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Oral history interview with Paul Marioni

Interviewee:
Marioni, Paul  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts -- Faculty  Search this
College of Marin -- Faculty  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
San Francisco State University -- Students  Search this
Spectrum Glass Co.  Search this
University of Cincinnati -- Students  Search this
University of Dayton -- Students  Search this
Ben Tré, Howard, 1949-2020  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence), 1930-  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Marioni, Dante, 1964-  Search this
Marquis, Richard, 1945-  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy, 1937-  Search this
Signoretto, Pino, 1944-  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil, 1938-  Search this
Extent:
11 Items (Sound recording: 11 sound files (8 hrs., 18 min.), digital, wav)
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Date:
2006 September 18-19
Scope and Contents:
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student; being labeled a troublemaker in high school; his interest and skill in fixing cars and motorcycles; attending the University of Dayton, the University of Cincinnati, and San Francisco State University; receiving bachelor's degrees in English and philosophy; an interest in filmmaking; the joys and struggles of raising two children by himself; his unorthodox parenting philosophy; learning glass techniques from Judy Raffeal North; teaching experiences at College of Marin, California College of Arts and Crafts, Pilchuck Glass School, and Penland School of Crafts, among others; the importance of fostering idea formation and creativity in educational institutions; his experiences as Artist-in-Residence at A.C. Fischer Glashutte and Spectrum Glass Co.; the development of his process for producing cast glass; the great number of public architectural commissions that resulted from the ability to work with cast glass; the more than 85 commissions he has completed alone and in collaboration with Ann Troutner; the difference between his gallery work and commission work; the pleasure he gets from working in the studio; travels throughout Europe, South America, Japan, Thailand, Mexico; his use of ambient light; strong responses received from his political artwork; his dislike of art critics; the vital role Glass Art Society played in supporting the studio glass art movement; the emphasis of human nature in his art; and plans for the future. Marioni also recalls Robert Nelson, Gunvar Nelson, John Bolles, Cecile McCann, Marvin Lipofsky, Dale Chihuly, Tom Bosworth, Fritz Dreisbach, Richard Marquis, Howard Ben Tré, Bertil Vallien, Jaroslava Brychtová, Stanislav Libenský, Randy Milhoan, Dante Marioni, Pino Signoretto, Sandy Blaine, Allan and Lenore Sindler, and others.
Biographical / Historical:
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art -- Political aspects  Search this
Decorative arts  Search this
Glass art  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.marion06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac0607d8-2b3a-4e70-aba4-a0417d9af9c0
EDAN-URL:
ead_collection:sova-aaa-marion06
Online Media:

Oral history interview with William Morris

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Chico -- Students  Search this
Central Washington University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Benaroya, Jack, 1921-2012  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph, 1904-1987  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hydman-Vallien, Ulrica, 1938-2018  Search this
Jung, C. G. (Carl Gustav), 1875-1961  Search this
Karan, Donna, 1948-  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lipski, Donald, 1947-  Search this
Mace, Flora, 1949-  Search this
Marioni, Dante, 1964-  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pfaff, Judy, 1946-  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Seguso, Livio, 1930-  Search this
Signoretto, Pino, 1944-  Search this
Smith, Kiki, 1954-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Extent:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
British Isles -- Description and Travel
Date:
2009 July 13-14
Scope and Contents:
An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.
William Morris speaks of his decision to stop working in glass in 2005; his deep connection to the natural world; working now with stone; the longstanding theme of man and nature in his work; his influence on the studio glass movement; use of installations; relationship to the greater art world; Cache [1993]; the importance of working in a team, particularly with Jon Ormbrek; studio practice and philosophy of working in the studio; series Man Adorned and first use of the human form; how his work evolves artistically; the influence of his travels on his work and his particular affinity for Mesoamerican culture; the process of choosing his subjects; growing up in Carmel, California, and frequenting the museum at the Carmel Mission Basilica; his early fascination with Native American artifacts and history in the museum; childhood spent hiking in the hills around Carmel and youth spent camping and rock-climbing; art instruction during childhood; ceramics work in high school; introduction to ideas of Carl Jung and Joseph Campbell by his high school teacher, Lloyd Baskerville; undergraduate work at California State University, Chico, working with Vernon Patrick; first experience with glass in high school, through the Fort Ord military base crafts department; brief studies at Central Washington University in Ellensburg, Washington; arriving at Pilchuck Glass School, Stanwood, Washington, in 1977 as a shop assistant/maintenance person; his first encounter with Dale Chihuly; 10 years as Chihuly's main assistant and de facto apprenticeship; his greater overall technical education at Pilchuck; the development of his own team as he continued to work with Chihuly; working with Chihuly and Italo Scanga; the synergy of working in a group and artistic cross-pollination at Pilchuck; the influence and mentorship of Judy Pfaff; working with Italian glass masters at Pilchuck; the influence of Pino Signoretto; his trip with Chihuly to the British Isles, which inspired his series Stone Vessels and series Standing Stones in the mid-1980s; his practice of working in series; series Petroglyph Vessels, and the beginning of narrative in his work; the importance of naiveté, experimentation, and a "confidence in innocence"; series Artifacts; the influence of Donald Lipski on Morris' installations; series Burial Urns and series Burial Rafts; series Canopic Jars; commissions for George Stroemple; the genesis of the series Rhyton; the transcendental/mythic qualities in his work; series Crow and Raven; more discussion of series Man Adorned; series Rattles; collaboration with fashion designer Donna Karan; the importance of glass as a material, and the importance of "play"; the value of an apprentice-type program; his work in bronze and with Nancy Graves; series Cinerary Urns and coming to terms with the deaths of close friends; series Mazorca; series Idolo and Idolito; series Native Species (2006); series Fish Traps; more discussion of his decision to leave glassworking; documentary film Creative Nature, 2008; "Myth, Object, and the Animal" exhibition; the adventurous spirit of the American studio glass movement, particularly in the early years; his preference for short workshops rather than longer teaching sessions; the aesthetic continuity of his work throughout his career; his appreciation of the community of collectors of glass art. He also recalls Ken Wiese, Robert and Terrie Kvenild, Bertil and Ulrica Vallien, Gary Galbraith, Stan Price, Dennis Oppenheim, Kiki Smith, Dante Marioni, Livio Seguso, Marvin Lipofsky, Benjamin Moore, Jamie Carpenter, Checco Ongaro, Lino Tagliapietra, Ricky DeMarco, Flora Mace, Joey Kirkpatrick, Trumaine Mason, Karen Willenbrink, Ross Richmond, Randy Walker, John Hauberg, Stanislav Libenský, Graham Graham, Charlie Cowles, George and Dorothy Saxe, and Jack and Rebecca Benaroya.
Biographical / Historical:
William Morris (1957- ) is a glass artist in Stanwood, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.morris09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2dba5aa-31b2-4202-84d2-bae39f6d7c97
EDAN-URL:
ead_collection:sova-aaa-morris09
Online Media:

Chihuly [videorecording]

Author:
Chihuly, Dale 1941-  Search this
Tagliapietra, Lino  Search this
Signoretto, Pino 1944-  Search this
Subject:
Chihuly, Dale 1941-  Search this
Tagliapietra, Lino  Search this
Signoretto, Pino 1944-  Search this
Physical description:
6 videocassettes (ca. 30 min. each) : sd., col. ; 1/2 in
Type:
Videorecordings
Date:
1999
2000
Topic:
Glass art  Search this
Call number:
NK5198.C43 C454 1999
video 000429
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_678744

Chihuly [videorecording] : working with Pino Signoretto / produced by Heron Cove & Portland Press

Title:
Working with Pino Signoretto
Chihuly working with Pino Signoretto
Author:
Chihuly, Dale 1941-  Search this
Signoretto, Pino 1944-  Search this
Heron Cove (Firm)  Search this
Portland Press  Search this
Subject:
Chihuly, Dale 1941-  Search this
Signoretto, Pino 1944-  Search this
Physical description:
1 videocassette (30 min.) : sd., col. ; 1/2 in
Type:
Videorecordings
Place:
United States
Italy
Washington (State)
Seattle
Date:
1999
C1999
Topic:
Glass sculpture  Search this
Glass art  Search this
Glass artists  Search this
Glass blowing and working  Search this
Call number:
NK5198.C43 C4515 1999
video 000429 tape 6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_687442

Glass masters at work [videorecording] : with Pino Signoretto / created by Robin Lehman ; a Studio of the Corning Museum of Glass presentation

Title:
Glass masters at work: Pino Signoretto
Pino Signoretto
Author:
Signoretto, Pino 1944-  Search this
Lehman, Robin  Search this
Corning Museum of Glass  Search this
Subject:
Signoretto, Pino 1944-  Search this
Physical description:
1 videodisc (52 min.) : sd., col. ; 4 3/4 in
Type:
Videorecordings
Date:
2010
C2010
20th century
21st century
Topic:
Glass blowing and working--Study and teaching  Search this
Glass artists  Search this
Call number:
NK5198.S53 G537 2010
video 001160
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_972301

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