Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.
Scope and Contents:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.
Biographical material includes artist's statements, biographical writings, lists, life and death documents, a memorial book, naturalization paperwork, and one file of collaborative poetry with David Rattray.
Correspondence includes letters and postcards from Cheng's friends, artists, and family, including Tally Brown, Ira Cohen, Gregory Millard, Vali Myers, David Rattray, and Dui Seid.
Personal business and estate records contain contracts, loan agreements, inventories, and other records documenting income and expenses.
Printed material is comprised of books, clippings, exhibition announcements and catalogs, journals, magazines, newsletters, postcards, press releases, programs, and posters documenting Cheng's career.
One scrapbook contains clippings and reproductions of Cheng's work.
Photographic material includes photographs, negatives, and slides featuring portraits of Cheng, Gregory Millard, Tally Brown, Vali Myers, Sybao Cheng-Wilson, and others.
Artwork and fifteen sketchbooks contain drawings and sketches, mostly quick studies of geometric compositions done in pencil, ink, and colored pencil.
Artifacts include a metal box, various fabric scraps, a paintbrush, and a blue enamel mug, which is the subject of one of Cheng's paintings.
Arrangement:
The collection is arranged as nine series
Missing Title
Series 1: Biographical Material, circa 1970-1990 (0.3 linear foot; Box 1)
Series 2: Correspondence, 1957-2014 (2.2 linear feet; Box 1-3)
Series 3: Personal Business and Estate Records, circa 1970-2010 (0.7 linear foot; Box 3-4)
Series 4: Printed Material, 1954-2011 (1.1 linear feet; Box 4-5, 7, OV 9)
Series 5: Scrapbook, 1982-1983 (1 folder; Box 5)
Series 6: Photographic Material, circa 1950-1990 (0.4 linear feet; Box 5, 7)
Series 7: Artwork, circa 1960-1990 (1linear foot; Box 5, 8, OV 10)
Series 8: Sketchbooks, circa 1970-1990 (0.5 linear feet; Box 6, 8)
Series 9: Artifacts, circa 1970-1990 (0.6 linear feet; Box 6)
Biographical / Historical:
Ching Ho Cheng (1946-1989) was a Chinese American artist based in New York City.
Cheng was born in Cuba but spent most of life in New York City. After receiving his BFA from the Cooper Union in 1968, Cheng lived in Paris and Amsterdam, where he had his first solo exhibition in 1976. Shortly after, Cheng moved back to New York City. He became associated with the Warhol circle, and took up residence in the Chelsea Hotel, where he lived until his death in 1989.
Working in the pop psychedelic style early in his career, Cheng later developed a technique of creating abstract paintings with stencils and torn paper that he treated and soaked. He was in more than fifteen exhibitions before his death, and his work has been collected posthumously by the Hirshhorn, the Whitney, and many other museums.
Provenance:
The Ching Ho Cheng papers were donated to the Archives of American Art in 2014 and 2016 by Sybao Cheng-Wilson, Cheng's sister and executor of the Ching Ho Cheng estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
