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The Technique of Wood Sculpture, Chapter Drafts

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 2
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw956263c82-1615-4740-a2bd-03157cfdce4c
EDAN-URL:
ead_component:sova-aaa-groschai-ref640

The Technique of Wood Sculpture, Labels for Wood Sculpture

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 6
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cddabf82-4287-419d-8bfd-8003c4fe4e41
EDAN-URL:
ead_component:sova-aaa-groschai-ref644

Bodhisattva Avalokiteshvara (Guanyin) standing on a lotus emerging from waves

Artist:
Attributed to the Shen Shao'an Family Workshop  Search this
Medium:
Lacquer and cloth (dry lacquer technique) with traces of gilding
Dimensions:
H x W x D: 50.8 x 24.2 x 20.2 cm (20 x 9 1/2 x 7 15/16 in)
Type:
Sculpture
Lacquer
Origin:
China
Date:
mid-17th to mid-18th century
Period:
Qing dynasty
Topic:
Buddhism  Search this
bodhisattva  Search this
Ming dynasty (1368 - 1644)  Search this
Qing dynasty (1644 - 1911)  Search this
lotus  Search this
Guanyin  Search this
China  Search this
wave  Search this
Chinese Art  Search this
Credit Line:
Gift of Rolf and Maureen Jacoby
Accession Number:
F2021.1.1
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3d2b53b3e-2ef6-45ba-a2c2-ddacafb835f5
EDAN-URL:
edanmdm:fsg_F2021.1.1

Art: Sculpture Techniques

Collection Creator:
The Arctic Circle (Gallery: Los Angeles, Calif.)  Search this
Container:
Box 2, Folder 31
Type:
Archival materials
Date:
undated
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
The Arctic Circle records
The Arctic Circle records / Series 2: Reference Materials / 2.2: Reference Library
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv43eeacb73-5f12-4ac8-82bb-1add4f75a63b
EDAN-URL:
ead_component:sova-nmai-ac-004-ref72

The Technique of Wood Sculpture, Labels for Photographs

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 3
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e3be6a99-a178-40fa-84e5-4410d74c37cc
EDAN-URL:
ead_component:sova-aaa-groschai-ref641

The Technique of Wood Sculpture, Labels for Photographs

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 4
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974387400-5d73-415f-a0fd-5902a33c5341
EDAN-URL:
ead_component:sova-aaa-groschai-ref642

The Technique of Wood Sculpture, Labels for Process

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 5
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a5bff384-ff48-499b-95ea-c57ce5f1e67f
EDAN-URL:
ead_component:sova-aaa-groschai-ref643

The Technique of Wood Sculpture, Photos of Artwork

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 7
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c6097634-3884-4bde-b894-30d66c53b991
EDAN-URL:
ead_component:sova-aaa-groschai-ref645

The Technique of Wood Sculpture, Photos of Artwork

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 10, Folder 8
Type:
Archival materials
Date:
circa 1950s
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes / 3.1: Writings and Notes by Gross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9361fa979-c346-4113-8170-34036f491685
EDAN-URL:
ead_component:sova-aaa-groschai-ref646

"Graphics Techniques: Intaglio;" Remarks on Colossal Sculpture

Collection Creator:
Stewart, Jack, 1926-2005  Search this
Container:
Box 4, Folder 4
Type:
Archival materials
Date:
1977-1978
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Jack Stewart papers
Jack Stewart papers / Series 3: Writings and Notes / Miscellaneous Writings and Notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dccddafb-c80f-4b05-b5e3-243720405f3b
EDAN-URL:
ead_component:sova-aaa-stewjack-ref104

Notes, on Sculptural Techniques and Services

Collection Creator:
Haskins, Sylvia Shaw Judson, 1897-1978  Search this
Container:
Box 1, Folder 15
Type:
Archival materials
Date:
circa 1920-1940s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sylvia Shaw Judson papers, 1911-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Sylvia Shaw Judson papers
Sylvia Shaw Judson papers / Series 3: Writings and Notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96109f262-1a1d-4539-bbdf-daa7c8ff653f
EDAN-URL:
ead_component:sova-aaa-hasksylv-ref51

Dow Pugh

Collection Creator:
Volkersz, Willem  Search this
Extent:
1 Sound cassette
Container:
Box 2, Folder 15
Type:
Archival materials
Sound cassettes
Date:
1977 April 2
Scope and Contents:
Volkersz and his wife Diane visit Pugh at his home in Tennessee where they tour his concrete arid wood sculptures. Pugh discusses his construction technique and the vandalism of his works and materials.

Side 2 contains the 1984 Robert Smith interview.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Willem Volkersz interviews, 1975-1985. Archives of American Art, Smithsonian Institute.
See more items in:
Willem Volkersz interviews
Willem Volkersz interviews / Series 1: Interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f046d29f-b0e1-4373-9337-d700584713de
EDAN-URL:
ead_component:sova-aaa-volkwill-ref21

Personnel Photographs: Stubbs, Burns Archer - Cahill's drawings for retirement, 1956 (3 folders)

Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 02-007, Freer Gallery of Art and Arthur M. Sackler Gallery. Office of Special Events, Photographs
See more items in:
Photographs
Photographs / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa02-007-refidd1e560
Online Media:

Ed Dwight Interview

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Dwight, Edward, Jr., 1933-  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Interviews
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970s
Scope and Contents:
Sculptor Ed Dwight talks about his work and process. He provides detailed description of working with wax and bronze, modeling, casting, working with molds, and other sculpting techniques and processes. Dwight also speaks of the Black Frontier Spirit Series exhibit, at the behest of the National Park Service, at the St. Louis Arch Museum; using bronze to tell stories of African Americans; discovering lack of African American artists when he was studying art and artists; artistic heritage of Africans; and study of black man as accomplisher, creator, image maker, and sculptor.
Interview. Part of ACM Museum Events, PR, and Ceremonies Recordings. Undated.
Local Numbers:
ACMA AV003286-2

ACMA AV003308
General:
Title created by ACMA based on transcription from physical asset and contents of recording.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Sculptors  Search this
African American sculptors  Search this
Sculpture  Search this
African American artists  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Ed Dwight Interview, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023, Item ACMA AV003286-1
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa79aa2c336-7a25-489e-9be3-bd6463a389c5
EDAN-URL:
ead_component:sova-acma-09-023-ref543

Gathered Visions: Docent Training with Malkia Roberts

Creator:
Anacostia Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Video recording (VHS)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1990
Scope and Contents:
Artist Malkia Roberts led docent training for the exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Roberts talked about docent techniques to reach museum visitors. With a slide presentation, she discussed art created by Black artists, not in the exhibition. Roberts also showed her two works, which would be in the exhibition, and explained them.
Related to exhibition 'Gathered Visions: Selected Works by African American Women Artists.' Dated 19901025.
Biographical / Historical:
Gathered Visions: Selected Works by African American Women Artists' included fifteen individuals whose creative efforts reflect a multitude of experiences and universal concerns. Among the works on display were prints that comment on contemporary living, mixed-media sculptures that explore social and historical questions, and paintings that address women's issues. The exhibition presented the richness of the African American artistic traditions in the greater Washington area. It was held from November 18, 1990 to April 28, 1991 at the Anacostia Museum
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
Women artists  Search this
African American women artists  Search this
Museum exhibits  Search this
Genre/Form:
Video recordings
Series Citation:
Gathered Visions: selected works by African American women artists audiovisual records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-044, Item ACMA AV002148
See more items in:
Gathered visions: selected works by African American women artists exhibition records
Gathered visions: selected works by African American women artists exhibition records / Series ACMA AV03-044: Gathered Visions: selected works by African American women artists audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7ac2e8932-01b2-4013-a0ee-1a1729018ea4
EDAN-URL:
ead_component:sova-acma-03-044-ref609

Stovall Workshop Inc. Slide Show

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Corcoran Gallery of Art  Search this
Corcoran Gallery--Dupont Center  Search this
Stovall Workshop Inc.  Search this
Bronson, David  Search this
Fralin, Frances  Search this
McNeill, Lloyd  Search this
Stovall, Di Bagley, 1947-  Search this
Stovall, Lou  Search this
Collection Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Narration
Place:
Washington (D.C.)
Atlanta (Ga.)
United States
Date:
1983
Scope and Contents:
Stovall Workshop Inc. Slide Show focuses on the formation of Workshop by Lou Stovall and Lloyd McNeill from its origins at the Corcoran Gallery of Art to its current location in northwest Washington, D.C. Stovall's and McNeill's poster work, the development of Stovall's silkscreen process, landscape designs, and use of color are also described. In interview clips, Francis Fralin and David Bronson provide memories about Stovall, McNeill, and Workshop. M. Murray provides the narration.
Music, narration, and interview clips edited for slide show. Part of Through Their Eyes: The Art of Lou and Di Stovall Audiovisual Records. AV003444-1 and AV003509-2: music, narration, and interview clips. AV003444-2: narration and interview clips only. AV003509-1: constant beeps over music, narration, and interview clips. AV003444 labeled final mix. Dated 19830902 [AV003444]. Undated [AV003509].
Biographical / Historical:
Stovall Workshop Inc. Slide Show is related to an exhibition featuring the works of Washington, D.C. artists, Lou and Di Stovall, organized by the Anacostia Neighborhood Museum and held there from September 18, 1983 - March 4, 1984. The exhibition, Through Their Eyes: The Art of Lou and Di Stovall, showcased 84 works - silkscreen prints, drawings, and arcylic paintings - illustrating the artists' progression form posterists to master printmaker and miniaturist, respectively. The art was complemented by audiovisual presentations on the technique of silkscreen printing and a biographical essay on the artists.;Lou Stovall was born Luther McKinley Stovall in Athens, Georgia in 1937. When Stovall was four years old, his family moved north to Springfield, Massachusetts to find work. At age of fifteen, he was an apprentice to Al LaPierre in his silkscreen sign shop at the Growers Outlet Super Market. In 1956, Stovall received a grant and scholarship to attend Rhode Island School of Design. After the first semester, his father became ill so Stovall returned home to support his family for about five or six years. When he returned to school, Stovall attended Howard University, where he received a B.F.A. in 1965. James Lesesne Wells introduced to Stovall to silkscreen as a fine art rather than a commercial medium. Stovall also learned about collaboration in printmaking (artist and printer combining ideas and skills to create a work of art) from Wells. In 1968, Stovall received a grant to buy printmaking equipment. However, he made most of the tools and tables himself creating a full scale printmaking, wood making, and metal workshop in Washington, D.C. Under his direction, Workshop Inc. has grown from a small but active studio primarily concerned with community posters into a professional printmaking outfit. Stovall creates his own original silkscreen prints and is the printmaker of choice for other master artists including Elizabeth Catlett, David C. Driskell, and Sam Gilliam. For each work of art, he finds new and unique ways to replicate as closely as possible a painting supplied by the artist. He has the ability to make the medium do just about anything he and the artist(s) want it to do. Stovall's innovative techniques and distinctive style is credited by artists and critics with helping to transform the concept of silkscreen printmaking from a commercial craft to a true art form. In 1971, Stovall married Di Bagley, a painter who specializes in acrylic on paper and incorporates miniature images into many of her works.;Stovall Workshop Inc. was formed as a result of a poster collaboration between printmaker Lou Stovall and designer Lloyd McNeill in 1966. Printmaking, sculpture, photography, and furniture making were directed by Stovall in Workshop, first located at the Concoran Gallery of Art [Corcoran Gallery Dupont Circle]. By 1973, Stovall moved Workshop to northwest DC.
Local Numbers:
ACMA AV003444-2

ACMA AV003509-1

ACMA AV003509-2
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Artists  Search this
Topic:
African Americans  Search this
African American printmakers  Search this
Printmakers  Search this
African American artists  Search this
Art  Search this
Prints  Search this
Screen prints  Search this
Posters  Search this
Landscapes  Search this
Prints -- Technique  Search this
Serigraphy  Search this
Color in art  Search this
Museum exhibits  Search this
Exhibitions  Search this
Genre/Form:
Sound recordings
Narration
Citation:
Stovall Workshop Inc. Slide Show, Exhibition Records AV03-001, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-001, Item ACMA AV003444-1
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Through their eyes: the art of Lou and Di Stovall exhibition records / Series ACMA AV03-001: Through Their Eyes: The Art of Lou and Di Stovall audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e17c3361-7603-4634-98bb-4502a75a18ef
EDAN-URL:
ead_component:sova-acma-03-001-ref69

Research Material

Collection Creator:
Ros, Moses, 1958-  Search this
Container:
Box 1, Folder 39
Type:
Archival materials
Date:
circa 2002
Scope and Contents:
Includes an artist's services list, article on Alexander Calder, a paper on Leonardo Da Vinci, and information on mural and outdoor sculpture materials and techniques.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Moses Ros papers, 1978-2012. Archives of American Art, Smithsonian Institution.
See more items in:
Moses Ros papers
Moses Ros papers / Series 2: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f65a8155-43cd-4bce-9ead-c24936c843b4
EDAN-URL:
ead_component:sova-aaa-rosmose-ref35

Artist Files

Collection Creator:
B.C. Holland Gallery  Search this
Holland, B. C. (Bud C.), 1922-1994  Search this
Extent:
2.1 Linear feet (Boxes 1-2, OV 3)
Type:
Archival materials
Date:
1942-1991
bulk 1959-1965
Scope and Contents:
Found here are invoices, correspondence between artists and gallery owners, price lists, exhibition catalogues and exhibition print materials, magazine and newspaper clippings, black and white and color photographs, slides, negatives, 2 pieces of artwork, and 1 landscape plan. There are two files containing letters of authenticity and invoices for Gandaharan sculptures, a style of Buddhist art from the Kushan period dating between 1st and 5th centuries A.D., and Haniwa, a style of Japanese sculpture made using the wasumi technique in the Kofun period between 4th and 6th centuries A.D. Correspondence during 1957 and 1961 may include Noah Goldowsky, co-owner of the Holland-Goldowsky Gallery until 1961. Also note that some artist files may contain a single item.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
B. C. Holland Gallery records, 1942-1991, bulk 1959-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bcholl, Series 1
See more items in:
B. C. Holland Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93806c687-85cf-416b-b715-60fda6a1a43a
EDAN-URL:
ead_component:sova-aaa-bcholl-ref10

Writings and Notes by Gross

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Type:
Archival materials
Date:
1938-circa 1970s
Scope and Contents:
Writings and notes by Gross include a review and a copy of the American Federation of Arts publication Magazine of Art for December 1938 featuring Gross's first published article. Writings and notes about other artists are drafts of short statements about artists including Federico Castellon, Robert Matta, Bernard Simon, Moses Soyer, and Harvey Weiss, possibly written as recommendations or for announcements or catalogs. Also found are drafts of chapters for Gross's how-to book The Technique of Wood Sculpture, with draft labels and photos of artwork to be featured in the book.
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.groschai, Subseries 3.1
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 3: Writings and Notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9381545e7-276b-45c8-9106-7ed439f816bc
EDAN-URL:
ead_component:sova-aaa-groschai-ref635

Printed Material

Collection Creator:
Warashina, Patti, 1940-  Search this
Extent:
2 Linear feet (Boxes 3-6, OV 7)
Type:
Archival materials
Date:
1961-1990, undated
Scope and Contents note:
This series houses English and Japanese exhibition announcements and catalogs for group and solo shows, newspaper and magazine clippings, programs, art journals, and newsletters. Also found are announcements for publications, workshop announcements for several of Warashina's lectures on sculpture and ceramics, and a 1977 catalog for the University of Washington's School of Art located in Seattle. The catalog includes reproductions of artwork and biographical information on faculty members Jacob Lawrence, Norman Lundin, Alden Mason, Boyer Gonzales, Michael Spafford, Robert Sperry, and Patti Warashina. The series also includes the book, Clay's the Way by Gene Kleinsmith, about various clay techniques used in ceramics.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warapatt, Series 4
See more items in:
Patti Warashina papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e8b79bcc-c523-4ee7-8f61-a89f19c9ff7c
EDAN-URL:
ead_component:sova-aaa-warapatt-ref35

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