New York World's Fair (1939-1940 : New York, N.Y.) Search this
Collection Collector:
National Museum of American History (U.S.). Division of Community Life Search this
Extent:
1 Item (Silver gelatin? on paper., 3.6" x 5.6".)
Container:
Box 1, Folder Postcards
Type:
Archival materials
Photographs
Postcards
Date:
1939-1940
Scope and Contents:
View of Constitutional Mall with a few New York World's Fair visitors. This item must be inspected to determine whether it is a photographic print or an ink reproduction of a photograph.
Local Numbers:
AC0134-0000002 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
New York World's Fair (1939-1940 : New York, N.Y.) Search this
Collection Collector:
National Museum of American History (U.S.). Division of Community Life Search this
Extent:
1 Item (Silver gelatin? on paper., 5.6" x 3.6".)
Container:
Box 1, Folder Postcards
Type:
Archival materials
Photographs
Postcards
Date:
1939-1940
Scope and Contents:
View of Constitutional Mall with a few New York World's Fair visitors.
Local Numbers:
AC0134-0000003 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
An interview of Sol LeWitt conducted 1974 July 15, by Paul Cummings, for the Archives of American Art.
LeWitt speaks of his studies at Syracuse University, the Tiffany Foundation award for his lithograph, odd jobs, his work for magazines and the graphics department of I. M. Pei's firm, travel in Europe, his army service, graphic design work, typography, and abstract expressionism.
He discusses his job at the Museum of Modern Art, influences upon his work, his interest in film and the photographs of Eadward Muybridge, and exhibitions at the Dwan, Daniels, and Kaymar Galleries. LeWitt comments on his change from metal to wood sculpture; conceptual, minimal and post-minimal art; series and systems; his wall drawings; torn paper and folded paper "drawings"; prints and etchings; music and books; and the exploitation of art and artists. He recalls Anthony Candido, Dan Flavin, Earl Kerkam, and others.
Biographical / Historical:
Sol LeWitt (1928-2007) was a sculptor and draftsman of Italy and New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Zolnay, George Julian, 1862 or 1863-1949 Search this
Extent:
1.8 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1899-1992
Scope and Contents:
REEL 494: Memoirs (212 p. typescript), written in 1929 for his daughter. Zolnay writes of his youth, studying sculpture in Vienna, living and working in Chicago, New York City, St. Louis, and Washington, D.C. impressions of Rodin, travels in Europe, and other reflections.
UNMICROFILMED: Included are letters to Zolnay concerning his work on various monuments and memorials, 1899-1947; family correspondence, including letters to Zolnay's wife Abigail, regarding interest in works of art by Zolnay, 1913-1989; several notes, drafts and an index of Zolnay's memoirs, 1929 (memoirs are on reel 494); a brief diary of Zolnay's observations of current events from January to April 1933; lecture notes and drawings used for classes at the Zolnay Atelier in Washington, D.C.; Zolnay's published writings concerning art; and a manuscript written by Abigail Zolnay describing recollections of her family and its ancestors, 1966.
Also included are research material collected by Zolnay's family and compiled by Virginia Sullivan Bako, great-grandaughter of Zolnay after Zolnay's death in 1949, including correspondence, bibliographic material, newspaper and magazine clippings, and a project file concerning the production of a Zolnay commemorative medal. Other research material includes printed material about Zolnay's Sam Davis Memorial and Sequoya Memorial.
Photograph album of Zolnay and his art works; Photographs are of Zolnay, Zolnay and his work, his family, monuments and memorials, busts, Zolnay's friezes at the Central High School in Washington, D.C., and works of art by various artists, ca. 1885-1980's; and two Zolnay commemorative medals, 1987. Printed material includes newspaper clippings, 1900-1992, and material on the Zolnay ceramic factory in Hungary, reproductions of art work, and instructional pamphlets from the People's University.
Biographical / Historical:
Sculptor and teacher; New York, N.Y., St.Louis, Mo. and Washington, D.C. Born in Hungary, he came to the United States in 1892. Taught at the St. Louis School of Fine Arts.
Provenance:
Donated by Mrs. Charles S. Dewey, Zolnay's daughter, 1973, and by Dewey's daughter, Virginia Wilcox, in 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
