Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.
Scope and Contents:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.
James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).
Local Call Number(s):
NAA Photo Lot 4605
The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.
Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.
Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.
Pywell photographs held in National Anthropological Archives Photo Lot 4498.
O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.
Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Relate to the Dakota Indians of Pine Ridge and Rosebud Agencies, and to the Battle of Wounded Knee (December 29, 1890), including views of the battlefield, January, 1891.
"The Nebraska State Historical Society, 1500 R. Street, Lincoln 8, Nebraska (James C. Olson, Supt.), has a collection of pictures relating to the Battle of Wounded Knee, fought in 1890. Included in the group of about 50 photographs are scenes before and following the battle, photographs of Indians, and related subjects. There are a few glass plate negatives by G. E. Trager, and the remainder of the collection consists of old photoprints or copies thereof." -- from Eye to Eye (Graphic Hitory Soc. Of America)-1954- 106. This entry from Eye to Eye, 1954 may refer to the same collection as Bureau of American Ethnology Catalog Number 4464. (Negative Numbers 3200-b-1--15) Some of these were published by Schmitt and Brown ("Fighting Indians of the West," 1948) from the Bureau of American Ethnology copy negatives and attributed to Trager as the photographer. However, the prints in the Bureau of American Ethnology apparently bear no signature or other mark attributing them to Trager. Possibly Schmitt and Brown knew him to be the photographer from other research they had done. It remains to check this collection with the Nebraska Historical Society to see if it is the same as theirs. The prints received from Mr Johnson have evidently been copied many times.
Contents: Catalog Number 4464 Dakota (1) Description: Burial of the dead after the Battle of Wounded Knee Photographer: Northwestern Photo Co. Date: December 29, 1890 (copyright 1/1/91) Negative Number 3200-b-7. (2) Medicine Man, dead in the snow Northwestern Photo Co copyright 1/1/91 3200-b-8. (3) Big Foot, dead in the snow Northwestern Photo Co copyright 1/1/91 3200-b-2 and 55,018. (4) Wounded Knee Battlefield, looking north Northwestern Photo Co copyright 1891 3200-b-10. (5) Wounded Knee Battlefield, looking south-west Northwestern Photo Co ? 1891 47,685. (6) Wounded Knee Battlefield Northwestern Photo Co ? 1891. (7) General Carr's camp at Pine Ridge Agency Northwestern Photo Co ? 1891. (8) Hostile Indian camp at the Mission near Pine Ridge Agency Northwestern Photo Co 1891. (9) "Scene at the battlefield." Northwest Photo Co 1891 3200-b-14. (10) Catholic Mission, 9 miles north of Pine Ridge Agency Northwestern Photo Co 1891. (11) Rosebud and Sioux Indians War Dance at Pine Ridge Agency, December 25, 1890 Northwestern Photo Co ? 12/25, 1890. (12) Kicking Bear, Brule Dakota Northwestern Photo Co. (13) Stinking Bear, a leader of the friendly Sioux Indians, Pine Ridge Northwestern Photo Co 1891. (14) Standing Elk (left) and Black Horse (right) Northwestern Photo Co 1891.
Catalog Number 4464 Dakota: (15) Description: Left to right: Two Strike, Crow Dog, High Hawk Photographer: Northwestern Photo Co Date: 1891 Negative Number: 42,827. (16) Left to right: J. M. McDonough, Good Lance, Big Talk, Frank Gerard (chief of scouts), Kicking Bear, Two Strike, Major Burke Northwestern Photo Co 1891. (17) Grand Council between friendly and hostile Indian chiefs at Pine Ridge Agency, January 17, 1891. Chief Kicking Bear talking Northwestern Photo Co January 17, 1891. (18) Indians at camp, Pine Ridge Agency Northwestern Photo Co 1891 3200-b-12. (19) Beef Issue, Pine Ridge Agency Northwestern Photo Co 1891. (20) Hospital, Pine Ridge Agency Northwestern Photo Co 1891 (21) Captain Taylor and his Indian Scouts on drill, Pine Ridge Agency Northwestern Photo Co 1891. (22) Officers of the 7th Cavalry, Pine Ridge Agency Northwestern Photo Co Date Unknown. (23) Officers of the 9th Cavalry, Pine Ridge Agency Northwestern Photo Co. [1891 ?] (24) Pine Ridge Agency from the north. (not clear) 1891. (25) Wounded Knee battlefield 1891. (26) Wounged Knee battlefield 3200-b-9. (27) "Scaffold on which the first Indian was hanged. Deadwood, South Dakota." (28) Sitting Bull R. L. Kelly, Pierre, South Dakota 47,686-A. (29) Dakota man, 3/4 length L. W. Stilwell ? (30) Joe Bush L. W. Stilwell, Deadwood, South Dakota. (31) Two men, standing L. W. Stilwell? (32) War Bonnet L. W. Stilwell. (33) Bear Pipe L. W. Stilwell. (34) Ellis [?] Standing Bear L. W. Stilwell (35) Mother of Messiah "watching Ghost Dance at Wounded Knee, South Dakota, 1891"- A. G. Johnson George W. Scott, Fort Yates, North Dakota 1891. (36) Two men standing in front of covered wagon. (37) Four men standing in front of covered wagon. (38) Stinking Bear and Paint His Horse. (39) Row of men on horseback. (40) Omaha Dance, Rosebud Agency W. R. Cross, Hot Springs, South Dakota 1891 55,634. (41) Omaha Dance, Rosebud Agency W. R. Cross, Hot Springs, South Dakota. (42) Row of Indians in front of a reviewing stand. (43) Row of Indians sitting on ground; white man on horse behind them. (44) "Sioux Indians in town July 4, hitting a dime at distance 100 ft." (45) Three "Sioux Indians coming to town."
Catalog Number 4464 Dakota:(46) Description: Hospital, Pine Ridge Agency Photographer Unknown Date: 1891. (47) Funeral of an Indian policeman 1891. (48) Scaffold burials, Yankton Agency, Dakota Territory W. R. Cross. (49) Large group of men on horseback. (50) "U. S. Cavalry returning after Battle of Wounded Knee, S. D., 1891." (51) "U. S. Army Officers Pine Ridge, S. D. 1891." 3200-b-13. (52) Officers with Indian fighters, Pine Ridge Agency 1891. (53) Officers of 7th Cavalry, Pine Ridge. (54) "Soldiers of Wounded Knee, 1891." (55) "Gathering up the dead at the Battle of Wounded Knee, S. D." 1891 47,685-B.
Stereographs documenting Native North Americans, including studio portraits, camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Tribes represented include Winnebago, Tuscarora, Tesuque, Seneca, San Juan, Pecos, Ojibwa, Oglala, Ute, Kaibab, Sisseton, Arikara, Mandan, Hopi, Shoshoni, Isleta, and Laguna, as well as Native peoples of Alaska and Labrador.
The photographs were published by a variety of firms including E. & H. T. Anthony & Company, George Barker, H. H. Bennett, Bennett & Brown, W. Henry Brown, Caswell & Davy, Childs Art Gallery, B. B. Brubaker, Continent Stereo Company, W. R. Cross, H. A. Doerr, J. Gurney & Son, Haynes, H. T. Hiester, John K. Hillers, William H. Jackson, J. F. Jarvis, Keystone View Company, B. L. Singley, S. J. Morrow, H. T. Payne, H. N. Robinson, C. R. Savage, John P. Soule, Underwood & Underwood, Whitney's Gallery, Whitney & Zimmerman, and Ben Wittick.
Local Call Number(s):
NAA Photo Lot 140
Location of Other Archival Materials:
Additional photographs by these photographers can be found in the National Anthropological Archives in additional collections of stereographs relating to Native Americans (MS 4551 and Photo Lot 90-1)
Deloria tells about his sister Ella Deloria, his own rearing, and old values of the Dakotas. He also relates incidents involving Sitting Bull, Gall, Francois Deloria (his father), General Sully (his maternal grandfather), Struck-by-the-Ree,
This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie (Barry) Moore. These were later copied by her brother-in-law Herbert O. Peterson. The copy prints include many of Barry's most famous portraits of Lakota leaders from at the end of the 19th century such as Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], and Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], among others.
Scope and Contents:
This collection includes 40 copy prints of David F. Barry photographs which had been held by David Barry's sister, Matie Barry Moore. It is likely that some of the photographs were originally shot by Orlando Scott Goff and later attributed to Barry, who may have printed them at a later date. The studio portraits of Native leaders include—Tatanka Iyotanka (Sitting Bull) [Hunkpapa Lakota (Hunkpapa Sioux)], Rain in the Face (Iromagaja/Ito-na-gaju/Ite-Mahazhu/I-Te-Amaghazhu/Exa-ma-gozua) [Hunkpapa Lakota (Hunkpapa Sioux)], Chief Gall (Pizi) [Oglala Lakota (Oglala Sioux)], Chief John Grass (Charging Bear/Mato-Wata-Kpe/Pah-zhe/Matowatakpe/Pehzi/Pe-ji/Used As A Shield), [Sihasapa Lakota (Blackfoot Sioux)], Chief Joseph (Hinmuuttu-yalatlat [Thunder Rolling Down the Mountain]/In Mut Too Yah Lat Lat) [Niimíipuu (Nez Perce)], Chief Goose (Goos) [Ihanktonwan Nakota (Yankton Sioux)], Curley (Ashishishe) [Apsáalooke (Crow/Absaroke)], Red Cloud (Makhpiya-luta [Scarlet Cloud]/Mahpina Luta) [Oglala Lakota (Oglala Sioux)], Crow King (Kangi-yatapi/Ka-Ge-Tou-Cha) [Hunkpapa Lakota (Hunkpapa Sioux)], Chief Wild Horse [Oglala Lakota (Oglala Sioux)], and Good Horse with his wife [Hunkpapa Lakota (Hunkpapa Sioux)].
Additional non-Native portraits include—Lt. Col. George Armstrong Custer, General F.W. Bentun, Captain Tom McDougal, Col. William F. Cody ("Buffalo Bill"), Matie Barry Moore, and Judge Kenshaw Landis. There are also a number of outdoor shots made in Dakota territory which include views of Sitting Bull's log cabin, Sitting Bull's camp, census taking on the Standing Rock reservation, Reno Crossing and Fort Lincoln in the snow. There is also an image of Barry's studio set up in Fort Buford. One image has been restricted due to cultural sensitivity.
Prints include catalog numbers P23561 - P23599.
Arranged by catalog number.
Biographical / Historical:
David Frances Barry (1854-1934) was a photographer who is most noted for his photographs of famous Native American leaders at the end of the 19th century. Growing up in Columbus, Wisconsin, Barry was hired by photographer Orlando Scott Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed Dakota Territory and Montana making many of his most widely known photographs of Native American leaders, such as Sitting Bull, Rain in the Face, and Chief Gall, as well as photographing forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show. In 1890, Barry returned to Wisconsin where he operated a successful gallery in the city of Superior until his death in 1934.
Barry's sister, Matie (Barry) Moore, retained a collection of photographs made by her brother which were eventually copied and donated to the National Museum of the American Indian.
A folder of newspaper clippings regarding the life and work of David F. Barry were donated by Herbert Peterson along with the photographic prints. These are in the Museum of the American Indian, Heye Foundation records (NMAI.AC.001) in Box 289, Folder 1.
Donated by Herbert O. Peterson, brother-in-law to Matie Barry Moore, in 1991. Matie Barry Moore was sister to the photographer David F. Barry.
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: email@example.com).
Identification of specific item; Date (if known); Matie Barry Moore collection of David F. Barry copy prints, image #, NMAI.AC.334; National Museum of the American Indian Archives Center, Smithsonian Institution.
The collection is largely composed of photographs depicting Plains Indians, many of whom took part in the Battle of the Little Bighorn. Depicted individuals include Young Man Afraid of His Horse, Low Dog, Good Horse, Clear Eyes, Rain in the Face, Crow Flies High, Trail Hunter, Sitting Bull, Crow King, Red Cloud, White Faces, Running Antelope, Red Girl, Curly, John Grass, Gall, Spotted Tail, and a group of Ghost Dancers. There are also images of Barry, General Custer, the horse Comanche, and Buffalo Bill.
David Frances Barry (1854-1934) was a photographer based in Bismarck, Dakota Territory, who is most noted for his photographs of famous American Indians. In 1878, he was hired by itinerant photographer O. S. Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed the Dakota Territory, making many of his most widely known photographs of American Indians, forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show.
Local Call Number(s):
NAA Photo Lot R81-71
Copy prints made by Smithsonian Institution, 1981.
Location of Other Archival Materials:
Additional photographs by Barry, as well as originals of images in this collection, can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, MS 4559, and the BAE historical negatives.
The collection is open for research.
Access to the collection requires an appointment.
The item is number 14 in the series Dakota and Nebraska Views. This may be Sitting Bull's camp at Fort Randolph, Dakota Territory. Two women with babies and a young child are standing outside a tipi. The item is identical to number 645 of Photo Lot 90-1.
The item is number 14 in the series Dakota and Nebraska Views. This may be Sitting Bull's camp at Fort Randolph, Dakota Territory. Two women with babies and a young child are standing outside a tipi. The item is identical to number 644 of Photo Lot 90-1.
This view was taken in the camp of Sitting Bull's band of Hunkpapa Sioux when they were interred near Fort Randall, Dakota Territory. The item is number 4 in the series. This is the largest tipi belonging to the camp. An old woman is tanning a wolf skin on the ground.
Pictured are Indian children outside a tipi in Sitting Bull's camp at Fort Randolph, Dakota Territory. The item is number 4 in the series Dakota and Nebraska Views. This item is identical to number 102.
Pictured are Indian children outside a tipie in Sitting Bull's camp at Fort Randolph, Dakota Territory. The item is number 4 in the series Dakota and Nebraska Views. This item is identical to number 101.