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Dwinell Grant papers

Creator:
Grant, Dwinell, 1912-  Search this
Names:
Solomon R. Guggenheim Museum  Search this
Rebay, Hilla, 1890-1967  Search this
Extent:
2 Linear feet ((on 4 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Video recordings
Date:
1923-1988
Scope and Contents:
Biographical material; correspondence; business records; writings; printed material; photograph albums; sketchbooks; and videocassettes.
REELS 4152-4153: Biographical material including a fraternity membership card, 6 resumes, a biographical account, a transcript of an interview of Grant, award certificates, and a diploma; correspondence, primarily dealing with Hilla Rebay of the Guggenheim Foundation from whom Grant received funding for film projects, and including project proposals and financial accounts, some letters also deal with the medical films he produced; letters and financial records concerning the sale of his paintings through the Olympia Gallery, Martin Diamond Fine Arts, Inc., and the Graham Gallery;
typescript writings expressing Grant's thoughts on art and religion; clippings; 17 programs from plays produced at Wittenberg College; 11 exhibition announcements and catalogs; 7 press releases; and 13 brochures and fliers concerning Grant's medical and other filmmaking projects; and two videotapes PROFILE OF DWINELL GRANT from "Profiles in Excellence" conducted by Gary Perdue, and an interview with Grant for ART BEAT;
REELS 4154-4155: writings, mostly from the 1980s, expressing Grant's thoughts and philosophies concerning himself and his art work, sometimes presented in the format of a journal; one album containing photographs of Grant, his family and friends, and nine albums of photographs of works and of gallery installations, annotated with information on sales, experiments with light, including a formula for stereoscopic drawing, notes on abstract films, medical illustrations, and dream fantasies; and two sketchbooks containing abstract drawings.
Biographical / Historical:
Painter, filmmaker; New York, N.Y. and New Hope, Pa. Born and raised in Ohio, Grant received early art training from his grandfather, Paul E. Henking. He also studied at the Dayton Art Institute and the National Academy of Design. In 1935, he began teaching at Wittenberg College in Ohio. He was primarily influenced by his association with Hilla Rebay and the Museum of Non-Objective Art (the Guggenheim), and from 1944-1948 worked on an unfinished film project for the Guggenheim. In 1947, he began producing medical teaching films and supplemented his income with work on medical books, while continuing to work on his paintings.
Provenance:
Loan, Reels 4154-4155: All material was assembled and edited by the donor specifically for microfilming by the Archives. The writings were copied into the notebook by Grant from other sources.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Filmmakers -- Pennsylvania  Search this
Painters -- Pennsylvania  Search this
Topic:
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Interviews
Sketchbooks
Video recordings
Identifier:
AAA.grandwin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grandwin

Edward Laning papers, 1880-1983

Creator:
Laning, Edward, 1906-1981  Search this
Peter A. Juley & Son  Search this
Subject:
Marsh, Reginald  Search this
Benton, Thomas Hart  Search this
Lucioni, Luigi  Search this
O'Connor, Francis V.  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Type:
Interviews
Scrapbooks
Sketchbooks
Topic:
Art, American  Search this
Mural painting and decoration -- 20th century  Search this
Painting, Modern -- 20th century  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)5834
(DSI-AAA_SIRISBib)208674
AAA_collcode_laniedwa
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208674

Alexander Brook papers, 1900-1982

Creator:
Brook, Alexander, 1898-1980  Search this
Subject:
Bacon, Peggy  Search this
Biddle, George  Search this
Brett, Catherine  Search this
Covarrubias, Miguel  Search this
Pollock, Jackson  Search this
Spencer, Niles  Search this
Knee, Gina  Search this
Bouché, Louis  Search this
Type:
Photographs
Watercolors
Sketches
Transcriptions
Scrapbooks
Sketchbooks
Interviews
Etchings
Illustrations
Topic:
Post-impressionism (Art) -- United States -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6833
(DSI-AAA_SIRISBib)208960
AAA_collcode_brooalex
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208960
Online Media:

Worthington Corporation Records

Collector:
Work and Industry, Division of, NMAH, SI  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Work and Industry, Division of, NMAH, SI  Search this
Creator:
Holly Manufacturing Company  Search this
Worthington Corporation  Search this
Names:
Henry R. Worthington Pump Works  Search this
International Steam Pump Company  Search this
Jeanesville Iron Works  Search this
Worthington Pump and Machinery Corporation  Search this
Grace, John F.  Search this
Extent:
18 Cubic feet (54 boxes, 1 map folder)
Type:
Collection descriptions
Archival materials
Financial records
Trade catalogs
Reports
Sketchbooks
Advertisements
Patents
Photographs
Newsletters
Minute books
Legal documents
Correspondence
Place:
England
London
Hazelton (Penn.)
Buffalo (N.Y.)
Holyoke (Mass.)
Cincinnati (Ohio)
Date:
1840-1982
Summary:
This collection documents the products and business activities of the Worthington Corporation, its predecessors and its subsidiaries. The records focus on the products that the Worthington Corporation produced, including steam pumps, hydraulic pumps and gas engines.
Scope and Contents:
This collection documents the products and business activities of the Worthington Corporation, its predecessors and its subsidiaries. It consists of annual and monthly reports, correspondence, legal filings, trade literature, photographs, airbrushed photographs and product illustrations, financial reports, meeting minutes, newsletters, company histories and research notes, patents, blueprints, engineering sketchbooks, lecture notes, publications, and promotional materials for several World's Fairs where Worthington products were exhibited.
Arrangement:
The collection is arranged into five series.

Series 1: Historical and Reference Materials, 1847-1965

Series 2: Administrative and Business Records, 1856-1963

Series 3: Publications, 1872-1982

Series 4: Photographs, 1840-1964

Series 5: Sketchbooks and Notebooks, 1882-1964
Biographical / Historical:
Henry R. Worthington (December 17, 1817-December 17, 1880) was an innovator in the world of 19th century steam pumps earning patents for a direct-acting steam pump (US Patent 6274) and a duplex steam pump (US Patent 116,131). Initially, Worthington partnered with William H. Baker to found the Worthington & Baker Works in 1845, with the works based in Brooklyn. Worthington's company began by producing various pumps for naval craft, including pumps installed on the USS Monitor, the first ironclad ship of the US Navy. After Baker's death, Worthington changed the name of his business to the Henry R. Worthington Corporation and expanded into the production of water works pumps for major cities. Worthington pumps gained international acclaim at World's Fairs in the latter half of the 19th century. Fountains at the Centennial Exposition of 1876 and Columbian Exposition of 1893 and the hydraulic pumps for the Eiffel Tower's elevators at the Exposition Universelle of 1900 were all powered by Worthington products.

In 1899, Worthington was purchased and merged into the International Steam Pump Company, along with the Blake and Knowles Steam Pump Company, Laidlaw-Dunn-Gordon Company, the Snow Steam Works, the Deane Steam Pump Company and several smaller works. After the acquisition of these different works, the International Steam Pump Company's product line expanded to include gas engines and mining machinery.

International Steam Pump reverted to the Worthington name, first as Worthington Pump and Machinery Corporation (1916-1952) and then as the Worthington Corporation (1952-1967). It was also during this time when Worthington relocated its main works from Brooklyn to Harrison, New Jersey in 1917. All the while, the company continued to produce hydraulic engines, gas engines and water works pumps. Through various mergers the company also diversified into refrigeration and air conditioning. In 1967, the Worthington Corporation merged with the Studebaker Automobile Manufacturing Company, becoming Studebaker-Worthington.
Related Materials:
Archives Center, National Museum of American History

Warshaw Collection of Business Americana, Series: Pumps (AC0060)

Division of Politial and Military History

The Division of Political and Military History holds photographs of a World War I bond drive at the Deane Works of Holyoke, Massachusetts. See accessions: 1979.0015.01 and 1979.0015.04.

Division of Science and Medicine

The Division of Medicine and Science holds several Watch Dog Water Meters produced by the Worthington-Gamon Meter Company. See accessions PH.325890 and PH.325891.

Smithsonian Institution Libraries Trade Literature Collection

The libraries contain trade literature on Worthington and its subsidiaries.
Provenance:
Donated to the Smithsonian in the 1960s by Studebaker Worthington, Inc.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Business -- History  Search this
Steam-engines  Search this
Diesel engines  Search this
Pumping machinery  Search this
Steam-turbines  Search this
Rock-drills  Search this
Genre/Form:
Financial records -- 20th century
Trade catalogs
Reports
Sketchbooks
Advertisements
Patents
Photographs -- 19th century
Newsletters -- 20th century
Minute books
Legal documents
Correspondence -- 19th century
Citation:
Worthington Corporation Records, 1840-1982, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0916
See more items in:
Worthington Corporation Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0916
Online Media:

Edward Laning papers

Creator:
Laning, Edward, 1906-  Search this
Photographer:
Peter A. Juley & Son  Search this
Names:
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Benton, Thomas Hart, 1889-1975  Search this
Lucioni, Luigi, 1900-1988  Search this
Marsh, Reginald, 1898-1954  Search this
O'Connor, Francis V.  Search this
Extent:
2.2 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Sketchbooks
Date:
1880-1983
Scope and Contents:
Identification cards and a resume; an eleven page Laning family genealogy; correspondence with Francis V. O'Connor and others, undated and 1925-1983; photographs of family members and ancestors, of Laning, including one of him with his self-portrait taken by Peter A. Juley & Son, ca. 1943, and of his work; writings, including lecture notes, articles on Reginald Marsh and on Thomas Hart Benton, and an account of his experiences as a muralist for the Treasury Section; Laning's sketchbook; a print by Luigi Lucioni; business and financial records, memberships in organizations; awards and certificates; typescript of an interview with Laning; and printed matter.
Biographical / Historical:
Painter and muralist, died in 1981. Born in Petersburg, Ill. Studied at Art Institute of Chicago, the University of Chicago, and the Arts Students League with Max Weber, Boardman Robinson, and John Sloan. Worked extensively on the WPA Federal Art Project and the Treasury Section.
Provenance:
Material donated in 1972 by Edward Laning, and in 1973, 1983 and 1984 by his widow, Mary Fife Laning, through Laning executor Jack Henderson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Art, American  Search this
Mural painting and decoration -- 20th century  Search this
Painting, Modern -- 20th century  Search this
Muralists  Search this
Genre/Form:
Interviews
Scrapbooks
Sketchbooks
Identifier:
AAA.laniedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laniedwa

Ellen Hulda Johnson papers

Creator:
Johnson, Ellen H.  Search this
Names:
Allen Memorial Art Museum  Search this
American-Scandinavian Foundation  Search this
College Art Association (U.S.)  Search this
Oberlin College -- Faculty  Search this
Archipenko, Alexander, 1887-1964  Search this
Cézanne, Paul, 1839-1906  Search this
Dine, Jim, 1935-  Search this
Hesse, Eva, 1936-1970  Search this
Kensett, John Frederick, 1816-1872  Search this
Milles, Carl, 1875-1955  Search this
Oldenburg, Claes, 1929-  Search this
Picasso, Pablo, 1881-1973  Search this
Saunders, David  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tacha, Athena, 1936-  Search this
Tworkov, Jack  Search this
Venturi, Robert  Search this
Wilke, Wendell  Search this
Extent:
60.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Ossabaw Island (Ga.)
Date:
1872-1994
bulk 1921-1992
Summary:
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists. There is a 5.0 linear foot addition to this collection donated in 2019. Included are biographical material; correspondence; teaching and lecture files; financial and legal records; photographs of artists, events, and travels; sketchbooks; and video cassette tapes of events.
Scope and Contents:
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 55.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

Personal papers consist of biographical materials and personal and family files, including "memorabilia" files compiled by Johnson. Correspondence is a mix of personal, business, and professional correspondence. Significant correspondents include David Saunders (who painted a portrait of Johnson), Claes Oldenburg, Jack Tworkov, Robert Venturi, the American Scandinavian Foundation. A folder of correspondence compiled for the Archives includes letters from Alfred Stieglitz, Wendell Wilkie, Carl Milles, Jim Dine, and Alexander Archipenko.

Extensive and comprehensive writing and research project files include articles, lectures, presentations, manuscripts, notes and notebooks, including her class notebooks from courses she attended in Paris in 1935, and additional notes and notebooks on a wide variety of subjects. The numerous articles, lectures, papers, and drafts were written primarily by Johnson for the College Art Association, the Allen Memorial Art Museum bulletin, and numerous additional publications and presentations; but there are also writings by others included in the research files. Major writing projects and related research files cover Scandinavian art, the Ossabaw Island artist's colony, Cezanne, Eva Hesse, John Frederick Kensett, Claes Oldenburg, Picasso, David Saunders, Athena Tacha, Pop Art, and many other topics. Johnson's research files, manuscripts, correspondence, and photographs for major exhibitions, including one on Eva Hesse (1982) and for her published books including American Artists on Art from 1940-1980 (1982), Claes Oldenburg (1971), Fragments Recalled at 80: The Art Memoirs of Ellen H. Johnson (1993), and Modern Art and Object (1976) are arranged with the writing project files. Johnson's bibliographic index cards are found here as well.

The collection contains extensive teaching files for courses taught by Johnson at Oberlin and as a visiting professor at other institutions; professional and curatorial files reflecting her curatorial career at Allen Memorial Art Museum, as a consultant, jury member, and continuing education courses she later attended, including the Baldwin Lecture Series; and 18 linear feet of artist's files assembled by Johnson.

There is a 5.0 linear foot addition to this collection donated in 2019. Included are biographical material; correspondence; teaching and lecture files; financial and legal records; photographs of artists, events, and travels; sketchbooks; and video cassette tapes of events.
Arrangement:
The Ellen Hulda Johnson papers are arranged into eight series:

Series 1: Personal Papers, 1910-1994 (2 linear feet; Boxes 1-2, 56)

Series 2: Correspondence, 1937-1992 (4.5 linear feet; Boxes 3-7)

Series 3: Writing and Research Projects, 1872, 1932-1994 (13.5 linear feet; Boxes 7-20, 56)

Series 4: Subject Files, 1930-1993 (5 linear feet; Boxes 21-25)

Series 5: Teaching Files, 1928-1989 (6 linear feet; Boxes 26-31)

Series 6: Professional and Curatorial Files, 1936-1991 (6 linear feet; Boxes 32-37, 56)

Series 7: Artists Files, 1935-1992 (18.3 linear feet; Boxes 37-55)

Series 8: Unprocessed Addition, circa 1930-1990 (5 linear feet; Boxes 57-61)
Biographical / Historical:
Ellen Hulda Johnson (1910-1992) was an art historian, critic, and professor who worked and taught at Oberlin College in Ohio for most of her career.

Ellen Hulda Johnson was born in 1910 in Warren, Pennsylvania. She received her Bachelor's and Master's degrees in art history at Oberlin in 1933 and 1935. She worked briefly at the Toledo Museum of Art before returning to Oberlin as the art librarian. In 1940 she started Oberlin's art rental program, the first of its kind in the country. She was appointed to the faculty in 1948 and taught nineteenth and twentieth century art, American art from colonial times to the present, contemporary art, and Scandinavian art. She was a member of the Allen Memorial Art Museum's acquisition committee and appointed honorary curator of modern art in 1973. She remained at Oberlin her entire career, retiring from teaching in 1977.

Johnson was a scholar of Cézanne, Claes Oldenburg, Eva Hesse, Pablo Picasso, Edvard Munch, John F. Kensett and other modern masters, as well as Scandinavian art. In 1962 she wrote the first important article on Claes Oldenburg and, in 1970, assisted curator Athena Tacha commission his first permanent large sculpture (3-Way Plug) for the grounds of the Allen Memorial Art Museum. She was the first to show the black-striped paintings that established Frank Stella's reputation. Her efforts in promoting acquisitions of young contemporary artists helped make the Allen Memorial Art Museum a leading institution in contemporary art. Her Oberlin lectures on modern art became so popular that they had to be held in the college's largest auditorium and influenced generations of students, many of whom went on to signficant positions in the field. A new wing of the museum designed by Robert Venturi opened in 1977 and was named in honor of Johnson.

Johnson was the author of numerous articles, books, and exhibition catalogs including Cezanne (Penquin, 1967); Claes Oldenburg (Penquin, 1971); American Artists on Art from 1940-1980 (Harper and Row, 1982); and Modern Art and the Object (Thames and Hudson, 1976).

In 1968, Johnson purchased the Frank Lloyd Wright-designed Weltzheimer house in Oberlin, and spent a considerable part of her time and money restoring the building where she lived the rest of her life. She bequethed the house and her significant art collection to Oberlin upon her death in 1992.
Separated Materials:
Shortly after aquisition, the Archives transferred Ellen Hulda Johnson's vertical file (16 linear feet) of clippings, press releases, and exhibition announcements to the library of the Smithsonian American Art Museum and National Portrait Gallery.
Provenance:
The Ellen Hulda Johnson papers were donated in 1994, 1998, and 2019 by the estate of Ellen Hulda Johnson via exectutor Athena Tacha.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Ellen Hulda Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Educators -- Ohio -- Oberlin  Search this
Librarians -- Ohio  Search this
Authors -- Ohio  Search this
Art historians -- Ohio -- Oberlin  Search this
Art critics -- Ohio  Search this
Topic:
Pop art  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Art, Scandinavian  Search this
Art, Modern -- 19th century -- Study and teaching  Search this
Artist colonies -- Georgia  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Citation:
Ellen Hulda Johnson papers, 1872-1994, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.johnelle
See more items in:
Ellen Hulda Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-johnelle
Online Media:

John Wilson papers, circa 1939-1993

Creator:
Wilson, John Woodrow, 1922-  Search this
Subject:
Trachtenberg, Alan  Search this
Type:
Drawings
Interviews
Scrapbooks
Sound recordings
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists as teachers  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)6395
(DSI-AAA_SIRISBib)215365
AAA_collcode_wilsjohn
Theme:
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215365

John Wilson papers

Creator:
Wilson, John, 1922-2015  Search this
Interviewer:
Trachtenberg, Alan  Search this
Extent:
5 microfilm reels
1 Cassette (Sound recording, analog)
Type:
Collection descriptions
Archival materials
Microfilm reels
Cassettes
Drawings
Interviews
Scrapbooks
Sound recordings
Date:
circa 1939-1993
Scope and Contents:
This microfilm collection of the papers of African American painter, sculptor, illustrator, printmaker, and educator John Woodrow Wilson contains biographical material such as autobiographical notes, school records, personal documents, and a bibliography; personal and business correspondence, undated and 1938-1993; files on the New York City Board of Education, 1959-1965, regarding his teaching; and project files, including Wilson's submission for the competition for a Frederick Douglass statue, Eternal Presence, Father and Child Reading, and Wilson's monuments and bust of Martin Luther King, Jr. Correspondents represented include the Albany Institute of History and Art, Atlanta University, Carnegie Institute, Ebony, David Porter of the G Place Gallery, the Institute of Moder Art, Alain Locke, Gloria May, the Museum of Modern Art, Frederick G. Rice, and Hale Woodruff.

Also included in the collection are files on exhibitions; notebooks, 1958-1960; lesson plans, 1959, 1963; notes, writings, and lectures, circa 1945-1993; transcripts of interviews of Wilson and related correspondence, 1978-1987; legal material, 1978; financial records 1944-1991, including a notebook of sales and expenses 1945-1950; photographs, 1940-1990, of Wilson, his work, sculpture, and exhibition installations; a scrapbook, 1939-1967; artwork, including sketchbooks, 1970-1992, life studies completed as a student, 1939-1947, and miscellaneous art work, 1939-1992; and printed material, 1939-1993, including exhibition catalogs, illustrated books and book jackets, and ephemera. The collection also includes a copy of a sound recording of an interview of Wilson conducted by Alan Trachtenberg, circa 1979 (untranscribed).
Biographical / Historical:
John Woodrow Wilson (1922-2015) was an African American painter, sculptor, illustrator, printmaker, and educator in Boston, Massachusetts. Wilson studied at the School of the Museum of Fine Arts, Boston under Ture Bengtz and Karl Zerbe, graduating in 1945. He lived in Paris through the MFA fellowship and studied with modern artist Fernand Leger. He then attended Tufts University, graduating in 1947. Wilson received a John Hay Whitney fellowship and lived in Mexico for five years with his wife, Julie Kowtich. After his return from Mexico in 1956, Wilson made artwork for Chicago labor unions and taught in New York City before returning to teach at Boston University in 1964. During his career, Wilson won competitions to execute statues of Martin Luther King, Jr. for the city of Buffalo, New York and for the Capitol Rotunda in Washington, D.C.
Provenance:
Lent for microfilming 1993 by John W. Wilson, except for the 1979 sound recording which he lent for copying.
Restrictions:
Microfilm portion must be consulted on microfilm. Use of untranscribed interview requires an appointment.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
African American artists as teachers  Search this
African American artists  Search this
Genre/Form:
Drawings
Interviews
Scrapbooks
Sound recordings
Identifier:
AAA.wilsjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilsjohn

Charles T. Williams papers, 1949-1966

Creator:
Williams, Charles Truett, 1918-1966  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)9379
(DSI-AAA_SIRISBib)211576
AAA_collcode_willchar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211576

Howard Warshaw papers, [ca. 1945-1977]

Creator:
Warshaw, Howard, 1920-1977  Search this
Subject:
Lebrun, Rico  Search this
Romano, Umberto  Search this
With, Karl  Search this
Topic:
Mural painting and decoration -- 20th century  Search this
Art -- Study and teaching -- California -- Carpinteria  Search this
Record number:
(DSI-AAA_CollID)9322
(DSI-AAA_SIRISBib)211518
AAA_collcode_warshowa
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211518

Charles T. Williams papers

Creator:
Williams, Charles Truett, 1918-1966  Search this
Extent:
4.2 Linear feet ((on 8 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1949-1966
Scope and Contents:
Correspondence; subject files; sketchbooks; photographs; prints; exhibition catalogs and announcements; and miscellany.
REEL 1799: A resume; 13 prints designed for personal Christmas cards; a sketch; and photographs of Williams and his sculpture.
REELS 1800-1806: Personal and business correspondence; receipts; exhibition catalogs and announcements; files containing correspondence, notes, and ca. 2,000 studies for sculpture commissions; 2 sketchbooks; photographs of sculpture by Williams; clippings; and printed miscellany.
Biographical / Historical:
Sculptor; Fort Worth, Tex.
Provenance:
Donated 1979-1980, except 2 sketchbooks on reel 1803 and photos on reel 1806, by Mrs. Charles T. Williams, Williams' widow.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- Texas -- Fort Worth  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Identifier:
AAA.willchar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-willchar

Howard Warshaw papers

Creator:
Warshaw, Howard  Search this
Names:
Lebrun, Rico, 1900-1964  Search this
Romano, Umberto, 1905-1982  Search this
With, Karl, 1891-1980  Search this
Extent:
0.8 Linear feet ((microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1945-1977]
Scope and Contents:
Correspondence; biographical data; writings; sketchbooks; sketches; teaching material; business records; exhibition catalogs and announcements; and miscellaneous material.
REEL 700: Two sketchbooks containing 125 ink and watercolor sketches, 52 photos, and a few pages of notes. Many of the sketches, photos, and notes concern a mural, 1960, for the library at Bowdoin College, Brunswick, Maine, and a discussion of the same mural, December 12, 1969. Also included is a catalog of a retrospective exhibition at Pasadena Art Museum, June-July, 1955.
REEL 859: Letters about Warshaw's mural projects, an article he wrote, his other work, personal matters; notes for his remarks at Rico Lebrun's funeral; drafts of his 1961 NATION article; business records; and miscellaneous items.
REEL 2843: Biographical data and remarks about Warshaw by Karl With spoken at a Warshaw mural opening; correspondence, including a letter to Rear Admiral Mack, U.S. Navy, a letter from Robert Hatch, editor of THE NATION, and a letter from Umberto Romano, National Academy of Design; typescripts of speeches and lectures, including a Rico Lebrun eulogy; 9 writings on art; notes and pencil sketches; teaching material; exhibition catalogs and announcements; clippings; and miscellany.
Biographical / Historical:
Painter, mural painter and educator; Carpinteria, California. Born 1920. Died 1977.
Provenance:
Material on reel 700 lent for microfilming 1974 by Howard Warshaw, he also donated material on reel 859 in 1974; material on reel 2843 donated 1983 by Mark Ferrer, step-son of Warshaw.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art teachers -- California -- Carpinteria  Search this
Painters -- California -- Carpinteria  Search this
Topic:
Mural painting and decoration -- 20th century  Search this
Art -- Study and teaching -- California -- Carpinteria  Search this
Identifier:
AAA.warshowa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warshowa

Heinz Warneke papers

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Names:
Corcoran School of Art (Washington, D.C.) -- Faculty  Search this
United States. Work Projects Administration  Search this
Archer, Edmund, 1904-  Search this
Diederich, William Hunt, 1884-1953  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Hopper, Inslee  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
6.65 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1928-1987
Scope and Contents:
Biographical material, financial material, correspondence, notes, writings, art work, photographs, printed material, and project files document the career of sculptor and educator, Heinz Warneke. Also included are some writings, art work, photographs, and printed material related to his wife, Jessie Warneke.
Biographical materials include autobiographical and biographical sketches about Warneke, and certificates, including his membership card to the Kunstler-Bund-Bremen, 1922-1923; personal financial materials, ca. 1931-1937, include household records for his East Haddam, Connecticut home, "The Mowings."
Correspondence, 1930-1987, with his wife, Jessie, friends, colleagues, clients, gallery owners, museum and art school administrators, various art guilds and societies, and foundries. Among the correspondents are Edmund (Ned) Archer, William Hunt Diederich, Walker Hancock, Dick and Julia Helms, Inslee A. Hopper, Rena T. Magee, Jessalee Sickman, Henry Vam Wolf, and Carl Zigrosser. The correspondence discusses exhibitions and sales of Warneke's sculptures, the Corcoran School of Art, and invitations to various White House and Embassy functions in Washington, D.C. Also included are illustrated letters from Henry Kriess and Jessie Warneke.
Notes are by Heinz Warneke, ca. 1928-1979, and others and include 5 address books, 2 notebooks, one regarding the Warneke School of Sculpture, ca. 1935-1937, scattered notes regarding Warneke's sculpture classes at the Corcoran School of Art, ca. 1950-1963, his formulas and processes for sculpting, and price lists for his art works. Notes by ohters include a guest book from the exhibition, "Heinz Warneke Looks Back," 1967 and research notes by Mary Mullen Cunningham, undated. Writings, ca. 1923-1977, by Heinz Warneke and others, include lectures, forewords to exhibition catalogs, and a statement of "Opinion regarding the Philosophy of the Corcoran School of Art and the Direction it should take."
Art works, ca. 1929-1932, include 2 sketchbooks, studies of figures, animals, and plant life, watercolors, several chalk sketches for a work possibly depiction life at "The Mowings," by Warneke, several sketches by Jessie Warneke, an etching, and three engravings by others. Photographs, ca. 1918-1983, are of Heinz, family and friends including Edmund Archer, Inslee Hopper, Roderick Seidenberg, Carl Zigrosser, his pet dogs, his homes and studios in Connecticut, New York, and Washington, D.C., students, travels, art works by Heinz and Jessie, exhibition installations, and source material.
Printed material include exhibition announcements and catalogs and clippings, and other materials for Heinz, Jessie, and others, ca. 1923-1981. There is a file regarding Warneke's participation on the jury for the Thomas Jefferson Memorial Committee, 1939-1940, and circa 136 project files for completed and proposed sculpture works for public and private commissions which include various works for the National Cathedral, Washington, D.C., an African cow elephant and calf for the Philadelphia Zoo, the Nittany Lion for Pennsylvania State University, and several Works Project Authority (WPA), and other federal projects, ca., 1911-1971.
Biographical / Historical:
Heinz Warneke (1895-1983) was a sculptor, animal sculptor and educator in East Haddam, Connecticut. Born and trained in Germany, Warneke worked on sculpture projects for WPA and was the head of the sculpture department at the Corcoran School of Art from the early 1940's to 1970.
Related Materials:
Heinz Warneke papers also at Syracuse University.
Provenance:
Donated 1977 by Warneke, and in 1983-1984, and 1994 by his stepdaughter and executrix of his estate, Priscilla Norton. The 1994 installment had been used by Micky Cunningham in her book, "Heinz Warneke, 1895-1983: A Sculptor First and Last" (University of Delaware Press, 1994). Additional photograph of Warneke by his stepson Edward Hall transferred 2013 from SAAM via George Gurney, Curator. Gurney received the photograph from Priscilla Norton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Connecticut -- East Haddam  Search this
Sculptors -- Connecticut -- East Haddam  Search this
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.warnhein
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warnhein

Charles Rosen papers, 1896-1971

Creator:
Rosen, Charles, 1878-1950  Search this
Subject:
Speicher, Eugene Edward  Search this
Bellows, George  Search this
Carnegie Institute  Search this
Type:
Scrapbooks
Sketchbooks
Topic:
Artists -- United States -- Photographs  Search this
Landscape painting -- New York (State)  Search this
Mural painting and decoration -- 20th century -- Florida -- Palm Beach -- Photographs  Search this
Painting, Modern -- 20th century -- New York (State) -- Woodstock  Search this
Record number:
(DSI-AAA_CollID)9212
(DSI-AAA_SIRISBib)211407
AAA_collcode_rosechar
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211407

Robert Philipp papers

Creator:
Philipp, Robert, 1895-1981  Search this
Extent:
1.6 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1906-1981
Scope and Contents:
Correspondence; photographs; a diary; writings and notes; 20 sketchbooks and sketches; 2 scrapbooks; exhibition catalogs and annoucements; printed material; and miscellaneous items.
REEL D295: Correspondence; clippings; exhibition catalogs; articles; and photos.
REELS 2547-2548: Letters; photographs of Philipp and others, and of works of art; a diary, 1970; writings and notes; 20 sketchbooks and several loose sketches; financial material; 2 scrapbooks containing photographs of Phillip's paintings and biographical material; Phillip's passport; an address book; certificates, awards and 7 medals; exhibition catalogs; announcements; and clippings.
Biographical / Historical:
Painter; New York, N.Y.
Provenance:
Material on reel D295 lent for microfilming 1966 by Robert Phillip.; most of it subsquently donated along with material on reel 2547-2548, 1975-1982, by Phillip and his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.philrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-philrobe

Charles Rosen papers

Creator:
Rosen, Charles, 1878-1950  Search this
Names:
Carnegie Institute -- Photographs  Search this
Bellows, George, 1882-1925  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Extent:
0.8 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Date:
1896-1971
Scope and Contents:
Correspondence, sketchbooks, diaries, writings, printed material, photographs, and scrapbooks.
REEL 1033: Letters, including 2 from George Bellows and 17 from Eugene Speicher.
REELS 1118-1119: Biographical data and certificates; correspondence with many American artists; a European diary, 1909; writings, lectures and notes by and about Rosen; records of his paintings; sketches and sketchbooks; scrapbooks; exhibition catalogs, clippings and art school catalogs; and reproductions of portraits of Rosen.
REEL 1130: Photographs of Rosen as a young man, teaching and working, and with friends. Other photographs include the Carnegie Institute Jury, 1931; Rosen's friends, many of whom are American artists at Woodstock; Seminole Indians and a mural in Florida; and people and houses in Texas.
Photographs of artists include George Bellows, Ernest Blumenschein, Dennis Burlingame, Jo Cantine, John Carroll, Konrad Cramer, Andrew Dasburg, Randall Davey, Buckminster Fuller, Wendell Jones, Yasuo Kuniyoshi, Henri E. Le Sidaner, Jonas Lie, Eugene D. Ludins, Ethel Magafan, Henry Mattson, Henry McFee, Paul Nash, Homer Saint-Gaudens, Judson Smith, Eugene Speicher, John Striebel, and Carl Walters.
Biographical / Historical:
Landscape painter, printmaker, instructor; Woodstock, N.Y. Studied at the National Academy of Design with Chase and DuMond. Associate Member and Academician, National Academy of Design. Painted murals for the United States Post Offices in Beacon and Poughkeepsie, N.Y. and Palm Beach, Fla.
Provenance:
Material on reel 1033 lent for microfilming by Katherine Rosen Warner, Rosen's daughter, 1975. Other material donated by Warner, 1975.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Landscape painters -- New York -- Woodstock  Search this
Topic:
Artists -- United States -- Photographs  Search this
Landscape painting -- New York (State)  Search this
Mural painting and decoration -- 20th century -- Florida -- Palm Beach -- Photographs  Search this
Painting, Modern -- 20th century -- New York (State) -- Woodstock  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Identifier:
AAA.rosechar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rosechar

Lucien and Marcelle Labaudt papers

Creator:
Labaudt, Lucien, 1880-1943  Search this
Labaudt, Marcelle, 1892-1987  Search this
Names:
California School of Design  Search this
Federal Art Project (Calif.)  Search this
Lucien Labaudt Art Gallery  Search this
San Francisco Women Artists  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Biberman, Edward, 1904-1986  Search this
Feitelson, Lorser, 1898-1978  Search this
Ferier, André  Search this
Ford, Worthington C.  Search this
Gerstle, Wilhelm, 1879-1963  Search this
Kent, Adaline Dutton, 1900-1957  Search this
Kuhn, Walt, 1877-1949  Search this
London, Charmian  Search this
Léger, Fernand, 1881-1955  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Matisse, Henri, 1869-1954  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Ozenfant, Amédée, 1886-1966  Search this
Ozenfant, Marthe  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Rivera, Diego, 1886-1957  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Sotomayor, Antonio, 1904-  Search this
Extent:
8.5 Linear feet ((partially microfilmed on 11 reels))
Type:
Collection descriptions
Archival materials
Date:
1896-1987
Scope and Contents:
Correspondence, photographs, exhibition materials, scrapbooks, journals, printed matter, essays, gallery records and other business records, and miscellaneous papers.
REELS 3799-3806: A resume; a travel journal; an address book; appointment books; passports for Marcelle Labaudt; correspondence, including 3 illustrated Christmas cards from Walt Kuhn and letters from Edward Rowan about Lucien Labaudt's murals for the Los Angeles post office for the Section of Fine Arts; notes on costume design, geometry, and metric color scales; writings by Lucien Labaudt, including "Color Constructions--Opticolormetry", 1940; 4 sketchbooks and 70 sketches by Labaudt; prints and drawings by others; scrapbook on history of costume design; announcements; programs; reproductions; printed material concerning Labaudt's California School of Design; records of the San Francisco Women Artists organization; minutes of the Artists' Council kept by Marcelle Labaudt; artist files; guest registers; ledgers 1929 and 1939-1949, and financial records, 1943-1980, for the Lucien Labaudt Art Gallery; clippings; photographs of Labaudt's family, 1911-1981; of works of art, 1913-1968; and stage and costume design.
REEL 1052: Correspondence relating to the Lucien Labaudt Art Gallery and to Lucien and Marcelle; photographs (many undated and unidentified) of a gallery opening, 1950 of Max Hages, two paintings by Fred Martin, and two by R. Kaess; manuscript material; biographical material on artists who exhibited at the gallery; catalogs and announcements; printed material; and clippings.
REEL 1854: Photographs, 1920-1940 of: Labaudt; Labauadt working on Beach Chalet Murals; at the Bohemian Club Grove with C. Ford, Arnautoff, Otis Oldfield, Moya del Pino, Sotomayer, Timothy Pflueger, William Gerstle, and Diego Rivera; with Adeline Kent; with Marcelle and André Ferier; costumes and sets designed by Labaudt; and paintings and murals by Labaudt. Also included are 173 personal and business letters, 1923-1975; sketches; manuscripts, including essays about Labaudt by Stanton Macdonald-Wright and Lorser Feitelson; a scrapbook; business records; catalogs and announcements; clippings and other printed matter. Correspondents include: Edward Biberman, Lorser Feitelson, Walt Kuhn, Fernand Leger, Charmain London (Mrs. Jack), Henri Matisse, Marthe and Amedee Ozenfant, Timothy L. Pflueger and Edward Rowan.
UNMICROFILMED: Biographical material regarding Marcelle Labaudt's education; correspondence, 1901-1979, with friends and associates, including Alvyne Maisonneuve, Yliane Remy, Henry and Ann Varnum Poor, Charmian London, Millard Sheets and Richard Diebenkorn (1 letter, 1950); Marcelle Labaudt's travel diary kept on a trip to France, undated; art works, undated, including a sketchbook and illustrated letter by Lucien and an unsigned print; exhibition catalogs and clippings regarding the Lucien Labaudt Art Gallery; photographs, slides and negatives, 1896-1976, of friends, family and art works, and an album of photographs of Lucien's works of art.
Biographical / Historical:
Lucien Labaudt was a painter, muralist, costume and set designer. He also ran a commercial art school called the California School of Design. After his death in 1943, on assignment as a war artist correspondent, his wife, Marcelle Labaudt, established the Lucien Labaudt Art Gallery in San Francisco, California. She specialized in giving younger or relatively unknown artists their first exhibitions and operated the gallery until 1980.
Provenance:
Donated by Marcelle Labaudt 1974-1976, and after her death by her estate through her step-sister and executor, Simone M. Berges, 1984. After Berges' death in 1988, an additional installment was received via Berges' sister-in-law, Jill Alexander.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Costume designers  Search this
Painters  Search this
Topic:
Federal aid to the arts -- California -- San Francisco -- Exhibitions  Search this
Art and state -- California -- San Francisco -- Exhibitions  Search this
Mural painting and decoration -- 20th century -- California -- San Francisco  Search this
Costume -- California -- San Francisco  Search this
Muralists  Search this
Function:
Art galleries, Commercial -- California -- San Francisco
Identifier:
AAA.labaluci
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-labaluci

Paul Sample papers, 1890-1974

Creator:
Sample, Paul Starrett, 1896-1974  Search this
Type:
Sketchbooks
Topic:
Drawing -- Vermont -- Norwich  Search this
Art, American -- 20th century  Search this
Record number:
(DSI-AAA_CollID)9053
(DSI-AAA_SIRISBib)211244
AAA_collcode_samppaul
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211244

Saul Schary papers, 1929-1967 and [undated]

Creator:
Schary, Saul, 1904-1978  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9099
(DSI-AAA_SIRISBib)211293
AAA_collcode_schasaul
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211293

Georges Schreiber papers, 1940-1973

Creator:
Schreiber, Georges, 1904-1977  Search this
Type:
Sketchbooks
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)13513
(DSI-AAA_SIRISBib)211301
AAA_collcode_schrgeor
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211301

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