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Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Function:
Art schools -- Massachusetts
Art Schools -- New York (State)
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Oral history interview with Josef Albers

Interviewee:
Albers, Josef  Search this
Interviewer:
Fesci, Sevim  Search this
Names:
Bauhaus  Search this
Heckel, Erich, 1883-1970  Search this
Itten, Johannes, 1888-1967  Search this
Kirchner, Ernst Ludwig, 1880-1938  Search this
Schmidt-Rottluff, Karl, 1884-1976  Search this
Stuck, Franz, Ritter von, 1863-1928  Search this
Extent:
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 June 22-July 5
Scope and Contents:
An interview of Josef Albers conducted 1968 June 22-July 5, by Sevim Fesci, for the Archives of American Art.
This interview was conducted in New Haven, Connecticut. Albers speaks of his childhood in the industrial area of Westphalia, Germany; his father's influence as a house painter and set designer; his young interest in technical toys; his educational history, beginning at the Royal Art School, an art teacher prep school; his education in art history in conjunction with fine arts; his brief experience teaching in public schools; his time studying at the Applied Art School in Essen while living and teaching in Berlin; and the beginning of professional career after having passed his exam in Berlin in 1915.
He discusses the influence of the European movements/artists, Die Brucke; Schmidt-Rottluff, Heckel, and Kirchner; his move to Munich and time spent working with Stuck (the teacher of Kandinsky and Klee); his eventual shift to the Bauhaus working in collage and stained glass under Itten; his refusal to do the traditional apprenticeship at the Bauhaus and surprising success with stained glass while striking out on his own; his initial experiments while working in the new studio for stained glass at the Bauhaus with frosting (a.k.a. thermometer style); his move from collage to montage; his disbelief in the use of past art as a source for current art; his distaste for the concept of art as self-expression; his use of repetitive forms in his painting as a method of "solving the problem;" his belief that the spectator makes the vision of the artist more lively; his belief that he teaches philosophy (how to see) not technique (how to paint); the fine line between influencing students and creating disciples; color as the most relative medium in art and a study of ourselves; his use of squares (the most man-made form), beginning in 1949; the role of art in society to reveal visually the attitude of our mentality; and his belief as to the future of art as being a further consideration of order.
Biographical / Historical:
Josef Albers (1888-1976) was a painter and educator in New Haven, Connecticut.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 2 hrs., 11 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Connecticut -- New Haven -- Interviews  Search this
Collagists  Search this
Stained glass artists  Search this
Topic:
Art, American  Search this
Die Brücke (Dresden)  Search this
Painters -- Connecticut -- New Haven -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.albersj68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9df07b806-7f25-4144-b4d2-8d490d11428b
EDAN-URL:
ead_collection:sova-aaa-albersj68
Online Media:

Joseph Urban unlocking an art deco bedroom edited by Amy Miller Dehan ; with contributions by Christopher Long, Elizabeth McGoey, and Amy Miller Dehan

Title:
Unlocking an art deco bedroom
Author:
Cincinnati Art Museum  Search this
Urban, Joseph 1872-1933  Search this
Editor:
Dehan, Amy Miller  Search this
Contributor:
Long, Christopher (Christopher Alan) 1957-  Search this
McGoey, Elizabeth  Search this
Subject:
Wormser, Leo Falk 1884-1934 Art patronage  Search this
Reis, Elaine Wormser 1912-2007 Homes and haunts  Search this
Cincinnati Art Museum  Search this
Physical description:
128 pages Illustrations (some color) 27 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
Illinois
Chicago
Ohio
Cincinnati
Date:
2022
Topic:
Decoration and ornament--Art deco  Search this
Girls' bedrooms  Search this
Decoration and ornament  Search this
Décoration et ornement--Art déco  Search this
Chambres de filles  Search this
Décoration et ornement  Search this
Art patronage  Search this
Homes  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155149

George Constant papers

Creator:
Constant, George  Search this
Names:
Art Institute of Chicago  Search this
Audubon Artists (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
Dayton Art Institute  Search this
Federation of Modern Painters and Sculptors  Search this
Ferargil Galleries  Search this
Heckscher Museum  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Parrish Art Museum  Search this
Spanish Refugee Aid (Organization)  Search this
United States. Works Progress Administration  Search this
Whitney Museum of American Art  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Burliuk, David, 1882-1967  Search this
Caparn, Rhys, 1909-1997  Search this
Carnell, Julia Shaw Patterson, 1863-1944  Search this
Davidson, Morris, 1898-1979  Search this
Eaton, Charles Warren, 1857-1937  Search this
Gecan, Vilko, 1894-1973  Search this
Kanaga, Consuelo, 1894-  Search this
Landgren, Marchal E.  Search this
Neuberger, Roy R.  Search this
Pach, Walter, 1883-1958  Search this
Perret, Nell, 1916-  Search this
Preston, Georgette  Search this
Putnam, Wallace, 1899-1989  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Date:
1912-2007
bulk 1932-1978
Summary:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.
Scope and Contents note:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.
Arrangement note:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)
Biographical/Historical note:
Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.
Provenance:
The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072
EDAN-URL:
ead_collection:sova-aaa-consgeor

Oral history interview with John Paul Miller, 2004 August 22-23

Interviewee:
Miller, John Paul, 1918-  Search this
Interviewer:
Yager, Jan, 1951-  Search this
Subject:
Miller, Frederick A.  Search this
Cleveland School of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Jewelry making -- Economic aspects  Search this
Jewelry making -- Technique  Search this
Decorative arts  Search this
Metal-work  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12877
(DSI-AAA_SIRISBib)249013
AAA_collcode_miller04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249013
Online Media:

Oral history interview with John Paul Miller

Interviewee:
Miller, John Paul, 1918-  Search this
Interviewer:
Yager, Jan, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cleveland School of Art -- Faculty  Search this
Cleveland School of Art -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Miller, Frederick A.  Search this
Extent:
104 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 22-23
Scope and Contents:
An interview of John Paul Miller conducted 2004 August 22-23, by Jan Yager, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Brecksville, Ohio.
Mr. Miller speaks of spending summers with his grandparents in central Pennsylvania; growing up in Cleveland, Ohio; taking art classes as a child at the Cleveland Museum of Art and in school; participating in theater and set design; attending the Cleveland School of Art and majoring in industrial design; meeting fellow student Fred Miller; working as a film editor; directing a documentary in Alaska; painting murals while in the army; exhibiting early jewelry in the "May Show;" traveling cross-country with silversmith Baron Erik Fleming; researching and experimenting with the granulation process; visiting museums in Europe; teaching at the Cleveland School of Art; being influenced by various books; choosing to work with metal; and pricing and selling his pieces. Mr. Miller also speaks of the enameling process; exhibiting in various local, national, and international shows; sharing a studio with Fred Miller; making gold granules; his work in museum collections; being inspired by Fabergé; making functional, wearable jewelry; the role of nature in his artwork; assembling his pieces; corresponding with German jeweler Elizabeth Treskow; working at Potter and Mellen; traveling throughout Europe; moving to Brecksville, Ohio, and building a home studio; participating in the American Craft Council; making films on metalsmith techniques; subscribing to craft publications; how crafts have changed since he started working; how American and international jewelry compare; his design philosophy; plans for the future; and balancing teaching with studio work. Mr. Miller also recalls Otto Ege, Kenneth Bates, Viktor Schrekengost, Harry Bertoia, Margret Craver, Alma Eikerman, Margaret De Patta, Toshiko Takaezu, Robert von Neumann, Peter Voulkos, Alexander Calder, John Marshall, William Harper, Solve Holquist, Anni Albers, and others.
Biographical / Historical:
John Paul Miller (1918- ) is a jeweler, enamelist, goldsmith, and educator from Brecksville, Ohio; Jan Yager is a jeweler and metalsmith from Philadelphia, Pennsylvania.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 7 hrs., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Jewelry making -- Economic aspects  Search this
Jewelry making -- Technique  Search this
Decorative arts  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.miller04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw925ed4558-d3e0-470a-b67b-f1e553736a28
EDAN-URL:
ead_collection:sova-aaa-miller04
Online Media:

Oral history interview with Dorothea Tanning, 1990 July 11-November 5

Interviewee:
Tanning, Dorothea, 1910-2012  Search this
Interviewer:
Shikler, Barbara  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11720
(DSI-AAA_SIRISBib)215552
AAA_collcode_tannin90
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215552

Oral history interview with Charles Alan on Aline Saarinen

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Kaufmann, Edgar, 1910-1989  Search this
Louchheim, Joseph H., 1908?-1970  Search this
McAndrew, John  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saarinen, Eero, 1910-1961  Search this
Shaw, Elizabeth Roberts, 1921-  Search this
Stanton, Frank, b. 1890  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 February 17
Scope and Contents:
An interview of Charles Alan conducted 1973 February 17, by Paul Cummings, for the Archives of American Art. Alan reminisces about his sister, Aline Saarinen. He touches upon her educational background; her work for "Art News" magazine and the "New York Times"; and research for her book, "The Proud Possessors," and an unpublished biography of Stanford White. He discusses Saarinen's television career with NBC News; and her relationships with Edgar Kaufman, Jr., Joseph Louchheim, John McAndrew, Elizabeth Shaw, Frank Stanton and others. Alan also comments on Eero Saarinen's personality, architectural projects, and work methods.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Attended Horace Mann School, graduating in 1924, and Yale School of Drama in 1925. Worked as a set designer for MGM and Warner Brothers. In 1930, became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hrs., 6 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.alan73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95a6c7060-4196-4c46-90c3-077793184233
EDAN-URL:
ead_collection:sova-aaa-alan73
Online Media:

Oral history interview with Charles Alan

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Yale School of Drama -- Students  Search this
Allen, Lawrence  Search this
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Baker, Richard Brown  Search this
Breinin, Raymond, 1910-  Search this
Conner, Bruce, 1933-2008  Search this
Davis, Stuart, 1892-1964  Search this
Geddes, Norman Bel, 1893-1958  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Harnett, William Michael, 1848-1892  Search this
Hirshhorn, Joseph H.  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Landau, Felix, 1924-2003  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Marin, John, 1870-1953  Search this
Marin, John, Jr., 1915?-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Root, Edward Wales, d. 1956  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Shahn, Ben, 1898-1969  Search this
Washburn, George  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 August 20-25
Scope and Contents:
An interview of Charles Alan conducted 1970 August 20-25, by Paul Cummings, for the Archives of American Art.
Alan speaks of studying scene and stage design; attending Yale School of Drama; doing illustrations for various publications; traveling and studying in Europe; working as a set designer for MGM and Warner Brothers; his experiences working at the Downtown Gallery; his thoughts and recollections about Edith Halpert; leaving Downtown Gallery and starting his own gallery; his opinions on the future of small galleries in New York; museum purchases; Edith Halpert's art collection; selling his gallery to Felix Landau; and various thoughts concerning the art world. He recalls Norman Bell Geddes, Edith Halpert, Stuart Davis, Julien Levy, Yasuo Kuniyoshi, Kirk Askew, Raymond Breinin, Ben Shahn, George Washburn, Edward Root, Joe Hirshhorn, John Marin, John Marin Jr., Lawrence Allen, Georgia O'Keeffe, William Harnett, Julian Levi, Jack Levine, Karl Zerbe, Bruce Conner, Richard Baker, Paul Sachs, and many others.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Alan attended Horace Mann School, graduating in 1924. Attended Yale School of Drama in 1925, then worked as a set designer for MGM and Warner Brothers. In 1930, Alan became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Set Designers -- United States -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.alan70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b58bbd57-ca81-4a18-a614-fc868226702e
EDAN-URL:
ead_collection:sova-aaa-alan70
Online Media:

Oral history interview with Alex Katz

Interviewee:
Katz, Alex, 1927-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Poor, Henry Varnum, 1887-1970  Search this
Porter, Fairfield  Search this
Extent:
1 Sound tape reel (Sound recordings: (2 hours), 7 in.)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1969 Oct. 20
Scope and Contents:
An interview of Alex Katz conducted 1969 Oct. 20, by Paul Cummings, for the Archives of American Art. Katz speaks of his early education; his family's interest in art; his U.S. Navy service; his education at the Cooper Union School and at Skowhegan; styles and methods in painting; his work in collage, portraiture and book illustration; theater set design; teaching at Yale, Skowhegan and the Studio School; his interest in poetry; and his current painting style. He recalls Fairfield Porter and Henry Varnum Poor and reminisces about The Club and the Tenth Street group of artists.
Biographical / Historical:
Alex Katz (1927-) is a painter from New York, N.Y.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculptors -- United States -- Interviews  Search this
Collage  Search this
Illustration of books  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.katz69
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91e8ecdfd-3510-4c73-85c4-71e163711a13
EDAN-URL:
ead_collection:sova-aaa-katz69
Online Media:

Oral history interview with Victoria Barr

Interviewee:
Barr, Victoria  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
222 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 January 11-February 18
Scope and Contents:
An interview of Victoria Barr conducted 1977 January 11-February 18, by Paul Cummings, for the Archives of American Art.
Barr recalls how she became very interested in theater set and lighting design; the thrill of learning about Greek history and myths and her painting being influenced by dance; studying graphic design and advertising at Parsons School of Design and Cy Sillman as a teacher; at Yale, Neil Welliver influencing her to become a painter; her first trip to Europe with her parents at the age of 14 and spending time with Pablo Picasso, Marc Chagall, and Henri Matisse; fellow Yale students Victor Moscoso, Eva Hesse, Sylvia Mangold, Bob Mangold, and Louise Nevelson; moving to Aspen, Colorado in 1961 and how her brief experience with marijuana influenced her painting more than anything previously; the family friendship with Philip Johnson and building the Glass House in New Canaan, Connecticut; spending time with Johnson, Meis van der Rohe and Phyllis Lambert during the construction of the Seagram Building in Montreal, Canada; Vincent Scully and Bill McDonald as teachers at Yale; visiting Peggy Guggenheim in Venice; going to Budapest, Hungary 1963, right after the Cuban Missile Crisis, to make a film; being awarded the Fulbright to go to France in 1964; her trip to Greece on scholarship and how at home she felt; that it is no longer relevant to paint from nature; meeting Lillian Lynn and becoming great friends; moving back to New York in 1966 and working for the Museum of Natural History in the exhibits department; her work becoming less painterly, more abstract; beginning her teaching career at Barnard College in 1967; the upheaval of student riots at Columbia University and her involvement in the Peace Movement; moving to stain painting; vacationing in Santa Fe, New Mexico and the hippie culture there; how her trip to India in 1971 influenced her to use more color and primitive motifs in her work; embracing the Women's Liberation Movement; summers in Long Island and her trip to Bali. Barr also recalls Gwen Davies, John McAndrew, Alexander Calder, Chick Austin, Sydney Friedberg, Leo Steinberg, Peggy Guggenheim, Diana Cowan, Bob Chamberlain, Joey Cabell, Peter Blum, Marino Marini, Ben Shahn, Mark Rothko, Jack Tworkov, Fritz Bultman, Alice Katz, Jim Brooks, Willem de Kooning, Jasper Johns, Mark Rauschenberg, Jim Rosenquist, Claes Oldenburg, Bernard Berenson, Millard Meiss, Sydney Freedburg, Aline Saarinen, John Johansen, Jim Sobey, Nancy Graves, Richard Serra, Robert Fiore, Philip Glass, Peter Worshall, Michael Helminski, Marcia Tucker, Elke Solomon, Joan Snyder, Nancy Azara, Jane Kaufman, Pat Steir, Susan Hall, and John Giorno.
Biographical / Historical:
Victoria Barr (1937- ) is a set designer and painter from New York, New York.
General:
Originally recorded on 6 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 10 hr., 6 min.
Sound quality is poor.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barr77
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a75a1389-fdf3-459e-a79b-fc4234a33973
EDAN-URL:
ead_collection:sova-aaa-barr77
Online Media:

Oral history interview with Larry Rivers, 1968 November 2

Interviewee:
Rivers, Larry, 1925-2002  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Blaine, Nell  Search this
Hofmann, Hans  Search this
Rauschenberg, Robert  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11753
(DSI-AAA_SIRISBib)212050
AAA_collcode_rivers68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212050

Oral history interview with Donald S. Vogel, 1979 September 18-November 28

Interviewee:
Vogel, Donald S. (Donald Stanley), 1917-2004  Search this
Interviewer:
Ferguson, Lisa  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Gallery directors -- Texas -- Dallas -- Interviews  Search this
Painters -- Texas -- Dallas -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11985
(DSI-AAA_SIRISBib)213589
AAA_collcode_vogel79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213589

Oral history interview with Alex Katz, 1969 Oct. 20

Interviewee:
Katz, Alex, 1927-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Poor, Henry Varnum  Search this
Porter, Fairfield  Search this
Club (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Collage  Search this
Illustration of books  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12448
(DSI-AAA_SIRISBib)212472
AAA_collcode_katz69
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212472

Oral history interview with Mordi Gassner, 1982 Apr. 16

Interviewee:
Gassner, Mordi, 1899-1995  Search this
Interviewer:
Pennington, Estill Curtis  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Designers -- Virginia -- Drake's Branch -- Interviews  Search this
Muralists -- Virginia -- Drake's Branch -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12637
(DSI-AAA_SIRISBib)212689
AAA_collcode_gassne82
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212689
Online Media:

Oral history interview with Gerhardt Knodel, 2004 August 3

Interviewee:
Knodel, Gerhardt, 1940-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Abakanowicz, Magdalena  Search this
Albers, Anni  Search this
Al-Hilali, Neda  Search this
Andreson, Laura  Search this
Christo  Search this
Hicks, Sheila  Search this
Kester, Bernard  Search this
Larsen, Jack Lenor  Search this
Leland, Mary Jane  Search this
Smith, Kiki  Search this
Tawney, Lenore  Search this
Zeisler, Claire  Search this
Cranbrook Academy of Art  Search this
Los Angeles City College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles  Search this
Type:
Interviews
Sound recordings
Place:
California -- Los Angeles -- Description and travel
Michigan -- Description and travel
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Textile crafts -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12740
(DSI-AAA_SIRISBib)249179
AAA_collcode_knodel04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249179
Online Media:

Oral history interview with Charles Alan on Aline Saarinen, 1973 February 17

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Kaufmann, Edgar  Search this
Louchheim, Joseph H.  Search this
McAndrew, John  Search this
Saarinen, Aline B. (Aline Bernstein)  Search this
Saarinen, Eero  Search this
Shaw, Elizabeth Roberts  Search this
Stanton, Frank  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)12458
(DSI-AAA_SIRISBib)211923
AAA_collcode_alan73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211923

Oral history interview with Charles Alan, 1970 August 20-25

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Allen, Lawrence  Search this
Baker, Richard Brown  Search this
Davis, Stuart  Search this
Halpert, Edith Gregor  Search this
Hirshhorn, Joseph H.  Search this
Kuniyoshi, Yasuo  Search this
Landau, Felix  Search this
Levi, Julian E. (Julian Edwin)  Search this
Levine, Jack  Search this
Marin, John  Search this
Marin, John, Jr.  Search this
Root, Edward Wales  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Zerbe, Karl  Search this
Shahn, Ben  Search this
Geddes, Norman Bel  Search this
O'Keeffe, Georgia  Search this
Conner, Bruce  Search this
Harnett, William Michael  Search this
Askew, R. Kirk (Ralph Kirk)  Search this
Breinin, Raymond  Search this
Levy, Julien  Search this
Washburn, George  Search this
Downtown Gallery (New York, N.Y.)  Search this
Yale School of Drama  Search this
Type:
Sound recordings
Interviews
Topic:
Set designers -- United States -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11699
(DSI-AAA_SIRISBib)212203
AAA_collcode_alan70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212203
Online Media:

Oral history interview with Victoria Barr, 1977 January 11-February 18

Interviewee:
Barr, Victoria, 1937-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12929
(DSI-AAA_SIRISBib)212530
AAA_collcode_barr77
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212530
Online Media:

Oral history interview with Nancy Douglas Bowditch, 1974 January 30

Interviewee:
Bowditch, Nancy Douglas, 1890-1979  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Brush, George de Forest  Search this
Faulkner, Barry  Search this
Pearmain, William Robert  Search this
Saint-Gaudens, Augustus  Search this
Thayer, Abbott Handerson  Search this
Twain, Mark  Search this
Volk, Douglas  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women authors  Search this
Art, American  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11972
(DSI-AAA_SIRISBib)212539
AAA_collcode_bowdit74
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212539
Online Media:

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