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Oral history interview with Ted Egri, 1965 March 22

Interviewee:
Egri, Ted, 1913-2010  Search this
Egri, Ted, 1913-2010  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Artists Equity Association  Search this
Federal Art Project (N.M.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- New Mexico -- Taos -- Interviews  Search this
Sculptors -- New Mexico -- Taos -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12590
(DSI-AAA_SIRISBib)213439
AAA_collcode_egri65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213439
Online Media:

Arnold Rönnebeck and Louise Emerson Ronnebeck papers, 1884-2002

Creator:
Rönnebeck, Arnold H., 1885-1947  Search this
Ronnebeck, Louise Emerson, 1901-1980  Search this
Rönnebeck, Arnold H., 1885-1947  Search this
Subject:
Luhan, Mabel Dodge  Search this
Luhan, Tony  Search this
Miller, Kenneth Hayes  Search this
Ronnebeck, Louise Emerson  Search this
Hartley, Marsden  Search this
Demuth, Charles  Search this
Stieglitz, Alfred  Search this
Type:
Sketches
Drawings
Scrapbooks
Photographs
Topic:
Sculptors  Search this
Muralists  Search this
Artists -- New Mexico -- Taos  Search this
Portrait sculpture  Search this
Women artists  Search this
Women painters  Search this
Women muralists  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)5977
(DSI-AAA_SIRISBib)228105
AAA_collcode_ronnarno
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_228105
Online Media:

Richard Hollander papers, 1950-1991

Creator:
Hollander, Richard, 1911-1991  Search this
Hollander, Richard, 1911-1991  Search this
Subject:
Dasburg, Andrew  Search this
Type:
Sound recordings
Topic:
Sculpture, American  Search this
Taos School of Art  Search this
Art, American -- New Mexico -- Taos  Search this
Artists' studios -- Missouri -- Photographs  Search this
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)9769
(DSI-AAA_SIRISBib)212170
AAA_collcode_hollrich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212170

Oral history interview with Kenneth Price, 1980 May 30-June 2

Interviewee:
Price, Kenneth Martin, 1935-2012  Search this
Price, Kenneth Martin, 1935-2012  Search this
Interviewer:
De Angelus, Michele D.  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Ceramics  Search this
Printmakers -- New Mexico -- Taos -- Interviews  Search this
Sculptors -- New Mexico -- Taos -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12823
(DSI-AAA_SIRISBib)213040
AAA_collcode_price80
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213040

Ted Egri papers, [ca. 1920-1980]

Creator:
Egri, Ted, 1913-2010  Search this
Egri, Ted, 1913-2010  Search this
Topic:
Painting, Modern -- 20th century -- New Mexico -- Taos  Search this
Sculpture, Modern -- 20th century -- New Mexico -- Taos  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10515
(DSI-AAA_SIRISBib)213945
AAA_collcode_egrited
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213945

Ted and Katherine Egri research material on Walter Ufer, 1970-1980

Creator:
Egri, Ted, 1913-2010  Search this
Egri, Katherine  Search this
Egri, Ted, 1913-2010  Search this
Subject:
Ufer, Walter  Search this
Ufer, Regina  Search this
Self, Christine  Search this
Hoffman, Hazel  Search this
Yaple, Dixie  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- New Mexico -- Taos  Search this
Painting, Modern -- 20th century -- New Mexico -- Taos  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10516
(DSI-AAA_SIRISBib)213946
AAA_collcode_egritedr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213946

Oral history interview with Larry Stuart Bell, 1980 May 25-June 30

Interviewee:
Bell, Larry, 1939-  Search this
Bell, Larry, 1939-  Search this
Interviewer:
De Angelus, Michele D.  Search this
Type:
Sound recordings
Interviews
Topic:
Sculpture, Modern -- 20th century -- New Mexico  Search this
Sculptors -- New Mexico -- Taos -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11660
(DSI-AAA_SIRISBib)212526
AAA_collcode_bell80
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212526

Grace Mott Johnson Papers

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Extent:
2.8 Linear feet (Box 7-10)
Type:
Archival materials
Date:
1833-1963
Scope and Contents note:
The papers of Grace Mott Johnson document her personal life through extensive correspondence with family, friends, and fellow artists, as well as her writings, photographs and original artwork. To a lesser degree these papers document her career as an exhibiting sculptor and civil rights activist.

Found within the Grace Mott Johnson papers are scattered biographical documents about the Grace and the Johnson families. Most of her papers consist of correspondence with family, including numerous letters to her son, Alfred Dasburg, friends, and fellow artists. Notable correspondents include John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, Vera Spier Kuhn, and others. Writings by Johnson include a very brief diary, poetry, her written account of two weeks in Taos, New Mexico, and other miscellaneous autobiographical writings. There are also a few writings by others. Scattered financial material includes receipts and account statements. Printed materials include one exhibition announcement and news clippings. Photographs are of Johnson, her family, friends, and works of art. Of note are photographs of Johnson with fellow artists, including a tintype of her with sculptors Florence Lucius and Jo Davidson. Johnson's artwork includes two folders of loose drawings and two sketchbooks, primarily of landscapes and animals.
Arrangement note:
The Grace Mott Johnson Papers series is arranged into 7 subseries:

2.1: Biographical Material, 1833, circa 1888-1935

2.2: Correspondence, 1854, 1882-1963

2.3: Writings, 1848-1950

2.4: Financial Material, 1911-1952

2.5: Printed Material, 1882, 1917-1950

2.6: Photographs, 1880s-1940

2.7: Artwork, circa 1890-1928
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr, Series 2
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw964bd87d1-22ca-45a7-9f43-1e0b9bbf41ab
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref129

Correspondence

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Type:
Archival materials
Date:
1854, 1882-1963
Scope and Contents note:
Eighty years of Johnson's general correspondence primarily consists of personal letters with friends, family, and fellow artists. There is also a substantial amount of correspondence with her son, Alfred Dasburg. The bulk of the correspondence dates from 1906 to 1919.

Because Alfred spent most of his childhood living in Taos with his father, Andrew Dasburg, or away at school or camp, Johnson's correspondence with her son provides very candid and detailed accounts of her daily activities. The letters discuss her current artwork, news from her friends and relatives, and her travels, including her stay in Taos, New Mexico in 1919. Also included are numerous letters written during her stay in a mental hospital from 1937 to 1938. Many of her later letters to Alfred include reminiscences of her youth and extensive self-analysis.

General correspondence with other family and friends is extensive and most often discusses social events, news of family and friends, and other daily activities of the writer. Family correspondence includes numerous letters between Johnson and her siblings, especially her brother Van Cleve Johnson. Grace Mott Johnson corresponded with numerous painter and sculptor friends whom she met at the Art Students' League and in Woodstock, New York. Some of these include Marion Bullard, Russell Cowles, John F. and Margaret Carlson, Florence Ballin Cramer, Florence Lucius, Walter Frankl, Lila Wheelock Howard, with whom she shared a studio for a period of time, Thomas Hunt, Henry Lee McFee, Morgan Russell, Mary Riley, Lee Simonson, Lindsey Morris Sterling, and Alice Morgan Wright. Johnson was also close friends with the Davidson family, and found here is her correspondence with the sculptor Jo Davidson and his two sisters Ray and Rose. Other notable correspondence is with friend Vera Spier Kuhn, wife of artist Walt Kuhn, art patron Mable Dodge Luhan, journalist John Reed, gallery owner William Macbeth, and her psychiatrist Abraham Brill. Also found is a small amount of correspondence documenting Johnson's civil rights activities, including letters from the National Association for the Advancement of Colored People.

This subseries also includes the correspondence of Frances H. Johnson, Grace Mott Johnson's aunt, also known as Aunt Fanny, with whom she was very close. Found here are postcards and letters from family and friends as well as numerous letters between Frances and Grace Mott Johnson, including several detailed letters from Grace describing her time in Taos.

See Appendix B for a select list of correspondents from Series 2.2.
Appendix B: Correspondents from Series 2.2: Grace Mott Johnson Papers, General Correspondence:
Barclay, Jessie: 1909

Bercinsky, David: 1911, 1929, undated

Bercinsky, Rachel: 1906, 1908

Bigelow, Poultney: 1910, 1911, undated

Borglum, Gutzon: 1908

Bradenburgh, Margaret Caspar: 1908, 1910, 1911, 1915, 1916, 1919, 1940

Brill, Abraham A.: 1919, 1921, 1935, 1937-40, 1948

Bullard, Eleanor: 1909

Bullard, Marion: 1911, 1912, undated

Cahen, J. B.: 1907

Carlson, John F. & Margaret: 1907-1913, 1921, 1947

Comeau, Martin F.: 1943, 1944

Cook, Charles Bayley: 1911

Cowles, Russell: 1909

Cramer, Florence Ballin: 1907-1912, 1947, undated

D'Andrea, Cecelia (Cecil): 1907, 1912, 1921

Dasburg, Margaret: 1908, 1909, 1912, undated

Dasburg, Matilda: 1940

Davidson, Jo: 1906-1910

Davidson, Ray: 1906-1914, 1930, 1932, 1938, 1940-1942, 1951

Davidson, Rose: 1906-1913

de Kerstrat, Yvonne: 1909

Debling, Anna J.: 1909

Denman, George: 1917

Doepel, C. Henry: 1922

Drew, Aline: 1937, undated

Durgy, Caroline R.: 1908

Eberle, A.: 1930

Edson, Helen: 1908

Ennis, C.: 1910

Frankl, Walter H.: 1915, 1918, 1919, undated

Friends Intelligencer -- : 1936

Frost, Chris: 1914

Gardin, Laura: 1908

Geiger, Mary: 1914, 1922

Gilbert, Carl H.: 1927

Harls, E. B.: 1908

Holden, C.: 1950

Howard, Lila Wheelock: 1908-1911, 1914, 1918, 1923, undated

Humphrey, T. F.: 1910

Hunt, Dorothy: 1911

Hunt, Thomas: 1908 (illustrated letter)

Hutchinson, Mary: 1937

Illava, Agatha: 1933

Isler, Jacques: 1933

Jackson, Harrison S.: 1935

Johnson, Alfred: 1907, 1908, 1911, 1914-1916

Johnson, Francis: 1937, 1947

Johnson, Mark: 1904, 1906, 1909, 1918, 1954

Johnson, Van Cleve: 1904, 1908-1918, 1938, 1942, 1947, undated

Kalish Pharmacy: 1910

Kleinert, H.: 1923

Kuhn, Vera Spier: 1908-1912

Labaree, Mary Fleming: 1931

Lane, Mrs. Franklin: 1933

Law, Ellen M.: 1910, 1912, 1922

Lincoln University: 1931

Lucius, Albert: 1922

Lucius, Florence (Floss): 1908-1915, undated

Luhan, Mabel Dodge: 1919, 1924, 1933

Macbeth, William: 1911

Macomb, Edith: 1920

Macrum, Mrs. George: 1947

Magee, R.: 1909, 1910

Martin, Daniel S.: 1891

McFee, Henry Lee: 1912, 1914, undated

McKenzie, Ilya: 1909-1911

Miles, John E.: 1938

Milner, H. W.: 1910

Morgan, Helen: 1907, 1908, 1911, 1912

Morrell, Edith: 1910, 1911, undated

Morton-Morris, Mrs. John: 1946

Mott, Cora E.: 1908

Mott, Jane: 1910

Mott, Laura: 1894, 1906-1908

National Association for the Advancement of Colored People: 1935-1937, 1940, undated

National Association of Woment Painters and Sculptors: 1937

The New York News -- : 1935

Noyes, Minnie A.: 1916

Odok, Effiom: 1938

Pennsylvania Academy of Fine Arts: 1913

Pfeiffer, J.: 1912

Potterat, Mathilda: 1910, 1912

Radcliffe, C. M. R.: 1912

Raub, Ida: 1922

Reed, John: 1916

Reynolds, William E.: 1922

Riley, Mary: 1909-1911, undated

Rogers, Julia J.: 1911

Rosenberg, Elfie Cahen: 1904-1912, 1926

Russell, Morgan: 1908

Schlisinger, Gisela: 1907

Schuyler, Josephine: 1933

Scott, Leon W.: 1935

Sholtz, David: 1935

Simkins, Martha: 1913

Simonson, Lee: 1912, 1914-1917, 1928, undated

Smith, S. Archibald: 1920

Spanish and Indian Trading Co.: 1926

Sterling, Lindsey Morris (Sally): 1908-1912

Sutherland, Arthur: 1936-1939

Teague, Cecil: 1911

Teague, Walter: 1911

Wardwell, James: 1909

Watkins, Mary Jane: 1930

Weeks, Henry de F.: 1910

Weigand, Margarith: 1909-1914

White, Mrs. John K.: 1908

Wright, Alice Morgan: 1907, 1908, 1910, 1930

Yaldo, Margaret: 1917-1919
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr, Subseries 2.2
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 2: Grace Mott Johnson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974ae77fc-aac3-43f5-ac27-c6ea42afa362
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref136

Charles C. Stewart scrapbooks, 1953-1985

Creator:
Stewart, Charles C., 1922-  Search this
Stewart, Charles C., 1922-  Search this
Topic:
Painting, American  Search this
Sculpture, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10564
(DSI-AAA_SIRISBib)214038
AAA_collcode_stewchar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214038

Correspondence

Collection Creator:
Spohn, Clay Edgar, 1898-1977  Search this
Extent:
(boxes 2-5, 4.7 linear feet)
Type:
Archival materials
Date:
1925-1981, undated
Scope and Contents note:
Correspondence is between Spohn and his colleagues, including two letters from Alexander Calder, eight letters from Mark Rothko, and twenty-eight letters from Clyfford Still.

See Appendix for an alphabetical list of correspondents from Series 2.2.
Appendix: Alphabetical List of Correspondents in 2.2:
Abend, George and Kitty Parker Abend (artists): 1950-1960 (4 letters)

Abingdon Square Painters: 1958 (1 letter)

Addison Gallery of American Art: 1958 (2 letters)

American Artists' Congress: 1938 (1 letter)

American Library of Color Slides: 1941 (1 letter)

Anderson, Claude J. K.: 1958 (1 letter)

Anderson, Wendell (poet): 1955-1956 (2 letters)

Archives of American Art: 1964 (4 letters)

Art Academy of Cincinnati: 1958-1959 (3 letters)

Art Association of Newport: 1958 (1 letter)

Art Career School: 1958 (1 letter)

Artists Equity Association: 1950 (1 letter)

Arts and Architecture: 1963 (1 letter)

Art Students League: 1958-1964 (2 letters)

Art Times: 1959 (1 letter)

Art Workshop of the Rivington Neighborhood Asociation, Inc.: 1958 (1 letter)

Ashton, Dore: 1969 (1 letter)

Ayer, Phyllis: 1956 (1 letter)

Bachels, Andrew: 1969 (1 letter)

Barnett, Rici: 1973 (1 letter)

Barron, John N.: 1966 (1 letter)

Beasley, David and Viola: 1963-1978 (11 letters)

Bender: Albert M. Bender Memorial Trust: 1947-1951 (2 letters)

Bethers, Peggy: 1940 (1 letter)

Blesh, Rudi: 1960 (1 letter)

Board of Education, City of New York: 1958-1965 (2 letters)

Booth, James W. (family friend): 1943-1956 (7 letters)

Borgenight: Grace Borgenight Gallery, Inc.: 1965 (1 letter)

Boru, Sorcha: 1932-1933 (12 letters)

Brandenburg, Helen: 1970 (1 letter)

Braunstein/Quay Gallery: 1977 (1 letter)

Briggs, Ernie: 1967-1977 (2 letters)

Bright, Beatrice: 1971-1973 (2 letters)

Brock, Midu: 1954 (1 letter)

Brooklyn Society for Ethical Culture: 1966 (1 letter)

Brown, Lesley: 1955 (1 letter)

Burke, Bob: 1971 (1 letter)

Burnham, Janet B.: 1950 (1 letter)

Bute, Janey: 1971 (1 letter)

Calcagno, Lawrence: 1969-1977 (5 letters)

Calder, Alexander: 1970-1972 (2 letters)

California Palace of the Legion of Honor: 1964 (1 letter)

California School of Fine Arts: 1955-1964 (2 letters)

California: University of California at Berkeley: 1940 (1 letter)

California: University of California at Santa Clara: 1975-1976 (2 letters)

Carewe, Sylvia: 1969 (1 letter)

Carr, James F.: 1967 (1 letter)

Chase Manhattan Bank: 1971 (2 letters)

Chisholm, Stuart (landscape architect): 1925 (1 letter)

Clayton, Janice: undated and 1965-1974 (6 letters)

Clifton, Jim and Mary (owners of a Spohn painting): 1956 (1 letter)

College Art Association: 1949 (1 letter)

Colorado Springs Fine Arts Center: 1952-1970 (4 letters)

Cooke, Regina: 1955 (1 letter)

Cooley, Anne: 1941 (1 letter)

Corbett, Ed and Steff, and Rosamond Tirana: undated and 1951-1977(47 letters, including a 1962 wedding announcement for Corbett and Tirana, and a letter dated Mar 21, 1963 enclosing a photograph of Ed with an amputated foot)

Craig, Jeanne: 1963 (2 letters)

Crawford, Jane and Ernie: 1958 (3 letters)

Crehan, Hub and Anne: 1960 (1 letter)

Crewe, Sylvia: 1969 (1 letter)

Crews, Judson and Mildred (publishers of poetry magazine in Taos): 1952-1969 (4 letters)

Cumming, Ann (and Jennifer Sutcliffe): 1956 (1 letter)

Cunningham, Ben: 1950 (1 letter)

D'Arcangelo, Allan and Sylvia: 1965 (1 letter)

Dasburg, Andrew: 1961 (1 letter)

DePuy, John: 1964 (1 letter)

Diebenkorn, Richard: 1951 (1 letter)

Dilexi Gallery (L. James Newman): 1965 (1 letter)

Dixon, Budd (J.B.) and Peggy: 1954-1970 (5 letters)

Dowell-Kahl Gallery (Leone Kahl, director): 1963 (1 letter)

Drumm, Steve: 1953 (1 letter)

Durham, Charlotte: 1968-1970 (3 letters)

D'Vorzon, Berenice and Randal Goya: 1965 (1 letter)

East Hampton Gallery: undated (1 letter)

Edwards, Tom L.: 1945-1974 (2 letters)

Egri, Ted and Kit: 1958-1971

Elster, Grace-Marion: 1926 (1 letter)

Ely, Georgette and Wolcott: 1958-1969 (38 letters)

Finichel, Lilly: 1954 (1 letter)

Forster, Bertrand Dixon: 1961 (1 letter)

Forster, Paul and Else: undated and 1943-1974 (15 letters)

Fort Worth Art Center Museum: 1971 (1 letter)

Foss, Florence: 1958 (1 letter)

Fran, Ford: 1971 (1 letter)

Fryworth, Teressa (Terry) (Registrar at California School of Fine Arts): 1950-1978 (72 letters)

Fuller, Mary: see McChesney, Mary

Fuller, Patti (Ed Corbett's niece): 1955 (2 letters)

Furse, Roger: 1928-1953 (4 letters)

Gallery of Modern Art, Taos, N.M.: 1972 (1 letter)

Garcia, Enos: 1954 (1 letter)

Georgiadis, Alex: 1951 (1 letter)

Gettell, Mrs. Richard Glenn: 1958 (an invitation to meet Col. George Lincoln)

Gluck, Heidi: 1977 (1 letter)

Gomez, Dorothy Massey (mother of anthropologist Bill Massey): 1950 (1 letter)

Gomez, Joe: undated and 1971 (2 letters)

Grant, Bob: 1953-1972 (2 letters)

Grant, Carolyn: 1969 (1 letter)

Great Neck Board of Education: 1960 (1 letter)

Grimm, Marjorie: 1973 (1 letter)

Grossmann, Nancy: 1966 (1 letter)

Guggenheim: John Simon Guggenheim Memorial Foundation: 1953-1954 (2 letters)

Harwood Foundation: 1953-1956 (2 letters)

Harris, Roger: 1973 (1 letter)

Hawley, W. R.: 1977 (1 letter enclosing an exhibition catalog "Unemployed Wizards")

Heischman, R. L.: undated (1 letter)

Hill, Dorothy: 1967 (2 letters)

Hocks, Fred: 1952 (1 letter)

Howard, Ellen and Galen: 1957 (1 letter)

Howard, Robert Boardman and Adaline Kent (San Francisco sculptors): 1951-1955 (2 letters)

Howard, Madge Knight and Charles H.: 1946-1954 (21 letters)

Hultburg, John and Lynne: 1959-1974 (5 letters)

Huntsville Museum of Art: see Braunstein/Quay Gallery

Hurst, Tricia: 1977 (1 letter)

Hutchinson, Mrs. D. H.: 1925 (1 letter)

Illinois: University of Illinois at Urbana: 1952 (2 letters)

Jackson: Martha Jackson Gallery: 1965 (1 letter)

Jacobson, Art (artist) and Ursula: 1950-1960 (9 letters)

Jonson Gallery: 1969-1970 (2 letters)

Kadish, Reuben: 1958 (1 letter)

Kahl: Leone Kahl Gallery: 1964 (1 letter)

Karnes, Marion Watson: undated and 1947-1954 (80 letters from Spohn)

Keeney, James: 1963 (1 letter)

Kieve, Rudolph: 1971 (3 letters)

King, Vivie and Rufus: 1977 (1 letter)

Kingman, Dong: undated calling card

Kuhlman, Walt: 1957 (2 letters)

Kultberg, Lynne and John: 1965 (1 letter)

Labaudt, Lucien: 1943 (1 letter)

Labaudt, Marcelle: 1956 (1 letter)

Landgren, Paula: undated (1 letter)

Lannan, J. Patrick (The Susquehanna Corporation/ The Lannan Foundation): 1966-1971 (4 letters); see Personal Business Records for correspondence pertaining to the Foundation's support of Spohn, 1961-1962

LaPlante, John (Stanford University): 1949 (1 letter)

Lazarus, Rosalind: 1960 (1 letter)

LeBow-Gould Associates: 1958 (3 letters)

Lee, Martha: 1957 (1 letter)

Lehman, Margarett: 1957 (1 letter)

Letter Shop: 1956 (1 letter)

Library of Congress Copyright Office: 1932 (1 letter concerning the trisection of an arbitrary angle)

Lippincott, Janet (artist): 1955-1956 (5 letters)

Lockwood, Ward: 1952 (1 letter)

MacAgy, Douglas and Betty: undated and 1945-1973 (13 letters)

MacAgy, Jermayne (Jerry): 1945-1948 (2 letters)

Macdowell Colony: 1975 (1 letter)

Machcinski, Barbara: 1971 (1 letter)

MacIntyre, Carlyle F.: 1945 (1 letter)

Maes, Virginia: 1941 (1 letter)

Mare, Doris and Emil: 1969 (1 letter)

Marse, John J.: 1962 (1 letter)

Marter, Joan: 1977 (3 letters)

Martin, Agnes: 1958-1975 (3 letters)

Massey, Ellen DeSelms: 1940 (2 letters)

McCarthy, Francis Joseph (AIA): 1950 (1 change of address card)

McChesney, Mary (Fuller) and Mac: 1952-1977 (62 letters, including one dated May 21, 1968 decorated with a lizard skin, one dated Jun 08, 1973 enclosing a wooden Yalalag Indian good luck charm, and one dated May 26, 1976 enclosing a photograph of group and McChesney art work at Temko mansion in Berkeley)

McCormick, Herbert: 1951 (1 letter)

McDonald, Katharyn: 1963-1964 (2 letters)

Merlin Development Company: 1962 (1 letter)

Merrick, Barbara: 1975 (1 letter)

Meyer, Fleur Cowler: 1968 (1 letter)

Miller, Dorothy (Museum of Modern Art): 1952-1977 (8 letters)

Moore Dry Dock Company: 1942 (2 letters)

Murphy, Jack W. and Dori (owners of some of Spohn's work): 1951-1976 (7 letters)

Mygatt, Tony: 1954 (1 letter)

National Collection of Fine Arts: 1977 (1 letter)

Neininger, Urban and Jeanne: 1950-1976 (48 letters)

New Mexico Highlands University: 1958-1969 (3 letters)

New Mexico: Museum of New Mexico Art Gallery: 1952-1957 (3 letters)

New Mexico: University of New Mexico at Albuquerque: 1957-1970 (2 letters)

New York City Transit Authority: 1962-1963 (2 letters)

New York Saucer Information Bureau: 1962-1965 (2 letters)

New York University: 1958-1960 (3 letters)

Oakland Museum (Terry St. John): 1970-1977 (33 letters)

O'Connor, Francis V.: 1979 (1 letter)

Ohio State University: 1958 (1 letter)

Oldfield, Otis: 1942 (1 letter of recommendation for Spohn for Albert M. Bender Grants-in-Aid)

Olmsted, Frederick: 1943 (1 letter)

Oregon: University of Oregon: 1974-1975 (2 letters)

Ortman, George: 1964 (2 letters)

Otto, Curtis, Roberta, and Adrienne: 1957 (1 letter)

Oxford University Press: 1949 (1 letter)

Parrett, Fred C.: undated and 1954 (2 letters)

Peale, Norman Vincent (office of): 1975 (1 letter)

Pepsi-Cola Annual Art Competition: 1947 (2 letters)

Peterson, Arline? and Pete: 1955-1957 (2 letters)

Petrovo, Miriam: 1961-1971 (11 letters)

Pitney, Peggy and Ed: 1948 (1 letter)

Queens College: 1958 (2 letters)

Ramsay, Anna R.: 1954 (1 letter)

Rankine, Vivie (Mrs. Paul Scott Rankine): 1964-1981 (5 letters)

Remington, Deborah: 1963 (1 letter)

Reminick, Harry: 1954 (1 letter)

Reynal, Jeanne: 1941 (an invitation to a reception for Arshile Gorky) and 1952 (1 letter)

Ribak, Louis and Bea: 1954-1976 (5 letters)

Richards, Tally: 1971-1980 (5 letters)

Ridiman, Bob: 1963-1970 (4 letters)

Rogoway, Marjorie and Rog: undated and 1953-1968 (15 letters)

Rosebury, Amy and Ted: 1954 (1 letter)

Rosen, Michael: 1970-1974 (4 letters)

Roswell Museum and Art Center: 1977-1978 (6 letters)

Rothko Foundation: 1971-1975 (4 letters)

Rothko, Mark and Mell: 1946-1958 (8 letters)

Rusnell, Wesley: 1972-1979 (13 letters)

Sachs Gallery: undated and 1968 (2 letters)

St. John's College: 1969 (1 letter)

Salzer, Oscar: 1955 (1 letter)

Sanders, Una and John: 1975-1977 (6 letters)

Sands, Louis: 1948 (1 letter)

San Francisco Art Association: 1939-1955 (19 letters)

San Francisco Museum of Art: 1949-1977 (18 letters)

Saxe, Suzanne: 1972-1973 (2 letters)

Scarpitta, Pat and Sal: 1968 (1 letter)

Schneiderwirth, Joan (friend of Ed Corbett): 1955 (1 letter)

School of Visual Arts: 1964-1970 (86 letters)

Schubart, Pauline: 1950 (1 letter)

Shoemaker, Peter (former student of Spohn): 1955-1958 (5 letters)

Shiras, Mary: 1958-1965 (10 letters)

Sihvonen, Oli: 1953-1977 (66 letters)

Slivka, David: 1954 (1 letter)

Smith, Hassel: 1948 (1 letter)

Spoerri, John: 1965-1977 (10 letters)

Stables Art Gallery (Leone Kahl, director): 1956-1965 (14 letters)

Stanford University: 1946 (1 letter)

Stephens, Dick and Carolyn: 1960-1965 (3 letters)

Stevens: Arthur Stevens Book Club: 1968 (1 letter)

Still, Clyfford: 1948-1968 (28 letters, including one dated Nov 1950 to Ed Corbett, and one dated Nov 29, 1963 enclosing a hand-drawn map to Still's home)

Strehler, Allen (Sociologist): 1954 (1 letter)

Summers, Al: 1952 (1 letter)

Sutcliffe, Jennifer (beautiful English girl who passed through Taos with Ann Cumming): 1956 (2 letters)

Sznajderman, Marius: 1967 (1 letter)

Taggart, Bill, Sandy, and Sean: 1968 (1 letter)

Taos Artist's Association (Taos Art Association): 1956-1964 (6 letters)

Taos Realty: 1968-1969 (3 letters)

Tatarsky, Hy and Muriel: 1952-1957 (2 letters)

Tatarsky, Stephanie: 1963-1964 (7 letters)

Taylor, Gene: 1925 (letter of introduction to Erskine Gwynne)

Temianka, Henri: 1941 (1 letter)

Tensan, Keith and Gene: 1957 (1 letter)

Terrain Gallery: 1960 (1 letter)

Terry Art Institute: 1951-1952 (7 letters)

Third Street Gallery (Helen Kaye, Director): 1950 (1 letter)

Thomas, Corine (owner of a Spohn painting): 1954-1957 (7 letters)

Tirana, Rosamond: undated and 1958-1962 (10 letters); see Corbett, Edward for additional letters

Van Duren, Allan and Betsy: 1953 (1 letter)

Van Ingen, Pat: 1973 (2 letters)

Varda, Yantoo?: 1949 (1 letter)

Visual Arts Gallery: 1967 (2 letters)

Vollmer, George A.: 1945-1948 (3 letters)

Von Herberg, Charlotte: 1950-1958 (2 letters)

Wakefield, Ruth Cravath: 1943 (1 letter of recommendation for Spohn)

Wandell, Walt and Doreen: 1958 (1 letter)

Wasley, Emily (aunt) and Sarah Rhoads (cousin): 1946-1955 (14 letters)

Wehrer, Anne: 1974 (1 letter)

Whaley, Bill: 1974 (1 letter)

White, Minor: 1963 (1 letter)

Who's Who In American Art: 1952-1969 (5 letters)

Who's Who In The Midwest: 1959 (1 letter)

Who's Who In The West: 1959 (1 letter)

Willard, Charlotte: 1960-1967 (3 letters)

Williams, Matilda A.: 1958 (1 letter)

Wilmans, Margery and Steve: 1974 (1 letter)

Winston, James W.: 1941 (1 letter)

Wise: Howard Wise Gallery: 1962 (1 letter)

Woelffer, Emerson and Diana: 1955-1958 (5 letters)

Wood, Ralph: 1960-1970 (5 letters)

Wright, Dorothy: 1926 (1 letter)

Wurlitzer: Helene Wurlitzer Foundation: 1954-1957 (3 letters)

Young-Hunter, Mrs. John: 1959 (1 letter)
Collection Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spohclay, Subseries 2.2
See more items in:
Clay Spohn papers
Clay Spohn papers / Series 2: Clay Spohn Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4ccaf20-7ae8-4ab6-91de-de112065866d
EDAN-URL:
ead_component:sova-aaa-spohclay-ref47

Masters of the Building Arts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
From the soaring skyscrapers of New York City to the adobe churches of New Mexico, from the sturdy stone walls of New England to the majestic monuments of the nation's capital, master craftworkers in the building arts have brought enduring beauty to our built environment. Working in wood, stone, brick, and metal, in plaster, paint, glass, and clay, they transform designs on paper into three-dimensional works of art. Much depends on their workmanship and skill: on their deep understanding of raw materials, their careful selection and use of tools, their mastery of technique. The final product is the result not only of their knowledge and abilities, but also their creativity and care - their will to excellence.

Artisans in the building trades share a deep appreciation for the aesthetic value and expressive power of technical perfection. They delight in skill and find meaning and pleasure in the poetic qualities of workmanship - in their ability to craft objects of beauty and strength through their special touch. Their great pride and creative spirit, their love for their work, and their commitment to excellence are manifested in a lasting legacy of architectural achievement left behind for generations to come.

The 2000 Festival program celebrated the extraordinary artistry of craftspeople in the building arts and explored the many challenges they face today as they work to preserve our nation's past and build for the future. The Festival brought together a selection of master artisans - stone carvers, masons, carpenters, terra cotta artisans, plasterers, blacksmiths, stained glass artisans, and adobe builders - who have enriched our world with the work of their hands, and who educated and informed Festival visitors not only with their skills but also with their knowledge and lore.

Marjorie Hunt was Curator and James Deutsch was Program Coordinator; Betty Belanus was Education Specialist and Family Activity Guide Coordinator. An Advisory Committee included: J. Bryan Blundell, Kurt Dewhurst, William Dupont, Cynthia Field, Henry Glassie, Norman Koonce, Betty Monkman, Peter Nabokov, Joanna Reagan, Rex Scouten, William Seale, Chris Sturbaum, John Michael Vlach, and Ed Worthy.

The program was produced in collaboration with the International Union of Bricklayers and Allied Craftworkers and the International Masonry Institute, the National Trust for Historic Preservation, the National Building Museum, the American Institute of Architects, and the Preservation Trades Network. Major funding was provided by Homestore.com, the Marble Institute of America, Allied Stone Industries, the Building Stone Institute, the Indiana Limestone Institute, and the National Building Granite Quarries Association. Major contributors included Target Stores, the Associated General Contractors of America, the National Association of Realtors, and the Smithsonian Women's Committee. Additional donors included the School of the Building Arts, Duron, Inc., the Brick Industry Association, the Laborers' International Union of North America, the Smithsonian Educational Outreach Fund, and the Copper Development Association, Inc.
Researchers:
Jane Beck, Betty Belanus, Ray Brassieur, Amanda Dargan, James Deutsch, Kurt Dewhurst, Karen Duffy, Lynn Martin Graton, Dwight Pauahi Kauahikaua, Winnie Lambrecht, Tim Lloyd, Gregory Sharrow, Gary Stanton, David Taylor, Elaine Thatcher, John Michael Vlach
Presenters:
Betty Belanus, Barry Bergey, Ray Brassieur, Olivia Cadaval, Amanda Dargan, William Dupont, Brian Finnegan, Lynn Martin Graton, Tim Lloyd, Philip "Pete" Pederson, Clift Seferlis, Peter Seitel, Gregory Sharrow, Angelo Simone, Nick Spitzer, Gary Stanton, David Taylor, Elaine Thatcher, Cynthia Vidaurri, John Michael Vlach
Participants:
David Adams, historic preservation specialist, Portsmouth, New Hampshire

Robert Alger, stone carver, sculptor, Spencerville, Maryland

Joseph Alonso, stone mason, Vienna, Virginia

Onofre Anguiano, terra cotta hand presser, mold maker, Lincoln, Calif.

Walter S. Arnold, stone carver, Skokie, Illinois

Sam Baca, program director, Cornerstones Community Partnerships, Santa Fe, New Mexico

Earl A. Barthe, 1932-2010, plasterer, historian and consultant, New Orleans, Louisiana

Hurchail Barthe, plasterer, New Orleans, Louisiana

Terry Barthe, plasterer, historic housing specialist, New Orleans, Louisiana

Nick Benson, stone carver, letterer, Newport, Rhode Island

Johan Bjurman, decorative painter, Cheshire, Connecticut

Anna Bowen, stone carver, letterer, Newport, Rhode Island

Dan Boyle, timber framer, Dover, New Hampshire

Rory Brennan, historic plaster specialist, Putney, Vermont

Ron Brooks, decorative painter, Rockville, Maryland

John Canning, decorative painter, Cheshire, Connecticut

Jacqueline Canning-Riccio, decorative painter, Cheshire, Connecticut

Jesus Cardenas, terra cotta modeler, mold maker, Lincoln, California

Charles Cardine, architectural blacksmith, Chantilly, Virginia

Patrick Cardine, architectural blacksmith, Chantilly, Virginia

Carson Christian, timber framer, Wooster, Ohio

Rudy Christian, timber framer, Burbank, Ohio

Peter "Billy" Cleland, 1921-2010, stone mason, Clinton, Maryland

William R. Cleland, Jr., stone mason, Dunkirk, Maryland

Rose Concha, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Brian Cox, carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

John Drew, carpenter, St. Leonard, Maryland

William Dupont, Graham Gund Architect of the National Trust, National Trust for Historic Preservation, Washington, D.C.

Cane Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

Billy Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

David Flaharty, ornamental plasterer, sculptor, Green Lane, Pennsylvania

lsidoro Flaim, stone mason, Camp Springs, Maryland

Tom Glynn, timber framer, South Berwick, Maine

Dieter Goldkuhle, 1938-2011, stained glass artisan, Reston, Virginia

Giles Harper, preservation carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Adam Heller, stone carver, letterer, Newport, Rhode Island

Randy Herald, sheet metal craftsperson, Bethesda, Maryland

Randy Herald, Jr., sheet metal craftsperson, Bethesda, Maryland

Hans Herr, coppersmith, Holtwood, Pennsylvania

John Paul Huguley, president, School of the Building Arts, Charleston, South Carolina

Judy Jacob, architectural conservator, National Park Service, New York, New York

Raymond Johnson, terra cotta modeler, draftsman, Lincoln, California

Dean Kalomas, decorative painter, Washington, D.C.

Vikki Keys, deputy superintendent, National Park Service, Washington, D.C.

Rick King, dry stone wall mason, Holderness, New Hampshire

Scott King, dry stone wall mason, Holderness, New Hampshire

Naomi Kroll, architectural conservator, National Park Service, New York, New York

Wade Lawrence, assistant director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Elmo Leonardelli, scaffold erector, Baltimore, Maryland

Stephen Lorenzetti, chief of resource management, National Park Service, Washington, D.C.

Amber Lucero, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Rick Lykins, restoration carpenter, Bloomington, Indiana

George McDaniel, director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Richard Marks, architectural conservator, Charleston, South Carolina

Antonio Martinez, community leader, Upper Rociada, New Mexico

David Martinez, terra cotta draftsman, Roseville, California

David Mason, dry stone wall mason, Starksboro, Vermont

Rick Mason, dry stone wall mason, Hinesburg, Vermont

John O'Connor, engineer, Universal Builders Supply, Cheverly, Maryland

David Overholt, restoration project manager, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Albert D. Parra, adobe builder, Albuquerque, New Mexico

Theodore Pierre, Jr., brick mason, New Orleans, Louisiana

Konstantinos Pilarinos, Byzantine-style woodcarver, Astoria, New York

Panagiota Pylarinos, architect, Astoria, New York

Dennis Playdon, program manager, Cornerstones Community Partnerships, Santa Fe, New Mexico

Patrick Plunkett, stone carver, Takoma Park, Maryland

Joseph Pringle, blacksmith, Charleston, South Carolina

Nol Putnam, artist blacksmith, The Plains, Virginia

Clay Raley, restoration carpenter, Norman, Indiana

Brad Robinson, architectural blacksmith, Chantilly, Virginia

Steve Roy, historic preservation specialist, Portsmouth, New Hampshire

Brett Rugo, president, Rugo & Carosi, Woodbridge, Virginia

Laura Saeger, timber framer, Burbank, Ohio

George Salvador, restoration crew leader, Pueblo of Acoma, New Mexico

Eduardo Seara, vice-president, Lorton Contracting Company, Lorton, Virginia

Manuel Seara, president, Lorton Contracting Company, Lorton, Virginia

Tony Segreti, architect, Bethesda, Maryland

Carlton Simmons, blacksmith, Charleston, South Carolina

Philip Simmons, 1912-2009, blacksmith, Charleston, South Carolina

Louis Soublet, plasterer, New Orleans, Louisiana

Larry E. Stearns, coppersmith, Westford, Vermont

Ben Sturbaum, restoration carpenter, Owensburg, Indiana

Chris Sturbaum, restoration carpenter, Bloomington, Indiana

Arran Sturgis, timber framer, Eliot, Maine

Daniel Szwed, construction manager, Waldorf, Maryland

Mark Tamara, structural engineer, James Madison Cutts, Washington, D.C.

Lonn Taylor, historian, National Museum of American History, Smithsonian Institution, Washington, D.C.

Lloyd Tortalita, Adult, Higher Education director, former governor, Pueblo of Acoma, New Mexico

Roman Troyer, timber framer, Wooster, Ohio

Dexter Trujillo, adobe builder, mud preserver, Abiquiu, New Mexico

Mark Tsirigos, president, Universal Builders Supply, Cheverly, Maryland

George Void, masonry crew, Washington National Cathedral, Washington, D.C.

Chuck Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Sheila Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Tom Weddle, restoration carpenter, Bloomington, Indiana

Bob Wooldridge, slater, Mercersburg, Pennsylvania

Jeff Wooldridge, slater, project manager, Bethesda, Maryland

Bill Yeingst, curator, National Museum of American History, Smithsonian Institution, Washington, D.C.

Pauli Zmolek, decorative painter, Takoma Park, Maryland

INTERNATIONAL UNION OF BRICKLAYERS AND ALLIED CRAFTWORKERS (BAC), INTERNATIONAL MASONRY INSTITUTE (IMI)

Frank Baiocchi, marble mason, Mt. Airy, Maryland

Ed Bellucci, IMI deputy director of Apprenticeship and Training, Jefferson, Maryland

Robert Bernardon, marble mason, Suitland, Maryland

Lewis Carrara, mosaic worker, Fortville, Indiana

Raoul Cervantes, bricklayer, Claremont, California

Kurt Colo, bricklayer, New Baltimore, Michigan

Laird Donaldson, IMI regional director, Auburn, Washington

James Farris, stone mason, Stafford, Virginia

Richard Francescon, marble mason, South Easton, Massachusetts

Greg Hartseil, IMI Job Corps regional director, Lorida, Florida

Dennis Holloway, IMI Scola Training Center director, West Babylon, New York

Mike Kassman, IMI pointing, cleaning, and caulking instructor, Waynesboro, Pennsylvania

Tony Kassman, IMI National Safety, pointing, cleaning, and caulking coordinator, Tonawanda, New York

John Kitchen, bricklayer apprentice, Dryden, New York

Frank Koletar, refractory bricklayer, Orchard Park, New York

Annette Ludwig, tile layer, Bellevue, Washington

Nelson McMath, BAC Local 9 Michigan field representative, Saline, Michigan

Tom McQuaid, BAC Local 1 DC, MONA secretary, treasurer, Gettysburg, Pennsylvania

Steve Martini, IMI Strategic Programs director, Cascade, Maryland

Steve Mason, terrazzo apprentice, Washington, D.C.

Antoine Matthews, bricklayer, Baltimore, Maryland

Michael Menegazzi, IMI terrazzo instructor, South Gate, California

Bob Mion, IMI tile, marble, and terrazzo instructor, Binghamton, New York

Guillermo Moreno, stone mason, Hyattsville, Maryland

Colleen Muldoon, coordinator of Education Programs, bricklayer, Baltimore, Maryland

Clarence Nichols, IMI deputy director of Apprenticeship and Training, Cumberland, Maryland

Angela Olszewski, tile layer, Jersey City, New Jersey

Lester Parnell, bricklayer, Detroit, Michigan

Bob Perry, IMI regional director, Culver City, California

Darren Raines, tile layer, Chicago, Illinois

Matthew Redabaugh, IMI coordinator of Special Projects, Cascade, Maryland

Butch Rovder, BAC stone craft director, South Riding, Virginia

Joe Stewart, BAC pointing, cleaning, and caulking craft director, Pittsburgh, Pennsylvania

Gene Stinner, IMI director of Apprenticeship and Training, Cascade, Maryland

Dennis Studley, IMI Job Corps regional director, Yucaipa, California

Harold Sugg, refractory bricklayer, West Seneca, New York

Jimmy Ternent, marble mason, Westminster, Maryland

John Totten, IMI plaster instructor, Clintondale, New York

Drew Vecchione, IMI stone instructor, Flourtown, Pennsylvania

Battista Yon, bricklayer, Hyattsville, Maryland
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 3
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk504922fdd-8abb-43a1-a132-41400c430cd8
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref26

Scrapbooks

Collection Creator:
Macbeth Gallery  Search this
Extent:
3.3 Linear feet (Boxes 120-130 )
Type:
Archival materials
Date:
1892-1952
Scope and Contents:
The 19 scrapbooks in this series are the collection's main source of Macbeth Gallery exhibition catalogs and related news clippings. Although incomplete, the scrapbooks provide fairly comprehensive coverage of the gallery's history and include material on day-to-day events at the gallery as well as important occasions such as the gallery's fortieth, fiftieth and sixtieth anniversaries, news of the art world in general and some photographs. Some of the scrapbooks also contain printed material related to art, exhibitions and events elsewhere. Many of the exhibition catalogs found here are annotated with prices and other notes. Notably missing is the catalog for the 1908 exhibition, The Eight.

See Appendix for a list of Macbeth Gallery exhibitions documented in Series 5: Scrapbooks.
Arrangement:
As some of the dates of the scrapbooks overlap, they were numbered 1-19 for clarity. The scrapbook cover for #3 is housed in Box 120, and the contents are housed in Box 122.
Appendix: Macbeth Gallery Exhibitions Documented in Scrapbooks:
This chronological list of Macbeth Gallery exhibitions is extensive, but incomplete. While an attempt has been made to establish the accuracy of the information provided here, dates and titles of exhibitions are not guaranteed to be accurate. Most of the exhibitions listed here are documented in the scrapbooks through exhibition catalogs and/or invitations, lists of artwork and news clippings. The list is annotated with AAA microfilm reel and frame numbers to assist researchers in locating material on specific exhibitions.

Scrapbook 1, 1892-1901

Dec. 7-21, 1892 -- Water Colors by American Artists (NMc1: 273-275)

Jan.23-Feb.11, 1893 -- Landscapes in Oil (NMc1: 276-277)

Feb. 27-Mar. 18, 1893 -- Landscapes in Oil by William Keith (NMc1: 278-279)

Mar. 20-Apr. 8, 1893 -- Watercolors by Dutch Artists (NMc1: 281-282)

Nov. 8-29, 1893 -- Second Annual Exhibition of Watercolors by American Artists (NMc1: 283-285)

Dec. 2-16, 1893 -- Drawings in Watercolors and in Black and White by C. R. Grant and Wilson De Meza (NMc1: 287-290)

Jan. 20-Feb. 3, 1894 -- Pictures and Sketches by Anton Mauve (NMc1: 291-292, 311-313)

Feb. 6-17, 1894 -- Paintings by Henry W. Ranger (NMc1: 295-296)

Feb. 23-Mar. 8, 1894 -- Paintings by Gaylord Langston Truesdel (NMc1: 299-300)

Mar. 16-29, 1894 -- Figure Subjects by Seven American Artists (NMc1: 302-303)

Apr. 13-May 6, 1894 -- Landscapes by American Artists (NMc1: 304-305)

Dec. 1-22, 1894 -- Paintings and Drawings by D.A.C. Artz (NMc1: 315-316)

Feb. 2-16, 1895 -- Paintings and Sketches by Theodore Robinson (NMc1: 318-319)

Mar. 15-30, 1895 -- Pictures and Sketches by Anton Mauve (NMc1: 321-323)

Feb. 17-29, 1896 -- Paintings in Oil by Philip Zilcken (NMc1: 329-330)

Mar. 9-21, 1896 -- Paintings by Arthur B. Davies (NMc1: 329-331)

Mar. 6-20, 1897 -- Paintings by Robert C. Minor (NMc1: 343-344)

Apr. 24-May 8, 1897 -- Paintings by Arthur B. Davies (NMc1: 348-349)

Jan. 17-29, 1898 -- Portrait Drawings in Pastel and Chalk by Sergeant Kendall (NMc1: 356-357)

Jan. 31-Feb. 12, 1898 -- Expressions of New England Landscape by Leonard Ochtman (NMc1-358-359)

Jan. 9, 1898 -- Exhibition of Pictures and Sketches by Anton Mauve (NMc1: 362)

Nov. 7, 1898 -- Exhibition of Watercolors by Mr. Ozawa of Tokyo, Japan (NMc1: 363)

Jan. 9-21, 1899 -- Paintings by Willbur A. Reaser (NMc1: 366-367)

Feb. 1-14, 1899 -- Paintings by H. M. Rosenberg (NMc1: 368-369)

Feb. 17-Mar. 9, 1899 -- Paintings by Charles Walter Stetson (NMc1: 370-371)

Jan. 8-20, 1900 -- Twenty-seven Drawings by Childe Hassam (NMc1: 376-377)

Mar. 9-24, 1900 -- Watercolors and Monotypes in Color by Maurice B. Prendergast (NMc1: 379-380)

Nov. 19-Dec. 1, 1900 -- Pictures by Rosina Emmet Sherwood (NMc1: 383-384)

Jan. 21-Feb. 2, 1901 -- Pictures and Portraits by Wilbur A. Reaser (NMc1: 385)

Feb. 25-Mar. 9, 1901 -- Frederick Ballard Williams (NMc1: 394-395)

Feb. 4-16, 1901 -- Landscapes by Alexander H. Wyant and George Inness (NMc1: 390-391)

May 9-31, 1901 -- Paintings by Arthur B. Davies (NMc1: 400-402)

Nov. 29-Dec. 14, 1901 -- Watercolors, Color Prints from Wood Blocks and Etchings Printed in Color by Helen Hyde (NMc1: 405-406)

Scrapbook 2, 1893-1898

Primarily news clippings.

Scrapbook 3, 1902-1910

Feb. 3-15, 1902 -- Private Collection of American Pictures (NMc1: 2-5)

Mar. 17-29, 1902 -- Some Phases of London When the Lamps Are Lighted, Done in Pastel by Fernand Lungren (NMc1: 10-13)

Mar. 31-Apr. 5, 1902 -- Group of Pictures by Sidney Starr (NMc1: 13)

Apr. 1-12, 1902 -- Pictures by Robert Henri (NMc1: 15-16)

Apr. 14-26, 1902 -- Drawings by Jane Erin Emmet (NMc1: 21-22)

Apr. 28-May 11, 1902 -- Landscapes by W. L. Lathrop (NMc1: 20)

Jan 19-31, 1903 -- Drawings and Sketches by Homer D. Martin, 1836-1897 (NMc1: 27)

Jan. 27-Feb. 11, 1905 -- Pictures by William Sartain (NMc1: 37-39)

Feb. 23-Mar. 8, 1905 -- Paintings by Arthur B. Davies (NMc1: 62-64)

May 1-6, 1905 -- Oil Paintings by American Artists from the Macbeth Gallery (at the Galleries of George D. Brodhead, Rochester, NY) (NMc1: 69-72)

Jan 29-Feb. 10, 1906 -- Abbot H. Thayer and Gladys Thayer (NMc1: 77-78)

Feb. 19-Mar. 3, 1906 -- Pictures by Charles H. Davis (NMc1: 79-80)

Mar. 10-24, 1906 -- Stephen Parrish (NMc1: 81-82)

Nov. 9-24, 1906 -- A Group of American Paintings (NMc1: 91-92)

Jan. 11-26, 1907 -- Paintings by William Sartain (NMc1: 100-101)

Feb. 1-16, 1907 -- Paintings by Paul Dougherty (NMc1: 105-106)

Feb. 23-Mar. 9, 1907 -- Paintings by Charles H. Davis (NMc1: 107-108)

Mar. 11-23, 1907 -- Portraits by Ellen Emmet (NMc1: 112-113)

Mar. 28-Apr. 3, 1907 -- Paintings by William Keith (NMc1: 115-117)

Nov. 11-23, 1907 -- Paintings by Augustus Vincent Tack (NMc1: 124-125)

Nov. 27-Dec. 12, 1907 -- Paintings by John La Farge (NMc1: 127-131)

Jan. 6-18, 1908 -- Paintings by Jerome Myers (NMc1: 133-134)

Jan. 20-Feb. 1, 1908 -- Paintings by Paul Dougherty (NMc1: 137-138)

Feb. 3-15, 1908 -- Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan (NMc:142-143 Catalog missing from scrapbook)

Feb. 19-Mar. 7. 1908 -- Forty Selected Paintings by Living American Artists (NMc1: 147-149)

Mar. 11-24, 1908 -- Paintings by a Group of American Artists (Deceased), Copley to Whistler (NMc1: 151-152)

1908 -- Kwaunon Meditating on Life by John La Farge (NMc1: 155)

Nov. 10-25, 1908 -- Paintings by Howard Pyle (NMc1: 158-159)

Nov. 27-Dec. 10, 1908 -- Paintings by Charles Melville Dewey (NMc1: 161-162)

Dec. 15-31, 1908 -- Bronzes by a Group of American Artists (NMc1: 165-166)

Jan. 7-21, 1909 -- Forty Selected Paintings by Living American Artists (NMc1: 168-169)

Jan. 22-Feb. 4, 1909 -- Paintings by Henry W. Ranger (NMc1: 171-172)

Feb. 5-18, 1909 -- Paintings by Paul Dougherty (NMc1: 176

Feb. 19-Mar. 4, 1909 -- Arthur B. Davies (NMc1: 178)

Mar. 5-Mar. 18, 1909 -- Paintings by Charles H. Davis, N.A. (NMc1: 183-184)

Mar. 19-Apr. 1, 1909 -- A Group of Figure Subjects by Blendon Campbell, Charles W. Hawthorne, Robert Henri, George Luks, Kenneth Miller (NMc1: 186-187)

Apr. 2-15, 1909 -- Paintings by Louis Loeb (NMc1: 188-189)

Apr. 16-29, 1909 -- Paintings by a Group of Boston Artists (NMc1: 191-192)

May 10-22, 1909 -- Paintings by American Artists from the Macbeth Galleries, New York [at Findlay Art Co., Kansas City, MO] (NMc1: 195-197)

Nov. 18-Dec. 4, 1909 -- Paintings by Albert P. Lucas (NMc1: 203-205)

Dec. 7-24, 1909 -- Watercolors and Pastels by American Artists (NMc1: 207-210)

Dec 7-24, 1909 -- Second Annual Exhibition of Bronzes by American Sculptors (NMc1: 211-212)

Jan. 6-19, 1910 -- Sixteen Paintings of the Cornish Coast by Paul Dougherty (NMc1: 213-215)

Jan. 20-Feb. 2, 1910 -- Paintings by Mary Curtis Richardson of San Francisco (NMc1: 218-220)

Jan. 20-Feb. 2, 1910 -- First Exhibition of Paintings by Ben Foster (NMc1: 216-218)

Feb 3-16, 1910 -- Landscapes and Figures by Frederick Ballard Williams (NMc1: 227-229)

Feb. 3-16, 1910 -- Spanish Paintings by F. Luis Mora (NMc1: 225-227)

Feb. 17-Mar. 2, 1910 -- The Fur Jacket by J. McNeill Whistler (NMc1: 231-232)

Feb. 17-Mar. 2, 1910 -- Paintings by William Sartain (NMc1: 233-235)

Mar. 3-16, 1910 -- Fourteen Landscapes by Charles H. Davis (NMc1: 237-239)

Mar. 3-16, 1910 -- Recent Portraits by Cecilia Beaux (NMc1: 239-240)

Mar. 17-30, 1910 -- Paintings by Hermann Dudley Murphy (NMc1: 244-246)

Mar. 17-30, 1910 -- Figure Paintings by Charles W. Hawthorne (NMc1: 242-244)

Mar. 31-Apr. 13, 1910 -- Paintings of Baily's Island by Frederick J. Waugh (NMc1: 249-251)

Mar. 31-Apr. 13, 1910 -- Nineteen Landscapes by Chaucey F. Ryder (NMc1: 247-249)

Apr. 14-27, 1910 -- George B. Luks (NMc1: 253-255)

Apr. 30-May 14, 1910 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc1: 259-262)

Scrapbook 4, 1907-1913

Primarily news clippings.

Scrapbook 5, 1910-1915

Nov. 3-16, 1910 -- Recent Paintings by Charles W. Hawthorne (NMc2: 1-2)

Nov. 17-30, 1910 -- The Navajo Country in Watercolors by Frederick J. McComas (NMc2: 4-6)

Dec. 6-24, 1910 -- Watercolors, Pastels and Small Bronzes (NMc2: 7-14)

Jan. 5-18, 1911 -- Portraits by Ellen Emmet (NMc2: 15-16)

Jan. 19-Feb. 1, 1911 -- Paintings by Henry B. Snell (NMc2: 17-24)

Feb. 2-22, 1911 -- A Group of Thirty Selected Paintings (NMc2: 25-28)

Feb. 23-Mar. 8, 1911 -- A Group of Forty Selected Paintings (NMc2: 29-32)

Mar. 9-22, 1911 -- Paintings by Charles H. Davis, Paul Dougherty, Daniel Garber, William Sartain, F. Ballard Williams (NMc2: 33-35)

Mar. 23-Apr. 5, 1911 -- A Group of Paintings by Ben Foster, Albert L. Groll, Leonard Ochtman, Chauncey F. Ryder, Gardner Symons (NMc2: 36-38)

Apr. 8-22, 1911 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc2: 39-42)

Nov. 16-29, 1911 -- Landscapes, Marines and Wood Interiors by Robert Henri (NMc2: 45-48)

Dec. 6-30, 1911 -- Small Bronzes by American Sculptors (NMc2: 49-52)

Jan. 3-16, 1912 -- Thirty Paintings by Thirty Artists (NMc2: 53-55)

Jan. 17-30, 1912 -- Paintings by Frederick C. Frieseke (NMc2: 56-58)

Jan. 31-Feb. 13, 1912 -- Paintings by Elihu Vedder (NMc2: 59-63)

Feb. 14-Mar. 2, 1912 -- Paintings by Charles H. Davis, Paul Dougherty, Ben Foster, William Sartain, Gardner Symons, F. Ballard Williams (NMc2: 64-66)

Mar. 4-16, 1912 -- Paintings by Emil Carlsen (NMc2: 67-69)

Mar. 6-19, 1912 -- Memorial Exhibition of a Collection of Paintings by Joseph R. Woodwell (NMc2: 71-75)

Mar. 18-30, 1912 -- Paintings by Arthur B. Davies (NMc2: 71, 76)

Apr. 1-10, 1912 -- Paintings by Richard E. Miller (NMc2: 77-79)

Apr. 15-27, 1912 -- A Group of Selected Paintings by American Artists (NMc2: 80-85)

Nov. 4-18, 1912 -- Frederick Ballard Williams (NMc2: 80-97)

Nov. 19-30, 1912 -- First Annual Exhibition of Painters of the Far West (NMc2: 99-103)

Dec. 3-16, 1912 -- Paintings by William Baxter Closson (NMc2: 99, 104)

Dec. 4-16, 1912 -- Marbles and Bronzes by Chester Beach (NMc2: 99, 105-114)

Dec. 30-Jan. 13, 1913 -- Lawrence Mazzanovich (NMc2: 116-119)

Jan 14-27, 1913 -- Paintings by Guy C. Wiggins (NMc2: 120-122)

Jan. 14-27, 1913 -- Paintings by Charles A. Hawthorne (NMc2: 120, 122-124)

Jan. 28-Feb. 10, 1913 -- Paintings by Paul Dougherty (NMc2: 125-127)

Feb. 11-24, 1913 -- Paintings by Gardner Symons (NMc2: 128-130)

Feb. 15-Mar. 1, 1913 -- Annual Exhibition of The Woman's Artclub (NMc2: 131-136)

Feb. 25-Mar. 10, 1913 -- Paintings by F. C. Frieseke (NMc2: 137-138)

Mar. 4-17, 1913 -- Paintings by Charles Morris Young (NMc2: 137-142)

Mar. 11-24, 1913 -- Landscapes by F.K.M. Rehn, N.A. (NMc2: 143-147)

Mar. 18-31, 1913 -- Paintings by John Carlson (NMc2: 148-151)

Mar. 25-Apr. 7, 1913 -- A Selected Group of Paintings (NMc2: 148, 152-154)

Apr. 15-28, 1913 -- A Selected Group of American Paintings (NMc2: 155-158)

Apr. 15-28, 1913 -- Paintings and Pastels by Blendon R. Campbell (NMc2: 155, 159)

Oct. 14-27, 1913 -- Paintings by Katherine S. Dreier (NMc2: 161-163)

Oct. 28-Nov. 10, 1913 -- A Group of Selected Paintings by American Artists (NMc2: 164-166)

Nov. 17-24, 1913 -- Thirty Paintings by Thirty Artists (NMc2: 167-169)

Dec. 2-15, 1913 -- Second Exhibition by the Society of Men Who Paint the Far West (NMc2: 172-176)

Jan. 1914 -- Drawings of Game Birds by Frank W. Benson (NMc2: 179-180)

Jan. 6-19, 1914 -- Paintings by Emil Carlsen, Paul Dougherty, Frederick C. Frieseke, Childe Hassam, Willard L. Metcalf, Kenneth H. Miller, J. Alden Weir (NMc2: 179, 181-183)

Jan. 27-Feb. 16, 1914 -- Recent Sculpture by Chester Beach (NMc2: 185-186)

Jan. 27-Feb. 16, 1914 -- Paintings by Charles H. Davis, Daniel Garber, Richard E. Miller, Chauncey F. Ryder, Gardner Symons (NMc2: 185, 187)

Feb. 17-Mar. 2, 1914 -- Sculpture by Chester Beach, Abastenia St. L. Eberle, Mahonri Young (NMc2: 188-191)

Feb. 17-Mar. 9, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 188, 192-193)

Mar. 10-30, 1914 -- Sketches in Passing by Frederick J. Waugh (NMc2: 195, 208-209)

Mar. 11-30, 1914 -- A Collection of Paintings by Deceased American Artists (NMc2: 195-207)

Mar. 31-Apr. 20, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 212-217)

Apr. 21, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 219-224)

Oct. 27-Nov. 16, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 226-227)

Nov. 17-Dec. 7, 1914 -- Portrait Heads in Terra Cotta by Janet Scudder (NMc2: 233)

Nov. 17-Dec 7, 1914 -- Recent Paintings by Robert Henri (NMc2: 235-237)

Dec. 8-28, 1914 -- Exhibition of Home Pictures (NMc2: 243-247)

Jan. 5-25, 1915 -- A Group of Selected Paintings (NMc2: 243, 248-249)

Jan. 26-Feb. 15, 1915 -- Thirty Paintings by Thirty Artists (NMc2: 251-254)

Jan. 26-Feb. 15, 1915 -- Parisian Sketches by Lester D. Boronda (NMc2: 251)

Feb. 2-15, 1915 -- Our Untrodden Empire: A Collection of Paintings Executed in South Central Alaska by Robert V. Sewell (NMc2: 257-260)

Feb. 16-Mar. 8, 1915 -- Paintings by Deceased American Artists (NMc2: 262, 265)

Feb. 16-Mar. 8, 1915 -- Small Paintings by Guy C. Wiggins (NMc2: 261)

Feb. 16-Mar. 8, 1915 -- Paintings by Colin Campbell Cooper (NMc2: 261-264)

Scrapbook 6, March 1915-January 1918

Mar. 10-30, 1915 -- The Dance As Interpreted in Marble and Bronze by American Sculptors (NMc2: 267)

Mar. 30-Apr. 19, 1915 -- Paintings by Twelve Landscape Painters (NMc2: 274-277)

Sept. 27-Oct. 17, 1915 -- Paintings and Sculpture by Woman Artists for the Benefit of the Woman Suffrage Campaign (NMc2: 279-283)

Oct. 30-Nov. 19, 1915 -- Oils and Water Colors by Hayley Lever; Recent Paintings by Randall Davey (NMc2: 294-296

Dec. 4-31, 1915 -- Third Exhibition of the Society of Men Who Paint the Far West (NMc2: 300, 302-305)

Feb. 1916 -- Decorations by Elmer Mac Rae (NMc2: 318-319)

Jan. 4-18, 1916 -- Recent Paintings by F. C. Frieseke (NMc2: 306-307)

Jan. 4-18, 1916 -- Paintings by John F. Carlson (NMc2: 306, 309-310)

Jan. 19-Feb. 1, 1916 -- Paintings by Emil Carlsen, Helen M. Turner, Daniel Garber (NMc2: 313)

Jan. 19-Feb. 1, 1916 -- Decorative Panels of Flowers, Birds and Animals by F. S. Church (NMc2: 311,317)

Feb. 2-15, 1916 -- Paintings by Jules Guerin (NMc2: 318-321)

Feb. 16-29, 1916 -- Annual Exhibition of Thirty Paintings by Thirty Artists (NMc2: 323-326)

Mar. 1916 -- Group of High Fire Porcelains by Adelaid Alsop Robineau of Syracuse, NY, recently shown at the Panama-Pacific Exposition (NMc2: 322)

Mar. 8-21, 1916 -- Paintings by Charles H. Davis, Paul Dougherty, Kenneth H. Miller, Chauncey F. Ryder, William Sartain (NMc2: 329-330)

Mar. 22-Apr.4, 1916 -- Recent Water Colors by Charles Hovey Pepper (NMc2: 333)

Mar. 22-Apr. 4, 1916 -- Paintings, Drawings and Sculpture by Arthur B. Davies, Walt Kuhn, Jules Pascin (NMc2: 332, 334)

Apr. 6-27, 1916 -- Paintings by American Artists Past and Present (NMc2: 338-341)

Oct. 31-Nov. 13, 1916 -- The Whalers of New Bedford: Paintings by Clifford W. Ashley (NMc2: 346-348)

Oct. 31-Nov. 14, 1916 -- Special Exhibition by Painter Friends (NMc2: 346)

Nov. 14-27, 1916 -- Memorial Exhibition of Paintings by the Late Roger Donoho (NMc2: 349-353)

Nov. 28-Dec. 11, 1916 -- Paintings by Randall Davey (NMc2: 356-357)

Nov. 28-Dec. 11, 1916 -- Paintings by Kenneth Hayes-Miller, Benjamin D. Kopman and J. M. Block (NMc2: 356)

Dec. 13-Jan. 15, 1917 -- Watercolors by Paul Dougherty (NMc2: 358-362)

Jan. 16-Feb. 5, 1917 -- Thirty Paintings by Thirty Artists (NMc2: 366-368)

Feb. 8-26, 1917 -- Loan Exhibition of Paintings by Charles W. Hawthorne (NMc2: 370-379)

Feb. 27-Mar. 12, 1917 -- Paintings by Charles H. Davis, Richard E. Miller, Chauncey F. Ryder (NMc2: 381-382)

Mar. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Mar. 28-Apr. 10, 1917 -- Pictures in Tempera of the St. Andrew's Golf Links by William R. O'Donovan (NMc2: 386-387)

Summer, 1917 -- Summer Exhibition (NMc2: 388-391)

Oct. 1917 -- Opening Exhibition of Our Second Quarter-Century (NMc2: 393-396)

Nov. 3-17, 1917 -- Portraits by Louis Betts (NMc2: 400-403)

Nov. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Nov. 22-Dec. 5, 1917 -- Paintings and Small Bronzes of New York (NMc2: 407-410)

Dec. 1917 -- Pastels by Lillian Crittenden (NMc2: 411)

Dec. 6-24, 1917 -- Small paintings and Pastels by Frederick C. Frieseke, Nancy M. Ferguson, Lilian Crittenden (NMc2: 411)

Jan. 2-31, 1918 -- In Aid of Men Blinded in Battle: Retrospective Loan Exhibition of Arthur B. Davies (NMc2: 412-416)

Scrapbook 7, February 1918-January 1922

Feb. 5-20, 1918 -- Watercolors by Gifford Beal (NMc2: 433-434)

Feb. 5-20, 1918 -- Intimate Paintings Moderately Priced (NMc2: 435-436)

Mar. 1918 -- Group of Paintings by American Artists (NMc2: 441-442)

Mar. 6-27, 1918 -- Thirty Paintings by Thirty Artists (NMc2: 438-439)

Mar. 27-Apr. 18, 1918 -- Paintings by Charles H. Davis, Ben Foster, Willard L. Metcalf (NMc2: 441, 443-444)

Apr. 18-May 10, 1918 -- Group of Paintings by Charlotte B. Coman (NMc2: 446)

Apr. 19-May 9, 1918 -- Paintings by Emil Carlsen, Childe Hassam, J. Alden Weir (NMc2: 446-447)

Oct. 23-Nov. 13, 1918 -- Opening Exhibition: Group of Selected Paintings (NMc2: 449-451)

Dec. 1918 -- Second Exhibition of Intimate Paintings (NMc2: 453-458)

Jan. 7-29, 1919 -- John H. Twachtman (NMc2: 460-470)

Jan. 27-Feb. 8, 1919 -- Paintings by Charles H. Davis and Paul Dougherty (NMc2: 473-474)

Feb. 17-Mar. 1, 1919 -- Thirty Paintings by Fifteen Artists (NMc2: 476-477)

Mar. 6-22, 1919 -- Paintings by Louis Ritman (NMc2: 480-483)

Mar. 6-29, 1919 -- Thirty Paintings by Thirty Artists (NMc2: 484-491)

Apr. 7-19, 1919 -- Paintings by Felicie Waldo Howell (NMc2: 496-497)

Apr. 7-19, 1919 -- Fifteen American Paintings (NMc2: 499-500)

May 1919 -- Comparative Exhibition of American Paintings (NMc2: 501-506)

Oct. 5-Nov. 8, 1919 -- Fifteen Paintings by Fifteen Artists (NMc2: 510-511)

Nov. 10-Dec. 6, 1919 -- Third Exhibition of Intimate Paintings (NMc2: 512-518)

Dec. 10-31, 1919 -- Loan Exhibition of Paintings by Emil Carlsen (NMc2: 520-527)

Dec. 3-20, 1919 -- Paintings by William Baxter Closson (NMc2: 520)

Jan. 9-31, 1920 -- Thirty Paintings by Thirty Artists (NMc2: 531-536)

Feb. 2-21, 1920 -- Paintings by Charles H. Davis, Frederick C. Frieseke, Richard E. Miller (NMc2: 539-541)

Mar. 20-Apr.10, 1920 -- Paintings by Hayley Lever (NMc2: 542-545)

Apr. 5-24, 1920 -- Group of Paintings by Felicie Waldo Howell (NMc2: 546)

Apr. 5-24, 1920 -- Paintings by Maurice Fromke (NMc2: 546-548)

Oct. 18-Nov. 8, 1920 -- Paintings of the Orient by Hovsep Pushman (NMc2: 550-554)

Oct. 18-Nov. 8, 1920 -- Group of Paintings by Ben Foster, Robert Henri, Hayley Lever, Gardner Symons (NMc2: 555-558)

Nov. 9-29, 1920 -- Paintings by Frank W. Benson and Willard L. Metcalf (NMc2: 559-562)

Nov. 30-Dec. 31, 1920 -- Fourth Exhibition of Intimate Paintings (NMc2: 564-570)

Jan. 3-17, 1921 -- Recent Landscapes by Chauncey F. Ryder (NMc2: 573-576)

Jan. 3-17, 1921 -- Old Salem Doorways Painted Last Summer by Felicie Waldo Howell (NMc2: 577-581)

Jan. 18-Feb. 7, 1921 -- Thirty Paintings by Thirty Artists (NMc2: 583-588)

Feb. 9-28, 1921 -- An American Summer in Watercolors by F. Luis Mora (NMc2: 596-599)

Feb. 9-28, 1921 -- The East Side in Sculpture by Abastenia St. L. Eberle (NMc2: 600)

Feb. 9-28, 1921 -- Recent Paintings by Emil Carlsen (Br14: 623; NMc2: 589-594)

Mar. 1-21, 1921 -- Connecticut Landscapes by Charles H. Davis (NMc2: 603-606)

Mar. 1-21, 1921 -- Paintings of Cornwall and Elsewhere by W. Elmer Schofield (NMc2: 607-610)

Mar. 1-21, 1921 -- Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 611-616

Mar. 22-Apr. 11, 1921 -- Paintings by F. C. Frieseke and Albert L. Groll (NMc2: 621-624)

Mar. 22-Apr. 11, 1921 -- Paintings by Jonas Lie (NMc2: 617-620)

Mar. 22-Apr. 11, 1921 -- Portraits and Landscapes by Gladys Thayer (NMc2: 625-628)

Apr. 12-May 7, 1921 -- Loan Exhibition of Paintings by J. Francis Murphy, 1853-1921 (NMc2: 629-637)

Oct. 11-30, 1921 -- Opening Exhibition, Season of 1921-1922: Group of Selected Paintings (NMc2: 640-641)

Nov. 1-19, 1921 -- West Indian Marines by Frederick J. Waugh (NMc2: 642-645)

Nov. 21-Dec. 12, 1921 -- Fifth Exhibition of Intimate Paintings (NMc2: 646-655)

Dec. 13-Jan. 2, 1922 -- Paintings of Glacier National Park by Charles Warren Eaton (NMc2: 660, 664-666)

Dec. 13-Jan. 2, 1922 -- Oils, Pastels, and Watercolors by George Alfred Williams (NMc2: 660-663)

Scrapbook 8, January 1922-March 1923

Jan. 3-23, 1922 -- Paintings of South America by E. W. Deming (NMc2: 669-670)

Jan. 3-23, 1922 -- New England Streets by Felicie Waldo Howell (NMc2: 671-674)

Jan. 3-23, 1922 -- California Landscapes by F. Ballard Williams (NMc2: 677-680)

Jan. 24-Feb. 13, 1922 -- Paintings by Elliot Torrey (NMc2: 681-684)

Jan. 24-Feb. 20, 1922 -- Thirty Paintings by Thirty Artists (NMc2: 685-692)

Feb. 14-Mar. 6, 1922 -- Third Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 694-698)

Mar. 7-27, 1922 -- Paintings by Edmund Greacen (NMc2: 704-707)

Mar. 7-27, 1922 -- Paintings by Gardner Symons (NMc2: 700-705)

Mar. 28-Apr. 17, 1922 -- Paintings by Charles H. Davis (NMc2: 707-717)

Apr. 27-May 20, 1922 -- Paintings by Frederick C. Frieseke Hayley Lever and Malcolm Parcell (NMc2: 721-726)

Apr. 27-May 20, 1922 -- Paintings by Malcolm Parcell (NMc2: 722)

Oct. 31-Nov. 20, 1922 -- Paintings by Alice Worthington Ball (NMc2: 731-735)

Oct. 31-Nov. 20, 1922 -- Recent Paintings and Figure Compositions by Charles W. Hawthorne (NMc2: 731-735)

Nov. 21-Dec. 11, 1922 -- Sixth Exhibition of Intimate Paintings (NMc2: 738-747)

Nov. 21-Dec. 11, 1922 -- George Wharton Edwards (NMc2: 748-749)

Dec. 12-30, 1922 -- Imaginitive Landscapes by W. G. Krieghoff (NMc2: 751-752)

Dec. 12-30, 1922 -- Watercolors of New York by Joseph Pennell (NMc2: 751, 753-755)

Jan. 2-22, 1923 -- Paintings and Studies by Orland Campbell (NMc2: 758-761)

Jan. 2-22, 1923 -- Recent Landscapes by Daniel Garber (NMc2: 758, 762-764)

Jan. 2-22, 1923 -- Decorative Paintings by Spencer Nichols (NMc2: 765, 769)

Jan. 2-22, 1923 -- Figure Compositions by Ivan G. Olinsky (NMc2: 765-768)

Jan. 23-Feb. 12, 1923 -- The Canadian Rockies in Paintings by Belmore Browne (NMc2: 772, 778)

Jan. 23-Feb. 12, 1923 -- Thirty Paintings by Thirty Artists (NMc2: 772-777)

Jan. 23-Feb. 12, 1923 -- Decorative Panels by Felicie Waldo Howell (NMc2: 778-782)

Feb. 13-Mar. 5, 1923 -- Paintings by Ruth A. Anderson and Elizabeth C. Spencer (NMc2: 783, 788-790)

Feb. 13-Mar. 5, 1923 -- Landscapes by Chauncey F. Ryder (NMc2: 783-786)

Feb. 13-Mar. 5, 1923 -- Paintings of the West by Maynard Dixon (NMc2: 783, 787)

Mar. 6-26, 1923 -- Recent Paintings by Emil Carlsen (NMc2: 792-794)

Mar. 12-31, 1923 -- Watercolors by J. Olaf Olson (NMc2: 795-796)

Scrapbook 9, March 1923-December 1924

Mar. 27-Apr. 16, 1923 -- Paintings by John J. Enneking (NMc3: 1-4)

Apr. 17-May7, 1923 -- Paintings by Maurice Braun (NMc3: 5-8)

Apr. 17-May 7, 1923 -- Recent Paintings by Catharine Wharton Morris (NMc3: 5, 9)

Oct. 9-29, 1923 -- Opening Exhibition, Season 1923-1924 (NMc3: 17-22)

Oct. 30-Nov. 19, 1923 -- Paintings by Emil Carlsen, Theodore Robsinson, J. Alden Weir (NMc3: 24-27)

Nov. 20-Dec. 10, 1923 -- Seventh Exhibition of Intimate Paintings (NMc3: 30-35)

Nov. 20-Dec. 11, 1923 -- South American Sketches by Rachel Hartley (NMc3: 37-42)

Dec. 11-31, 1923 -- Scenes about Provincetown by Charles W. Hawthorne; Flowers by Marion C. Hawthorne (NMc3: 37, 43)

Dec. 11-31, 1923 -- Recent Paintings by Douglas Parshall (NMc3: 44)

Dec. 1923 -- Collection of Paintings from the Macbeth Gallery, Halaby Galleries, Dallas (NMc3: 47-54)

Jan. 2-21, 1924 -- Paintings by Robert Henri and Grace Ravlin (NMc3: 56-57)

Feb. 7-25, 1924 -- Thirty Paintings by Thirty Artists (NMc3: 62-68)

Feb. 26-Mar. 17, 1924 -- Paintings by Victor Higgins (NMc3: 68, 72-74)

Feb. 26-Mar. 17, 1924 -- Paintings by Frank Duveneck (NMc3: 68-69)

Mar. 18-Apr. 7, 1924 -- Paintings from Tusayan by Maynard Dixon (NMc3: 76-79)

Apr. 8-28, 1924 -- Paintings of the Orient by Hovsep Pushman (NMc3: 80-82)

Apr. 8-28, 1924 -- The Canadian Rockies in Paintings by Belmore Browne (NMc3: 80, 84)

Sept. 23-Oct. 6, 1924 -- Paintings of the French West Indies by Christiana Moron (NMc3: 86-87)

Oct. 7-27, 1924 -- Selected Group of Paintings by Thirty American Artists (NMc3: 86, 88)

Nov. 4-17, 1924 -- Recent Paintings by Chauncey F. Ryder (NMc3: 90-91)

Nov. 18-Dec. 8, 1924 -- A Group of Paintings by Frederick C. Frieseke (NMc3: 92-93)

Dec. 9-29, 1924 -- Retrospective Exhibition of Paintings by Louis Comfort Tiffany (NMc3: 95-97)

Scrapbook 10, January 1925-November 1927

Dec. 30-Jan. 19, 1925 -- Montauk by Childe Hassam (NMc3: 104-112)

Jan. 20-Feb. 9, 1925 -- George Inness Centennial Exhibition, 1825-1894 (NMc3: 117-123)

Feb. 10-Mar. 2, 1925 -- Water Colors of Egypt and Jerusalem by Taber Sears (NMc3: 126, 129-130)

Feb. 10-Mar.2, 1925 -- The New England Year in Paintings by Charles H. Davis (NMc3: 126-128)

Mar. 3-23, 1925 -- Paintings by E. W. Redfield (NMc3: 131-133)

Mar. 24-Apr. 13, 1925 -- Paintings by Daniel Garber (NMc3: 135-138)

Apr. 14-May 4, 1925 -- Recent Paintings by Robert Henri (NMc3: 140-143)

Apr. 14-May 4, 1925 -- C. W. Hawthorne: Watercolors of Bermuda (NMc3: 139)

Oct. 13-26, 1925 -- Collection of American Masters Loaned for Exhibition (NMc3: 152-154)

Oct. 27-Nov. 16, 1925 -- Memorial Exhibition of Paintings by the Late William Sartain (NMc3: 155-158)

Nov. 7-23, 1925 -- Paintings by Contemporary American Artists Loaned by the Macbeth Galleries, New York, Engaged by the Muncie Art Students' League, Muncie, Indiana (NMc3: 147-148)

Nov. 17-Dec. 7, 1925 -- Paintings by DeWitt and Douglass Parshall (NMc3: 159-162)

Dec. 4-31, 1925 -- Easel Paintings by American Artists, Loaned by Macbeth Galleries to the Springfield Art Association (NMc3: 205, 207)

Dec. 8-Jan. 4, 1926 -- Watercolors by Distinguished American Artists (NMc3: 163-166)

Jan. 5-25, 1926 -- Recent American Portraits (NMc3: 168, 172-173)

Jan. 5-18, 1926 -- American Society of Miniature Painters, 27th Annual Exhibition (NMc3: 168-171)

Jan. 26-Feb. 15, 1926 -- Paintings by Jonas Lie (NMc3: 176-179)

Jan. 26-Feb. 15, 1926 -- First Exhibition of Paintings by John Huffington (NMc3: 176, 180-181)

Feb. 7-Mar. 17, 1926 -- Exhibition of Oil Paintings by American Artists Lent by the Macbeth Galleries to the Utica Public Library Art Gallery (NMc3: 205-206)

Feb. 16-Mar. 8, 1926 -- New Paintings by Charles W. Hawthorne (NMc3: 186-189)

Feb. 16-Mar. 8, 1926 -- Chauncey F. Ryder (NMc3: 184)

Feb. 16-Mar. 8, 1926 -- Sculpture by Gleb Derujinsky (NMc3: 186-189)

Mar. 9-29, 1926 -- Modern Landscapes by Guy Wiggins (NMc3: 191-194)

Mar. 9-29, 1926 -- Etchings and Drawings by Emil Fuchs (NMc3: 191, 195-197)

Mar. 30-Apr. 19, 1926 -- The Affairs of Anatol by Robert Reid (NMc3: 198-201)

Apr. 20-May 3, 1926 -- Pastels Done in Spain by A. Sheldon Pennoyer (NMc3: 202)

June 1-25, 1926 -- Pictures Selected from the Brooklyn Museum Exhibition of the National Association of Women Painters and Sculptors (NMc3: 204)

Summer, 1926 -- Summer Exhibition (NMc3: 199-201)

Oct. 11-18, 1926 -- Paintings Selected by Louis Bliss Gillet (NMc3: 210-212)

Oct. 19-Nov. 8, 1926 -- Paintings by Stanley M. Woodward (Br14: 671; NMc3: 213-214)

Nov. 9-22, 1926 -- Ernest Haskell, 1876-1925, Memorial Exhibition (NMc3: 215-222)

Nov. 23-Dec. 6, 1926 -- Porto Rico and St. Thomas: Exhibition of Paintings by Rachel Hartley (NMc3: 226-229)

Nov. 23-Dec. 6, 1926 -- Recent Landscapes and Marines by Jay H. Connaway (NMc3: 226, 230)

Dec. 1926 -- Watercolors and Etchings by American Artists (NMc3: 231-233)

Dec. 28-Jan. 10, 1927 -- Recent Paintings by a Group of Mystic, Conn., Artists (NMc3: 235-238)

Jan. 11-31, 1927 -- Thirty Paintings by Thirty Artists (NMc3: 239-244)

Jan. 18-31, 1927 -- Watercolors by John Lavalle of Boston (NMc3: 253-255)

Jan. 22-Feb. 7, 1927 -- Crapo Gallery Opening Exhibition: Thirty Paintings by Thirty Artists assembled by Macbeth Gallery at Swain School, New Bedford, Mass. (NMc3: 245-249)

Feb. 1-14, 1927 -- Recent Paintings by Frank W. Benson (NMc3: 259-262)

Feb. 2-14, 1927 -- American Society of Miniature Painters, 28th Annual Exhibition (NMc3: 253, 256-258)

Feb. 8-26, 1927 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc. at Anderson Galleries (Macbeth Gallery one of nine participants (NMc3: 263, 265-271)

Feb. 15-28, 1927 -- New Paintings by Chauncey F. Ryder (NMc3: 278-281)

Mar. 1-14, 1927 -- Watercolors by Aiden L. Ripley (NMc3: 282, 286)

Mar. 1-14, 1927 -- Paintings by a Group of Members of the Guild of Boston Artists (NMc3: 282-285)

Mar. 15-28, 1927 -- Paintings by Malcolm Parcell (NMc3: 287-290)

Mar. 15-28, 1927 -- Recent Pastels of Chartres by Carl Schmidt (NMc3: 287)

Mar. 29-Apr. 18, 1927 -- Thirty-fifty Anniversary Exhibition, Retrospect and Prospective (NMc3: 291-294)

Apr. 19-May 9, 1927 -- Frank A. Brown, Watercolors (NMc3: 296, 302-303)

Aug. 22-Sept. 5, 1927 -- American Art Exhibition arranged for Eastern Long Island by the Macbeth Gallery at Southampton, NY (NMc3: 297-301)

Oct. 18-29, 1927 -- American Art Exhibition, Art League of Fort Worth, Assembeled by the Macbeth Gallery (NMc3: 304, 306-311)

Oct. 18-31, 1927 -- Etchings by Walter Raymond Duff (NMc3: 313-315)

Oct. 18-31, 1927 -- Paintings by Max Bohm (NMc3: 313-315)

Nov. 1-14, 1927 -- Yankee Whalers by Clifford W. Ashley (NMc3: 316-317)

Scrapbook 11, November 1927-June 1930

Nov. 15-28, 1927 -- Paintings of Mallorca by Bernhard Gutmann (NMc3: 319-320)

Nov. 15-28, 1927 -- Paintings of Flowers by Carle J. Blenner (NMc3: 319, 321)

Nov. 29-Dec. 12, 1927 -- The Bathers , Paintings by William S. Horton (NMc3: 322-325)

Nov. 29-Dec. 12, 1927 -- Sidewalks of New York, Chalk Drawings by H. Devitt Welsh (NMc3: 326-327)

Dec. 13-31, 1927 -- Joint Exhibition of Paintings by Daniel Garber and Stanley Woodward (NMc3: 328)

Jan. 3-16, 1928 -- Portrait Drawings by Edith Leslie Emmet (NMc3: 329, 331)

Jan. 3-23, 1928 -- Recent Paintings by Jonas Lie (NMc3: 329-330)

Jan. 24-Feb. 13, 1928 -- Watercolors by John Lavalle (NMc3: 332-334)

Jan. 24-Feb. 13, 1928 -- Walter Ufer: Pictures from Taos (NMc3: 332, 334)

Jan. 24-Feb. 6, 1928 -- American Society of Miniature Painters, 29th Annual Exhibition (NMc3: 337-340)

Feb. 7-21, 1928 -- Small Pictures of Mountain and Sea by Jay Connaway (NMc3: 342)

Feb. 14-27, 1928 -- The Canadian Rockies by Belmore Brown (NMc3: 342-343)

Feb. 14-27, 1928 -- Sculpture by Gleb Derujinsky (NMc3: 342-344)

Feb. 21-Mar. 5, 1928 -- Watercolors of Venice, Spain and Brittany by Frank A. Brown (NMc3: 351-356)

Feb. 21-Mar. 10, 1928 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc., at Anderson Galleries; Macbeth Gallery one of sixteen participants (NMc3: 346-352)

Feb. 25-Mar. 17, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at Grand Rapids Art Gallery (NMc3: 385-387)

Feb. 28-Mar. 12, 1928 -- Paintings by Frank L. Schenk, 1856-1927 (NMc3: 357-358)

Feb. 28-Mar. 19, 1928 -- Thirty Paintings by Thirty Artists (NMc3: 357, 359-363)

Mar. 20-Apr. 2, 1928 -- Lanscapes of Italy by A. Sheldon Pennoyer (NMc3: 366, 368)

Mar. 20-Apr. 9, 1928 -- Recent Landscapes, Switzerland and Other Subjects by Carl Lawless (NMc3: 366-367)

Apr. 2-15, 1928 -- Water Colors by Earl Winslow (NMc3: 355)

Apr. 10-30, 1928 -- St. Ives by Hayley Lever (NMc3: 369)

Apr. 29-May 20, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at the University of Wyoming (NMc3: 385-386)

Spring, 1928 -- American Painting for Home Decoration (NMc3: 370-377)

Oct. 16-29, 1928 -- The Canadian Rockies in Watercolors by J. Olaf Olson (NMc3: 389-392)

Nov. 7-24, 1928 -- Etchings by Sears Gallagher (NMc3: 393)

Nov. 13-26, 1928 -- Sand Dunes and Flowers by Frederick Lowell (NMc3: 393-394)

Nov. 26-Dec. 17, 1928 -- Etchings by Carlton T. Chapman (NMc3: 395)

Nov. 27-Dec. 10, 1928 -- Portraits by Ernest L. Ipsen (NMc3: 396-397)

Dec. 4-31, 1928 -- Etchings by Margery A. Ryerson (NMc3: 395)

Dec. 11-24, 1928 -- Landscapes in Watercolor and Gouache by H. Anthony Dyer and Character Studies in Watercolor and Pastel by Nancy Dyer (NMc3: 398-400)

Jan. 2-14, 1929 -- Figures and Landscapes by the Late J. Alden Weir, 1852-1929 (NMc3: 401-402)

Jan. 15-28, 1929 -- Paintings by H. Dudley Murphy; Watercolors by Nellie Littlehale Murphy (NMc3: 404-405)

Jan. 15-28, 1929 -- Portraits by William James (NMc3: 406-407)

Feb. 4-18, 1929 -- Twenty-five Etchings by Harold Denison (NMc3: 410, 416-417)

Feb. 5-18, 1929 -- Paintings by Emil Carlsen and Dines Carlsen (NMc3: 408-409)

Feb. 19-Mar. 4, 1929 -- Thirty Paintings by Thirty Artists (NMc3: 410-415)

Mar. 5-18, 1929 -- Marine Paintings by Stanley W. Woodward (NMc3: 419-423)

Mar. 19-Apr. 1, 1929 -- Watercolors by Frederick C. Frieseke (NMc3: 424-425)

Mar. 19-Apr. 1, 1929 -- Pastels of Louisiana by Will H. Stevens (NMc3: 424)

Apr. 1929 -- Paintings by Childe Hassam (NMc3: 433-438)

Apr. 2-15, 1929 -- Paintings by Arthur Meltzer (NMc3: 431)

Apr. 2-15, 1929 -- Watercolors by Earle B. Winslow (NMc3: 431)

June, 1929 -- Old Mill Afternoon by Childe Hassam, Ainslie Galleries, Inc., Detroit in collaboration with Macbeth Gallery (NMc3: 465-467)

Oct. 1-14, 1929 -- Portraits in Oil and Pastel by Paul Swan (NMc3: 472-473)

Oct. 15-28, 1929 -- Exhibitions from the Summer Colonies: No. 1, Lyme (NMc3: 476-477)

Oct. 19-29, 1929 -- Milch-Macbeth Exhibition of Prints and Paintings by American Artists at the High Museum under the auspices of the Atlanta Art Association (NMc3: 462)

Oct. 20-Nov. 11, 1929 -- Memorial Exhibition of Paintings by John Huffington (NMc3: 476-479)

Nov. 12-25, 1929 -- Exhibition from the Summer colonies: No. 2, Selections from the North Shore Arts Association of Gloucester (NMc3: 480-481)

Nov. 26-Dec. 3, 1929 -- Recent Landscapes by Charles H. Davis (NMc3: 482-483)

Dec. 10-Dec. 23, 1929 -- Watercolors by J. Olaf Olson (NMc3: 484-486)

Dec. 24-Jan. 6, 1930 -- Exhibitions from the Summer Colonies: No. 3, Mystic (NMc3: 487-488)

Jan. 7-20, 1930 -- Paintings of Wyoming Days and Nights by Ogden N. Pleissner (NMc3: 490, 492)

Jan. 21-Feb. 3, 1930 -- Landscapes by Aldro T. Hibbard (NMc3: 490-491)

Feb. 4-17, 1930 -- Thirty Paintings by Thirty Artists (NMc3: 493-498)

Feb. 4-18, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 500-502)

Feb. 18-Mar. 3, 1930 -- Decorative Pastels by Wilbur A. Reaser (NMc3: 503-504)

Feb. 18-Mar. 3, 1930 -- Landscapes by John F. Carlson (NMc3: 503, 505

Mar. 4-17, 1930 -- Art of the Cartoon by Clare A. Briggs (NMc3: 507)

Mar. 4-17, 1930 -- Watercolors by Gladys Brannigan (NMc3: 507)

Mar. 18-31, 1930 -- Landscapes by Chauncey F. Ryder (NMc3: 508-509)

Apr. 1-14, 1930 -- Landscapes by Harry Leith-Ross (NMc3: 510-511)

Apr. 15-29, 1930 -- The Soviet Union as Seen by Eliot O'Hara (NMc3: 512-513)

Spring 1930 -- Spring/Summer Exhibition (NMc3: 514-516)

Scrapbook 12, September 1930-December 1932

Oct. 1930 -- Opening Exhibition, 1930-1931 Season (NMc3: 517-519)

Oct. 14-Nov. 4, 1930 -- Etchings by Thomas Handforth (NMc3: 523-524)

Nov. 1930 -- Paintings of Museum Importance (NMc3: 521)

Nov. 4-25, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 522, 524

Dec. 1930 -- Paintings by Young Americans (NMc3: 525)

Dec. 1930 -- Etchings and Lithographs by Edward Haskell (NMc3: 526-527)

Jan. 6-31, 1931 -- Brittany and Other Recent Paintings by Jonas Lie (NMc3: 528-531)

Feb. 2-8, 1931 -- Group Exhibition of Important Paintings (NMc3: 535)

Feb. 9-21, 1931 -- Brackman (NMc3: 536)

Feb. 24-Mar. 7, 1931 -- Paintings by Paul Dougherty and Mahonri Young (NMc3: 539)

Mar. 9-28, 1931 -- Recent Paintings by Daniel Garber (NMc3: 540)

Mar. 30-Apr. 11, 1931 -- Brittany Subjects by Jay Connaway, Landscapes by Arthur Meltzer, Pastel Impressions by J. H. Guest (NMc3: 545-549)

Apr. 13-May 2, 1931 -- Paintings and Drawings by Abbot H. Thayer (NMc3: 545-549)

May, 1931 -- Selected Paintings and Etchings by American Artists (NMc3: 552-553)

Oct. 1931 -- October Show (NMc3: 355)

Oct. 1931 -- October Watercolor Exhibition (NMc3: 556)

Nov. 4-30, 1931 -- Fifteen New Paintings from the Artists Studios (NMc3: 558-559)

Nov. 11-Dec. 31, 1931 -- Lithographs by Stow Wengenroth (NMc3: 560-566)

Dec. 1-19, 1931 -- Small Paintings by Ivan Olinsky and Cecil Chichester (NMc3: 562-563)

Dec. 8-31, 1931 -- Wood Engravings by Thomas Nason (NMc3: 564)

Dec. 21-Jan. 9, 1932 -- Maine Coast Towns by C. K. Chatterton (NMc3: 565-566)

Jan. 11-23, 1932 -- Landscapes, Figures, Still Life Subjects Painted in Vermont by Herbert Meyer (NMc3: 564)

Jan. 11-23, 1932 -- Paintings by Lily Cushing (NMc3: 569, 571)

Jan. 25-Feb. 13, 1932 -- Hudson River School (NMc3: 573-576)

Feb. 15-27, 1932 -- Paintings by James Chapin (NMc3: 589)

Feb. 15-Mar. 1, 1932 -- Monotypes in Black and White by Seth Hoffman (NMc3: 590-591)

Feb. 29-Mar. 10, 1932 -- Sanford Ross: 16 Wash Drawings of 16 New Jersey Landmarks (NMc3: 598-599)

Feb. 29-Mar. 12, 1932 -- George Fuller, 1822-1844 (NMc3: 593-596)

Mar. 14-26, 1932 -- Winter Landscapes and Other Subjects by F. C. Frieseke (NMc3: 600-601)

Mar. 28-Apr. 9, 1932 -- Recent Paintings by Jonas Lie (NMc3: 603)

Apr. 11-30, 1932 -- Forty Years of American Art (NMc3: 605-610)

May 2-14, 1932 -- Paintings by a Group of Younger Artists (NMc3: 616-618)

June 1932 -- June Exhibition (NMc3: 619)

Sept. 26-Oct. 15, 1932 -- Paintings from the Summer Colonies (NMc3: 621-622)

Oct. 17-Nov. 7, 1932 -- Special Sale Exhibition (NMc3: 626-628)

Oct. 17-Nov. 7, 1932 -- Etchings and Lithographs by Mons Breidvik (NMc3: 626-627)

Nov. 9-26, 1932 -- Paintings by Max Bohm, Eugene Higgins, Jerome Myers, John Noble (NMc3: 630)

Nov. 14-Dec. 5, 1932 -- Lithographs by Stow Wengenroth (NMc3: 630)

Nov. 29-Dec. 12, 1932 -- Vermont Watercolors by Henry Holt (NMc3: 632-633)

Dec. 6-19, 1932 -- Lights of New York by Felicie Waldo Howell (NMc3: 634-635)

Dec. 14-Jan. 3, 1933 -- Paintings by Robert Strong Woodward (NMc3: 636)

Scrapbook 13, 1932

Scrapbook of 40th Anniversary of Macbeth Gallery, 1932.

Scrapbook 14, 1930-1934

Jan. 1-29, 1933 -- Forty Years of American Painting assembled by the Macbeth Gallery at Montclair Art Museum (NMc4: 263-268)

July 9-25, 1933 -- American Landscapes assembled by the Macbeth Gallery at Four Fountains, Southampton, NY (NMc4: 290-295)

Scrapbook 15, January 1933-February 1935

Jan. 1933 -- Watercolors Made by Americans, Assembled by the College Art Association (NMc3: 639-641)

Jan. 3-16, 1933 -- Drawings by J. Louis Lundean (NMc3: 643)

Jan. 17-30, 1933 -- Paintings of Flowers by C. G. Nelson (NMc3: 644)

Jan. 31-Feb. 13, 1933 -- Intimate Paintings (NMc3: 645)

Feb. 21-Mar. 6, 1933 -- Group Exhibition (NMc3: 646)

Mar. 1933 -- Paintings and Etchings by Living American Artists (NMc3: 647-648)

Mar. 7-20, 1933 -- Paintings by Robert Henri (NMc3: 649)

Mar. 21-Apr. 3, 1933 -- Watercolors by Sanford Ross (NMc3: 652)

Mar. 21-Apr. 10, 1933 -- Brackman (NMc3: 652-653)

Apr. 4-17, 1933 -- Opportunity Exhibition (NMc3: 661)

Apr. 4-18, 1933 -- Drawings by Adolf Dehn (NMc3: 661)

Apr. 11-24, 1933 -- The Sea at Monhegan by Jay Connaway (NMc3: 662)

Apr. 18-May 1, 1933 -- Watercolor Exhibition (NMc3: 663)

Apr. 25-May 8, 1933 -- Paintings by A. T. Hibbard, Hayley Lever and Ivan G. Olinsky (NMc3: 664)

May 2-22, 1933 -- Mono-Etchings by Bernard Sanders (NMc3: 664)

May 9-29, 1933 -- Child Portraits by Margery Ryerson (NMc3: 669)

May 16-29, 1933 -- Exhibition of Figures and Still Lifes, Macbeth Gallery Extension (NMc3: 669)

June 1933 -- American Art Past and Present (NMc3: 671)

Oct. 17-30, 1933 -- Paintings and Watercolors by a Group of American Artists Under 35 (NMc3: 672)

Oct. 31-Nov. 13, 1933 -- Drawings by Robert Henri (NMc3: 673)

Oct.-Nov. 1933 -- Mexico as Seen by American Printmakers (NMc3: 674)

Nov. 4-27, 1933 -- Brackman Portraits: Figures in Pastel (NMc3: 675, 678)

Nov. 4-27, 1933 -- American Sport and Other Subjects by Percy Crosby (NMc3: 675-677)

Nov. 28-Dec. 11, 1933 -- Paintings by Ogden M. Pleissner (NMc3: 684, 686)

Nov. 28-Dec. 11, 1933 -- Figures and Fantacies by Ralph Rowntree (NMc3: 684-685)

Nov. 28-Dec. 11, 1933 -- Paintings by Horace Day (NMc3: 681)

Nov. 28-Dec. 11, 1933 -- Drawings by Jerome Myers (NMc3: 682-683)

Dec. 12-23, 1933 -- Paintings by Janet Scudder (NMc3: 687)

Dec. 12-23, 1933 -- The New York Scene in Watercolor by Hamilton A. Wolf (NMc3: 688-689)

Dec. 26-Jan. 8, 1934 -- Group Exhibition, Members of the Louis Comfort Tiffany Foundation (NMc3: 692)

Jan. 9-27, 1934 -- Paintings by Herbert Meyer (NMc3: 692)

Jan. 24-Feb. 6, 1934 -- Oils, Watercolors, Drawings, Etchings by Harrison Cady (NMc3: 696-697)

Jan. 30-Feb. 19, 1934 -- Paintings and Drawings by Lintott (NMc3: 699-700)

Feb. 20-Mar. 12, 1934 -- Paintings by C. K. Chatterton (NMc3: 703-704)

Feb. 27-Mar. 12, 1934 -- Golinkin (NMc3: 707-708)

Mar. 6-20, 1934 -- Drawings by Meyer Bernstein (NMc3: 709)

Mar. 13-36, 1934 -- Paintings by Jonas Lie (NMc3: 710)

Mar. 20-Apr. 2, 1934 -- Watercolors of South America by Eliot O'Hara (NMc3: 712)

Mar. 27-Apr. 16, 1934 -- Memorial Exhibition, Paintings by Charles H. Davis, 1856-1933 (NMc3: 715-722)

Apr. 3-16, 1934 -- Drawings by Hetty Beatty, Sculptor (NMc3: 726)

Apr. 10-23, 1934 -- Oils and Watercolors by Gertrude Schweitzer (NMc3: 726)

Apr. 17-May 1, 1934 -- Monhegan Marines by Jan Connaway (NMc3: 727)

May 1-14, 1934 -- Watercolors and Pastels by H. Amaird Oberteuffer and Karl Oberteuffer (NMc3: 728)

May 1-21, 1934 -- Review of the Season (NMc3: 729)

May 7-14, 1934 -- Paintings by John C. E. Taylor, William Luther King, Stuyvesant van Veen (NMc3: 730)

May 1934? -- Third Exhibition and Sale of American Paintings at $100 (NMc3: 731)

June 4-15, 1934 -- Our Glorious Navy: Paintings by Arthur Beaumont, Lieut. U.S.N.R. (NMc3: 732-733)

Oct. 1-15, 1934 -- Opening Exhibition, Season of 1934-1935, Paintings by Nelson A. Moore, 1924-1902 (NMc3: 735-736)

Oct. 16-30, 1934 -- Collectors Examples of American Painting (NMc3: 739-740)

Nov. 7-19, 1934 -- Greenland and Other Subjects by Rockwell Kent (NMc3: 742-743)

Nov. 20-Dec. 3, 1934 -- Southern New Mexico: Drawings and Lithographs by Peter Hurd (NMc3: 748-749)

Nov. 20-Dec. 11, 1934 -- Brackman (NMc3: 742-743)

Dec. 4-31, 1934 -- Lithographs and Drawings of Stow Wengenroth (NMc3: 750)

Dec. 11-31, 1934 -- Robert Hallowell, Mostly Portraits (NMc3: 751-752)

Jan. 2-14, 1935 -- Leopold Seyffert, Subjects from Guatemala and Flowers (NMc3: 754-755)

Jan. 22-Feb. 4, 1935 -- Group of Paintings by Younger Artists (NMc3: 756)

Apr. 10-30, 1935 -- After St. Ives by Hayley Lever (NMc3: 761-762)

date unknown -- Mr. Jonas Lie: Brittany and Other Recent Paintings (NMc3: 764)

Sept. 30-Oct. 7, 1930 -- Watercolors by Carolyn G. Bradley and Marion L. Simmons (NMc3: 764-765)

March 28-April 19, 1932 -- Small Paintings of Museum Importance on Exhibition (NM3: 764-767)

Scrapbook 16, February 1935-January 1938

Feb. 5-19, 1935 -- Robert Strong Woodward, "Landscapes of New England" (NMc4: 401-402)

Feb. 19-28, 1935 -- Portraits by Leonebel Jacobs (NMc4: 404)

Mar. 5-18, 1935 -- Loan Exhibition (NMc4: 408-409)

Apr. 23-May 13, 1935 -- Still Lifes by Emil Carlsen, 1853-1932 (NMc4: 411-413)

May 14-June 3, 1935 -- Watercolors and Pastels (NMc4: 414)

Summer 1935 -- Summer Exhibition (NMc4: 415)

Oct. 8-21, 1935 -- Recent Paintings by Frederick C. Frieseke (NMc4: 416-417)

Nov. 19-Dec. 3, 1935 -- Drawings by Lintott (NMc4: 418-419)

Dec. 3-31, 1935 -- Drawings and Lithographs by Stow Wengenroth (NMc4: 420)

Dec. 9-31, 1935 -- Oils, Watercolors, Drawings by Gertude Schweitzer (NMc4: 421)

Jan. 14-Feb. 3, 1936 -- Herbert Meyer (NMc4: 422-423)

Feb. 1936 -- Group Exhibition (NMc4: 429)

Feb. 1936 -- Drawings by Eastman Johnson (NMc4: 430)

Feb. 4-17, 1936 -- Homer D. Martin, 1836-1897, Centennial Exhibition (NMc4: 426-427)

Mar. 10-23, 1936 -- Contemporary Americans (NMc: 430)

Mar. 10-23, 1936 -- Watercolors by Steven Donahos (NMc4: 430)

Mar. 24-Apr. 16, 1936 -- Brackman (NMc4: 431)

Apr. 7-27, 1936 -- Paintings and Watercolors by C. K. Chatterton (NMc4: 433-434)

Apr. 28-May 11, 1936 -- Group Exhibition (NMc4: 435)

Apr. 28-May 11, 1936 -- Watercolors by Mary S. Powers (NMc4: 435)

May 19-June 1, 1936 -- Drawings by Richard Guggenheimer (NMc4: 436)

May 27-June 3, 1936 -- Pastel Portraits by Frank Root McCreery (NMc4: 437-438)

Oct. 5-26, 1936 -- Opening Exhibition, 45th Season, New Paintings by Fourteen American Painters (NMc4: 447-448)

Nov. 4-16 1936 -- Paintings by Elliot Orr (NMc4: 444-445)

Nov. 17-30, 1936 -- Recent Paintings by Ogden M. Pleissner (NMc4: 447-448)

Dec. 1936 -- Lester D. Boronda: Paintings from Mason's Island (NMc4: 449)

Dec. 15, 1936-Jan. 18, 1937 -- An Introduction to Homer (NMc4: 451-460)

Jan. 19-Feb. 1, 1937 -- Exhibition of Portraits by Stuart, Copley, West, Allston, Badger, Jarvis, Morse, Sully, Peale, Smibert and Waldo (NMc4: 478-479)

Jan. 19-Feb. 1, 1937 -- Group of Watercolors (NMc4: 480)

Feb. 2-15, 1937 -- John C. E. Taylor: Flower Arrangements and Other Oils (NMc4: 481)

Feb. 16-Mar. 1, 1937 -- Paintings and Watercolors by Horace Day (NMc4: 482)

Mar. 2-15, 1937 -- Hayley Lever, Paintings New and Old (NMc4: 485)

Mar. 2-15, 1937 -- Paintings by Josef Presser (NMc4: 485)

Mar. 16-Apr. 5, 1937 -- Recent Work by Jon Corbino (NMc4: 487-490)

Apr. 13-26, 1937 -- Memorial Exhibition of Paintings, Crayon Drawings and Dry Points by the late Alexander Shilling (NMc4: 499)

Apr. 30-May 17, 1937 -- Edna Reindel (NMc4: 503)

Oct. 5-19, 1937 -- American Paintings Dedicating the Art Gallery Woman's Club Art Building, Montana State University (NMc4: 505-514)

Oct. 6-18, 1937 -- Opening Exhibition, Paintings by a Group of Contemporary Artists (NMc4: 517)

Oct. 19-Nov. 1, 1937 -- First Exhibition, Watercolors by Andrew Wyeth (NMc4: 518-519)

Nov. 2-15, 1937 -- Marine and Other Subjects from the Canary Islands by Cadwallader Washburn (NMc4: 524-525)

Nov. 16-29, 1937 -- Paintings by Lorenzo James Hatch (NMc4: 524-525)

Nov. 30-Dec. 14, 1937 -- Monhegan Island, Maine, Marines by Jay Connaway (NMc4: 527)

Jan. 4-17, 1938 -- "The Eight" Thirty Years Later (NMc4: 529-530)

Scrapbook 17, January 1938-July 1941

Jan. 18-Feb. 1, 1938 -- Paintings by Dale Nichols (NMc4: 538-540)

Feb. 8-21, 1938 -- Vermont in Watercolors by Stanford Stevens (NMc4: 541-542)

Feb. 8-21, 1938 -- Modern American Interior: Prizewinning Design and Selected Drawings from a Competition Sponsored by James H. Blauvet and Associates, Interior Designers (NMc4: 543)

Feb. 23-Mar. 7, 1938 -- Herbert Dickens Ryman (NMc4: 546)

Mar. 1-14, 1938 -- Paintings and Watercolors by Anne Goldthwaite (NMc4: 546-547)

Mar. 8-21, 1938 -- Recent Watercolors of Woodstock, Charleston, New England by John W. Taylor (NMc4: 548-549)

Mar. 22-Apr. 11, 1938 -- Jon Corbino (NMc4: 554-561)

Apr. 12-25, 1938 -- Paintings by Ohio Artists (NMc4: 580-571)

Apr. 26-May 9, 1938 -- Paintings by Furman Joseph Finck (NMc4: 572-573)

May-June 1938 -- Winslow Homer: Watercolors and Early Oils from the Estate of Mrs. Charles S. Homer and Other Sources (NMc4: 574-579)

Oct. 4-28, 1938 -- Opening Exhibition (NMc4: 581)

Nov. 1-23, 1938 -- Dale Nichols, Watercolors and Tempera of Alaskan Subjects (NMc4: 582-583)

Nov. 29-Dec. 19, 1938 -- Sea Island Country Watercolors by Horace Day (NMc4: 584)

Jan. 10-30, 1939 -- Herbert Meyer (NMc4: 588-589)

Feb. 7-27, 1939 -- American Watercolors Past and Present (NMc4: 592-597

Mar. 7-Apr. 3, 1939 -- Monhegan by Jay Connaway (NMc4: 602-603)

Apr. 5-24, 1919 -- Oils and Watercolors by Ogden M. Pleissner (NMc4: 606-607)

May 2-22, 1939 -- Paintings by Francis Chapin, Antonio P. Matino, and Moses Soyer and Drawings by Jon Corbino (NMc4: 609-611)

Oct. 10-30, 1939 -- Andrew Wyeth (NMc4: 614)

Nov. 1-30, 1939 -- Americana Paintings, Watercolors, Prints, Drawings (NMc4: 616-617)

Dec. 5-30, 1939 -- In the Georges Islands, Maine: Paintings by N.C. Wyeth (NMc4: 618)

Dec. 5-30, 1939 -- Dry Brush Drawings by Stow Wengenroth (NMc4: 618-619)

Jan. 2-27, 1940 -- Brackman (NMc4: 623-624)

Jan. 30-Feb. 19, 1940 -- Paintings by Moses Soyer (NMc4: 630-631)

Feb. 20-Mar. 11, 1940 -- Watercolors by Emil J. Kosa, Jr. (NMc4: 637)

Mar. 12-30, 1940 -- Paintings by Edna Reindel (NMc4: 636)

April 1940 -- Paintings and Drawings by Jon Corbino (NMc4: 639-640)

May 7-18, 1940 -- "Star Boat Races," by Gerald Foster (NMc4: 640)

Summer 1940 -- Summer Exhibition (NMc4: 641)

Oct. 1940 -- October Exhibition (NMc4: 642)

Nov. 12-Dec. 2, 1940 -- Paintings by Antonio P. Martino (NMc4: 645)

Dec. 10-30, 1940 -- Monhegan Paintings and Sketches by Jay Connaway (NMc4: 648)

Dec. 31, 1940-Jan. 13, 1941 -- Oils and Watercolors by Contemporary Artists (NMc4: 649)

Jan. 14-Feb. 3, 1941 -- Paintings and Drawings by Augustus Vincent Tack (NMc4: 650-651)

Feb. 4-24, 1941 -- Recent Paintings by Peter Hurd (NMc4: 652)

Feb. 18-Mar. 3, 1941 -- Earl Gross Watercolors (NMc4: 654-655)

Feb. 25-Mar. 16, 1941 -- Recent Paintings by Herman Maril (NMc4: 656-657)

Mar. 18-Apr. 5, 1941 -- Joseph de Martini Gouache Paintings (NMc4: 656)

Mar. 25-Apr. 7, 1941 -- Men of Moment: Drawings by Ivan Opffer (NMc4: 660)

Apr. 8-28, 1941 -- Paintings by Orland Campbell (NMc4: 661-662)

Apr. 29-May 12, 1941 -- Small Paintings by Moses Soyer (NMc4: 667-668)

May 1941 -- Group Exhibition (NMc4: 667)

May 13-24, 1941 -- The 1941 Showing of Blauvelt Interiors (NMc4: 669-671)

May-June 1941 -- Group Exhibition (NMc4: 669)

Scrapbook 18, July 1941-October 1945

Sept. 1941 -- Group Exhibition: Oils (NMc4: 682)

Oct. 7-27, 1941 -- Third Exhibition of Watercolors by Andrew Wyeth (NMc4: 685)

Oct. 28-Nov. 17, 1941 -- Recent Oils and Watercolors by Ogden M. Pleissner (NMc4: 685-686)

Oct. 28-Nov. 17, 1941 -- Watercolors by Merrill A. Bailey (NMc4: 685)

Nov. 18-Dec. 1, 1941 -- Drawings and Watercolors by Carl Newland Werntz (NMc4: 688-689)

Nov. 18-Dec. 1, 1941 -- Hymn to the Sun: A Sculpture in Bronze by Emily Winthrop Miles (NMc4: 688)

Dec. 1941 -- Group Exhibition (NMc4: 690)

Dec. 2-22, 1941 -- Original Dolls by Edith Flack Ackley and their Portraits in Watercolor by Telka Ackley (NMc4: 690)

Jan. 5-24, 1942 -- Paintings by Furman Joseph Finck (NMc4: 694)

Jan. 5-24, 1942 -- Watercolors of Maine and Florida by Maurice Becker (NMc4: 694-695)

Jan. 19-Feb. 14, 1942 -- Watercolors, Pastels, Drawings by Jerome Myers, 1867-1940 (NMc4: 696)

Feb. 16-28, 1942 -- Watercolors by Cory Kilvert (NMc4: 697-698)

Feb. 16-Mar. 7, 1942 -- Paintings by Deceased American Masters (NMc4: 697-698)

Mar. 9-28, 1942 -- Paintings by Marsden Hartley (NMc4: 700-701)

Mar. 9-28, 1942 -- Watercolors by Karl Mattern (NMc4: 700)

Apr. 13-30, 1942 -- Fiftieth Anniversary Exhibition, 1892-1942 (NMc4: 703-704)

May 4-29, 1942 -- Group Exhibition (NMc4: 707)

June 1942 -- June Exhibition (NMc4: 708)

June 15-27, 1942 -- War Bond Exhibitions of Contemporary American Art (NMc4: 708)

Sept. 1942 -- September Exhibition (NMc4: 709)

Nov. 16-28, 1942 -- Watercolors by Jean Paul Slusser (NMc4: 710)

Nov. 24-Dec. 12, 1942 -- T. Chambers, First American Modern (NMc4: 711-714)

Dec. 1-14, 1942 -- Watercolors by Red Robin (NMc4: 715-716)

Dec. 15, 1942-Jan. 2, 1943 -- Leaves From a Soldier's Sketchbook by Pvt. Olin Dows, U. S. Army (NMc4: 717)

Jan. 4-23, 1943 -- Paintings by Sprinchorn (NMc4: 717-718)

Feb. 1-13, 1943 -- Group Exhibition (NMc4: 719)

Feb. 15-Mar. 6, 1943 -- Small Paintings by Moses Soyer (NMc4: 720)

Mar. 15-27, 1943 -- Ellen du Pont Wheelwright (NMc4: 721)

Mar. 15-27, 1943 -- Watercolors by Cory Kilvert (NMc4: 721)

Mar. 29-Apr. 17, 1943 -- Recent Paintings by Joseph De Martini (NMc4: 722)

Mar. 29-Apr. 17, 1943 -- Watercolor Exhibition (NMc4: 722)

Apr. 19-May 1, 1943 -- Corp. Herman Maril (NMc4: 728)

Apr. 19-May 8, 1943 -- Theodore Robinson (NMc4: 723-725)

May-June 1943 -- Group Exhibition (NMc4: 729)

Sept. 1943 -- Group Exhibition (NMc4: 731)

Oct. 11-30, 1943 -- Watercolors by Henry Gasser (NMc4: 723-733)

Nov. 1-20, 1943 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 735-736)

Nov. 22-Dec. 4, 1943 -- Portraits of Children by Barnard Lentott (NMc4: 741-742)

Dec. 1943 -- Group Exhibition (NMc4: 741)

Dec. 6-24, 1943 -- Rural Vermont: Watercolors by Sylvia Wright (NMc4: 743-744)

Jan. 3-15, 1944 -- Watercolors of War by Red Robin (NMc4: 743-744)

Jan. 31-Feb. 19, 1944 -- Loan Exhibition, Worthington Whittredge, 1825-1910 (NMc4: 745-746)

Feb. 21-Mar. 11, 1944 -- Paintings by Constance Richardson (NMc4: 749-750)

Mar. 13-Apr. 1, 1944 -- Watercolors by Vanessa Helder (NMc4: 751, 753)

Mar. 13-Apr. 1, 1944 -- Temperas and Watercolors by Peter Hurd (NMc4: 751-753)

Apr. 3-22, 1944 -- American Paintings of the Early 19th Century (NMc4: 754-755)

Apr. 24-May 13, 1944 -- Brackman (NMc4: 756-757)

May 15-June 3, 1944 -- Two Vermont Artists: Clay Bartlett and Arthur K. D. Healy (NMc4: 758-759)

June 5-24, 1944 -- Women at War by Edna Reindel (NMc4: 760)

July 1944 -- Group Exhibition (NMc4: 762)

Sept. 25-Oct. 15, 1944 -- Group Exhibition (NMc4: 763)

Oct. 16-Nov. 4, 1944 -- Paintings by Felicia Meyer (NMc4: 764-765)

Nov. 15-Dec. 2, 1944 -- The Aleutian Air Force: Paintings by Ogden M. Pleissner (NMc4: 766-767)

Dec. 4-23, 1944 -- Paintings by John W. Taylor (NMc4: 769-770)

Jan. 8-27, 1945 -- Paintings by Carl Gaertner (NMc4: 771-772)

Jan. 29-Feb. 10, 1945 -- Contemporary American Watercolors (NMc4: 772)

Feb. 19-Mar. 10, 1945 -- Paintings and Watercolors by Maurice Becker (NMc4: 773-774)

Mar. 12-31, 1945 -- Some Early 19th Century Americans (NMc4: 777-778)

Apr. 2-21, 1945 -- Paintings by Joseph De Martini (NMc4: 778-779)

Apr. 23-May 12, 1945 -- Gouaches by Herman Maril (NMc4: 781)

Apr. 23-May 12, 1945 -- Paintings by Molly Luce (NMc4: 781-782)

May-June 1945 -- Group Exhibition: Contemporary Oils and Watercolors (NMc4: 783)

July, Sept., 1945 -- Group Exhibition (NMc4: 783)

Oct. 1-7, 1945 -- Group Exhibition (NMc4: 784)

Scrapbook 19, October 1945-November 1949

Oct. 26-Nov. 17, 1945 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 787-788)

Nov. 26-Dec. 15, 1945 -- Marsden Hartley: Paintings and Drawings (NMc4: 791-792)

Dec. 1945 -- Christmas Exhibition (NMc4: 793)

Jan. 7-26, 1946 -- New York in Watercolors by James Lechay (NMc4: 794)

Jan. 28-Feb. 16, 1946 -- Herbert Meyer (NMc4: 795)

Feb. 18-Mar. 19, 1946 -- Ary Stillman (NMc4: 797-798)

Mar. 11-30, 1946 -- Watercolors by Arthur K. D. Haley (NMc4: 800-801)

Apr. 1-20, 1946 -- Albert P. Ryder (NMc4: 802-805)

Apr. 22-May 11, 1946 -- Paintings by Constance Richardson (NMc4: 809-810)

May 13-31, 1946 -- Furman Jospeh Finck (NMc4: 811-812)

June 1946 -- Group Exhibition (NMc4: 813)

July 1946 -- Group Exhibition (NMc4: 813)

Sept. 1946 -- Group Exhibition (NMc4: 814)

Sept. 30-Oct. 19, 1946 -- Gouaches by Charles Schucker (NMc4: 815)

Oct. 2-Nov. 9, 1946 -- Watercolors and Drawings by Olin Dows (NMc4: 816-817)

Nov. 4-30, 1946 -- Ogden M. Pleissner (NMc4: 818)

Dec. 2-28, 1946 -- Oils and Watercolors by Emil J. Kosa, Jr. (NMc4: 819-820)

Jan. 6-26, 1947 -- Carl Gaertner (NMc4: 821-822)

Jan. 27-Feb. 15, 1947 -- Carl Sprinchorn (NMc4: 823)

Mar. 3-22, 1947 -- Dorothy Hoyt (NMc4: 825-826)

Mar. 24-Apr. 12, 1947 -- Joseph De Martini (NMc4: 827-828)

Apr. 14-May 10, 1947 -- Whistler Loan Exhibition (NMc4: 828-834)

June-July, 1947 -- Summer Exhibition (NMc4: 840)

Sept. 1947 -- Group Exhibition (NMc4: 841)

Oct. 13-Nov. 1, 1947 -- Paintings by Allen Tucker (NMc4: 842-844)

Nov. 3-22, 1947 -- Watercolors by Henry Gasser (NMc4: 846-847)

Nov. 24-Dec. 13, 1947 -- James Lechay (NMc4: 849-850)

Dec. 15, 1947-Jan. 3, 1948 -- Watercolor Exhibition (NMc4: 851)

Jan. 5-24, 1948 -- Clay Bartlett (NMc4: 852-853)

Jan. 26-Feb. 14, 1945 -- Exhibition (NMc4: 854)

Jan. 26-Feb. 14, 1948 -- Oils and Watercolors by Contemporary Artists (NMc4: 854)

Feb. 16-Mar. 6, 1948 -- Herman Maril (NMc4: 855-856)

Mar. 22-Apr. 3, 1948 -- American Art: A Multiple Exhibition arranged by the Associated Dealers in American Art (NMc4: 857-858)

Apr. 5-24, 1948 -- Raphael Gleitsmann (NMc4: 866-867)

Apr. 26-May 15, 1948 -- Oils and Watercolors by John La Farge (NMc4: 864)

May-Sept. 1948 -- Group Exhibitions (NMc4: 867)

Oct. 4-23, 1948 -- Watercolors by Charles Culver (NMc4: 869-870)

Oct. 26-Nov. 13, 1948 -- Ogden M. Pleissner (NMc4: 872)

Nov. 15-Dec. 4, 1948 -- Andrew Wyeth (NMc4: 874-875)

Nov. 21-Dec. 4, 1948 -- Oils and Gouaches by Charles Schucker (NMc4: 332-333)

Dec. 6-31, 1948 -- Watercolors and Drawings by Hermann Gross (NMc4: 877-878)

Jan. 4-22, 1949 -- Electra Bostwick (NMc4: 879, 882)

Jan. 27-Feb. 19, 1949 -- Paintings by Edna Reindel (NMc4: 880-881)

Feb. 28-Mar. 19, 1949 -- Thomas Doughty (NMc4: 885-887)

Mar. 21-Apr. 9, 1949 -- Watercolors by Arthur K. D. Healy (NMc4: 889)

Apr. 12-30, 1949 -- Drawings by Olin Dows (NMc4: 890)

May 1949 -- Group Exhibition (NMc4: 894)

Oct. 10-29, 1949 -- Clay Bartlett: Paintings of North and South America (NMc4: 895-896)

Nov. 1-19, 1949 -- Watercolors by Henry Gasser (NMc4: 897-898)

Scrapbook 20, 1949-1952

Nov. 21-Dec. 10, 1949 -- Oils and Gouaches by Charles Shucker (NMc4: 332-333)

Dec. 1949 -- Watercolor Exhibition (NMc4: 334)

Jan. 3-21, 1950 -- Carl Gaertner (NMc4: 335-356)

Jan. 23-Feb. 11, 1950 -- Constance Richardson (NMc4: 337-338)

Mar. 6-25, 1950 -- John Taylor (NMc4: 339-340)

Apr. 1950 -- Joseph De Martini (NMc4: 341)

May 8-27, 1950 -- Carl Sprinchorn (NMc4: 342-343)

Summer 1950 -- Summer Exhibition (NMc4: 345)

Oct. 9-28, 1950 -- Caseins by James Lechay (NMc4: 345-346)

Oct. 31-Nov. 18, 1950 -- Ogden M. Pleissner: Paris and the Provinces (NMc4: 347-348)

Nov. 21-Dec. 9, 1950 -- Andrew Wyeth (NMc4: 349-350)

Jan. 2-20, 1951 -- Nat Koffman (NMc4: 356-357)

Jan. 22-Feb. 10, 1951 -- Watercolors by Hermann Gross (NMc4: 358)

Feb. 12-Mar. 3, 1951 -- Watercolors (D55:390-391; NMc4: 359)

Mar. 5-24, 1951 -- Paintings by Francis Colburn (NMc4: 360)

Mar. 27-Apr. 14, 1951 -- Paintings by Herman Maril (NMc4: 361)

Apr. 16-May 5, 1951 -- Raphael Gleitsmann (NMc4: 362-363)

Summer 1951 -- Summer Exhibition (NMc4: 364)

July 7-Aug. 4, 1951 -- Paintings and Drawings by Andrew Wyeth (NMc4: 364-381)

Nov. 26-Dec. 15, 1951 -- Watercolors by Arthur K. D. Healy (NMc4: 387)

Feb. 4-Mar. 1, 1952 -- Italian Landscapes by George Inness (NMc4: 388-389)

June-July, Sept. 1952 -- Summer Exhibition (NMc4: 392)

Nov. 6-29, 1952 -- Andrew Wyeth (NMc4: 391-392)
Restrictions:
Fragile original scrapbooks are closed to researchers. For more information, please contact Reference Services.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macbgall, Series 5
See more items in:
Macbeth Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92653096a-424e-4227-a661-9a1b02109acc
EDAN-URL:
ead_component:sova-aaa-macbgall-ref13377

Clippings

Collection Creator:
Casas, Mel, 1929-2014  Search this
Container:
Box 1, Folder 21
Type:
Archival materials
Date:
1975-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Mel Casas papers
Mel Casas papers / Series 4: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw934eeb943-15ec-458d-9233-70a891da03a4
EDAN-URL:
ead_component:sova-aaa-casamel-ref37
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Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Missing Title

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico  Search this
Painters -- New York (State)  Search this
Topic:
Works of art  Search this
Sculptors -- New York (State)  Search this
Function:
Artist colonies -- New York (State)
Artist colonies -- New Mexico
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c161f331-506a-40a4-b904-cdd21bf7f1b8
EDAN-URL:
ead_collection:sova-aaa-dasbandr
Online Media:

Peter A. Juley & Son collection

Photographer:
Ward, De Witt  Search this
Peter A. Juley & Son  Search this
Juley, Peter A., 1862-1937  Search this
Juley, Paul, 1890-1975  Search this
Extent:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
circa 1896-1975
Summary:
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
Scope and Contents:
This collection is comprised of 127,000 negatives from the Peter A. Juley & Son firm documenting the American art scene from 1896 up until 1975.

The Juleys photographed the work of turn-of-the-century painters such as Childe Hassam, Thomas Eakins, and Albert Pinkham Ryder; ash can school artists such as Robert Henri and John Sloan; the avant-garde group associated with Alfred Stieglitz; regionalists of the 1930 and 1940s such as Thomas Hart Benton and Grant Wood; abstract expressionists such as Hans Hoffman and Robert Motherwell; and sculptors such as Daniel Chester French and William Zorach.

The Juley collection also holds some 4,700 photographic portraits of artists. These images capture some of the best-known artists of the twentieth century, including Thomas Hart Benton, Alexander Calder, Stuart Davis, Edward Hopper, Frida Kahlo, Jacob Lawrence, Barnett Newman, Diego Rivera, and Grant Wood. Many of the portraits depict artists at work in their studios or at home with their families and offer glimpses into the artistic and social climate of the period.

Group photography by the Juley firm records the histories of the National Academy of Design and Art Students League and documents important summer art colonies at Provincetown, Massachusetts; Woodstock, New York; Old Lyme, Connecticut; and Ogunquit, Maine.

In addition to the negatives produced by the Juley's, the firm also acquired valuable negatives from other fine arts photographers, including Myra Albert, A. B. Bogart, George C. Cox, Walter Russell, A. E. Sproul, and De Witt Ward, to broaden its holdings.
Arrangement:
The collection is arranged in two series:

Series I: Photographs of art works, arranged alphabetically by artist, then by assigned negative number (673 linear feet)

Series II: Photographical portraits, arranged alphabetically by sitter name (26 linear feet)
Biographical / Historical:
Peter A. Juley (1862-1937) came to the United States in 1888 from the small German town of Alf, on the Mosel, where he was a telegrapher for the post office. How he first became interested in photography and fine arts is not known, but around 1896 he opened a small portrait studio in Cold Spring, New York, where he also worked as a staff news photographer for Harper's Weekly between 1901 and 1906. His assignments included photographing the funeral of President William McKinley and President Theodore Roosevelt's national tours. Around 1907 Juley moved the business to New York, where his son Paul P. Juley (1890-1975) joined him. A few years later they hired an assistant, Carlton Thorpe, who remained for the life of the firm.

Throughout the firm's long history from 1896 to 1975, Peter A. Juley and Son became the largest and most respected fine-art photography studio in New York, serving museums, galleries, art dealers, private collectors, corporations, conservators and many prominent artists. As members of New York's Salmagundi Club of artists, the Juleys served as official photographers for the National Academy of Design, the New York Public Library, and the Society of American Artists. In the summers, when many artists left the city to teach at colonies in Woodstock, New York, Old Lyme and Mystic, Connecticut, and Gloucester, Massachusetts, the Juleys joined them to take photographs. Combining business with pleasure, they even traveled to the West Coast, where they recorded Diego Rivera completing the murals of the San Francisco Stock Exchange, and on one of their trips they photographed artists of New Mexico's Taos and Santa Fe colonies.

When Peter died in 1937, Paul moved the studio to 225 West 57th Street, a few doors down from the Art Students League and across the street from Carnegie Hall, where many artists had studios. Throughout the 1950s and 1960s, Paul continued photographing the works of art associated with the Art Students League and the National Academy of Design. He retired in 1975, at the age of eighty-five.
Provenance:
Purchased from Paul Juley, 1966.
Restrictions:
Researchers may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Rights:
Copyright to photographs from the Juley Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Topic:
Artists -- United States -- Portraits  Search this
Portrait photography  Search this
Art, American -- Photographs  Search this
Genre/Form:
Photographs
Negatives
Citation:
Peter A. Juley & Son Collection, Smithsonian American Art Museum.
Identifier:
SAAM.Photo.JUL
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih7e8a8367e-23f7-4c43-9f7a-1400ea981e2e
EDAN-URL:
ead_collection:sova-saam-photo-jul
Online Media:

Oral history interview with Ted Egri

Interviewee:
Egri, Ted, 1913-  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Artists Equity Association  Search this
Federal Art Project (N.M.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 March 22
Scope and Contents:
An interview of Ted Egri conducted 1965 March 22, by Sylvia Loomis, for the Archives of American Art. Egri speaks of his youth; his education at the Roerich Museum Art Institute; parental influence; teaching at the Art Institute in Kansas City; working for the Federal Art Project on a poster project in 1936; the easel painting project, and the mural project; his post-FAP career; joining the U.S. Navy and making maps during World War II; the effect of the WPA years on his career; developing his work as a sculptor; going back to teaching for a while; and joining the Artists Equity Association.
Biographical / Historical:
Ted Egri (1913- ) is a painter and sculptor in Taos, New Mexico.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 5 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Federal aid to the arts  Search this
Painters -- New Mexico -- Taos -- Interviews  Search this
Sculptors -- New Mexico -- Taos -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.egri65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fd53a148-1d0e-4c6b-925a-2d765ff40b49
EDAN-URL:
ead_collection:sova-aaa-egri65
Online Media:

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc490739-2463-4f67-9f43-570692783628
EDAN-URL:
ead_collection:sova-aaa-buttjan
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Online Media:

Charles C. Stewart scrapbooks

Creator:
Stewart, Charles C., 1922-  Search this
Extent:
1 Reel (5 volumes (on 1 partial microfilm reel))
Type:
Collection descriptions
Archival materials
Reels
Date:
1953-1985
Scope and Contents:
Contained in the scrapbooks are: biographical data; letters from Colby Community College, Colby, Kansas, Taos Institute of Creative Orientation, University of Texas at El Paso and others; exhibition announcements, catalogs and invitations; clippings; printed material; and photographs of Stewart and his paintings, sculpture and murals.
Biographical / Historical:
Painter, sculptor; Taos, New Mexico.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1985 by Charles C. Stewart.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New Mexico -- Taos  Search this
Sculptors -- New Mexico -- Taos  Search this
Topic:
Painting, American  Search this
Sculpture, American  Search this
Identifier:
AAA.stewchar
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8c55638-60d6-4008-8512-77da366753c3
EDAN-URL:
ead_collection:sova-aaa-stewchar

Oral history interview with Kenneth Price

Interviewee:
Price, Kenneth, 1935-2012  Search this
Interviewer:
De Angelus, Michele D.  Search this
Extent:
103 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 May 30-June 2
Scope and Contents:
An interview of Kenneth Price conducted 1980 May 30-1980 June 2, by Michele D. De Angelus, for the Archives of American Art.
Price discusses his family background, education, the art scenes in Los Angeles, San Francisco, and Taos, and other subjects.
Biographical / Historical:
Kenneth Price (1935-2012) was a printmaker and sculptor in Taos, N.M.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 40 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Ceramics  Search this
Printmakers -- New Mexico -- Taos -- Interviews  Search this
Sculptors -- New Mexico -- Taos -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.price80
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90249ff69-d870-4cb4-94a2-db88acf5ec1a
EDAN-URL:
ead_collection:sova-aaa-price80

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