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Oral history interview with Larry Rivers, 1968 November 2

Interviewee:
Rivers, Larry, 1925-2002  Search this
Rivers, Larry, 1925-2002  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Blaine, Nell  Search this
Hofmann, Hans  Search this
Rauschenberg, Robert  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11753
(DSI-AAA_SIRISBib)212050
AAA_collcode_rivers68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212050

Eugene Berman papers, 1926-1975

Creator:
Berman, Eugene, 1899-1972  Search this
Berman, Eugene, 1899-1972  Search this
Subject:
Gloeden, Wilhelm von, Baron  Search this
Galdi, Vincenzo  Search this
Berman, Leonid  Search this
Lynes, Russell  Search this
Ray, Man  Search this
Type:
Sketches
Postcards
Notes
Place:
Italy -- Description and travel, Photographs
Mexico -- Description and travel, Photographs
Topic:
Painters -- Italy -- Rome  Search this
Painters -- New York (State) -- New York  Search this
Set Designers  Search this
Graphic artists  Search this
Theme:
American Art and Artists in a Global Context  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)5927
(DSI-AAA_SIRISBib)208768
AAA_collcode_bermeuge
Theme:
American Art and Artists in a Global Context
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208768
Online Media:

Oral history interview with Alex Katz, 1969 Oct. 20

Interviewee:
Katz, Alex, 1927-  Search this
Katz, Alex, 1927-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Poor, Henry Varnum  Search this
Porter, Fairfield  Search this
Club (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Collage  Search this
Illustration of books  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12448
(DSI-AAA_SIRISBib)212472
AAA_collcode_katz69
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212472

Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Kiesler, Frederick, 1890-1965  Search this
Kiesler, Lillian Olinsey, 1911-2001  Search this
Subject:
Zogbaum, Wilfrid  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Mondrian, Piet  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer  Search this
Purdy, James  Search this
MacIver, Loren  Search this
Kiesler, Frederick  Search this
Miller, Henry  Search this
Milius, Tom  Search this
Meredith, Burgess  Search this
Hofmann, Hans  Search this
Hodges, Alice  Search this
Hawkins, Erick  Search this
Kamler, Richard  Search this
Howe, George  Search this
Holtzman, Harry  Search this
Dlugoszewski, Lucia  Search this
Dorazio, Piero  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne  Search this
Dubuffet, Jean  Search this
Duchamp, Marcel  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie  Search this
Arnaud, Leopold  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Buscemi, Steve  Search this
Castelli, Leo  Search this
Bartos, Armand P.  Search this
Bultman, Fritz  Search this
Whitney Museum of American Art  Search this
University of Iowa, Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Anthology Film Archives  Search this
Type:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Theme:
Women  Search this
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)6310
(DSI-AAA_SIRISBib)223516
AAA_collcode_kieslill
Theme:
Women
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223516
Online Media:

Larry Rivers interviews, 1960 Mar. 5 & Apr. 16

Creator:
Rivers, Larry, 1925-2002  Search this
Rivers, Larry, 1925-2002  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- New York (State) -- Southampton -- Interviews  Search this
Record number:
(DSI-AAA_CollID)10680
(DSI-AAA_SIRISBib)214279
AAA_collcode_rivelarr
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214279

John Wenger papers, 1922-1977

Creator:
Wenger, John, 1887-1976  Search this
Wenger, John, 1887-1976  Search this
Topic:
Theaters -- Stage-setting and scenery  Search this
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10109
(DSI-AAA_SIRISBib)212995
AAA_collcode_wengjohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212995

Oral history interview with Charles Atlas, 2016 May 31-June 1

Interviewee:
Atlas, Charles, 1949-  Search this
Atlas, Charles, 1949-  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Subject:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
AIDS (Disease) and the arts  Search this
Motion picture producers and directors  Search this
Record number:
(DSI-AAA_CollID)17344
(DSI-AAA_SIRISBib)380477
AAA_collcode_atlas16
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_380477

Playbill for Neat

Published by:
Playbill, American, founded 1884  Search this
Subject of:
Charlayne Woodard, American, born 1953  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 3/8 x 5 3/8 in. (21.3 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1997
Topic:
African American  Search this
Drama (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.69
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e54032ec-a411-4f01-afb6-9813bcc30b79
EDAN-URL:
edanmdm:nmaahc_2011.45.69
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Online Media:

Playbill for Valley Song

Published by:
Playbill, American, founded 1884  Search this
Subject of:
Lisa Gay Hamilton, American, born 1964  Search this
Marius Weyers, South African, born 1945  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1996
Topic:
African American  Search this
Drama (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.97
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5555c9677-1252-416b-a775-e1db7dbd347f
EDAN-URL:
edanmdm:nmaahc_2011.45.97
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for Valley Song digital asset number 1
Online Media:

Playbill for Your Arms Too Short to Box With God

Published by:
Playbill, American, founded 1884  Search this
Used by:
Neil Simon Theatre, American, founded 1927  Search this
Subject of:
Vinnette Justine Carroll, American, 1922 - 2002  Search this
Patti LaBelle, American, born 1944  Search this
Al Green, American, born 1946  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 5/8 in. (21.6 x 14.3 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1982
Topic:
African American  Search this
Broadway Theatre  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.100
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Exhibition:
Taking the Stage
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd54e23e18d-1f67-4ee9-b519-11f13e4d3f26
EDAN-URL:
edanmdm:nmaahc_2011.45.100
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for Your Arms Too Short to Box With God digital asset number 1

Senga Nengudi/Sue Irons Resumes and Biographies

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
circa 1970s-circa 1990s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw952794551-06ea-4d19-98fb-cb017aff2fc7
EDAN-URL:
ead_component:sova-aaa-nengseng-ref14
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  • View Senga Nengudi/Sue Irons Resumes and Biographies digital asset number 1

George Constant papers

Creator:
Constant, George  Search this
Names:
Art Institute of Chicago  Search this
Audubon Artists (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
Dayton Art Institute  Search this
Federation of Modern Painters and Sculptors  Search this
Ferargil Galleries  Search this
Heckscher Museum  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Parrish Art Museum  Search this
Spanish Refugee Aid (Organization)  Search this
United States. Works Progress Administration  Search this
Whitney Museum of American Art  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Burliuk, David, 1882-1967  Search this
Caparn, Rhys, 1909-1997  Search this
Carnell, Julia Shaw Patterson, 1863-1944  Search this
Davidson, Morris, 1898-1979  Search this
Eaton, Charles Warren, 1857-1937  Search this
Gecan, Vilko, 1894-1973  Search this
Kanaga, Consuelo, 1894-  Search this
Landgren, Marchal E.  Search this
Neuberger, Roy R.  Search this
Pach, Walter, 1883-1958  Search this
Perret, Nell, 1916-  Search this
Preston, Georgette  Search this
Putnam, Wallace, 1899-1989  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Date:
1912-2007
bulk 1932-1978
Summary:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.
Scope and Contents note:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.
Arrangement note:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)
Biographical/Historical note:
Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.
Provenance:
The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072
EDAN-URL:
ead_collection:sova-aaa-consgeor

Maryette Charlton papers

Creator:
Charlton, Maryette  Search this
Names:
American University of Beirut -- Faculty  Search this
Art Institute of Chicago -- Faculty  Search this
Chicago Public School Art Society  Search this
Container Corporation of America  Search this
University of Iowa, Museum of Art  Search this
Andres, Jo  Search this
Bishop, Elizabeth, 1911-1979  Search this
Cage, Xenia  Search this
Calder, Alexander, 1898-1976  Search this
Court, Paula  Search this
Elliott, Leone  Search this
Elliott, Owen  Search this
Fujitomi, Yasuo, 1928-  Search this
Habachy, Nimet  Search this
Hadzi, Dimitri, 1921-2006  Search this
Haskins, Sylvia Shaw Judson, 1897-  Search this
Hoff, Margo  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lubar, Cindy  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Nevelson, Louise, 1899-1988  Search this
Purdy, James  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Kiki, 1954-  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Von Brockdorff, Louise Medbery  Search this
Extent:
80.6 Linear feet
0.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Date:
circa 1890-2013
Summary:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Scope and Contents:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and 0.34 gigabytes and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and video recordings, motion picture film, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

Biographical materials consist of material on Maryette Charlton and her family. The subseries on Maryette Charlton includes a biographical chronology, passports, records of her marriage to Hall Winslow, information on studio spaces, school transcripts, and other material. Family files include genealogical charts and files of family members containing correspondence, writings, printed material, sound and video recordings, and photographs. The bulk of the family files are for Charlton's parents, Etna and Shannon, and her husband and son, Hall and Kirk Winslow.

Extensive correspondence is with family, friends, artists, and colleagues. Family correspondence is with her husband and son, parents, and extended family. Personal correspondence is with friends and colleagues, many of whom were famous artists. Named correspondence files and chonological correspondence files contain exchanges with Jo Andres, Elizabeth Bishop, Xenia Cage, Paula Court, Yasuo Fujitomi, Dimitri Hadzi, Margo Hoff, Sylvia Shaw Judson, Lillian Kiesler, Cindy Lubar, Loren MacIver, Pierre Matisse, Nimet (Saba Habachy), Henri Seyrig, Robert Wilson, and many others. There is also correspondence with colleges, museums, and universities.

Writings include academic papers and college class notes, titled essays, a notebook with sketches, and miscellaneous notes. Thirty diaries cover the period 1943 - 2001 and document a wide variety of topics, from film projects to travels to the art world in New York City. Some diaries are illustrated, including one illustrated by Alexander Calder at a party with Maryette, Ellsworth Kelly, and actress Delphine Seyrig. Journals from 1978-1979 tell of Charlton's experiences while appearing in films made by avant-garde director Richard Foreman. There is also one diary of Maryette's mother Etna Barr Charlton.

Teaching files document Charlton's career as an instructor at the Art Institute of Chicago and as the founder of and instructor at the American University of Beirut's art department. Files include appointment calendars, schedules, notes, lectures, news releases, printed material, and photographs.

Professional and project files consist of material related to Maryette Charlton's professional work at the University of Iowa Museum of Art, as a lecturer at the Chicago Public School Art Society, color analyst at the Container Corporation of America, executor of the estate of artist Louise Medbery von Brockdorff, fellowships, conferences, organizations, and the filming industry in general. There are files for the screening of Zen in Ryoko-In. The University of Iowa Museum of Art subseries consists of correspondence with fellow co-founders Leone and Owen Elliott, files on art donations, museum administration, annual reports, printed material, photographs, and sound and video recordings.

Artist research files consist of books, articles, and clippings collected by Charlton for research. Notable artists chronicled include Alexander Calder, James Purdy, Louise Nevelson, Kiki Smith, and Toshiko Takaezu.

Major film project files document Maryette Charlton's films about or with artists Frederick Kiesler (Trienniale, The Universal Theater and Kiesler on Kieseler), Lenore Tawney, Dorothy Miller, Loren MacIver, and Jeanne Reynal. The files for Frederick Kiesler also contain materials about his wife Lillian Kiesler, with whom Charlton had a long relationship and collaborated with on film projects. Individual film project files contain a wide variety of research and production documentation, including correspondence, writings, printed material, research files, exhibition catalogs, photographic materials, sound recordings of interviews and lectures, and Charlton's documentation about the creation and producation of each film, such as contracts, scripts, and distribution information. The film project files for Kiesler and Dorothy Miller are particularly rich, containing substantial amounts of primary source materials not found elsewhere. Sound and video recordings are found throughout the series, as well as 4 film reels.

Files documenting Maryette Charlton's group and solo exhibitions include catalogs and announcements, publicity, printed material, mailing lists, art inventory, sales lists, correspondence, and other material.

Printed materials include other exhibition catalogs, books, posters, magazines, and clippings. There are many books on color theory from Maryette Charlton's job as a color analyst and substanial printed material on Frederick Kiesler. Scrapbooks document Maryette Charlton's personal life from high school, college, and summer camp, as well as exhibitions of her own work, and miscellaneous subjects.

Artwork includes sketches and drawings by Maryette Charlton, some drawings by Lillian Kiesler and others, and mail art created by various artists. There are also 22 sketchbooks filled with pencil, ink, and crayon drawings and sketches, with occasional annotations.

Photographic materials include photographs, slides, negatives, and photograph albums. There are photographs of Maryette Charlton, her travels, family, friends, and artists. Photographs are also found throughout other series.

Sound and video recordings which could not be merged with other series were arranged in an audiovisual series. There are recordings of radio programs and performances Maryette Charlton attended or participated in as well as miscellaneous recordings of artists and events.

The 2014 addition to the Maryette Charlton papers consists of biographical materials, journals, correspondence, subject files, printed materials, and a small number of photographs.
Arrangement:
This collection is arranged as 16 series.

Missing Title

Series 1: Biographical Material, 1896-2005 (3.4 linear feet; Boxes 1-4, 80)

Series 2: Correspondence, 1930-2010 (23.3 linear feet; Boxes 4-27, 80)

Series 3: Writings, 1942-1999 (1 linear feet; Boxes 27-28)

Series 4: Diaries, 1943-2001 (2.1 linear feet; Boxes 28-30)

Series 5: Teaching Files, 1946-1997 (3.6 linear feet; Boxes 30-33, 80)

Series 6: Professional and Project Files, 1923-1998 (7.6 linear feet; Boxes 34-41, 81, OV 87)

Series 7: Artist Research Files, 1949-circa 2000 (1.8 linear feet; Boxes 41-43, FCs 88-89)

Series 8: Major Film Projects, 1904-2007 (18.8 linear feet, 0.34 GB; Boxes 43-61, 81-82, OV 87, FC 90-91, ER01)

Series 9: Exhibition Files, 1950-2000 (0.8 linear feet; Boxes 61-62)

Series 10: Printed Material, 1924-2000 (3.2 linear feet; Boxes 62-65, 82, OV 87)

Series 11: Scrapbooks, 1939-2010 (0.8 linear feet; Box 65, 82-83)

Series 12: Artwork, 1950-1998 (0.9 linear feet; Boxes 65-66, 84)

Series 13: Sketchbooks, 1949-1996 (0.5 linear feet; Box 66)

Series 14: Photographic Materials, circa 1890-circa 2010 (7.8 linear feet; Boxes 67-74, 84-86)

Series 15: Sound and Video Recordings, circa 1953-2008 (1.2 linear feet; Boxes 74-75, 86)

Series 16: Addition to Maryette Charlton papers, 1951-2013 (3.7 linear feet; Boxes 75-79, 86)
Biographical / Historical:
Maryette Charlton (1924-2013) was a painter, printmaker, photographer, filmmaker and arts advocate based in Chicago, Illinois, and New York, New York.

Maryette Charlton was born in Manchester, Iowa on May 18, 1924. Her parents were Shannon and Etna Charlton and she had 2 siblings. Charlton pursued her undergraduate studies at Monticello College and Northwestern University in Illinois, Antioch College in Ohio, and the University of Colorado before receiving a B.F.A. from Pratt Institute in Brooklyn, New York in 1947. She continued her studies in Chicago, Illinois with Laszlo Moholy-Nagy and Hugo Weber at the Institute of Design and Art Institute of Chicago. From 1948 to 1952, she was a Department of Education lecturer at the Art Institute of Chicago museum galleries and also gave talks at schools for the Chicago Public School Art Society.

Between 1942-1951, Maryette Charlton worked as a color analyst for the Container Corporation of America. In 1952, Charlton founded the Art Department of the American University of Beirut and taught there as an assistant professor until 1956. While in Beirut, Charlton married photographer Hall Winslow in 1953 and their only child Kirk Winslow was born in 1955. Winslow and Charlton later divorced in 1973.

Charlton moved to New York City in 1955. She began a master's program at Columbia University and graduated with a M.F.A in film and printmaking in 1958.

Charlton made numerous documentary films, mostly about American artists including Alexander Calder, e. e. cummings, Jeanne Reynal, Dorothy Miller, Pierre Matisse, Lenore Tawney, and Loren MacIver. She also worked tirelessly to promote the work of sculptor, architect, and set designer Frederick Kiesler. She was the camera woman for Kiesler's Kiesler's Universal Theater which aired on CBS in 1962. She became close friends with Kiesler's widow, Lillian, and they collaborated on the film Kiesler on Kiesler and numerous other film and art projects, supporting the work of young artists. Charlton also worked on commissioned films, including The Mosaics of Jeanne Reynal and Zen in Ryoko-in. Charlton befriended many artists in the visual, literary, and film worlds, including Elizabeth Bishop, Dimitri Hadzi, Margo Hoff, James Purdy, and Delphine Seyrig.

A performer in her own right, Charlton appeared in the works of Richard Foreman, Jo Andres, and others. She also played the part of Helen Keller in the film Ghostlight (2003).

An Iowa native, Charlton founded the University of Iowa Museum of Art together with Leone and Owen Elliott. She maintained a close relationship with the Iowa Museum over many years as a donor and chronicler.

Charlton died in New York City on November 25, 2013.
Related Materials:
The Houghton Library at Harvard University and the University of Iowa Museum of Art also hold papers and artwork by Maryette Charlton. The Museum of Modern Art, New York, houses the film Kiesler on Kiesler, created by Maryette Charlton.

The Archives of American Art also has the papers of Frederick and Lillian Kiesler, a portion of which was donated by Charlton.
Provenance:
The Maryette Charlton papers were donated in multiple accretions from 1998-2011 by Maryette Charlton, and in 2013-2014 by the Maryette Charlton estate via Jo Andres, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Museums -- Administration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women printmakers  Search this
Women educators  Search this
Art -- Study and teaching  Search this
Color  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary
See more items in:
Maryette Charlton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a42bb1-d069-466f-8948-94f4bf257230
EDAN-URL:
ead_collection:sova-aaa-charmary
Online Media:

Oral history interview with Alex Katz

Interviewee:
Katz, Alex, 1927-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Poor, Henry Varnum, 1887-1970  Search this
Porter, Fairfield  Search this
Extent:
1 Sound tape reel (Sound recordings: (2 hours), 7 in.)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1969 Oct. 20
Scope and Contents:
An interview of Alex Katz conducted 1969 Oct. 20, by Paul Cummings, for the Archives of American Art. Katz speaks of his early education; his family's interest in art; his U.S. Navy service; his education at the Cooper Union School and at Skowhegan; styles and methods in painting; his work in collage, portraiture and book illustration; theater set design; teaching at Yale, Skowhegan and the Studio School; his interest in poetry; and his current painting style. He recalls Fairfield Porter and Henry Varnum Poor and reminisces about The Club and the Tenth Street group of artists.
Biographical / Historical:
Alex Katz (1927-) is a painter from New York, N.Y.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculptors -- United States -- Interviews  Search this
Collage  Search this
Illustration of books  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.katz69
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91e8ecdfd-3510-4c73-85c4-71e163711a13
EDAN-URL:
ead_collection:sova-aaa-katz69
Online Media:

Oral history interview with Victoria Barr

Interviewee:
Barr, Victoria  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
222 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 January 11-February 18
Scope and Contents:
An interview of Victoria Barr conducted 1977 January 11-February 18, by Paul Cummings, for the Archives of American Art.
Barr recalls how she became very interested in theater set and lighting design; the thrill of learning about Greek history and myths and her painting being influenced by dance; studying graphic design and advertising at Parsons School of Design and Cy Sillman as a teacher; at Yale, Neil Welliver influencing her to become a painter; her first trip to Europe with her parents at the age of 14 and spending time with Pablo Picasso, Marc Chagall, and Henri Matisse; fellow Yale students Victor Moscoso, Eva Hesse, Sylvia Mangold, Bob Mangold, and Louise Nevelson; moving to Aspen, Colorado in 1961 and how her brief experience with marijuana influenced her painting more than anything previously; the family friendship with Philip Johnson and building the Glass House in New Canaan, Connecticut; spending time with Johnson, Meis van der Rohe and Phyllis Lambert during the construction of the Seagram Building in Montreal, Canada; Vincent Scully and Bill McDonald as teachers at Yale; visiting Peggy Guggenheim in Venice; going to Budapest, Hungary 1963, right after the Cuban Missile Crisis, to make a film; being awarded the Fulbright to go to France in 1964; her trip to Greece on scholarship and how at home she felt; that it is no longer relevant to paint from nature; meeting Lillian Lynn and becoming great friends; moving back to New York in 1966 and working for the Museum of Natural History in the exhibits department; her work becoming less painterly, more abstract; beginning her teaching career at Barnard College in 1967; the upheaval of student riots at Columbia University and her involvement in the Peace Movement; moving to stain painting; vacationing in Santa Fe, New Mexico and the hippie culture there; how her trip to India in 1971 influenced her to use more color and primitive motifs in her work; embracing the Women's Liberation Movement; summers in Long Island and her trip to Bali. Barr also recalls Gwen Davies, John McAndrew, Alexander Calder, Chick Austin, Sydney Friedberg, Leo Steinberg, Peggy Guggenheim, Diana Cowan, Bob Chamberlain, Joey Cabell, Peter Blum, Marino Marini, Ben Shahn, Mark Rothko, Jack Tworkov, Fritz Bultman, Alice Katz, Jim Brooks, Willem de Kooning, Jasper Johns, Mark Rauschenberg, Jim Rosenquist, Claes Oldenburg, Bernard Berenson, Millard Meiss, Sydney Freedburg, Aline Saarinen, John Johansen, Jim Sobey, Nancy Graves, Richard Serra, Robert Fiore, Philip Glass, Peter Worshall, Michael Helminski, Marcia Tucker, Elke Solomon, Joan Snyder, Nancy Azara, Jane Kaufman, Pat Steir, Susan Hall, and John Giorno.
Biographical / Historical:
Victoria Barr (1937- ) is a set designer and painter from New York, New York.
General:
Originally recorded on 6 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 10 hr., 6 min.
Sound quality is poor.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barr77
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a75a1389-fdf3-459e-a79b-fc4234a33973
EDAN-URL:
ead_collection:sova-aaa-barr77
Online Media:

Oral history interview with Charles Alan

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Yale School of Drama -- Students  Search this
Allen, Lawrence  Search this
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Baker, Richard Brown  Search this
Breinin, Raymond, 1910-  Search this
Conner, Bruce, 1933-2008  Search this
Davis, Stuart, 1892-1964  Search this
Geddes, Norman Bel, 1893-1958  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Harnett, William Michael, 1848-1892  Search this
Hirshhorn, Joseph H.  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Landau, Felix, 1924-2003  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Marin, John, 1870-1953  Search this
Marin, John, Jr., 1915?-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Root, Edward Wales, d. 1956  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Shahn, Ben, 1898-1969  Search this
Washburn, George  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 August 20-25
Scope and Contents:
An interview of Charles Alan conducted 1970 August 20-25, by Paul Cummings, for the Archives of American Art.
Alan speaks of studying scene and stage design; attending Yale School of Drama; doing illustrations for various publications; traveling and studying in Europe; working as a set designer for MGM and Warner Brothers; his experiences working at the Downtown Gallery; his thoughts and recollections about Edith Halpert; leaving Downtown Gallery and starting his own gallery; his opinions on the future of small galleries in New York; museum purchases; Edith Halpert's art collection; selling his gallery to Felix Landau; and various thoughts concerning the art world. He recalls Norman Bell Geddes, Edith Halpert, Stuart Davis, Julien Levy, Yasuo Kuniyoshi, Kirk Askew, Raymond Breinin, Ben Shahn, George Washburn, Edward Root, Joe Hirshhorn, John Marin, John Marin Jr., Lawrence Allen, Georgia O'Keeffe, William Harnett, Julian Levi, Jack Levine, Karl Zerbe, Bruce Conner, Richard Baker, Paul Sachs, and many others.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Alan attended Horace Mann School, graduating in 1924. Attended Yale School of Drama in 1925, then worked as a set designer for MGM and Warner Brothers. In 1930, Alan became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Set Designers -- United States -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.alan70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b58bbd57-ca81-4a18-a614-fc868226702e
EDAN-URL:
ead_collection:sova-aaa-alan70
Online Media:

Oral history interview with Charles Atlas

Interviewee:
Atlas, Charles  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Names:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Extent:
3 Items (sound files (6 hrs., 54 min.), digital, wav)
213 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2016 May 31-June 1
Scope and Contents:
An interview with Charles Atlas conducted 2016 May 31-June 1, by Linda Yablonsky, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Atlas' home and studio.
Biographical / Historical:
Charles M. Atlas (1949- ) is a video artist, film director, and lighting and set designer in New York, New York. Linda Yablonsky (1948- ) is a writer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
ACCESS RESTRICTED; Use requires written permission.
Occupation:
Set designers -- New York (State) -- New York  Search this
Video artists -- New York (State) -- New York  Search this
Topic:
AIDS (Disease) and the arts  Search this
Motion picture producers and directors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.atlas16
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95fa67b65-2c53-432a-9a18-eafd19f3e547
EDAN-URL:
ead_collection:sova-aaa-atlas16

John Wenger papers

Creator:
Wenger, John, 1891-1976  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1922-1977
Scope and Contents:
A 45-page booklet compiled by Mrs. John Wenger containing photocopies of biographical data, letters, clippings, reproductions, lists of institutions owning Wenger's work, and lists of theatrical sets designed by him; catalogs and announcements; obituaries; and 40 snapshots of paintings and set designs.
Biographical / Historical:
Painter, set designer; New York, N.Y. Died 1976.
Provenance:
Donated by Mrs. John Wenger (Bessie Vera), 1977-1979.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Set decorators  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Theaters -- Stage-setting and scenery  Search this
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Identifier:
AAA.wengjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9850e5868-206d-49fd-808a-e3b7242450e9
EDAN-URL:
ead_collection:sova-aaa-wengjohn

Edward Weiss papers relating to The Onyx Fool

Creator:
Weiss, Edward  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1984
Scope and Contents:
A script and table of contents for thirteen episodes of the serial, "The Onyx Fool," performed at 8BC club and Playhouse, in New York; an event calendar for 8BC featuring "The Onyx Fool"; original artwork and poster advertisements for the performance; two photographs and one negative of the performance; and 3 slides used to project images on a screen behind the stage used to paint a set design.
Biographical / Historical:
Edward Weiss is a visual and performance artist and playwright in New York, New York and Baltimore, Md. Weiss wrote and directed "The Onyx Fool" in 1984. Episodes 1-6 occurred at 8BC and episodes 7-9 occurred at Grove Street Playhouse, New York, N.Y.
Provenance:
Donated 2016 by Edward Weiss.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Performance artists -- New York (State) -- New York  Search this
Playwrights  Search this
Topic:
Performance art  Search this
Identifier:
AAA.weisedwa
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f335ac3e-c3fd-4cf9-be5c-abd9702de821
EDAN-URL:
ead_collection:sova-aaa-weisedwa

Oral history interview with Charles Alan on Aline Saarinen

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Kaufmann, Edgar, 1910-1989  Search this
Louchheim, Joseph H., 1908?-1970  Search this
McAndrew, John  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saarinen, Eero, 1910-1961  Search this
Shaw, Elizabeth Roberts, 1921-  Search this
Stanton, Frank, b. 1890  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 February 17
Scope and Contents:
An interview of Charles Alan conducted 1973 February 17, by Paul Cummings, for the Archives of American Art. Alan reminisces about his sister, Aline Saarinen. He touches upon her educational background; her work for "Art News" magazine and the "New York Times"; and research for her book, "The Proud Possessors," and an unpublished biography of Stanford White. He discusses Saarinen's television career with NBC News; and her relationships with Edgar Kaufman, Jr., Joseph Louchheim, John McAndrew, Elizabeth Shaw, Frank Stanton and others. Alan also comments on Eero Saarinen's personality, architectural projects, and work methods.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Attended Horace Mann School, graduating in 1924, and Yale School of Drama in 1925. Worked as a set designer for MGM and Warner Brothers. In 1930, became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hrs., 6 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.alan73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95a6c7060-4196-4c46-90c3-077793184233
EDAN-URL:
ead_collection:sova-aaa-alan73
Online Media:

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