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Stanton Macdonald-Wright papers

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Names:
Russell, Morgan, 1886-1953  Search this
Seuphor, Michel, 1901-1999  Search this
Summerfield, Anne, 1917-  Search this
Summerfield, John, 1917-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Essays
Travel diaries
Place:
Italy -- description and travel
Hawaii -- description and travel
Japan -- Description and Travel
Date:
1907-1973
Summary:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuplor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork.
Scope and Contents:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel diaries, printed materials, and artwork.

Writings consist of drafts of essays, plays, and book manuscripts. There are drafts of A Treatise on Color with palettes and color wheels, The Basis of Culture, and Macdonald-Wright's autobiography Bittersweet: An Artist's Life.

There are six diaries and numerous travel journals. One diary was written in Paris in 1909 in which Macdonald-Wright muses over the aesthetics of art and his color theories. Five additional disbound diaries cover his life from 1939-1973. Travel diaries date from 1959-1972 and cover trips to Italy, Japan, and Hawaii.

Printed material includes a copy of Les Synchromistes exhibition catalog, a newspaper clipping, and The Future of Painting by Willard Wright. Artwork consists of blueprints for Macdonald-Wright's Synchrome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913 and finally completed in the late 1950s.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1907-circa 1972 (0.5 linear feet; Box 1)

Series 2: Writings, 1920-circa 1970 (0.9 linear feet; Box 1-2)

Series 3: Diaries, 1909-1973 (1.3 linear feet; Box 2-3)

Series 4: Printed Material, 1913-1967 (0.3 linear feet; Box 3, OV 4)

Series 5: Artwork, 1969 (0.1 linear feet; Box 3, OV 4)
Biographical / Historical:
Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism." He worked in New York and later primarily in Los Angeles.

Stanton Macdonald-Wright was born in 1890 in Charlottesville, Virginia. In 1900 the family moved to Santa Monica, California where they ran a seaside hotel. A few years later he took courses at the Art Students League in Los Angeles, studying under Warren T. Huges. His older brother was Willard Huntington Wright, a respected art critic who wrote Modern Painting: Its Tendency and Meaning (1915), upon which he collaborated with his younger brother Stanton, and The Future of Painting (1923), and later became a detective novelist under the name S. S. Van Dine.

At the age of seventeen, Stanton Macdonald-Wright married his first wife and moved to Paris where he immersed himself in European art and studied at the Sorbonne, the Académie Julian, the École des Beaux-Arts, and the Académie Colarossi. While in Europe he also befriended fellow American painter Morgan Russell and the two artists began working closely together. They studied with Canadian painter Percyval Tudor-Hart between 1911 and 1913 and were deeply influenced by their teacher's color theory, which connected the qualities of color to those of music. Together Macdonald-Wright and Russell developed a style of painting based on color and named it "Synchromism." They introduced their work in 1913 at the Der Neue Kuntsalon in Munich and in Paris at the Galerie Bernheim-Jeune. These exhibitions helped to establish Synchromism as an major influence in modern art well into the 1920s.

Stanton Macdonald-Wright and Morgan Russell returned to the United States eager to promote their work and theory. It was not long before the two separated, but both continued to work in the Synchromist style. Together, they held one more Synchromist exhibition in New York in 1916 which received significant critical support. Macdonald-Wright also participated in the prestigious 1916 "Forum Exhibition of Modern American Painters" in New York and exhibited his work at Alfred Stieglitz's famed 291 gallery in New York in 1917. Yet, financial success evaded him.

Macdonald-Wright moved to Santa Monica in 1918, where he taught and served as director of the Los Angeles Art Students League. In 1924 he published his instructive Treatise on Color. In 1927 he organized another joint exhibition with Morgan Russell at the Los Angeles County Museum of Art, where he also exhibited five years later. He exhibited at the Oakland Art Gallery, the California Palace of the Legion of Honor in San Francisco, Alfred Stieglitz's An American Place gallery in New York, and the Stendahl Galleries in Los Angeles. From 1935 to 1942 Macdonald-Wright served as director of the Works Progress Administration's Federal Art Project for Southern California, followed by a faculty position at the University of Southern California at Los Angeles where he taught for sixteen years.

In the late 1950s, Macdonald-Wright completed the Synchome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913.

Macdonald-Wright traveled extensively throughout the 1960s and early 1970s, spending time in Hawaii, Italy, and Japan. Macdonald-Wright married three times and died in California in 1973, at the age of 83.

This biographical note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
The Archives of American Art holds several collections related to the Stanton Macdonald-Wright papers. There is an oral interview of Stanton Macdonald-Wright conducted 1964 Apr. 13-Sept. 16, by Betty Hoag. There are also Stanton Macdonald-Wright Letters to Alan and Fanny Leslie, the Stanton Macdonald-Wright Collection of photographs, Stanton Macdonald-Wright Letters to Morgan Russell, Walter Houk Letters from Stanton Macdonald-Wright, and an Oral History of Stanton Macdonald-Wright by Jeanne M. Marshall for the Voice of America Conducted in 1967.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 1 and LA 5) including a brochure on the Santa Monica Library murals and six photographs of the panels while in Macdonald-Wright's studio. There is also a 1939 exhibition catalog for "Southern California Art Project" a master's thesis on Macdonald-Wright by Dori Jean Watson (1957), and one scrapbook of photographs, clippings, and other printed materials dating from circa 1910-1964. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Stanton Macdonald-Wright first loaned materials to the Archives of American Art for microfilming in 1964. David Nellis, a gallery owner, gave the Archives the artist's unpublished autobiography in 1978. His widow, Jean Macdonald-Wright, donated additional papers in 1995 in two seperate installments.
Restrictions:
ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Rights:
The Stanton Macdonald-Wright papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- California -- Los Angeles  Search this
Mural painting and decoration, American -- California -- Santa Monica  Search this
Synchromism (Art)  Search this
Painting, Abstract  Search this
Color in art  Search this
Genre/Form:
Blueprints
Diaries
Essays
Travel diaries
Citation:
Stanton Macdonald-Wright papers, 1907-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macdstan
See more items in:
Stanton Macdonald-Wright papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-macdstan

Jean Crotti papers

Creator:
Crotti, Jean, 1878-1958  Search this
Names:
Blancpain, Paul  Search this
Braque, Georges, 1882-1963  Search this
Christian, 1895-1969  Search this
Cocteau, Jean, 1889-1963  Search this
Coudour, Henri  Search this
Crotti, Andre  Search this
Duchamp, Marcel, 1887-1968  Search this
Duchamp, Suzanne, 1889-1963  Search this
Dufy, Raoul, 1877-1953  Search this
Everling, Germaine  Search this
Gleizes, Albert, 1881-1953  Search this
Guillaume, Paul, 1891-1934  Search this
Matisse, Henri, 1869-1954  Search this
Nokache, Armand  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pach, Walter, 1883-1958  Search this
Picabia, Francis, 1879-1953  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Renoir, Pierre, 1885-1952  Search this
Reynolds, Mary, 1891-1950  Search this
Salmon, André, 1881-1969  Search this
Seuphor, Michel, 1901-1999  Search this
Severini, Gino, 1883-1966  Search this
Varese, Louise  Search this
Varèse, Edgard, 1883-1965  Search this
Villon, Jacques, 1875-1963  Search this
Waldemar George, 1893-  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Date:
1913-1973
bulk 1913-1961
Summary:
The scattered papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913-1973, with the bulk of the material dated 1913-1961. Found within the papers are autobiographical notes and essays; correspondence with family and colleagues, among them Jean Cocteau, Andre Crotti, Suzanne Duchamp, Marcel Duchamp, Albert Gleizes, Christian a.k.a. Georges Herbiet, Henri Matisse, Francis Picabia, and Jacques Villon; notes and writings by Crotti and others; art work by Crotti and Paul Guillaume; a scrapbook; and additional printed material. Photographs are of Crotti, Suzanne Duchamp, Georges Braque, Pablo Picasso, and other family and friends; and of Crotti's art work. There are audio recordings on phonograph records of three interviews with Crotti and one with Mr. and Mrs. Paul Blancpain.
Scope and Content Note:
The papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913 to 1973, with the bulk of the materials dating from 1913-1961. Among the papers are autobiographical essays, correspondence with friends and family, including many letters from Marcel Duchamp, notes and writings by and about Crotti, printed materials, one scrapbook, drawings by Crotti and others, photographs of Crotti and his family and friends, photographs of artwork, and three audio recordings of interviews with Crotti.

Biographical material consists of autobiographical notes and an autobiographical manuscript Ma Vie.

Correspondence is with family members and colleagues. Correspondents include his brother Andr?©, wife Suzanne Duchamp, and other family members. There are eleven folders of correspondence between Suzanne's brother Marcel Duchamp and the Crotti family. A 1918 letter from Duchamp to Crotti is illustrated by Duchamp. Additional letters to Jean Crotti are from Jean Cocteau, Albert Gleizes, Georges Herbiet a.k.a. "Christian", Henri Matisse, Francis Picabia, and Jacques Villon. Three folders of letters from Georges Herbiet a.k.a. "Christian" include references to Francis Picabia and Germaine Everling and discussions of art criticism and Picabia's role in avant-garde art movements. Herbiet also describes a new painting procedure that he claims to have invented using a product that is impervious to acids, water, oil, or alcohol. There is a single letter from Jean Crotti to Pablo Picasso following their meeting in Cannes in which Crotti discusses a design with spheres and includes a sketch of his idea. There are also single letters to Crotti from Raoul Dufy, Walter Pach, and actor Pierre Renoir.

Notes and writings include poems, a script, and miscellaneous writings by Crotti concerning his art theories including "Tabu" and gemmail. Writings about Crotti are by miscellaneous authors including writers Waldemar George, Andr?© Salmon, and artists Armand Nakache, Am?©d?© Ozenfant, and Michel Seuphor.

Art work includes seven folders of drawings and an etching plate by Crotti, 83 drawings by Paul Guillaume, and portrait drawings of Crotti by Henri Coudour and Francis Picabia.

A scrapbook contains clippings, a letter from Paul Guillaume and a letter to Elizabeth Crotti from a friend describing a 1932 Jean Crotti exhibition in the Balzac Galleries in New York City, and a typescript "Una Collezione a Parigi" by Gino Severini.

Additional printed material includes clippings, exhibition announcements and catalogs for Crotti and others, reproductions of art work, and books Jean Crotti (1930) and Jean Crotti et la Primaut?© du Spirituel (1959) by Waldemar George.

Photographs are of Crotti, his family, friends, colleagues, and art work by Crotti and by Suzanne Duchamp. Of particular interest are photographs of composer Edgard Var?¨se and his wife Louise with Suzanne Duchamp, Jean Crotti, and art advocate Mary Reynolds in 1924, photographs of Crotti and Georges Braque examining a gemmail art work, and photographs of Crotti and Suzanne Duchamp talking with Pablo Picasso at Cannes and at the home of Bertrande Blancpain in 1957.

Sound recordings include two phonograph records of interviews with Jean Crotti, including topics "Assignment Switzerland" and "Assignment World." A third phonograph record contains an instantatneous disk recording of correspondence between Mr. and Mrs. Paul Blancpain as well as an additional interview with Crotti.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1954-1955 (Box 1; 3 folders)

Series 2: Correspondence, 1916-1961 (Box 1; 43 folders)

Series 3: Notes and Writings, 1924-1958 (Box 1; 27 folders)

Series 4: Art Work, 1913-1925 (Box 1, 3; 12 folders)

Series 5: Scrapbook, 1931-1935 (Box 1; 1 folder)

Series 6: Printed Material, 1921-1973 (Box 1, 2, 3; 0.5 linear feet)

Series 7: Photographs, 1920-1957 (Box 2; 25 folders)

Series 8: Sound Recordings, 1955 (Box 3; 1 folder)
Biographical Note:
Jean Crotti (1870-1958) was a Dadist painter who worked primarily in Paris, France and New York. He was married to Suzanne Duchamp, Marcel Duchamp's sister, and friends with notable avant-garde and Dada European and American painters of the period. He is also known for creating the "Gemmail" technique of layering colored glass that produced unique color combinations when illuminated.

Jean Crotti was born April 24, 1878 in Bulle, near Fribourg, Switzerland, the son of a painting contractor. The family moved to Fribourg in 1887.

Beginning in 1898, Crotti struggled with questions of a religious and spiritual nature while at the School of Decorative Arts in Munich. Dissatisfied there, he moved to Paris in 1901, where he spent a year studying at the Acad?©mie Julian under Tony-Robert Fleury and Jules Lefebvre. Still dissatisfied in 1902, he established a small independent studio in the Rue Fontaine.

Crotti exhibited a canvas at the Salon des Ind?©pendants in 1907, and was accepted as a member of the Salon d'Automne in 1909. From 1910 to 1912, he was influenced by Cubism and its offshoot, Orphism.

To escape from wartime Paris in 1914, Crotti and his first wife, Yvonne Chastel, moved to New York City where Crotti had his first solo exhibition at the Bourgeois Gallery. In 1915, Crotti met Francis Picabia and also shared a studio with Marcel Duchamp who was a major influence. Crotti began his Dada period and was included in an exhibition of French paintings at the Montross Gallery in New York, with Duchamp, Albert Gleizes, and Jean Metzinger.

Crotti separated from his first wife, Yvonne Chastel, in 1916 and returned to Paris alone. By 1917, Crotti's marriage had dissolved and he married Suzanne Duchamp in 1919. Crotti met Suzanne Duchamp, also a painter, through his friendship with her brother Marcel Duchamp. During this time, Crotti completed and exhibited paintings associated with the Dada movement. One of his more notable works was entitled Explacatif, bearing the word "Tabu" that expressed Crotti's concepts of mystery and infinity with spiritual overtones.

In 1935 Crotti began to research a new technique using layers of colored glass, referred to as "gemmail." The term is a contraction of "gem" referring to the colored glass and "enamel" referring to the method of affixing the pieces of glass to each other. After much experimentation, an "enamel" fixative was found that would permanently hold the glass pieces in place while still allowing light to shine through all the layers. Several prominent artists including Georges Braque and Pablo Picasso became interested in using this medium. Crotti had the process patented, but in 1955 ceded the rights to Roger Malherbe who adapted it to commercial uses.

Jean Crotti died on January 30, 1958 in Paris, France.
Separated Material:
Two sketches and a print were also lent by Andr?© Buckles in 1981 for microfilming on reels 2394-2395 and returned. This material is not described in the container listing of this finding aid.
Provenance:
The Jean Crotti papers were donated in two installments in 1981 by Andr?© Buckles and Alice Buckles Brown, Crotti's great-nephew and great-niece.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Jean Crotti papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting -- Technique  Search this
Art criticism  Search this
Dadaism  Search this
Avant-garde (Aesthetics)  Search this
Painters -- France -- Paris  Search this
Painters -- France -- Paris -- Interviews  Search this
Genre/Form:
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Citation:
Jean Crotti papers, 1913-1973, bulk 1913-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.crotjean
See more items in:
Jean Crotti papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crotjean
Online Media:

Michel Seuphor : œ uvres de 1974 : Galerie Attali du 4 fevrier au 15 mars 1975

Author:
Seuphor, Michel 1901-1999  Search this
Blistène, Bernard  Search this
Galerie Attali  Search this
Subject:
Seuphor, Michel 1901- Exhibitions  Search this
Seuphor, Michel 1901- Interviews  Search this
Physical description:
[34] p. : ill., port. ; 23 cm
Type:
Books
Date:
1975
[1975?]
Call number:
N6973.B4 A4 1975
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_636677

The ephemeral is eternal / by Michel Seuphor; June 25-27, 1982

Title:
Hirshhorn Museum and Sculpture Garden and the Smithsonian Institution Division of Performing Arts present
Author:
Seuphor, Michel 1901-1999  Search this
Zilczer, Judith  Search this
Murphy, Donn B  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Smithsonian Institution Division of Performing Arts  Search this
Subject:
Mondrian, Piet 1872-1944  Search this
Physical description:
[12] p. : ill., ports. ; 23 cm
Type:
Books
Date:
1982
Call number:
N6953.M64 A4 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_637298

Larionov - Gontcharova : 15-28 febbraio 1961, mostra collettiva, Galleria Schwarz

Author:
Larionov, Mikhail Fedorovich 1881-1964  Search this
Seuphor, Michel 1901-1999  Search this
Galleria Schwarz  Search this
Subject:
Larionov, Mikhail Fedorovich 1881-1964 Exhibitions  Search this
Goncharova, Nataliia Sergeevna 1881-1962  Search this
Physical description:
[13] p. : ill. (some col.) ; 24 cm
Type:
Books
Exhibitions
Date:
1961
Call number:
ND699.L33 S4 1961
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_637880

Arp & Mondrian : [an exhibition juxtaposing examples of the classic phase of Arp & Mondrian in painting, sculpture and relief, January 25 to March 5 1960.]

Author:
Sidney Janis Gallery  Search this
Seuphor, Michel 1901-1999  Search this
Subject:
Arp, Jean 1887-1966  Search this
Mondrian, Piet 1872-1944  Search this
Physical description:
[52] p. : ill. (some col.) ; 28 cm
Type:
Books
Date:
1960
Call number:
NB.553.A7.J3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_641567

Arp : sculptures / by Michel Seuphor ; [translated by Bettina Wadia]

Author:
Seuphor, Michel 1901-1999  Search this
Arp, Jean 1887-1966  Search this
Subject:
Arp, Jean 1887-1966  Search this
Physical description:
[15] p., 24 leaves of plates : ill. ; 16 cm
Type:
Books
Date:
1964
Call number:
NB553.A7 S413 1964
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_643722

Marcel Janco / Michel Seuphor

Author:
Seuphor, Michel 1901-1999  Search this
Subject:
Janco, Marcel 1895-1984  Search this
Physical description:
43 p., 24 leaves of plates : ill. (some col.) ; 19 cm
Type:
Books
Date:
1963
Call number:
ND979.J3 S4 1963
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_643744

Hajdu

Author:
Seuphor, Michel 1901-1999-  Search this
Subject:
Hajdu, Etienne 1907-1996-  Search this
Physical description:
p. n. ch. 8 pl. h.t. 19 x 14 cm
Type:
Books
Date:
1950
Call number:
NB553.H34 S48
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644542

Piet Mondrian, life and work / Michel Seuphor

Title:
Mondrian
Author:
Seuphor, Michel 1901-1999  Search this
Mondrian, Piet 1872-1944  Search this
Subject:
Mondrian, Piet 1872-1944  Search this
Physical description:
443 p. : ill. (some col.) ; 31 cm
Type:
Biography
Place:
Netherlands
Date:
1957
[1957?]
Topic:
Painters  Search this
Call number:
N40.1.M74 B4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_646635

Cercle et carré : collection complète, 1930

Author:
Seuphor, Michel 1901-1999  Search this
Physical description:
[ca. 50 p.] : ill. ; 32 cm
Type:
Periodicals
Date:
1977
20th century
Topic:
Art, Modern  Search this
Constructivism (Art)  Search this
Call number:
N6494.C45 C47
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647205

Michel Seuphor : [exposition] mars-avril 1971, Musée d'art et d'industrie

Author:
Seuphor, Michel 1901-1999  Search this
Saint-Etienne (Loire, France) Musée d'art et d'industrie  Search this
Subject:
Seuphor, Michel 1901- Exhibitions  Search this
Physical description:
38 p. : ill., port. ; 26 cm
Type:
Books
Date:
1971
[1971]
Call number:
N6973.B4 S25
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_648290

La peinture abstraite en Flandre / Michel Seuphor [i.e. Ferdinand Louis Berckelaers] ; avec le concours de Maurits Bilcke, Léon-Louis Sosset, Jan Walravens ; avant-propos par Émile Langui

Author:
Seuphor, Michel 1901-1999  Search this
Physical description:
315 p. : ill. (some col.) ; 31 cm
Type:
Books
Place:
Flanders
Date:
1974
C1974
Topic:
Painting, Flemish  Search this
Art, Abstract  Search this
Call number:
ND669.F5 B47 1974
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_649254

Cercle & Carré : thoughts for the 1930's : paintings sculpture, architecture, theatre : an exhibition 11 October-10 November 1990

Author:
Rachel Adler Gallery  Search this
Seuphor, Michel 1901-1999-  Search this
Subject:
Cercle et carré (Group)  Search this
Physical description:
[12] p. : ill. ; 36 cm
Type:
Exhibitions
Date:
1990
[1990]
20th century
Topic:
Art, Abstract  Search this
Concrete art  Search this
Constructivism (Art)  Search this
Art, Modern  Search this
Call number:
N6494.C45 C47 1990
N6494.C45 C47 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_654582

Documents internationaux de l'Esprit nouveau

Title:
Esprit nouveau
Author:
Seuphor, Michel 1901-1999-  Search this
Dermée, Paul  Search this
Physical description:
1 v. ill. 26 cm
Type:
Periodicals
Date:
1927
1977
Topic:
Arts  Search this
Call number:
NX2 .D637 1977
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_500345

Dictionary of abstract painting : with a history of abstract painting / Michel Seuphor

Author:
Seuphor, Michel 1901-1999  Search this
Physical description:
300 p. : ill. (some col.). ; 22 cm
Type:
Dictionaries
Date:
1958
Topic:
Painting--Dictionaries  Search this
Painters  Search this
Art, Abstract  Search this
Painting, Abstract  Search this
Call number:
ND35 .B413 1958
ND35.B413 1958
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_406392

Dictionary of abstract painting : with a history of abstract painting / Michel Seuphor [i.e. F. L. Berckelaers ; translated from the French by Lionel Izod ... [et al.]]

Author:
Seuphor, Michel 1901-1999  Search this
Physical description:
304, [1] p. : ill. (some col.) ; 22 cm
Type:
Dictionaries
Date:
1957
[1957?]
Topic:
Painters  Search this
Art, Abstract  Search this
Painting--Dictionaries  Search this
Painting, Abstract  Search this
Call number:
ND35 .B413 1957
ND35.B413 1957
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_431722

Hajdu : [exhibition] Knoedler Galleries : Apr. 29-May 19, 1958

Author:
Hajdu, Etienne 1907-1996  Search this
Seuphor, Michel 1901-1999  Search this
M. Knoedler & Co  Search this
Subject:
Hajdu, Etienne 1907-1996  Search this
Physical description:
[4], [2] p., [8] leaves of plates ; 28 cm
Type:
Books
Date:
1958
Call number:
N40.1.H146 M106
N40.1.H146M106
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_306749

Alicia Penalba / [par] Michel Seuphor [pseud.]

Author:
Seuphor, Michel 1901-1999  Search this
Subject:
Penalba, Alicia 1913-1982  Search this
Physical description:
23 p. : 24 plates ; 18 cm
Type:
Books
Date:
1960
Call number:
N40.1.P394 S4
N40.1.P394S4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_315384

Lee Hersch [par] Michel Seuphor [pseud.]

Author:
Seuphor, Michel 1901-1999  Search this
Subject:
Hersch, Lee 1896-1953  Search this
Physical description:
41 p. plates (2 col.) 19 cm
Type:
Books
Date:
1954
[1954]
Call number:
N40.1.H57 B4
N40.1.H57B4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_394440

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