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Bell

Medium:
Bronze
Dimensions:
H x Diam: 8.4 × 7.4 cm (3 5/16 × 2 15/16 in)
Type:
Musical Instrument
Origin:
Greece
Topic:
casting  Search this
metal  Search this
bronze  Search this
Greece  Search this
Greek and Roman Art  Search this
Accession Number:
FSC-B-71
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye36fd301dd-3806-4a49-bf59-621717f7a910
EDAN-URL:
edanmdm:fsg_FSC-B-71
Online Media:

Noguchi and Greece, Greece and Noguchi objects of common interest editor, Ananda Pellerin

Title:
Objects of common interest
Artist:
Noguchi, Isamu 1904-1988  Search this
Editor:
Pellerin, Ananda  Search this
Host institution:
Isamu Noguchi Garden Museum  Search this
Subject:
Noguchi, Isamu 1904-1988  Search this
Physical description:
2 volumes illustrations (some color) 24 cm
Type:
Exhibitions
Place:
United States
Date:
2022
20th century
Topic:
Sculpture, American  Search this
Sculpture, Greek  Search this
Art, Greek--Influence  Search this
Art, Greek  Search this
Art, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162092

Adolphe Braun photographs of art in European museums

Creator:
Braun, Adolphe, 1811-1877  Search this
Names:
British Museum  Search this
Musée du Louvre  Search this
Collector:
Baird, Spencer Fullerton, 1823-1887  Search this
Van Beek, Gus W. (Gus Willard), 1922-  Search this
Extent:
68 Albumen prints (mounted)
Type:
Collection descriptions
Archival materials
Albumen prints
Photographs
Date:
circa 1866-1877
Scope and Contents note:
Photographs depicting Roman, Greek, Assyrian, and Egyptian sculpture in European museums. Most of the images were made in the British Museum, but others were made at the Vatican, the Louvre, and in Florence.
Biographical/Historical note:
Adolphe Braun (1811-1877) was a French photographer and pioneer of photographic reproduction techniques at his studios in Paris and Dornach. Mostly created after 1866, his photographs of famous works of art helped advance the field of art history; this was his most successful photographic project.
Local Call Number(s):
NAA Photo Lot 79-34, USNM ACC 57117
Location of Other Archival Materials:
Photographs and drawings of paleolithic sites, previously filed in 79-34, have been relocated to National Anthropological Archives Photo Lot 157.
Material found in Gus Van Beek's office can also be found in the National Anthropological Archives Photo Lot 79-38.
Additional photographs donated by Lucy Hunter Baird as part of accession 57117 can be found in the National Anthropological Archives in Photo Lot 24 and Photo Lot 97.
Lucy Hunter Baird also donated artifacts to the anthropology collections of the National Museum of Natural History in accession 57117.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Sculpture, Greek  Search this
Sculpture, Roman  Search this
Sculpture, Egyptian  Search this
Sculpture, Assyro-Babylonian  Search this
Genre/Form:
Photographs
Citation:
Photo lot 79-34, Adolphe Braun photographs of art in European museums, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.79-34
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3889d484b-54df-4f2d-9b44-aea99cc4fd44
EDAN-URL:
ead_collection:sova-naa-photolot-79-34

Rachel Harrison the classics essay by Paul Chan ; editor, Eric Banks

Title:
Classics
Artist:
Harrison, Rachel 1966-  Search this
Contributor:
Chan, Paul 1973-  Search this
Editor:
Banks, Eric 1966-  Search this
Host institution:
Greene Naftali Gallery  Search this
Physical description:
81 pages color illustrations 35 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Date:
2020
Topic:
Figure sculpture, Greek--Influence  Search this
Sculpture de figures humaines grecque--Influence  Search this
Call number:
N6537.A3625 A4 2020
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1159077

Hiram Powers papers

Creator:
Powers, Hiram, 1805-1873  Search this
Names:
Adams, John Quincy, 1767-1848  Search this
Astor, William B. (William Backhouse), 1792-1875  Search this
Atlee, Samuel Yorke, b. 1808  Search this
Browning, Elizabeth Barrett, 1806-1861  Search this
Bryant, William Cullen, 1794-1878  Search this
Calhoun, John C. (John Caldwell), 1782-1850  Search this
Crawford, Thomas, 1813 or 14-1857  Search this
Dix, John A. (John Adams), 1798-1879  Search this
Durand, Asher Brown, 1796-1886  Search this
Everett, Edward, 1794-1865  Search this
Fuller, Charles Francis  Search this
Gray, Henry Peters, 1819-1877  Search this
Greeley, Horace, 1811-1872  Search this
Healy, G.P.A. (George Peter Alexander), 1813-1894  Search this
Jackson, Andrew, 1767-1845  Search this
Kinney, E. Clementine  Search this
Kinney, William  Search this
Longfellow, Henry Wadsworth, 1807-1882  Search this
Marsh, George Perkins, 1801-1882  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Peabody, George, 1795-1869  Search this
Powers, Longworth, 1835-1904  Search this
Powers, Preston, 1842 or 1843-1904  Search this
Sartain, John, 1808-1897  Search this
Story, William Wetmore, 1819-1895  Search this
Taylor, Bayard, 1825-1878  Search this
Trollope, Francis  Search this
Webster, Daniel, 1782-1852  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Writings
Drawings
Poetry
Date:
1819-1953
bulk 1835-1883
Summary:
The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.
Scope and Content Note:
The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence, which is particularly rich in documenting his artwork, methodology, and his interaction with business associates, purchasers of his artwork, and his numerous friends in the United States and Florence, Italy. Other papers include scattered biographical material, writings by Powers and others, financial and legal records, news clippings and printed items, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

Biographical material consists of documents for honors conferred on Powers, price lists and inventories of his artwork, papers regarding his death, including a translation of his will, and ephemera, such as his studio cap.

The bulk of the collection consists of Powers' correspondence with family, friends, business associates, and others, documenting his career as an artist and his personal life after he and his family moved to Florence, Italy, in 1837. Almost all of the letters have typed unconfirmed transcriptions completed by volunteers at the Smithsonian American Art Museum. Besides details of his studio work and business dealings, his letters often discuss his views on aesthetics, American politics, slavery and the Civil War, and Spiritualism. Notable correspondence is with William B. Astor, Edward Everett, Samuel York Atlee, William and E. Clementine Kinney, George P. Marsh, George Peabody, Presidents Andrew Jackson and John Quincy Adams, William Cullen Bryant, Elizabeth Barrett Browning, John C. Calhoun, Thomas Crawford, John A. Dix, Asher Durand, Charles Francis Fuller, Henry Peters Gray, Horace Greeley, George P. A. Healy, Henry Wadsworth Longfellow, Samuel F. B. Morse, W. W. Story, John Sartain, Frances Trollope, and Daniel Webster.

Writings by Powers include his "Studio Memorandum," a journal-type notebook he kept from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional writings include poetry and autobiographical essays and instructions for handling his sculptures. Writings by others include poetry, most of which was written in praise of Powers' artwork. Of note are handwritten transcripts of poems by Elizabeth Barrett Browning, Bayard Taylor, and John Quincy Adams. Also found here are short writings about Powers and his artwork.

Scattered financial and legal records in this collection include patent documents for tools invented by Powers, legal agreements, account statements, and bills and receipts. Printed material consists of news clippings, two booklets, an art association brochure, and an exhibition catalog for works by Powers.

This collection contains photographs of Hiram Powers, his family, friends, notable public figures, and artwork. Many of the photographs were taken by his son, Longworth Powers, who had a private photography studio in Florence. Included are portraits of Powers and his family, as well as a collection of 267 carte de visite and cabinet card portraits of artists, performers, politicians, writers, scientists, and other public figures, many of whom were friends with the Powers family. Other photographs depict Woodstock, Vermont, the marble quarry at Carrara, Italy, and artwork by Hiram and Preston Powers. Also found here is a photograph album kept by Louisa Powers.

Artwork consists of three drawings by Hiram Powers, including a caricature of Miner Kellogg. Also found in this collection is a scrapbook containing news clippings regarding the American tour of the sculpture Greek Slave, an autograph album belonging to Louisa Powers, and an album containing pencil drawings by Preston Powers and dried flowers collected on travels.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Material, 1841-1927 (Box 1, 15; 0.8 linear feet)

Series 2: Correspondence, 1819-1883 (Box 1-10; 9.0 linear feet)

Series 3: Writings, 1827-1887 (Box 10; 0.3 linear feet)

Series 4: Financial and Legal Records, circa 1840s-1892, 1915 (Box 10, OV 17; 8 folders)

Series 5: Printed Material, circa 1845-1953 (Box 10; 5 folders)

Series 6: Photographs, circa 1860s-1900, 1927, 1932, early 1950s (Box 10-13, 16, OV 17; 1.8 linear feet)

Series 7: Artwork, 1860, mid-1800s (Box 11; 4 folders)

Series 8: Scrapbooks and Albums, 1847-1876 (Box 14; 3 folders)
Biographical Note:
American sculptor Hiram Powers (1805-1873) was born in Woodstock, Vermont, and lived and worked briefly in Washington, D.C. and Boston, before settling permanently in Florence, Italy. Powers is known for portrait busts of prominent American politicians and his idealized neo-classical sculptures, most notably the Greek Slave.

The second youngest of nine children, Powers moved with his family to Cincinnati, Ohio in 1817. When he was 18 he began working in a factory that repaired watches and organs, and he later worked in the mechanical department of Dorfeuille's Western Museum. There, he developed his interest in sculpture and received a commission to create wax figures for a tableau of Dante's Inferno. In 1825 he studied with the Prussian sculptor Frederick Eckstein, who taught him how to model clay and make plaster casts. His early commissions for portrait busts caught the attention of Nicholas Longworth, who became his first patron and funded his travel to Washington, DC, in 1834. While in Washington, Powers completed portrait busts of several prominent politicians, including President Andrew Jackson. He also briefly worked on several commissions in Boston. In 1837, thanks to the patronage of Colonel John S. Preston, he and his family moved to Florence, Italy. He intended to live there for only a few years, but remained there for the rest of his life.

Powers set up a studio in Florence with several assistants, and continued to work on portrait bust commissions. He and his family were active members of the intellectual community of American and English émigrés, such as Robert and Elizabeth Barrett Browning, Horatio Greenough, the Trollope family, and many others. His studio was also a frequent stop on tourists' visits to Florence. In 1839 Powers began working on idealized sculptures in the Neo-classical style, based on history, mythology, and religion. Perhaps most famous of these are Greek Slave and Fisher Boy. Completed in 1845, Greek Slave was exhibited in London and toured the United States. The sculpture received wide attention from the press for its depiction of female nudity and its philosophical significance, and established Powers' international success as a sculptor.

During his career Powers received private and government commissions for portrait busts and ideal sculptures, and sold many replicas of his work. He also invented improved tools for use in his studio, which were patented in the United States, and he developed a special finishing process for marble from the Carrara quarry. He maintained friendships with many Americans through extensive correspondence, and openly expressed his views on the Civil War and the abolition of slavery. Powers' son Longworth had a photography and sculpture studio nearby, and his son Preston, also a sculptor, took over many of Hiram Powers' remaining projects at the time of his death in 1873.
Related Material:
Additional Hiram Powers papers are available at the Winterthur Museum.
Separated Materials:
The Archives of American Art also holds materials lent for microfilming. Reel D117 contains "The Sculpture of Hiram Powers," by Paul B. Metzler. Reels 815-818 includes a "Collection of Letters from Old Residents of Cincinnati to Hiram Powers," compiled by Clara Louise Dentler. Reels 1102-1103 are comprised of an unpublished manuscript entitled "White Marble: The Life and Letters of Hiram Powers, Sculptor," by Clara Louise Dentler. Lent materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
The Hiram Powers papers were purchased by the Smithsonian American Art Museum in 1967 from Christina Seeber, great-granddaughter of Hiram Powers which was subsequenlty transferred to the Archives of American Art in 1984. The Cincinnati Historical Society and Ohio State University also lent the Archives omaterials for microfilming in 1974.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- Italy -- Florence  Search this
Genre/Form:
Scrapbooks
Photographs
Writings
Drawings
Poetry
Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.powehira
See more items in:
Hiram Powers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ad32f84-2619-4144-9600-0e9de7d6372d
EDAN-URL:
ead_collection:sova-aaa-powehira
Online Media:

Sculpture, Greek and Roman

Collection Creator:
Shaw, Charles Green, 1892-1974  Search this
Extent:
(disbound album)
Container:
Box 42, Folder 18-19
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles Green Shaw papers, 1686, 1833-1979, bulk 1909-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Charles Green Shaw papers
Charles Green Shaw papers / Series 9: Photographs / 9.1: Artwork / By Other Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c8a91e00-bda0-474f-a515-157458f9167a
EDAN-URL:
ead_component:sova-aaa-shawchar-ref565

Scrapbooks and Albums

Collection Creator:
Powers, Hiram, 1805-1873  Search this
Extent:
(Box 14; 3 folders)
Type:
Archival materials
Date:
1847-1876
Scope and Contents note:
This series contains two albums and a scrapbook compiled by members of the Powers family. Included is a scrapbook containing news clippings regarding the American tour and public response to Hiram Powers' sculpture "Greek Slave" and several notices of his death in 1873. Also found is an album presented to Louisa Powers from her mother that contains autographed poems and quotations from several notable authors, including Robert and Elizabeth Barrett Browning, Bayard Taylor, Thomas Buchanan Read, William Cullen Bryant, and the Trollope family. Another album found here, possibly belonging to Louisa Powers, contains three pencil drawings by Preston Powers, poetry, and dried flowers collected on travels during 1867.
Arrangement note:
This series has been scanned in its entirety.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.powehira, Series 8
See more items in:
Hiram Powers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9550134a6-7519-4369-961e-2713d73139fe
EDAN-URL:
ead_component:sova-aaa-powehira-ref648

[Statues, Greece: stereo photonegative.]

Topic:
GREECE SERIES
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3-3/4" x 7".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Greece
Scope and Contents:
Part of Elgin marbles in British Museum?
Local Numbers:
RSN 3712
General:
Currently stored in box 1.1.20 [148].
Orig. No. 18-2.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Sculpture, Greek  Search this
Sculpture -- Greece  Search this
statues -- Greece  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.1: H.C. White Negatives / RSN Numbers 3654-3756
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87a2fccc4-c00d-4eb4-a395-3acdbc38ac56
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref3701

The Scandalous Story Behind the Provocative 19th-Century Sculpture "Greek Slave"

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Fri, 24 Jul 2015 15:53:51 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_7c5aa86a299c133fc78cd1bfe900013f

Monuments de l'art antique, pub. sous la direction de M. Olivier Rayet ..

Author:
Rayet, Olivier  Search this
Physical description:
2 v. illus., 90 pl. 57 cm
Type:
Books
Date:
1884
Topic:
Sculpture, Egyptian  Search this
Sculpture, Greek  Search this
Sculpture, Greco-Roman  Search this
Terra-cotta sculpture  Search this
Call number:
NB70.R3X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_391201

La sculpture grecque au Musée du Louvre; texte d'Étienne Michon

Author:
Michon, Étienne 1865-1939  Search this
Musée du Louvre  Search this
Physical description:
[4] p. illus. 40 cm
Type:
Books
Place:
France
Paris
Date:
1934
C1934]
Topic:
Sculpture, Greek  Search this
Sculpture  Search this
Call number:
NB87.P3 M5 1934X
NB87.P3M5 1934X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395492

Olympic victor monuments and Greek athletic art, by Walter Woodburn Hyde

Author:
Hyde, Walter Woodburn 1871-  Search this
Physical description:
xix, 406 p. front., illus., 30 pl., 2 fold. plans. 26 cm
Type:
Books
Place:
Greece
Date:
1921
Topic:
Sculpture, Greek  Search this
Olympics  Search this
Sports  Search this
Call number:
NB94 .H9 1921X
NB94.H9 1921X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395851

A catalogue of sculpture in the Department of Greek and Roman Antiquities. By A. H. Smith

Author:
British Museum Department of Greek and Roman Antiquities  Search this
Smith, A. H (Arthur Hamilton) 1860-1941  Search this
Physical description:
3 v. illus. (incl. plans) plates. 23 cm
Type:
Catalogs
Place:
England
London
Date:
1904
1892-1904
Topic:
Sculpture, Greek  Search this
Sculpture, Roman  Search this
Sculpture  Search this
Call number:
NB87 .B8 1892X
NB87.B8 1892X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395484

Catalogue of Greek sculptures [by] Gisela M. A. Richter

Author:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Richter, Gisela Marie Augusta 1882-1972  Search this
Physical description:
xviii, 123 p. illus., 164 plates. 29 cm
Type:
Books
Place:
New York (State)
New York
Date:
1954
Topic:
Sculpture, Greek--Catalogs  Search this
Call number:
NB90 .N4 1954X
NB90.N4 1954X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395769

Denkmäler vom Satrapensitz Daskyleion : Studien zur graeco-persischen Kunst / Margret Nollé

Author:
Nollé, Margret  Search this
Physical description:
xvi, 179 p. : ill., map ; 25 cm
Type:
Books
Place:
Turkey
Lycia
Date:
1992
C1992
Topic:
Sepulchral monuments  Search this
Relief (Sculpture), Greek--Foreign influences  Search this
Sculpture, Achaemenid  Search this
Call number:
NB133.5.S46 N65
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_883311

Musée des antiques, dessiné et gravé par P. Bouillon, peintre, avec des notices explicatives par J. B. de Saint-Victor ..

Author:
Bouillon, Pierre 1776-1831  Search this
Saint-Victor, J. B. de (Jacques-Benjamin) 1772-1858  Search this
Physical description:
3 v. plates. 54 cm
Type:
Books
Date:
1810
[1810]
Topic:
Sculpture, Greek  Search this
Sculpture, Greco-Roman  Search this
Call number:
NB86.B8X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395016

The technique of early Greek sculpture, by Stanley Casson

Author:
Casson, Stanley 1889-1944  Search this
Physical description:
xiii p., [1] l., 246 p. illus. 25 cm
Type:
Books
Date:
1933
Topic:
Sculpture, Greek  Search this
Sculpture--Technique  Search this
Call number:
NB90 .C3 1933X
NB90.C3 1933X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395502

Hand-book of Greek and Roman sculpture / by D. Cady Eaton ... ; principally from the "Bausteine" of Dr. Carl Friederichs ..

Author:
Friederichs, Karl 1831-1871  Search this
Eaton, D. Cady (Daniel Cady) 1837-1912  Search this
Former owner:
Comegys Library DSI  Search this
Physical description:
iv, 415, [1] p. ; 17 cm
Type:
Books
Date:
1886
Topic:
Sculpture, Greek  Search this
Sculpture, Roman  Search this
Call number:
NB85 .F78 E1886
NB85.F78 E1886
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_399507

Greek sculpture and modern art, two lectures delivered to the students of the Royal Academy of London, by Sir Charles Waldstein ... with an appendix

Author:
Waldstein, Charles Sir 1856-1927  Search this
Physical description:
xii, 70 p., 1 l. LXXVIII pl. 23 cm
Type:
Books
Date:
1914
Topic:
Art  Search this
Sculpture, Greek  Search this
Call number:
N7445 .W3 1914X
N7445.W3 1914X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395849

Greek and Roman sculpture in American collections, by George H. Chase

Author:
Chase, George Henry 1874-1952  Search this
Physical description:
xiv, [1], 222p. illus., plates. 25 cm
Type:
Books
Place:
United States
Date:
1924
Topic:
Sculpture, Greek  Search this
Sculpture, Roman  Search this
Sculpture  Search this
Call number:
NB85 .C5 1924X
NB85.C5 1924X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_395482

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