this
Andrew Balkin Editions  Search this
Type:
Sketches
Sketchbooks
Diaries
Photographs
Collages
Drawings
Interviews
Illustrated letters
Scrapbooks
Citation:
John Wilde papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Wisconsin  Search this
Surrealism  Search this
Magic realism (Art)  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13425
(DSI-AAA_SIRISBib)215872
AAA_collcode_wildjohn
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215872
Online Media:

Harold Helwig and Lenore Davis papers, 1940-2013

Creator:
Davis, Lenore, 1936-1995  Search this
Helwig, Harold B., 1938-2012  Search this
Type:
Sketchbooks
Video recordings
Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
Topic:
Enamel and enameling  Search this
Textile design  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17478
(DSI-AAA_SIRISBib)388783
AAA_collcode_helwharo
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_388783

Fred Becker papers, 1913-2004, bulk 1940-2000

Creator:
Becker, Fred, 1913-2004  Search this
Subject:
Burlin, Paul  Search this
Hayter, Stanley William  Search this
Hugo, Ian  Search this
Nin, Anaïs  Search this
Singer, Gail  Search this
Todd, Ruthven  Search this
Van Duyn, Mona  Search this
Atelier 17  Search this
Mary Ryan Gallery (New York, N.Y.)  Search this
United States. Office of War Information  Search this
Type:
Interviews
Lectures
Photographs
Prints
Sketchbooks
Sketches
Sound recordings
Video recordings
Transcripts
Citation:
Fred Becker papers, 1913-2004, bulk 1940-2000. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Massachusetts  Search this
Printmakers -- Massachusetts  Search this
World War, 1939-1945  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17554
(DSI-AAA_SIRISBib)393625
AAA_collcode_beckfred
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_393625
Online Media:

Juliette Elkon Hamelecourt papers

Creator:
Hamelecourt, Juliette Elkon  Search this
Names:
Chelsea Hotel  Search this
Bettina, 1903-  Search this
Brown, Robert Delford  Search this
Childs, Bernard, 1910-1985  Search this
Fecher, Rita  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Glassgold, Adolph, 1899-  Search this
Gordon, Maxwell, 1910-1982  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1911-2000
bulk 1940s-2000
Summary:
The Juliette Elkon Hamelecourt papers measure 3.1 linear feet and date from 1911-2000, with the bulk of the records dating from 1940s-2000. The papers document Hamelecourt's career through resumes, personal business records, and writings, as well as general correspondence, printed material, scrapbooks, and photographs. The collection also contains a series of interviews conducted by Hamelecourt with artists at the Chelsea Hotel in New York.
Scope and Contents:
The Juliette Elkon Hamelecourt papers measure 3.1 linear feet and date from 1911-2000, with the bulk of the records dating from 1940s-2000. Biographical material consists of resumes, notes and other writings, as well as some personal business records such as contracts, price lists, loan agreements, and consignment lists. Correspondents include customers, museums, galleries, friends, publishers, and family members and discussions regard exhibitions, sales, food, and personal matters. The collection's printed material consists of clippings about Hamelecourt, Haiti, the Chelsea Hotel, and other artists; exhibition announcements, invitations, and catalogs; press releases, newsletters, and bulletins; articles written by Hamelecourt; reproductions of her artwork; and the book jacket from Hamelecourt's Edith Cavell: Heroic Nurse (1958). Hamelecourt's scrapbooks contain a variety of material such as correspondence with museums, galleries, and family members about her life and artwork as well as correspondence for historical and cultural research purposes; photographs and slides of Hamelecourt, artwork, family, and friends; printed material; sketches; drafts of her autobiography; and biographical papers pertaining to her marriage in 1969. The collection also contains a series of interviews conducted by Hamelecourt with artists at the Chelsea Hotel including Arman, Bettina, Bernard Childs, Rita Fetcher, Eugenie Gershoy, Adolph Cook Glassgold, Maxwell Gordon, and others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1972-1991 (Box 1; 7 folders)

Series 2: Correspondence, 1943-1999 (Box 1; 12 folders)

Series 3: Interviews with Chelsea Hotel Artists, circa 1980 (Box 1; 5 folders)

Series 4: Printed Material, 1943-2000 (Box 2; .8 linear feet)

Series 5: Scrapbooks, 1911-1999 (Box 2-3, OV 4; 1 linear foot)

Series 6: Photographs, 1940-1990s (Box 3; 5 folders)
Biographical / Historical:
Juliette Elkon Hamelecourt (1912-2002) was a fiber artist, tapissiere, and lecturer in Haiti, New York, and Cleveland. Hamelecourt was born in Belgium and spent her early years traveling with her father in England and China. Hamelecourt first learned needlework in China at the age of 10. After her father's death a couple of years later, she returned to live in Belgium with her grandparents where Hamelecourt worked alongside her grandmother who was a volunteer conservationist, repairing chasubles for the local clergy. Hamelecourt's early tapestries were ultimately lost or destroyed during World War II when she and her family moved to New York as refugees. Until the late 1950s she worked as a culinary editor, food consultant, and author of non-fiction, while needlework remained a hobby. Hamelecourt first visited Haiti reporting on French Caribbean cuisine in the late 1950s, and soon after moved there as a representative for the World Craft Council. In Haiti, she trained local women to embroider designs from their own environment and folklore. Hamelecourt moved to the Chelsea Hotel in New York around 1970, at this time she began receiving commissions for her work--some of which she sub-contracted to her Haitian embroiderers--and consulting as a designer. She established an embroidery workshop at the hotel with a grant from the New York Council on the Arts. Hamelecourt moved to Cleveland, Ohio in 1980.
Provenance:
The collection was donated by Juliette Hamelecourt, 1978-1997, and by the Juliette Elkon Hamelecourt estate via Leonard Spremulli in 2014.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- New York (State) -- New York  Search this
Tapissiers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Juliette Elkon Hamelecourt papers, 1911-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hamejuli
See more items in:
Juliette Elkon Hamelecourt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw951728de8-3289-4416-aeef-b0efe2d11a53
EDAN-URL:
ead_collection:sova-aaa-hamejuli

Exhibition Records, 1898, 1916-1917, 1954, 1966, 1969-2018

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery Curatorial - Ceramics  Search this
Subject:
Cort, Louise Allison 1944-  Search this
Arthur M. Sackler Gallery (Smithsonian Institution)  Search this
Freer Gallery of Art  Search this
Fogg Art Museum  Search this
Harvard University  Search this
Physical description:
20.26 cu. ft. unprocessed holdings
Type:
Manuscripts
Clippings
Color photographs
Color negatives
Color transparencies
Black-and-white photographs
Black-and-white negatives
Glass negatives
Brochures
Exhibition catalogs
Picture postcards
Newsletters
Transcripts
Compact discs
Architectural drawings
Floor plans
Maps
Electronic records
Serials (publications)
Digital versatile discs
Floppy disks
Videotapes
Electronic images
Drawings
Date:
1898
1898-2018
1898, 1916-1917, 1954, 1966, 1969-2018
Topic:
Art museums  Search this
Art museum curators  Search this
Art, Asian  Search this
Pottery  Search this
Pottery craft  Search this
Ceramics  Search this
Museum exhibits  Search this
Lectures and lecturing  Search this
Museums--Educational aspects  Search this
Local number:
SIA RS01014
Restrictions & Rights:
Materials less than 15 years old Restricted. Contact reference staff for details
See more items in:
Exhibition Records 1898, 1916-1917, 1954, 1966, 1969-2018 [Freer Gallery of Art and Arthur M. Sackler Gallery Curatorial - Ceramics]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_227858

Why should I hesitate William Kentridge

Contributor:
Kentridge, William 1955-  Search this
Langtry, Tammy  Search this
Kouoh, Koyo  Search this
Mosquito, Nástio  Search this
Nel, Karel  Search this
Freedberg, David  Search this
Writer of foreword:
Nwagbogu, Azu  Search this
Brundyn, Elana  Search this
Editor:
Christian, Sven  Search this
McIlleron, Anne  Search this
Martin, Owen 1985-  Search this
Publisher:
Zeitz Museum of Contemporary Art Africa  Search this
Norval Foundation  Search this
Physical description:
2 volumes (377, 327 pages) chiefly illustrations (some color) 28 cm + 1 silkscreen print on found book page (23 x 15 cm) ; in slipcase (28 x 21 x 7 cm)
Type:
Exhibitions
Exhibition catalogs
Catalogues d'exposition
Date:
2019
20th century
21st century
Topic:
Art, South African  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1154967

Administrative Records, 1835-2019

Creator:
Smithsonian Institution Office of the Secretary  Search this
Uniform title:
Smithsonian Directives (Administrative issuances)  Search this
Subject:
Langley, S. P (Samuel Pierpont) 1834-1906  Search this
Henry, Joseph 1797-1878  Search this
Abbot, C. G (Charles Greeley) 1872-1973  Search this
Adams, Robert McC (Robert McCormick) 1926-2018  Search this
Carmichael, Leonard 1898-1973  Search this
Heyman, Ira Michael 1930-2011  Search this
Walcott, Charles D (Charles Doolittle) 1850-1927  Search this
Wetmore, Alexander 1886-1978  Search this
Baird, Spencer Fullerton 1823-1887  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Small, Lawrence M  Search this
Clough, G. Wayne  Search this
Samper, Cristián  Search this
Horvath, Albert G  Search this
Skorton, David J  Search this
Bunch, Lonnie G  Search this
Smithsonian Institution Administration  Search this
Smithsonian Institution Board of Regents  Search this
Smithsonian Institution  Search this
United States Congress  Search this
Physical description:
846.85 cu. ft. processed holdings
542.48 cu. ft. unprocessed holdings
Type:
Ephemera
Floor plans
Clippings
Black-and-white photographs
Brochures
Color photographs
Manuscripts
Pamphlets
Sketches
Video recordings
Compact discs
Drawings
Videotapes
Illustrations
Color negatives
Color transparencies
Audiotapes
Floppy disks
Electronic records
Electronic mail
Books
Architectural drawings
Digital versatile discs
Digital images
Newspapers
Date:
1835
1835-2019
Topic:
Museums--Administration  Search this
Budget  Search this
Personnel management  Search this
Smithsonian buildings  Search this
Museum buildings  Search this
Museum exhibits  Search this
Museums--Collection management  Search this
Information technology  Search this
Committees  Search this
Gifts  Search this
Congresses and conventions  Search this
Strategic planning  Search this
Museums--Public relations  Search this
Museum finance  Search this
Museum publications  Search this
Real property  Search this
Estates (Law)  Search this
Contracts  Search this
Product management  Search this
Speeches, addresses, etc  Search this
Fund raising  Search this
Trusts and trustees  Search this
Research grants  Search this
Museums--Employees  Search this
Research  Search this
Awards  Search this
Tours  Search this
Corporate sponsorship  Search this
Special events  Search this
Wills  Search this
Local number:
SIA RS00771
Restrictions & Rights:
Materials less than 15 years old Restricted. Contact reference staff for details
See more items in:
Administrative Records 1835-2019 [Smithsonian Institution Office of the Secretary]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_220180

Obiora Udechukwu line, image, text Chika Okeke-Agulu

Interviewer:
Okeke-Agulu, Chika  Search this
Interviewee:
Udechukwu, Obiora 1946-  Search this
Physical description:
400 pages chiefly color illustrations 30 cm
Type:
Catalogs
Notebooks, sketchbooks, etc
Interviews
Catalogues
Catalog
Interview
catalogs (documents)
Sketchbooks
Criticism, interpretation, etc
Albums de croquis
Date:
2016
20th century
21st century
20e siècle
21e siècle
Topic:
Drawing, Nigerian  Search this
Dessin nigérian  Search this
Call number:
ND1099.N53 U342 2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1078939

Stonedust to stardust by Lorrie Goulet

Title:
Stonedust to stardust a selection of poetry and drawings
Author:
Goulet, Lorrie 1925-  Search this
Johnson, Michael angel  Search this
Subject:
Goulet, Lorrie 1925-  Search this
Physical description:
136 pages illustrations 22 cm
Type:
Books
Poetry
Date:
2015
20th century
21st century
Topic:
American poetry  Search this
Art, American  Search this
Sculpture, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1117055

Andre Piette Collection

Creator:
Piette, Andre, 1934-1984 (ceramic designer, artist)  Search this
Collector:
National Museum of American History (U.S.). Division of Ceramics and Glass  Search this
Names:
Johnson, Lady Bird, 1912-2007  Search this
Donor:
Magdoff, Sam  Search this
Extent:
8 Cubic feet (8 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Drawings
Design drawings
Christmas cards
Designs
Clippings
Tracings
Wrapping materials
Date:
1954-1979
Summary:
Collection documents Andre Piette's career as an illustrator and designer. The materials include sketches, drawings, tracings, photographs (color transparencies, slides, and prints), and samples of wallpaper, designs for gift wrap, and a few textiles.
Scope and Contents:
The collection consists of a wide range of materials documenting Andre Piette's career as an illustrator and designer. The materials include sketches, drawings, tracings, photographs (color transparencies, slides, and prints), and samples of wallpaper, designs for gift wrap, and a few textiles. The materials are the product of the Piette's early years in the United States (1960s) as a landscape artist in New England and as an associate of Norman Rockwell and of his later work for Tiffany & Company as a freelance designer. As an employee of Tiffany, Piette designed the White House china set for Mrs. Lyndon B. Johnson. Materials documenting this effort—White House China—are the largest series in the collection. Other design work includes cards, silver, parquet flooring, and china. There also are drawings and tracings not associated with specific functional products.
Arrangement:
The collection is arranged into four series.

Series 1: White House China, 1967-1970, undated

Series 2: Other Designs, undated

Series 3: Andre Piette Scrapbook, undated

Series 4: Oversize, undated
Biographical / Historical:
Piette, artist and designer, spent his early years studying at the Academie Royale De Beaux-Arts in Liege, Belgium. He is noted for his designs of Christmas cards, wrapping paper, and wallpaper. In 1968 he was commissioned by Mrs. Lyndon B. Johnson to design a set of White House state china, consisting of 2,500 pieces.
Provenance:
Donated by Sam Magdoff, Dean of Continuing Education, Parsons School of Design, July 29, 1985.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ceramics  Search this
Porcelain -- 20th century  Search this
Ceramics -- Design  Search this
Design -- United States  Search this
Wallpaper -- Design  Search this
Designers  Search this
White House china  Search this
Christmas card design  Search this
Genre/Form:
Correspondence -- 1940-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Drawings -- 1950-1990
Design drawings -- 1950-2000
Christmas cards
Designs
Clippings -- 1950-2000
Tracings
Wrapping materials -- Design
Citation:
Andre Piette Collection, 1954-1979, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0129
See more items in:
Andre Piette Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82bdf2ad8-b5b0-4d6a-9dd8-68f4b5efd798
EDAN-URL:
ead_collection:sova-nmah-ac-0129
Online Media:

Sketch of Rewi Alley

Creator:
Becker, Fred, 1913-2004  Search this
Subject:
Alley, Rewi  Search this
Type:
Artworks
Place:
China
Date:
circa 1945
Citation:
Fred Becker. Sketch of Rewi Alley, circa 1945. Fred Becker papers, 1913-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20988
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20988

English lesson

Creator:
Becker, Fred, 1913-2004  Search this
Type:
Artworks
Place:
China
Date:
circa 1945
Citation:
Fred Becker. English lesson, circa 1945. Fred Becker papers, 1913-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20989
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20989

English lesson by Rewi Alley

Creator:
Becker, Fred, 1913-2004  Search this
Subject:
Alley, Rewi  Search this
Type:
Artworks
Place:
China
Date:
circa 1945
Citation:
Fred Becker. English lesson by Rewi Alley, circa 1945. Fred Becker papers, 1913-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20990
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20990

When Broadway was the runway theater, fashion, and American culture Marlis Schweitzer

Author:
Schweitzer, Marlis  Search this
Physical description:
310 pages illustrations 24 cm
Type:
Books
History
Place:
New York (State)
New York
New York (État)
Förenta staterna
New York, NY
Date:
2009
19th century
20th century
Sekelskiftet 1900
1900-talet
1800-talet
Topic:
Theater--History  Search this
Costume--History  Search this
Fashion--History  Search this
Department stores  Search this
Grands magasins  Search this
Costume  Search this
Fashion  Search this
Theater  Search this
Mode  Search this
Modeschau  Search this
Theaterkostüm  Search this
Teater--kläder--historia  Search this
Skådespelare--mode--kulturhistoria  Search this
Teater--historia  Search this
Kostymer--historia  Search this
Mode--historia  Search this
Varuhus  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_942110

Gerber Scientific Instrument Company Records

Creator:
Gerber, H. Joseph, 1924-1996  Search this
Gerber Scientific Instrument Company (Hartford, Conn.).  Search this
Extent:
75 Cubic feet (182 boxes)
Type:
Collection descriptions
Archival materials
Articles
Marketing records
Photographs
Speeches
Correspondence
Catalogs
Clippings
Patents
Business records
Manuals
Legal documents
Date:
1911 - 1999
Summary:
Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.
Scope and Contents:
The Gerber Scientific Instrument Company Records document the company's designs, development, manufacture, and marketing of computer-aided design and computer-aided CAD/CAM systems. The records are arranged into twelve series and consist of Personal, Corporate Records, Engineering Department Records, Product Literature, Instruction Manuals/User Guides, Proposals, Photographs, Trade Literature, Press Releases and Newspaper Clippings, Patent Records, Lectra Systèmes Litigation Materials, and Audio Visual Materials.

Series 1, David R. Pearl, 1968-1984, contains three volumes of diaries kept by David R. Pearl, President of Gerber Garment Technology. The diaries were maintained by Pearl from July 21, 1968 to June 6, 1977, to document Pearl's and H. Joseph Gerber's activities concerning the development of the technology and the establishment of a business to market computer-controlled fabric cutting devices. One notebook contains some materials later than 1977. There are diary entries for September 12, 1979, February 1, 1980, and October 29, 1984.

Series 2, Corporate Records, 1968-1999, includes administrative records, an Industrial Projects Eligibility Review, annual reports, shareholders reports, newsletters, New York Stock Exchange (NYSE) materials, Securities and Exchange Commission (SEC) materials, Gerber Museum documents, and empty Gerber Scientific Instrument Company binders. The administrative documents consist of a corporate history, mission statement, organizational chart, company map, time line and biographies of key corporate personnel. There are two organizational charts: one for the Engineering Organization (software, mechanical and electrical divisions) from 1987 and one for the subsidiary Gerber Garment Technology, Inc. (Gerber Garment Technology (GGT)), dated 1985. Additional organizational charts can be found with the 1968 annual report. The Industrial Projects Eligibility Review was submitted to the Connecticut Development Authority by Gerber Scientific Intsrument (GSI) to facilitate financing for future expansion of the company. A copy of the company's articles of incorporation are here. The newsletters included in this series are in-house publications for employees only. The newsletter Communiqué, 1960, is in Series 4, Product Literature. The NYSE materials include press releases, photographs, the listing application to the NYSE and printed material about Gerber Scientific, Inc. joining the NYSE in October 1980. Gerber Scientific is traded on the Stock Exchange as GRB. The Securities and Exchange Commission files contain Form S-3, a registration statement and the Annual Report, and Form 10-K for Gerber Scientific, Inc. The Gerber Museum file includes photographs of artifacts and a 1996 memo and fax discussing the establishment of a museum to honor H. Joseph Gerber.

Series 3, Engineering Department Records, 1966-1990, is the largest series and is arranged alphabetically by the engineer's last name and then alphabetically by subject/topic. The records include the files of: Ed LaGraize, David Logan, Bud Rich, Ron Webster, and Ken Wood. The majority of engineering files belong to David Logan. Logan joined Gerber Scientific Instrument in 1957 as a project engineer. From 1959 to 1961, he was chief engineer and then became Vice President of Engineering from 1961 to 1963. From 1963 to 1980, Logan served as Senior Vice President of Engineering. He holds several patents, primarily in the field of plotting devices and control systems. The engineering files contain technical memoranda, correspondence, drawings, product literature, trade literature, notes, and drawings.

Series 4, Product Literature, 1953-1996, contains informational sheets for a variety of products available from Gerber Scientific, Inc. and its subsidiary companies. Gerber Scientific Instrument (GSI) creates designs, manufactures and promotes data reduction equipment of many types. Data reduction equipment allows complex mathematical problems to be solved quickly and accurately. Both analogue and digital systems are offered. The bulk of the product literature falls into the following categories: instruments, data reader systems, recorders, special scanning tables, oscillogram amplitude tabulators, standard system scanners, and plotters. The series is arranged alphabetically by name of product with a few exceptions.

Series 5, Instruction Manuals/User Guides, 1953-1980, undated, is divided into two subseries, Gerber Scientific Instrument Company manuals and other companies' manuals. This series contains instruction manuals, maintenance manuals, and users' guides for a variety of Gerber Scientific, Inc. products. The Gerber System Model 1434, Ultra Precise Artwork Generator which provides precision photo-plotting on photo-sensitive material is well represented among the manuals. The other companies represented include Bendix Industrial Controls and the KOH-I-NOOR Rapidograph, Inc.

Series 6, Proposals, 1961-1980, consists of bound certified and signed technical and bid proposals completed by Gerber Scientific Instrument Company detailing available and actual estimated costs and pricing data for Gerber products. The proposals were assembled for specific companies such as North American Aviation.

Series 7, Photographs, 1948-1974, undated, is further divided into three subseries: Product and Client Files, 1966-1974, undated; Gerber Scientific Instrument (Gerber Scientific Intsrument (GSI) Corporate, 1948-1970, undated; and Numerical, 1966-1974, undated photographs. The majority of photographs are 8" x 10" black-and-white prints. The product and client file photographs are arranged alphabetically. The Gerber Scientific Instrument (GSI) corporate photographs include photographs of GSI buildings both interior and exterior shots, employees, employee functions such as banquets, annual meetings, tours, stockholder meetings, and trade shows. The numerical photographs are arranged numerically according to the number assigned on the reverse of the photograph. Some of the numerical photographs are identified by product name, but others are labeled unidentified.

Series 8, Trade Literature, 1947-1992, is arranged alphabetically by company name. The trade literature in this series is from competitors or from companies that used Gerber products.

Series 9, Press Releases and Newspaper Clippings, 1943-1996, is divided into two subseries, Press Releases, 1972-1982 and Newspaper Clippings, 1943-1996. The press releases are arranged chronologically. This series contains information on H. Joseph Gerber, his company and its subsidiaries, and the garment and apparel industry. The newspaper clippings are arranged chronologically and include a wide variety of local Connecticut and United States newspapers and industry specific magazines such as Bobbin and Apparel Industry.

Series 10, Patent Records, 1911-1985, contains copies of patents, correspondence with patent attorneys and the United States Patent and Trademark Office, patent search results, and other legal filings associated with the patenting process. The materials are arranged chronologically with the name of the equipment or instruments being patented noted.

Series 11, Lectra Systèmes Litigation Materials, 1968-1990, contains documents that mainly deal with Lectra (France), but there are documents about patent infringement for Lectra (Japan) and Lectra (United Kingdom). The materials consist of depositions by David Pearl, then president of Gerber Garment Technology, and David Siegelman, then Vice President and General Manager for Lectra Systèmes, Inc., in the United States. Confidential progress reports, memoranda, correspondence, competition reports, drawings and sketches, notes, and other documents summarize events in the litigation history.

Lectra Systèmes was formed on November 12, 1973 at Bordeaux-Cestas (France) by two visionary engineers, Jean and Bernard Etcheparre. They developed a computer system, the LECteur-TRAceur 200, which automatically calculated and plotted all sizes of an item of apparel. The Lectra Systèmes litigation materials document Gerber Garment Technology's claim that Lectra infringed upon Gerber's line of cutting machines. The specific patents being infringed are United States patents: 3,955,458; 4,205,835; and 3,765,289. In September 1986, Lectra introduced a new line of cutting machines that cost roughly half as much as Gerber's top-of-the-line competing system. Gerber Garment Technology filed suit in the United States and France as Gerber Garment Technology, Inc. v. Lectra Systems, Inc. Civil Action No. 1:86-cv-2054CAM. In 1992, Lectra Systems, Inc., appealled the judgment of the United States District Court for the Northern District infringement of Gerber's U.S. Patent No. 3,955,458 ('458 patent) and denied Lectra's claim that Gerber's U.S. Patent No., 4,205,835 ('835 patent) is unenforceable.

Series 12, Audio Visual Materials, 1986-1998, includes 3⁄4" U-matic, 1⁄2" VHS, audio cassettes, BetaCam SP, and one Super 8mm color, silent camera original reversal film. The majority the of audio visual materials cover interviews with H. Joseph Gerber, the National Technology of Medal ceremony, and sales and marketing footage for various Gerber products.
Arrangement:
The collection is organized into twelve series.

Series 1: David R. Pearl Materials, 1968-1984

Series 2: Corporate Records, 1968-2002

Subseries 2.1: Administrative, circa 1977-1995

Subseries 2.2: Industrial Projects Eligibility Review, undated (contains articles of incorporation for Gerber Scientific)

Subseries 2.3: Annual Reports, 1968-1999

Subseries 2.4: Shareholders Reports, 1990-1995, 1997, 1998

Subseries 2.5: Newsletters, 1969-1996

Subseries 2.6: New York Stock Exchange, 1980 October

Subseries 2.7: Securities and Exchange Commission (SEC), 1983-1992

Subseries 2.8: Gerber Museum, 1996

Subseries 2.9: Gerber Scientific Instrument Company binders (empty), undated

Subseries 2.10: Stock and Financial Information, 1949-2002

Series 3: Engineering Department Records, 1966-1990

Subseries 3.1: Ed LaGraize's Files, 1978-1990

Subseries 3.2: Dave Logan's Engineering Files, 1966-1990

Subseries 3.3: Dave Logan's Competitors Files, 1966-1982

Subseries 3.4: Bud Rich's Files, 1967-1980

Subseries 3.5, Ron Webster's Files, 1963-1992

Subseries 3.6: Ken Wood's Files, 1976-1980

Subseries 3.7: Ken Wood's Case Study of Model 1434, 1966-1989

Subseries 3.8: General Engineering Files, 1970-1980

Series 4: Product Literature, 1953-1996

Series 5: Instruction Manuals/User Guides, 1953-1980, undated

Subseries 5.1: Gerber Scientific Instrument Company, 1953-1979

Subseries 5.2: Other Companies, 1962, 1980

Series 6: Proposals, 1961-1980

Series 7: Photographs, 1948-1974, undated

Subseries 7.1, Product and Client Files, 1966-1974, undated

Subseries 7.2, Gerber Scientific Instrument Corporate, 1948-1970, undated

Subseries 7.3, Numerical, 1966-1974, undated

Series 8: Trade Literature, 1947-1992

Series 9: Press Releases and Newspaper Clippings, 1943-1998

Subseries 9.1: Press Releases, 1972-1998

Subseries 9.2: Newspaper clippings, 1943-1996

Subseries 9.3: Articles, 1969-1991

Series 10: Patent Records, 1911-1985

Series 11: Lectra Systèmes Litigation Materials, 1968-1990

Series 12: Audio Visual Materials, 1986-1998
Biographical / Historical:
Heinz Joseph "Joe" Gerber was born in Vienna, Austria, on April 17, 1924. In 1940, Gerber escaped the Nazis and immigrated to New York City and then to Hartford, Connecticut, with his mother Bertha Gerber, a dressmaker. Gerber's father, Jacob, is presumed to have died in a concentration camp. Gerber attended Weaver High School and graduated in two years (1943). He attended Rensselaer Polytechnic Institute (RPI) in Troy, New York, on a scholarship and earned a bachelor's degree in aeronautical engineering in 1947. As a junior at RPI, Gerber developed the Gerber Variable Scale, his first invention. The earliest version of the variable scale was fashioned from an elastic band removed from a pair of pajamas. Gerber created a rubber rule and scale that could flow with a curve, expand, contract, and turn a corner. The scale allows for direct reading of curves, graphs, and graphical representations, giving direct numerical readings of proportions, spacing and interpolation. The Variable Scale became the building block of what would become Gerber Scientific Instrument Inc.

With financial assistance from Abraham Koppleman, a newspaper and magazine distributor in Hartford, Gerber and Koppleman formed a partnership and incorporated Gerber Scientific Instrument Company in 1948. Gerber served as president, Koppleman as treasurer, and Stanley Levin as secretary. The manufacture of Variable Scale was jobbed out and the distribution was conducted from Hartford. Gerber also worked as a design analytical engineer for Hamilton Standard Propellers of United Aircraft and for Wright Patterson Air Force Base in Dayton, Ohio. Shares of Gerber Scientific Instrument Company were eventually sold to the public in 1961, and in 1978, the company changed its name to Gerber Scientific, Inc. In the 1960s and 1970s, Gerber developed the first series of precision, computer-driven cutting systems for the apparel industry called the Gerber Cutter. The cutters introduced automation to the garment industry. In 1967, Gerber realized that the U.S. garment industry, due to a lack of automation, was faced with increasing overseas competition. Gerber's solution was to engineer the GERBERcutter S-70, a machine that cuts apparel quickly and effectively while using less cloth.

Gerber holds more than 600 United States and foreign patents. Many of his patents relate to the United States apparel industry. In 1994, Gerber was awarded the National Medal of Technology by President Clinton for helping to revolutionize the optical, garment, automotive, and other industries. His pioneering achievements include:

-a generation of data readers (electromechanical devices that converted graphical data directly into computer readable format);

-projection systems that interactively converted information from aerial photographs for use in computers;

-devices that plotted digital output data from computer cards or tape;

-digital numerically-controlled drafting machines which verify the accuracy of the cutting path of numerical machine tools;

-a photoplotter (drafting machine configured with a unique light source to directly draw high accuracy layouts of printed circuit board masters on photographic film or glass with light beams); and

-systems with laser technology to draw at high speeds.1

Subsequent subsidiaries of Gerber Scientific, Inc., were: Gerber Garment Technology, Inc. (GGT); Gerber Scientific Products, Inc. (GSP); Gerber Systems Corp. (GSC), and Gerber Optical, Inc., (GO). GGT makes computer-controlled cutting and design equipment for apparel, automotive, aerospace and other industries. GSP produces systems for sign-making and graphic arts industries. GSC makes production systems for printing, industrial machinery and other industries. GO makes equipment for the optical-lens manufacturing industry.2

In 1954, Gerber married Sonia Kanciper. They had a daughter, Melisa Tina Gerber, and a son, David Jacques Gerber. H. Joseph Gerber died on August 9, 1996, at the age of 72.

Sources

1 National Medal of Technology, 1994.

2 W. Joseph Campbell, "High Tech and Low Key as Gerber Scientific Mounts a Recovery Philosophy that Reflects Innovative Founder," Hartford Courant, May 16, 1994.
Related Materials:
Materials in the Archives Center

Gerber Fabric Cutter Video Documentation, February 1996 (AC0609)

This videohistory documents the inventor, engineers, assembly workers, operators and other technicians who worked with the computer-controlled fabric cutter.

Heinz Joseph Gerber Papers (AC1336)

This collection documents Joseph Gerber's personal life including his highschool and college years, correpondence with family and friends, and speeches given by Gerber throughout his life.
Provenance:
The collection was donated by David Gerber, son of H. Joseph Gerber, on December 23, 2006.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fabric cutters -- 1960-1990  Search this
Inventors  Search this
Computerized instruments -- 1960-1990  Search this
Automation -- 1960-1990  Search this
Machinery -- 1960-1990  Search this
Machine-tool industry  Search this
Genre/Form:
Articles
Marketing records
Photographs -- Black-and-white photoprints -- 1940-2000
Speeches
Correspondence -- 20th century
Catalogs
Clippings
Patents
Business records -- 1950-2000
Manuals
Legal documents
Citation:
Gerber Scientific Instrument Company Records, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0929
See more items in:
Gerber Scientific Instrument Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88334dd19-fd95-4a08-86ae-c77d0c0e2958
EDAN-URL:
ead_collection:sova-nmah-ac-0929
Online Media:

[Scene in J.S. Aoki Family barracks, Utah : sketch.]

Collector:
Kamikawa, Juichi  Search this
Artist:
Stonedenide, Ella, Mrs.  Search this
Names:
Aoki, J.S.  Search this
Collection Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Extent:
1 Item (ink on paper., 2.2" x 3.4".)
Container:
Box 1, Folder 2
Culture:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Type:
Archival materials
Drawings
Sketches
Place:
Topas (Utah)
Utah
Date:
1944
Scope and Contents:
Sketch by Mrs. Ella Stondenide: Aoki Family performing daily activities in the internment camp, Topaz, Utah, 1944.
Local Numbers:
AC0305-0000002 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Concentration camps -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings -- 1940-1950
Sketches -- 1940-2000
Collection Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
See more items in:
Japanese American Documentary Collection
Japanese American Documentary Collection / Endo, Takako Tsuchiya
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e420b1af-7bc6-487c-9495-b5d873565ff0
EDAN-URL:
ead_component:sova-nmah-ac-0305-ref29
Online Media:

Will Barnet papers

Creator:
Barnet, Will, 1911-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Esther-Robles Gallery  Search this
Waddell Gallery  Search this
Barnet, Peter. Will Barnet: artist and teacher  Search this
Booth, Cameron, 1892-1980  Search this
Pearson, Henry, 1914-2006  Search this
Savelli, Angelo, 1911-  Search this
Sternberg, Harry, 1904-2001  Search this
Von Wicht, John, 1888-1970  Search this
Extent:
30.7 Linear feet
7.24 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Date:
1897
1929-2016
Summary:
The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.
Scope and Contents:
The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

Biographical materials consist of appointment and address books, curriculum vitae, a fellowship application, awards ceremony documentation, and numerous recorded interviews, including a 9 part interview with Kitty Gellhorn conducted over the course of two years. Only 6 of the 24 interviews have transcripts and most are found only on original audio and video recordings with no duplicate access copies.

Correspondence is primarily with Barnet's family, friends, fellow artists, and business associates discussing personal relationships, teaching and lecturing appointments, gallery sales, and exhibitions. Correspondents of note include Cameron Booth, Henry Pearson, Angelo Savelli, Harry Sternberg, Jon Von Wicht, Esther Robles Gallery, and the Waddell Gallery (formerly Grippi and Waddell).

Writings by Barnet consist of 7 essays, 45 teaching lectures, 3 notebooks, and 4 speeches. Many of the lectures and 3 of the 4 speeches exist only as audio and video recordings for which there are no transcripts or duplicate access copies. The bulk of writings by others are biographical essays and memoirs of Barnet, including a copy of Peter Barnet's dissertation, Will Barnet: Artist and Teacher. The series also includes 4 exhibition guest registers.

Personal business records include sales and teaching contracts, gift acknowledgements, and price lists.

Printed material includes auction catalogs, clippings, audio recordings, video documentaries, exhibition announcements and catalogs, newsletters, press releases, programs, and reproductions of artwork. Video documentaries of note include Artist's Eye and Lasting Impressions, both of which Barnet contributed interviews to.

Photographic materials document people, artwork, exhibition installations, and works of art. There are early photos of Barnet teaching at the Art League, as well as photos of Barnet in his studio and with friends and family. Views of exhibition installations, award ceremonies, and events mainly document solo shows and Barnet's reception after receiving the National Arts Club's Gold Medal Award.

Artwork consists of ink, pencil, and pen sketches by Will Barnet, and a drawing by Bill Smith.

The addition to the Will Barnet papers received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material. Measuring 19.7 linear feet and 7.24 gigabytes, the addition greatly expands on the original donation, particularly in the diaries and daybooks, which include entries from over five decades. Barnet's long career and professional activities are also well documented in the gallery, exhibition, project, and professional files.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1945-1995 (2 linear feet; Boxes 1-2, FC 34)

Series 2: Correspondence, 1940-2001 (3 linear feet; Boxes 3-5, OV 12)

Series 3: Writings, 1940-2000 (3.1 linear feet; Boxes 5-9)

Series 4: Personal Business Records, 1950-1981 (5 folders; Box 9)

Series 5: Printed Material and Publications, 1938-2001 (2.3 linear feet; Boxes 9-11)

Series 6: Photographic Materials, 1939-2001 (0.5 linear feet; Box 11, OV 12)

Series 7: Artwork, 1938-1983 (3 folders; Box 11)

Series 8: Addition to the Will Barnet Papers, 1897, 1929-2016 (19.7 linear feet; Box 13-32, OV 33; 7.24 Gigabytes; ER01-ER06)
Biographical / Historical:
Will Barnet (1911-2012) was a painter, printmaker, and educator who lived and worked in New York City.

Barnet was born in Beverly, Massachusetts to Noah and Sarahdina Barnet. After showing an early interest and affinity for art, he attended the School of the Museum of Fine Arts in Boston. In 1931, he received a scholarship to attend the Art Students League where he studied with Stuart Davis and began building his printmaking techniques. In 1935, he was appointed the League's official printer, and was given his first teaching position there the following year. In 1938, working in the style of social realism, he held his first gallery show at the Hudson Walker Gallery in Manhattan. That same year, Barnet married Mary Sinclair, with whom he had three sons.

In the 1940s and 50s, Barnet began to move away from realism and started painting domestic familial subjects in geometric abstract styles, a move influenced by Native American and modern European art. By 1953, he had divorced and was remarried to Elena Ciurlys, with whom he had a daughter. Elena and his daughter were the subject of many of his representational, dimensionally flat paintings in the 1960s and 70s. During the 60s, Barnet also returned to large scale abstract art, and moved back and forth between styles throughout the rest of his career into the 2000s.

As an educator, Barnet taught graphic arts, printmaking, composition, and painting courses at the League from 1936 to 1980, and also taught courses Cooper Union, Yale, and the Pennsylvania Academy of Fine Arts. He received numerous awards, including the first Artist's Lifetime Achievement Award given on the National Academy of Design's 175th anniversary, the College Art Association's Lifetime Achievement Award, and the 2011 National Medal of Arts.

Will Barnet died in his home in Manhattan, New York on November 13, 2012.
Related Materials:
The Archives of American Art holds three oral history interviews with Will Barnet, one conducted by Richard Baker, January 20, 1964, one by Paul Cummings, January 15, 1968, and another by Stephen Polcari on April 9, 1993. Also found are two additional related collections, a transcript of an interview by Louis Newman with Molly Barnes and Will Barnet, and Peter Barnet's research material on Will Barnet. Syracuse University holds additional papers of Will Barnet.
Separated Materials:
Also found in the Archives are papers that were lent for microfilming (reels N68-22, N69-126, and N70-48.) Most but not all of this material was included in subsequent donations, except for scattered news clippings and exhibition catalogs. The microfilm is not described in the container listing of this finding aid.
Provenance:
Will Barnet loaned his papers to the Archives of American Art for microfilming in 1968. He donated most of this material along with additional papers in several increments between 1968-2001. More papers were donated 2016 by Elena Barnet, Will Barnet's widow.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Function:
Artists' studios -- New York (State)
Genre/Form:
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barnwill
See more items in:
Will Barnet papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b18a14b-ad29-43f9-ba52-836c611a4da8
EDAN-URL:
ead_collection:sova-aaa-barnwill
Online Media:

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