Search Results

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2022-02-04T21:07:05.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_pD5Aa1Uw6wg

Artist:

Franz Kline, American, b. Wilkes-Barre, Pennsylvania, 1910–1962  Search this

Medium:

Oil and collage on paperboard mounted on wood

Dimensions:

28 1/8 x 22 1/4 in. (71.3 x 56.4 cm)

Type:

Painting

Date:

(1948)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966

Accession Number:

66.2748

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Abstract Expressionism (First Generation)

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2d3e6e1ba-4c4e-42a0-ac70-2059abb1f4ec

EDAN-URL:

edanmdm:hmsg_66.2748

Artist:

Max Beckmann, German, b. Leipzig, 1884–1950  Search this

Medium:

Oil on canvas

Dimensions:

36 1/4 × 55 in. (92.1 × 139.8 cm)

Type:

Painting

Date:

1950

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number:

66.429

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

German Expressionism

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py22ab9f11a-b8ab-43a8-ae1b-619f25df1f6c

EDAN-URL:

edanmdm:hmsg_66.429

Author:

Sims, Patterson  Search this

Tansey, Mark 1949-  Search this

Seattle Art Museum  Search this

Subject:

Tansey, Mark 1949-  Search this

Physical description:

39 p. : ill. (some col.) ; 28 cm

Type:

Exhibitions

Place:

United States

Date:

1991

1991]

Topic:

Artists  Search this

Call number:

ND.237.T346.A4.1990

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_656625

Collection Creator:

Zabriskie Gallery  Search this

Container:

Box 92, Folder 44

Type:

Archival materials

Date:

1984-1997

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Zabriskie Gallery records

Zabriskie Gallery records / Series 7: Institution Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92c1e3b3f-b377-467d-a7fe-2bb2aab413b5

EDAN-URL:

ead_component:sova-aaa-zabrgall-ref3702

Painter:

Tobey, Mark 1890-1976  Search this

Medium:

Gouache or tempera on paper

Type:

Paintings

Owner/Location:

Seattle Art Museum 100 University Street Seattle Washington 98101

Date:

1930

Topic:

Abstract  Search this

Control number:

IAP 56490218

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_424933

Creator:

Lippard, Lucy R.  Search this

Names:

Addison Gallery of American Art  Search this

Alliance for Cultural Democracy  Search this

Art Workers Coalition  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Political Art Documentation/Distribution (Organization)  Search this

Printed Matter, Inc.  Search this

Studio International (Firm)  Search this

University of Colorado -- Faculty  Search this

Women's Caucus for Art  Search this

Andre, Carl, 1935-  Search this

Chicago, Judy, 1939-  Search this

Darboven, Hanne  Search this

Edelson, Mary Beth  Search this

Hammond, Harmony  Search this

Henes, Donna  Search this

Johnson, Ray, 1927-  Search this

Judd, Donald, 1928-  Search this

LeWitt, Sol, 1928-2007  Search this

Pearson, Henry, 1914-2006  Search this

Stevens, May  Search this

Extent:

70.5 Linear feet

0.454 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Interviews

Photographs

Date:

1930s-2010

bulk 1960-1990

Summary:

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

Scope and Contents:

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

Arrangement:

The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)

Biographical / Historical:

New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.

Provenance:

Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Curators -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Art critics -- New York (State) -- New York  Search this

Topic:

Art -- Study and teaching  Search this

Artists -- Political activity  Search this

Art criticism  Search this

Feminism and art  Search this

Women authors  Search this

Women art critics  Search this

Art, Modern -- 20th century  Search this

Conceptual art  Search this

Minimal art  Search this

Women museum curators  Search this

Women educators  Search this

Genre/Form:

Sound recordings

Interviews

Photographs

Citation:

Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.lipplucy

See more items in:

Lucy R. Lippard papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed

EDAN-URL:

ead_collection:sova-aaa-lipplucy

Collection Creator:

Hills, Patricia  Search this

Container:

Box 36, Folder 35

Type:

Archival materials

Date:

circa 1986

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 8: Writings / 8.3: Talks, Not Published

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c7c96637-7535-4f62-bc7c-ac46f6d054d1

EDAN-URL:

ead_component:sova-aaa-hillspat-ref1051

Collection Creator:

Hills, Patricia  Search this

Type:

Archival materials

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92df37e6d-d63b-45b8-a180-bf4e1c01e0db

EDAN-URL:

ead_component:sova-aaa-hillspat-ref840

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 23

Type:

Archival materials

Date:

circa 1985-1986

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e3084964-74b1-41a5-adce-d451a14d4bd4

EDAN-URL:

ead_component:sova-aaa-hillspat-ref841

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 24

Type:

Archival materials

Date:

circa 1985

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a6b1101f-d538-4cb8-904d-a1b1a84d6fcf

EDAN-URL:

ead_component:sova-aaa-hillspat-ref842

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 25

Type:

Archival materials

Date:

1985

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9125ad945-cb35-4f5a-9c31-2adf7798c57d

EDAN-URL:

ead_component:sova-aaa-hillspat-ref843

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 26

Type:

Archival materials

Date:

1985

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96422e6b0-c2ba-4273-a2ee-8adbd5927ca7

EDAN-URL:

ead_component:sova-aaa-hillspat-ref844

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 27

Type:

Archival materials

Date:

1985

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97ecdc983-bf92-4118-ab36-32860a0c337b

EDAN-URL:

ead_component:sova-aaa-hillspat-ref845

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 28

Type:

Archival materials

Date:

circa 1985-1986

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b1b930ea-c5d2-4388-83e6-af16ffa0ef9c

EDAN-URL:

ead_component:sova-aaa-hillspat-ref846

Collection Creator:

Hills, Patricia  Search this

Container:

Box 28, Folder 29

Type:

Archival materials

Date:

circa 1986

Collection Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Collection Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

See more items in:

Patricia Hills papers

Patricia Hills papers / Series 2: Project Files / Jacob Lawrence / Writings, Jacob Lawrence: American Painter Seattle Art Museum (1986)

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c2ccb9f4-be25-4f5c-9ce6-a3f3244a4087

EDAN-URL:

ead_component:sova-aaa-hillspat-ref847

Creator:

Warashina, Patti, 1940-  Search this

Names:

Lee Nordness Galleries  Search this

Currier, Anne, 1950-  Search this

Kottler, Howard, 1930-1989  Search this

Lipofsky, Marvin, 1938-2016  Search this

Lucero, Michael, 1953-  Search this

Sperry, Robert, 1927-1998  Search this

Extent:

4.8 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Photographs

Date:

circa 1900-1991

bulk 1970-1989

Summary:

The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Scope and Content Note:

The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.

Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, María Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.

Arrangement:

The Patti Warashina papers are arranged as seven series based primarily on type of material. The correspondence in Series 2 is arranged chronologically for exhibitions and projects and general letters received. Additional letters received are arranged by name of author.

Missing Title

Series 1: Biographical Material, 1974-1991, undated (Box 1; 3 folders)

Series 2: Correspondence, 1957, 1967-1991, undated (Boxes 1-3; 2.0 linear feet)

Series 3: Photographs, circa 1900- circa 1959, 1971, undated (Box 3; 3 folders)

Series 4: Printed Material, 1961-1990, undated (Boxes 3-6, OV 7; 2.0 linear feet)

Series 5: Writings and Notes, 1984, 1986, 1989, undated (Box 6; 4 folders)

Series 6: Artwork, 1986, undated (Box 6; 2 folders)

Series 7: Miscellany, 1987, undated (Box 6; 2 folders)

Biographical Note:

Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.

Influences in Warashina's art include California funk and sculptural ceramics. Her work is best known for its whimsical themes expressed through low-fire highly colored figurative images. Together with fellow artists Robert Sperry, Howard Kottler and Fred Bauer, she brought national recognition to the department of ceramics at the University of Washington's School of Art beginning in the 1980s.

Patti Warashina is a recipient of several awards for achievements in the field of crafts, most recently the Twining Humber Award granted by Seattle's Artists Trust in 2002. She received the Governor's Award of Special Commendation for the Arts in 1980 in addition to grants from the National Endowment for the Arts in both 1975 and 1986. In 1978, Warashina was awarded a World Craft Council Travel Grant which allowed her to conduct research on the ceramic arts process in Japan, Hong Kong, Singapore, Thailand, Bali and the Philippines. Warashina's teaching career spans over 30 years and includes positions at the University of Wisconsin, Eastern Michigan University, and at her alma mater where she has taught for over 25 years. Her work is featured in several museum collections in both the U.S. and abroad including the American Craft Museum in New York, the Seattle Art Museum and Henry Art Gallery, the Smithsonian American Art Museum's Renwick Gallery (Washington, DC), the Art Gallery of Western Australia, and the Ichon World Ceramic Center in Korea. Since her marriage to ceramicist Robert Sperry in 1976, she has used Patti Warashina as her professional name. Patti Warashina is a resident of Seattle, Washington.

Provenance:

The Patti Warashina papers were donated by the artist to the Archives of American Art in 1991.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Ceramicists -- Washington (State) -- Seattle  Search this

Sculptors -- Washington (State) -- Seattle  Search this

Topic:

Japanese American families -- Photographs  Search this

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American sculptors  Search this

Asian American ceramicists  Search this

Women artists  Search this

Women ceramicists  Search this

Women sculptors  Search this

Genre/Form:

Video recordings

Photographs

Citation:

Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.warapatt

See more items in:

Patti Warashina papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw959631d63-cd0b-4c29-b6df-dadc4b149ee0

EDAN-URL:

ead_collection:sova-aaa-warapatt

Author:

Chantry, Art 1954-  Search this

Sims, Patterson  Search this

Heller, Steven  Search this

Seattle Art Museum  Search this

Subject:

Chantry, Art 1954-  Search this

Physical description:

1 folded sheet ([6] p.) : ill. (some col.) ; 28 cm

Type:

Exhibitions

Place:

United States

Date:

1993

C1993

20th century

Topic:

Posters  Search this

Posters, American  Search this

Call number:

NC1850.C43 A4 1993

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_673534

Container:

Box 55 of 287

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records

See more items in:

Records

Records / Series 15: Unnumbered exhibitions, 1947-1964 / Box 55

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-faru0321-refidd1e9860

Container:

Box 95 of 117

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Record Unit 313, National Collection of Fine Arts, Central Administrative File, Records

See more items in:

Central Administrative File, Records

Central Administrative File, Records / Series 11: STATE AND FOREIGN COUNTRY FILES / Box 95

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-faru0313-refidd1e18260