Letters to Gill from artists mostly concerning a fire in Gill's gallery; the receipt of checks; the sale of art works; and the return of unsold pieces.
REEL D8: Letters from George Loring Brown and Alfred Bricher.
REEL D9: Letter from W. S. (William Starbuck) Macy, regarding an incorrect title attributed to a painting on display.
REEL D10: Letters from George Elmer Browne, E. Ritchie Harrison, Edward C. Leavitt, Aaron Draper Shattuck, and George Henry Story.
REEL 2813: Letters from John Bunyan Bristol, Harry Chase, M. F. H. de Haas, H. A. Ferguson, Frederick W. Freer, Edward Gay, Charles X. Harris, William Hart, Jonathan Scott Hartley, Edward L. Henry, W. Ferdinand Macy, George Herbert McCord, Frank Knox Morton Rehn, William Trost Richards, Walter Satterlee, George H. Smillie, William Lewis Sonntag and F. Schuchardt.
Biographical / Historical:
Art dealer; Springfield, Massachusetts.
Provenance:
Letters on Reel 2813 purchased by Archives in 1967. Letters on Reel D8-D10 donated by Charles Feinberg, an active donor and friend of AAA.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Primarily research material on 19th century artists, engravers and photographers of New Hampshire views.
UNMICROFILMED: Correspondence related to Campbell's research, undated and 1972-1983; manuscripts for Campbell's book, CRAWFORD NOTCH (Chapters I -VII); articles and lecture notes on White Mountain (N.H. and Me.) artists and early photography in N.H.; research files for the 1980 exhibition and catalog "The White Mountains: Place and Perceptions"; research and card files on N.H. sites and on 19th and 20th century artists who lived in or painted scenes of the White Mountains, including Samuel Bemis, Albert Bierstadt, James Buckley, Benjamin Champney, Thomas Cole, William Derrick, Sanford Gifford, Edward Hill, John Kensett, Henry Pratt, F.H. Shapleigh, Aaron Shattuck, Benjamin Stone and others. Also included are exhibition catalogs and announcements for New Hampshire artists.
REEL 3134: A Christmas card with a short personal note from Edward and Jo Hopper, 1944, and a letter to the Crawford J. Campbell family, June 7, 1946, from Jo Hopper. She responds to news of the Campbell family in Chicago, comments on the possibility that Hopper's Washington Square studio may be annexed by New York University, and on their trip to Mexico.
Biographical / Historical:
Artist, art historian, summer resident at Center Harbor, N.H. Born 1916. Died 1989.
Provenance:
Material on reel 3134 donated 1971 and 1978 by Campbell. Unmicrofilmed material donated 1990 by Joanna Campbell Dellenbaugh, Campbell's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Shattuck, Aaron Draper, 1832-1928 -- Portraits -- Photographs Search this
Sully, Thomas, 1783-1872 -- Portraits -- Photographs Search this
Tuckerman, Henry T. (Henry Theodore), 1813-1871 Search this
Whittredge, Worthington, 1820-1910 -- Portraits -- Photographs Search this
Extent:
24 Items (photographic prints, b&w, 17 1/2 x 13 1/2 cm., on sheet 30 1/2 x 24 cm. or smaller.)
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Portraits of artists taken by George Rockwood and Napoleon Sarony (Sarony Photographic Co.) for the large paper, extra-illustrated edition of Henry Tuckerman's, "American artist life : comprising biographical and critical sketches of American artists : preceded by an historical account of the rise and progress of art in America : with an appendix containing an account of notable pictures and private collections" (New York, G.P. Putnam & Son, 1867). Also included is a copy of Tuckerman's book (not the extra illustrated version.) Photographs include: Eugene Benson (original missing, copyprint only), Henry Kirke Brown (original missing, copyprint only), Frederic Edwin Church, Thomas Cole, J. Francis Cropsey, Christopher Cranch, F.O.C. Darley, Asher Brown Durand, Charles Loring Elliott, Sanford Robinson Gifford, Henry Peters Gray, James M. Hart, Thomas Hicks (incorrectly identified as John Ehninger), Richard W. Hubbard, Henry Inman, George Inness (incorrectly identified as Albert Bierstadt), Eastman Johnson, John F. Kensett (original missing, copyprint only), Emanuel Leutze, Jervis McEntee (original missing, copyprint only), John Rogers, A.D. Shattuck, Thomas Sully (original missing, copyprint only), and Worthington Whittredge (original missing, copyprint only).
Provenance:
The copy of Tuckerman's book was donated in 1958 by Robert McIntyre. The photographs, along with the extra illustrated edition of Henry Tuckerman's, "Book of the Artists..." (1867) were donated in 1960 by McIntyre. The folio was one of the 25 copies produced, possibly acquired by McIntyre through auction of the library of S.K. Cleven of Iowa handled by Anderson Galleries in 1915. The photographs were removed from the folio prior to its transfer to the Smithsonian American Art Museum Library. Photographer and provenance information (annotated) from Putnam's Monthly Advertiser is enclosed with the original folio housed at the Smithsonian American Art Museum Library.
Topic:
Artists -- United States -- Portraits -- Photographs Search this
Aaron Draper Shattuck, N.A., 1832-1928. A retrospective exhibition organized and arranged by the New Britain Museum of American Art, New Britain, Conn., March 17-April 26, 1970
The papers of Aaron Draper Shattuck measure 0.8 linear feet and date from 1810 to 1983. The papers document the activities of Aaron Draper Shattuck and his son, Walter, and include biographical material, writings, correspondence, notes, financial material, artwork, printed material, photographs, and a sample canvas stretcher.
Scope and Contents:
The papers of Aaron Draper Shattuck measure 0.8 linear feet and date from 1810 to 1983. The papers document the activities of Aaron Draper Shattuck and his son, Walter, and include biographical material, writings, correspondence, notes, financial material, artwork, printed material, photographs, and a sample canvas stretcher.
The collection includes biographical material, a birth certificate of William Shattuck and an inventory of Lincoln Family Estate. Writing consists of a diaries that were kept by Aaron Shattuck and his son Walter. Correspondence includes Aaron Shattuck's acceptance letter to the National Academy of Design in 1858, descriptions of travel along the Maine coast and in New England, and letters concerning Shattuck's paintings. Financial material consists of account books, sales receipts for paintings, and receipts from F.W. Devoe & Co. for stretcher keys. Notes are comprised of writings concerning the Shattuck family that were compiled by the donors, Katherine and Eugene Emigh. Art work contains an etching (12.3 x 14.3 cm.) of the painting "White Hills in October," and nine sketchbooks (10.6 x 21.2 cm. or smaller), containing pencil drawings of landscapes and coastal scenes of Vermont and Maine, especially in the White Mountains. One of the sketchbooks is Walter's, and one contains work by both father and son. Printed material includes clippings, exhibition announcements and catalogs, a copy of Henry Alken's 1849 book, "The Art and Practice of Etching," with an inscription to Shattuck by William Hart. The book contains four etchings, four aquatints, and one National Academy of Design menu with a watercolor drawing. Photographs show Aaron Shattuck and the Shattuck home and garden in West Granby, Connecticut. Other materials include a stretched canvas displaying an advertisement and a sample of Shattuck's Patent Stretcher Key.
Arrangement:
Due to the small size of this collecion the papers are arranged as one series.
Biographical / Historical:
Aaron Draper Shattuck (1832-1928) was a landscape painter and inventor who worked in New York City and West Granby, Connecticut. Born in Francetown, New Hampshire, Shattuck studied art in Boston under portrait painter Alexander Ransom and at the National Academy of Design in 1852, becoming an academician in 1861. The principal subjects of his works are landscapes and pastoral scenes. Shattuck was also the inventor of the "Shattuck" stretcher keys for artists' canvases. In 1860, he married Marian Colman, sister of painter Samuel Colman, and descendant of the John Lincoln family. Their children were William, Walter, Edwin, Isabel, Helen, and Bertha. Shattuck maintained a studio in New York from 1856 until circa 1870, then moved to Granby, Connecticut.
Provenance:
The Aaron Draper Shatutuck papers were donated by Katherine and Eugene Emigh, 1983-1984. Katherine Emigh is Shattuck's granddaughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Citation:
Aaron Draper Shattuck papers, 1810-1983. Archives of American Art, Smithsonian Institution.
