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Arthur Jafa, Steve Coleman, and surprise performance by Kokayi- Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Youtube videos
Uploaded:
2018-01-31T22:28:31Z
Topic:
Art, modern  Search this
Youtube Category:
Education  Search this
See more by:
hirshhornmuseum
YouTube Channel:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
EDAN-URL:
edanmdm:yt_F5o8gcrrCxM

Love is the Message: An Evening with Arthur Jafa

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Youtube videos
Uploaded:
2018-03-16T18:18:23Z
Topic:
Art, modern  Search this
Youtube Category:
Education  Search this
See more by:
hirshhornmuseum
YouTube Channel:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
EDAN-URL:
edanmdm:yt_yOYd_IAPIe0

Naomi Savage Papers on Man Ray, 1913-2005

Creator:
Savage, Naomi, 1927-2005  Search this
Subject:
Noguchi, Isamu  Search this
Duchamp, Alexina  Search this
Kimmel, Roberta  Search this
Hunter, Sam  Search this
Greenbaum, Theodora S.  Search this
Duchamp, Marcel  Search this
Serger, Helen  Search this
Savage, Naomi  Search this
Man Ray, Juliet  Search this
Ray, Man  Search this
Galerie Anderson-Mayer  Search this
Vered Gallery  Search this
Serpentine Gallery  Search this
Zabriskie Gallery  Search this
La Boetie, Inc.  Search this
Ronny Van de Velde (Gallery : Antwerp, Belgium)  Search this
Prakapas Gallery  Search this
Philadelphia Museum of Art  Search this
Type:
Photographs
Topic:
Painters -- France -- Paris  Search this
Photography  Search this
Surrealism  Search this
Photographers -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)13640
(DSI-AAA_SIRISBib)272566
AAA_collcode_savanaom
Theme:
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_272566
Online Media:

Naomi Savage Papers on Man Ray

Creator:
Savage, Naomi, 1927-2005  Search this
Names:
Galerie Anderson-Mayer  Search this
La Boetie, Inc.  Search this
Philadelphia Museum of Art  Search this
Prakapas Gallery  Search this
Ronny Van de Velde (Gallery : Antwerp, Belgium)  Search this
Serpentine Gallery  Search this
Vered Gallery  Search this
Zabriskie Gallery  Search this
Duchamp, Alexina, 1906-1995  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Greenbaum, Theodora S.  Search this
Hunter, Sam, 1923-  Search this
Kimmel, Roberta  Search this
Man Ray, Juliet, d. 1991  Search this
Noguchi, Isamu, 1904-1988  Search this
Ray, Man, 1890-1976  Search this
Savage, Naomi, 1927-2005  Search this
Serger, Helen  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1913-2005
Summary:
The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.
Scope and Content Note:
The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.

Correspondence primarily consists of incoming letters from art historians, students, publishers, museums, and galleries interested in obtaining biographical information, scheduling exhibitions, or seeking permission to reproduce artwork. Correspondents include Theodora Greenbaum, Sam Hunter, and Roberta Kimmel. Also found is a letter to Man Ray from Isamu Noguchi.

Exhibition files document some of Man Ray's solo and group exhibitions held at museums and galleries in the United States and abroad, including Galerie Anderson Mayer, the Philadelphia Museum of Art, Prakapas Gallery, Helen Serger, La Boetie, Inc., Ronny Van De Velde Gallery, Serpentine Gallery, Vered Gallery, and Zabriskie Gallery.

Writings and notes include typescripts of unpublished pieces on Man Ray and Surrealist photography and on Juliet Man Ray, miscellaneous writings, and Naomi Savage's list of Man Ray published work. Artwork consists of an artist's proof of a print by Paul Levitt.

Printed material houses news and periodical clippings on Man Ray and Juliet Man Ray, newsletters, reproductions of artwork, and miscellaneous printed material. Clippings provide documentation on Man Ray's early commercial photography for advertisements and fashion magazines as well as his experimental photographic work.

Photographs include portrait photographs of Man Ray and Juliet Man Ray. There are photographs of Man Ray and Juliet with family, friends, and colleagues, including photographs of Marcel Duchamp and Teeny Duchamp.
Arrangement:
The collection is arranged as 6 series:

Series 1: Naomi Savage Correspondence, 1939-1995 (Box 1; 0.1 linear feet)

Series 2: Man Ray Exhibition Files, 1941-1997 (Box 1, OV 4; 0.8 linear feet)

Series 3: Writings and Notes, 1974-1998 (Box 1, OV 4; 0.1 linear feet)

Series 4: Artwork, circa 1963 (Box 1; 1 folder)

Series 5: Printed Material, circa 1913-1998 (Boxes 1, 3; 0.2 linear feet)

Series 6: Photographs, 1913-1991 (Boxes 1-3; 0.4 linear feet)
Biographical Note:
Photographer Naomi Siegler Savage (1927-2007) lived and worked in Princeton, New Jersey. While a teenager, Savage attended a photography class taught by Berenice Abbott and pursued this interest at Bennington College in Vermont. In California, Savage apprenticed with her uncle Man Ray, who was a close friend as well as mentor to his niece.

Influenced by Man Ray's experimental techniques with film, Naomi Savage pioneered the use of the photographic metal plate which produced a three dimensional form with a metallic surface. One of her best-known photographic engravings is a magnesium mural for the Johnson Library and Museum in Austin, Texas, depicting the national elective offices held by President Johnson and the various Presidents under which he served. In later years, Savage continued to experiment with the photographic process by using digital cameras, color photocopiers, and computer imaging.

In 1952, Savage had her first exhibition at the Museum of Modern Art in New York. In addition to the Museum of Modern Art, Savage's work is also in the collections of the Art Institute of Chicago, the Fogg Museum at Harvard University, the International Center of Photography in New York, and the Museum of Fine Arts in Boston, Massachusetts.

Naomi Savage was married to the painter, sculptor, and architect, David Savage. Naomi Savage died in Princeton, New Jersey in 2007.

Man Ray (1890-1976) lived and worked in New York and Paris, France and was best known for his painting and photography.

Man Ray was born Emmanuel Radnitsky in Philadelphia, Pennsylvania in 1890. His family later moved to Brooklyn, New York. During this period, the family changed their name to Ray and Emmanuel shortened his first name to Man, gradually using Man Ray as his combined single name. Man Ray attended Boys High School from 1904-1908 where he developed an interest in painting. After high school, he worked as a commercial artist and technical illustrator in New York City while attending classes at the Art Students League, Ferrer School, and National Academy of Design.

Influenced by European artists, whose Modernist works were being shown at the 1913 Armory Show and Alfred Stieglitz's "292" Gallery, and other such venues, Man Ray began to incorporate elements of Cubism in his paintings and drawings. In 1915, Man Ray met Marcel Duchamp (1887-1968) and they formed a lifelong friendship and professional partnership. That same year, the Dada group, founded by a Tristan Tzara and other artists in Zurich, Switzerland also took root in New York; Man Ray, Marcel Duchamp and Francis Picabia were credited for starting the New York Dada movement.

By 1921, Man Ray moved to Paris and became part of the circle that formed the Dada group. He photographed many of the Dada poets and writers, including Louis Aragon, André Breton, and Paul Eluard. Man Ray's work for André Breton established his reputation as a portrait photographer of artists, writers, and other prominent individuals, including George Antheil, Salvador Dalí, James Joyce, Sinclair Lewis, Gertrude Stein, and Virginia Woolf. In that same period, Man Ray pioneered the photographic process of rayographs (named after him) and he also participated in the first Surrealist exhibition at the Galerie Pierre.

Man Ray moved to Los Angeles, California in 1940. There he met New York City-born Juliet Browner (1910-1991), a trained dancer and professional artists' model. They married in 1946 in a double wedding ceremony with their friends Max Ernst and Dorothea Tanning. In 1951, Man Ray and Juliet Man Ray returned to live in the Montparnasse section of Paris.

In addition to an autobiography, Self-Portrait, published in 1963, Man Ray wrote a number of monographs and articles on photography that included Electricité, a portfolio of ten gravure prints of rayographs commissioned by the Paris electric company, Compagnie Parisenne de Distribution d'Electricité, 1931.

Man Ray received an honorary Master of Fine Arts degree from Freemont University, Los Angeles, 1948 and the gold medal for photography at the Venice Photo Biennale, 1962. In 1967, Man Ray received an award from the Philadelphia Arts Festival honoring its native son for his accomplishments.

Man Ray died in Paris in 1976. Juliet Man Ray survived her husband and continued to live in Paris until her death in 1991.
Provenance:
The Naomi Savage papers were donated in 2007 by Lourie Savage Bates, Naomi Savage's daughter. Naomi Savage was Man Ray's niece.
Restrictions:
The collection is open for research. Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Naomi Savage papers on Man Ray are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- France -- Paris  Search this
Photography  Search this
Surrealism  Search this
Photographers -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Naomi Savage papers on Man Ray, 1913-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.savanaom
See more items in:
Naomi Savage Papers on Man Ray
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-savanaom

Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University.  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Richard Artschwager papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Art critics  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Lake Forest -- Morris Garden

Landscape designer:
Miller, P. Clifford  Search this
Provenance:
Lake Forest Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Morris Garden (Lake Forest, Illinois)
United States of America -- Illinois -- Lake County -- Lake Forest
Scope and Contents:
The folder includes worksheets, site plans, and other information.
General:
Located on a one-quarter-acre lot, this garden was completely renovated in 2001-2002 with elements from English gardens observed during its owners' residence there. The garage at the rear of the property was modeled to resemble an orangerie and was inspired by the Serpentine Gallery in London's Kensington Gardens. 'William Baffin' roses are being trained on the fence at this end of the site, while through a gate to the left of the garage lies a small potting area and staging area for the planting of late blooming annuals. The southern edge of the garden features a scaled-down version of a wall seen at Sudeley Castle, fronted by flowering shrubs and clinging vines. A combination hornbeam and copper beech hedge covers a wooden fence, completing the southern boundary of the property. A euonymus-covered chain link fence and a stand of pleached linden trees are featured on the north side. The heart of the design is a sunken English-style garden modeled after a design by Rosemary Verey at Sudeley Castle. Its beds are planted with perennials, woody shrubs, and well-chosen annuals and surround a rectangle of green lawn. Designed for color interest from May to October, the sunken garden features a color palate of lavender and pink with touches of pale yellow. In addition to the sunken garden a pergola was built on one side of the patio by the house and provides a support for trumpet vine and the thornless climbing rose 'Zepherine Drouhin'.
Persons associated with the garden include P. Clifford Miller (landscape designer, 2001-2002).
Related Materials:
Morris Garden related holdings consist of 1 folder (4 35 mm. slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Illinois -- Lake Forest  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IL121
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Illinois
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref6819

Serpentine Gallery

Designer:
Sou Fujimoto Architects, Tokyo, Japan, founded 2000  Search this
Medium:
Digital print
Type:
Exhibitions
Photograph
Object Name:
Photograph
Date:
2013
Credit Line:
Photo by Iwan Baan
Accession Number:
s-e-1739
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4967bcacc-8920-48ed-9a62-7862a03e9c56
EDAN-URL:
edanmdm:chndm_s-e-1739

Fuck, Gilbert & George Dirty Word Pictures

Designer:
Gilbert & George (Gilbert Prousch, Italian, b. 1943 and George Passmore, British, b. 1942)  Search this
Medium:
Photo-offset lithograph on paper
Type:
graphic design
Poster
Object Name:
Poster
Date:
2002
Credit Line:
Gift of Sara and Marc Benda
Accession Number:
2009-20-7
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ac00b7d9-ffd1-4144-945f-90dab079edff
EDAN-URL:
edanmdm:chndm_2009-20-7

H.C. Westermann / published by Ernest Benn Limited in cooperation with the Arts Council of Great Britain on the occasion of an exhibition at the Serpentine Gallery, London : 5 December 1980 to 8 February 1981 ; [edited by Susan Benn and Paul Langridge]

Author:
Westermann, H. C (Horace Clifford) 1922-  Search this
Arts Council of Great Britain  Search this
Serpentine Gallery  Search this
Subject:
Westermann, H. C (Horace Clifford) 1922-  Search this
Physical description:
[56] p. : chiefly ill. (some col.), ports. ; 20 cm
Type:
Books
Exhibitions
Date:
1980
[1980]
Call number:
N40.1.W527 S4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_655261

Michael Kidner : painting, drawing, sculpture, 1959-1984 : 4 November-2 December 1984, Serpentine Gallery, London : 30 January-2 March 1985, Hatton Gallery, Newcastle upon Tyne

Author:
Kidner, Michael  Search this
Serpentine Gallery  Search this
Hatton Gallery  Search this
Arts Council of Great Britain  Search this
Subject:
Kidner, Michael Exhibitions  Search this
Kidner, Michael 1917- Exhibitions  Search this
Physical description:
56 p. : ill. (some col.) ; 20 x 21 cm
Type:
Exhibitions
Place:
England
Date:
1984
C1984
Topic:
Art, Abstract  Search this
Call number:
N6797.K53 A4 1984
N40.1.K462A7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_649433

Serpentine Gallery

Collection Creator:
Sturtevant, 1924-2014  Search this
Container:
Box 1, Folder 52
Type:
Archival materials
Date:
1991
2008-2009
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elaine Sturtevant papers, circa 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Elaine Sturtevant papers
Elaine Sturtevant papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sturelai-ref107

Serpentine Gallery - "Man Ray, 1890-1976" (1995 January 18-March)

Collection Creator:
Savage, Naomi, 1927-2005  Search this
Extent:
6 Folders
Container:
Box 1, Folder 32-37
Type:
Archival materials
Date:
1994-1995
Collection Restrictions:
The collection is open for research. Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Naomi Savage papers on Man Ray are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Naomi Savage papers on Man Ray, 1913-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Savage Papers on Man Ray
Naomi Savage Papers on Man Ray / Series 2: Man Ray Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-savanaom-ref40

The Pink Tree

Artist:
John Currin, American, b. Boulder, Colorado, 1962  Search this
Medium:
Oil on linen
Dimensions:
78 1/16 x 48 1/16 in. (198.2 x 122.1 cm)
Type:
Painting
Date:
1999
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2000
Accession Number:
00.5
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Contemporary
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28eb4e6b9-8360-41ae-b83d-1a7294fd479d
EDAN-URL:
edanmdm:hmsg_00.5

Five Past Eleven

Artist:
Ed Ruscha, American, b. Omaha, Nebraska, 1937  Search this
Medium:
Acrylic on canvas
Dimensions:
59 1/4 x 145 3/4 in. (150.3 x 370.2 cm)
Type:
Painting
Date:
1989
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1989
Accession Number:
89.23
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Art (West Coast)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28c9abf4a-ea15-432f-8c7a-ec8a6f2d0d1c
EDAN-URL:
edanmdm:hmsg_89.23

Cold Mountain 2

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Oil on linen
Dimensions:
108 1/8 X 144 1/4 IN. (274.5 X 366.4 CM.)
Type:
Painting
Date:
1989-1991
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 1992
Accession Number:
92.22
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23b70aa22-c640-422f-b519-99357960dd34
EDAN-URL:
edanmdm:hmsg_92.22

Ragnar Kjartansson / edited by Leila Hasham

Author:
Kjartansson, Ragnar 1976- Works Selections  Search this
Editor:
Hasham, Leila  Search this
Host institution:
Barbican Art Gallery  Search this
Serpentine Gallery  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Subject:
Kjartansson, Ragnar 1976-  Search this
Physical description:
238 pages : illustrations (black and white, and colour) ; 29 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1070185

Serpentine Gallery - Richard Artschwager Exhibition (2001-2002)

Collection Creator:
Artschwager, Richard, 1923-  Search this
Container:
Box 5, Folder 2
Type:
Archival materials
Date:
1997-2001 June
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Richard Artschwager papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Artschwager papers
Richard Artschwager papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-artsrich-ref213

Serpentine Gallery - Richard Artschwager Exhibition (2001-2002)

Collection Creator:
Artschwager, Richard, 1923-  Search this
Container:
Box 5, Folder 3
Type:
Archival materials
Date:
2001 July-2002 March
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Richard Artschwager papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Artschwager papers
Richard Artschwager papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-artsrich-ref325

Serpentine Gallery (1996)

Collection Creator:
Marshall, Richard, 1947-2014  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Date:
1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Richard D. Marshall papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Richard D. Marshall papers, 1969-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Richard D. Marshall papers
Richard D. Marshall papers / Series 2: Exhibition and Research Files / Basquiat, Jean-Michel
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-marsrich-ref28

Take care / Mimi Zeiger

Author:
Zeiger, Mimi 1971-  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Kéré, Diébédo Francis 1965-  Search this
Kéré Architecture  Search this
Tippet Rise Art Center  Search this
Xylem (Fishtail, Montana)  Search this
Coachella Valley Music and Arts Festivals  Search this
Serpentine Gallery Pavilion (Architectural programme) (17th : 2017 : London, England)  Search this
Type:
Articles
Place:
Burkina Faso
Date:
2019
21st century
Topic:
Pavilions--Design and construction  Search this
Architects  Search this
Architecture  Search this
Call number:
N1 .A7864
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1113096

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