Quotes and excerpts must be cited as follows: Oral history interview with Walter Askin, 1992 March 4-6. Archives of American Art, Smithsonian Institution.
An interview of Walter Askin conducted 1992 March 4-6, by Paul J. Karlstrom, for the Archives of American Art.
Biographical / Historical:
Walter Askin (1929- ) is a painter, sculptor, and printmaker from Los Angeles, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transscription provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Walker, Hudson D. (Hudson Dean), 1907-1976 Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joshua Binion Cahn, Richard A. Florsheim, and John Kearney, 1971 July 20. Archives of American Art, Smithsonian Institution.
The Byron Browne papers measure 2.1 linear feet and date from 1920-1979 and document the life and work of Byron Browne through biographical materials, correspondence, personal business records, printed materials, photographic materials, and artwork.
Scope and Contents:
The Byron Browne papers measure 2.1 linear feet and date from 1920-1979. Biographical materials include documents regarding tributes to Browne after his death and his career, a self-portrait, and film with recorded audio. Correspondence is with friends, artists, and family members and consists mainly of holiday and sympathy cards addressed to Rosalind, the majority dating after Browne's death. Correspondence regarding art donations by Rosalind and other professional activities as well as documents regarding Browne's time spent teaching for the Art Students League of New York and New York University are included. Other financial documents relating to his art expenses and newspaper and magazine clippings are present. Various exhibition announcements are present, as are photographs of both Browne and his artwork.
Arrangement:
This collection is arranged in 6 series:
Series 1: Biographical Materials, Biographical Materials, 1960-1973 (0.4 Linear feet: Box 1, OV 4, FC03, FC04)
Series 2: Correspondence,1952-1979 (0.7 Linear feet: Box 1)
Series 3: Personal Business Records, 1930-1977 (0.3 Linear feet: Box 1)
Series 4: Printed Materials, 1920-1979 (0.3 Linear feet: Box 2, OV 6)
Series 5: Photographic Materials, 1920-1979 (0.2 Linear feet: Boxes 2-3)
Series 6: Artwork, 1930-1969 (0.2 Linear feet: Box 3, OV 5)
Biographical / Historical:
Byron Browne (1907-1961) was born in Yonkers, New York on June 26, 1907, as George Byron Browne and was a painter, sculptor, and educator in New York City. He helped found the American Abstract Artists, an organization centered in New York that was devoted to exhibiting abstract art, with his wife Rosalind Bengelsdorf and Balcomb Greene in 1935. Browne specialized in still life in the Synthetic Cubism style and was influenced by his friends John Graham, Arshile Gorky, and Willem de Kooning. By the 1950s Browne migrated to creating more romantic imagery. Browne started his early career as an academic artist and won numerous awards at the National Academy including the Third Hallgarten Prize for still-life composition. His career consisted of creating murals under the Works Progress Administration for the Chronic Disease Hospital and the 1939 New York World's Fair. He also taught painting at the Art Students League of New York from 1948 to 1959 and went on to then teach at New York University. A survivor of the Great Depression, Browne would continue to struggle to sell art beyond the 1930s, when his most notable work was created. Browne's work is represented at over eighty permanent art museum collections. Browne died on December 25, 1961, in New York City at age 54.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Rosalind Bengelsdorf conducted by Irving Sandler in 1968 and the Rosalind Bengelsdorf Browne papers.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 97 and NBB 1-NBB 2) including correspondence, clippings, receipts, contracts, sketches and descriptions related to mural
commissions. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
Papers were lent for microfilming in 1963 and 1978 by Rosalind Bengelsdorf Browne.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
Educators -- New York (State) -- New York Search this
Byron Browne papers, circa 1920-1979. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
