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"Astronaut Sally Ride Visits Seneca Falls," Brown, Adele Del

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 156, Folder 10
Type:
Archival materials
Date:
2016
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 23: Brown, Adele "Del" and Herizon Social Club
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d6a6ae60-c108-4571-b231-8545c7916340
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2008

Seneca Women's Peace Encampment, Seneca, New York

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 27, Folder 29
Type:
Archival materials
Date:
1983
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 5: Biren, Joan E. (JEB) / 5.1: Xerographic Copies of Photoprints and Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8518b82dd-8ac1-4178-956b-bb411f5836c6
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref714

"Hiawatha: the Indian Passion Play" performance photographs

Creator:
Moore, F. E. (Frank E.)  Search this
Names:
Cornplanter, Jesse J.  Search this
Extent:
98 Photographic prints
18 Copy negatives
Culture:
Seneca [Cattaraugus]  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Copy negatives
Place:
Cattaraugus (N.Y.)
Date:
1906
Summary:
This collection include souvenir photographs shot by producer Frank E. Moore of his 1906 outdoor stage production of "Hiawatha: The Indian Passion Play" based on Longfellow's epic poem The Song of Hiawatha. This production of Hiawatha was performed near the Cattaraugus Reservation, New York, and included Seneca [Cattaraugus] performers, possibly with Jesse Cornplanter in the role of Hiawatha.
Scope and Contents:
This collection includes 98 photographic prints from a souvenir book of a 1906 performance of "The Song of Hiawatha" produced by Frank E. Moore. The performance was held on the shore of Lake Chautauqua near the Cattaraugus Reservation. It is very likely that several of the performers photographed in this collection were also a part of the 1913 film production of Hiawatha, also produced by Frank E. Moore. This includes Jesse Cornplanter, in the role of Hiawatha, and his father Edward Cornplanter. The photographs show scenes from the theatrical production featuring characters such as Hiawatha, Minnehaha, Nokomis, and Pau-Puk-keewis. 18 copy negatives were later made from the photographic prints.
Prints: P04612-P04709; Copy Negatives: N35315-N35332
Arrangement:
Arranged by catalog number.
"Song of Hiawatha":
Henry Wadsworth Longfellow first published the epic poem, Song of Hiawatha, in 1855. By 1900, the poem had been translated into 20 different European languages as well as back into the Ojibwe language at the turn of the century ushering in a "Hiawatha Revival" that captured American Imaginations. In 1901, Louis Oliver Armstrong, an amateur ethnologist and land agent for the Canadian Pacific Railroad, wrote a new libretto from the Longfellow poem in English and Ojibwe which was first prepared with Garden River Anishinaabeg community members as actors. His performances, or "Pageants," became regular events which led to additional versions and tours around the United States. Not long after Armstrong discontinued his show in 1905, Frank E. Moore created his own version. Originally from Middletown, Ohio, Moore gathered a large cast of Native performers from various tribal communities including many actors from the Seneca Nation on the Cattaraugus Reservation. Moore continued the tradition of large outdoor pageant performances of "Hiawatha" which were performed along a body of water and featured Native actors performing traditional dances and wearing "Native" costumes alongside narration of Longfellow's poem.

In 1913 Frank E. Moore produced the stage version of Hiawatha into a film, hiring Jesse Cornplanter (Seneca) to play Hiawatha. Jesse Cornplanter had previously accompanied his father, Edward Cornplanter, acting and singing in the Hiawatha pageant on tour through the United States and Europe. "Hiawatha" was shot in upstate New York and northern Michigan by Moore and was the first feature film to use an all-Native cast, with reportedly 150 actors from the Cattaraugus Reservation. A twenty-eight-minute cut is housed in the American Film Institute's collection in the Library of Congress.

Sources:

McNally, Michael D. "The Indian Passion Play: Contesting the Real Indian in "Song of Hiawatha" Pageants, 1901-1965," American Quarterly Vol. 58, No. 1 (March 2006), pp. 105-136.

Evans, Katy Young. "The People's Pageant: The Stage as Native Space in Anishinaabe Dramatic Interpretations of "Hiawatha"," Melus Vol. 41, No. 2 (Summer 2016), pp. 124-146.
Related Materials:
Library of Congress, Lot 8218, "Scenes from theatrical production of Hiawatha, Lake Chautauqua, New York."
Provenance:
Gift of Reginald P. Bolton, 1918.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Theatrical productions  Search this
Citation:
Identification of specific item; Date (if known); "Hiawatha: the Indian Passion Play" performance photographs, image #, NMAI.AC.162; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.162
See more items in:
"Hiawatha: the Indian Passion Play" performance photographs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40a276800-0d72-4e32-835e-10800737ef82
EDAN-URL:
ead_collection:sova-nmai-ac-162
Online Media:

Why Seneca Rocks Are as Dangerous as They Are Awe-Inspiring 🪨 Aerial America | Smithsonian Channel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2022-03-20T16:00:09.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_SxB4dCuW2wo

Lucretia Mott, Daguerreotype Portrait

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-09-12T17:55:45.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_GWlwPEy2qmA

Bringing It Home: Linley Logan

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2015-12-10T19:59:29.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_JJbC35FXDJo

Giving Thanks: Telling More Complete Narratives in your Classroom. Session 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2020-11-30T17:56:35.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_mJuesx5bURQ

Building a Culture of Thinking in the Classroom | Easy PZ

Creator:
Smithsonian Education  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2020-05-11T17:41:15.000Z
YouTube Category:
Entertainment  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_I3ol0EagsNI

Conflict Kitchen | Designing Peace exhibition video AD

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2022-06-30T20:30:01.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_u9Uf33yWEn8

Diary

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1926
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.3: Robinson, Frank A.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84cfeef02-beb2-4607-aa01-532ed0d558f2
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref99

William F. Stiles collection of photographs and films

Creator:
Stiles, William F., 1912-1980  Search this
Extent:
82 Photographic prints (mostly albumen)
242 Negatives (photographic) (acetate)
211 Slides (color)
2 Film reels (8mm)
Culture:
Seminole  Search this
Eastern Band of Cherokee  Search this
Innu [Ekuanitshit (Mingan)]  Search this
Innu [Pakuashipi (Saint Augustin)]  Search this
Seneca [Tonawanda]  Search this
Innu [Uashat-Maliotenam (Seven Islands)]  Search this
Innu [Moisie]  Search this
Innu [Unaman Shipit (Romaine)]  Search this
Mushuaunnuat (Barren Ground Naskapi) [Utshimassit (Davis Inlet)]  Search this
Attikamekw (Tete De Boule Cree)  Search this
Seneca [Allegany]  Search this
Seneca [Cattaraugus]  Search this
Niantic  Search this
Narragansett  Search this
Onondaga  Search this
Miccosukee Seminole (Mikasuki)  Search this
Attikamekw (Tete De Boule Cree) [Weymontachie Band, Saint Maurice River, Quebec] Cree  Search this
Mohawk [Kahnawake (Caughnawaga)]  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Slides
Film reels
Negatives
Color slides
Photographs
Date:
1938-1974
Summary:
This collection consists of views of New York, Rhode Island, Florida, Mississippi, South Carolina, Newfoundland and Quebec (slides are primarily of Saint Augustin, Quebec).
Scope and Contents:
The Stiles collection consists of views made by Stiles on behalf of the Museum of the American Indian, Heye Foundation from 1938 to 1974. More than half of these document the life of Innu peoples of Quebec, Canada, in the years 1952, 1958, 1959, and 1964. They depict Innu men, women, and children, and food preparation, dwellings, fishing, canoes, settlements, the preparation of animal skins, and ceremonials. Stiles apparently photographed among the Seminole and Miccosukee peoples of Florida in 1939, 1940, 1941, 1966, and 1974. He also variously photographed the Narragansett and Niantic peoples of Rhode Island, the Onondaga on the Onondaga Reservation, the Eastern Band of Cherokee in North Carolina, the Seneca of New York, the Attikamekw (Tete De Boule Cree) and the Mohawk of Quebec, and the Mushuaunnuat of Labrador. He also photographed various archaeological sites in New York State, Mississippi, and South Carolina. There are also two 8mm film reels titled "Nascapi Indians at Davis Inlet, Labrador, New Foundland" that were made in the summer of 1965.
Arrangement note:
Negatives arranged by negative number (N21703-N21711, N21792-N21802, N22300-N22310, N22481-N22484, N22594-N22597, N22630, N22705-N22710, N22722, N23504, N23581-N23585, N23675-N23684, N26086-N23585, N23675-N23684, N26086-N26100, N26109-N26126, N26186-N26188, N29562-N29604, N32844-N32867, N33295-N33343, N41162-N41186)

Prints arranged by print number (P13375-P13385, P13431-P13438, P15331-P15346, P15770-P15773, P15885-P15889, P16102, P17154, P17212-P17217, P17282-P17284, P18537-P18551, P18586, P19991-P20002)

Slides arranged by slide number (S02005-S02178, S02389, S04518-S04519, S04559-S04575, S04675-S04678, S04694-S04702, S04753-S04760)
Biographical/Historical note:
Before joining the staff of the Museum of the American Indian, Heye Foundation in May 1938, William F. Stiles was George G. Heye's personal driver. An employee of the Museum for almost forty years, Stiles retired in March 1978 as the Curator of Collections. Although Stiles published very little, he was an active field collector and participated in numerous archaeological expeditions. As is evident from his photographs of the Innu and Seminole peoples, he often visited individual communities more than once and over the course of several years.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Restricted: Cultural Sensitivity
Topic:
Indians of North America -- Canada  Search this
Indians of North America -- Florida  Search this
Excavations (Archaeology) -- Mississippi  Search this
Indians of North America -- New York (State)  Search this
Indians of North America -- Rhode Island  Search this
Excavations (Archaeology) -- New York (State)  Search this
Excavations (Archaeology) -- South Carolina  Search this
Genre/Form:
Negatives
Photographic prints
Color slides
Photographs
Citation:
William F. Stiles collection of negatives, slides and photographic prints, 1938-1974, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or print number).
Identifier:
NMAI.AC.001.014
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4ebf62231-9761-49fa-b7b5-22d6ab5be5cf
EDAN-URL:
ead_collection:sova-nmai-ac-001-014

Alfred Tamarin photographs for We Have not Vanished

Creator:
Tamarin, Alfred H.  Search this
Extent:
425 Negatives (photographic) (black and white, 35mm, 120 film)
65 Photographic prints (black and white, 8x10)
Culture:
Passamaquoddy  Search this
Mashpee Wampanoag  Search this
Narragansett  Search this
Cayuga [Six Nations/Grand River (Brantford, Ontario)]  Search this
Mohawk [Akwesasne (St. Regis), Hogansburg, New York]  Search this
Seneca  Search this
Lenape (Delaware)  Search this
Nanticoke  Search this
Nanticoke [Six Nations/Grand River (Brantford, Ontario)]  Search this
Pamunkey  Search this
Chickahominy  Search this
Eastern Band of Cherokee  Search this
Seminole  Search this
Southeast  Search this
Mid-Atlantic  Search this
Northeast  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Copy prints
Date:
1970-1971
Summary:
The Alfred Tamarin photograph collection consists of negatives and contact prints shot by Tamarin in 1971 during research for his publication We Have not Vanished: Eastern Indians of the United States. Tamarin made photographs among the Passamaquoddy, Mashpee Wampanoag, Narragansett, Cayuga [Six Nations/Grand River (Brantford, Ontario)], Mohawk [Akwesasne (St. Regis), Hogansburg, New York], Seneca, Lenape (Delaware), Nanticoke, Pamunkey, Chickahominy and Eastern Band of Cherokee communities, capturing both events and craftspeople at work.
Scope and Contents:
The Alfred Tamarin photograph collection consists of negatives and contact prints shot by Tamarin during research for his publication We Have not Vanished: Eastern Indians of the United States. In addition to Tamarins own photographs there are also 8x10 black and white prints from other sources used in the same publication.

Series 1: Reasearch Negatives includes photographic negatives made by Tamarin which were shot on 35mm film and 120 (6x6) film and have accompanying contact sheets. Most of the negatives were shot in 1971 along the east coast of the United States in Maine, Rhode Island, New York, New Jersey, Maryland, Virginia as well as in Ontario, Canada and at the Heard Fair in Phoenix, Arizona. Tamarin made photographs among the Passamaquoddy, Mashpee Wampanoag, Narragansett, Cayuga [Six Nations/Grand River (Brantford, Ontario)], Mohawk [Akwesasne (St. Regis), Hogansburg, New York], Seneca, Lenape (Delaware), Nanticoke, Pamunkey, Chickahominy and Eastern Band of Cherokee communities, capturing both events and craftspeople at work.

Events of note photographed include--the Monroe Powwow sponsored by Lenape (Delaware) Chief Earl Two Bears and a Narragansett anniversary celebration. There are also several photographs featuring Chief Jake Thomas (Ha-da-jib-ghen-ta [Descending Cloud]/Jacob Ezra Thomas) and his daughter Donna Thomas during a mask making demonstration in Brantford, Ontario. At the time, Chief Thomas was a museum preparator at the Mohawk Indian Woodland Indian Cultural.

Series 2: Publication Prints includes 65 8x10 black and white photographic prints and copy prints. Subseries 2.1 includes 19 prints from Tamarin's negatives that can be found in Series 1. Subseries 2.2 includes copy prints requested from outside photographer and institutions for use in We Have Not Vanished. These include photographs from the Bureau of Indian Affairs, Florida News Bureau, Indian Arts and Crafts Board, Maine State Highway Commission, and National Anthropological Archives (Smithsonian Institution).
Arrangement:
Arranged in two series. Series 1: Research Negatives and Series 2: Publication Prints.
Biographical / Historical:
Alfred Tamarin (1913-1980) was born in New York to parents Abraham and Fannie. Tamarin worked in publicity and advertising for theatre and film until the 1960s. During that time he worked for the Theatre Guild, United Artists Corporation and was also a founder and vice president of In Flight Motion Pictures Inc. After marrying his second wife Shirley Glubok in 1968, Alfred began his second career as a photographer for a series of art books written by Shirley. Alfred also wrote several books himself including We Have not Vanished: Eastern Indians of the United States (1974). We Have not Vanished was illustrated with photographs taken by Alfred in 1970-1971 among several Native American communities along the East Coast of the United States. Other books written by the Tamarins include Ancient Indians of the Southwest (1975), The Art of the Plains Indians (1975), Voyaging to Cathay (1976), among many others. Shirley Glubok Tamarin donated Alfred's materials related to We Have not Vanished to the Museum of the American Indian, Heye foundation in 1985 following Alfred's death in 1980.
Provenance:
Gift of Shirley Glubok Tamarin, 1985.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Images in Subseries 2.2: Copy prints from other sources are not owned by the National Museum of the American Indian.
Genre/Form:
Photographic prints
Negatives
Copy prints
Citation:
Identification of specific item; Date (if known); Alfred Tamarin photographs for We Have not Vanished, image #, NMAI.AC.376; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.376
See more items in:
Alfred Tamarin photographs for We Have not Vanished
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4e3e6f8d7-c04d-46c3-989e-ccf7043e6b93
EDAN-URL:
ead_collection:sova-nmai-ac-376

Research Negatives

Collection Creator:
Tamarin, Alfred H.  Search this
Extent:
425 Negatives (photographic) (black and white, 35mm, 120 film)
Container:
Box 1
Type:
Archival materials
Negatives
Negatives (photographic)
Date:
1970-1971
Scope and Contents:
Series 1 includes photographic negatives made by Tamarin which were shot on 35mm film and 120 (6x6) film and have accompanying contact sheets. Most of the negatives were shot in 1971 along the east coast of the United States in Maine, Rhode Island, New York, New Jersey, Maryland, Virginia as well as in Ontario, Canada and at the Heard Fair in Phoenix, Arizona. Tamarin made photographs among the Passamaquoddy, Mashpee Wampanoag, Narragansett, Cayuga [Six Nations/Grand River (Brantford, Ontario)], Mohawk [Akwesasne (St. Regis), Hogansburg, New York], Seneca, Lenape (Delaware), Nanticoke, Pamunkey, Chickahominy and Eastern Band of Cherokee communities, capturing both events and craftspeople at work.

Sheets 1-11 (35mm) include--photographs of Chief Jake Thomas (Ha-da-jib-ghen-ta [Descending Cloud]/Jacob Ezra Thomas) and his daughter Donna Thomas during a dance demonstration with Eugene Sky and a mask making demonstration in Brantford, Ontario; images of Mohawk [Awkwesasne] basket weaver Katie Thompson; views in Massachusetts at Mashpee and Martha's Vineyard and in Pleasant Point Maine on the Passamaquoddy Nation; Monroe Powwow in East Brunswick, New Jersey sponsosored by Chief Earl Two Bears.

Sheets 12-18 (120) include--Heard Indian Fair in Phoenix, Arizona; images of Nanticoke Chief Charles Cullen Clark; views on the Pamunkey and Chickahominy reservations in Virginia; views of Eastern Band of Cherokee headquarters in North Carolina.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Images in Subseries 2.2: Copy prints from other sources are not owned by the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Alfred Tamarin photographs for We Have not Vanished, image #, NMAI.AC.376; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.376, Series 1
See more items in:
Alfred Tamarin photographs for We Have not Vanished
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4aa11cebc-0fdf-48b4-bf00-e9fb58e9a2ff
EDAN-URL:
ead_component:sova-nmai-ac-376-ref1

Champlain Valley Songs

Performer:
Seeger, Pete, 1919-2014  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Place:
United States
New York
Lake Champlain (N.Y.)
Contents:
Seneca canoe song/ Isabeau s'y promeneau/The valliant soldier--Elder Bordee/ John Riley--The banks of Champlain--Rosyln Castle/Boyne water--Un Canadian Errant--Once more a lumbering go--Shantyman's life--Les Raftsmen--Lady of the lake--Vive le Canadianne/ How're you for stamps today--Clara Nolan's ball--Young Charlotte--John Brown's body
Track Information:
101 Seneca Canoe Song

101 Isabeau S'y Promeneau

101 The Valliant Soldier

102 Elder Bordee

105 John Riley

106 The Banks of Champlain

107 Roslyn Castle

107 Boyne Water

108 Un Canadien Errant

201 Once More A-Lumbering Go

202 The Shantyman's Life

203 Vive La Canadianne

204 How're You on for Stamps Today

205 Clara Nolan's Ball

206 Young Charlotte

207 John Brown's Body
Local Numbers:
FW-ASCH-7RR-1944
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy--Disc 338
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk songs -- United States  Search this
Folksong revival  Search this
Banjo  Search this
Folk songs -- New York  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-7RR-1944
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57bb2ab6d-3326-46a3-9791-29000f76aa18
EDAN-URL:
ead_component:sova-cfch-asch-ref20361

Songs and Dances of the Great Lakes Indians

Recorder:
Kurath, Gertrude Prokosch  Search this
Producer:
Kurath, Gertrude Prokosch  Search this
Performer:
Pamptopee, Betty  Search this
Roberts, Wilson, Wapanuetak  Search this
Lacasse, Fred  Search this
Shalifoe, Thomas, 1903-1986  Search this
Shagonaby, Susan  Search this
Kenosha, David, Oshawenimiki, 1893-1963  Search this
Albert, Whitney, Zhagezhin  Search this
Thomas, Eli Wassheshkom  Search this
Smoke, Percy, Kanat'he  Search this
Buck, Richard  Search this
Buck, Gordie  Search this
Buck, Morris  Search this
Lewis, Thomas  Search this
Miller, Huron  Search this
Lyons, Mrs.  Search this
Oshawenimiki  Search this
Blue Cloud  Search this
Kadega'ohiyaie  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Indians of North America  Search this
Americans  Search this
Fox  Search this
Ojibwa Indians  Search this
Ottawa Indians  Search this
Onondaga Indians  Search this
Iroquois Indians  Search this
Tutelo Indians  Search this
Seneca Indians  Search this
Type:
Archival materials
Phonograph records
Place:
Michigan
United States
Beartown (Mich.)
New York
Onondaga Indian Reservation (N.Y.)
Ontario
Canada
Six Nations Indian Reserve No. 40 (Ont.)
Iowa
Tama (Iowa)
Wisconsin
Lac du Flambeau (Wis.)
Baraga (Mich.)
Harbor Springs (Mich.)
Cross Village (Mich.)
Mikado (Mich.)
Isabella Reservation (Mich.)
Cattaraugus (N.Y.)
Date:
1956
Contents:
Buffalo head dance 1 ; Buffalo head dance 2 ; Bear claw or Grizzly bear dance ; Pipe of peace or Calumet dance ; Soldier or Victory round dance ; Love song for flute (6:15) -- Fish dance ; Pipe dance ; Powwow or Horse dance ; Forty-nine dance ; Oh Mary (5:11) --Deer song ; Catholic Ojibwa hymn (2:08) --War rally song ; Bear dance ; Eagle dance ; Maple sugar song ; Hoot owl song 1 (3:35) --Hoot owl song 2 ; Coon song ; Rabbit song ; Medicine song (4:48) --Grass dance song ; Drinking song (1:38) --Bear dance (2:18) -- Eagle dance (2:49) --Wasase rain dance or War dance (2:40) --Scalp dance (:56) --Corn dance (2:10) --Women's dance (3:34) --Fishing dance (3:45) --Stomp dance (3:12) -- Two future projects (1:12).
Track Information:
101 Buffalo Head Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

102 Fish Dance / Fred Lacasse. Drum. Ojibwa language.

103 Deer Song / Thomas Shalifoe. Ojibwa language.

103 Jesus Wegwissian / Thomas Shalifoe. Ojibwa language.

104 War Rally Song / Susan Shagonaby. Ottawa language.

104 Bear Dance / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

105 Hoot Owl Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

106 Grass Dance Song / Eli Wassheshkom Thomas. Ojibwa language.

201 Bear Dance / Percy, Kanat'he Smoke. Drum. Onondaga language.

203 Wasase Rain Dance, War Dance / Richard Buck. Cayuga language.

209 Rituals to the Creator / Gordie Buck, Morris Buck. Cayuga language.

101 Bear Claw Dance, Grizzly Bear Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Pipe of Peace Dance, Calumet Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Soldier Dance, Victory Round Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Love Song / Wilson, Wapanuetak Roberts. Flute. Fox language.

102 Pipe of Peace Dance / Fred Lacasse. Drum. Ojibwa language.

102 Horse Dance, Pow Wow Dance, Friendship Dance, War Dance / Fred Lacasse. Ojibwa language.

102 Forty-nine Dance / Fred Lacasse. Drum. Ojibwa language.

102 Oh Mary / Fred Lacasse. Ojibwa language.

104 Eagle Dance / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

104 Maple Sugar Song / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

104 Hoot Owl Song / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

105 Coon Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

105 Rabbit Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

105 Medicine Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

106 Drinking Song / Eli Wassheshkom Thomas. Ojibwa language.

202 Eagle Dance / Percy, Kanat'he Smoke. Onondaga language.

204 Scalp Dance / Thomas Lewis. Onondaga language.

205 Corn Dance / Thomas Lewis. Onondaga language.

206 Women's Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

207 Fishing Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

208 Stomp Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

209 Wesleyan Hymn / Mrs. Lyons.

209 Owa bagish kichi ingodwok nijinishinabek (O for a thousand tongues) / Betty Pamptopee.
Local Numbers:
Folkways.4003; Folkways.1003

FW-COMM-LP-04003
Publication, Distribution, Etc. (Imprint):
New York Folkways 1956
Date/Time and Place of an Event Note:
Recorded in: Six Nations Indian Reserve No. 40 (Ont.), Canada, Ontario, Onondaga Indian Reservation (N.Y.), New York, Beartown (Mich.), United States, Michigan.
General:
Commercial

Track 102 Personnel: Fred Lacasse, George W. Brown, Sam Link, John Martin. Performed by members of native Indian tribes, principally with percussion acc. Production notes: Recorded in the United States and Canada by Gertrude Prokosch Kurath circa 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
hymns  Search this
Musicals  Search this
Drum  Search this
Water-drum  Search this
Flute  Search this
Religion  Search this
Catholicism  Search this
Children  Search this
Christianity  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-COMM-LP-04003
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk559107b45-2bd0-4a42-a4f1-58a109d50d57
EDAN-URL:
ead_component:sova-cfch-asch-ref24603

Hudson River Sloop- side 1

Performer:
Seeger, Pete, 1919-2014  Search this
Stekert, Ellen Jane, 1935-  Search this
Lazare, June  Search this
Rogers, Grant, 1907-1979  Search this
Houston, Cisco  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Seneca Indians  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Place:
United States
New York
New York (N.Y.)
Track Information:
101 Seneca Canoe Song / Pete Seeger. Banjo. Seneca language.

102 The Shanty Boy and the Farmer's Son / Ellen Jane Stekert. Guitar. English language.

103 Hoks the Pirate / June Lazare. Guitar. English language.

104 The Banks of Champlain / Pete Seeger. Banjo. English language.

105 Little Red Barn / Grant Rogers. Guitar. English language.

106 Erie Canal (Low bridge) / Cisco Houston. Guitar. English language.

107 My Suit of Clothes / Ezra Barhigh English language.

108 Tarrytown / Pete Seeger. Banjo. English language.
Local Numbers:
FW-ASCH-7RR-3672
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 353
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folksong revival  Search this
Folk songs -- United States  Search this
Banjo  Search this
Guitar  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-7RR-3672
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk503c51130-f64e-4586-bfdd-3314803f3f60
EDAN-URL:
ead_component:sova-cfch-asch-ref25111

Abler, Thomas S. and Elizabeth Tooker, Seneca

Container:
Box 18 of 27
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 00-002, National Museum of American History, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 18
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa00-002-refidd1e7157

Seneca man, Red Jacket

Creator:
Weir, R. W.  Search this
Extent:
1 Photograph (8x10 in)
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographs
Local Numbers:
NAA INV.9373200

OPPS NEG.903 C
Local Note:
The illustration was apparently made from the portrait painted by R. W. Weir, in the New York Historical Society.
Black and white copy film negative
Topic:
Iroquois  Search this
Genre/Form:
Photographs
See more items in:
Bureau of American Ethnology negatives
Bureau of American Ethnology negatives / Additional Materials / Weir, R. W.
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3c015e35d-6bb4-4778-9238-443f56b2d183
EDAN-URL:
ead_component:sova-naa-photolot-176-ref9375

"The Trial of Red Jacket"

Artist:
Stanley, John Mix, 1814-1872  Search this
Extent:
1 Photograph (8x10 in)
Culture:
Seneca  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Photographs
Date:
1868
Biographical / Historical:
Date: Painted 1868.
Local Numbers:
OPPS NEG.36589 F
Local Note:
In 1969 the picture is described on two NAA lists, the Red Jacket list and the Stanley list, without the negative Number and referring searchers to Buffalo and Erie County Historical Society.
Black and white copy negative
Restrictions:
Restricted. Letter of James E. Littlefield, Acting Curator of Iconography, received 10-20-69 states: "Permission is granted to include the negative 'The Trial of Red Jacket' on your list of photographs, but we would prefer that credit lines and requests for reproduction be handled through us." Prints will therefore not be distributed by the NAA and requests are to be directed to the Buffalo and Erie County Historical Society.
Topic:
Iroquois  Search this
Genre/Form:
Photographs
See more items in:
Bureau of American Ethnology negatives
Bureau of American Ethnology negatives / Additional Materials / Stanley, J. M. (John Mix), 1814-1872
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ab2e6636-f193-4e3d-bbf8-99b9b6aec3f1
EDAN-URL:
ead_component:sova-naa-photolot-176-ref9385

MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition

Creator:
Siegriest, Louis Bassi, 1899-1989  Search this
United States. Works Progress Administration  Search this
Names:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Extent:
16 Posters (color silkscreen, 25 x 36 inches; 12x 18 inches)
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Apache  Search this
Diné (Navajo)  Search this
Haida  Search this
Eskimos  Search this
Pomo  Search this
Pueblo  Search this
Seneca  Search this
Type:
Collection descriptions
Archival materials
Posters
Works of art
Place:
San Francisco (Calif.)
North America
Date:
1939
Scope and Contents:
The collection consists of posters created for the Indian Court exhibit at the Golden Gate International Exposition. The posters were created as part of the Federal Art Project (FAP) of the Works Progress Administration (WPA). The designs were adapted by Louis Siegriest from work produced by indigenous artists. The artists who contributed resource material received limited recognition for their work; some remain unknown.

Siegriest created eight (8) posters for the Indian Court exhibit. This collection includes one complete set of all eight (8) posters and one (1) explanatory label, and one incomplete set of seven (7) posters.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Louis Bassi Siegriest (1899-1989) was an American painter and commerical artist based in California.
Historical Note:
The Golden Gate International Exposition (1939=1940) was a World's Fair celebrating "Pacific Unity" and the opening of the San Francisco–Oakland Bay Bridge and the Golden Gate Bridge.
Local Numbers:
NAA MS 4883
Related Materials:
The Archives of American Art holds the Louis Siegriest papers and an Oral history interview with Louis Siegriest.
Provenance:
The provenance of the collection is unknown. It is possible that the two sets of posters were received from different sources.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Posters
Citation:
MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4883
See more items in:
MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw316518c2d-b47b-442f-9cc0-a919aaf05f5a
EDAN-URL:
ead_collection:sova-naa-ms4883
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