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Marie Romero Cash papers, 1981-2021

Creator:
Cash, Marie Romero, 1942-  Search this
Type:
Sketchbooks
Citation:
Marie Romero Cash papers, 1981-2021. Archives of American Art, Smithsonian Institution.
Topic:
Santeros  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17505
(DSI-AAA_SIRISBib)390313
AAA_collcode_cashmari
Theme:
Latino and Latin American
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_390313

Marie Romero Cash papers

Creator:
Cash, Marie Romero  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1981-2021
Summary:
The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".
Scope and Contents:
The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".
Arrangement:
The collection is arranged into one series

Series 1: Marie Romero Cash papers, 1981-2021 (0.7 linear feet; Box 1, OV 2-3, Artifact 4)
Biographical / Historical:
Marie Romero Cash (1942- ) is an artist and Santera (saint artist) living in Santa Fe, New Mexico. Cash has completed commissions for St. Francis Cathedral in Santa Fe, New Mexico, the Cathedral Church of St. John in Albuquerque, and for various other churches in New Mexico.
Provenance:
Donated 2017 and 2022 by Marie Romero Cash.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New Mexico -- Santa Fe  Search this
Topic:
Santeros  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sketchbooks
Citation:
Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cashmari
See more items in:
Marie Romero Cash papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw932a73bb7-31b8-4b14-90df-87ce718f9f3c
EDAN-URL:
ead_collection:sova-aaa-cashmari

William T. Lumpkins papers, 1958-1964

Creator:
Lumpkins, William T. (William Thomas), 1909 or 10-2000  Search this
Subject:
Nash, Willard Ayer  Search this
Wolfson, Sonia  Search this
Crichton, Robert  Search this
Citation:
William T. Lumpkins papers, 1958-1964. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century  Search this
Sculpture, Modern -- 20th century -- California -- New Mexico  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7925
(DSI-AAA_SIRISBib)210093
AAA_collcode_lumpwill
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210093

Wilfred and Myrtle Stedman scrapbooks, 1928-1984

Creator:
Stedman, Wilfred Henry, 1892-1950  Search this
Steadman, Myrtle L., 1908-2007  Search this
Citation:
Wilfred and Myrtle Stedman scrapbooks, 1928-1984. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women designers  Search this
Women painters  Search this
Theme:
Women  Search this
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8485
(DSI-AAA_SIRISBib)210661
AAA_collcode_stedwilf
Theme:
Women
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210661

Eugenie F. Shonnard papers, 1905-1970

Creator:
Shonnard, Eugenie Frederica, 1886-1978  Search this
Citation:
Eugenie F. Shonnard papers, 1905-1970. Archives of American Art, Smithsonian Institution.
Topic:
Sculpting -- New Mexico -- Santa Fe  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Women educators  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8654
(DSI-AAA_SIRISBib)210834
AAA_collcode_shoneuge
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210834

Eli Levin papers, 1949-1984

Creator:
Levin, Eli, 1938-  Search this
Subject:
Sharp, Joseph Henry  Search this
Haddock, Arthur Earl  Search this
Ellis, Fremont F.  Search this
Levin, Meyer  Search this
Santa Fe Armory Show (1977 : Santa Fe, N.M.)  Search this
Type:
Sketchbooks
Citation:
Eli Levin papers, 1949-1984. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9748
(DSI-AAA_SIRISBib)212118
AAA_collcode_levieli
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212118

William Penhallow Henderson papers, 1876-1987, bulk 1876-1943

Creator:
Henderson, William Penhallow, 1877-1943  Search this
Subject:
Henderson, William Oliver  Search this
Henderson, Alice Corbin  Search this
Art in Embassies Program (U.S.)  Search this
Santa Fe Painters and Sculptors  Search this
Type:
Sketchbooks
Photographs
Citation:
William Penhallow Henderson papers, 1876-1987, bulk 1876-1943. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Architects -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
Works of art  Search this
Furniture designers -- New Mexico -- Santa Fe  Search this
Theme:
Sketches & Sketchbooks  Search this
Craft  Search this
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9853
(DSI-AAA_SIRISBib)212351
AAA_collcode_hendwill
Theme:
Sketches & Sketchbooks
Craft
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212351
Online Media:

Aristide Mian papers, 1920-1979

Creator:
Mian, Aristide, 1893-1979  Search this
Citation:
Aristide Mian papers, 1920-1979. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, American  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10085
(DSI-AAA_SIRISBib)212956
AAA_collcode_mianaris
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212956

Una Hanbury papers, 1910-1994

Creator:
Hanbury, Una, 1904-1990  Search this
Subject:
Ripley, S. Dillon (Sidney Dillon)  Search this
Segovia, Andrés  Search this
O'Keeffe, Georgia  Search this
Gilpin, Laura  Search this
Carson, Rachel  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Oppenheimer, J. Robert  Search this
Royal Academy of Arts (Great Britain)  Search this
Saunders Sculpture International  Search this
Type:
Photographs
Citation:
Una Hanbury papers, 1910-1994. Archives of American Art, Smithsonian Institution.
Topic:
Portrait sculpture, American  Search this
Animal sculpture  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6295
(DSI-AAA_SIRISBib)221286
AAA_collcode_hanbuna
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_221286
Online Media:

Fritz Scholder papers, 1960-1994

Creator:
Scholder, Fritz W., 1937-2005  Search this
Citation:
Fritz Scholder papers, 1960-1994. Archives of American Art, Smithsonian Institution.
Topic:
Native American artists  Search this
Theme:
Native American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)11550
(DSI-AAA_SIRISBib)227869
AAA_collcode_schofrit
Theme:
Native American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_227869

Bill Barrett papers, 1930-2013, bulk 1950-2013

Creator:
Barrett, Bill, 1934-  Search this
Subject:
Audubon Artists (New York, N.Y.)  Search this
Hakone Bijutsukan  Search this
Type:
Interviews
Scrapbooks
Sketchbooks
Video recordings
Sketches
Photographs
Citation:
Bill Barrett papers, 1930-2013, bulk 1950-2013. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Painters -- New Mexico -- Santa Fe  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16141
(DSI-AAA_SIRISBib)363872
AAA_collcode_barrbill
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363872
Online Media:

Thomas Morin papers, 1952-2015

Creator:
Morin, Thomas, 1934-  Search this
Type:
Photographs
Citation:
Thomas Morin papers, 1952-2015. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16231
(DSI-AAA_SIRISBib)369880
AAA_collcode_morithom
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_369880
Online Media:

Masters of the Building Arts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
From the soaring skyscrapers of New York City to the adobe churches of New Mexico, from the sturdy stone walls of New England to the majestic monuments of the nation's capital, master craftworkers in the building arts have brought enduring beauty to our built environment. Working in wood, stone, brick, and metal, in plaster, paint, glass, and clay, they transform designs on paper into three-dimensional works of art. Much depends on their workmanship and skill: on their deep understanding of raw materials, their careful selection and use of tools, their mastery of technique. The final product is the result not only of their knowledge and abilities, but also their creativity and care - their will to excellence.

Artisans in the building trades share a deep appreciation for the aesthetic value and expressive power of technical perfection. They delight in skill and find meaning and pleasure in the poetic qualities of workmanship - in their ability to craft objects of beauty and strength through their special touch. Their great pride and creative spirit, their love for their work, and their commitment to excellence are manifested in a lasting legacy of architectural achievement left behind for generations to come.

The 2000 Festival program celebrated the extraordinary artistry of craftspeople in the building arts and explored the many challenges they face today as they work to preserve our nation's past and build for the future. The Festival brought together a selection of master artisans - stone carvers, masons, carpenters, terra cotta artisans, plasterers, blacksmiths, stained glass artisans, and adobe builders - who have enriched our world with the work of their hands, and who educated and informed Festival visitors not only with their skills but also with their knowledge and lore.

Marjorie Hunt was Curator and James Deutsch was Program Coordinator; Betty Belanus was Education Specialist and Family Activity Guide Coordinator. An Advisory Committee included: J. Bryan Blundell, Kurt Dewhurst, William Dupont, Cynthia Field, Henry Glassie, Norman Koonce, Betty Monkman, Peter Nabokov, Joanna Reagan, Rex Scouten, William Seale, Chris Sturbaum, John Michael Vlach, and Ed Worthy.

The program was produced in collaboration with the International Union of Bricklayers and Allied Craftworkers and the International Masonry Institute, the National Trust for Historic Preservation, the National Building Museum, the American Institute of Architects, and the Preservation Trades Network. Major funding was provided by Homestore.com, the Marble Institute of America, Allied Stone Industries, the Building Stone Institute, the Indiana Limestone Institute, and the National Building Granite Quarries Association. Major contributors included Target Stores, the Associated General Contractors of America, the National Association of Realtors, and the Smithsonian Women's Committee. Additional donors included the School of the Building Arts, Duron, Inc., the Brick Industry Association, the Laborers' International Union of North America, the Smithsonian Educational Outreach Fund, and the Copper Development Association, Inc.
Researchers:
Jane Beck, Betty Belanus, Ray Brassieur, Amanda Dargan, James Deutsch, Kurt Dewhurst, Karen Duffy, Lynn Martin Graton, Dwight Pauahi Kauahikaua, Winnie Lambrecht, Tim Lloyd, Gregory Sharrow, Gary Stanton, David Taylor, Elaine Thatcher, John Michael Vlach
Presenters:
Betty Belanus, Barry Bergey, Ray Brassieur, Olivia Cadaval, Amanda Dargan, William Dupont, Brian Finnegan, Lynn Martin Graton, Tim Lloyd, Philip "Pete" Pederson, Clift Seferlis, Peter Seitel, Gregory Sharrow, Angelo Simone, Nick Spitzer, Gary Stanton, David Taylor, Elaine Thatcher, Cynthia Vidaurri, John Michael Vlach
Participants:
David Adams, historic preservation specialist, Portsmouth, New Hampshire

Robert Alger, stone carver, sculptor, Spencerville, Maryland

Joseph Alonso, stone mason, Vienna, Virginia

Onofre Anguiano, terra cotta hand presser, mold maker, Lincoln, Calif.

Walter S. Arnold, stone carver, Skokie, Illinois

Sam Baca, program director, Cornerstones Community Partnerships, Santa Fe, New Mexico

Earl A. Barthe, 1932-2010, plasterer, historian and consultant, New Orleans, Louisiana

Hurchail Barthe, plasterer, New Orleans, Louisiana

Terry Barthe, plasterer, historic housing specialist, New Orleans, Louisiana

Nick Benson, stone carver, letterer, Newport, Rhode Island

Johan Bjurman, decorative painter, Cheshire, Connecticut

Anna Bowen, stone carver, letterer, Newport, Rhode Island

Dan Boyle, timber framer, Dover, New Hampshire

Rory Brennan, historic plaster specialist, Putney, Vermont

Ron Brooks, decorative painter, Rockville, Maryland

John Canning, decorative painter, Cheshire, Connecticut

Jacqueline Canning-Riccio, decorative painter, Cheshire, Connecticut

Jesus Cardenas, terra cotta modeler, mold maker, Lincoln, California

Charles Cardine, architectural blacksmith, Chantilly, Virginia

Patrick Cardine, architectural blacksmith, Chantilly, Virginia

Carson Christian, timber framer, Wooster, Ohio

Rudy Christian, timber framer, Burbank, Ohio

Peter "Billy" Cleland, 1921-2010, stone mason, Clinton, Maryland

William R. Cleland, Jr., stone mason, Dunkirk, Maryland

Rose Concha, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Brian Cox, carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

John Drew, carpenter, St. Leonard, Maryland

William Dupont, Graham Gund Architect of the National Trust, National Trust for Historic Preservation, Washington, D.C.

Cane Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

Billy Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

David Flaharty, ornamental plasterer, sculptor, Green Lane, Pennsylvania

lsidoro Flaim, stone mason, Camp Springs, Maryland

Tom Glynn, timber framer, South Berwick, Maine

Dieter Goldkuhle, 1938-2011, stained glass artisan, Reston, Virginia

Giles Harper, preservation carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Adam Heller, stone carver, letterer, Newport, Rhode Island

Randy Herald, sheet metal craftsperson, Bethesda, Maryland

Randy Herald, Jr., sheet metal craftsperson, Bethesda, Maryland

Hans Herr, coppersmith, Holtwood, Pennsylvania

John Paul Huguley, president, School of the Building Arts, Charleston, South Carolina

Judy Jacob, architectural conservator, National Park Service, New York, New York

Raymond Johnson, terra cotta modeler, draftsman, Lincoln, California

Dean Kalomas, decorative painter, Washington, D.C.

Vikki Keys, deputy superintendent, National Park Service, Washington, D.C.

Rick King, dry stone wall mason, Holderness, New Hampshire

Scott King, dry stone wall mason, Holderness, New Hampshire

Naomi Kroll, architectural conservator, National Park Service, New York, New York

Wade Lawrence, assistant director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Elmo Leonardelli, scaffold erector, Baltimore, Maryland

Stephen Lorenzetti, chief of resource management, National Park Service, Washington, D.C.

Amber Lucero, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Rick Lykins, restoration carpenter, Bloomington, Indiana

George McDaniel, director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Richard Marks, architectural conservator, Charleston, South Carolina

Antonio Martinez, community leader, Upper Rociada, New Mexico

David Martinez, terra cotta draftsman, Roseville, California

David Mason, dry stone wall mason, Starksboro, Vermont

Rick Mason, dry stone wall mason, Hinesburg, Vermont

John O'Connor, engineer, Universal Builders Supply, Cheverly, Maryland

David Overholt, restoration project manager, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Albert D. Parra, adobe builder, Albuquerque, New Mexico

Theodore Pierre, Jr., brick mason, New Orleans, Louisiana

Konstantinos Pilarinos, Byzantine-style woodcarver, Astoria, New York

Panagiota Pylarinos, architect, Astoria, New York

Dennis Playdon, program manager, Cornerstones Community Partnerships, Santa Fe, New Mexico

Patrick Plunkett, stone carver, Takoma Park, Maryland

Joseph Pringle, blacksmith, Charleston, South Carolina

Nol Putnam, artist blacksmith, The Plains, Virginia

Clay Raley, restoration carpenter, Norman, Indiana

Brad Robinson, architectural blacksmith, Chantilly, Virginia

Steve Roy, historic preservation specialist, Portsmouth, New Hampshire

Brett Rugo, president, Rugo & Carosi, Woodbridge, Virginia

Laura Saeger, timber framer, Burbank, Ohio

George Salvador, restoration crew leader, Pueblo of Acoma, New Mexico

Eduardo Seara, vice-president, Lorton Contracting Company, Lorton, Virginia

Manuel Seara, president, Lorton Contracting Company, Lorton, Virginia

Tony Segreti, architect, Bethesda, Maryland

Carlton Simmons, blacksmith, Charleston, South Carolina

Philip Simmons, 1912-2009, blacksmith, Charleston, South Carolina

Louis Soublet, plasterer, New Orleans, Louisiana

Larry E. Stearns, coppersmith, Westford, Vermont

Ben Sturbaum, restoration carpenter, Owensburg, Indiana

Chris Sturbaum, restoration carpenter, Bloomington, Indiana

Arran Sturgis, timber framer, Eliot, Maine

Daniel Szwed, construction manager, Waldorf, Maryland

Mark Tamara, structural engineer, James Madison Cutts, Washington, D.C.

Lonn Taylor, historian, National Museum of American History, Smithsonian Institution, Washington, D.C.

Lloyd Tortalita, Adult, Higher Education director, former governor, Pueblo of Acoma, New Mexico

Roman Troyer, timber framer, Wooster, Ohio

Dexter Trujillo, adobe builder, mud preserver, Abiquiu, New Mexico

Mark Tsirigos, president, Universal Builders Supply, Cheverly, Maryland

George Void, masonry crew, Washington National Cathedral, Washington, D.C.

Chuck Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Sheila Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Tom Weddle, restoration carpenter, Bloomington, Indiana

Bob Wooldridge, slater, Mercersburg, Pennsylvania

Jeff Wooldridge, slater, project manager, Bethesda, Maryland

Bill Yeingst, curator, National Museum of American History, Smithsonian Institution, Washington, D.C.

Pauli Zmolek, decorative painter, Takoma Park, Maryland

INTERNATIONAL UNION OF BRICKLAYERS AND ALLIED CRAFTWORKERS (BAC), INTERNATIONAL MASONRY INSTITUTE (IMI)

Frank Baiocchi, marble mason, Mt. Airy, Maryland

Ed Bellucci, IMI deputy director of Apprenticeship and Training, Jefferson, Maryland

Robert Bernardon, marble mason, Suitland, Maryland

Lewis Carrara, mosaic worker, Fortville, Indiana

Raoul Cervantes, bricklayer, Claremont, California

Kurt Colo, bricklayer, New Baltimore, Michigan

Laird Donaldson, IMI regional director, Auburn, Washington

James Farris, stone mason, Stafford, Virginia

Richard Francescon, marble mason, South Easton, Massachusetts

Greg Hartseil, IMI Job Corps regional director, Lorida, Florida

Dennis Holloway, IMI Scola Training Center director, West Babylon, New York

Mike Kassman, IMI pointing, cleaning, and caulking instructor, Waynesboro, Pennsylvania

Tony Kassman, IMI National Safety, pointing, cleaning, and caulking coordinator, Tonawanda, New York

John Kitchen, bricklayer apprentice, Dryden, New York

Frank Koletar, refractory bricklayer, Orchard Park, New York

Annette Ludwig, tile layer, Bellevue, Washington

Nelson McMath, BAC Local 9 Michigan field representative, Saline, Michigan

Tom McQuaid, BAC Local 1 DC, MONA secretary, treasurer, Gettysburg, Pennsylvania

Steve Martini, IMI Strategic Programs director, Cascade, Maryland

Steve Mason, terrazzo apprentice, Washington, D.C.

Antoine Matthews, bricklayer, Baltimore, Maryland

Michael Menegazzi, IMI terrazzo instructor, South Gate, California

Bob Mion, IMI tile, marble, and terrazzo instructor, Binghamton, New York

Guillermo Moreno, stone mason, Hyattsville, Maryland

Colleen Muldoon, coordinator of Education Programs, bricklayer, Baltimore, Maryland

Clarence Nichols, IMI deputy director of Apprenticeship and Training, Cumberland, Maryland

Angela Olszewski, tile layer, Jersey City, New Jersey

Lester Parnell, bricklayer, Detroit, Michigan

Bob Perry, IMI regional director, Culver City, California

Darren Raines, tile layer, Chicago, Illinois

Matthew Redabaugh, IMI coordinator of Special Projects, Cascade, Maryland

Butch Rovder, BAC stone craft director, South Riding, Virginia

Joe Stewart, BAC pointing, cleaning, and caulking craft director, Pittsburgh, Pennsylvania

Gene Stinner, IMI director of Apprenticeship and Training, Cascade, Maryland

Dennis Studley, IMI Job Corps regional director, Yucaipa, California

Harold Sugg, refractory bricklayer, West Seneca, New York

Jimmy Ternent, marble mason, Westminster, Maryland

John Totten, IMI plaster instructor, Clintondale, New York

Drew Vecchione, IMI stone instructor, Flourtown, Pennsylvania

Battista Yon, bricklayer, Hyattsville, Maryland
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 3
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk504922fdd-8abb-43a1-a132-41400c430cd8
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref26

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc490739-2463-4f67-9f43-570692783628
EDAN-URL:
ead_collection:sova-aaa-buttjan
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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Online Media:

Lit the work of Rose B. Simpson essays by Porter Swentzell and Yve Chavez ; [edited by Tobi Lopez Taylor, Jonathan Batkin, Ashley Baranyk, and Denise Neil ; photos of Rose B. Simpson and her exhibition by Minesh Bacrania ; studio photos of Rose B. Simpson's work by Addison Doty]

Artist:
Simpson, Rose Bean  Search this
Writer of essay:
Swentzell, Porter  Search this
Chavez, Yve  Search this
Editor:
Taylor, Tobi  Search this
Baranyk, Ashley  Search this
Neil, Denise  Search this
Writer of preface:
Batkin, Jonathan  Search this
Photographer:
Bacrania, Minesh  Search this
Doty, Addison  Search this
Author:
Simpson, Rose Bean Works Selections  Search this
Host museum:
Wheelwright Museum of the American Indian  Search this
Subject:
Simpson, Rose Bean  Search this
Physical description:
31 pages, 44 unnumbered pages illustrations (some color), portraits 27 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
New Mexico
Southwest, New
Pueblo of Santa Clara, New Mexico
Nouveau-Mexique
États-Unis (Nouveau Sud-Ouest)
New Southwest
Pueblo of Santa Clara
Date:
2019
21st century
21e siècle
Topic:
Mixed media sculpture  Search this
Indian sculpture  Search this
Pottery figures  Search this
Indian women sculptors  Search this
Figurines de céramique  Search this
Indian sculptors  Search this
Native American and Eskimo Art;Western Art--United States;--Ceramics;Sculpture--Other American Minority;Women Artists--Simpson, Rose B  Search this
Call number:
NB237.S56544 A4 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155211

Fenn Galleries

Creator:
Murray, Peter  Search this
Fenn, Forest  Search this
Fenn, Peggy  Search this
Matteucci, Nedra  Search this
Matteucci, Richard  Search this
Gardener:
Rice, Dana  Search this
Baca, Robert  Search this
Sculptor:
Goodacre, Glenna  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
New Mexico -- Santa Fe
United States of America -- New Mexico -- Santa Fe County -- Santa Fe
Date:
09/01/1993
General:
" Once an old apple orchard, this twelve year old garden is a one acre walled oasis in the high desert. A one-quarter acre pond, complete with koi and ducks, circulates 200,000 gallons of water through a wetland purification system (seven small ponds) that separates numerous perennial and bulb beds, a fruit orchard and various small groves of globe willow, birch, aspen and poplar; all designed to highlight the dozens of realistic bronze and stone sculptures and fountains throughout the garden. - From researcher Cheryl Nance." Fenn garden with Glenna Goodacre sculpture, Bather.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Autumn  Search this
Waterfalls  Search this
Ponds  Search this
Woodlands  Search this
Grasses  Search this
Women  Search this
Sculpture  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item NM005006
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Mexico / NM005: Santa Fe -- Fenn Galleries
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6f1709afb-19ea-4862-9987-34fa76f7a0e3
EDAN-URL:
ead_component:sova-aag-gca-ref9716

Fenn Galleries

Creator:
Murray, Peter  Search this
Fenn, Forest  Search this
Fenn, Peggy  Search this
Matteucci, Nedra  Search this
Matteucci, Richard  Search this
Gardener:
Baca, Robert  Search this
Rice, Dana  Search this
Sculptor:
Goodacre, Glenna  Search this
Ostermiller, Dan  Search this
Zúñiga, Francisco, 1912-1998  Search this
Hyde, Doug  Search this
Carlson, George  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
New Mexico -- Santa Fe
United States of America -- New Mexico -- Santa Fe County -- Santa Fe
Date:
1993 Sep.
General:
" Once an old apple orchard, this twelve year old garden is a one acre walled oasis in the high desert. A one-quarter acre pond, complete with koi and ducks, circulates 200,000 gallons of water through a wetland purification system (seven small ponds) that separates numerous perennial and bulb beds, a fruit orchard and various small groves of globe willow, birch, aspen and poplar; all designed to highlight the dozens of realistic bronze and stone sculptures and fountains throughout the garden. - From researcher Cheryl Nance." View of north side of garden.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Autumn  Search this
Ponds  Search this
Aquatic plants  Search this
Lawns  Search this
Walls (building)  Search this
Ducks  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item NM005008
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Mexico / NM005: Santa Fe -- Fenn Galleries
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6dcf00419-c0b7-4cf6-83c6-63041a690681
EDAN-URL:
ead_component:sova-aag-gca-ref9717

Oral history interview with Judy Chicago

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Bergen, Jeffrey, 1955-  Search this
Bullard, E. John (Edgar John), 1942-  Search this
Copeland, John  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
Hopkins, Henry, 1928-2009  Search this
LaMonte, Karen, 1967-  Search this
Lemon, Jack  Search this
LewAllen, Arlene  Search this
Lu, Jie, 1958-  Search this
Lucie-Smith, Edward  Search this
Marisol, 1930-2016  Search this
McFadden, David Revere  Search this
Neel, Alice, 1900-1984  Search this
Perkins, Flo  Search this
Pruitt, Tom  Search this
Rodee, Susannah  Search this
Rosenberg, Harold, 1906-1978  Search this
Saint-Phalle, Niki de, 1930-2002  Search this
Schneemann, Carolee, 1939-  Search this
Semmel, Joan, 1932-  Search this
Taylor, Mary, 1947-  Search this
Thompson, Viki D., 1947-  Search this
Woodman, Donald  Search this
Youdelman, Nancy, 1948-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 August 7-8
Scope and Contents:
An interview of Judy Chicago conducted 2009 August 7 and 8, by Judith Olch Richards, for the Archives of American Art, at Chicago's home and studio, in Belen, New Mexico.
Chicago speaks of her work since the late 1980s, having previously discussed her early life and works; printmaking projects with various print studios around the country; giving archived documents to important museums; creating a foundation with her husband Donald Woodman to protect the legacy of their art; the non-profit organization she started in 1978, Through the Flower; her studio practices and her most practiced techniques; keeping a regular schedule; her interest in collaborative projects such as The Dinner Party [1974-1979], the Birth Project [1980-1985], the Holocaust Project [1985-1993] and Resolutions: A Stitch in Time [1994-2000]; working with various textile and glass artists; feeling a kin with other female artists, like Nikki de Saint Phalle and Marisol Escobar; the responsibility she feels to share underrepresented information; her enjoyment of the process of making art and the hope that she creates art that is not bound by time; her relationships with galleries though the years including the ACA Galleries in New York and LewAllen Contemporary in Santa Fe; her intention in making art was not create proactive or controversial art; various teaching positions; her interest in combining text and images in works like Song of Songs [1997-1999]; her more current interest in glass; experimenting with the techniques of casting and etching to achieve her desired images; her want to change institutional policies that underrepresent women artists in museums and the absence of images of women by women artists. Chicago also recalls Henry Hopkins, Mary Ross Taylor, Susannah Rodee, John Bullard, Jack Lemon, Alice Neel, Edward Lucie-Smith, John Copeland, Harold Rosenberg, Carolee Schneemann, Jeffery Bergen, Audrey Flack, Joan Semmel, Nancy Youdelman, David McFadden, Viki Thomson Wylder, Tom Pruitt, Arlene LewAllen, Flo Perkins, Norman and Ruth Dobbins, Karen LaMonte, Lu Jie and others.
Biographical / Historical:
Interviewee Judy Chicago (1939- ) is a feminist artist and author who lives and works in Belen, New Mexico. Interviewer Judith Olch Richards (1947- ) is former executive director of iCI in New York, New York.
General:
Originally recorded on 4 compact discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Installation artists -- California -- Los Angeles  Search this
Performance artists -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Topic:
Feminism and art  Search this
Art -- Technique  Search this
Women artists  Search this
Women performance artists  Search this
Women painters  Search this
Women sculptors  Search this
Women authors  Search this
Function:
Artists' studios -- New Mexico
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chicag09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928399961-f9b0-4d50-8a17-8cf441459e13
EDAN-URL:
ead_collection:sova-aaa-chicag09
Online Media:

Oral history interview with Eugenie Shonnard, 1964 February 27-1964 April 9

Interviewee:
Shonnard, Eugenie Frederica, 1886-1978  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Eugenie Shonnard, 1964 February 27-1964 April 9. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Designers -- New Mexico -- Santa Fe -- Interviews  Search this
Sculptors -- New Mexico -- Santa Fe -- Interviews  Search this
Women artists  Search this
Women designers  Search this
Women sculptors  Search this
Theme:
Women  Search this
Architecture & Design  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12954
(DSI-AAA_SIRISBib)213827
AAA_collcode_shonna64
Theme:
Women
Architecture & Design
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213827
Online Media:

Oral history interview with Mary Giles, 2006 July 18

Interviewee:
Giles, Mary, 1944-  Search this
Interviewer:
Sauer, Jane, 1937-  Search this
Subject:
Buckman, Jan  Search this
DeRaad, Rianna  Search this
Hu, Mary Lee  Search this
Itter, Diane  Search this
Jacobs, Ferne K. (Ferne Kent)  Search this
Kranzberg, Nancy  Search this
Larsen, Jack Lenor  Search this
Martin, Agnes  Search this
Nottingham, Walter  Search this
Okun, Barbara Rose  Search this
Reed, Duane  Search this
Schira, Cynthia  Search this
Shieber, Horty  Search this
American Crafts Council  Search this
Arrowmont School of Arts and Crafts  Search this
Haystack Mountain School of Crafts  Search this
Mankato State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
SOFA Chicago  Search this
Type:
Sound recordings
Interviews
Place:
Minnesota -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Mary Giles, 2006 July 18. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Women artists  Search this
Women textile artists  Search this
Women sculptors  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13564
(DSI-AAA_SIRISBib)261680
AAA_collcode_giles06
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_261680
Online Media:

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