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Oral history interview with Eleanor Sayre

Interviewee:
Sayre, Eleanor A.  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Ashmolean Museum  Search this
Bryn Mawr College -- Students  Search this
Fogg Art Museum  Search this
Harvard University -- Students  Search this
Lyman Allyn Museum  Search this
Museo del Prado  Search this
Museum of Fine Arts, Boston  Search this
Rhode Island School of Design. Museum of Art  Search this
Yale University. Art Gallery  Search this
Ames, Winslow  Search this
Constable, W. G. (William George), 1887-1976  Search this
Edgell, George Harold, b. 1887  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Goya, Francisco, 1746-1828  Search this
Hofer, Philip, 1898-1984  Search this
Karolik, Maxim  Search this
King, Georgiana Goddard, 1871-1939  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Rembrandt Harmenszoon van Rijn, 1606-1669  Search this
Rosenberg, Jakob, 1893-  Search this
Rossiter, Henry P. (Henry Preston), b. 1885  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Seybolt, George Crossan, 1914-1993  Search this
Sizer, Theodore, 1892-1967  Search this
Swarzenski, Hanns, 1903-1985  Search this
Washburn, Gordon B. (Gordon Bailey), 1904-1983  Search this
Wilson, Woodrow, 1856-1924  Search this
Extent:
213 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Philippines -- History -- Japanese occupation, 1942-1945
Spain -- History -- 1939-1975
Date:
1993 April 19-1997 January 10
Scope and Contents:
An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.
Sayre talks about her early childhood in Williamstown and Cambridge, Mass.; her family background; visits to the White House with her maternal grandfather, Woodrow Wilson; living abroad while her father was in government service in Bangkok, then Siam (now Thailand), Paris, and Switzerland, with extensive recollections of her brothers and schooling in Europe.
Attending Winsor School in Boston; her mother's death; her years at Bryn Mawr College, including her switch to art history from political science; Georgianna Goddard King as an influential teacher; an internship under Laura Dudley at the Fogg Art Museum's Print Room and the lasting effect of this experience.
Being a graduate student in fine arts at Harvard and the importance of Edward Forbes and Paul Sachs as teachers; her decision not to pursue a PhD; working with Jakob Rosenberg; helping to get young Jews out of Europe; her position as assistant for exhibitions at Yale University Art Gallery under Theodore Sizer; the trauma of her father's internment by the Japanese in the Philippines, where he was High Commissioner and his rescue; and her decision to turn down a military intelligence job in order to work with German Jewish refugees.
Her brief tenure at Lyman-Allyn Museum, Conn., under Winslow Ames; her years in the education department under Lydia "Ma" Powel at the Museum of Art of the Rhode Island School of Design with Gordon Washburn as director; and working closely with Heinrich Schwartz on prints and drawings.
The liberal tradition of her father's wealthy family; her father; being brought to the Museum of Fine Arts, Boston by its curator of prints, Henry Rossiter and on the charming collector and benefactor, Maxim Karolik; MFA curator of paintings, William George Constable; and George Harold Edgell, MFA director.
The collector, Philip Hofer, who by putting his Goya proofs on loan at the MFA, led to Sayre's life-long study of the artist; her research on Goya in Spain; raising of a large sum from Boston businesses to purchase Hofer's prints for the MFA, and the MFA's eminence by the 1960s in Goya's graphic work; the disgusting repression of dissent in Franco-era Spain; Goya's passionate self-assertion, which is what principally attracted Sayre to his work, and his conceptual process and method of work.
Earlier years at the MFA, Boston, including the accessibility of the print department's study rooms; Edwin J. Hipkiss, curator of American decorative arts; the Christmas poetry and prints exhibitions designed as profound learning experiences for a broad public; and being chosen as successor to Rossiter; and further comments on Maxim Karolik.
W.G. Russell Allen and other collectors who gave their collections to the MFA; her efforts to effectively present art to the broad public; her methods of appealing to the public coalescing at the MFA in 1989 with the "Goya and the Spirit of the Enlightenment" exhibition; and an exhibition of the work of Beatrix Potter.
Spain under the dictator, Francisco Franco; her first study in Spain of Goya's drawings and her urging the Prado Museum to conserve its drawings; the Prado's director, F. Sanchez-Canton; her research on prostitution at the Ministry of Justice; being decorated for her recommending the preservation of Goya's art and the marvelous private collections of Goya in Spain; and her obsession with interpreting the meaning of Goya's work.
The MFA, Boston, under the directorship of Perry Rathbone, who wanted many more people involved than had his predecessor, George Harold Edgell, who ran it like a Boston Brahmin Club; Rathbone's accomplishments; his downfall and that of his assistant (and curator of European decorative arts and sculpture) Hanns Swarzenski in bringing a so-called Raphael into this country by irregular means, which led to Rathbone and Swarzenski's firing by George Seybolt, the trustee president; Rathbone's reluctance to hire women curators and Sayre's finally becoming curator of prints and drawings in 1967; her philosophy as curator; on Hanns and Brigitte Swarzenski as dear friends; her exchange of positions with the curator of the Ashmolean Museum, Oxford, where she put their valuable but neglected print collection in order.
The exhibition and catalog, "Rembrandt: Experimental Etcher," (1969) in collaboration with the Pierpont Morgan Library; general views on exhibitions; co-authoring the exhibition catalog "Goya and the Spiris of Enlightenment" (1989); her contributions to Goya research; her current research and writing on Goya's Capaprichos print series; and her satisfaction in having spent her career in art museums.
Biographical / Historical:
Eleanor A. Sayre (1916-2001) was a curator and art historian from Boston, Mass.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 11 hrs., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Interviews  Search this
Printmakers  Search this
Topic:
Jewish refugees -- Germany  Search this
Museum curators -- Massachusetts -- Boston -- Interviews  Search this
World War, 1939-1945 -- Germany -- Refugees  Search this
World War, 1939-1945 -- Personal narratives, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sayre93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sayre93

Oral history interview with George C. Seybolt, 1985 April 2-16

Interviewee:
Seybolt, George Crossan, 1914-1993  Search this
Seybolt, George Crossan, 1914-1993  Search this
Interviewer:
Brown, Robert F  Search this
Record number:
(DSI-AAA_CollID)11692
(DSI-AAA_SIRISBib)214629
AAA_collcode_seybol85
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214629

Oral history interview with George C. Seybolt

Interviewee:
Seybolt, George Crossan, 1914-1993  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
239 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1985 April 2-16
Scope and Contents:
An Interview with George C. Seybolt conducted 1985 April 2-16, by Robert Brown, for the Archives of American Art.
Biographical / Historical:
George Crossan Seybolt (1914-1993) was a canning industry executive and president emeritus of the Boston Museum of Fine Arts, from Boston, Massachusetts.
General:
Originally recorded 8 sound cassette. Reformatted in 2010 as 15 digital wav files. Duration is 10 hr., 13 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Identifier:
AAA.seybol85
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seybol85

George Seybolt papers relating to the Museum Trustee Association, [ca. 1970]-1991

Creator:
Seybolt, George Crossan, 1914-1993  Search this
Museum Trustee Association  Search this
Seybolt, George Crossan, 1914-1993  Search this
Subject:
Seybolt, George Crossan  Search this
American Association of Museums. Museum Trustee Committee for Research and Development  Search this
American Association of Museums. Museum Trustee Committee  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)10846
(DSI-AAA_SIRISBib)214594
AAA_collcode_seybgeor
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214594

George Seybolt papers relating to the Museum Trustee Association

Creator:
Seybolt, George Crossan, 1914-1993  Search this
Museum Trustee Association  Search this
Names:
American Association of Museums. Museum Trustee Committee  Search this
American Association of Museums. Museum Trustee Committee for Research and Development  Search this
Seybolt, George Crossan, 1914-1993  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1970]-1991
Scope and Contents:
Records kept by George C. Seybolt in his capacity as chairman of the Museum Trustee Committee, American Association of Museums (AAM); chairman, Museum Trustee Committee for Research and Development, AAM; and founding chairman of the Museum Trustee Association. Included are files containing correspondence, reports, by-laws, minutes of meeetings, and printed material.
Biographical / Historical:
George Seybolt was a food industry executive, museum trustee, and founder of the Museum Trustee Association from Boston, Mass. Born 1914. Died 1993. George Seybolt, president of the Museum of Fine Arts, Boston, was instrumental in founding the Museum Trustee Association, an advisory and discussion group whose purpose was to provide trustees of all museums with regular meetings and a means of influencing the deliberations of the American Association of Museums (now the American Alliance of Museums) through independent recommendations. It is no longer part of the AAM.The Museum Trustee Association (MTA) was originally the Museum Trustee Committee, American Association of Museums (AAM), and then the Museum Trustee Committee for Research and Development, AAM.
Provenance:
Donated by George C. Seybolt in 1992.
Function:
Art museums -- United States
Identifier:
AAA.seybgeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seybgeor

National Museum Services Board Chairman's files

Creator:
National Museum Services Board  Search this
Names:
Institute of Museum Services  Search this
Seybolt, George Crossan, 1914-1993  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1977]-1982
Scope and Contents:
Records kept by George C. Seybolt in his capacity as Chairman of the National Museum Service Board.
Biographical / Historical:
The National Museum Services Board is the policy making and priority setting arm of the Institute of Museum Services (IMS). IMS was created by the Museum Services Act as an independent agency within the National Foundation on the Arts and Humanities to make grants to museums in areas of operations, conservation, asssessment, and professional services.
Provenance:
Donated by the widow of George C. Seybolt, 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Federal aid to museums -- United States  Search this
Museum finance -- United States  Search this
Function:
Museums -- United States
Identifier:
AAA.natimuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natimuse

The Seybolt collection

Author:
Wm. Underwood Co. Gallery  Search this
Subject:
Seybolt, George Crossan 1914-1993 Art collections  Search this
Physical description:
40 p. : ill. (some col.), ports. ; 26 cm
Type:
Exhibitions
Date:
1980
1980]
Topic:
Portrait painting  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_686454

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