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Oral history interview with Joseph J. Greenberg, 1991 Mar. 19

Interviewee:
Greenberg, Joseph J., 1915-1991  Search this
Interviewer:
Veloric, Cynthia  Search this
Subject:
Blai, Boris  Search this
Abels, Alexander  Search this
Fink, Ferman  Search this
Horter, Earl  Search this
Sabatini, Raphael  Search this
Watkins, Franklin Chenault  Search this
Tyler School of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joseph J. Greenberg, 1991 Mar. 19. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12576
(DSI-AAA_SIRISBib)214484
AAA_collcode_greenb91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214484

Oral history interview with Joseph J. Greenberg

Interviewee:
Greenberg, Joseph J., 1915-1991  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Tyler School of Art  Search this
Abels, Alexander  Search this
Blai, Boris, 1893-1985  Search this
Fink, Ferman  Search this
Horter, Earl, 1881-1940  Search this
Sabatini, Raphael, b. 1898  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
2 Sound cassettes (Sound recording)
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1991 Mar. 19
Scope and Contents:
An interview of Joseph J. Greenberg, Jr. conducted 1991 Mar. 19, by Cynthia Haveson Veloric, for the Archives of American Art Philadelphia Project.
Greenberg discusses his family and early education; attending the Tyler School of Art; instructors including Boris Blai, Raphael Sabatini, Franklin Watkins, Earl Horter, Ferman Fink, and Alexander Abels; fellow students; Army service in WWII; his early career and years in Italy.
Biographical / Historical:
Joseph J. Greenberg, Jr. (1915-1991) was a sculptor and wood-carver from Philadelphia, Pa.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art teachers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Wood-carvers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Topic:
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Function:
Art Schools -- Pennsylvania -- Philadelphia
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.greenb91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e60aeb00-228d-4516-88d1-386387d58a8a
EDAN-URL:
ead_collection:sova-aaa-greenb91
Online Media:

Walker Hancock papers, 1911-1995

Creator:
Hancock, Walker Kirtland, 1901-1998  Search this
Subject:
Beaux, Cecilia  Search this
Crouse, Timothy  Search this
Jennewein, Carl Paul  Search this
Kreis, Henry  Search this
Manship, Paul  Search this
Tarkington, Booth  Search this
Zorach, William  Search this
Stone Mountain Confederate Monumental Association  Search this
Type:
Interviews
Citation:
Walker Hancock papers, 1911-1995. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Stone Mountain Memorial (Ga.)  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7236
(DSI-AAA_SIRISBib)209377
AAA_collcode_hancwalk
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209377

Walker Hancock papers

Creator:
Hancock, Walker Kirtland, 1901-1998  Search this
Names:
Stone Mountain Confederate Monumental Association  Search this
Beaux, Cecilia, 1855-1942  Search this
Crouse, Timothy  Search this
Jennewein, Carl Paul, 1890-  Search this
Kreis, Henry, 1899-1963  Search this
Manship, Paul, 1885-1966  Search this
Tarkington, Booth, 1869-1946  Search this
Zorach, William, 1887-1966  Search this
Extent:
21.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1911-1995
Scope and Contents:
Correspondence with artists including Cecilia Beaux, Timothy Crouse, Carl Paul Jennewein, Henry Kreis, Paul Manship, Booth Tarkington, William Zorach, and others; project and commission files including the Stone Mountain Confederate Memorial in Georgia among others; committee files; personal business records; writings; sketches; photographs and negatives of Hancock, works of art, and political figures taken in preparation of portrait busts; printed material; and an interview transcript relating to Hancock's career as a sculptor.
Biographical / Historical:
Walker Hancock (1901-1998) was a sculptor from Gloucester, Massachusetts. Hancock was born in 1901 in St. Louis, Missouri. He studied at Washington University for one year before moving on to the Pennsylvania Academy of the Fine Arts, where he studied under Charles Grafly. He taught at PAFA from 1929 to 1967. During his career, he produced hundreds of realistic works, ranging from a 39 foot bronze angel in the 30th St. Station in Philadelphia, to a bust of former President Geroge H.W. Bush in the Capitol, to a monumental statue of James Madison in the Library of Congress, to a Christ figure in the central altar in the National Cathedral in Washington. Hancock first visited Gloucester in 1921, built a studio there, and later moved there permanently. He died at home at age 97.
Provenance:
Donated 1974-1996 by Walker Hancock and in 2017 by Deane French Hancock, Hancock's daughter and executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- Massachusetts -- Gloucester  Search this
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Stone Mountain Memorial (Ga.)  Search this
Genre/Form:
Interviews
Identifier:
AAA.hancwalk
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw977edd2d5-9a38-46a1-8f94-9ddee5cd4c38
EDAN-URL:
ead_collection:sova-aaa-hancwalk

Heinz Warneke papers, 1928-1987

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Subject:
Archer, Edmund  Search this
Diederich, William Hunt  Search this
Hancock, Walker Kirtland  Search this
Hopper, Inslee  Search this
Zigrosser, Carl  Search this
Corcoran School of Art (Washington, D.C.)  Search this
United States. Work Projects Administration  Search this
Type:
Drawings
Sketchbooks
Citation:
Heinz Warneke papers, 1928-1987. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6951
(DSI-AAA_SIRISBib)209080
AAA_collcode_warnhein
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209080

Audrey Sabol papers, 1962-1967

Creator:
Sabol, Audrey, 1922-  Search this
Subject:
Di Suvero, Mark  Search this
YM/YWHA. Arts Council  Search this
Type:
Interviews
Citation:
Audrey Sabol papers, 1962-1967. Archives of American Art, Smithsonian Institution.
Topic:
Pop art  Search this
Sculpture, Modern -- 20th century -- Exhibitions  Search this
Wearable art -- United States  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)5593
(DSI-AAA_SIRISBib)211758
AAA_collcode_saboaudr
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211758

Oral history interview with Thomas Chimes, 1990 June 14

Interviewee:
Chimes, Thomas J., 1921-2009  Search this
Interviewer:
Veloric, Cynthia  Search this
Subject:
Duchamp, Marcel  Search this
Jarry, Alfred  Search this
Art Students League (New York, N.Y.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Moore College of Art and Design  Search this
Fairmount Park Art Association  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Thomas Chimes, 1990 June 14. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Abstract -- Pennsylvania -- Philadelphia  Search this
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Art -- Study and teaching -- Pennsylvania -- Philadelphia  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Portrait painting -- Pennsylvania -- Philadelphia  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12020
(DSI-AAA_SIRISBib)214381
AAA_collcode_chimes90
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214381

Marion Sanford and Cornelia Chapin papers

Creator:
Sanford, Marion  Search this
Names:
Chapin, Cornelia, 1893-1972  Search this
Hern├índez, Mateo, 1884-1949  Search this
Extent:
2.5 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Motion pictures (visual works)
Scrapbooks
Video recordings
Interviews
Drawings
Date:
1929-1988
Summary:
The papers of sculptors and close companions Marion Sanford and Cornelia Chapin measure 2.5 linear feet and date from 1929-1988. The papers include scattered materials created by and about both women, including biographical materials, one folder of correspondence for each woman, a few writings and essays, newsclippings, exhibition catalogs, other printed materials, and four scrapbooks (three about Chapin and one about Sanford). Photographs are of Chapin only and of artwork of both women. There is also one phonograph album transferred onto cassette of a radio interview with Chapin and several motion picture films of Chapin's home movies shot in upstate New York and Paris.
Scope and Content Note:
The papers of sculptors Marion Sanford and Cornelia Chapin measure 2.5 linear feet and date from 1929-1988. Sanford and Chapin were close companions and shared a studio in New York City. The papers include scattered materials created by and about both women, including biographical materials, one folder of correspondence for each woman, a few writings and essays, newsclippings, exhibition catalogs, other printed materials, and four scrapbooks (three about Chapin and one about Sanford). Photographs are of Chapin only and of artwork of both women. There is also one sound recording of a radio interview with Chapin and several motion picture films of Chapin's home movies shot in upstate New York and Paris.

Biographical material consists of scattered items documenting the careers of Marion Sanford and Cornelia Chapin. Included are a small amount of correspondence of both women, membership certificates, an index card file of Sanford's artwork, Chapin's written description of her sculpting process, and writings by others about Chapin. The sound recording is a radio interview of Chapin after she sculpted a bear for the National Zoo. Films include several home movies of Chapin from 1932-1936, showing Chapin at a summer home in Harpursville, NY, working in her studio, and working in Paris with teacher Mateo Hernandez.

Printed material includes exhibition announcements and catalogs for many group and solo shows of both women, news clippings about Chapin and Sanford, and a few reproductions of their artwork. Source files consist of postcards and clippings of various images that were most probably used as references or inspiration for their artwork.

The collection includes four scrapbooks compiled by Sanford and Chapin documenting their careers through news clippings, a few exhibition materials, and photographs of their artwork. There are three scrapbooks about Chapin, and one about Sanford. Also found are two additional scrapbooks on the subject of bas-relief and sculpture. Photographs include several of Cornelia Chapin in her studio and with her teacher Mateo Hernandez. There are numerous photographs of artwork by Chapin and Sanford. Artwork includes drawings of animals, architectural elements, coins, and people, by either Sanford or Chapin.
Arrangement:
The collection is arranged into 6 series:

Missing Title

Series 1: Biographical Material, 1930-1986 (Box 1, 6, 8; 0.8 linear feet)

Series 2: Printed Material, 1931-1972 (Box 1-2; 0.5 linear feet)

Series 3: Source Files, 1940s-1960s (Box 2-3; 0.4 linear feet)

Series 4: Scrapbooks, 1932-1949 (Box 3-7; 1.0 linear foot)

Series 5: Photographs, circa 1930-1962 (Box 4, 7; 0.2 linear feet)

Series 6: Artwork, 1929-circa 1960s (Box 4; 5 folders)
Biographical Note:
Marion Sanford was born in 1904 in Ontario, Canada and was raised in Warren, Pennsylvania. She studied painting at the Pratt Institute in New York, and worked for a period of time as a stage and costume designer. She developed an interest in sculpture, and studied the direct-carving method briefly at the Art Students League, but was largely self-taught. In 1937 she had her first exhibition of sculptures depicting women performing household chores and everyday tasks. She later created a series called "Women at Work" and her imagery of women would be the subject for which she would become best known, although she also completed bronze portraits and bas-reliefs. In 1941 and 1943 she worked as a Guggenheim Fellow, and became a member of the National Academy of Design, National Sculpture Society, and the National Association of Women Artists. Sanford won many awards and medals for her works and also created sculptures on commission, including a carved altar panel for the First Methodist Church in Warren, Pennsylvania. Marion Sanford died in 1987.

Cornelia Van Auken Chapin was born in 1893 in Waterford, Connecticut. After exploring other interests, including aeronautics, she decided to become a sculptor in the 1920s. She studied with Gail Corbett and in the early 1930s began exhibiting her sculptures of animals. In 1934 she moved to Paris, France and studied with Mateo Hernandez as his only student. Under Hernandez, she learned the technique of direct-carving from life in stone and wood and won the 2nd grand prize at the Paris Exposition in 1937. In 1936, Chapin was the only foreign and woman sculptor elected to the Societaire Salon d'Automne in Paris. The threat of World War II brought her back to the United States in 1939. Chapin won many awards for her sculptures and became a member of the National Academy of Design in 1945 and the National Sculpture Society. She was also one of the founding members of Artists' for Victory, Inc. and a participant in the women's artist group known as "The Philadelphia Ten," a unique and progressive group of women painters and sculptors who often exhibited together in the Philadelphia area.

In the late 1930s Chapin purchased a studio in New York City which had formally belonged to sculptor Gutzon Borglum. She shared the studio with her fellow sculptor Marion Sanford, and often modeled for Sanford's work. Sanford and Chapin remained close companions until Chapin's death in 1972.
Related Material:
Harvard University Library houses the the bulk of Cornelia Van Auken Chapin's papers, 1877-1959.
Provenance:
A portion of the Marion Sanford and Cornelia Chapin papers were donated by Marion Sanford in 1974. Additional materials were donated by Sanford's caretaker, Brenda Brenwell-Lejeune, in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Sculpture -- Technique  Search this
Bas-relief  Search this
Sculpture, American -- 20th century  Search this
Artists' studios  Search this
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Photographs
Motion pictures (visual works)
Scrapbooks
Video recordings
Interviews
Drawings
Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sanfmari
See more items in:
Marion Sanford and Cornelia Chapin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93be7e8e5-5614-4fa3-89a8-bc4648207c0c
EDAN-URL:
ead_collection:sova-aaa-sanfmari
Online Media:

Heinz Warneke papers

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Names:
Corcoran School of Art (Washington, D.C.) -- Faculty  Search this
United States. Work Projects Administration  Search this
Archer, Edmund, 1904-  Search this
Diederich, William Hunt, 1884-1953  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Hopper, Inslee  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
6.25 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1928-1987
Scope and Contents:
Biographical material, financial material, correspondence, notes, writings, art work, photographs, printed material, and project files document the career of sculptor and educator, Heinz Warneke. Also included are some writings, art work, photographs, and printed material related to his wife, Jessie Warneke.
Biographical materials include autobiographical and biographical sketches about Warneke, and certificates, including his membership card to the Kunstler-Bund-Bremen, 1922-1923; personal financial materials, ca. 1931-1937, include household records for his East Haddam, Connecticut home, "The Mowings."
Correspondence, 1930-1987, with his wife, Jessie, friends, colleagues, clients, gallery owners, museum and art school administrators, various art guilds and societies, and foundries. Among the correspondents are Edmund (Ned) Archer, William Hunt Diederich, Walker Hancock, Dick and Julia Helms, Inslee A. Hopper, Rena T. Magee, Jessalee Sickman, Henry Vam Wolf, and Carl Zigrosser. The correspondence discusses exhibitions and sales of Warneke's sculptures, the Corcoran School of Art, and invitations to various White House and Embassy functions in Washington, D.C. Also included are illustrated letters from Henry Kriess and Jessie Warneke.
Notes are by Heinz Warneke, ca. 1928-1979, and others and include 5 address books, 2 notebooks, one regarding the Warneke School of Sculpture, ca. 1935-1937, scattered notes regarding Warneke's sculpture classes at the Corcoran School of Art, ca. 1950-1963, his formulas and processes for sculpting, and price lists for his art works. Notes by ohters include a guest book from the exhibition, "Heinz Warneke Looks Back," 1967 and research notes by Mary Mullen Cunningham, undated. Writings, ca. 1923-1977, by Heinz Warneke and others, include lectures, forewords to exhibition catalogs, and a statement of "Opinion regarding the Philosophy of the Corcoran School of Art and the Direction it should take."
Art works, ca. 1929-1932, include 2 sketchbooks, studies of figures, animals, and plant life, watercolors, several chalk sketches for a work possibly depiction life at "The Mowings," by Warneke, several sketches by Jessie Warneke, an etching, and three engravings by others. Photographs, ca. 1918-1983, are of Heinz, family and friends including Edmund Archer, Inslee Hopper, Roderick Seidenberg, Carl Zigrosser, his pet dogs, his homes and studios in Connecticut, New York, and Washington, D.C., students, travels, art works by Heinz and Jessie, exhibition installations, and source material.
Printed material include exhibition announcements and catalogs and clippings, and other materials for Heinz, Jessie, and others, ca. 1923-1981. There is a file regarding Warneke's participation on the jury for the Thomas Jefferson Memorial Committee, 1939-1940, and circa 136 project files for completed and proposed sculpture works for public and private commissions which include various works for the National Cathedral, Washington, D.C., an African cow elephant and calf for the Philadelphia Zoo, the Nittany Lion for Pennsylvania State University, and several Works Project Authority (WPA), and other federal projects, ca., 1911-1971.
Biographical / Historical:
Heinz Warneke (1895-1983) was a sculptor, animal sculptor and educator in East Haddam, Connecticut. Born and trained in Germany, Warneke worked on sculpture projects for WPA and was the head of the sculpture department at the Corcoran School of Art from the early 1940's to 1970.
Related Materials:
Heinz Warneke papers also at Syracuse University.
Provenance:
Donated 1977 by Warneke, and in 1983-1984, and 1994 by his stepdaughter and executrix of his estate, Priscilla Norton. The 1994 installment had been used by Micky Cunningham in her book, "Heinz Warneke, 1895-1983: A Sculptor First and Last" (University of Delaware Press, 1994). Additional photograph of Warneke by his stepson Edward Hall transferred 2013 from SAAM via George Gurney, Curator. Gurney received the photograph from Priscilla Norton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Connecticut -- East Haddam  Search this
Sculptors -- Connecticut -- East Haddam  Search this
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.warnhein
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90536c46a-164a-4b1b-9986-1477624f9337
EDAN-URL:
ead_collection:sova-aaa-warnhein

Oral history interview with Walter Erlebacher, 1991 Jan. 19

Interviewee:
Erlebacher, Walter, 1933-1991  Search this
Interviewer:
Hunter, Anne S.  Search this
Subject:
Pearlstein, Philip  Search this
Beal, Jack  Search this
Kostellow, Alexander  Search this
Hesse, Eva  Search this
Leslie, Alfred  Search this
Rigby, Ivan B.  Search this
Pratt Institute. Art School  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Walter Erlebacher, 1991 Jan. 19. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Figurative art  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12750
(DSI-AAA_SIRISBib)214374
AAA_collcode_erleba91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214374

Oral history interview with Thomas Chimes

Interviewee:
Chimes, Thomas, 1921-2009  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Fairmount Park Art Association  Search this
Moore College of Art and Design  Search this
Pennsylvania Academy of the Fine Arts  Search this
Duchamp, Marcel, 1887-1968  Search this
Jarry, Alfred, 1873-1907  Search this
Extent:
3 Sound cassettes (Sound recording)
123 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1990 June 14
Scope and Contents:
An interview of Thomas Chimes conducted 1990 June 14, by Cynthia Veloric, for the Archives of American Art Philadelphia Project. Chimes speaks about his Greek background, his childhood in Philadelphia and in several southern states, studies at the Pennsylvania Academy of the Fine Arts and the Art Students League, New York in the 1940's including a comparison of the two institutions and a discussion of the New York City art scene; teaching at Drexel Institute, Philadelphia College of Art (now the University of the Arts), and Moore College of Art in Philadelphia; the development of his painting and sculpture including the religious paintings of the 1960's, the metal boxes, and the transition to the portraits of the 1970's and 1980's based on his readings and interest in Alfred Jarry and Marcel Duchamp; and "Sleeping Woman" commissioned by the Fairmount Park Art Association.
Biographical / Historical:
Thomas Chimes (1921-2009) was a painter, sculptor, and educator from Philadelphia, Pennsylvania.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painting, Abstract -- Pennsylvania -- Philadelphia  Search this
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Art -- Study and teaching -- Pennsylvania -- Philadelphia  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Portrait painting -- Pennsylvania -- Philadelphia  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chimes90
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98fe677be-d560-4d42-a1b8-2970386ca0b0
EDAN-URL:
ead_collection:sova-aaa-chimes90
Online Media:

Audrey Sabol papers

Creator:
Sabol, Audrey, 1922-  Search this
Names:
YM/YWHA. Arts Council  Search this
Di Suvero, Mark, 1933-  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1962-1967
Scope and Contents:
Correspondence and exhibition files documenting Audrey Sabol's involvement with the Arts Council of the Young Men's/Women's Hebrew Association of Philadelphia during the 1960s.
Exhibition files for Pop Art, contemporary sculpure, and artist-designed products include: "Art 1963/A New Vocabulary" (November 1962); "Dial Y for Sculpture" (October 1964); "How the West Has Done" (March 1966); and "Museum of Merchandise" (May 1967). The files contain correspondence, financial records, photographs, clippings, catalogs, announcements and other printed miscellany. The file for "Dial Y for Sculpture" includes untranscribed cassette tapes and CDs of artists describing their work and tapes of the Steve Reich composition "Buy Art, Buy Art"
Correspondence consists primarily of letters received from Mark di Suvero (1964-1965), whom Sabol became acquainted with during planning of "Dial Y for Sculpture," describing works in progress, materials, tools, personal impressions, and physical difficulties in working after his accident. Two letters contain sketches of his sculpture as well as sketches illustrating dismantling instructions for AMERIGO V. A few miscellaneous letters from Thomas Hess to Holmes Perkins and from Holmes Perkins, Nicholas Calas, and Dieter Rot to Sabol are included.
Biographical / Historical:
Audrey Sabol (1922- ) is a curator in Philadelphia, Pennsylvania. Partner with Joan Kron in the Beautiful Bag Co.
Provenance:
Donated 1986 by Audrey Sabol.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Pop art  Search this
Sculpture, Modern -- 20th century -- Exhibitions  Search this
Wearable art -- United States  Search this
Genre/Form:
Interviews
Identifier:
AAA.saboaudr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aeae8bf2-48fa-422b-8055-1c404be55db6
EDAN-URL:
ead_collection:sova-aaa-saboaudr

Joseph J. Greenberg papers

Creator:
Greenberg, Joseph J., 1915-1991  Search this
Extent:
0.5 Linear feet ((on 1 partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1939-1989
Scope and Contents:
Two albums containing photographs of Greenberg's sculptures; loose photographs of Greenberg, his works, and exhibitions such as the Third International [Sculpture] Exhibition at the Philadelphia Museum of Art, 1949; a group photograph of artists on the main staircase of the Philadelphia Museum of Art; clippings, 1939-1986; exhibition announcements and catalogs, 1962-1989; brochures and programs, 1959-1963; and a scrapbook, 1940-1984, containing 11 letters primarily announcing his acceptance into exhibitions, clippings, exhibition announcements and catalogs, press releases, 2 award certificates, and 2 resumes.
Biographical / Historical:
Sculptor, wood-carver; Philadelphia, Pa.
Provenance:
Donated 1991 by Sheila Greenberg, Joseph's widow, except for the photograph albums which were lent for microfilming. Collected and microfilmed as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- Pennsylvania -- Philadelphia  Search this
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Sculpture, American  Search this
Identifier:
AAA.greejose
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9446832cc-12e0-4e3a-bad7-8797bd157457
EDAN-URL:
ead_collection:sova-aaa-greejose

Oral history interview with Walter Erlebacher

Interviewee:
Erlebacher, Walter, 1933-1991  Search this
Interviewer:
Hunter, Anne S.  Search this
Names:
Pratt Institute. Art School  Search this
Beal, Jack, 1931-  Search this
Hesse, Eva, 1936-1970  Search this
Kostellow, Alexander, 1897-1954  Search this
Leslie, Alfred, 1927-  Search this
Pearlstein, Philip, 1924-  Search this
Rigby, Ivan B.  Search this
Extent:
5 Sound cassettes (Sound recording)
297 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1991 Jan. 19
Scope and Contents:
An interview of Walter Erlebacher conducted 1991 Jan. 19, by Anne Hunter, for the Archives of American Art Philadelphia Project.
Erlebacher discusses his early years in Frankfurt, immigrating with his family to New York City in 1940; his education and early visits to the Metropolitan Museum of Art; issues such as the Vietnam War and the resulting changes, multiculturalism; his interest in philosophy, Plato, mathematics and the golden section; his studies at Pratt, Alexander Kostellow and Ivan Rigby and the program they developed at Pratt; military service in Europe; returning to Pratt, his fellow students, and issues of representational art;
Eva Hesse; his shift to representational sculpture; his interest in anatomy which he taught himself and others in a private class; his friendship with other representational artists such as Philip Pearlstein, Alfred Leslie and Jack Beal; his use of mythology; Marcel Duchamp; exhibitions and his dislike of them; and a few major commissions including the Jesus in Philadelphia, the ARA commission, and the Jefferson Hospital commission he lost; Philadelphia as an art community and such controversies as the "Rocky" sculpture.
Biographical / Historical:
Walter Erlebacher (1933-1991) was a sculptor and instructor from Philadelphia, Pa.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Figurative art  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.erleba91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b230a5ea-0149-433a-b2ef-eddde6205a76
EDAN-URL:
ead_collection:sova-aaa-erleba91
Online Media:

Jacques Lipchitz and Philadelphia / Michael R. Taylor

Author:
Taylor, Michael R  Search this
Lipchitz, Jacques 1891-1973  Search this
Philadelphia Museum of Art  Search this
Subject:
Lipchitz, Jacques 1891-1973  Search this
Physical description:
52 p. : ill. (some col.), ports. ; 28 cm
Type:
Exhibitions
Place:
Pennsylvania
Philadelphia
Date:
2004
20th century
Topic:
Sculpture, Modern  Search this
Sculpture, Cubist  Search this
Call number:
NB553.L55 A4 2004b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_769353

Between object and environment : sculpture in an extended format [introduction by Stephen S. Prokopoff]

Author:
Prokopoff, Stephen S  Search this
University of Pennsylvania Institute of Contemporary Art  Search this
Physical description:
[16] p. : ill. ; 16 x 28 cm
Type:
Exhibitions
Date:
1969
[1969]
20th century
Topic:
Sculpture, Modern  Search this
Assemblage (Art)  Search this
Call number:
NB198 .B46 1969
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_668017

3rd sculpture international : 1949, May 15 September 11

Title:
Third sculpture international
Author:
Fairmont Park Art Association (Philadelphia, Pa.)  Search this
Sculpture International (3rd : Philadelphia, Pa.) : 1949 :)  Search this
Physical description:
11 p. ; 25 cm
Type:
Exhibitions
Place:
Pennsylvania
Philadelphia
Date:
1949
[1949]
20th century
Topic:
Sculpture, Modern  Search this
Sculpture  Search this
Call number:
NB198 .A12 1949
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_991105

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