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Razor, (painting)

Painter:
Murphy, Gerald 1888-1964  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Dallas Museum of Art 1717 North Harwood Street Dallas Texas 75201 Accession Number: 1963.74.FA
Date:
1924
Topic:
Abstract  Search this
Object--Tool--Razor  Search this
Object--Other--Writing Tool  Search this
Object--Other--Smoking Material  Search this
Control number:
IAP 50570189
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_375027

Town Square, (painting)

Painter:
Davis, Stuart 1892-1964  Search this
Medium:
Watercolor on paper
Type:
Paintings
Owner/Location:
Newark Museum 49 Washington Street Newark New Jersey 07101 Accession Number: 30.74
Date:
1925-1926
Topic:
Abstract  Search this
Landscape--Massachusetts--Rockport  Search this
Architecture exterior--Commercial--Gas Station  Search this
Control number:
IAP 8A080032
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_417937

Machine, (painting)

Title:
Painting IX, Machine, (painting)
Painter:
Schamberg, Morton Livingston 1881-1918  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Yale University Art Gallery 1111 Chapel Street New Haven Connecticut 06520 Accession Number: 1941.673
Date:
1916
Topic:
Architecture--Machine  Search this
Abstract  Search this
Control number:
IAP 07261500
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_38255

Benny Andrews : there must be a heaven : March 19-May 18, 2013

Title:
There must be a heaven
Author:
Andrews, Benny 1930-2006  Search this
Sims, Lowery Stokes  Search this
Michael Rosenfeld Gallery  Search this
Subject:
Andrews, Benny 1930-2006  Search this
Physical description:
140 p. : col. ill., ports. ; 34 cm
Type:
Exhibitions
Date:
2013
Topic:
African Americans in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1013039

Lowery Stokes Sims papers, circa 1981-2017

Creator:
Sims, Lowery Stokes, 1949-  Search this
Type:
Sound recordings
Interviews
Video recordings
Citation:
Lowery Stokes Sims papers, circa 1981-2017. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
African American art  Search this
African American art museum curators  Search this
Theme:
African American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)21726
(DSI-AAA_SIRISBib)398599
AAA_collcode_simslowe
Theme:
African American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398599

Lowery Stokes Sims papers

Creator:
Sims, Lowery Stokes  Search this
Extent:
24.4 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Video recordings
Date:
circa 1981-2017
Scope and Contents:
The papers of African American art historian, curator and art administrator, Lowery Stokes Sims, measure 24.5 linear feet and date from circa 1918-2017. Included are correspondence; photographs of Lowery and others at events; notes and journals;printed material; exhibition records and administrative records from the Metropolitan Museum of Art, The Studio Museum in Harlem, and the Museum of Art and Design and other organizations; VHS videos, DVD and audio cassettes of interviews with Sims regarding artists and exhibitions; and research files on artists.
Biographical / Historical:
Lowery Stokes Sims (1949-) is an African American art historian, curator and art administrator. Sims was the first African American Curator at the Metropolitan Museum of Art (1972-1999), then served as Executive Director, President then Adjunct Curator of the Permanent Collection of The Studio Museum in Harlem (2000-2007), and Senior Curator and then Chief Curator of the Museum of Art and Design (2007-2015).
Provenance:
The collection was donated in 2019 by Lowery Stokes Sims as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
This collection is access restricted; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Art museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American art  Search this
African American art museum curators  Search this
Genre/Form:
Sound recordings
Interviews
Video recordings
Identifier:
AAA.simslowe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a66e8319-d9c1-4f8d-b005-08f8bc7cf659
EDAN-URL:
ead_collection:sova-aaa-simslowe

Beverly Buchanan papers

Creator:
Buchanan, Beverly, 1940-  Search this
Names:
Bernice Steinbaum Gallery (New York, N.Y.)  Search this
Steinbaum Krauss Gallery (New York, N.Y.)  Search this
Lippard, Lucy R.  Search this
Scott, Arden  Search this
Sims, Lowery Stokes  Search this
Extent:
18 Linear feet
34.2 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sketchbooks
Photograph albums
Motion picture film
Date:
1912-2017
bulk 1970s-1990s
Summary:
The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18 linear feet and 34.2 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material, including audiovisual and born-digital interview recordings; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material, including born-digital and audiovisual records; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.
Scope and Contents:
The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18 linear feet and 34.2 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material, including audiovisual and born-digital interview recordings; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material, including born-digital and audiovisual records; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.

The Beverly Buchanan papers contain biographical material including address books, calendars, awards and education certificates, identification documents, family history research material, and audiovisual and born-digital interview recordings; correspondence with friends and colleagues including Lucy Lippard and Lowery Stokes Sims, and with galleries and museums such as Bernice Steinbaum Gallery/Steinbaum Krauss Gallery, the Georgia Museum of Art, and the High Museum of Art. Also included are writings such as artist's statements, journals and notebooks, notes, and writings by others about Beverly Buchanan; exhibition and project files including audiovisual documentation from Bernice Steinbaum Gallery and Steinbaum Krauss Gallery of various exhibitions; material related to professional activities including teaching files and grant and fellowship applications; personal business records such as sales and consignment records; printed material including clippings, exhibition announcements and catalogs, magazines, posters, audiovisual and born-digital recordings, including A World of Art profile, and other published material; and scrapbooks, including one documenting Buchanan's City Walls series, containing primarily photographs and artwork with some printed material. The collection also contains photographic material including photographs, snapshots, negatives, and photograph albums; and artwork including sketchbooks, drawings, folded cardboard artwork, and illustrated cards.
Arrangement:
This collection is arranged as ten series.

Series 1: Biographical Material, 1917-2015 (Box 1, Boxes 19-20, Box 24; 0.6 linear feet)

Series 2: Correspondence, 1919-1954, 1967-2017 (Boxes 1-2; 0.9 linear feet; ER01, 0.017 GB)

Series 3: Writings, 1960-circa 2009 (Boxes 2-3, Box 24; 0.7 linear feet)

Series 4: Exhibition and Project Files, 1974-2001, 2010-2017 (Boxes 3-4, Box 24, OV 21, FCs 22-23; 1.9 linear feet; ER02, 0.020 GB)

Series 5: Professional Activities, 1962, 1979-2005 (Box 4, Box 19, Box 24; 0.3 linear feet)

Series 6: Personal Business Records, 1966-2010 (Box 4; 0.3 linear feet)

Series 7: Printed Material, 1912, 1923-2014 (Boxes 4-7, Box 19, Box 25, OV 21; 3.9 linear feet)

Series 8: Scrapbooks, 1970-circa 1977 (Box 7, Box 20; 0.3 linear feet)

Series 9: Photographic Material, circa 1920s-2013 (Boxes 7-13, Boxes 16-18, Box 20; 8.8 linear feet; ER03, 1.03 GB)

Series 10: Artwork, 1956-2013, undated (Boxes 13-15, Box 20; 0.7 linear feet)
Biographical / Historical:
Beverly Buchanan (1940-2015) was an African American sculptor, painter, and land artist in Macon, Georgia. Born in Fuquay, North Carolina and raised in Orangeburg, South Carolina, Buchanan studied medical technology at Bennett College before going on to earn two master's degrees in parasitology and public health from Columbia University in 1968 and 1969. Her artistic career began in 1971 when she enrolled in a class at the Art Students League in New York City taught by Norman Lewis. She moved to Georgia in 1977.

Buchanan is most well known for her "shack" sculptures and paintings, depictions of houses tied to Southern identity and memory.

Buchanan has been included in exhibitions at institutions such as Cinque Gallery, Truman Gallery, the Museum of Arts and Sciences in Macon, GA, the Chrysler Museum, and a traveling retrospective exhibition organized by the Montclair Art Museum. Her work is included in the permanent collections of institutions such as the Whitney Museum of American Art, High Museum of Art, Metropolitan Museum of Art, and the Pennsylvania Academy of the Fine Arts. Beverly Buchanan has received a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, the Anonymous Was a Woman Award, and the Women's Caucus for Art lifetime achievement award, among others. She died in 2015 in Ann Arbor, Michigan.
Provenance:
The Beverly Buchanan papers were donated to the Archives of American Art in 2018 by Jane Bridges, and in 2021 by Bridges and Susan Welsh, Buchanan's executors.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Georgia  Search this
Painters -- Georgia  Search this
Environmental artists -- Georgia  Search this
Topic:
Environment (Art)  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photograph albums
Motion picture film
Citation:
Beverly Buchanan papers, 1912-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buchbeve
See more items in:
Beverly Buchanan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97499cc73-b028-4e58-9bf4-c984c68a499d
EDAN-URL:
ead_collection:sova-aaa-buchbeve
Online Media:

Fritz Scholder: Indian/Not Indian

Editor:
Sims, Lowery Stokes  Search this
Lowe, Truman T.  Search this
Smith, Paul Chaat  Search this
Object Type:
Smithsonian staff publication
Year:
2011
Citation:
Sims, Lowery Stokes, Lowe, Truman T., and Smith, Paul Chaat, editors. 2011. Fritz Scholder: Indian/Not Indian [Exhibition catalog] Munich: Prestel. In
.
Identifier:
109420
ISBN:
9783791351117
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_109420

Beverly Buchanan papers, 1912-2017, bulk 1970s-1990s

Creator:
Buchanan, Beverly, 1940-2015  Search this
Subject:
Lippard, Lucy R.  Search this
Sims, Lowery Stokes  Search this
Scott, Arden  Search this
Bernice Steinbaum Gallery (New York, N.Y.)  Search this
Steinbaum Krauss Gallery (New York, N.Y.)  Search this
Type:
Scrapbooks
Sketchbooks
Photograph albums
Motion picture film
Citation:
Beverly Buchanan papers, 1912-2017, bulk 1970s-1990s. Archives of American Art, Smithsonian Institution.
Topic:
Environment (Art)  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
African American  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17599
(DSI-AAA_SIRISBib)396448
AAA_collcode_buchbeve
Theme:
African American
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_396448
Online Media:

The heart of the question the writings and paintings of Howardena Pindell introduction by Lowery Stokes Sims

Title:
Writings and paintings of Howardena Pindell
Author:
Pindell, Howardena 1943-  Search this
Sims, Lowery Stokes  Search this
Physical description:
139 pages illustrations, portraits 23 cm
Type:
Biography
Biographies
Place:
United States
Date:
1997
Topic:
African American women artists  Search this
Artists  Search this
Women artists  Search this
Minority artists  Search this
Call number:
N40.1.P6434 H43 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_675618

Oral history interview with Lowery Stokes Sims

Interviewee:
Sims, Lowery Stokes  Search this
Interviewer:
Richards, Judith Olch  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Extent:
110 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 July 15-22
Scope and Contents:
An interview of Lowery Stokes Sims conducted 2010 July 15 and 22, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Sims' home, in New York, N.Y.
Sims speaks of her family background; traveling to the south as a child; growing up in the Bronx and Queens, New York and being raised Catholic; the careers of her family members; her favorite subjects in elementary school; attending Queens College where she discovered art history; getting a sense of race and gender politics while earning her B.A. at Queens College; her participation in the "SEEK Program" which opened her up to African art and Black literature; her work at the Brooklyn Museum with Joy Sales teaching children about African art; the importance of her legacy and mentoring and working with other female African American art historians like Thelma Golden, Kellie Jones, and Leslie King-Hammond; her two-month trip to Europe following undergraduate school where she visited London, Greece, Turkey, Rome, and Amsterdam; her studies in Baltimore at Johns Hopkins University where she met David Boxer; completing her thesis on Africa architecture and her decision to leave the program upon receiving her Master's degree; the beginning of her career at the Metropolitan Museum of Art as an assistant museum educator and her work with Irvine MacManus and William Miller; her decision to become a curator at the Met; her interactions with Henry Geldzahler, Philippe de Montebello, and the Menil family; the racism and sexism she encountered in her experiences at the Met; her work on an American realist exhibition; conflicts between department heads at the Met; her work on the "Ellsworth Kelly: Recent Paintings and Sculptures" exhibition in 1979; Her work on a Robert Beverly Hale show; her difficulties in working on the 1979 Clyfford Still exhibition; attending Columbia University and teaching at Queens College; her decision to get her Ph.D. at the City University of New York, beginning in 1981 where she studied under Robert Pincus-Witten; her interest in Wifredo Lam beginning in 1982 and her introduction to his widow, Lou Laurin-Lam; her dissertation on Lam and her stay with Lou Laurin-Lam in the Bastille area of Paris in the spring of 1993; the completion of her Ph.D. in 1995; and the submission of her dissertation to the University of Texas Press and its publication in 2002. Sims also recalls her promotion to the position of associate curator at the Met in 1980 and her work to include more women and artists of color within the museum's collection; her work on a John Marin exhibition and "The '80s: A New Generation" exhibition of 1988; her collaboration with the American Federation of the Arts on a series of exhibitions in the 1980s; her work on Kaylynn Sullivan and Hannah Wilke for the "Art & Ideology," show in 1984; co-curating the show "Art as a Verb: The Evolving Continuum: Installations, Performances, and Videos by 13 African-American Artists" with Leslie King-Hammond at the Maryland Institute College of Art in 1988-89; her first major exhibition, "Stuart Davis: American Painter," in 1991 and her collaboration with William Agee and William Lieberman; her work on the "Richard Pousette-Dart, 1916-1992" show in 1997-98; and the "On the Roof" exhibitions at the Met and "Abakanowicz on the Roof" in 1999. Sims also discusses her decision to leave the Met and take a position as the executive director of the Studio Museum in Harlem in 2000; hiring Thelma Golden; the technological and financial progress made during her tenure; The Studio Museum's Artist-in Residence program; her work with the New York City Cultural Institutions Group; her work on the exhibitions "The Challenge of the Modern: African-American Artists 1925-1945" in 2003 and "Frederick J. Brown: Portraits in Jazz, Blues, and Other Icons" in 2002; her position as president of the Studio Museum; her part-time teaching work; the exhibitions "Second Lives: Remixing the Ordinary" in 2008-09, "Bigger, Better, More: The Art of Viola Frey" in 2010; "Dead or Alive" in 2010, and the "The Global Africa Project" from 2010-11; her work for the ArtTable organization; the changes she's seen in the art world since the beginning of her career; and her plans for future projects including a monograph on Robert Colescott.
Biographical / Historical:
Lowery Stokes Sims (1949- ) is a curator, art historian and art administator in New York, N.Y. Judith Olch Richards (1947- ) is former director of iCI in New York, N.Y.
General:
Originally recorded on 3 memory cards as 6 digital wav files. Duration is 5 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art museum curators -- New York (State) -- New York  Search this
Topic:
African American art museum curators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sims10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c01864b9-ef38-4c0c-a09e-111bd423fe21
EDAN-URL:
ead_collection:sova-aaa-sims10
Online Media:

Essay, Sims, Lowery Stokes

Collection Creator:
Donaldson, Jeff, 1932-2004  Search this
Container:
Box 5, Folder 22
Type:
Archival materials
Date:
1996-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Jeff Donaldson papers
Jeff Donaldson papers / Series 6: Exhibition Files / 6.1: TransAfrican Art Invitational Exhibition (1997-1998)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bc00385f-b635-4484-b342-14293255ce65
EDAN-URL:
ead_component:sova-aaa-donajeff-ref180

Cotton

Artist:
Romare H. Bearden, American, b. Charlotte, North Carolina, 1912–1988  Search this
Medium:
Photomechanical reproductions, watercolor, gouache and pencil on paperboard
Dimensions:
11 1/8 x 14 in. (28.3 x 35.6 cm)
Type:
Collage
Date:
(1964)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.409
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
African-American Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2ae202cfd-ed7b-4c4e-8fe9-7427eec6b7fc
EDAN-URL:
edanmdm:hmsg_66.409

Interview with Lowery Stokes Sims and Mel Edwards

Creator:
Kohen, Helen L.  Search this
Subject:
Edwards, Melvin  Search this
Sims, Lowery Stokes  Search this
Type:
Sound Recording
Date:
1994 September 4
Citation:
Helen L. Kohen. Interview with Lowery Stokes Sims and Mel Edwards, 1994 September 4. Helen L. Kohen papers, 1978-1996. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18517
See more items in:
Helen L. Kohen papers, 1978-1996
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18517

Oral history interview with Lowery Stokes Sims, 2010 July 15-22

Interviewee:
Sims, Lowery Stokes, 1949-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lowery Stokes Sims, 2010 July 15-22. Archives of American Art, Smithsonian Institution.
Topic:
African American art museum curators  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)15846
(DSI-AAA_SIRISBib)292616
AAA_collcode_sims10
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_292616
Online Media:

Monster Love

Author:
Smith, Paul Chaat  Search this
Sims, Lowery Stokes  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2008
Citation:
Smith, Paul Chaat. 2008. Monster Love. In: Sims, Lowery Stokes, Fritz Scholder: Indian/Not Indian. Munich: Prestel,() pp.25-35.
Topic:
Native Americans  Search this
American Indians  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_97727

Fritz Scholder: Indian/Not Indian

Author:
Lowe, Truman T.  Search this
Smith, Paul Chaat  Search this
Sims, Lowery Stokes  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2011
Citation:
Sims, Lowery Stokes, Lowe, Truman T. and Smith, Paul Chaat. 2011. Fritz Scholder: Indian/Not Indian. Munich: Prestel, pp., 192 pp.
Topic:
Native Americans  Search this
American Indians  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_109420

Monster Love

Author:
Smith, Paul Chaat  Search this
Editor:
Sims, Lowery Stokes  Search this
Object Type:
Smithsonian staff publication
Year:
2008
Citation:
Smith, Paul Chaat. 2008. "Monster Love." In Fritz Scholder: Indian/Not Indian. Sims, Lowery Stokes, editor. 25–35. Munich: Prestel.
Identifier:
97727
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_97727

Leslie King-Hammond : sister, mentor, prime mover

Author:
Sims, Lowery Stokes  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
King-Hammond, Leslie 1944-  Search this
Type:
Articles
Date:
2001
Call number:
NX164.N4 B5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_749974

An open-ended portfolio

Author:
Falkenstein, Michelle  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Sims, Lowery Stokes  Search this
Type:
Articles
Date:
2007
Call number:
N1 .A782
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_913806

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