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Oral history interview with George Biddle, 1963

Interviewee:
Biddle, George, 1885-  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Bacon, Peggy  Search this
Benton, Thomas Hart  Search this
Billings, Henry  Search this
Bruce, Edward  Search this
Cahill, Holger  Search this
Demuth, Charles  Search this
Evergood, Philip  Search this
Grosz, George  Search this
Halpert, Edith Gregor  Search this
Hartley, Marsden  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Orozco, José Clemente  Search this
Rivera, Diego  Search this
Robinson, Boardman  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice  Search this
Stieglitz, Alfred  Search this
Tamayo, Rufino  Search this
Weber, Max  Search this
Zorach, William  Search this
Cassatt, Mary  Search this
Pascin, Jules  Search this
Poor, Henry Varnum  Search this
Curry, John Steuart  Search this
Bouché, Louis  Search this
Kroll, Leon  Search this
Zorach, William  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Biddle, 1963. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12696
(DSI-AAA_SIRISBib)213269
AAA_collcode_biddle63
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213269
Online Media:

Oral history interview with George Biddle

Interviewee:
Biddle, George, 1885-1973  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Bacon, Peggy, 1895-1987  Search this
Benton, Thomas Hart, 1889-1975  Search this
Billings, Henry, 1901-  Search this
Bouché, Louis, 1896-1969  Search this
Bruce, Edward, 1879-1943  Search this
Cahill, Holger, 1887-1960  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Demuth, Charles, 1883-1935  Search this
Evergood, Philip, 1901-1973  Search this
Grosz, George, 1893-1959  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hartley, Marsden, 1877-1943  Search this
Kroll, Leon, 1884-1974  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Pascin, Jules, 1885-1930  Search this
Poor, Henry Varnum, 1887-1970  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tamayo, Rufino, 1899-  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Zorach, William, 1887-1966  Search this
Extent:
239 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963
Scope and Contents:
An interview of George Biddle conducted in 1963, by Harlan Phillips, for the Archives of American Art.
Biddle speaks of his background in Philadelphia; his Harvard education in preparation for a law career; literary acquaintances; travel; the beginning of his art career; his preoccupation with portraiture; his tragic and pleasant works; the importance of mood; his drawing techniques; drawing from nature; color experimentation; Stieglitz's circle; the susceptibility of artists to change during the 1930s; his involvement with the Public Works of Art Project; government censorship of his murals; his involvement with artists overseas during World War II; and his aesthetic philosophy. He recalls Max Weber, Maurice Sterne, George Grosz, William Zorach, Kenneth Hayes Miller, Peggy Bacon, Marsden Hartley, Charles Demuth, Edith Halpert, Boardman Robinson, Reginald Marsh, Thomas Hart Benton, Henry Billings, Ned Bruce, Holger Cahill, Philip Evergood, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Rufino Tamayo.
Biographical / Historical:
George Biddle (1885-1973) was a painter and sculptor, in Croton-on-Hudson, New York.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 9 digital wav files. Duration is 13 hr., 56 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.biddle63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb4fdb2d-29ab-4c56-bcef-655c27a0afb8
EDAN-URL:
ead_collection:sova-aaa-biddle63
Online Media:

Oral history interview with Arnold Blanch

Interviewee:
Blanch, Arnold, 1896-1968  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
American Artists' Congress  Search this
Bellows, George, 1882-1925  Search this
Force, Juliana, 1876-1948  Search this
Gorky, Arshile, 1904-1948  Search this
Hague, Raoul, 1905-1993  Search this
Henri, Robert, 1865-1929  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sloan, John, 1871-1951  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963 June 13-August 3
Scope and Contents:
An interview of Arnold Blanch conducted by Dorothy Seckler (31 pages) on 1963 June 13 for the Archives of American Art, and a lecture by Blanch recorded by Seckler (6 pages), August 1, 1963.
In the interview, Blanch speaks of his childhood in Minnesota; his hostility toward formal education; his art education; moving to New York; the influence of Cezanne and Renoir on his work; the Woodstock art circle; travels in Paris; his association with New York galleries; his involvement with WPA projects; the American Artists Congress; the American art scene in the 1930s; his opinions of government aid to the arts; changes in his style; and his opinions on the contemporary art scene. He recalls Boardman Robinson, Juliana Force, George Bellows, Robert Henri, John Sloan, Kenneth Hayes Miller, Arshile Gorky, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Raoul Hague. The lecture,"Art Tradition," was delivered by Blanch to the Woodstock Art Association, Woodstock, New York, August 1, 1963.
Biographical / Historical:
Arnold Blanch (1896-1968) was a mural painter in Woodstock, New York.
General:
Originally recorded 5 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 3 hr., 12 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Muralists -- New York -- Woodstock -- Interviews  Search this
Painters -- New York (State) -- Woodstock -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.blanch63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ce9ffe3-ba4d-4131-b160-99f0588088aa
EDAN-URL:
ead_collection:sova-aaa-blanch63
Online Media:

Enrique Riverón papers

Creator:
Riverón, Enrique  Search this
Names:
Wichita State University -- Faculty  Search this
Baker, Josephine, 1906-1975  Search this
Bermúdez, Cundo, 1914-2008  Search this
Cantinflas, 1911-1993  Search this
Carreño, Mario  Search this
Carreño, Mario -- Photographs  Search this
Cugat, Xavier, 1900- -- Photographs  Search this
De Diego, Julio, 1900-  Search this
García Lorca, Federico, 1898-1936  Search this
Gattorno, Antonio  Search this
Gómez Sicre, José  Search this
Hughes, Langston, 1902-1967  Search this
Kiki, 1901-1953  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray -- Photographs  Search this
Neruda, Pablo, 1904-1973 -- Photographs  Search this
Orozco, José Clemente, 1883-1949 -- Photographs  Search this
Peláez, Amelia, 1897-1968 -- Photographs  Search this
Picasso, Pablo, 1881-1973  Search this
Pidgeon, Walter, 1897-  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
Reed, Alma M. -- Photographs  Search this
Russell, Rosalind -- Photographs  Search this
Salinas, Baruj  Search this
Sicre, Juan José -- Photographs  Search this
Siqueiros, David Alfaro -- Photographs  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Waguermert, Luis Gomez -- Photographs  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1918-1990s
Summary:
The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.
Scope and Content Note:
The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.
Arrangement:
The collection is organized into eight series.

Missing Title

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)
Biographical Note:
Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.
Related Material:
The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.
Provenance:
The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Cartoonists  Search this
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Sculptors -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.riveenri
See more items in:
Enrique Riverón papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f97ec4c1-ff24-4264-8862-e6c643037bb5
EDAN-URL:
ead_collection:sova-aaa-riveenri

Oral history interview with John Wilson

Interviewee:
Wilson, John, 1922-2015  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston University. School of Fine and Applied Arts  Search this
Museum of Fine Arts, Boston. School  Search this
Aronson, David, 1923-2015  Search this
Bengtz, Ture, 1907-1973  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney, 1932-  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lewis, Elma  Search this
Léger, Fernand, 1881-1955  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
497 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-1994 August 16
Scope and Contents:
An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.
Wilson discusses his childhood as a member of a family of middle class blacks from British Guiana (now Guyana); his father's grave disappointments in the face of racial discrimination; his parents' push for their children to succeed; early urge to read and draw; encouragement by School of the Museum of Fine Arts, Boston students who taught at the Roxbury Boys Club; his secondary education; and friends.
He talks about his education at the MFA School, Boston, and comments on such teachers as Ture Bengtz and Karl Zerbe and compares their exacting methods with those of Fernand Leger, his teacher in Paris.
His work of the 1940s prior to going to Paris; the importance of early awards and sales received while still a student at the MFA School; the excitement of sharing a studio with fellow students, Francesco Carbone and Leo Prince; and encouragement to stay in school during WW II with the promise of a European study fellowship after the war.
The great impact of his years in Paris (1948-49); the lack of racial prejudice; the liberating effect of Leger's teaching; his awe of the work of Masaccio and Piero della Francesca during a trip to Italy; and the deep impression made on him by seeing tribal art in the Musee de l'Homme, Paris.
Continued discussion of Leger; his teaching methods; and influences on his work.
His first teaching position at the MFA School; his involvement in civil rights in Boston; his gregariousness and the use of his studio as a meeting place for artists and political activists; his involvement with socialism in Boston and New York; and working in a socialist children's camp. He remembers meeting Paul Robeson, Charles White, Elizabeth Catlett, and Bob Blackburn, who was then setting up his printmaking atelier in New York; marriage to a fellow socialist (June 1950); move to Mexico on a fellowship to study with Jose Orozco on the advice of Leger, only to find that Orozco had died; terrors of travel as an interracial couple through the U.S.; and different racial attitudes in Mexico and the U.S.
Living in Mexico (1950-56) and anecdotes of David Alfaro Siqueiros and Diego Rivera; his wife's meeting with Frieda Kahlo and seeing her collection of folk art; their free and cosmopolitan, if impoverished, life in Mexico; his work in a printmaking atelier and on the production of frescoes, and a lengthy aside about his brilliant brother, Freddie, who because he was black was not allowed to pursue his first love, geology, for many years.
Continued discussion of his experiences in Mexico; the dreary year (1957) he spent doing commercial art for a meatpackers' union in Chicago, a city he disliked; his move to New York in 1958, taking on commercial work to support his family, and teaching anatomy at the Pratt Institute.
Teaching art at a junior high school in the Bronx, and his gaining respect of students through special projects; teaching drawing at Boston University (1965-86), his approach to teaching including his demanding standards, the seriousness of the students, his opposing rigid attendance and grading rules, and colleagues, such as David Aronson who had created the School, Reed Kay, Jack Kramer, Sidney Hurwitz, and the University president, John Silber.
Working with the black arts entrepreneur, Elma Lewis, in setting up a visual arts program for the Boston black community (late 1960s-1970s), including the selection of a curator, Edmund Barry Gaither, a young art historian, who eventually established a museum of African-American art; his participation in various black art exhibitions, despite his belief that art should be seen regardless of the ethnic origins of artists; his move toward sculpture, beginning in the early 1960s, as a medium most expressive of black persons, culminating in the 1980s in a series of colossal heads and a statue of Martin Luther King, Jr. for the U.S. Capitol (1985-86); and why he makes art and will so long as he is able.
Biographical / Historical:
John Wilson (1922- ) is an African American painter, sculptor, illustrator, printmaker, and educator from Boston, Massachusetts. Full name John Woodrow Wilson.
General:
Originally recorded on 11 sound cassettes. Reformatted in 2010 as 22 digital wav files. Duration is 16 hr., 2 min.
Uneven transcription reflects Wilson's unusual speech pattern.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription and microfilming of the interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
African American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3601751-82e4-488d-b246-deda68bea613
EDAN-URL:
ead_collection:sova-aaa-wilson93
Online Media:

Jack and Rhea Case papers, 1917-1979

Creator:
Case, Jack  Search this
Case, Rhea, 1913-2005  Search this
Subject:
Arensberg, Louise S. (Louise Stevenson)  Search this
Arensberg, Walter  Search this
Brancusi, Constantin  Search this
Duchamp, Marcel  Search this
Scheyer, Galka E.  Search this
Siqueiros, David Alfaro  Search this
Wood, Beatrice  Search this
Type:
Sound recordings
Interviews
Citation:
Jack and Rhea Case papers, 1917-1979. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7348
(DSI-AAA_SIRISBib)209501
AAA_collcode_casejack
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209501

Henry Botkin papers, 1917-1979

Creator:
Botkin, Henry, 1896-1983  Search this
Subject:
Arlen, Harold  Search this
Botkin, Benjamin Albert  Search this
Brice, Fanny  Search this
Brice, William  Search this
Gershwin, George  Search this
Gershwin, Ira  Search this
Godowsky, Frances  Search this
Gross, Chaim  Search this
Hasegawa, Saburō  Search this
Hofmann, Hans  Search this
Knaths, Karl  Search this
Laurent, Toinette Botkin  Search this
Mocsanyi, Paul  Search this
Motherwell, Robert  Search this
Nevelson, Louise  Search this
Newman, Barnett  Search this
Picasso, Pablo  Search this
Putnam, Wallace  Search this
Schoenberg, Arnold  Search this
Siqueiros, David Alfaro  Search this
Shadbolt, Jack  Search this
Von Wicht, John  Search this
Rattner, Abraham  Search this
Robus, Hugo  Search this
American Abstract Artists  Search this
Artists Equity Association  Search this
Federation of Modern Painters and Sculptors  Search this
Gallery 256 (Provincetown, Mass.)  Search this
Type:
Drawings
Scrapbooks
Citation:
Henry Botkin papers, 1917-1979. Archives of American Art, Smithsonian Institution.
Topic:
Art, Abstract  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7456
(DSI-AAA_SIRISBib)209614
AAA_collcode_botkhenr
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209614

Stendahl Art Galleries records, 1907-1971

Creator:
Stendahl Art Galleries  Search this
Subject:
Siqueiros, David Alfaro  Search this
Picasso, Pablo  Search this
Kent, Rockwell  Search this
Gilbert, Arthur Hill  Search this
Rose, Ethel Boardman  Search this
Rivera, Diego  Search this
Pearson, Ralph M.  Search this
Rose, Guy  Search this
Montenegro, Roberto  Search this
Pach, Walter  Search this
De Creeft, José  Search this
Noguchi, Isamu  Search this
Loeffler, Gisella  Search this
Stendahl, Earl L.  Search this
Laurence, Sydney  Search this
Kandinsky, Wassily  Search this
Calder, Alexander  Search this
Cantú, Federico  Search this
Guthrie, George B.  Search this
Archipenko, Alexander  Search this
Beltrán-Masses, Federico  Search this
Genth, Lillian Mathilde  Search this
Wendt, William  Search this
Ritschel, William  Search this
Hansen, Armin C. (Armin-Carl)  Search this
Payne, Edgar A. (Edgar Alwin)  Search this
Knight, Aston  Search this
Kronberg, Louis  Search this
Gelhaar, Emil  Search this
Feshin, Nikolaĭ Ivanovich  Search this
Szecsi, Ladislas  Search this
Schofield, Walter Elmer  Search this
Charlot, Jean  Search this
Kleitsch, Joseph  Search this
Zuloaga, Ignacio  Search this
Orozco, José Clemente  Search this
Mérida, Carlos  Search this
Eddy, Jerome  Search this
Thomas Gilcrease Institute of American History and Art  Search this
Demotte, inc. (New York, N.Y.)  Search this
Couvoisier Galleries  Search this
Wildenstein and Company (New York, N.Y.)  Search this
Type:
Gallery records
Scrapbooks
Citation:
Stendahl Art Galleries records, 1907-1971. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New Guinea  Search this
Latino and Latin American artists  Search this
Landscape painting  Search this
Prints  Search this
Art, American  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Latino and Latin American  Search this
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)5550
(DSI-AAA_SIRISBib)210940
AAA_collcode_stenartg
Theme:
Latino and Latin American
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210940
Online Media:

Harry Sternberg papers, 1927-2000

Creator:
Sternberg, Harry, 1904-2001  Search this
Subject:
Warner, Malcolm  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Zigrosser, Carl  Search this
Wickey, Harry  Search this
Secunda, Arthur  Search this
Kent, Rockwell  Search this
Siqueiros, David Alfaro  Search this
Blume, Peter  Search this
Evergood, Philip  Search this
Art Students League (New York, N.Y.)  Search this
Idyllwild School and Museum for the Arts  Search this
Type:
Video recordings
Notes
Manuscripts
Interviews
Scrapbooks
Drafts (documents)
Sound recordings
Photographs
Sketchbooks
Drawings
Citation:
Harry Sternberg papers, 1927-2000. Archives of American Art, Smithsonian Institution.
Topic:
Printmakers -- California  Search this
Printmakers -- New York (State) -- New York  Search this
Educators -- California  Search this
Painting, American  Search this
Educators -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9477
(DSI-AAA_SIRISBib)211675
AAA_collcode_sterharr
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211675
Online Media:

Anton Refregier papers, circa 1900-circa 1990

Creator:
Refregier, Anton, 1905-1979  Search this
Subject:
Randall, Byron  Search this
Refregier, Lila  Search this
Siqueiros, David Alfaro  Search this
Morley, Eugene  Search this
O'Higgins, Pablo  Search this
Geddes, Norman Bel  Search this
Greenwood, Marion  Search this
Kent, Rockwell  Search this
Kuniyoshi, Yasuo  Search this
Dreyfuss, Henry  Search this
Elisofon, Eliot  Search this
Evergood, Philip  Search this
Fast, Howard  Search this
De Diego, Julio  Search this
Packard, Emmy Lou  Search this
Yavno, Max  Search this
National Council of American-Soviet Friendship (U.S.)  Search this
ACA Galleries  Search this
Bard College  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
United States. Works Progress Administration  Search this
Gosudarstvennyĭ Ėrmitazh (Russia)  Search this
World Peace Council  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Type:
Travel diaries
Greeting cards
Interviews
Cartoons (working drawings)
Scrapbooks
Transcripts
Photographs
Diaries
Sketches
Place:
Chile
Soviet Union
Guatemala
Mexico
Citation:
Anton Refregier papers, circa 1900-circa 1990. Archives of American Art, Smithsonian Institution.
Topic:
Tapestry  Search this
Art -- Study and teaching  Search this
Political clubs  Search this
Muralists -- New York -- Woodstock  Search this
Art -- Commissioning  Search this
Painters -- New York (State) -- Woodstock  Search this
Mural painting and decoration -- Archival resources -- 20th century  Search this
Designers -- New York (State)  Search this
Artists' studios -- Photographs  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9646
(DSI-AAA_SIRISBib)211854
AAA_collcode_refranto
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211854
Online Media:

Enrique Riverón papers, 1918-1990s

Creator:
Riverón, Enrique, 1902-1998  Search this
Subject:
Hughes, Langston  Search this
Yunkers, Adja  Search this
Sicre, Juan José  Search this
Salinas, Baruj  Search this
Russell, Rosalind  Search this
Waguermert, Luis Gomez  Search this
Neruda, Pablo  Search this
Peláez, Amelia  Search this
Pidgeon, Walter  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
De Diego, Julio  Search this
García Lorca, Federico  Search this
Carreño, Mario  Search this
Gattorno, Antonio  Search this
Tamayo, Rufino  Search this
Gómez Sicre, José  Search this
Siqueiros, David Alfaro  Search this
Reed, Alma M.  Search this
Kiki  Search this
Orozco, José Clemente  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray  Search this
Bermúdez, Cundo  Search this
Baker, Josephine  Search this
Cantinflas  Search this
Cugat, Xavier  Search this
Carreño, Mario  Search this
Picasso, Pablo  Search this
Wichita State University  Search this
Type:
Scrapbooks
Photographs
Citation:
Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Sculptors -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5433
(DSI-AAA_SIRISBib)216020
AAA_collcode_riveenri
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216020
Online Media:

Marian Gore "Art Scene" interviews and papers, 1958-1969

Creator:
Gore, Marian L.  Search this
Subject:
Mallary, Robert  Search this
Lebrun, Rico  Search this
Kuntz, Roger  Search this
Luna, Mario  Search this
Leavitt, Thomas W.  Search this
Gerchik, Paul  Search this
Greene, Balcomb  Search this
Hopps, Walter  Search this
Hansen, Jurgen  Search this
Goeritz, Mathias  Search this
Elliot, James  Search this
Carter, Earl  Search this
Lipchitz, Jacques  Search this
Cremean, Robert  Search this
Brigante, Nicholas P.  Search this
Blair, Streeter  Search this
Ankrum, Joan  Search this
Albers, Josef  Search this
Siqueiros, David Alfaro  Search this
Albert, Michel (artist)  Search this
Wayne, June  Search this
Nevelson, Louise  Search this
Geoffrey, J. Iqbal  Search this
Vicente, Esteban  Search this
Wark, Robert R.  Search this
Schwaderer, Fritz (Fritz Karl)  Search this
Tamayo, Rufino  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Cuevas, José Luis  Search this
Ortiz, Emilio  Search this
Falkenstein, Claire  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Type:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
Marian Gore "Art Scene" interviews and papers, 1958-1969. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)6118
(DSI-AAA_SIRISBib)216328
AAA_collcode_goremari
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216328
Online Media:

Reuben Kadish papers, 1851-1995, bulk 1913-1995

Creator:
Kadish, Reuben, 1913-1992  Search this
Subject:
Tully, Judd  Search this
Siqueiros, David Alfaro  Search this
Pollock, Jackson  Search this
Pollock, Charles C.  Search this
O'Keeffe, Georgia  Search this
Guston, Philip  Search this
Ashton, Dore  Search this
Cherry, Herman  Search this
Conant, Howard  Search this
De Kooning, Willem  Search this
Hiler, Hilaire  Search this
Langsner, Jules  Search this
Neininger, Urban  Search this
Type:
Drawings
Photographs
Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- California  Search this
Sculptors -- California  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6128
(DSI-AAA_SIRISBib)216343
AAA_collcode_kadireub
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216343
Online Media:

Heritage Gallery records, 1944-2000, bulk 1960-1998

Creator:
Heritage Gallery  Search this
Subject:
Orozco, José Clemente  Search this
Soyer, Moses  Search this
Siqueiros, David Alfaro  Search this
Horowitz, Benjamin  Search this
Soyer, Raphael  Search this
White, Charles  Search this
Gropper, William  Search this
Citation:
Heritage Gallery records, 1944-2000, bulk 1960-1998. Archives of American Art, Smithsonian Institution.
Theme:
African American  Search this
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6191
(DSI-AAA_SIRISBib)216438
AAA_collcode_herigall
Theme:
African American
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216438
Online Media:

Philip Stein papers regarding David Alfaro Siqueiros, 1933-2012

Creator:
Stein, Philip  Search this
Subject:
Siqueiros, David Alfaro  Search this
Type:
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Citation:
Philip Stein papers regarding David Alfaro Siqueiros, 1933-2012. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- Mexico  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16219
(DSI-AAA_SIRISBib)368506
AAA_collcode_steiphil
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_368506
Online Media:

Arnold Mesches papers, 1939-2015

Creator:
Mesches, Arnold, 1923-2016  Search this
Subject:
Ciment, Jill  Search this
Danto, Arthur Coleman  Search this
Miller, Henry  Search this
Marshall, Kerry James  Search this
Motherwell, Robert  Search this
Shahn, Ben  Search this
Siqueiros, David Alfaro  Search this
Storr, Robert  Search this
Wayne, June  Search this
Zinn, Howard  Search this
Miami Dade College  Search this
New York University  Search this
Type:
Collages
Diaries
Drawings
Sketches
Citation:
Arnold Mesches papers, 1939-2015. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Political aspects  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Politics in art  Search this
Interviews  Search this
Photographs  Search this
Transcripts  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17447
(DSI-AAA_SIRISBib)386725
AAA_collcode_mescarno
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_386725
Online Media:

Autorretrato (El Coronelazo)

Alternate Title:
Self-Portrait (the Great Colonel)
Artist:
David Alfaro Siqueiros, 29 Dec 1896 - 6 Jan 1974  Search this
Sitter:
David Alfaro Siqueiros, 29 Dec 1896 - 6 Jan 1974  Search this
Medium:
Pyroxylin on Masonite
Dimensions:
91 x 121cm (35 13/16 x 47 5/8")
Type:
Painting
Date:
1945
Topic:
Self-portrait  Search this
David Alfaro Siqueiros: Male  Search this
David Alfaro Siqueiros: Visual Arts\Artist\Painter  Search this
David Alfaro Siqueiros: Visual Arts\Artist\Painter\Muralist  Search this
David Alfaro Siqueiros: Society and Social Change\Reformer\Activist\Political activist  Search this
Portrait  Search this
Credit Line:
Owner: Museo Nacional de Arte, Mexico
Object number:
MX010012
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm477256e7f-f0a1-44c4-b1a6-9cb520abb8b6
EDAN-URL:
edanmdm:npg_MX010012

Oral history interview with Fletcher Martin, 1964 Nov. 19

Interviewee:
Martin, Fletcher, 1904-  Search this
Interviewer:
Trovato, Joseph S., 1912-1983  Search this
Subject:
Siqueiros, David Alfaro  Search this
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Fletcher Martin, 1964 Nov. 19. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Muralists -- Interviews  Search this
Printmakers -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12666
(DSI-AAA_SIRISBib)213654
AAA_collcode_martin64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213654
Online Media:

Oral history interview with Fletcher Martin

Interviewee:
Martin, Fletcher, 1904-1979  Search this
Interviewer:
Trovato, Joseph S., 1912-1983  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Siqueiros, David Alfaro  Search this
Extent:
9 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Nov. 19
Scope and Contents:
An interview of Fletcher Martin conducted 1964 Nov. 19, by Joseph S. Trovato, for the Archives of American Art.
Martin speaks of his family background and self-taught art education; meeting David A. Siqueiros and painting a mural with him; becoming established as an artist and having his first exhibits; working on the Federal Art Project (FAP) as a fresco painter; working on post office murals and relief sculptures; and his overall view of the Federal Art Project.
Biographical / Historical:
Fletcher Martin (1904-1979) was a printmaker, painter, and mural painter from Sarasota, Fla. and Guanajuato, Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 41 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Painters -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Muralists -- Interviews  Search this
Printmakers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.martin64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98dfe05fd-3472-41b1-bba4-88bb39b6890f
EDAN-URL:
ead_collection:sova-aaa-martin64
Online Media:

Reuben Kadish papers

Creator:
Kadish, Reuben, 1913-1992  Search this
Names:
Ashton, Dore  Search this
Cherry, Herman  Search this
Conant, Howard  Search this
De Kooning, Willem, 1904-1997  Search this
Guston, Philip, 1913-1980  Search this
Hiler, Hilaire, 1898-1966  Search this
Langsner, Jules, 1911-1967  Search this
Neininger, Urban  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956  Search this
Siqueiros, David Alfaro  Search this
Tully, Judd  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1851-1995
bulk 1913-1995
Summary:
This collection, which measures 7.9 linear feet and dates from 1851 to 1995 (bulk 1913-1995), documents the life and career of muralist, sculptor, and educator Reuben Kadish. The papers contain biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.
Scope and Content Note:
The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.

Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.

Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition Reuben Kadish: Works from 1930 to the Present at the New Jersey State Museum in 1990.

Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.

Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.
Arrangement:
The collection is arranged into ten series, based on type of material. Although acquired as a gift before the rest of the collection was loaned to the Archives of American Art in 1998, eight photographs are described in Series 9: Photographs, with those included in the 1998 loan.

Each series is arranged chronologically, except Series 2: Letters and Series 6: Writings, which are arranged alphabetically according to the surname of the writer.

Missing Title

Series 1: Biographical Material, 1938-1992 (box 1, 3 folders)

Series 2: Letters, 1934-1995, undated (boxes 1-3, 2.5 linear ft.)

Series 3: Personal Business Records, 1952-1995 (boxes 3-4, 37 folders)

Series 4: Exhibition File, 1989-1991 (box 4, 1 folder)

Series 5: Notes, 1851-1853, 1937-1992, undated (boxes 4-5, 35 folders)

Series 6: Writings, 1963-1992, undated (box 5, 14 folders)

Series 7: Artwork, 1981-1992, undated (boxes 5, 10, 8 folders)

Series 8: Printed Material, 1934-1993, undated (boxes 5-7, 76 folders)

Series 9: Photographs, 1913-1992, undated (boxes 7-9, sol 10, 2.0 linear ft.)

Series 10: Artifacts, undated (box 9, 1 folder)
Biographical Note:
Reuben Kadish was born in Chicago on January 29, 1913. His father and mother were from Latvia and the Ukraine respectively.

In 1921, the family moved to East Los Angeles, California, where Kadish studied painting under Lorser Feitelson. During this time, he befriended Jackson Pollock and Philip Guston, who attended the Manual Arts High School.

During a trip to New York City in 1930, Kadish was impressed with the modern art, especially the work of the Surrealists, which he saw there. Upon his return to Los Angeles the following year, Kadish attended the Otis Art School, the Stickney School of Art in Pasadena, and Los Angeles City College. He also shared a studio with Philip Guston.

In 1933, Kadish, Guston and Jules Langsner were apprenticed to Mexican muralist, David Alfaro Siqueiros. Their most notable work being the mural "Triumph of Good Over Evil", at the University of Morelia in Mexico. During the next three years, the three young artists collaborated on painting murals in California and Mexico. After another visit to New York, Kadish was invited to San Francisco by Bill Gaskin to head the art division of the WPA project there, a position he occupied until 1940.

From 1940, Kadish worked as a coppersmith and welder at the Bethlehem Steel Works in San Francisco until 1942, when he joined the Army as a member of the War Artist Unit, serving in India and Southeast Asia during World War II. In 1944, he rejoined his wife Barbara in the Bay Area, but they soon returned to New York City, where Kadish worked for Stanley William Hayter at Atelier 17. In the summer of 1945, the Kadish painted with Jackson Pollock and Lee Krasner in a shared Long Island house on Slow's Point in Amagansett.

In 1946, the Kadishes moved to a dairy farm in Vernon, New Jersey, where they supported themselves by farming until 1957. A catastrophic fire in the studio destroyed most of Kadish's paintings in 1947, causing him to turn his interest to creating sculpture.

After teaching art and design at the Newark School of Fine and Industrial Art in 1957, Kadish taught sculpture at the Brooklyn Museum Art School from 1958-1959. In 1960, he began his thirty-year teaching career at Cooper Union, which ended only a few months before his death on September 20, 1992 in Manhattan.
Related Material:
Other resources relating to Reuben Kadish in the Archives of American Art include an oral history interview with Kadish, April 15, 1992.
Provenance:
The eight photographs on Reel 5660 were donated to the Archives of American Art in 1984 by Reuben Kadish. The other material on Reels 5655-5660 was lent for filming in 1998 by Morris and Ruth Kadish, brother and sister-in-law of Reuben Kadish, and executors of his estate, and subsequently donated to the Archives of American Art in 2002.
Restrictions:
The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- California  Search this
Sculptors -- California  Search this
Genre/Form:
Drawings
Photographs
Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kadireub
See more items in:
Reuben Kadish papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8
EDAN-URL:
ead_collection:sova-aaa-kadireub
Online Media:

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