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Dimitri Hadzi papers

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Names:
Harvard University -- Faculty  Search this
Foundry, Nicci  Search this
Extent:
37.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Date:
1910s-2007
Summary:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material such as education records, World War II files, and some interviews; correspondence with family, artists, art historians, architects, and professional organizations; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; clippings, exhibition ephemera, invitations, and other printed material; photographs of Hadzi, events and exhibitions, installations, foundries, and studios; some artwork; and audio recordings and motion picture films.
Scope and Contents:
The papers of Greek American sculptor and educator Dimitri Hadzi measure 37.2 linear feet and date from 1910s-2007, with the bulk of records dating 1936-2007. The collection documents Hadzi's career through biographical material; correspondence; diaries, notebooks, and other writings; exhibition, gallery and museum, teaching, and project files; personal business records; printed material; photographs, some artwork, audio recordings, and motion picture films.

Biographical material includes files pertaining to Hadzi's education at Cooper Union (1946-1950) and Polytechnion in Athens, Greece (1950-1951) as well as his high school years at Brooklyn Technical High School (1936-1940); years enlisted in the Army Air Force (1942-1946); and his hobbies of music, mineral collecting, and geology. Also found are address books, honors and awards, interviews, and resumes. Hadzi's professional correspondents include artists, art historians, architects, and professional organizations. Also found is personal correspondence with family, friends, and acquaintances, most extensively during his years in the military.

Diaries and notebooks consist of memoranda books, travel logs, and annotated calendars. Writings include drafts, correspondence, and some printed material from Dimitri Hadzi (1996) by Peter Selz. Material gathered for his incomplete memoir, artist statements, and writings about Hadzi are also present.

Exhibition files shed light on various group and solo exhibitions of Hadzi's work. The files mostly consist of shipping records, correspondence, press releases and other printed matter, photographs, and loan documents. Gallery and museum files include loan and sale agreements, price lists, clippings, newsletters, shipping information, and some papers related to exhibitions.

Project files include sketches and blueprints, correspondence, legal documents, shipping information, and some audiovisual material regarding the installation of Hadzi's sculptures. The files also pertain to recasted sculptures, small-scale projects, and unexecuted commissions. Teaching Files include administrative correspondence, clippings, lecture and discussion notes, course descriptions, and correspondence from Hadzi's tenure as Visual and Environmental Studies professor at Harvard University. Papers related to instructor positions, employment opportunities, and lectures outside of Harvard are also present. Personal business records include sales, inventories, and other financial material; correspondence, shipping information, and price lists from foundries and material distributors; studio logs, correspondence, and notes.

Printed materials consist of exhibition invitations, announcements, post cards, and books; news clippings and articles; printed matter from special events, exhibitions of other artists, press releases, and newsletters. Photographs include portraits and snapshots of Hadzi, depicting him working in studios and foundries, at installation sites and events, and with his family. Also included are photographs of other artists, Hadzi's travel in Japan, and his artwork. Artwork found in this collection consists of six sketchbooks, several small drawings, and one woodblock.

Audiovisual material is extensive and includes documentation of the creation, installation, and exhibition of some of Hadzi's work. The majority of the footage centers on the creation and installation of the Thermopylae sculpture in front of the JFK Federal Building in Boston, Massachusetts in 1968.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Material, 1910s, bulk 1936-2004 (Box 1-3, 33; 2.7 linear feet)

Series 2: Correspondence, 1943-2007 (Box 3-6; 3 linear feet)

Series 3: Diaries and Notebooks, 1939-2006 (Box 6-9; 3 linear feet)

Series 4: Writing Files, 1945-2003 (Box 9; 10 folders)

Series 5: Exhibition Files, 1958-2002 (Box 9-10; 1.2 linear feet)

Series 6: Project Files, 1957-2002 (Box 11-15, 33; 4.7 linear feet)

Series 7: Teaching Files, 1955-2000 (Box 15-16; 12 folders)

Series 8: Museum and Gallery Files, 1947-2008 (Box 16-17; 1.8 linear feet)

Series 9: Personal Business Records, 1949-2007 (Box 17-20; 2.5 linear feet)

Series 10: Printed Material, 1949-2007 (Box 20-24, 33; 3.7 linear feet)

Series 11: Photographs, circa 1930s-2006 (Box 24-25, 33; 1.5 linear feet)

Series 12: Artwork, circa 1939-1998 (Box 25; 11 folders)

Series 13: Audiovisual Material (Box 26-40; 11.1 linear feet)
Biographical / Historical:
Dimitri Hadzi (1921-2006) was an Greek American sculptor who lived and worked in Rome from the 1950s to 1975, and then in Cambridge, Massachusetts from 1975 to 2006. Born to Greek immigrants, Hadzi attended Brooklyn Technical High School before enlisting in the Army Air Force in 1942. After the World War II, Hadzi studied painting and sculpture at Cooper Union and graduated with honors in 1950. He was awarded a Fulbright fellowship to study at the Polytechnion, Athens, Greece, and subsequently moved to Rome where he remained until the mid-1970s. Hadzi worked mostly with stone and bronze, from which he created semi-abstract shapes and structures drawn from his Greek heritage. His work was selected for the Venice Biennale in 1956, and and his first solo-exhibition came two years later at the Galeria Schneider, Rome, Italy. Throughout his career, Hadzi held solo exhibitions at the Massachusetts Institute of Technology, The Philips Collection, Athens Gallery in Greece, Rikugie Gallery in Japan, and many others. His group exhibitions include Recent Sculptor USA (1959), Museum of Modern Art, New York; Annual Exhibition, The Whitney Museum (1961); Seven Sculptors at Harvard, Harvard University (1983); and American Academy of Arts & Letters Centennial Portfolio, Pace Prints, New York (1998). Hadzi's public commissions include those at the Massachusetts Institute of Technology (1963), St. Paul's Church, Rome, Italy (1966-1976), Dallas Center, Texas (1980). His artwork is held in permanent collections of the Hirshhorn Museum and Scultpure Garden, Solomon R. Guggenheim Museum, Hakone Museum of Sculpture in Japan, and the Montreal Museum of Art, among others. Hadzi was professor of Visual and Environmental Studies at Harvard University from 1975-1989, and was named Professor Emeritus in 1989.
Provenance:
Donated 1989 and 1998 by Dimitri Hadzi and in 2008 and 2011 by Cynthia Hadzi, Dimitri Hadzi's widow.
Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Massachusetts -- Cambridge  Search this
Sculptors -- Italy -- Rome  Search this
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hadzdimi
See more items in:
Dimitri Hadzi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cee20746-bba7-4f55-9b4d-68aa26f19cc0
EDAN-URL:
ead_collection:sova-aaa-hadzdimi

Lily Harmon papers

Creator:
Harmon, Lily, 1912-  Search this
Names:
Algren, Nelson, 1909-1981  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Nierendorf, Karl  Search this
Odets, Clifford, 1906-1963  Search this
Schmid, Elsa, 1897-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Warburg, Edward M. M.  Search this
Interviewee:
Ashton, Dore  Search this
Avery, Sally  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bruno, Phillip A.  Search this
Copley, Alfred L.  Search this
Dehner, Dorothy, 1901-1994  Search this
Drew, Bettina, 1956-  Search this
Driggs, Elsie, 1898-1992  Search this
Hertzberg, Benjamin  Search this
Hutton, Leonard, Sir  Search this
Isaacs, Lewis  Search this
Kahn, Max, 1903-2005  Search this
Knotts, Howard  Search this
Kuh, Katharine  Search this
Lamm, Johanna Neumann  Search this
Manacher, Frances  Search this
Neumann, Albrecht  Search this
Neumann, Peter, 1928-  Search this
Rothbaum, Nolbert  Search this
Sapanel, Margarete  Search this
Schultz, Margarete  Search this
Solman, Joseph, 1909-2008  Search this
Stix, Hugh  Search this
Vogel, Ilse Margret  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1930-1996
Scope and Contents:
Primarily research files and notes, subject files, interview tapes and transcripts, correspondence, writings, and other materials compiled by Harmon for a never-published biography of art dealer J.B. Neumann, titled The Art Lover. Found are photocopies of J.B. Neuman's correspondence with Karl Nierendorf, Clifford Odets, Elsa Schmid, and Alfred Stieglitz; photocopies and other materials from the J.B. Neumann Collection at the University of Texas at Austin, Harry Ransom Humanities Center, including photocopies of the magazine published by Neumann titled Art Lover Library, 1930-1957 (volume 1, 1930 is original bound volume), copyprints and photocopies of photographs of Neumann, his family, and of other subjects; interview transcripts and audio tapes with numerous artists conducted in the mid-1980s; research notes and files; and subject files on numerous artists (all photocopies).
Harmon's personal papers include resumes; copies of letters from friends, family, dealers and others; photographs of Harmon's paintings; writings, including poems, excerpts from diaries, autobiographical essays, and her autobiography FREEHAND; photocopies of various mss. drafts of Harmon's biography of Neumann, The Art Lover, and related writings by Harmon, including The Art Dealer and the Playwright, and Synopsis of Art Lover, ca. 1987-1990 ; a transcript of an interview of Harmon conducted by Karl Fortress, 1967; magazine and newspaper clippings; exhibition announcements and catalogs; and miscellany.
Interviewees include: Dore Ashton, Sally Avery, Alfred Barr, Phillip Bruno, Al Copley, Dorothy Dehner, Bettina Drew (about Nelson Algren), Elsie Driggs (also found is a video interview and transcript of Driggs by Merryman Gatch, n.d.), Ben Hertzberg, Leonard Hutton, Lewis Isaacs, Max Kahn, Katharine Kuh, Johanna Neumann Lamm, Frances Manacher, Peter Neumann, Albrecht Neumann, Nolbert Rothbaum, Margarete Schultz, Joseph Solman, Margarete Sapanel, Hugh Stix, Ilse Vogel with Howard Knotts, and Edward M.M. Warburg.
Biographical / Historical:
Painter and sculptor; New York City. Harmon worked for the influential art dealer J.B. Neumann, and spent several years preparing a biography of him which was never published. As an artist, she lived in Europe in the early part of the century, and worked on WPA art projects in the 1930s.
Provenance:
Donated 1983 and 1998 by Lily Harmon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Identifier:
AAA.harmlily
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f94dc6db-1401-409d-b617-4439c4f8fb03
EDAN-URL:
ead_collection:sova-aaa-harmlily

Richard Haas papers

Creator:
Haas, Richard, 1936-  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Date:
1937-2012
Summary:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.
Scope and Content Note:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.

Haas's correspondence relates to commissions, exhibitions, lectures, publications, teaching, and other professional activities. Correspondents include clients, galleries, professional organizations, critics, artists, architects and others. Also found is small amount of personal correspondence. Writings and notes by Haas include artist's statements, notes, lectures, a travel diary, papers and class notes from his undergraduate and graduate student days. Writings about him are a New Museum exhibition catalog text and a student paper. Subject files relate to Haas's professional activities and interests. They document exhibitions and projects, relationships with galleries, membership and participation in various organizations, and routine business matters. Sketchbooks (17 volumes) contain drawings, sketches, and a few watercolors, along with scattered writings and notes.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1990, 2009 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1964-2008 (Box 1; 1 linear feet)

Series 3: Writings and Notes, circa 1954-2012 (Box 2; 0.8 linear feet)

Series 4: Subject Files, 1970-2011 (Boxes 2-4; 2.2 linear feet)

Series 5: Printed Material, 1956-2012 (Boxes 5-6; 1.2 linear feet)

Series 6: Artwork, 1954-2005 (Box 6; 0.1 linear feet)

Series 7: Sketchbooks, 1976-2009 (Box 6; 0.5 linear feet)

Series 8: Photographs, 1937-2006 (Box 6; 0.1 linear feet)
Biographical Note:
Richard Haas (b. 1936) is a mural painter of "architecture of illusion," his term describing the trompe l'oeil architectural subjects for which he is best known. His work as a printmaker also focuses on architecture, with iconic buildings of New York and other cities serving as subject matter. Hass is also an educator who has taught painting and printmaking at University of Minnesota, Michigan State University, Bennington College in Vermont, and School of Visual Arts in New York City.

During World War II, the Haas family moved from Spring Green, Wisconsin to Milwaukee. As a teenager, Richard spent two summers working with his great uncle, a master stone mason employed by Frank Lloyd Wright at Taliesin. He proved to be less interested in stonework than in exploring Wright's library and watching the young architects draw. He considered becoming an architect, but eventually concluded the artistic side of architecture was more attractive than the day to day work of an architect.

After graduating from the University of Wisconsin, Milwaukee (B.S., 1959), Hass worked as an art teacher in a Milwaukee high school. He attended graduate classes at University of Wisconsin, Milwaukee where visiting artist Jack Tworkov was his teacher. At the University of Minnesota (M.F.A., 1964), Haas studied with Peter Busa and Malcolm Myers. As an assistant professor at Michigan State University from 1964 to 1968, Haas's colleagues included Angelo Ippolito and Charles Pollock, and he met a number of important artists and critics who visited the campus. Haas moved to New York City in 1968 and soon accepted a part-time position teaching printmaking at Bennington College. He commuted weekly between New York and Vermont for the next decade.

During the 1960s Haas was a Color-field painter. He also continued making etchings and lithographs, and by 1970 several galleries were selling his architectural prints. His first outdoor mural, painted in the So Ho section of New York City in 1975, attracted attention and commissions followed. Mural commissions include: Boston Architectural Center (1977); Edison Bothers Store, Inc., St. Louis (1984); Home Savings of America, multiple locations in Florida and California (1990-1991); City of Huntsville, Texas (1991); Federal Building and Courthouse, Kansas City, Kansas (1994); and Yorkville Mural, New York City (2004.)

Haas, who began exhibiting while still a student, has participated in a large number of group shows and enjoyed many solo exhibitions. He was elected a National Academician, National Academy of Design, was granted a Guggenheim Fellowship, and has been a MacDowell Fellow. Among other honors, Haas has received the American Institute of Architects Medal of Honor, New York City Municipal Art Society Award, Doris C. Freedman Award for Public Art, and the Jimmy Ernst Award of the American Academy of Arts and Letters.

Mr. Haas, who works in New York City, is represented by David Findlay, Jr. Gallery. His wife, Katherine Sokolnikoff, is a sculptor and arts administrator; they live in Yonkers, New York.
Related Material:
An interview of Richard Haas conducted January 13 and March 16, 2009, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.
Provenance:
Donated by Richard Haas in 2012.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Educators -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Genre/Form:
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Citation:
Richard Haas papers, 1937-2012, bulk 1970-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.haasrich
See more items in:
Richard Haas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91efc1077-30a8-4bd5-a702-b003b7c4a817
EDAN-URL:
ead_collection:sova-aaa-haasrich

Oral history interview with Jesse Treviño, 2020 July 20

Interviewee:
Treviño, Jesse, 1946-2023  Search this
Interviewer:
Gillespie, Benjamin, 1988-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Jesse Treviño, 2020 July 20. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)21982
AAA_collcode_trevin20
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21982

The New Arts records, 1950-1979

Creator:
New Arts (Art gallery)  Search this
Subject:
Bess, Forrest  Search this
Boynton, Jack  Search this
Calcagno, Lawrence  Search this
Cornell, Joseph  Search this
Emmerich, André  Search this
Ernst, Max  Search this
Kuhlman, Walter  Search this
Plagens, Peter  Search this
Smith, Hassel  Search this
Steinberg, Richard  Search this
Varda, Jean  Search this
Citation:
The New Arts records, 1950-1979. Archives of American Art, Smithsonian Institution.
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)8083
(DSI-AAA_SIRISBib)210254
AAA_collcode_newarts
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210254

The New Arts records

Creator:
New Arts (Art gallery)  Search this
Names:
Bess, Forrest, 1911-1977  Search this
Boynton, Jack, 1928-2010  Search this
Calcagno, Lawrence, 1913-  Search this
Cornell, Joseph  Search this
Emmerich, André  Search this
Ernst, Max, 1891-1976  Search this
Kuhlman, Walter  Search this
Plagens, Peter  Search this
Smith, Hassel, 1915-2007  Search this
Steinberg, Richard  Search this
Varda, Jean  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1950-1979
Summary:
The New Arts records measure 1.3 linear feet and date from 1950 to 1979. The collection sheds light on the gallery's operations through correspondence, exhibition files, printed material, artists' files, and more.
Scope and Contents:
The New Arts records measure 1.3 linear feet and date from 1950 to 1979. The collection sheds light on the gallery's operations through administrative records and artists' files. Administrative records include artwork authentification records, correspondence with museums, galleries, and private collectors, exhibition files, ephemera from exhibitions held elsewhere, and editions of the Contemporary Arts Council calendar. Artists' files consist of correspondence, price lists, photos of artwork and installations, exhibition ephemera, reviews, some resumes, and more. Artists covered include Forrest Bess, James Boynton, Lawrence Calcagno, Joseph Cornell, Max Ernst, Walter Kuhlman, Peter Plagens, Hassel Smith, Richard Steinberg, and Jean Varda.
Arrangement:
The collection is arranged as two series.

Series 1: Administrative Records, 1952-1970 (Box 1; .4 linear feet)

Series 2: Artists' Files, 1950-1979 (Box 1-2, OV 3; .9 linear feet)
Biographical / Historical:
The New Arts was founded in 1956 in Houston, Texas by Kathryn Swenson. The gallery was initially established to exhibit and sell pre-Columbian artwork, the bulk of which came from Andre Emmerich's private collection. Swenson asked friend and museum specialist Jermayne MacAgy to help with the exhibition display, and then sometime in the next two years, the gallery began to show established local artists. Pre-Columbian shows persisted throughout The New Arts' existence, but the gallery shifted its focus towards exhibiting a wide range of contemporary painters and sculptors by the late 1950s. Artists exhibited at The New Arts include Jack Boynton, Forest Bess, Hassel Smith, Max Ernst, Walter Kuhlman, Lawrence Calcagno, Joseph Cornell, Peter Plagens, and Jean Varda.

The New Arts closed in 1974.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Marc Moldawer, Kathryn Swenson, and Robert Wilson conducted by Sandra Curtis Levy, August 15, 1984.
Provenance:
The collection was donated in 1979 by gallery owner and director Kathryn Swenson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Texas
Citation:
The New Arts records, 1950-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.newarts
See more items in:
The New Arts records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a39948fd-d2c8-40d2-b43e-791a3938ecb6
EDAN-URL:
ead_collection:sova-aaa-newarts

Andy Nasisse files relating to self-taught artists

Creator:
Nasisse, Andy S., 1946-  Search this
Names:
Bailey, E. M. (Eldren M.)  Search this
Carpenter, Miles B. (Miles Burkholder), 1889-  Search this
Carroll, Tessie  Search this
Damonte, Emanuel "Litto", d. 1985  Search this
Dinsmoor, Samuel Perry, 1843-1932  Search this
Doyle, Sam, 1906-1985  Search this
Ehn, John Henry, 1896-1981  Search this
Finster, Howard, 1916-2001  Search this
Forester, Laura Pope, 1873-1953  Search this
Hall, Dilmus, 1900-1987  Search this
Hall, Irene Gibson, ca. 1895-1983  Search this
Harvey, Bessie, 1929-  Search this
McKissack, Jeff, 1902-1980  Search this
Milkovitch, John, 1912-1988  Search this
Murry, J. B. (John B.), 1908-1988  Search this
Prisbrey, Tressa  Search this
Pugh, Dow, 1906-  Search this
Ratcliffe, W. T., 1882-1956  Search this
Rice, William Carlton, 1930-2004  Search this
Robertson, Royal  Search this
St. EOM, 1908-1986  Search this
Thomas, Son, 1926-1993  Search this
Tolliver, Mose, 1920-  Search this
Van Zant, Frank, 1911-1989  Search this
Zoetl, Joseph, 1878-1961  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Video recordings
Date:
circa 1979-circa 1986
Summary:
The Andy Nasisse files relating to self-taught artists measure 0.8 linear feet and date from 1979 to 1986, with additional undated materials. Included are artist files on twenty-five self-taught artists. Files consist primarily of black and white photographs of artists, their artworks, and photographs of unidentified artworks. Also included is a letter discussing artist Howard Finster's first dealer, Jeffrey Camp, and in which Nasisse offers his advice to Finster to limit production of his work. An audio recording of an interview with Miles Carpenter conducted by Nasisse, and a documentary about J. B. Murray, A Video Documentary of an Artist and His Work, are also present in these files. The documentary features many of Murray's paintings and drawings, as well as his comments on his art and visions.

The artists included in the files are Eldren M. (E. M.) Bailey, Miles Carpenter, Tessie Carroll, Emanuel "Litto" Damonte, Samuel Perry (S.P.) Dinsmoor, Sam Doyle, John Ehn, Howard Finster, Laura Pope Forrester, Dilmus Hall, Irene Hall, Bessie Harvey, St. EOM (Eddie Owens Martin), Jeff McKissack, John Milkovitch, J. B. Murray, Grandma Tressa Prisbrey, Dow Pugh, W.T. Ratcliffe (or Ratliff), William Carlton Rice (Mr. Rice), Royal Robertson, James "Son Ford" Thomas, Mose Tolliver, Frank van Zant (Chief Rolling Mountain Thunder), and Brother Joseph Zoetl.
Scope and Contents:
The Andy Nasisse files relating to self-taught artists measure 0.8 linear feet and date from 1979 to 1986, with additional undated materials. Included are artist files on twenty-five self-taught artists. Files consist primarily of black and white photographs of artists, their artworks, and photographs of unidentified artworks. Also included is a letter discussing artist Howard Finster's first dealer, Jeffrey Camp, and in which Nasisse offers his advice to Finster to limit production of his work. An audio recording of an interview with Miles Carpenter conducted by Nasisse, and a documentary about J. B. Murray, A Video Documentary of an Artist and His Work, are also present in these files. The documentary features many of Murray's paintings and drawings, as well as his comments on his art and visions.

The artists included in the files are Eldren M. (E. M.) Bailey, Miles Carpenter, Tessie Carroll, Emanuel "Litto" Damonte, Samuel Perry (S.P.) Dinsmoor, Sam Doyle, John Ehn, Howard Finster, Laura Pope Forrester, Dilmus Hall, Irene Hall, Bessie Harvey, St. EOM (Eddie Owens Martin), Jeff McKissack, John Milkovitch, J. B. Murray, Grandma Tressa Prisbrey, Dow Pugh, W.T. Ratcliffe (or Ratliff), William Carlton Rice (Mr. Rice), Royal Robertson, James "Son Ford" Thomas, Mose Tolliver, Frank van Zant (Chief Rolling Mountain Thunder), and Brother Joseph Zoetl.
Biographical / Historical:
Andy Nasisse (1946-) is a ceramicist sculptor, potter, and former professor at the University of Georgia. Starting in the 1970s, he visited self-taught artists and photographed their art, environments and, in some cases, conducted interviews with them. He has had a solo exhibition at the Museum of Contemporary Art Georgia and is the recipient of the Art Regional Fellowship from the National Endowment for the Arts.

Miles Carpenter (also known as Miles Burkholder Carpenter or Miles B. Carpenter) (1889-1985) was a sculptor active in Waverly, Virginia who carved figures and animals from wood and referred to some as "advertisements."

Tessie Carroll was an Oklahoma folk artist known for her rock sculptures and carvings.

Eldren M. (E.M.) Bailey (1903-1987) was an African American sculptor and painter from Atlanta, Georgia whose sculptures were influenced from his background making grave markers.

Emanuel "Litto" Damonte (1892-1985) started collecting hubcaps in 1957 and created an art environment on his property in Napa Country, California, known as Hubcap Ranch.

Samuel Perry (S.P). Dinsmoor (1843-1932) was a Kansan sculptor who designed a sculpture garden at his home called the Garden of Eden," consisting of over 200 concrete works reflecting his religious and political beliefs.

Sam Doyle (1906-1985) was an African American artist born on St. Helena, an island off the coast of South Carolina, whose colorful paintings document the island's people and Gullah culture.

John Ehn (1887-1981) was a former trapper turned sculptor who decorated the landscape of his Californian motel, Old Trapper's Lodge, with sculptures depicting myths and the Old West.

Howard Finster (1916-2001) was a Georgian folk artist and Baptist minister known for his former home, Paradise Garden, consisting of constructions, found objects and sculptures.

Laura Pope Forrester (1873-1953) was a sculptor who created figurative works in her Georgian garden that depicted notable women and fictional characters.

Dilmus Hall (1896-1987) was an African American artist whose sculptural works are associated with religious customs that combine African traditions and Christianity.

Irene Hall was an Oklahoman artist who decorated her home with sculptural works she had made with found objects.

Bessie Harvey (1929-1994) was an African American folk artist from Tennessee who created wooden sculptures often inspired by nature.

Eddie Owens Martin "St. EOM" (1908-1986) was a Georgian artist who created a visionary art environment called Pasaquan.

Jeff McKissack (1902-1980) is the creator of The Orange Show, an art environment constructed in Houston Texas to honor his favorite fruit.

John Milkovitch (1912-1988) was a retired upholsterer who constructed the Beer Can House, by decorating his home with over 50,000 fattened beer cans.

J. B. Murry (1910-1988) (also known as J.B. Murray) was an African American painter who incorporated illegible text in his work which he interpreted with the use of a bottle of well water.

Tressa "Grandma" Prisbrey (1896-1988) constructed numerous structures out of bottles and found objects at her home creating what became known as Grandma Prisbrey's Bottle Village.

Dow Pugh (1906-1993) was an artist from Tennessee who created paintings and sculptural works.

W. T. Ratcliffe was an engineer who, in the 1930s created sculptures in Boulder Park in Jacumba, California.

William Carlton Rice (1930-2004) was a self-ordained minister who created a Cross Garden around his home in Alabama.

Royal Robertson (1936-1997) was an African American artist and self-proclaimed prophet from Louisiana whose work incorporated biblical themes, and references to "girlie magazines" and comic strips.

James "Son Ford" Thomas (1926- 1993) was an African American sculptor and blues musician from Mississippi who is known for his clay skull sculptures.

Mose Tolliver (1919-2006) was an African American folk painter from Alabama who painted with house paint on wood.

Frank van Zant "Chief Rolling Mountain Thunder" (1921-1989) was an Oklahoman artist who created a park in Nevada dedicated to the American Indian known as Thunder Mountain Monument.

Brother Joseph Zoettl (1878-1961) was a monk who constructed a miniature city of famous religious buildings at St. Bernard Abbey known as Ave Maria Grotto.
Related Materials:
Also found in the Archives of American Art are the Photographs and videos of self-taught artists; Willie Ann Wright photographs; Howard Finster papers; John F. Turner research material on Howard Finster; Howard Finster interview and recordings; Videos and slides on Dilmus Hall, Mary T. Smith, and J.B. Murry; Willem Volkersz interviews; and J. B. Murray drawings. There is also an oral history interview with Howard Finster conducted by Liza Kirwin in 1984.

The California State University, Channel Islands holds the Prisbrey bottle village collection. The University of North Carolina at Chapel Hill holds the Judith McWillie papers. The University of Georgia Special Collections Libraries holds the Howard Finster collection and the Howard Finster Tapes.
Provenance:
The Andy Nasisse files relating to self-taught artists were donated to the Archives of American Art by Andy Nasisse in 1985.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
Video on J.B. Murray: Authorization to publish, quote, or reproduce requires written permission from Andy Nasisse. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Georgia  Search this
Folk artists  Search this
Ceramicists -- Georgia  Search this
Potters -- Georgia  Search this
Topic:
Self-taught artists  Search this
African American artists  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Andy Nasisse files relating to self-taught artists, circa 1979-circa 1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nasiandy
See more items in:
Andy Nasisse files relating to self-taught artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw925d29844-be82-4471-9907-9d477d264625
EDAN-URL:
ead_collection:sova-aaa-nasiandy

Michael Tracy papers, 1972-1980

Creator:
Tracy, Michael, 1943-  Search this
Type:
Interviews
Sound recordings
Citation:
Michael Tracy papers, 1972-1980. Archives of American Art, Smithsonian Institution.
Topic:
Art, American -- Texas -- San Ygnacio  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6689
(DSI-AAA_SIRISBib)208814
AAA_collcode_tracmich
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208814

Patricia Johanson papers, 1964-1998

Creator:
Johanson, Patricia, 1940-  Search this
Type:
Articles
Interviews
Photographs
Transcripts
Citation:
Patricia Johanson papers, 1964-1998. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Women architects  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6794
(DSI-AAA_SIRISBib)208921
AAA_collcode_johapatr
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208921
Online Media:

Lily Harmon papers, 1930-1996

Creator:
Harmon, Lily, 1912-1998  Search this
Subject:
Neumann, J. B. (Jsrael Ber)  Search this
Algren, Nelson  Search this
Ashton, Dore  Search this
Avery, Sally  Search this
Barr, Alfred H., Jr.  Search this
Bruno, Phillip A.  Search this
Copley, Alfred L.  Search this
Dehner, Dorothy  Search this
Drew, Bettina  Search this
Driggs, Elsie  Search this
Hertzberg, Benjamin  Search this
Hutton, Leonard, Sir  Search this
Isaacs, Lewis  Search this
Kahn, Max  Search this
Knotts, Howard  Search this
Kuh, Katharine  Search this
Lamm, Johanna Neumann  Search this
Manacher, Frances  Search this
Neumann, Albrecht  Search this
Neumann, Peter  Search this
Nierendorf, Karl  Search this
Odets, Clifford  Search this
Rothbaum, Nolbert  Search this
Sapanel, Margarete  Search this
Schmid, Elsa  Search this
Schultz, Margarete  Search this
Solman, Joseph  Search this
Stieglitz, Alfred  Search this
Stix, Hugh  Search this
Vogel, Ilse Margret  Search this
Warburg, Edward M. M.  Search this
Type:
Interviews
Sound recordings
Video recordings
Citation:
Lily Harmon papers, 1930-1996. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7659
(DSI-AAA_SIRISBib)209822
AAA_collcode_harmlily
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209822

Octavio Medellin papers, circa 1935-circa 1979

Creator:
Medellin, Octavio, 1907 or 1908-1999  Search this
Subject:
Mérida, Carlos  Search this
Gonzalez, Xavier  Search this
Type:
Interviews
Photographs
Videorecordings
Citation:
Octavio Medellin papers, circa 1935-circa 1979. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Public sculpture -- Texas -- Dallas  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5503
(DSI-AAA_SIRISBib)211231
AAA_collcode_medeocta
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211231
Online Media:

Reginald Rowe papers, 1952-1981

Creator:
Rowe, Reginald, 1920-  Search this
Type:
Sketchbooks
Citation:
Reginald Rowe papers, 1952-1981. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- Texas -- San Antonio  Search this
Sculpture, Modern -- 20th century -- Texas -- San Antonio  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9221
(DSI-AAA_SIRISBib)211416
AAA_collcode_roweregi
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211416

Dimitri Hadzi papers, 1910s-2007

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Subject:
Foundry, Nicci  Search this
Harvard University  Search this
Type:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Citation:
Dimitri Hadzi papers, 1910s-2007. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9532
(DSI-AAA_SIRISBib)211731
AAA_collcode_hadzdimi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211731

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Joan Seeman papers, 1973-1981

Creator:
Seeman, Joan French  Search this
Subject:
Roszak, Theodore  Search this
Type:
Interviews
Sound recordings
Citation:
Joan Seeman papers, 1973-1981. Archives of American Art, Smithsonian Institution.
Topic:
Women art historians  Search this
Sculptors  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10095
(DSI-AAA_SIRISBib)212976
AAA_collcode_seemjoan
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212976

Roy Fridge interview, 1980 Apr. 18

Creator:
Fridge, Roy, 1927-  Search this
Rifkin, Ned  Search this
Subject:
Bess, Forrest  Search this
Type:
Sound recordings
Interviews
Citation:
Roy Fridge interview, 1980 Apr. 18. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Filmmakers -- Texas -- Interviews  Search this
Sculptors -- Texas -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10285
(DSI-AAA_SIRISBib)213472
AAA_collcode_fridroyi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213472

Ted Egri papers, [ca. 1920-1980]

Creator:
Egri, Ted, 1913-2010  Search this
Citation:
Ted Egri papers, [ca. 1920-1980]. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New Mexico -- Taos  Search this
Sculpture, Modern -- 20th century -- New Mexico -- Taos  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10515
(DSI-AAA_SIRISBib)213945
AAA_collcode_egrited
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213945

Ted and Katherine Egri research material on Walter Ufer, 1970-1980

Creator:
Egri, Ted, 1913-2010  Search this
Egri, Katherine  Search this
Subject:
Ufer, Walter  Search this
Ufer, Regina  Search this
Self, Christine  Search this
Hoffman, Hazel  Search this
Yaple, Dixie  Search this
Type:
Sound recordings
Interviews
Citation:
Ted and Katherine Egri research material on Walter Ufer, 1970-1980. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- New Mexico -- Taos  Search this
Painting, Modern -- 20th century -- New Mexico -- Taos  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10516
(DSI-AAA_SIRISBib)213946
AAA_collcode_egritedr
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213946

Elisabet Ney papers, 1865-1984

Creator:
Ney, Elisabet, 1833-1907  Search this
Subject:
Elisabet Ney Museum (Austin, Tex.)  Search this
Place:
Egypt -- description and travel
Citation:
Elisabet Ney papers, 1865-1984. Archives of American Art, Smithsonian Institution.
Topic:
Portrait sculpture, American  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Art organizations  Search this
Record number:
(DSI-AAA_CollID)10541
(DSI-AAA_SIRISBib)214013
AAA_collcode_neyelisp
Theme:
Women
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214013

Donald E. Shaw papers, 1969-1980

Creator:
Shaw, Donald Edward, 1934-  Search this
Citation:
Donald E. Shaw papers, 1969-1980. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Sculpture, American  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10554
(DSI-AAA_SIRISBib)214028
AAA_collcode_shawdona
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214028

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