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Oral history interviews relating to the arts

Interviewer:
Alberts, Arthur S., 1910-1986  Search this
Interviewee:
Arp, Jean, 1887-1966  Search this
Jean, Ada  Search this
Masson, André, 1896-1987  Search this
Ray, Man, 1890-1976  Search this
Severini, Gino, 1883-1966  Search this
Sánchez Cantón, F. J. (Francisco Javier), 1891-1971  Search this
Extent:
5 Items (Original: 5 sound reels)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1956
Scope and Contents:
Selected interviews conducted by Arthur S. Alberts for his research project "French Civilization as Reflected in the Arts," and related lectures. Interviewees include Jean Arp (May 8, 1956); Ada Jean (1956); Andre Masson (Feb. 28, 1956); Xavier Sanchez-Canton (Mar. 15, 1956); and Gino Severini (Mar. 1956) and Man Ray (Feb. 22, 1956).
Biographical / Historical:
Writer; Falmouth, Massachusetts.
Provenance:
Donated 1996 by John B. Harker, a friend of Alberts' wife, Elizabeth. At Elizabeth's death in 1991 the new owners of the Alberts' housefound a box with the tapes in it and planned to dispose of them. Mr. Harkerfelt the tapes were significant and eventually contacted the Archives. Harker made the copy cassettes from the original reel-to-reel tapes.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce must be obtained from John B. Harker.
Topic:
Arts -- France  Search this
Artists -- Interviews  Search this
Authors -- Massachusetts -- Falmouth  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.albearth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-albearth

John Quinn ledgers

Creator:
Quinn, John, 1870-1924  Search this
Names:
Armory Show (1913 : New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Durand-Ruel Galleries (New York, N.Y.)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Montross Gallery  Search this
Penguin Club (New York, N.Y.)  Search this
Photo-Secession Galleries (New York, N.Y.)  Search this
Tiffany Studios  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Derain, André, 1880-1954  Search this
Duchamp-Villon, Raymond, 1876-1918  Search this
Epstein, Jacob, Sir, 1880-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Kuhn, Walt, 1877-1949  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
Pascin, Jules, 1885-1930  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Redon, Odilon, 1840-1916  Search this
Renoir, Auguste, 1841-1919  Search this
Schamberg, Morton L., 1881-1918  Search this
Severini, Gino, 1883-1966  Search this
Sheeler, Charles, 1883-1965  Search this
Stieglitz, Alfred, 1864-1946  Search this
Villon, Jacques, 1875-1963  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Extent:
2 Volumes ((ca. 390 p. on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1909-1924
Scope and Contents:
Ledgers detailing the art purchases of John Quinn. Entries include the Association of American Painters and Sculptors listing purchases from the Armory Show, February to June 1913, of works by Cezanne, Renoir, Raymond Villon-Duchamp, Andre Derain, Jules Pascin, Odilon Redon, Walt Kuhn, Jacques Villon and others. Also entered are purchases from Alfred Stieglitz's Photo-Secession Gallery for paintings by Marsden Hartley, John Marin, Severini and Stanton Macdonald-Wright. Purchases from art dealers include M. Knoedler & Co. (for works by Morton Schamberg), Montross Gallery (for works by Arthur B. Davies, Maurice Pendergast, Walt Kuhn, Charles Sheeler, Max Weber), William Macbeth Gallery, Durand Ruel & Sons, and Ambroise Vollard.
Other entries of note include those for Jacob Epstein, one for Tiffany Studios detailing extensive refurbishing and refinishing of numerous items of furniture, and one for the Penguin Club enumerating the cost incurred for the installation of the VORTICIST EXHIBITION.
Biographical / Historical:
Art patron and lawyer; New York, N.Y.
Provenance:
Lent for microfilming 1986 by Thomas F. Conroy, Quinn's nephew by marriage. Mr. Conroy intends to donate these papers to the New York Public Library where the John Quinn Memorial Collection is housed.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art patrons  Search this
Topic:
Art -- Collectors and collecting  Search this
Art patronage  Search this
Identifier:
AAA.quinjohl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-quinjohl

Jean Crotti papers

Creator:
Crotti, Jean, 1878-1958  Search this
Names:
Blancpain, Paul  Search this
Braque, Georges, 1882-1963  Search this
Christian, 1895-1969  Search this
Cocteau, Jean, 1889-1963  Search this
Coudour, Henri  Search this
Crotti, Andre  Search this
Duchamp, Marcel, 1887-1968  Search this
Duchamp, Suzanne, 1889-1963  Search this
Dufy, Raoul, 1877-1953  Search this
Everling, Germaine  Search this
Gleizes, Albert, 1881-1953  Search this
Guillaume, Paul, 1891-1934  Search this
Matisse, Henri, 1869-1954  Search this
Nokache, Armand  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pach, Walter, 1883-1958  Search this
Picabia, Francis, 1879-1953  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Renoir, Pierre, 1885-1952  Search this
Reynolds, Mary, 1891-1950  Search this
Salmon, André, 1881-1969  Search this
Seuphor, Michel, 1901-1999  Search this
Severini, Gino, 1883-1966  Search this
Varese, Louise  Search this
Varèse, Edgard, 1883-1965  Search this
Villon, Jacques, 1875-1963  Search this
Waldemar George, 1893-  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Date:
1913-1973
bulk 1913-1961
Summary:
The scattered papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913-1973, with the bulk of the material dated 1913-1961. Found within the papers are autobiographical notes and essays; correspondence with family and colleagues, among them Jean Cocteau, Andre Crotti, Suzanne Duchamp, Marcel Duchamp, Albert Gleizes, Christian a.k.a. Georges Herbiet, Henri Matisse, Francis Picabia, and Jacques Villon; notes and writings by Crotti and others; art work by Crotti and Paul Guillaume; a scrapbook; and additional printed material. Photographs are of Crotti, Suzanne Duchamp, Georges Braque, Pablo Picasso, and other family and friends; and of Crotti's art work. There are audio recordings on phonograph records of three interviews with Crotti and one with Mr. and Mrs. Paul Blancpain.
Scope and Content Note:
The papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913 to 1973, with the bulk of the materials dating from 1913-1961. Among the papers are autobiographical essays, correspondence with friends and family, including many letters from Marcel Duchamp, notes and writings by and about Crotti, printed materials, one scrapbook, drawings by Crotti and others, photographs of Crotti and his family and friends, photographs of artwork, and three audio recordings of interviews with Crotti.

Biographical material consists of autobiographical notes and an autobiographical manuscript Ma Vie.

Correspondence is with family members and colleagues. Correspondents include his brother Andr?©, wife Suzanne Duchamp, and other family members. There are eleven folders of correspondence between Suzanne's brother Marcel Duchamp and the Crotti family. A 1918 letter from Duchamp to Crotti is illustrated by Duchamp. Additional letters to Jean Crotti are from Jean Cocteau, Albert Gleizes, Georges Herbiet a.k.a. "Christian", Henri Matisse, Francis Picabia, and Jacques Villon. Three folders of letters from Georges Herbiet a.k.a. "Christian" include references to Francis Picabia and Germaine Everling and discussions of art criticism and Picabia's role in avant-garde art movements. Herbiet also describes a new painting procedure that he claims to have invented using a product that is impervious to acids, water, oil, or alcohol. There is a single letter from Jean Crotti to Pablo Picasso following their meeting in Cannes in which Crotti discusses a design with spheres and includes a sketch of his idea. There are also single letters to Crotti from Raoul Dufy, Walter Pach, and actor Pierre Renoir.

Notes and writings include poems, a script, and miscellaneous writings by Crotti concerning his art theories including "Tabu" and gemmail. Writings about Crotti are by miscellaneous authors including writers Waldemar George, Andr?© Salmon, and artists Armand Nakache, Am?©d?© Ozenfant, and Michel Seuphor.

Art work includes seven folders of drawings and an etching plate by Crotti, 83 drawings by Paul Guillaume, and portrait drawings of Crotti by Henri Coudour and Francis Picabia.

A scrapbook contains clippings, a letter from Paul Guillaume and a letter to Elizabeth Crotti from a friend describing a 1932 Jean Crotti exhibition in the Balzac Galleries in New York City, and a typescript "Una Collezione a Parigi" by Gino Severini.

Additional printed material includes clippings, exhibition announcements and catalogs for Crotti and others, reproductions of art work, and books Jean Crotti (1930) and Jean Crotti et la Primaut?© du Spirituel (1959) by Waldemar George.

Photographs are of Crotti, his family, friends, colleagues, and art work by Crotti and by Suzanne Duchamp. Of particular interest are photographs of composer Edgard Var?¨se and his wife Louise with Suzanne Duchamp, Jean Crotti, and art advocate Mary Reynolds in 1924, photographs of Crotti and Georges Braque examining a gemmail art work, and photographs of Crotti and Suzanne Duchamp talking with Pablo Picasso at Cannes and at the home of Bertrande Blancpain in 1957.

Sound recordings include two phonograph records of interviews with Jean Crotti, including topics "Assignment Switzerland" and "Assignment World." A third phonograph record contains an instantatneous disk recording of correspondence between Mr. and Mrs. Paul Blancpain as well as an additional interview with Crotti.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1954-1955 (Box 1; 3 folders)

Series 2: Correspondence, 1916-1961 (Box 1; 43 folders)

Series 3: Notes and Writings, 1924-1958 (Box 1; 27 folders)

Series 4: Art Work, 1913-1925 (Box 1, 3; 12 folders)

Series 5: Scrapbook, 1931-1935 (Box 1; 1 folder)

Series 6: Printed Material, 1921-1973 (Box 1, 2, 3; 0.5 linear feet)

Series 7: Photographs, 1920-1957 (Box 2; 25 folders)

Series 8: Sound Recordings, 1955 (Box 3; 1 folder)
Biographical Note:
Jean Crotti (1870-1958) was a Dadist painter who worked primarily in Paris, France and New York. He was married to Suzanne Duchamp, Marcel Duchamp's sister, and friends with notable avant-garde and Dada European and American painters of the period. He is also known for creating the "Gemmail" technique of layering colored glass that produced unique color combinations when illuminated.

Jean Crotti was born April 24, 1878 in Bulle, near Fribourg, Switzerland, the son of a painting contractor. The family moved to Fribourg in 1887.

Beginning in 1898, Crotti struggled with questions of a religious and spiritual nature while at the School of Decorative Arts in Munich. Dissatisfied there, he moved to Paris in 1901, where he spent a year studying at the Acad?©mie Julian under Tony-Robert Fleury and Jules Lefebvre. Still dissatisfied in 1902, he established a small independent studio in the Rue Fontaine.

Crotti exhibited a canvas at the Salon des Ind?©pendants in 1907, and was accepted as a member of the Salon d'Automne in 1909. From 1910 to 1912, he was influenced by Cubism and its offshoot, Orphism.

To escape from wartime Paris in 1914, Crotti and his first wife, Yvonne Chastel, moved to New York City where Crotti had his first solo exhibition at the Bourgeois Gallery. In 1915, Crotti met Francis Picabia and also shared a studio with Marcel Duchamp who was a major influence. Crotti began his Dada period and was included in an exhibition of French paintings at the Montross Gallery in New York, with Duchamp, Albert Gleizes, and Jean Metzinger.

Crotti separated from his first wife, Yvonne Chastel, in 1916 and returned to Paris alone. By 1917, Crotti's marriage had dissolved and he married Suzanne Duchamp in 1919. Crotti met Suzanne Duchamp, also a painter, through his friendship with her brother Marcel Duchamp. During this time, Crotti completed and exhibited paintings associated with the Dada movement. One of his more notable works was entitled Explacatif, bearing the word "Tabu" that expressed Crotti's concepts of mystery and infinity with spiritual overtones.

In 1935 Crotti began to research a new technique using layers of colored glass, referred to as "gemmail." The term is a contraction of "gem" referring to the colored glass and "enamel" referring to the method of affixing the pieces of glass to each other. After much experimentation, an "enamel" fixative was found that would permanently hold the glass pieces in place while still allowing light to shine through all the layers. Several prominent artists including Georges Braque and Pablo Picasso became interested in using this medium. Crotti had the process patented, but in 1955 ceded the rights to Roger Malherbe who adapted it to commercial uses.

Jean Crotti died on January 30, 1958 in Paris, France.
Separated Material:
Two sketches and a print were also lent by Andr?© Buckles in 1981 for microfilming on reels 2394-2395 and returned. This material is not described in the container listing of this finding aid.
Provenance:
The Jean Crotti papers were donated in two installments in 1981 by Andr?© Buckles and Alice Buckles Brown, Crotti's great-nephew and great-niece.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Jean Crotti papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting -- Technique  Search this
Art criticism  Search this
Dadaism  Search this
Avant-garde (Aesthetics)  Search this
Painters -- France -- Paris  Search this
Painters -- France -- Paris -- Interviews  Search this
Genre/Form:
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Citation:
Jean Crotti papers, 1913-1973, bulk 1913-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.crotjean
See more items in:
Jean Crotti papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crotjean
Online Media:

Josephine and Salvatore Del Deo collection relating to Provincetown artists

Collector:
Del Deo, Josephine Couch  Search this
Del Deo, Salvatore, 1928-  Search this
Names:
Front Street Gallery (Provincetown, Mass.)  Search this
Provincetown Fine Arts Work Center  Search this
Geiger, Caroline  Search this
Hensche, Henry, 1901-  Search this
Knaths, Karl, 1891-1971  Search this
Malicoat, Philip, 1908-1981  Search this
Margo, Boris, 1902-1995  Search this
Moffett, Ross  Search this
Parr, James Wingate, 1923-1969  Search this
Severini, Gino, 1883-1966  Search this
Shackelford, Shelby  Search this
Tworkov, Jack  Search this
Winslow, J. Madaline  Search this
Photographer:
Yater, George, 1910-1993  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Sound recordings
Sketchbooks
Place:
Provincetown (Mass.)
Date:
[ca. 1929-1970]
Scope and Contents:
Material collected or kept by the Del Deo's relating to Provincetown art and artists, including Ross Moffet, Karl Knaths, James Wingate Parr, J. Madaline Winslow, Front Street Gallery, and the Provincetown Fine Arts Center (FAWC).
Material pertaining to painter Ross Moffett includes photographs of his family and its farm in Iowa; photographs of Moffett's paintings and drawings; photographs of Moffett's work taken by George Yater; material pertaining to Moffett's lecture "Three Dimensional Organization in Painting"; translations from a publication by Gino Severini; and drawings of Moffett by Shelby Shackelford.
Knaths material consists of two sketchbooks, one with occassional notes (1929) and one, ca. 1952; the sketches are figure and landscape compositions in Knath's characteristic cubist style. Parr material consists of a small album containing clippings, photographs of work, telegrams, and letters (undated and 1946); Winslow material is a letter to Caroline H. Geiger (1938).
Also found are records of the cooperative Front Street Gallery, in which Sal Del Deo was a member for its one-season existence, including information on the "Freedom Riders Exhibition" to benefit the Congress of Racial Equality (CORE); 7 reel-to-reel tape recordings made by Del Deo at the first three sessions of the Provincetown Fine Arts Work Center (FAWC), 1968-1970, including lectures or seminars by Jack Tworkov, Henry Hensche, Karl Knaths, Philip Malicoat, Boris Margo, and Ross Moffett.
Biographical / Historical:
Collectors; Provincetown, Mass. Josephine is the author of Figures in a Landscape : the Life and Times of the American Painter, RossMoffett, 1888-1971. Sal (b. 1928) is a painter and former vice-president of the Fine Arts Work Center.
Provenance:
Donated 1996, 1998 and 2000 by Jo & Sal Del Deo. They received the Moffett material Moffett's widow and used by Del Deo in preparation for her biography on Moffett. The Parr album was received from Robert Cummings, an old friend of Parr's, who had received it from Parr's parents. The Knaths sketchbooks were given by his widow, Helen, to the Del Deos. The Winslow letter was given to Josephine Del Deo by Janice Crouch who had a connection with Geiger or her family, either as a relation or a friend.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Reel-to-reel recordings of FAWC lectures and discussions: Authorization to publish, quote or reproduce must be obtained from Salvatore Del Deo
Occupation:
Artists -- Massachusetts -- Provincetown  Search this
Topic:
Artist colonies -- Massachusetts -- Provincetown  Search this
Genre/Form:
Sound recordings
Sketchbooks
Identifier:
AAA.deldeo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-deldeo

The life of a painter : the autobiography of Gino Severini / translated by Jennifer Franchina

Author:
Severini, Gino 1883-1966  Search this
Subject:
Severini, Gino 1883-1966  Search this
Physical description:
xv, 310 p. : ill. ; 25 cm
Type:
Biography
Place:
Italy
Date:
1995
C1995
Topic:
Painters  Search this
Call number:
ND623.S45 A2 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_650394

Severini, Gino, 1883-1966

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
12 Photographs
Container:
Binder 44
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref570

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Severini, Gino 1883-1966  Search this
Type:
Photograph
Image number:
JUL J0030328
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_30329

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004549
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133985

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004633
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134069

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004741
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134177

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004783
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134219

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004800
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134236

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004802
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134238

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004803
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134239

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004804
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134240

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004806
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134242

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
New Gallery  Search this
Image number:
ROS R0004807
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134243

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
E. V. Thaw & Co., Inc  Search this
Image number:
ROS R0004883
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134319

(No title given) [art work] / (photographed by Walter Rosenblum)

Artist:
Severini, Gino 1883-1966  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
E. V. Thaw & Co., Inc  Search this
Image number:
ROS R0005271
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134705

Balla, Boccioni, Severini : exhibition June 15-September 30, 2000 / text by Maurizio Fagiolo dell'Arco

Author:
Balla, Giacomo 1871-1958  Search this
Boccioni, Umberto 1882-1916  Search this
Severini, Gino 1883-1966  Search this
Fagiolo dell'Arco, Maurizio 1939-2002-  Search this
Thomas Ammann Fine Art (Gallery)  Search this
Subject:
Balla, Giacomo 1871-1958  Search this
Boccioni, Umberto 1882-1916  Search this
Severini, Gino 1883-1966  Search this
Physical description:
1 v. (unpaged) : ill. (some col.), ports. ; 31 cm
Type:
Exhibitions
Date:
2000
C2000
Topic:
Futurism (Art)  Search this
Call number:
N6918.5.F8 B35 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_788097

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