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Bureau of American Ethnology photograph collection relating to Native Americans

Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
Names:
Smithsonian Institution  Search this
Photographer:
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Michelson, Truman, 1879-1938  Search this
Smillie, T. W. (Thomas William), 1843-1917  Search this
Extent:
2 Prints (etching or engraving)
13 Prints (albumen)
230 Copy prints (circa)
1 Chromolithograph
179 Cyanotypes
200 Prints (circa, silver gelatin)
Culture:
Indians of North America -- Great Basin  Search this
Indians of North America -- Southern States  Search this
Hopi Pueblo  Search this
Sisitonwan Dakota (Sisseton Sioux)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Tewa Pueblos  Search this
Taos Indians  Search this
Wenatchi Indians  Search this
Indians of North America -- Plateau  Search this
Tuscarora  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Yakama (Yakima)  Search this
Iowa  Search this
Ponca  Search this
Dakota (Eastern Sioux)  Search this
Sauk  Search this
Akimel O'odham (Pima)  Search this
Shoshone  Search this
Cayuga  Search this
Cherokee  Search this
Oneida  Search this
Choctaw  Search this
Indians of North America -- Northeast  Search this
Muskogee (Creek)  Search this
Cochiti Pueblo  Search this
Sioux  Search this
Fox Indians  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Apache  Search this
Isleta Pueblo  Search this
Jicarilla Apache  Search this
Klamath  Search this
Laguna Indians  Search this
Menominee (Menomini)  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Seneca  Search this
Omaha  Search this
Onondaga  Search this
Osage  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Plains  Search this
Pueblo Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Copy prints
Chromolithographs
Cyanotypes
Date:
undated
Scope and Contents note:
Photographs mostly commissioned and collected by personnel in the Bureau of American Ethnology. Most of the photographs are studio portraits of Native Americans made by the Bureau of American Ethnology and Smithsonian Institution, possibly for physical anthropologist Ales Hrdlicka. There are also photographs made by Truman Michelson among the Catawba tribe, copies of illustrations and drawings, and various images of archeological sites and artifacts.
Local Call Number(s):
NAA Photo Lot 87-2M, USNM ACC 42191
Location of Other Archival Materials:
Original negatives for many photographs in this collection held in the National Anthropological Archives in the BAE historical negatives.
Additional Michelson photographs held in National Anthropological Archives Photo Lot 13, Photo Lot 24, MS 2139, and MS 4365-c.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 14, Photo Lot 24, Photo Lot 28, Photo Lot 40, Photo Lot 143, Photo Lot 83-18, Photo Lot 87-2N, Photo Lot 90-1, Photo Lot 92-46, and the BAE historical negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot R82-10, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Additional Smillie photographs held in the National Museum of American History Archives Center in the Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives and in Smithsonian Institution Archives SIA Acc. 05-123.
Additional Gardner photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
Associated busts and molds held in the Department of Anthropology collections in accession 42191.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Catawba Indians  Search this
Citation:
Photo lot 87-2M, Bureau of American Ethnology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-2M
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-2m

MS 3941 Materials assembled by Hewitt for preparation of articles in Bureau of American Ethnology Bulletin 30 and for replies to inquires from the public

Collector:
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Correspondent:
Bogaskie, F.  Search this
Skinner, Alanson, 1886-1925  Search this
Creator:
MacKinley, W. E. W., Captain  Search this
Names:
Smithsonian Institution. Bureau of American Ethnology -- Bulletin 30  Search this
Society of American Indians  Search this
Brant, Joseph, 1742-1807  Search this
Old Smoke  Search this
Sayenqueraghta  Search this
Scott, Hugh Lenox, 1853-1934  Search this
Williams, Eleazer  Search this
Culture:
Muskogee (Creek)  Search this
Adirondack  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Black Mincqua  Search this
Lenape (Delaware)  Search this
Pekwanoket  Search this
Sioux  Search this
Wendat (Huron)  Search this
Mohawk  Search this
Maya  Search this
Algonquin (Algonkin)  Search this
Potawatomi  Search this
Iroquois  Search this
Sauk  Search this
Onondaga  Search this
Tuscarora  Search this
Erie (archaeological)  Search this
Arctic peoples  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Northeast  Search this
Susquehannock (archaeological)  Search this
Wyandot  Search this
Indians of North America -- Great Plains  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Calendars
Date:
undated
Scope and Contents:
Contents: Adirondack tribe (St Lawrence River) Old Manuscript Number 3553. Adoption Old Manuscript Number 4007. Refers to Algonquian method of counting -only; see Haas note 2/18/72; Old Manuscript Number 3864. "Alligewi"; Animism Old Manuscript Number 3867 and 2842-c, box 6. Blood Indians, origin of name; Brant, Joseph Old Manuscript Number 3874. Chippewa, origin of name Old Manuscript Number 3646. Chiefs, function and significance of Old Manuscript Number 2842-c, box 6. Delaware tribe, New Jersey area claimed by Old Manuscript Number 3866. Detroit River, tribes near; Ekaentoton Island-- see Ste. Marie Island Environment (Bulletin 30 draft by O. T. Mason) Old Manuscript Number 4007. Erie, origin of name Old Manuscript Number 3646. Erie and Black Mincqua tribes Old Manuscript Number 3586. [Eskimo] Arctic tribes, leaving elderly and sick people to die Old Manuscript Number 3668. Family, Bulletin 30 draft and notes Old Manuscript Number 4011 and 2842-c, box 6. Grand River (Tinaatoua), name of; Hebrew calendar; Hewitt, list of Bulletin 30 articles by Old Manuscript Number 4066. Hoboken, origin of name; Iroquois, "On the Northern and Eastern Territorial Limits of the Iroquoian people, in the 16th Century," and Algonquian tribes, at Chaleur Bay. Iroquois at Gulf of St Lawrence and Bay of Gaspe Old Manuscript Number 3625.
Iroquois, location of Six Nations tribes reservations Old Manuscript Number 3763. Iroquois false face; Iroquois preparation of corn ("as food") Old Manuscript Number 4009. Iroquoian early dress Old Manuscript Number 3660. Iroquoian "Gachoi" tribe, identity of (Correspondence with F. Bogaskie.) Old Manuscript Number 3816. Iroquoian moon names and concept of time; Iroquoian social organization, and place name-name origins; "Man," Iroquoian term for Old Manuscript Number 3781. Iroquoian towns Old Manuscript Number 4006. Kentucky, meaning of the word; Kentucky, origin of name Old Manuscript Number 3840. Lenni Lenape, meaning of the word; Logstown-- see Shenango Old Manuscript Number 3773. Lost Ten Tribes as American Indians Old Manuscript Number 3670. Mayan linguistic family and other Mayan linguistic notes including Quiche and Tepehuanan notes Old Manuscript Number 3473. Mexico: idols, sacrifices, etc. Old Manuscript Number 3807. Mexico: Indian languages. Letter from Captain W.E.W. MacKinley Old Manuscript Number 3778. Missouri, Indian village, location of Old Manuscript Number 3944. Mohawk land near Lake Champlain; Mohawk grammar; Montour family, notes for Bulletin 30 Old Manuscript Number 3812. Muskhogean social organization. Letter from J. J. Harrison. Old Manuscript Number 3891. New England tribes Old Manuscript Number 3513.
Niagara, origin of name; "Old Smoke"-- see Sayenqueraghta Old Manuscript Number 3949. Onondaga tribe, text of memorial inscription to, and correspondence Old Manuscript 4391 and 4271- box 1 (part.) Ontwaganha or Toaganha, origin and meaning of name Old Manuscript Number 3864. Owego, meaning of town's name; Pekwanoket tribe (Cape Cod); Pemaquid, Abnaki word and its origin Old Manuscript Number 89. Piasa bird- pictograph formerly near present Alton, Illinois. Article is similar to that by Cyrus Thomas, Bureau of American Ethnology Bulletin 30. Old Manuscript Number 3981. Potawatomi, notes on the name Old Manuscript Number 4034. Potawatomi Green Corn Dance; Roanoke, origin of name Old Manuscript Number 3998. Sacagawea, spelling of; St Ignace, 3 settlements (Michigan); St Marie Island or Ekaentoton Island; Sauk, Bulletin 30 article and galley proof, notes Old Manuscript Number 3764. Sayenqueraghta or "Old Smoke" (correspondence with Alanson Skinner) Old Manuscript Number 3949. Scalping Old Manuscript Number 4025. Shenango and Logstown Old Manuscript Number 3773. Sioux, origin of name Old Manuscript Number 3624. Society of American Indians, resolutions by thanking General Hugh L. Scott, Fr. Anselm Webber and others Old Manuscript Number 3868. Susquehanna, origin of name Old Manuscript Number 3707. Tacoma, origin of name Old Manuscript Number 3470.
Thunderbird, notes on Old Manuscript Number 3552. Tinaatoa-- see Grand River; Toronto, origin of name; Tuscarora villages Old Manuscript Number 3998. Wampum Old Manuscript Number 3998. War club with inscription; West Virginia panhandle tribes Old Manuscript Number 3945. Williams, Eleazer Old Manuscript Number 3998. Women, status of Old Manuscript Number 3566. Wyandots (Huron) List of tribes of which Wyandots of today are constituted. Old Manuscript Number 3774.
Local Numbers:
NAA MS 3941
Topic:
American Indian  Search this
Inheritance -- Adoption  Search this
Religion -- animism  Search this
Names, tribal -- Blood  Search this
Names, tribal -- Chippewa  Search this
Government and politics -- chiefs  Search this
Land tenure and claims -- Delaware  Search this
Names, tribal -- Erie  Search this
Eskimos  Search this
Death and mortuary customs -- abandoning elderly and sick  Search this
Marriage and family  Search this
Names, place -- Grand River  Search this
Jews  Search this
Iroquois Indians  Search this
Land tenure and claims  Search this
Masks -- False Face  Search this
Clothing and dress  Search this
Food preparation -- Corn  Search this
Time -- concepts  Search this
Social structure  Search this
Names, place  Search this
Towns, villages and other settlements  Search this
Names, place -- Kentucky  Search this
Names, tribal -- Leni Lenape  Search this
Muskogean Indians  Search this
Names, place -- Niagara  Search this
Names, place -- Owego  Search this
Abenaki Indians  Search this
Names, tribal -- Pemaquid  Search this
Pictographs -- Piasa bird  Search this
Potawatomi Indians  Search this
Dance -- Green Corn  Search this
Names, tribal -- Potawatomi  Search this
Names, place -- Roanoke  Search this
Towns, villages and other settlements -- St Ignace  Search this
Religion -- Mexico  Search this
Sacrifices -- Mexico  Search this
War -- Scalping  Search this
Indian interest groups -- Society of American Indians  Search this
Names, tribal -- Susquehanna  Search this
Names, tribal -- Tacoma  Search this
Folklore -- Thunderbird  Search this
Names, place -- Toronto  Search this
Tuscarora Indians  Search this
Trade, gifts and other exchanges -- Wampum  Search this
Weapons -- war club  Search this
Marriage and family -- women, status of  Search this
Names, place -- Hoboken  Search this
Language and languages -- Documentation  Search this
Algonquin  Search this
Honniasant  Search this
Lenape  Search this
Sauk & Fox  Search this
Sioux  Search this
Chippewa  Search this
Susquehannock  Search this
Mexico  Search this
Genre/Form:
Calendars
Citation:
Manuscript 3941, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS3941
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms3941

George Eastman House copies of photographs of American Indians

Collector:
George Eastman House  Search this
Photographer:
Alvord, Kellogg, & Campbell  Search this
Bell & Bro. (Washington, D.C.)  Search this
Boorne & May  Search this
Boyd and Braas  Search this
Caswell & Davy  Search this
Central Pacific Railroad Company  Search this
Continent Stereoscopic Company  Search this
E. & H.T. Anthony (Firm)  Search this
Henry L. Shepard & Co.  Search this
Ingersoll View Company (St. Paul, Minnesota)  Search this
Keystone View Company  Search this
Kilburn Brothers  Search this
Liberty Brand Stereo Views  Search this
Littleton View Co.  Search this
Lovejoy & Foster  Search this
Underwood & Underwood  Search this
Whitney & Zimmerman  Search this
Wilson & Havens  Search this
Woodward Stereoscopic Company, of Rochester, New York  Search this
Barker, George, 1844-1894  Search this
Beaman, Edward O.  Search this
Bennett, G. C., 1846-1915  Search this
Bennett, H. H. (Henry Hamilton), 1843-1908  Search this
Bierstadt, Charles, 1819-1903  Search this
Bonine, Elias A., 1843-1916  Search this
Brown, William Henry, 1844-1886  Search this
Brubaker, Christian B. (of Marquette, Michigan)  Search this
Buehman, Henry, 1851-1912  Search this
Chamberlain, W. G. (William Gunnison)  Search this
Chase, D. B. (Dana B.)  Search this
Childs, B. F. (Brainard F.), ca. 1841-1921  Search this
Conklin, E (Enoch)  Search this
Cross, W. R. (William R.)  Search this
Goff, O. S. (Orlando Scott), 1843-1917  Search this
Harris, George H.  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Ingersoll, T. W. (Truman Ward), 1862-1922  Search this
Jackson, William Henry, 1843-1942  Search this
Jacoby, W. H. (William H.), 1841-1905  Search this
Jarvis, J. F. (John F.), b. 1850  Search this
Jones, James  Search this
Kent, J. H.  Search this
Lingley, B. L.  Search this
Morrow, Stanley J.  Search this
Muybridge, Eadweard, 1830-1904  Search this
O'Sullivan, Timothy H., 1840-1882  Search this
Pratt, D. C.  Search this
Rinehart, F. A. (Frank A.)  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Smillie, T. W. (Thomas William), 1843-1917  Search this
Upton, B. F. (Benjamin Franklin)  Search this
Watkins, Carleton E., 1829-1916  Search this
Zimmerman, Charles A., 1844-1909  Search this
Depicted:
Smithsonian Institution  Search this
Douglass, Frederick, 1817?-1895  Search this
Logan, John Alexander, 1826-1886  Search this
Names:
Barnard, George N., 1819-1902  Search this
Publisher:
Forsyth, N. A. (Norman A.), 1869-1949  Search this
Extent:
248 Negatives (circa, 35mm)
248 Copy prints (circa)
Culture:
Kiowa  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Tuscarora  Search this
Tsuu T'ina (Sarcee)  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Winnebago Indians -- depicted  Search this
Taos Indians -- depicted  Search this
Duwamish (Dwamish)  Search this
Kickapoo  Search this
Modoc  Search this
Apache  Search this
Indians of North America -- Great Plains  Search this
Ute Indians -- depicted  Search this
Hopi Pueblo  Search this
A:shiwi (Zuni)  Search this
Inunaina (Arapaho)  Search this
Niuam (Comanche)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Paiute  Search this
Indians of North America -- Plateau  Search this
Chiricahua Apache  Search this
Diné (Navajo)  Search this
Sioux  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Great Basin  Search this
Type:
Collection descriptions
Archival materials
Negatives
Copy prints
Place:
Yosemite National Park (Calif.)
Washington (D.C.)
Florida
Yellowstone National Park
Colorado
Date:
mid-19th - early 20th century
Scope and Contents note:
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans; pueblos; dances; and an encampment during the Modoc War and Plains Indian prisoners at Fort Marion, Florida (1870s).

Expedition photos in the collection were made on T. O. Selfridgeʹs Darien Expedition (1870-1871), the Wheeler surveys (1871-1874), and the Hayden Geological Survey (1871). The collection also includes portraits of Frederick Douglass, Sitting Bull, and John A. Logan; and images from Buffalo Bill's Wild West Show; Company F of New York's 140th Volunteer Infantry; and the Smithsonian in Washington, DC.
Local Call Number(s):
NAA Photo Lot R79
Reproduction Note:
Copy negatives made by George Eastman House, 1962.
Copy prints made by the Smithsonian, 1962-1963.
Location of Other Archival Materials:
The National Anthropological Archives holds vintage prints for many of the photographs copied in this collection, including in Photo lot 4501, Photo Lot 4605, and Photo Lot 90-1.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
The images were acquired for reference purposes and cannot be reproduced. Copies may be obtained from George Eastman House, International Museum of Photography and Film.
Topic:
Pottery  Search this
Dwellings  Search this
Soldiers -- depicted  Search this
Baskets  Search this
Dance  Search this
Citation:
Photo lot R79, George Eastman House copies of photographs of American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R79
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r79

Bureau of American Ethnology photograph albums of Native Americans

Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
Photographer:
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Cohner, Samuel A.  Search this
Dinwiddie, William, 1867-1934  Search this
Gardner, Alexander, 1821-1882  Search this
Gill, De Lancey, 1859-1940  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Rinehart, F. A. (Frank A.)  Search this
Sawyer, Wells, 1863-1960  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Vannerson, Julian, 1827-  Search this
Names:
Mindeleff, Cosmos, 1863-  Search this
Mindeleff, Victor, 1860-1948  Search this
Extent:
16 Albums (albumen and platinum)
Culture:
Indians of North America -- Northeast  Search this
Indians of North America -- Plateau  Search this
Cocopa  Search this
Sioux  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Wichita Indians  Search this
Winnebago Indians  Search this
Northwest Coast  Search this
Tonkawa Indians  Search this
Indians of North America -- Great Basin  Search this
Spokane Indians  Search this
Shoshone  Search this
Sauk  Search this
Indians of North America -- Southwest, New  Search this
Fox Indians  Search this
Indians of North America -- Great Plains  Search this
Apache  Search this
Assiniboine (Stoney)  Search this
Inunaina (Arapaho)  Search this
Indians of North America -- Northwest Coast of North America  Search this
Ponca  Search this
Tewa Indians  Search this
Omaha  Search this
Osage  Search this
Plains Apache (Kiowa Apache)  Search this
Niimíipuu (Nez Perce)  Search this
Iowa  Search this
Kalispel (Pend d'Oreilles)  Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Place:
Chaco Canyon (N.M.)
Sonora (Mexico : State)
New Mexico
Date:
1858-1905
Scope and Contents note:
Photograph albums prepared by the Bureau of American Ethnology or the photographic lab, possibly for reference purposes by staff. The use of such albums has been mentioned by BAE photographer De Lancey W. Gill. The albums contain photographs made from the Bureau of American Ethnology's collection of negatives, documenting Apache, Arapaho, Assiniboin, Blackfoot, Cheyenne, Cocopa, Dakota, Flathead, Fox, Iowa, Kalispel, Kiowa Apache, Nez Perce, Omaha, Osage, Ponca, Santa Clara, Sauk, Shoshoni, Spokane Tonkawa, Wichita, and Winnebago people. The bulk of the photographs are studio portraits, made at the Trans-Mississippi Exposition in Omaha in 1898 or during delegation visits to Washington, DC. There are also other photographs made during Victor Mindeleffʹs work in Chaco Canyon, and on W J McGeeʹs expedition to Sonora, Mexico, in 1900.

Photographers include Charles Milton Bell, William Dinwiddie, Alexander Gardner, De Lancey W. Gill, John K. Hillers, William Henry Jackson, Frank Albert Rinehart, Wells Moses Sawyer, Antonio Zeno Shindler, Victor or Cosmos Mindeleff, Julian Vannerson with Samuel A. Cohner. Included are negative numbers formerly used by BAE, but the National Anthropological Archives also annotated them with current negative numbers.
Arrangement note:
Titles of the albums are (1) Omaha and Winnebago; (2) miscellaneous; (3) Sauk and Fox; (4) miscellaneous; (5) Arapaho and Cheyenne; (6) Chiricahua, San Carlos, and Apache; (7) Sauk and Fox; (8) Osage, Shoshoni and Nez Perce, Siouan, Oto; (9) Santa Clara and Flathead; (10) Ponca; (11) Sauk and (12) Wichita and Kiowa Apache; (13) Cocopa; and (14) Assiniboin and Blackfoot
Biographical/Historical note:
The Bureau of American Ethnology was founded in 1879 in part as a result of the federal geological surveys and under the administration of the Smithsonian Institution. Under the directorship of John Wesley Powell (1879-1902), the BAE supported field research by its staff and collaborators, initiated several anthropological publications, and supported the growth of the anthropological discipline, particularly as it related to Native Americans. In addition to its research and publications program, it developed a manuscript repository, library, and an illustrations section that included (in addition to the preparation of artwork for publications) photography and a photographic collection. The BAE commissioned studio portraits of visiting Indian delegates and hired De Lancey Gill served as the its official photographer and illustrator from the 1890s to 1930.
Local Call Number(s):
NAA Photo Lot 60
Location of Other Archival Materials:
The National Anthropological Archives also holds the Bureau of American Ethnology records and the BAE historical negatives, as well as Dinwiddie photographs of the W. J. McGee expeditions are held in (Photo Lot 89 and Photo Lot 144), Charles Milton Bell photographs (Photo Lot 80), and additional photographs by most photographers represented in this collection (Photo Lot 59 and Photo Lot 90-1)
See others in:
Bureau of American Ethnology photograph albums of Native Americans, 1858-1905
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 60, Bureau of American Ethnology photograph albums of American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.60
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-60

William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians

Creator:
Jackson, William Henry, 1843-1942  Search this
Photographer:
Geological Survey (U.S.)  Search this
J. Gurney & Son  Search this
Savage & Ottinger  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Carter, C. W., 1832-1918  Search this
Chamberlain, W. G. (William Gunnison)  Search this
Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
M'Clees, Jas. E. (James E.)  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Ulke, Henry, 1821-1910  Search this
Vannerson, Julian, 1827-  Search this
Westmann, Orloff R.  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Names:
Hayden Survey  Search this
Powell-Thompson Survey  Search this
Extent:
9 Albums (circa 4000 prints, albumen (some copies))
Culture:
White Mountain Apache  Search this
Warm Springs Chiricahua Apache (New Mexico)  Search this
Wahpeton Indians  Search this
Waco Indians  Search this
Yampa Indians  Search this
Wyandot Indians  Search this
Winnebago Indians  Search this
Wichita Indians  Search this
Indians of North America -- Northeast  Search this
Tewa Indians  Search this
Taos Indians  Search this
Stockbridge Indians  Search this
Sisseton Indians  Search this
Ute Indians  Search this
Uinta Indians  Search this
Tonkawa Indians  Search this
Pueblo Indians  Search this
Tohono O'Odham Indians  Search this
Akimel O'odham (Pima)  Search this
A:shiwi (Zuni)  Search this
Yankton Indians  Search this
Yanktonai Indians  Search this
Montauk  Search this
Bannock  Search this
Diné (Navajo)  Search this
Brotherton Indians  Search this
Modoc  Search this
Inunaina (Arapaho)  Search this
Mojave (Mohave)  Search this
Sahnish (Arikara)  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Missouria (Missouri)  Search this
Apache  Search this
Numakiki (Mandan)  Search this
Chiricahua Apache  Search this
Miami  Search this
Oto  Search this
Kitchai Wichita  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Kiowa  Search this
Osage  Search this
Chickasaw  Search this
Odawa (Ottawa)  Search this
Jicarilla Apache  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Cherokee  Search this
Omaha  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Niimíipuu (Nez Perce)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Caddo  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Iowa  Search this
Sauk  Search this
Seminole  Search this
Dakota (Eastern Sioux)  Search this
Shawnee  Search this
Potawatomi  Search this
Shoshone  Search this
Indians of North America -- Southwest, New  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Choctaw  Search this
Cochiti Pueblo  Search this
Niuam (Comanche)  Search this
Muskogee (Creek)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Lenape (Delaware)  Search this
Fox Indians  Search this
Hopi Pueblo  Search this
Indians of North America -- Southern States  Search this
Seneca  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.

The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pueblos  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4420
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4420

Captain Allyn Capron photograph collection

Creator:
Capron, Allyn K.  Search this
Extent:
108 Photographic prints
8 Copy negatives
Culture:
Chiricahua Apache  Search this
Apsáalooke (Crow/Absaroke)  Search this
Assiniboine (Stoney)  Search this
Southern Inunaina (Arapaho)  Search this
Kiowa  Search this
Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]  Search this
Apache  Search this
Oglala Lakota (Oglala Sioux)  Search this
Cayuse  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Niimíipuu (Nez Perce)  Search this
Umatilla  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Sioux  Search this
Potawatomi  Search this
Warm Springs Chiricahua Apache (New Mexico)  Search this
Southern Plains  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Copy negatives
Place:
Fort Sill (Okla.)
Nebraska
North Dakota
Oklahoma
Alabama
Date:
1872-1900
Summary:
This collection includes prints and photographic negatives collected by Captain Allyn K. Capron. Many of the photographs were taken in the Fort Sill area in Oklahoma throughout Capron's time serving there. While a few of these photographs depict Capron, the majority of the Fort Sill photographs feature Native American prisoners of war. This collection also contains portraits taken by Frank A. Rinehart and Adolph F. Muhr during the 1898 U.S. Indian Congress of the Trans Mississippi and International Exposition in Omaha, Nebraska. In addition, this collection contains rare photographs from a 1900 Niimíipuu (Nez Perce) and Umatilla delegation visit led by Chief Joseph to Washington, DC. Additional assorted photographs, which were collected by Capron and taken among several communities in Nebraska, North Dakota, Oklahoma, Alabama, and Florida by various photographers, are also included.

The communities represented within this collection include the Apsáalooke (Crow/Absaroke), Assiniboine (Stoney), Southern Inunaina (Arapaho), Kiowa, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Oglala Lakota (Oglala Sioux), Cayuse, Sihasapa Lakota (Blackfoot Sioux), Niimíipuu (Nez Perce), Umatilla, Potawatomi, Warm Springs Chiricahua Apache (New Mexico), Southern Plains, and Hunkpapa Lakota (Hunkpapa Sioux), with a few individuals identified simply as Sioux.
Scope and Contents:
This collection includes photographic prints and negatives collected by Capron and arranged into four series.

Series 1: Fort Sill and surrounding areas, 1885-1896, includes 6 copy negatives and 73 photographic prints. These photographs were taken by George A. Addison (George Anthony Addison), Ella M. Roff (Ellen M. Roff/E. M. Roff), and unknown photographers in Alabama and Oklahoma,in Fort Sill and surrounding areas, between 1885-1896. Some notable scenes include Geronimo and his family, individuals rounding up calves, non-native soldiers, Kiowa tipis, Niuam (Comanche) men shooting bows, the 12th Infantry of Apache Indians, and the Fort Sill Commanding Officers' quarters. Captain Allyn Capron is pictured in a few of the Fort Sill photographs. The indigenous communities depicted include the Southern Plains, Chiricahua Apache, Apache, Warm Springs Chiricahua Apache (New Mexico), Niuam (Comanche), Kiowa, and Potawatomi.

Series 2: Trans-Mississippi and International Exposition, 1898, includes 1 copy negative and 7 photographic prints taken in Omaha, Nebraska by Frank A. Rinehart and Adolph F. Muhr in 1898. The photographs depict scenes from the Indian Congress of the Trans-Mississippi and International Exposition and include portraits of individuals belonging to the Apsáalooke (Crow/Absaroke), Assiniboine (Stoney), Southern Inunaina (Arapaho), Kiowa, Chiricahua Apache, Oglala Lakota (Oglala Sioux) communities, with a few individuals identified only as Sioux. A delegation of Apache prisoners of war, including Geronimo, were brought from Fort Sill to attend the exposition.

Series 3: Assorted Photographs by Various Photographers, 1872-1900, includes includes 1 copy negative and 28 photographic prints taken by Frank A. Rinehart, Adolph F. Muhr, Alexander Gardner, David F. Barry (David Francis Barry/D. F. Barry), and unknown photographers throughout the United States between 1872-1900. This series contains photographs taken among the Sioux, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Apsáalooke (Crow/Absaroke), Sihasapa Lakota (Blackfoot Sioux), Hunkpapa Lakota (Hunkpapa Sioux), Nimi'ipuu (Nez Perce), Umatilla, Nimi'ipuu (Nez Perce), and Cayuse communities. The locations for the shoots include Nebraska, North Dakota, Oklahoma, Alabama, Florida, and Washington, DC. The subjects of this series include individual portraits, communities, and landscapes, with notable individuals including Naiche (Natchez), Goyathlay (Geronimo), Chief John Grass (Pe-ji or Pah-Zhe), and Theodore Roosevelt.

Series 4: Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C.,1900, includes 8 rare photographic prints of a joint Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C. in 1900. The delegates appearing in this series includes Cayuse delegate Chief Paul Showaway and Niimíipuu (Nez Perce) delegates Chief Joseph (Hin-mah-too-yah-lat-kekt), Stephen J. Reuben, and Chief Peo Peo Tholekt (Peopeotahlikt/Peo Peo T'olikt/Peo-Peo-Ta-Lakt/George Peo-peo-tah-likt/Bird Alighting). Stephen J. Reuben was Chief Joseph's nephew, and acted as an interpreter for this visit. This series was possibly photographed outside of 1111 Masachussets Avenue, Washington, D.C. Additional identifications were provided by Nakia Williamson-Cloud, Nez Perce Tribe Cultural Resource Program, 2003.

Copy negatives include N21545, N37515-N37518, N41416, N41418, N41459. Photographic prints include P13092-P13095, P13097, P3101-P13203.
Arrangement:
Arranged intellectually into four series. Series 1: Fort Sill and surrounding areas, 1885-1896; Series 2: Trans-Mississippi International Exposition, 1898; Series 3: Assorted Photographs by Various Photographers, 1872-1900; Series 4: Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C., 1900.
Biographical / Historical:
Captain Allyn K. Capron, a graduate of West Point, was a Rough Rider who served as Lieutenant and Captain in the U.S. Army. In 1886, Geronimo and 341 other Chiricahua Apache prisoners of war were captured and brought to Fort Sill in Oklahoma. It was here that Capron served under Hugh L. Scott, who was in charge of Geronimo's band of Apache Indians from 1894 to 1897. As a lieutenant, between 1895-1896, Capron commanded Troop L of the Seventh Cavalry, U.S.A at Fort Sill; this unit consisted entirely of Apache Indians. He was in charge also of Geronimo, whom he often quoted within his letters written from Fort Sill. Capron died from the effects of exposure during the Spanish American War in 1898.
Provenance:
Gift of Agness Kissam Capron, wife of Captain Allyn Capron, 1938.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Captain Allyn Capron photograph collection, image #, NMAI.AC.152; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.152
See more items in:
Captain Allyn Capron photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-152

Copies of David F. Barry photographs of Plains Indians

Creator:
Barry, D. F. (David Francis), 1854-1934  Search this
Names:
Barry, D. F. (David Francis), 1854-1934  Search this
Buffalo Bill, 1846-1917  Search this
Curly, approximately 1856-1923  Search this
Custer, George Armstrong, 1839-1876  Search this
Low Dog Dakota Oglala  Search this
Rain in the Face, approximately 1835-1905  Search this
Red Cloud, 1822-1909  Search this
Running Antelope Dakota Oglala  Search this
Sitting Bull, 1831-1890  Search this
Spotted Tail, 1823-1881  Search this
Young Man Afraid of His Horse, ca. 1830-1900  Search this
Extent:
24 Copy prints
Culture:
Minitari (Hidatsa)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Indians of North America -- Great Plains  Search this
Oglala Lakota (Oglala Sioux)  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Photographs
Date:
circa 1870-1890
Scope and Contents note:
The collection is largely composed of photographs depicting Plains Indians, many of whom took part in the Battle of the Little Bighorn. Depicted individuals include Young Man Afraid of His Horse, Low Dog, Good Horse, Clear Eyes, Rain in the Face, Crow Flies High, Trail Hunter, Sitting Bull, Crow King, Red Cloud, White Faces, Running Antelope, Red Girl, Curly, John Grass, Gall, Spotted Tail, and a group of Ghost Dancers. There are also images of Barry, General Custer, the horse Comanche, and Buffalo Bill.
Biographical/Historical note:
David Frances Barry (1854-1934) was a photographer based in Bismarck, Dakota Territory, who is most noted for his photographs of famous American Indians. In 1878, he was hired by itinerant photographer O. S. Goff, with whom he eventually partnered. From 1878 to 1883, Barry traversed the Dakota Territory, making many of his most widely known photographs of American Indians, forts and battlefields, military officers, and other people in the region. In 1883, Barry opened a new studio in Bismarck, where he began photographing members of Cody's Wild West Show.
Local Call Number(s):
NAA Photo Lot R81-71
Reproduction Note:
Copy prints made by Smithsonian Institution, 1981.
Location of Other Archival Materials:
Additional photographs by Barry, as well as originals of images in this collection, can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, MS 4559, and the BAE historical negatives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Comanche (Horse)  Search this
Little Bighorn, Battle of the, Mont., 1876  Search this
Genre/Form:
Photographs
Citation:
Photo lot R81-71, Copies of David F. Barry photographs of Plains Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R81-71
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r81-71

De Lancey W. Gill portraits of Native Americans of the Northeast and Plains

Creator:
Gill, De Lancey, 1859-1940  Search this
Extent:
12 Mounted prints (platinum)
Culture:
Indians of North America -- Great Plains  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Ponca  Search this
Osage  Search this
Oglala Lakota (Oglala Sioux)  Search this
Kickapoo  Search this
Pikuni Blackfeet (Piegan)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Indians of North America -- Northeast  Search this
Cayuga  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Studio portraits
Photographs
Date:
1901-1914
Scope and Contents note:
Studio portraits of Native Americans, including Thas-hunke-hine-kota (Roan Horse), Wa-sho-she (Brave), Cka-gthe (White Plume, Wa-Sho-She's wife), Shunga-neha-ga-he (Horse Chief Eagle), Me-kon-tunga (Big Goose), Apeyohantanka (Big Man), Yshidiapas or Aleck-shea-ahoos (Plenty Coups), Mary Baldwin, Imetacco (Little Dog), Kishkinniequote (Jim Deer), Ta-semke-to-keco (Strange Horse), and Hodjiagede (Fish Carrier). The prints were originally part of a framed display.
Biographical/Historical note:
De Lancey W. Gill (1859-1940) was a Washington, DC-based artist and photographer. Between 1884 and 1898, he served as a draftsman and illustrations editor for the United States Geological Survey. From 1889-1932, he also worked as illustrations editor for the Bureau of American Ethnology. While employed at the BAE, he took photographs of Native American visitors to Washington, continuing a BAE project that had started in the 1860s. Gill made over 2,000 portraits during his career, some during anthropological expeditions to Virginia, Arizona, New Mexico and northwestern Mexico.
Local Call Number(s):
NAA Photo Lot 79-4
Location of Other Archival Materials:
Original glass negatives for these prints can be found in the National Anthropological Archives in the BAE hisorical negatives.
Additional photographs by Gill can be found in the National Anthropological Archives in Photo Lot 14, Photo Lot 33, Photo Lot 65, Photo Lot 70, Photo Lot 85, Photo Lot 87-2P, and Photo Lot 90-1.
The Wisconsin Historical Society holds additional platinum prints by Gill.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Studio portraits
Photographs
Citation:
Photo lot 79-4, De Lancey W. Gill portraits of Native Americans of the Northeast and Plains, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.79-4
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-79-4

Herman J. Viola photograph collection relating to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA

Creator:
Viola, Herman J. (Herman Joseph), 1938-  Search this
Names:
American Indian Cultural Resources Training Program  Search this
Smithsonian Institution, Department of Anthropology, National Anthropological Archives, Native American Cultural Resources Training Program  Search this
Hunt, Wolf Robe, 1905-1977  Search this
Photographer:
Genete, Rev. Salvatore  Search this
Krantz, Victor  Search this
Neufeld, Harry B.  Search this
Warren, Dave.  Search this
Extent:
120 Negatives (circa, 35 mm)
31 Color slides
300 Prints (circa, silver gelatin)
310 Negatives (circa, acetate)
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Plains  Search this
Oneida  Search this
Indians of North America -- Northeast  Search this
Akimel O'odham (Pima)  Search this
Paiute  Search this
Cree  Search this
Spokane Indians  Search this
Makah  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hupa  Search this
Yakama Indians  Search this
Yavapai Indians  Search this
Tewa Indians  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Diné (Navajo)  Search this
Oto  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Coos (Kusan)  Search this
A:shiwi (Zuni)  Search this
Northwest Coast  Search this
Acoma Pueblo  Search this
Choctaw  Search this
Wyandot Indians  Search this
Klallam (Clallam)  Search this
Plains Apache (Kiowa Apache)  Search this
Niimíipuu (Nez Perce)  Search this
Wintu Indians  Search this
Missouria (Missouri)  Search this
Shawnee  Search this
Indians of North America -- Great Basin  Search this
Osage  Search this
Nisqually  Search this
Menominee (Menomini)  Search this
Minitari (Hidatsa)  Search this
Nuwuvi (Southern Paiute)  Search this
Puyallup  Search this
Chickasaw  Search this
Indians of North America -- California  Search this
Fox Indians  Search this
Sauk  Search this
Seneca  Search this
Indians of North America -- Southern States  Search this
Inunaina (Arapaho)  Search this
Indians of North America -- Plateau  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Ute Indians  Search this
Klamath  Search this
Biloxi Indians  Search this
Tunica Indians  Search this
A'aninin (Gros Ventre)  Search this
White Mountain Apache  Search this
Kiowa  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Wampanoag Indians  Search this
Oglala Lakota (Oglala Sioux)  Search this
Tlingit Indians  Search this
Cayuga  Search this
Tulalip Indians  Search this
Type:
Collection descriptions
Archival materials
Negatives
Color slides
Prints
Photographs
Date:
1970-1991
Scope and Contents note:
Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 Acee Blue Eagle reception at NAA, possibly made by Viola. The collection also contains some photographs of Wounded Knee taken by Rev. Salvatore Genete, and copies of official portraits of Governor Aquillar of San Ildefonso Pueblo made by Harry B. Neufeld. There are also National Archives photographs of Chinese Boxer Rebellion prints, and Young watercolors and Alden sketches of American landscapes.

Much of the collection consists of portraits of participants in the NAA's American Indian Cultural Resources Training Program made by Smithsonian photographers, including Victor Krantz. These individuals include: Harry Walters, Navajo; Anna Walters, Otoe-Pawnee; George Sutton, Southern Arapaho; Sarah Yazzie, Navajo; Rubie Sootkis, Norther Cheyenne; David Fanman, Cheyenne; Augustine Smith, Navajo; Lorraine Bigman, Navajo; Jim Jefferson, Southern Ute; Rose Marie Pierite Gallardo, Tunica-Biloxi; George Horse Capture, Gros Ventre; Violet Zospah, White Mountain Apache; Gloria Anderson, Mille Lacs; Wenonah Silva, Wampanoag; Claire Lamont, Oglala; George Wasson, Coos-Coquille; Virginia Martin, Yakama; Gary Roybal, San Ildefonso; Richard Ground, Sihasapa; Almeda Baker, Hidatsa; June Finley, Hidatsa; Lida Young Wolf, Hidatsa; Christine Webster, Menominee; Rose Marie Roybal, Puyallup; Vivienne Jake, Kaibab-Paiute; Kim Yerton, Hupa; Dean Jacobs, Ojibwa; Lois Nowlin, Shawnee; Bonita McCloud, Nisqually; Gloria Maude Blackbird Cheswalla, Osage; Emily Peake, Ojibwa; Gordon McLester, Oneida; Mary Seth, Nez Perce; Bill Tohee, Oto-Missouria; Frank LaPena, Wintu; Juanita McQuistion, Wyandot; Carson Waterman, Seneca; Elton Stumbling Bear, Kiowa Apache; Patrick Chief Stick, Chippewa-Cree; Lynne Walks-on-Top, Spokane; Ethelyn Garfield, Paiute; Nora Dauenhauer, Tlingit; Caroline B. Jones, Tulalip; Grace F. Thorpe, Sauk and Fox; Dixie Lee Davis, Yavapai; Lynn D. Pauahty, Kiowa; David Lee Harding, Ojibwa; Robert V. Bojorcas, Klamath; Patty Leah Harjo, Seneca-Cayuga; Steven DeCoteau, Clallam; Robert Van Gunten, Ojibwa; Danny K. Marshall, Steilacoom; Meredith P. Flinn, Makah; Rhonda Hulsey, Chickasaw; Betty J. Brown, Choctaw; Vernon Calavaza, Zuni; Jack Bowen Jr., Upper Skagit; and Harry William Jr., Pima.
Biographical/Historical note:
Herman Joseph Viola is a historian of Native Americans who was director of the National Anthropological Archives from 1972-1989 and founding editor of Prologue: The Journal of the National Archives. In 1973, he launched the American Indian Cultural Resources Training Program, designed to encourage Native Americans to become professional archivists, librarians, curators, and historians through research and internships at the NAA.
Local Call Number(s):
NAA Photo Lot 74-17
Location of Other Archival Materials:
The National Anthropological Archives holds Viola's papers from 1980-1981.
Records relating to the American Indian Cultural Resources Training Program can be found in the National Anthropological Archives in the Records of the National Anthropological Archives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Archives -- Acquisitions  Search this
Powwows  Search this
Genre/Form:
Photographs
Citation:
Photo lot 74-17, Herman J. Viola photograph collection relate to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.74-17
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-74-17

Photographs of students at Hampton Institute

Names:
Hampton Institute.  Search this
Extent:
2 Prints (albumen)
Culture:
Numakiki (Mandan)  Search this
Sahnish (Arikara)  Search this
Sioux  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Indians of North America -- Great Plains  Search this
A'aninin (Gros Ventre)  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Studio portraits
Date:
circa 1879-1880
Scope and Contents note:
Photographs depicting students on arrival at Hampton Institute and again eighteen months later. Identifications of individuals are printed on verso.
Biographical/Historical note:
The Hampton Institute was founded in the 1860s as the Hampton Normal School, a trade and industrial school initially for African Americans. The first Native American students arrived at the school in 1878 and the American Indian education program continued until 1923.
Local Call Number(s):
NAA Photo Lot 73-9
Location of Other Archival Materials:
Photographs, manuscripts and artwork relating to the Hampton Institute and its students can be found in other collections within the National Anthropological Archives, including MS 4751, Photo Lot 4605, MS 7500, and the BAE historical negatives.
Hampton University (formerly Institute) in Hampton, Virginia, holds institutional records and photographs in the campus library.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Schools -- American Indian  Search this
Genre/Form:
Photographs
Studio portraits
Citation:
Photo lot 73-9, Photographs of students at Hampton Institute, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.73-9
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-73-9

Esther Schiff Goldfrank papers

Creator:
Goldfrank, Esther Schiff  Search this
Extent:
7 Linear feet
Culture:
Niitsitapii (Blackfoot/Blackfeet)  Search this
Lakota (Teton/Western Sioux)  Search this
Diné (Navajo)  Search this
Indians of North America -- Great Plains  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Indians of North America -- Southwest, New  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Letters (correspondence)
Date:
1920-1980
Summary:
The Esther Schiff Goldfrank papers, 1920-1980, document her professional life in anthropology. Much of the field material and reading notes relate to Goldfrank's work on the Pueblos, Navahos, Blood, and Teton Dakota. There is also considerable material of colleagues. Some of this seems to have been given to her directly. Other material, particularly that of Ruth Benedict's Blackfoot project, was acquired by Margaret Mead and then sent to Goldfrank. Included are field notes or manuscript articles concerning the Blackfoot Indians by Benedict, Harry D. Biele, Marjorie Lismer, Jane Richardson, and George D. Spindler. Most of the photographs in the collection concern Goldfrank's early travels with Franz Boas or Harvey Biele's work with the Bloods. Copies of illustrations used in her autobiography are also included.
Scope and Contents:
These papers document the professional life of anthropologist Esther Schiff Goldfrank (b. 1896) through correspondence, arranged both alphabetically and chronologically; correspondence specifically referencing the Isleta paintings; manuscripts by Goldfrank; field, reading and typescript notes; material from other anthropologists; miscellaneous printed material such as articles, reports, papers and invitations; transparencies of artwork from Isleta paintings; facsimiles of the Joe B. Lente letters; and, photographs, mostly concerning Goldfrank's early travels with Franz Boas and Harvey Biele's work with the Bloods. The collection dates from 1920 through 1980.

Among correspondents whose letters are included in the papers, are David F. ABERLE, John ADAIR, M. F. ASHLEY-MONTAGUE, Victor BARNOUW, Ruth F. BENEDICT, Franz BOAS, Charles E. BORDEN, Henry B. COLLINS, Carlton S. COON, George DEVEREUX, Rene d'HARNONCOURT, Edward P. DOZIER, Fred R. EGGAN, Ward H. GOODENOUGH, Alfred I. HALLOWELL, June HANKS, Byron HARVEY III, Florence M. HAWLEY, E. Adamson HOEBEL, Alfred V. KIDDER, Solon T. KIMBALL, Clyde KLUCKHOLN, R. Weston LABARRE, Oliver LAFARGE, Dorothea C. LEIGHTON, Oscar LEWIS, Edward M. LOEB, John P. LUCERO, Margaret MEAD, Robert MURPHY, Morris OPLER, Elsie Clews PARSONS, Herbert PARSONS, Jane RICHARDSON, M. Estellie SMITH, Frank G. SPECK, Leslie SPIER, Morris SWADESH, Sol TAX, Mischa TITIEV, Caroline TRUJILLO, Leslie A. WHITE, Nathalie F. S. WOODBURY, and Richard B. WOODBURY.

The bulk of the material concerns Goldfrank's work on the genesis and publication of the Isleta paintings and her research on and fieldwork with the Pueblo, Navaho, Blood and Teton Dakota. Additionally, there are field notes and manuscript articles by Ruth F. Benedict, Harry D. Biele, Marjorie Lismer, Jane Richardson, and George D. Spindler.

There is also a good deal of autobiographical material and information about her interaction with other anthropologists (Franz Boas and Ruth F. Benedict among others) in the various drafts of Goldfrank's privately published autobiography, "Notes on an Undirected Life" (1978).
Arrangement:
The collection is arranged into the following series: (1) Correspondence arranged by correspondent or subject; (2) Correspondence arranged in chronological order, 1922-1950; (3) Correspondence arranged in chronological order, 1951-1980; (4) Manuscripts by Goldfrank; (5) Isleta paintings, 1949-1976, undated; (6) Blackfoot and Blood Indians; (7) Navajo and Pueblo Indians; (8) Teton Dakota (Sioux) Indians; (9) Miscellany; (10) Photographs.
Biographical Note:
Esther Schiff Goldfrank took an undergraduate course under Franz Boas when she was a student at Barnard College. This led to her becoming his secretary between 1919 and 1922 and, at the same time, taking graduate courses in anthropology at Columbia University. With the financial and intellectual assistance of Elsie Clews Parsons, she also traveled with Boas and his wife in the Southwest and carried out anthropological field work at Laguna and Cochiti Pueblos between 1920 and 1922. Out of this work came her Social and Ceremonial Organization of Chochiti, Memoirs of the American Anthropological Association, number 23, 1927.

Although she married Walter Goldfrank in 1922 and became a homemaker, her interest in Pueblo life continued. In 1924, she carried out field work at Isleta for the Southwest Society under arrangements made by Parsons.

After her husband's death in 1935, Goldfrank worked for Caroline Zachry's Study of Adolescents for the Commission on Secondary School Curriculum of the Progressive Education Association and, later, became a nondegree graduate student in anthropology, again at Columbia University, In 1939, she took part in a program of field studies of four Blackfoot tribes that was directed Ruth Fulton Benedict. The purpose of the program was to determine differences in the effects of American and Canadian policies on similar cultures.

Goldfrank's work was among the Blood Indians of Canada, and she reported it in her Changing Configurations in the Social Organization of a Blackfoot Tribe during the Reserve Period, J. J. Austin, 1945.

In 1940, Goldfrank married Karl A. Wittfogel and, in 1943, became staff anthropologist for the Chinese History Project, which her husband directed. Shortly after her marriage, she undertook work on historical aspects of Teton Dakota culture through library studies. Her interest in Pueblo cultures continued, however, and she contributed two major publications concerning them. In 1962, under her editorship, Elsie Clews Parsons' Isleta Paintings was published as Bureau of American Ethnology Bulletin 181. In 1967, her own The Artist of "Isleta Paintings" in Pueblo Society was issued as Smithsonian Contributions to Anthropology, volume 3.

Under the influence of her husband, she also became interested in the implications for southwestern cultures of the need to control water.

Goldfrank was active with several anthropological organizations but especially with the American Ethnological Society. She served as its secretary-treasurer in 1945-1947 and its president in 1948. In the latter position, she was particularly concerned with the constitution of the society and, especially, its anomolous relationship with the American Anthropological Association. She was also the society's editor from 1952 to 1956.

Chronology

1896 -- Born

1918 -- Bachelor of Arts, Barnard College

1919-1922 -- Took graduate courses in anthropology at Columbia University Became secretary to Franz Boas Conducted field work with Franz Boas among the Indians at Laguna and Cochiti

1922 -- Married Walter S. Goldfrank

1924 -- Pursued field work at Isleta for the Southwest Society

1927 -- Published Monograph, "The Social and Ceremonial Organization of Cochiti," Memoirs of the American Anthropological Association, number 23, 1927

1935 -- Death of Walter S. Goldfrank

1939 -- Took part in a study of four Blackfoot tribes directed by Ruth F. Benedict

1940 -- Married Karl A. Wittfogel

1943 -- Became staff anthropologist for Wittfogel's Chinese HistoryProject

1944 -- Published Monograph, "Changing Configurations in the Social Organization of a Blackfoot Tribe During the Reserve Period," J. J. Austin, 1945

1945-1947 -- Served as Secretary-Treasurer of the American Ethnological Society

1948 -- Served as President of the American Ethnological Society

1952-1956 -- Publication of "Isleta Paintings,"Bureau of American Ethnology Bulletin 181, with Introduction and Commentary by Elsie ClewsParsons and edited by Esther S. Goldfrank Served as editor for the American Ethnological Society

1967 -- Goldfrank's "Artist of 'Isleta Paintings' in Pueblo Society" was issued as Smithsonian Contributions to Anthropology, volume 3

1978 -- Publication of the Memoirs of Esther S. Goldfrank, entitled, "Notes on an Undirected Life," New York, Queens College, 1978

1988 -- Death of Karl A. Wittfogel

1997 April 23 -- Died
Provenance:
The papers were donated to the National Anthropological Archives by Esther Schiff Goldfrank in 1982. A small addition was made in 1984.
Restrictions:
The Esther Schiff Goldfrank papers are open for research.
Rights:
Restrictions on the use of the material specify that living informants are not to be mentioned in publications; no material is to be used to defame any individual; and, transparencies of the Isleta Paintings and copies of Joe B. Lente's letters cannot be reproduced (copies should be obtained from the American Philosophical Society in Philadelphia).
Genre/Form:
Photographs
Manuscripts
Letters (correspondence)
Citation:
Esther Schiff Goldfrank papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1982-24
See more items in:
Esther Schiff Goldfrank papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1982-24

Assorted Photographs by Various Photographers, 1872-1900

Collection Creator:
Capron, Allyn K.  Search this
Extent:
20 Photographic prints
1 Copy negative
Culture:
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Sioux  Search this
Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]  Search this
Apache  Search this
Chiricahua Apache  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sihasapa Lakota (Blackfoot Sioux)  Search this
Niimíipuu (Nez Perce)  Search this
Umatilla  Search this
Cayuse  Search this
Type:
Archival materials
Photographic prints
Copy negatives
Scope and Contents:
This series includes 1 copy negative and 20 photographic prints taken by Frank A. Rinehart, Adolph F. Muhr, Alexander Gardner, David F. Barry (David Francis Barry/D. F. Barry), and unknown photographers throughout the United States between 1872-1900. This series contains photographs taken among the Sioux, Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Apache, Chiricahua Apache, Apsáalooke (Crow/Absaroke), Sihasapa Lakota (Blackfoot Sioux), Hunkpapa Lakota (Hunkpapa Sioux), Nimi'ipuu (Nez Perce), Umatilla, Nimi'ipuu (Nez Perce), and Cayuse communities. The locations for the shoots include Nebraska, North Dakota, Oklahoma, Alabama, Florida, and Washington, DC. The subjects of this series include individual portraits, communities, and landscapes, with notable individuals including Naiche (Natchez), Goyathlay (Geronimo), Chief John Grass (Pe-ji or Pah-Zhe), and Theodore Roosevelt.

Copy negatives include N41459. Photographic prints include P13094, P13102, P13103, P13106, P13118, P13120, P13129, P13164, P13165-P13173, P13177, P13194, P13195. Photographic prints P13099 and P13100 are missing.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Captain Allyn Capron photograph collection, image #, NMAI.AC.152; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.152, Series 3
See more items in:
Captain Allyn Capron photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-152-ref3

Hand drum

Culture/People:
probably Hunkpapa Lakota [Standing Rock] (attributed)  Search this
Previous owner:
Crawler (Slohan/David Crawler), Hunkpapa Lakota [Standing Rock]/Sihasapa Lakota (Blackfoot Sioux), ca. 1830-ca. 1915  Search this
George H. Bingenheimer, Non-Indian, 1861-1920  Search this
Margaret Bingenheimer (Margaret G. Bowers/Mrs. George H. Bingenheimer), Non-Indian, 1865-1965  Search this
Possible collector:
George H. Bingenheimer, Non-Indian, 1861-1920  Search this
Seller:
Margaret Bingenheimer (Margaret G. Bowers/Mrs. George H. Bingenheimer), Non-Indian, 1865-1965  Search this
Object Name:
Hand drum
Media/Materials:
Rawhide, wood, wool cloth, metal wire, metal items, paint, sinew
Techniques:
Bent, stretched, stitched, pegged, strung, painted
Dimensions:
32 x 30 x 7 cm
Object Type:
Music and Sound
Place:
Standing Rock Reservation; Sioux County, Corson County; North Dakota, South Dakota; USA (inferred)
Date created:
circa 1890
Catalog Number:
12/2265
Barcode:
122265.000
See related items:
Hunkpapa Lakota [Standing Rock]
Music and Sound
On View:
NMAI, Washington DC: Our Universes, Lakota
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6b2f0cdd3-aa22-4323-8a2d-b879b4391689
EDAN-URL:
edanmdm:NMAI_131580
Online Media:

Umbilical amulet (Image withheld)

Culture/People:
possibly Sihasapa Lakota (Blackfoot Sioux) (attributed)  Search this
Previous owner:
Abel E. Brooks (A.E. Brooks), Non-Indian, 1833-1917  Search this
Object Name:
Umbilical amulet (Image withheld)
Media/Materials:
Hide, glass bead/beads, horsehair, metal cones, dye/dyes, unknown stuffing, hide thong/babiche
Techniques:
Sewn, overlay beadwork, lazy/lane stitch beadwork, dyed, tasseled
Object Type:
Ceremonial/Ritual items
Place:
Plains; USA, Canada (inferred)
Date created:
1870-1900
Catalog Number:
1/1132
Barcode:
011132.000
See related items:
Sihasapa Lakota (Blackfoot Sioux)
Ceremonial/Ritual items
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws614dc501b-5fa4-4e4b-89b5-15ecf6d14e2d
EDAN-URL:
edanmdm:NMAI_11959

Woman's dress

Culture/People:
probably Sihasapa Lakota (Blackfoot Sioux) (attributed)  Search this
Previous owner:
M. Lemaire-Devries, Non-Indian  Search this
Seller:
M. Lemaire-Devries, Non-Indian  Search this
MAI agent:
George Gustav Heye (GGH), Non-Indian, 1874-1957  Search this
Object Name:
Woman's dress
Media/Materials:
Hide, glass pony beads, brass bell/bells, sinew
Techniques:
Sewn, lazy/lane stitch beadwork
Dimensions:
176 x 147 cm
Object Type:
Clothing/Garments
Place:
South Dakota; USA (inferred)
Date created:
circa 1855
Catalog Number:
15/9288
Barcode:
159288.000
See related items:
Sihasapa Lakota (Blackfoot Sioux)
Clothing/Garments
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6e3624dfb-95ce-4c53-b524-7b314885e44c
EDAN-URL:
edanmdm:NMAI_170450
Online Media:

Horse head ornament

Culture/People:
Sihasapa Lakota (Blackfoot Sioux)  Search this
Object Name:
Horse head ornament
Media/Materials:
Wood, hide, feather/feathers, cotton cloth, brass bell/bells, sinew, ermine skin/fur, cotton twine/string, cotton thread, glass bead/beads, hide thong/babiche
Techniques:
Cut, wrapped, stitched, bead-wrapped, strung, tied
Dimensions:
56.00 x 7.00 x 39.00 cm
Object Type:
Animal Tack and Animal Husbandry
Place:
North Dakota or South Dakota; USA (inferred)
Date created:
1860-1880
Catalog Number:
18/8881
Barcode:
188881.000
See related items:
Sihasapa Lakota (Blackfoot Sioux)
Animal Tack and Animal Husbandry
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6262f4de2-9dbb-4b44-92d6-18466c71be6f
EDAN-URL:
edanmdm:NMAI_201963
Online Media:

Boy's coat/jacket

Culture/People:
possibly Sihasapa Lakota (Blackfoot Sioux) (attributed)  Search this
Previous owner:
William M. Fitzhugh (William MacPherson Fitzhugh), Non-Indian, 1853-1929  Search this
Seller:
Estate of William M. Fitzhugh  Search this
Object Name:
Boy's coat/jacket
Media/Materials:
Deerhide/deerskin, wool cloth, porcupine quills, dye/dyes
Techniques:
Sewn, quill embroidered, fringed, quilled (lane stitched)
Object Type:
Clothing/Garments
Place:
Plains; USA, Canada (inferred)
Catalog Number:
19/3198
Barcode:
193198.000
See related items:
Sihasapa Lakota (Blackfoot Sioux)
Clothing/Garments
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6e7e0a8c5-699d-40ce-b7a7-4ea6457b0c99
EDAN-URL:
edanmdm:NMAI_206568
Online Media:

Moccasins

Culture/People:
possibly Sihasapa Lakota (Blackfoot Sioux) (attributed)  Search this
Object Name:
Moccasins
Media/Materials:
Hide, glass bead/beads, porcupine quills
Techniques:
Quilled (lane stitched), lazy/lane stitch beadwork
Object Type:
Clothing/Garments: Footwear
Place:
North Dakota or South Dakota; USA (inferred)
Catalog Number:
15/4661
Barcode:
154661.000
See related items:
Sihasapa Lakota (Blackfoot Sioux)
Clothing/Garments: Footwear
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6043cb0eb-c90a-4a17-8f3f-7a63d7c963e3
EDAN-URL:
edanmdm:NMAI_165958
Online Media:

Ration ticket/card case

Culture/People:
possibly Sihasapa Lakota (Blackfoot Sioux) (attributed)  Search this
Previous owner:
William M. Fitzhugh (William MacPherson Fitzhugh), Non-Indian, 1853-1929  Search this
Seller:
Estate of William M. Fitzhugh  Search this
Object Name:
Ration ticket/card case
Media/Materials:
Hide, porcupine quills
Techniques:
Quilled (lane stitched)
Object Type:
Personal items
Place:
Plains; USA, Canada (inferred)
Catalog Number:
19/3274
Barcode:
193274.000
See related items:
Sihasapa Lakota (Blackfoot Sioux)
Personal items
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws623296380-dd85-4447-8d1c-a7d5e7e33407
EDAN-URL:
edanmdm:NMAI_206645
Online Media:

Blanket

Culture/People:
probably Diné (Navajo) (attributed); said to have been collected from the Sihasapa Lakota (Blackfoot Sioux)  Search this
Object Name:
Blanket
Media/Materials:
Wool yarn
Techniques:
Woven
Dimensions:
207 x 150 cm
Object Type:
Clothing/Garments: Outerwear (flat)
Place:
Arizona, New Mexico; USA
Catalog Number:
20/9305
Barcode:
209305.000
See related items:
Diné (Navajo)
Sihasapa Lakota (Blackfoot Sioux)
Clothing/Garments: Outerwear (flat)
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6e000841a-94fe-4ca4-877c-a9133b11f6e4
EDAN-URL:
edanmdm:NMAI_223471
Online Media:

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