Search Results

Creator:

National Portrait Gallery  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2022-02-09T19:20:15.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

See more by:

NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_2XvbOv2lXa4

Creator:

Lisle, Laurie  Search this

Subject:

O'Keeffe, Georgia  Search this

Nevelson, Louise  Search this

Type:

Sound recordings

Interviews

Citation:

Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990. Archives of American Art, Smithsonian Institution.

Topic:

Women art historians  Search this

Women authors  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Theme:

Women  Search this

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)10762

(DSI-AAA_SIRISBib)214373

AAA_collcode_lisllaur

Theme:

Women

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214373

Creator:

Holt, Nancy, 1938-2014  Search this

Subject:

Smithson, Robert  Search this

Lippard, Lucy R.  Search this

John Weber Gallery  Search this

James Cohan Gallery  Search this

Dia Art Foundation  Search this

Type:

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Citation:

Nancy Holt Estate records, 1835, circa 1900-2014. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women sculptors  Search this

Earthworks (Art)  Search this

Women photographers  Search this

Women filmmakers  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)22063

AAA_collcode_holtnanc

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_22063

Creator:

Lisle, Laurie  Search this

Names:

Nevelson, Louise, 1899-1988  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Extent:

3.4 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Interviews

Date:

1902-1990

Summary:

The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The collection consists of copied biographical papers, recordings, correspondence, and printed material related to O'Keeffe, and 97 recorded interviews related to the life of Louise Nevelson. The outcome of Lisle's research on O'Keeffe resulted in her book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980); and on Nevelson, Lisle authored, Louise Nevelson: A Passionate Life (1990).

Scope and Contents:

The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The O'Keeffe portion of the collection consists of biographical papers, recordings, correspondence, and printed material. Biographical material includes academic records, maps and ephemera regarding O'Keeffe's various residences, and legal records concerning law suits and her will. The correspondents in this series include artists, gallery representatives and collectors, and exhibition organizers. Printed material consists of newspaper clippings, magazines, and exhibition announcements for both her and her husband, Alfred Stieglitz. Also included in the printed material is a file pertaining to Laurie Lisle's book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980).

The research material on Louise Nevelson consists of 97 audiocassettes featuring interviews with Louise Nevelson, some members of the Nevelson family, artists, dealers, and peers. The recordings were gathered in preparation for Lisles biography on Nevelson, Louise Nevelson: A Passionate Life (1990).

Arrangement:

Collection is arranged as two series.

Series 1: Research Files on Georgia O'Keeffe, 1902-1990 (1 linear foot; box 1)

Series 2: Interviews of and Related to Louise Nevelson, 1975-1988 (2.4 Linear feet; shoeboxes 2-7)

Biographical / Historical:

Laurie Lisle is an art historian and author in Sharon, Connecticut. Lisle is originally from Providence, Rhode Island and attended college at Ohio Wesleyan University. After college she held positions at The Providence Journal and Newsweek magazine. She has published five books covering the topics of art history, education, sociology, and her own life. Lisle is married to painter and printmaker Robert Kipniss.

Georgia O'Keeffe (1887-1986) was born in Sun Prairie, Wisconson in 1887. She was an artist who is mostly known for painting flowers, New York Skyscrapers, and New Mexico landscapes. O'Keeffe began high school at Sacred Heart Academy in Madison, Wisconsin, but ultimately graduated from Chatham Episcopal Institute in Virginia after her family moved to Williamsburg, Virginia in 1902. O'Keeffe went on to study at the School of Art Institute of Chicago, Art Students League, Teachers College of Columbia University, and taught art at high schools in Texas and at Chatham Episcopal Insitute, Columbia College, and became the chair of the art department at West Texas State Normal College. O'Keeffe's art was ultimately promoted by Alfred Stieglitz who, although eventually marrying O'Keeffe in 1924, first exhibited her artwork at his esteemed 291 gallery in New York City. O'Keeffe's fame as an artist took off from there. O'Keeffe was a member of the American Academy of Arts and Letters; she received the Presidential Medal of Freedom in 1977 and the National Medal of Arts in 1985; and in 1993 was inducted into the National Women's Hall of Fame.

Louise Nevelson (1899-1988) was born in Kiev, Russia in 1899. Her parents, Isaac and Minna Berliawsky, and their children emigrated to America in 1905 and settled in Rockland, Maine. She decided upon a career in art at an early age and took some drawing classes in high school, before graduating in 1918. Two years later, she married Charles Nevelson, a wealthy businessman, and moved to New York. She proceeded to study painting, drawing, singing, acting, and eventually dancing. In 1922, Nevelson gave birth to a son, Myron (later called Mike). Beginning in 1929, Nevelson began to study art full-time at the Art Students League, where she took classes with Kenneth Hayes Miller and Kimon Nicolaides. In 1931, she went to Europe and studied with Hans Hofmann in Munich before traveling to Italy and France. Over the years, she received honorary degrees from Rutgers University and Harvard University, among other schools, as well as numerous awards, including the Brandeis University Creative Arts Award in Sculpture and the Skowhegan Medal for Sculpture in 1971, the gold medal for sculpture from the American Academy of Arts and Letters in 1983, and the National Medal of the Arts in 1985.

Related Materials:

The Archives of American Art also houses the Louise Nevelson papers, circa 1903-1979.

Provenance:

This collection was donated by Laurie Lisle in two separate installments. The material on Georgia O'Keeffe was donated in 1991, and the material on Louise Nevelson was donated in 2004.

Restrictions:

This collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- Connecticut  Search this

Authors -- Connnecticut  Search this

Topic:

Women art historians  Search this

Women authors  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Genre/Form:

Sound recordings

Interviews

Citation:

Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.lisllaur

See more items in:

Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e8f2773f-cdd3-4d29-9ecb-ab2f66faef8f

EDAN-URL:

ead_collection:sova-aaa-lisllaur

Creator:

Murray, Peter  Search this

Fenn, Forest  Search this

Fenn, Peggy  Search this

Matteucci, Nedra  Search this

Matteucci, Richard  Search this

Gardener:

Rice, Dana  Search this

Baca, Robert  Search this

Sculptor:

Goodacre, Glenna  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

New Mexico -- Santa Fe

United States of America -- New Mexico -- Santa Fe County -- Santa Fe

Date:

09/01/1993

General:

" Once an old apple orchard, this twelve year old garden is a one acre walled oasis in the high desert. A one-quarter acre pond, complete with koi and ducks, circulates 200,000 gallons of water through a wetland purification system (seven small ponds) that separates numerous perennial and bulb beds, a fruit orchard and various small groves of globe willow, birch, aspen and poplar; all designed to highlight the dozens of realistic bronze and stone sculptures and fountains throughout the garden. - From researcher Cheryl Nance." Fenn garden with Glenna Goodacre sculpture, Bather.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Autumn  Search this

Waterfalls  Search this

Ponds  Search this

Woodlands  Search this

Grasses  Search this

Women  Search this

Sculpture  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item NM005006

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New Mexico / NM005: Santa Fe -- Fenn Galleries

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6f1709afb-19ea-4862-9987-34fa76f7a0e3

EDAN-URL:

ead_component:sova-aag-gca-ref9716

Creator:

Murray, Peter  Search this

Fenn, Forest  Search this

Fenn, Peggy  Search this

Matteucci, Nedra  Search this

Matteucci, Richard  Search this

Gardener:

Baca, Robert  Search this

Rice, Dana  Search this

Sculptor:

Goodacre, Glenna  Search this

Ostermiller, Dan  Search this

Zúñiga, Francisco, 1912-1998  Search this

Hyde, Doug  Search this

Carlson, George  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

New Mexico -- Santa Fe

United States of America -- New Mexico -- Santa Fe County -- Santa Fe

Date:

1993 Sep.

General:

" Once an old apple orchard, this twelve year old garden is a one acre walled oasis in the high desert. A one-quarter acre pond, complete with koi and ducks, circulates 200,000 gallons of water through a wetland purification system (seven small ponds) that separates numerous perennial and bulb beds, a fruit orchard and various small groves of globe willow, birch, aspen and poplar; all designed to highlight the dozens of realistic bronze and stone sculptures and fountains throughout the garden. - From researcher Cheryl Nance." View of north side of garden.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Autumn  Search this

Ponds  Search this

Aquatic plants  Search this

Lawns  Search this

Walls (building)  Search this

Ducks  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item NM005008

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New Mexico / NM005: Santa Fe -- Fenn Galleries

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6dcf00419-c0b7-4cf6-83c6-63041a690681

EDAN-URL:

ead_component:sova-aag-gca-ref9717

Creator:

DeMonte, Claudia, 1947-  Search this

McGowin, Ed, 1938-  Search this

Extent:

7.2 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Date:

1960-2018

Summary:

The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.

Scope and Contents:

The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.

Correspondence includes letters and postcards to and from family, friends, colleagues, and art institutions.

Writings includes a file of poetry written by DeMonte, manuscripts of books written by DeMonte, and a series of notebooks. Some of the notebooks are a combination of notes and sketches.

Scrapbooks consist of eight scrapbooks consisting of mixed material such as notes, photographs, sketches, and printed material.

Professional material consists of awards and certificates, a large number of calendars, commision work including an art project for the University of Northern Iowa completed by both DeMonte and McGowin, and a number of VHS and Betamax cassettes documenting DeMonte's career and interviews in connection with her Women of the World exhibition.

Printed material consists of newspaper clippings, magazine articles, exhibition announcements and catalogs, exhibition posters, and newsletters.

Artwork consists of a file of drawings and some sketchbooks.

Photographic material consists of photographs and slides of DeMonte, her artwork, and some of her exhibitions. There is also a file of photographs of DeMonte and McGowin at the White House with First Lady Laura Bush, and there are personal photographs of DeMonte and McGowin traveling and with family and friends.

Arrangement:

The collection is arranged into seven series.

Series 1: Correspondence, 1967-2013 (1.7 linear feet; Boxes 1-2)

Series 2: Writings, 1975-2013 (0.5 linear feet; Boxes 2-3)

Series 3: Scrapbooks, 1967-2009 (1.0 linear feet; Box 3, 9-10)

Series 4: Professional Activity Files, 1964-2013 (1.7 linear feet; Boxes 3-5, 9)

Series 5: Printed Material, 1960-2018 (1.9 linear feet; Boxes 5-7)

Series 6: Artwork, circa 1973 (0.1 linear feet; Box 7)

Series 7: Photographic Material, circa 1977-2010 (0.3 linear feet; Boxes 7-8)

Biographical / Historical:

Claudia DeMonte (1947- ) was born and raised in Astoria, New York City. She has more than 100 one-person shows and 600 group exhibitions nationally and internationally, including exhibitions at the Corcoran Museum, Modern Art Museum of Fort Worth, Mississippi Museum, Tucson Museum, Flint Institute of Art, Museum of the Southwest, etc.

Her work is in numerous museum permanent collections, including the Brooklyn Museum of Art, Stamford Museum, Boca Raton Museum, and in major corporate collections such as those of Hyatt Regency Hotels, Exxon, Citibank and Siemens. Her public commissions have come from the New York City Department of Cultural Affairs, Brooklyn Library System, Queens Supreme Court, Prudential Life Insurance, the State of New Mexico, and New York City School Construction Authority.

DeMonte is also the curator of "Women of the World: A Global Collection of Art." This traveling exhibition, with accompanying books, includes works of women from 177 countries dealing with the images of women.

DeMonte's work is heavily influenced by her travels to over 80 countries, her interest in the roles of women in contemporary society and Outsider Art, a collection compiled with her husband, artist Ed McGowin.

For 33 years, DeMonte has served on the faculty of the University of Maryland, where she was named Distinguished Scholar Teacher and Professor Emerita. In 2006, She was awarded an Honorary Doctorate from the College of Santa Fe.

DeMonte presently lives with her husband in New York City and Kent, Connecticut.

Ed McGowin (1938- ) was born in 1938 in Hattiesburg, Mississippi and grew up in Mississippi and Alabama, receiving the M.A. from the University of Alabama. He has had one-person exhibitions at the Corcoran Gallery in Washington, D.C.; the Baltimore Museum; and the Museum of Modern Art of the City of Paris, France. Since 1979, McGowin has executed major outdoor commissions for numerous public and private organizations, often collaborating with his wife, Claudia DeMonte.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Claudia DeMonte conducted by Liza Kirwin between February 13 and April 24, 1991; and the Ed McGowin papers, 1962-1998.

Provenance:

The Claudia DeMonte and Ed McGowin papers were donated in 1994 by Claudia DeMonte and in 2020 by Claudia DeMonte and Ed McGowin.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Mixed-media artists -- New York (State) -- New York  Search this

Educators -- Maryland -- College Park  Search this

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Genre/Form:

Video recordings

Citation:

Claudia DeMonte and Ed McGowin papers, 1960-2018. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.democlau

See more items in:

Claudia DeMonte and Ed McGowin papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98cf90804-0751-4bb3-b276-8f730e83692b

EDAN-URL:

ead_collection:sova-aaa-democlau

Creator:

Faulkner, Barry, 1881-1966  Search this

Subject:

Tonetti, Mary Lawrence  Search this

White, Lawrence Grant  Search this

Twain, Mark  Search this

Beal, Gifford  Search this

Saint-Gaudens, Augustus  Search this

Sweeney, James Johnson  Search this

Smith, Joseph Lindon  Search this

Platt, Charles A. (Charles Adams)  Search this

Parrish, Maxfield  Search this

Redfield, Edward Willis  Search this

Powers, Hiram  Search this

Kroll, Leon  Search this

Brush, George de Forest  Search this

Kent, Rockwell  Search this

Saint-Gaudens, Homer  Search this

Manship, Paul  Search this

Gibran, Kahlil  Search this

Thayer, Abbott Handerson  Search this

Grimes, Frances  Search this

Gugler, Eric  Search this

Hosmer, Harriet Goodhue  Search this

Bynner, Witter  Search this

Fraser, James Earle  Search this

Young, Mahonri Sharp  Search this

MacDowell Colony  Search this

Type:

Sketchbooks

Diaries

Scrapbooks

Sketches

Writings

Photographs

Travel diaries

Photograph albums

Place:

New Hampshire

Citation:

Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.

Topic:

World War, 1914-1918  Search this

Artist colonies -- New Hampshire -- Peterborough  Search this

Artists' studios in art  Search this

Educators -- New Hampshire  Search this

Artists' studios -- New Hampshire  Search this

Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this

Muralists -- New Hampshire -- Keene  Search this

Mural painting and decoration -- 20th century -- United States  Search this

Artists -- New Hampshire  Search this

Theme:

Diaries  Search this

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8105

(DSI-AAA_SIRISBib)210276

AAA_collcode_faulbarr

Theme:

Diaries

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210276

Maker:

Goodacre, Glenna  Search this

Physical Description:

plaster (overall material)

Measurements:

overall: 1.5 cm x 21.5 cm; 19/32 in x 8 15/32 in

Object Name:

coin study

plaster

cast

plaster cast

Place made:

United States: New Mexico, Santa Fe

Date made:

1998

Related Publication:

Feingold, Ellen R.. Value of Money, The

Credit Line:

Glenna Goodacre

ID Number:

2010.0249.03

Accession number:

2010.0249

Catalog number:

2010.0249.03

See more items in:

Work and Industry: National Numismatic Collection

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ad-5f31-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1404981

Creator:

Holt, Nancy, 1938-2014  Search this

Names:

Dia Art Foundation  Search this

James Cohan Gallery  Search this

John Weber Gallery  Search this

Lippard, Lucy R.  Search this

Smithson, Robert  Search this

Extent:

circa 65.4 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Date:

1835

circa 1900-2014

Summary:

The Nancy Holt Estate records measure circa 65.4 linear feet and date from 1835, and circa 1900-2014, with the bulk of the material dating from 1960-2000. The records offer extensive documentation of Holt's career and include biographical material, personal and professional correspondence, writings, calendars and notebooks, Holt's project files including for unrealized projects, general business and professional files, subject files including source material, and printed material documenting Holt's professional activities from the 1960s to 2013. Also included are files Holt maintained related to her stewardship of Robert Smithson's estate and other records related to his life and work, and the John Weber Gallery records concerning Robert Smithson. These consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks.

The collection total also includes 30 linear feet of unprocessed records including 18 linear feet of Holt's photographic material; 1 linear feet of Holt's preliminary project plans and sketches; 2 linear feet of financial records; and 9 linear feet of Holt's annotated library.

Scope and Contents:

The Nancy Holt Estate records measure circa 65.4 linear feet and date from 1835, and circa 1900-2014, with the bulk of the material dating from 1960-2000. The records offer extensive documentation of Holt's career and include biographical material, personal and professional correspondence, writings, calendars and notebooks, Holt's project files including for unrealized projects, general business and professional files, subject files including source material, and printed material documenting Holt's professional activities from the 1960s to 2013. Also included are files Holt maintained related to her stewardship of Robert Smithson's estate and other records related to his life and work, and the John Weber Gallery records concerning Robert Smithson. These consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks.

The collection total also includes 30 linear feet of unprocessed records including 18 linear feet of Holt's photographic material; 1 linear feet of Holt's preliminary project plans and sketches; 2 linear feet of financial records; and 9 linear feet of Holt's annotated library.

Biographical material includes some vital records for Holt such as birth and marriage certificates, as well as resumes, biographical notes, and academic and family history records. Also found are records related to Smithson's death and information Holt gathered about Smithson's childhood and military service in circa 2005.

Correspondence files document many personal friendships including with artists and writers such as Carl Andre, Robert Fiore, Dee Dee Halleck, Lucy Lippard, Stanley Marsh, Serge Paul, May Stevens, Dennis Wheeler, and others. The series includes some personal family correspondence with Holt's aunts Dorothy Lopez and Ethel Tate, as well as copies of two letters and a postcard sent to Holt by Robert Smithson in 1961 and 1968, and many greeting and holiday cards sent to Holt from the 1970s to the end of her life. Over five linear feet of professional correspondence documents many aspects of Holt's career and includes correspondence with galleries, museums, writers, and researchers interested in Holt's work or requesting permissions for publication and duplication of images and other records. Arranged in rough chronological order spanning from the early 1970s to 2014, these files also provide a chronological point of access to material about specific projects including Dark Star Park, Rock Rings, Sky Mound, and many others.

Holt's writings include many artist statements on specific works, and notes revealing something of the development of her ideas. These are further supplemented by her notebooks and her calendars which provide another point of access to her activities throughout her career beginning in the 1970s. A series of interviews includes transcripts and two sound recordings primarily of interviews of Holt by various people. Also found are transcripts and related material pertaining to a conversation between Holt, Robert Smithson, and Lucy Lippard about Eva Hesse.

Holt's project files document over fifty of her realized and unrealized projects from the late 1970s to the late 1990s including earthworks and land art, film and video, publications, and gallery installations. They include Holt's proposals, correspondence and memoranda, background records such as site studies and reports, Holt's plans and photographs showing the development of her ideas, and printed material such as publicity about her projects and reviews of her work. Noticeably missing from the files is substantial documentation of Sun Tunnels. The project files are supplemented by Holt's business and professional files with include some project-related material such as records of maintenance work carried out on specific sites, contractual records which may duplicate those found in the project files, and some reference material. Other business and professional files include exhibition records, grant material, documentation of loans and permissions, inventories of Holt's work, and legal records including real estate agreements for land purchased in Utah and Maine by Holt and Smithson.

Holt's subject files include primarily printed material such as a clippings file of subjects of interest to Holt. A separate series of printed material includes announcements, catalogs, invitations, and programs related to exhibitions, installations, film and video screenings, and other events and documents press coverage Holt's work over the course of her career. Also found are extensive clippings and articles about her work published in newspapers, art journals, and other publications.

Artwork by others consists of four items including a computer portrait of Holt by an unknown artist. Records documenting Holt's stewardship of Robert Smithson's estate and legacy includes agreements and contracts, authentications for some artwork, inventories and invoices for Smithson's work from John Weber Gallery and James Cohan Gallery, appraisal records for Smithson's library, permissions for reproductions and use of his work, and records related to the maintenance of specific works. The records include documentation of donations to museums and other art organizations, including Holt's gift of Spiral Jetty to the DIA art foundation which is also the owner and steward of Sun Tunnels. Also found are transcripts of interviews with Smithson, drafts and related material for writings about Smithson, and printed material about his work including announcements, catalogs, clippings, posters, and other publicity. Additionally, the John Weber Gallery records concerning Robert Smithson consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks, and incorporate some slides from the James Cohan Gallery. James Cohan worked for John Weber before establishing his own gallery in 2001.

Arrangement:

The Nancy Holt Estate records are arranged as 11 series.

Series 1: Biographical Material, 1912-2014 (0.6 linear feet; Box 45, OV 64)

Series 2: Correspondence, circa 1966-2014 (7.5 linear feet; Boxes 45-52, 63)

Series 3: Writings, Calendars, and Notebooks, 1947-2013 (2.6 linear feet; Boxes 40-42, 52-53, OVs 43-44, 65)

Series 4: Interviews, 1973-2007 (0.3 linear feet; Box 53)

Series 5: Project Files, circa 1900-2014 (bulk 1970-2000) (12.8 linear feet; Boxes 3-10, OVs 11-31, RDs 32-39)

Series 6: Business and Professional Files, 1967-2013 (2.5 linear feet; Boxes 53-55, 63, OVs 64, 66-67)

Series 7: Subject Files, 1835, circa 1960s-circa 2013 (1.9 linear feet; Boxes 55-57, 63, OVs 65-66)

Series 8: Printed Material, 1964-2013 (2 linear feet; Boxes 57-59, 63, OV 65, RD 68)

Series 9: Artwork by Others, circa 1960s-circa 2006 (0.1 linear feet; Box 63)

Series 10: Robert Smithson Estate and Legacy, circa 1961-2013 (3.1 linear feet; Boxes 59-62, OV 66)

Series 11: John Weber Gallery Records Concerning Robert Smithson, circa 1960-circa 2001 (2 linear feet; Boxes 1-2)

Biographical / Historical:

Nancy Holt (1938-2014) was an environmental and installation artist, sculptor, filmmaker, and photographer, based in New York, New York. She was best known for her large-scale public land art installations including her seminal work Sun Tunnels (1973-1976) located in the Great Basin Desert, Utah. Her work engaged with the natural environment and the celestial realm, tracing the rotation of the earth and the movement of the sun and stars. Holt was also fascinated by mechanical systems such as those used for heating, drainage, and ventilation, and her functional sculptural installations explored the relationship between architecture and the built environment.

Holt was born in Worcester, Massachusetts, grew up in New Jersey, and graduated from Tufts University in 1960 with a degree in biology. She moved to New York City later that year where she met the artist Robert Smithson, to whom she was married from 1963 until Smithson's death in 1973.

Holt's landmark work Sun Tunnels was executed in 1973-1976 in Utah's Great Basin Desert, where Holt and Smithson had purchased surrounding land specifically to ensure an unimpeded view of the horizon. Holt went on to produce many site-specific outdoor works including 30 Below (1980), Dark Star Park (1984), Solar Rotary (1995), and Up and Under (1998). Her exploration of what she termed Systems Works included Catch Basin (1982), Flow Ace Heating (1985), and Spinwinder (1991).

Holt's photography was essential in the development of her ideas. In Missouri Ranch Locators: Vision Encompassed (1972) she used photography in her development of "seeing devices," creating eye-level steel pipes to direct viewers to a specific site in the surrounding landscape, and developing a concept that was central to Sun Tunnels and other works. Her book Ransacked, Aunt Ethel: An Ending (1980) documented through text and photographs the abuse and theft her aunt was subjected to at the end of her life. In Time Outs (1985) Holt used photographs of football games taken from a television screen to create a book born out of her childhood love of TV sporting events.

Holt's work can be found in the collections of major institutions including the Museum of Modern Art and the Whitney Museum of American Art in New York, the Utah Museum of Fine Arts, and the Museum für Gegenswartkunst, Germany. Her permanent installations can be found at public institutions including Miami University Art Museum, Southern Connecticut State University, University of Massachusetts, Dartmouth, Western Washington University, and University of South Florida.

In 2012 Nancy Holt was made a Chevalier of the of the Ordre des Arts et des Lettres by the French Government. In 2013 she was presented with a Lifetime Achievement Award by the International Sculpture Center in New York. Holt received five National Endowment for the Arts Fellowships, two New York Creative Artist Fellowships, a Guggenheim Fellowship, and an Honorary Doctorate from the University of South Florida, Tampa.

Holt lived in Galisteo, New Mexico, from 1995-2013. She died in New York City in 2014.

Related Materials:

The Archives of American Art also holds the Robert Smithson and Nancy Holt papers, an interview with Nancy Holt conducted 1992 July 6 by Scott Gutterman for the Archives of American Art, an interview with Nancy Holt conducted 1993 August 3 by Joyce Pomeroy Schwartz for the Archives of American Art, and the James Cohan Gallery records relating to Robert Smithson.

Provenance:

Bequest of Nancy Holt, 2014.

Restrictions:

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Filmmakers -- New York (State) -- New York  Search this

Environmental artists -- New York (State) -- New York  Search this

Installation artists -- New York (State) -- New York  Search this

Photographers -- New York (State) -- New York  Search this

Sculptors -- New Mexico -- Galisteo  Search this

Installation artists -- New Mexico -- Galisteo  Search this

Environmental artists -- New Mexico -- Galisteo  Search this

Photographers -- New Mexico -- Galisteo  Search this

Filmmakers -- New Mexico -- Galisteo  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Earthworks (Art)  Search this

Women photographers  Search this

Women filmmakers  Search this

Genre/Form:

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Citation:

Nancy Holt Estate records, 1835, circa 1900-2014. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.holtnanc

See more items in:

Nancy Holt Estate records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95e0b7a8b-3fdb-4cd3-91fb-a6bec00cc668

EDAN-URL:

ead_collection:sova-aaa-holtnanc

Sculptor:

Wheeler, Kay  Search this

Culture:

Roma  Search this

Type:

Sculptures

Owner/Location:

Albuquerque Museum 2000 Mountain Road, N.W Albuquerque New Mexico 87104 Accession Number: 76.141.1

Date:

Before 1976

Topic:

Figure female  Search this

Ethnic  Search this

Occupation--Occult--Fortune Teller  Search this

Control number:

IAS 32530083

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_30337

Artist:

Charles R. Rushton, born 1943  Search this

Sitter:

Luis Jiménez, 30 Jul 1940 - 13 Jun 2006  Search this

Medium:

Gelatin silver print

Dimensions:

Image: 17.2 x 21 cm (6 3/4 x 8 1/4")

Sheet: 20.2 x 25.4 cm (7 15/16 x 10")

Type:

Photograph

Place:

United States\New Mexico

Date:

1991

Topic:

Luis Jiménez: Male  Search this

Luis Jiménez: Visual Arts\Artist\Sculptor  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Charles R. Rushton

Object number:

NPG.2008.70

Restrictions & Rights:

Usage conditions apply

Copyright:

© 1991 Charles Rushton

See more items in:

National Portrait Gallery Collection

Location:

Currently not on view

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4882bf0a4-b360-4f70-a50f-5160171313f7

EDAN-URL:

edanmdm:npg_NPG.2008.70

Depicted:

Abraham  Search this

Job  Search this

Isaac  Search this

Sculptor:

Sandoval, Juan  Search this

Physical Description:

wood, plywood (overall material)

roman catholicism (overall single or multi-hued)

wood, cottonwood (overall material)

wood, pine (overall material)

wood, cedar (overall material)

carved (overall production method/technique)

Measurements:

average spatial: 48 in x 62 in x 9 in; 121.92 cm x 157.48 cm x 22.86 cm

Object Name:

Relief

Place made:

United States: New Mexico

Date made:

1990

Subject:

Christianity  Search this

Roman Catholicism  Search this

Bible  Search this

ID Number:

1991.0880.01

Catalog number:

1991.0880.01.a

Accession number:

1991.0880

See more items in:

Home and Community Life: Religion

Religion

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a9-cdcb-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1142179

Artist:

Ted Egri, born 1913  Search this

Sitter:

Patrocinio Barela, 1900 - 1964  Search this

Medium:

Watercolor

Dimensions:

Stretcher: 66 x 52 cm (26 x 20 1/2" ), Accurate

Type:

Painting

Date:

c. 1963

Topic:

Interior  Search this

Artwork\Sculpture  Search this

Art implements\Maulstick  Search this

Patrocinio Barela: Male  Search this

Patrocinio Barela: Visual Arts\Artist\Sculptor  Search this

Patrocinio Barela: Crafts and Trades\Carver\Woodcarver  Search this

Portrait  Search this

Credit Line:

Owner: University of New Mexico, Taos

Object number:

80.433 UNMT

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm42d4da627-1f13-4272-93d0-e0d964ca9656

EDAN-URL:

edanmdm:npg_80.433_UNMT

Collection Creator:

Sanford, Marion  Search this

Container:

Box 3, Folder 8

Type:

Archival materials

Date:

1932-1939

Scope and Contents:

Oversized material housed in Box 5.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the preservation of the Cornelia Chapin Home Movies was provided by the National Film Preservation Foundation.

See more items in:

Marion Sanford and Cornelia Chapin papers

Marion Sanford and Cornelia Chapin papers / Series 4: Scrapbooks

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a9794a3d-db3e-4c9e-b70b-1816b29b3f0b

EDAN-URL:

ead_component:sova-aaa-sanfmari-ref46

Collection Creator:

Macbeth Gallery  Search this

Extent:

3.3 Linear feet (Boxes 120-130 )

Type:

Archival materials

Date:

1892-1952

Scope and Contents:

The 19 scrapbooks in this series are the collection's main source of Macbeth Gallery exhibition catalogs and related news clippings. Although incomplete, the scrapbooks provide fairly comprehensive coverage of the gallery's history and include material on day-to-day events at the gallery as well as important occasions such as the gallery's fortieth, fiftieth and sixtieth anniversaries, news of the art world in general and some photographs. Some of the scrapbooks also contain printed material related to art, exhibitions and events elsewhere. Many of the exhibition catalogs found here are annotated with prices and other notes. Notably missing is the catalog for the 1908 exhibition, The Eight.

See Appendix for a list of Macbeth Gallery exhibitions documented in Series 5: Scrapbooks.

Arrangement:

As some of the dates of the scrapbooks overlap, they were numbered 1-19 for clarity. The scrapbook cover for #3 is housed in Box 120, and the contents are housed in Box 122.

Appendix: Macbeth Gallery Exhibitions Documented in Scrapbooks:

This chronological list of Macbeth Gallery exhibitions is extensive, but incomplete. While an attempt has been made to establish the accuracy of the information provided here, dates and titles of exhibitions are not guaranteed to be accurate. Most of the exhibitions listed here are documented in the scrapbooks through exhibition catalogs and/or invitations, lists of artwork and news clippings. The list is annotated with AAA microfilm reel and frame numbers to assist researchers in locating material on specific exhibitions.

Scrapbook 1, 1892-1901

Dec. 7-21, 1892 -- Water Colors by American Artists (NMc1: 273-275)

Jan.23-Feb.11, 1893 -- Landscapes in Oil (NMc1: 276-277)

Feb. 27-Mar. 18, 1893 -- Landscapes in Oil by William Keith (NMc1: 278-279)

Mar. 20-Apr. 8, 1893 -- Watercolors by Dutch Artists (NMc1: 281-282)

Nov. 8-29, 1893 -- Second Annual Exhibition of Watercolors by American Artists (NMc1: 283-285)

Dec. 2-16, 1893 -- Drawings in Watercolors and in Black and White by C. R. Grant and Wilson De Meza (NMc1: 287-290)

Jan. 20-Feb. 3, 1894 -- Pictures and Sketches by Anton Mauve (NMc1: 291-292, 311-313)

Feb. 6-17, 1894 -- Paintings by Henry W. Ranger (NMc1: 295-296)

Feb. 23-Mar. 8, 1894 -- Paintings by Gaylord Langston Truesdel (NMc1: 299-300)

Mar. 16-29, 1894 -- Figure Subjects by Seven American Artists (NMc1: 302-303)

Apr. 13-May 6, 1894 -- Landscapes by American Artists (NMc1: 304-305)

Dec. 1-22, 1894 -- Paintings and Drawings by D.A.C. Artz (NMc1: 315-316)

Feb. 2-16, 1895 -- Paintings and Sketches by Theodore Robinson (NMc1: 318-319)

Mar. 15-30, 1895 -- Pictures and Sketches by Anton Mauve (NMc1: 321-323)

Feb. 17-29, 1896 -- Paintings in Oil by Philip Zilcken (NMc1: 329-330)

Mar. 9-21, 1896 -- Paintings by Arthur B. Davies (NMc1: 329-331)

Mar. 6-20, 1897 -- Paintings by Robert C. Minor (NMc1: 343-344)

Apr. 24-May 8, 1897 -- Paintings by Arthur B. Davies (NMc1: 348-349)

Jan. 17-29, 1898 -- Portrait Drawings in Pastel and Chalk by Sergeant Kendall (NMc1: 356-357)

Jan. 31-Feb. 12, 1898 -- Expressions of New England Landscape by Leonard Ochtman (NMc1-358-359)

Jan. 9, 1898 -- Exhibition of Pictures and Sketches by Anton Mauve (NMc1: 362)

Nov. 7, 1898 -- Exhibition of Watercolors by Mr. Ozawa of Tokyo, Japan (NMc1: 363)

Jan. 9-21, 1899 -- Paintings by Willbur A. Reaser (NMc1: 366-367)

Feb. 1-14, 1899 -- Paintings by H. M. Rosenberg (NMc1: 368-369)

Feb. 17-Mar. 9, 1899 -- Paintings by Charles Walter Stetson (NMc1: 370-371)

Jan. 8-20, 1900 -- Twenty-seven Drawings by Childe Hassam (NMc1: 376-377)

Mar. 9-24, 1900 -- Watercolors and Monotypes in Color by Maurice B. Prendergast (NMc1: 379-380)

Nov. 19-Dec. 1, 1900 -- Pictures by Rosina Emmet Sherwood (NMc1: 383-384)

Jan. 21-Feb. 2, 1901 -- Pictures and Portraits by Wilbur A. Reaser (NMc1: 385)

Feb. 25-Mar. 9, 1901 -- Frederick Ballard Williams (NMc1: 394-395)

Feb. 4-16, 1901 -- Landscapes by Alexander H. Wyant and George Inness (NMc1: 390-391)

May 9-31, 1901 -- Paintings by Arthur B. Davies (NMc1: 400-402)

Nov. 29-Dec. 14, 1901 -- Watercolors, Color Prints from Wood Blocks and Etchings Printed in Color by Helen Hyde (NMc1: 405-406)

Scrapbook 2, 1893-1898

Primarily news clippings.

Scrapbook 3, 1902-1910

Feb. 3-15, 1902 -- Private Collection of American Pictures (NMc1: 2-5)

Mar. 17-29, 1902 -- Some Phases of London When the Lamps Are Lighted, Done in Pastel by Fernand Lungren (NMc1: 10-13)

Mar. 31-Apr. 5, 1902 -- Group of Pictures by Sidney Starr (NMc1: 13)

Apr. 1-12, 1902 -- Pictures by Robert Henri (NMc1: 15-16)

Apr. 14-26, 1902 -- Drawings by Jane Erin Emmet (NMc1: 21-22)

Apr. 28-May 11, 1902 -- Landscapes by W. L. Lathrop (NMc1: 20)

Jan 19-31, 1903 -- Drawings and Sketches by Homer D. Martin, 1836-1897 (NMc1: 27)

Jan. 27-Feb. 11, 1905 -- Pictures by William Sartain (NMc1: 37-39)

Feb. 23-Mar. 8, 1905 -- Paintings by Arthur B. Davies (NMc1: 62-64)

May 1-6, 1905 -- Oil Paintings by American Artists from the Macbeth Gallery (at the Galleries of George D. Brodhead, Rochester, NY) (NMc1: 69-72)

Jan 29-Feb. 10, 1906 -- Abbot H. Thayer and Gladys Thayer (NMc1: 77-78)

Feb. 19-Mar. 3, 1906 -- Pictures by Charles H. Davis (NMc1: 79-80)

Mar. 10-24, 1906 -- Stephen Parrish (NMc1: 81-82)

Nov. 9-24, 1906 -- A Group of American Paintings (NMc1: 91-92)

Jan. 11-26, 1907 -- Paintings by William Sartain (NMc1: 100-101)

Feb. 1-16, 1907 -- Paintings by Paul Dougherty (NMc1: 105-106)

Feb. 23-Mar. 9, 1907 -- Paintings by Charles H. Davis (NMc1: 107-108)

Mar. 11-23, 1907 -- Portraits by Ellen Emmet (NMc1: 112-113)

Mar. 28-Apr. 3, 1907 -- Paintings by William Keith (NMc1: 115-117)

Nov. 11-23, 1907 -- Paintings by Augustus Vincent Tack (NMc1: 124-125)

Nov. 27-Dec. 12, 1907 -- Paintings by John La Farge (NMc1: 127-131)

Jan. 6-18, 1908 -- Paintings by Jerome Myers (NMc1: 133-134)

Jan. 20-Feb. 1, 1908 -- Paintings by Paul Dougherty (NMc1: 137-138)

Feb. 3-15, 1908 -- Exhibition of Paintings by Arthur B. Davies, William J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, John Sloan (NMc:142-143 Catalog missing from scrapbook)

Feb. 19-Mar. 7. 1908 -- Forty Selected Paintings by Living American Artists (NMc1: 147-149)

Mar. 11-24, 1908 -- Paintings by a Group of American Artists (Deceased), Copley to Whistler (NMc1: 151-152)

1908 -- Kwaunon Meditating on Life by John La Farge (NMc1: 155)

Nov. 10-25, 1908 -- Paintings by Howard Pyle (NMc1: 158-159)

Nov. 27-Dec. 10, 1908 -- Paintings by Charles Melville Dewey (NMc1: 161-162)

Dec. 15-31, 1908 -- Bronzes by a Group of American Artists (NMc1: 165-166)

Jan. 7-21, 1909 -- Forty Selected Paintings by Living American Artists (NMc1: 168-169)

Jan. 22-Feb. 4, 1909 -- Paintings by Henry W. Ranger (NMc1: 171-172)

Feb. 5-18, 1909 -- Paintings by Paul Dougherty (NMc1: 176

Feb. 19-Mar. 4, 1909 -- Arthur B. Davies (NMc1: 178)

Mar. 5-Mar. 18, 1909 -- Paintings by Charles H. Davis, N.A. (NMc1: 183-184)

Mar. 19-Apr. 1, 1909 -- A Group of Figure Subjects by Blendon Campbell, Charles W. Hawthorne, Robert Henri, George Luks, Kenneth Miller (NMc1: 186-187)

Apr. 2-15, 1909 -- Paintings by Louis Loeb (NMc1: 188-189)

Apr. 16-29, 1909 -- Paintings by a Group of Boston Artists (NMc1: 191-192)

May 10-22, 1909 -- Paintings by American Artists from the Macbeth Galleries, New York [at Findlay Art Co., Kansas City, MO] (NMc1: 195-197)

Nov. 18-Dec. 4, 1909 -- Paintings by Albert P. Lucas (NMc1: 203-205)

Dec. 7-24, 1909 -- Watercolors and Pastels by American Artists (NMc1: 207-210)

Dec 7-24, 1909 -- Second Annual Exhibition of Bronzes by American Sculptors (NMc1: 211-212)

Jan. 6-19, 1910 -- Sixteen Paintings of the Cornish Coast by Paul Dougherty (NMc1: 213-215)

Jan. 20-Feb. 2, 1910 -- Paintings by Mary Curtis Richardson of San Francisco (NMc1: 218-220)

Jan. 20-Feb. 2, 1910 -- First Exhibition of Paintings by Ben Foster (NMc1: 216-218)

Feb 3-16, 1910 -- Landscapes and Figures by Frederick Ballard Williams (NMc1: 227-229)

Feb. 3-16, 1910 -- Spanish Paintings by F. Luis Mora (NMc1: 225-227)

Feb. 17-Mar. 2, 1910 -- The Fur Jacket by J. McNeill Whistler (NMc1: 231-232)

Feb. 17-Mar. 2, 1910 -- Paintings by William Sartain (NMc1: 233-235)

Mar. 3-16, 1910 -- Fourteen Landscapes by Charles H. Davis (NMc1: 237-239)

Mar. 3-16, 1910 -- Recent Portraits by Cecilia Beaux (NMc1: 239-240)

Mar. 17-30, 1910 -- Paintings by Hermann Dudley Murphy (NMc1: 244-246)

Mar. 17-30, 1910 -- Figure Paintings by Charles W. Hawthorne (NMc1: 242-244)

Mar. 31-Apr. 13, 1910 -- Paintings of Baily's Island by Frederick J. Waugh (NMc1: 249-251)

Mar. 31-Apr. 13, 1910 -- Nineteen Landscapes by Chaucey F. Ryder (NMc1: 247-249)

Apr. 14-27, 1910 -- George B. Luks (NMc1: 253-255)

Apr. 30-May 14, 1910 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc1: 259-262)

Scrapbook 4, 1907-1913

Primarily news clippings.

Scrapbook 5, 1910-1915

Nov. 3-16, 1910 -- Recent Paintings by Charles W. Hawthorne (NMc2: 1-2)

Nov. 17-30, 1910 -- The Navajo Country in Watercolors by Frederick J. McComas (NMc2: 4-6)

Dec. 6-24, 1910 -- Watercolors, Pastels and Small Bronzes (NMc2: 7-14)

Jan. 5-18, 1911 -- Portraits by Ellen Emmet (NMc2: 15-16)

Jan. 19-Feb. 1, 1911 -- Paintings by Henry B. Snell (NMc2: 17-24)

Feb. 2-22, 1911 -- A Group of Thirty Selected Paintings (NMc2: 25-28)

Feb. 23-Mar. 8, 1911 -- A Group of Forty Selected Paintings (NMc2: 29-32)

Mar. 9-22, 1911 -- Paintings by Charles H. Davis, Paul Dougherty, Daniel Garber, William Sartain, F. Ballard Williams (NMc2: 33-35)

Mar. 23-Apr. 5, 1911 -- A Group of Paintings by Ben Foster, Albert L. Groll, Leonard Ochtman, Chauncey F. Ryder, Gardner Symons (NMc2: 36-38)

Apr. 8-22, 1911 -- The Woman's Art Club of New York, Exhibition of Works in Oil and Sculpture (NMc2: 39-42)

Nov. 16-29, 1911 -- Landscapes, Marines and Wood Interiors by Robert Henri (NMc2: 45-48)

Dec. 6-30, 1911 -- Small Bronzes by American Sculptors (NMc2: 49-52)

Jan. 3-16, 1912 -- Thirty Paintings by Thirty Artists (NMc2: 53-55)

Jan. 17-30, 1912 -- Paintings by Frederick C. Frieseke (NMc2: 56-58)

Jan. 31-Feb. 13, 1912 -- Paintings by Elihu Vedder (NMc2: 59-63)

Feb. 14-Mar. 2, 1912 -- Paintings by Charles H. Davis, Paul Dougherty, Ben Foster, William Sartain, Gardner Symons, F. Ballard Williams (NMc2: 64-66)

Mar. 4-16, 1912 -- Paintings by Emil Carlsen (NMc2: 67-69)

Mar. 6-19, 1912 -- Memorial Exhibition of a Collection of Paintings by Joseph R. Woodwell (NMc2: 71-75)

Mar. 18-30, 1912 -- Paintings by Arthur B. Davies (NMc2: 71, 76)

Apr. 1-10, 1912 -- Paintings by Richard E. Miller (NMc2: 77-79)

Apr. 15-27, 1912 -- A Group of Selected Paintings by American Artists (NMc2: 80-85)

Nov. 4-18, 1912 -- Frederick Ballard Williams (NMc2: 80-97)

Nov. 19-30, 1912 -- First Annual Exhibition of Painters of the Far West (NMc2: 99-103)

Dec. 3-16, 1912 -- Paintings by William Baxter Closson (NMc2: 99, 104)

Dec. 4-16, 1912 -- Marbles and Bronzes by Chester Beach (NMc2: 99, 105-114)

Dec. 30-Jan. 13, 1913 -- Lawrence Mazzanovich (NMc2: 116-119)

Jan 14-27, 1913 -- Paintings by Guy C. Wiggins (NMc2: 120-122)

Jan. 14-27, 1913 -- Paintings by Charles A. Hawthorne (NMc2: 120, 122-124)

Jan. 28-Feb. 10, 1913 -- Paintings by Paul Dougherty (NMc2: 125-127)

Feb. 11-24, 1913 -- Paintings by Gardner Symons (NMc2: 128-130)

Feb. 15-Mar. 1, 1913 -- Annual Exhibition of The Woman's Artclub (NMc2: 131-136)

Feb. 25-Mar. 10, 1913 -- Paintings by F. C. Frieseke (NMc2: 137-138)

Mar. 4-17, 1913 -- Paintings by Charles Morris Young (NMc2: 137-142)

Mar. 11-24, 1913 -- Landscapes by F.K.M. Rehn, N.A. (NMc2: 143-147)

Mar. 18-31, 1913 -- Paintings by John Carlson (NMc2: 148-151)

Mar. 25-Apr. 7, 1913 -- A Selected Group of Paintings (NMc2: 148, 152-154)

Apr. 15-28, 1913 -- A Selected Group of American Paintings (NMc2: 155-158)

Apr. 15-28, 1913 -- Paintings and Pastels by Blendon R. Campbell (NMc2: 155, 159)

Oct. 14-27, 1913 -- Paintings by Katherine S. Dreier (NMc2: 161-163)

Oct. 28-Nov. 10, 1913 -- A Group of Selected Paintings by American Artists (NMc2: 164-166)

Nov. 17-24, 1913 -- Thirty Paintings by Thirty Artists (NMc2: 167-169)

Dec. 2-15, 1913 -- Second Exhibition by the Society of Men Who Paint the Far West (NMc2: 172-176)

Jan. 1914 -- Drawings of Game Birds by Frank W. Benson (NMc2: 179-180)

Jan. 6-19, 1914 -- Paintings by Emil Carlsen, Paul Dougherty, Frederick C. Frieseke, Childe Hassam, Willard L. Metcalf, Kenneth H. Miller, J. Alden Weir (NMc2: 179, 181-183)

Jan. 27-Feb. 16, 1914 -- Recent Sculpture by Chester Beach (NMc2: 185-186)

Jan. 27-Feb. 16, 1914 -- Paintings by Charles H. Davis, Daniel Garber, Richard E. Miller, Chauncey F. Ryder, Gardner Symons (NMc2: 185, 187)

Feb. 17-Mar. 2, 1914 -- Sculpture by Chester Beach, Abastenia St. L. Eberle, Mahonri Young (NMc2: 188-191)

Feb. 17-Mar. 9, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 188, 192-193)

Mar. 10-30, 1914 -- Sketches in Passing by Frederick J. Waugh (NMc2: 195, 208-209)

Mar. 11-30, 1914 -- A Collection of Paintings by Deceased American Artists (NMc2: 195-207)

Mar. 31-Apr. 20, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 212-217)

Apr. 21, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 219-224)

Oct. 27-Nov. 16, 1914 -- A Group of Selected Paintings by American Artists (NMc2: 226-227)

Nov. 17-Dec. 7, 1914 -- Portrait Heads in Terra Cotta by Janet Scudder (NMc2: 233)

Nov. 17-Dec 7, 1914 -- Recent Paintings by Robert Henri (NMc2: 235-237)

Dec. 8-28, 1914 -- Exhibition of Home Pictures (NMc2: 243-247)

Jan. 5-25, 1915 -- A Group of Selected Paintings (NMc2: 243, 248-249)

Jan. 26-Feb. 15, 1915 -- Thirty Paintings by Thirty Artists (NMc2: 251-254)

Jan. 26-Feb. 15, 1915 -- Parisian Sketches by Lester D. Boronda (NMc2: 251)

Feb. 2-15, 1915 -- Our Untrodden Empire: A Collection of Paintings Executed in South Central Alaska by Robert V. Sewell (NMc2: 257-260)

Feb. 16-Mar. 8, 1915 -- Paintings by Deceased American Artists (NMc2: 262, 265)

Feb. 16-Mar. 8, 1915 -- Small Paintings by Guy C. Wiggins (NMc2: 261)

Feb. 16-Mar. 8, 1915 -- Paintings by Colin Campbell Cooper (NMc2: 261-264)

Scrapbook 6, March 1915-January 1918

Mar. 10-30, 1915 -- The Dance As Interpreted in Marble and Bronze by American Sculptors (NMc2: 267)

Mar. 30-Apr. 19, 1915 -- Paintings by Twelve Landscape Painters (NMc2: 274-277)

Sept. 27-Oct. 17, 1915 -- Paintings and Sculpture by Woman Artists for the Benefit of the Woman Suffrage Campaign (NMc2: 279-283)

Oct. 30-Nov. 19, 1915 -- Oils and Water Colors by Hayley Lever; Recent Paintings by Randall Davey (NMc2: 294-296

Dec. 4-31, 1915 -- Third Exhibition of the Society of Men Who Paint the Far West (NMc2: 300, 302-305)

Feb. 1916 -- Decorations by Elmer Mac Rae (NMc2: 318-319)

Jan. 4-18, 1916 -- Recent Paintings by F. C. Frieseke (NMc2: 306-307)

Jan. 4-18, 1916 -- Paintings by John F. Carlson (NMc2: 306, 309-310)

Jan. 19-Feb. 1, 1916 -- Paintings by Emil Carlsen, Helen M. Turner, Daniel Garber (NMc2: 313)

Jan. 19-Feb. 1, 1916 -- Decorative Panels of Flowers, Birds and Animals by F. S. Church (NMc2: 311,317)

Feb. 2-15, 1916 -- Paintings by Jules Guerin (NMc2: 318-321)

Feb. 16-29, 1916 -- Annual Exhibition of Thirty Paintings by Thirty Artists (NMc2: 323-326)

Mar. 1916 -- Group of High Fire Porcelains by Adelaid Alsop Robineau of Syracuse, NY, recently shown at the Panama-Pacific Exposition (NMc2: 322)

Mar. 8-21, 1916 -- Paintings by Charles H. Davis, Paul Dougherty, Kenneth H. Miller, Chauncey F. Ryder, William Sartain (NMc2: 329-330)

Mar. 22-Apr.4, 1916 -- Recent Water Colors by Charles Hovey Pepper (NMc2: 333)

Mar. 22-Apr. 4, 1916 -- Paintings, Drawings and Sculpture by Arthur B. Davies, Walt Kuhn, Jules Pascin (NMc2: 332, 334)

Apr. 6-27, 1916 -- Paintings by American Artists Past and Present (NMc2: 338-341)

Oct. 31-Nov. 13, 1916 -- The Whalers of New Bedford: Paintings by Clifford W. Ashley (NMc2: 346-348)

Oct. 31-Nov. 14, 1916 -- Special Exhibition by Painter Friends (NMc2: 346)

Nov. 14-27, 1916 -- Memorial Exhibition of Paintings by the Late Roger Donoho (NMc2: 349-353)

Nov. 28-Dec. 11, 1916 -- Paintings by Randall Davey (NMc2: 356-357)

Nov. 28-Dec. 11, 1916 -- Paintings by Kenneth Hayes-Miller, Benjamin D. Kopman and J. M. Block (NMc2: 356)

Dec. 13-Jan. 15, 1917 -- Watercolors by Paul Dougherty (NMc2: 358-362)

Jan. 16-Feb. 5, 1917 -- Thirty Paintings by Thirty Artists (NMc2: 366-368)

Feb. 8-26, 1917 -- Loan Exhibition of Paintings by Charles W. Hawthorne (NMc2: 370-379)

Feb. 27-Mar. 12, 1917 -- Paintings by Charles H. Davis, Richard E. Miller, Chauncey F. Ryder (NMc2: 381-382)

Mar. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Mar. 28-Apr. 10, 1917 -- Pictures in Tempera of the St. Andrew's Golf Links by William R. O'Donovan (NMc2: 386-387)

Summer, 1917 -- Summer Exhibition (NMc2: 388-391)

Oct. 1917 -- Opening Exhibition of Our Second Quarter-Century (NMc2: 393-396)

Nov. 3-17, 1917 -- Portraits by Louis Betts (NMc2: 400-403)

Nov. 13-26, 1917 -- Paintings by Arthur Crisp, Florence W. Gotthold, Martha Walter (NMc2: 384-385)

Nov. 22-Dec. 5, 1917 -- Paintings and Small Bronzes of New York (NMc2: 407-410)

Dec. 1917 -- Pastels by Lillian Crittenden (NMc2: 411)

Dec. 6-24, 1917 -- Small paintings and Pastels by Frederick C. Frieseke, Nancy M. Ferguson, Lilian Crittenden (NMc2: 411)

Jan. 2-31, 1918 -- In Aid of Men Blinded in Battle: Retrospective Loan Exhibition of Arthur B. Davies (NMc2: 412-416)

Scrapbook 7, February 1918-January 1922

Feb. 5-20, 1918 -- Watercolors by Gifford Beal (NMc2: 433-434)

Feb. 5-20, 1918 -- Intimate Paintings Moderately Priced (NMc2: 435-436)

Mar. 1918 -- Group of Paintings by American Artists (NMc2: 441-442)

Mar. 6-27, 1918 -- Thirty Paintings by Thirty Artists (NMc2: 438-439)

Mar. 27-Apr. 18, 1918 -- Paintings by Charles H. Davis, Ben Foster, Willard L. Metcalf (NMc2: 441, 443-444)

Apr. 18-May 10, 1918 -- Group of Paintings by Charlotte B. Coman (NMc2: 446)

Apr. 19-May 9, 1918 -- Paintings by Emil Carlsen, Childe Hassam, J. Alden Weir (NMc2: 446-447)

Oct. 23-Nov. 13, 1918 -- Opening Exhibition: Group of Selected Paintings (NMc2: 449-451)

Dec. 1918 -- Second Exhibition of Intimate Paintings (NMc2: 453-458)

Jan. 7-29, 1919 -- John H. Twachtman (NMc2: 460-470)

Jan. 27-Feb. 8, 1919 -- Paintings by Charles H. Davis and Paul Dougherty (NMc2: 473-474)

Feb. 17-Mar. 1, 1919 -- Thirty Paintings by Fifteen Artists (NMc2: 476-477)

Mar. 6-22, 1919 -- Paintings by Louis Ritman (NMc2: 480-483)

Mar. 6-29, 1919 -- Thirty Paintings by Thirty Artists (NMc2: 484-491)

Apr. 7-19, 1919 -- Paintings by Felicie Waldo Howell (NMc2: 496-497)

Apr. 7-19, 1919 -- Fifteen American Paintings (NMc2: 499-500)

May 1919 -- Comparative Exhibition of American Paintings (NMc2: 501-506)

Oct. 5-Nov. 8, 1919 -- Fifteen Paintings by Fifteen Artists (NMc2: 510-511)

Nov. 10-Dec. 6, 1919 -- Third Exhibition of Intimate Paintings (NMc2: 512-518)

Dec. 10-31, 1919 -- Loan Exhibition of Paintings by Emil Carlsen (NMc2: 520-527)

Dec. 3-20, 1919 -- Paintings by William Baxter Closson (NMc2: 520)

Jan. 9-31, 1920 -- Thirty Paintings by Thirty Artists (NMc2: 531-536)

Feb. 2-21, 1920 -- Paintings by Charles H. Davis, Frederick C. Frieseke, Richard E. Miller (NMc2: 539-541)

Mar. 20-Apr.10, 1920 -- Paintings by Hayley Lever (NMc2: 542-545)

Apr. 5-24, 1920 -- Group of Paintings by Felicie Waldo Howell (NMc2: 546)

Apr. 5-24, 1920 -- Paintings by Maurice Fromke (NMc2: 546-548)

Oct. 18-Nov. 8, 1920 -- Paintings of the Orient by Hovsep Pushman (NMc2: 550-554)

Oct. 18-Nov. 8, 1920 -- Group of Paintings by Ben Foster, Robert Henri, Hayley Lever, Gardner Symons (NMc2: 555-558)

Nov. 9-29, 1920 -- Paintings by Frank W. Benson and Willard L. Metcalf (NMc2: 559-562)

Nov. 30-Dec. 31, 1920 -- Fourth Exhibition of Intimate Paintings (NMc2: 564-570)

Jan. 3-17, 1921 -- Recent Landscapes by Chauncey F. Ryder (NMc2: 573-576)

Jan. 3-17, 1921 -- Old Salem Doorways Painted Last Summer by Felicie Waldo Howell (NMc2: 577-581)

Jan. 18-Feb. 7, 1921 -- Thirty Paintings by Thirty Artists (NMc2: 583-588)

Feb. 9-28, 1921 -- An American Summer in Watercolors by F. Luis Mora (NMc2: 596-599)

Feb. 9-28, 1921 -- The East Side in Sculpture by Abastenia St. L. Eberle (NMc2: 600)

Feb. 9-28, 1921 -- Recent Paintings by Emil Carlsen (Br14: 623; NMc2: 589-594)

Mar. 1-21, 1921 -- Connecticut Landscapes by Charles H. Davis (NMc2: 603-606)

Mar. 1-21, 1921 -- Paintings of Cornwall and Elsewhere by W. Elmer Schofield (NMc2: 607-610)

Mar. 1-21, 1921 -- Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 611-616

Mar. 22-Apr. 11, 1921 -- Paintings by F. C. Frieseke and Albert L. Groll (NMc2: 621-624)

Mar. 22-Apr. 11, 1921 -- Paintings by Jonas Lie (NMc2: 617-620)

Mar. 22-Apr. 11, 1921 -- Portraits and Landscapes by Gladys Thayer (NMc2: 625-628)

Apr. 12-May 7, 1921 -- Loan Exhibition of Paintings by J. Francis Murphy, 1853-1921 (NMc2: 629-637)

Oct. 11-30, 1921 -- Opening Exhibition, Season of 1921-1922: Group of Selected Paintings (NMc2: 640-641)

Nov. 1-19, 1921 -- West Indian Marines by Frederick J. Waugh (NMc2: 642-645)

Nov. 21-Dec. 12, 1921 -- Fifth Exhibition of Intimate Paintings (NMc2: 646-655)

Dec. 13-Jan. 2, 1922 -- Paintings of Glacier National Park by Charles Warren Eaton (NMc2: 660, 664-666)

Dec. 13-Jan. 2, 1922 -- Oils, Pastels, and Watercolors by George Alfred Williams (NMc2: 660-663)

Scrapbook 8, January 1922-March 1923

Jan. 3-23, 1922 -- Paintings of South America by E. W. Deming (NMc2: 669-670)

Jan. 3-23, 1922 -- New England Streets by Felicie Waldo Howell (NMc2: 671-674)

Jan. 3-23, 1922 -- California Landscapes by F. Ballard Williams (NMc2: 677-680)

Jan. 24-Feb. 13, 1922 -- Paintings by Elliot Torrey (NMc2: 681-684)

Jan. 24-Feb. 20, 1922 -- Thirty Paintings by Thirty Artists (NMc2: 685-692)

Feb. 14-Mar. 6, 1922 -- Third Annual Exhibition, Society of Animal Painters and Sculptors (NMc2: 694-698)

Mar. 7-27, 1922 -- Paintings by Edmund Greacen (NMc2: 704-707)

Mar. 7-27, 1922 -- Paintings by Gardner Symons (NMc2: 700-705)

Mar. 28-Apr. 17, 1922 -- Paintings by Charles H. Davis (NMc2: 707-717)

Apr. 27-May 20, 1922 -- Paintings by Frederick C. Frieseke Hayley Lever and Malcolm Parcell (NMc2: 721-726)

Apr. 27-May 20, 1922 -- Paintings by Malcolm Parcell (NMc2: 722)

Oct. 31-Nov. 20, 1922 -- Paintings by Alice Worthington Ball (NMc2: 731-735)

Oct. 31-Nov. 20, 1922 -- Recent Paintings and Figure Compositions by Charles W. Hawthorne (NMc2: 731-735)

Nov. 21-Dec. 11, 1922 -- Sixth Exhibition of Intimate Paintings (NMc2: 738-747)

Nov. 21-Dec. 11, 1922 -- George Wharton Edwards (NMc2: 748-749)

Dec. 12-30, 1922 -- Imaginitive Landscapes by W. G. Krieghoff (NMc2: 751-752)

Dec. 12-30, 1922 -- Watercolors of New York by Joseph Pennell (NMc2: 751, 753-755)

Jan. 2-22, 1923 -- Paintings and Studies by Orland Campbell (NMc2: 758-761)

Jan. 2-22, 1923 -- Recent Landscapes by Daniel Garber (NMc2: 758, 762-764)

Jan. 2-22, 1923 -- Decorative Paintings by Spencer Nichols (NMc2: 765, 769)

Jan. 2-22, 1923 -- Figure Compositions by Ivan G. Olinsky (NMc2: 765-768)

Jan. 23-Feb. 12, 1923 -- The Canadian Rockies in Paintings by Belmore Browne (NMc2: 772, 778)

Jan. 23-Feb. 12, 1923 -- Thirty Paintings by Thirty Artists (NMc2: 772-777)

Jan. 23-Feb. 12, 1923 -- Decorative Panels by Felicie Waldo Howell (NMc2: 778-782)

Feb. 13-Mar. 5, 1923 -- Paintings by Ruth A. Anderson and Elizabeth C. Spencer (NMc2: 783, 788-790)

Feb. 13-Mar. 5, 1923 -- Landscapes by Chauncey F. Ryder (NMc2: 783-786)

Feb. 13-Mar. 5, 1923 -- Paintings of the West by Maynard Dixon (NMc2: 783, 787)

Mar. 6-26, 1923 -- Recent Paintings by Emil Carlsen (NMc2: 792-794)

Mar. 12-31, 1923 -- Watercolors by J. Olaf Olson (NMc2: 795-796)

Scrapbook 9, March 1923-December 1924

Mar. 27-Apr. 16, 1923 -- Paintings by John J. Enneking (NMc3: 1-4)

Apr. 17-May7, 1923 -- Paintings by Maurice Braun (NMc3: 5-8)

Apr. 17-May 7, 1923 -- Recent Paintings by Catharine Wharton Morris (NMc3: 5, 9)

Oct. 9-29, 1923 -- Opening Exhibition, Season 1923-1924 (NMc3: 17-22)

Oct. 30-Nov. 19, 1923 -- Paintings by Emil Carlsen, Theodore Robsinson, J. Alden Weir (NMc3: 24-27)

Nov. 20-Dec. 10, 1923 -- Seventh Exhibition of Intimate Paintings (NMc3: 30-35)

Nov. 20-Dec. 11, 1923 -- South American Sketches by Rachel Hartley (NMc3: 37-42)

Dec. 11-31, 1923 -- Scenes about Provincetown by Charles W. Hawthorne; Flowers by Marion C. Hawthorne (NMc3: 37, 43)

Dec. 11-31, 1923 -- Recent Paintings by Douglas Parshall (NMc3: 44)

Dec. 1923 -- Collection of Paintings from the Macbeth Gallery, Halaby Galleries, Dallas (NMc3: 47-54)

Jan. 2-21, 1924 -- Paintings by Robert Henri and Grace Ravlin (NMc3: 56-57)

Feb. 7-25, 1924 -- Thirty Paintings by Thirty Artists (NMc3: 62-68)

Feb. 26-Mar. 17, 1924 -- Paintings by Victor Higgins (NMc3: 68, 72-74)

Feb. 26-Mar. 17, 1924 -- Paintings by Frank Duveneck (NMc3: 68-69)

Mar. 18-Apr. 7, 1924 -- Paintings from Tusayan by Maynard Dixon (NMc3: 76-79)

Apr. 8-28, 1924 -- Paintings of the Orient by Hovsep Pushman (NMc3: 80-82)

Apr. 8-28, 1924 -- The Canadian Rockies in Paintings by Belmore Browne (NMc3: 80, 84)

Sept. 23-Oct. 6, 1924 -- Paintings of the French West Indies by Christiana Moron (NMc3: 86-87)

Oct. 7-27, 1924 -- Selected Group of Paintings by Thirty American Artists (NMc3: 86, 88)

Nov. 4-17, 1924 -- Recent Paintings by Chauncey F. Ryder (NMc3: 90-91)

Nov. 18-Dec. 8, 1924 -- A Group of Paintings by Frederick C. Frieseke (NMc3: 92-93)

Dec. 9-29, 1924 -- Retrospective Exhibition of Paintings by Louis Comfort Tiffany (NMc3: 95-97)

Scrapbook 10, January 1925-November 1927

Dec. 30-Jan. 19, 1925 -- Montauk by Childe Hassam (NMc3: 104-112)

Jan. 20-Feb. 9, 1925 -- George Inness Centennial Exhibition, 1825-1894 (NMc3: 117-123)

Feb. 10-Mar. 2, 1925 -- Water Colors of Egypt and Jerusalem by Taber Sears (NMc3: 126, 129-130)

Feb. 10-Mar.2, 1925 -- The New England Year in Paintings by Charles H. Davis (NMc3: 126-128)

Mar. 3-23, 1925 -- Paintings by E. W. Redfield (NMc3: 131-133)

Mar. 24-Apr. 13, 1925 -- Paintings by Daniel Garber (NMc3: 135-138)

Apr. 14-May 4, 1925 -- Recent Paintings by Robert Henri (NMc3: 140-143)

Apr. 14-May 4, 1925 -- C. W. Hawthorne: Watercolors of Bermuda (NMc3: 139)

Oct. 13-26, 1925 -- Collection of American Masters Loaned for Exhibition (NMc3: 152-154)

Oct. 27-Nov. 16, 1925 -- Memorial Exhibition of Paintings by the Late William Sartain (NMc3: 155-158)

Nov. 7-23, 1925 -- Paintings by Contemporary American Artists Loaned by the Macbeth Galleries, New York, Engaged by the Muncie Art Students' League, Muncie, Indiana (NMc3: 147-148)

Nov. 17-Dec. 7, 1925 -- Paintings by DeWitt and Douglass Parshall (NMc3: 159-162)

Dec. 4-31, 1925 -- Easel Paintings by American Artists, Loaned by Macbeth Galleries to the Springfield Art Association (NMc3: 205, 207)

Dec. 8-Jan. 4, 1926 -- Watercolors by Distinguished American Artists (NMc3: 163-166)

Jan. 5-25, 1926 -- Recent American Portraits (NMc3: 168, 172-173)

Jan. 5-18, 1926 -- American Society of Miniature Painters, 27th Annual Exhibition (NMc3: 168-171)

Jan. 26-Feb. 15, 1926 -- Paintings by Jonas Lie (NMc3: 176-179)

Jan. 26-Feb. 15, 1926 -- First Exhibition of Paintings by John Huffington (NMc3: 176, 180-181)

Feb. 7-Mar. 17, 1926 -- Exhibition of Oil Paintings by American Artists Lent by the Macbeth Galleries to the Utica Public Library Art Gallery (NMc3: 205-206)

Feb. 16-Mar. 8, 1926 -- New Paintings by Charles W. Hawthorne (NMc3: 186-189)

Feb. 16-Mar. 8, 1926 -- Chauncey F. Ryder (NMc3: 184)

Feb. 16-Mar. 8, 1926 -- Sculpture by Gleb Derujinsky (NMc3: 186-189)

Mar. 9-29, 1926 -- Modern Landscapes by Guy Wiggins (NMc3: 191-194)

Mar. 9-29, 1926 -- Etchings and Drawings by Emil Fuchs (NMc3: 191, 195-197)

Mar. 30-Apr. 19, 1926 -- The Affairs of Anatol by Robert Reid (NMc3: 198-201)

Apr. 20-May 3, 1926 -- Pastels Done in Spain by A. Sheldon Pennoyer (NMc3: 202)

June 1-25, 1926 -- Pictures Selected from the Brooklyn Museum Exhibition of the National Association of Women Painters and Sculptors (NMc3: 204)

Summer, 1926 -- Summer Exhibition (NMc3: 199-201)

Oct. 11-18, 1926 -- Paintings Selected by Louis Bliss Gillet (NMc3: 210-212)

Oct. 19-Nov. 8, 1926 -- Paintings by Stanley M. Woodward (Br14: 671; NMc3: 213-214)

Nov. 9-22, 1926 -- Ernest Haskell, 1876-1925, Memorial Exhibition (NMc3: 215-222)

Nov. 23-Dec. 6, 1926 -- Porto Rico and St. Thomas: Exhibition of Paintings by Rachel Hartley (NMc3: 226-229)

Nov. 23-Dec. 6, 1926 -- Recent Landscapes and Marines by Jay H. Connaway (NMc3: 226, 230)

Dec. 1926 -- Watercolors and Etchings by American Artists (NMc3: 231-233)

Dec. 28-Jan. 10, 1927 -- Recent Paintings by a Group of Mystic, Conn., Artists (NMc3: 235-238)

Jan. 11-31, 1927 -- Thirty Paintings by Thirty Artists (NMc3: 239-244)

Jan. 18-31, 1927 -- Watercolors by John Lavalle of Boston (NMc3: 253-255)

Jan. 22-Feb. 7, 1927 -- Crapo Gallery Opening Exhibition: Thirty Paintings by Thirty Artists assembled by Macbeth Gallery at Swain School, New Bedford, Mass. (NMc3: 245-249)

Feb. 1-14, 1927 -- Recent Paintings by Frank W. Benson (NMc3: 259-262)

Feb. 2-14, 1927 -- American Society of Miniature Painters, 28th Annual Exhibition (NMc3: 253, 256-258)

Feb. 8-26, 1927 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc. at Anderson Galleries (Macbeth Gallery one of nine participants (NMc3: 263, 265-271)

Feb. 15-28, 1927 -- New Paintings by Chauncey F. Ryder (NMc3: 278-281)

Mar. 1-14, 1927 -- Watercolors by Aiden L. Ripley (NMc3: 282, 286)

Mar. 1-14, 1927 -- Paintings by a Group of Members of the Guild of Boston Artists (NMc3: 282-285)

Mar. 15-28, 1927 -- Paintings by Malcolm Parcell (NMc3: 287-290)

Mar. 15-28, 1927 -- Recent Pastels of Chartres by Carl Schmidt (NMc3: 287)

Mar. 29-Apr. 18, 1927 -- Thirty-fifty Anniversary Exhibition, Retrospect and Prospective (NMc3: 291-294)

Apr. 19-May 9, 1927 -- Frank A. Brown, Watercolors (NMc3: 296, 302-303)

Aug. 22-Sept. 5, 1927 -- American Art Exhibition arranged for Eastern Long Island by the Macbeth Gallery at Southampton, NY (NMc3: 297-301)

Oct. 18-29, 1927 -- American Art Exhibition, Art League of Fort Worth, Assembeled by the Macbeth Gallery (NMc3: 304, 306-311)

Oct. 18-31, 1927 -- Etchings by Walter Raymond Duff (NMc3: 313-315)

Oct. 18-31, 1927 -- Paintings by Max Bohm (NMc3: 313-315)

Nov. 1-14, 1927 -- Yankee Whalers by Clifford W. Ashley (NMc3: 316-317)

Scrapbook 11, November 1927-June 1930

Nov. 15-28, 1927 -- Paintings of Mallorca by Bernhard Gutmann (NMc3: 319-320)

Nov. 15-28, 1927 -- Paintings of Flowers by Carle J. Blenner (NMc3: 319, 321)

Nov. 29-Dec. 12, 1927 -- The Bathers , Paintings by William S. Horton (NMc3: 322-325)

Nov. 29-Dec. 12, 1927 -- Sidewalks of New York, Chalk Drawings by H. Devitt Welsh (NMc3: 326-327)

Dec. 13-31, 1927 -- Joint Exhibition of Paintings by Daniel Garber and Stanley Woodward (NMc3: 328)

Jan. 3-16, 1928 -- Portrait Drawings by Edith Leslie Emmet (NMc3: 329, 331)

Jan. 3-23, 1928 -- Recent Paintings by Jonas Lie (NMc3: 329-330)

Jan. 24-Feb. 13, 1928 -- Watercolors by John Lavalle (NMc3: 332-334)

Jan. 24-Feb. 13, 1928 -- Walter Ufer: Pictures from Taos (NMc3: 332, 334)

Jan. 24-Feb. 6, 1928 -- American Society of Miniature Painters, 29th Annual Exhibition (NMc3: 337-340)

Feb. 7-21, 1928 -- Small Pictures of Mountain and Sea by Jay Connaway (NMc3: 342)

Feb. 14-27, 1928 -- The Canadian Rockies by Belmore Brown (NMc3: 342-343)

Feb. 14-27, 1928 -- Sculpture by Gleb Derujinsky (NMc3: 342-344)

Feb. 21-Mar. 5, 1928 -- Watercolors of Venice, Spain and Brittany by Frank A. Brown (NMc3: 351-356)

Feb. 21-Mar. 10, 1928 -- Works by American Artists Selected by the Associated Dealers in American Paintings, Inc., at Anderson Galleries; Macbeth Gallery one of sixteen participants (NMc3: 346-352)

Feb. 25-Mar. 17, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at Grand Rapids Art Gallery (NMc3: 385-387)

Feb. 28-Mar. 12, 1928 -- Paintings by Frank L. Schenk, 1856-1927 (NMc3: 357-358)

Feb. 28-Mar. 19, 1928 -- Thirty Paintings by Thirty Artists (NMc3: 357, 359-363)

Mar. 20-Apr. 2, 1928 -- Lanscapes of Italy by A. Sheldon Pennoyer (NMc3: 366, 368)

Mar. 20-Apr. 9, 1928 -- Recent Landscapes, Switzerland and Other Subjects by Carl Lawless (NMc3: 366-367)

Apr. 2-15, 1928 -- Water Colors by Earl Winslow (NMc3: 355)

Apr. 10-30, 1928 -- St. Ives by Hayley Lever (NMc3: 369)

Apr. 29-May 20, 1928 -- The Macbeth-Milch Circuit Exhibition of Contemporary American Paintings at the University of Wyoming (NMc3: 385-386)

Spring, 1928 -- American Painting for Home Decoration (NMc3: 370-377)

Oct. 16-29, 1928 -- The Canadian Rockies in Watercolors by J. Olaf Olson (NMc3: 389-392)

Nov. 7-24, 1928 -- Etchings by Sears Gallagher (NMc3: 393)

Nov. 13-26, 1928 -- Sand Dunes and Flowers by Frederick Lowell (NMc3: 393-394)

Nov. 26-Dec. 17, 1928 -- Etchings by Carlton T. Chapman (NMc3: 395)

Nov. 27-Dec. 10, 1928 -- Portraits by Ernest L. Ipsen (NMc3: 396-397)

Dec. 4-31, 1928 -- Etchings by Margery A. Ryerson (NMc3: 395)

Dec. 11-24, 1928 -- Landscapes in Watercolor and Gouache by H. Anthony Dyer and Character Studies in Watercolor and Pastel by Nancy Dyer (NMc3: 398-400)

Jan. 2-14, 1929 -- Figures and Landscapes by the Late J. Alden Weir, 1852-1929 (NMc3: 401-402)

Jan. 15-28, 1929 -- Paintings by H. Dudley Murphy; Watercolors by Nellie Littlehale Murphy (NMc3: 404-405)

Jan. 15-28, 1929 -- Portraits by William James (NMc3: 406-407)

Feb. 4-18, 1929 -- Twenty-five Etchings by Harold Denison (NMc3: 410, 416-417)

Feb. 5-18, 1929 -- Paintings by Emil Carlsen and Dines Carlsen (NMc3: 408-409)

Feb. 19-Mar. 4, 1929 -- Thirty Paintings by Thirty Artists (NMc3: 410-415)

Mar. 5-18, 1929 -- Marine Paintings by Stanley W. Woodward (NMc3: 419-423)

Mar. 19-Apr. 1, 1929 -- Watercolors by Frederick C. Frieseke (NMc3: 424-425)

Mar. 19-Apr. 1, 1929 -- Pastels of Louisiana by Will H. Stevens (NMc3: 424)

Apr. 1929 -- Paintings by Childe Hassam (NMc3: 433-438)

Apr. 2-15, 1929 -- Paintings by Arthur Meltzer (NMc3: 431)

Apr. 2-15, 1929 -- Watercolors by Earle B. Winslow (NMc3: 431)

June, 1929 -- Old Mill Afternoon by Childe Hassam, Ainslie Galleries, Inc., Detroit in collaboration with Macbeth Gallery (NMc3: 465-467)

Oct. 1-14, 1929 -- Portraits in Oil and Pastel by Paul Swan (NMc3: 472-473)

Oct. 15-28, 1929 -- Exhibitions from the Summer Colonies: No. 1, Lyme (NMc3: 476-477)

Oct. 19-29, 1929 -- Milch-Macbeth Exhibition of Prints and Paintings by American Artists at the High Museum under the auspices of the Atlanta Art Association (NMc3: 462)

Oct. 20-Nov. 11, 1929 -- Memorial Exhibition of Paintings by John Huffington (NMc3: 476-479)

Nov. 12-25, 1929 -- Exhibition from the Summer colonies: No. 2, Selections from the North Shore Arts Association of Gloucester (NMc3: 480-481)

Nov. 26-Dec. 3, 1929 -- Recent Landscapes by Charles H. Davis (NMc3: 482-483)

Dec. 10-Dec. 23, 1929 -- Watercolors by J. Olaf Olson (NMc3: 484-486)

Dec. 24-Jan. 6, 1930 -- Exhibitions from the Summer Colonies: No. 3, Mystic (NMc3: 487-488)

Jan. 7-20, 1930 -- Paintings of Wyoming Days and Nights by Ogden N. Pleissner (NMc3: 490, 492)

Jan. 21-Feb. 3, 1930 -- Landscapes by Aldro T. Hibbard (NMc3: 490-491)

Feb. 4-17, 1930 -- Thirty Paintings by Thirty Artists (NMc3: 493-498)

Feb. 4-18, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 500-502)

Feb. 18-Mar. 3, 1930 -- Decorative Pastels by Wilbur A. Reaser (NMc3: 503-504)

Feb. 18-Mar. 3, 1930 -- Landscapes by John F. Carlson (NMc3: 503, 505

Mar. 4-17, 1930 -- Art of the Cartoon by Clare A. Briggs (NMc3: 507)

Mar. 4-17, 1930 -- Watercolors by Gladys Brannigan (NMc3: 507)

Mar. 18-31, 1930 -- Landscapes by Chauncey F. Ryder (NMc3: 508-509)

Apr. 1-14, 1930 -- Landscapes by Harry Leith-Ross (NMc3: 510-511)

Apr. 15-29, 1930 -- The Soviet Union as Seen by Eliot O'Hara (NMc3: 512-513)

Spring 1930 -- Spring/Summer Exhibition (NMc3: 514-516)

Scrapbook 12, September 1930-December 1932

Oct. 1930 -- Opening Exhibition, 1930-1931 Season (NMc3: 517-519)

Oct. 14-Nov. 4, 1930 -- Etchings by Thomas Handforth (NMc3: 523-524)

Nov. 1930 -- Paintings of Museum Importance (NMc3: 521)

Nov. 4-25, 1930 -- Monotypes in Black and White by Seth Hoffman (NMc3: 522, 524

Dec. 1930 -- Paintings by Young Americans (NMc3: 525)

Dec. 1930 -- Etchings and Lithographs by Edward Haskell (NMc3: 526-527)

Jan. 6-31, 1931 -- Brittany and Other Recent Paintings by Jonas Lie (NMc3: 528-531)

Feb. 2-8, 1931 -- Group Exhibition of Important Paintings (NMc3: 535)

Feb. 9-21, 1931 -- Brackman (NMc3: 536)

Feb. 24-Mar. 7, 1931 -- Paintings by Paul Dougherty and Mahonri Young (NMc3: 539)

Mar. 9-28, 1931 -- Recent Paintings by Daniel Garber (NMc3: 540)

Mar. 30-Apr. 11, 1931 -- Brittany Subjects by Jay Connaway, Landscapes by Arthur Meltzer, Pastel Impressions by J. H. Guest (NMc3: 545-549)

Apr. 13-May 2, 1931 -- Paintings and Drawings by Abbot H. Thayer (NMc3: 545-549)

May, 1931 -- Selected Paintings and Etchings by American Artists (NMc3: 552-553)

Oct. 1931 -- October Show (NMc3: 355)

Oct. 1931 -- October Watercolor Exhibition (NMc3: 556)

Nov. 4-30, 1931 -- Fifteen New Paintings from the Artists Studios (NMc3: 558-559)

Nov. 11-Dec. 31, 1931 -- Lithographs by Stow Wengenroth (NMc3: 560-566)

Dec. 1-19, 1931 -- Small Paintings by Ivan Olinsky and Cecil Chichester (NMc3: 562-563)

Dec. 8-31, 1931 -- Wood Engravings by Thomas Nason (NMc3: 564)

Dec. 21-Jan. 9, 1932 -- Maine Coast Towns by C. K. Chatterton (NMc3: 565-566)

Jan. 11-23, 1932 -- Landscapes, Figures, Still Life Subjects Painted in Vermont by Herbert Meyer (NMc3: 564)

Jan. 11-23, 1932 -- Paintings by Lily Cushing (NMc3: 569, 571)

Jan. 25-Feb. 13, 1932 -- Hudson River School (NMc3: 573-576)

Feb. 15-27, 1932 -- Paintings by James Chapin (NMc3: 589)

Feb. 15-Mar. 1, 1932 -- Monotypes in Black and White by Seth Hoffman (NMc3: 590-591)

Feb. 29-Mar. 10, 1932 -- Sanford Ross: 16 Wash Drawings of 16 New Jersey Landmarks (NMc3: 598-599)

Feb. 29-Mar. 12, 1932 -- George Fuller, 1822-1844 (NMc3: 593-596)

Mar. 14-26, 1932 -- Winter Landscapes and Other Subjects by F. C. Frieseke (NMc3: 600-601)

Mar. 28-Apr. 9, 1932 -- Recent Paintings by Jonas Lie (NMc3: 603)

Apr. 11-30, 1932 -- Forty Years of American Art (NMc3: 605-610)

May 2-14, 1932 -- Paintings by a Group of Younger Artists (NMc3: 616-618)

June 1932 -- June Exhibition (NMc3: 619)

Sept. 26-Oct. 15, 1932 -- Paintings from the Summer Colonies (NMc3: 621-622)

Oct. 17-Nov. 7, 1932 -- Special Sale Exhibition (NMc3: 626-628)

Oct. 17-Nov. 7, 1932 -- Etchings and Lithographs by Mons Breidvik (NMc3: 626-627)

Nov. 9-26, 1932 -- Paintings by Max Bohm, Eugene Higgins, Jerome Myers, John Noble (NMc3: 630)

Nov. 14-Dec. 5, 1932 -- Lithographs by Stow Wengenroth (NMc3: 630)

Nov. 29-Dec. 12, 1932 -- Vermont Watercolors by Henry Holt (NMc3: 632-633)

Dec. 6-19, 1932 -- Lights of New York by Felicie Waldo Howell (NMc3: 634-635)

Dec. 14-Jan. 3, 1933 -- Paintings by Robert Strong Woodward (NMc3: 636)

Scrapbook 13, 1932

Scrapbook of 40th Anniversary of Macbeth Gallery, 1932.

Scrapbook 14, 1930-1934

Jan. 1-29, 1933 -- Forty Years of American Painting assembled by the Macbeth Gallery at Montclair Art Museum (NMc4: 263-268)

July 9-25, 1933 -- American Landscapes assembled by the Macbeth Gallery at Four Fountains, Southampton, NY (NMc4: 290-295)

Scrapbook 15, January 1933-February 1935

Jan. 1933 -- Watercolors Made by Americans, Assembled by the College Art Association (NMc3: 639-641)

Jan. 3-16, 1933 -- Drawings by J. Louis Lundean (NMc3: 643)

Jan. 17-30, 1933 -- Paintings of Flowers by C. G. Nelson (NMc3: 644)

Jan. 31-Feb. 13, 1933 -- Intimate Paintings (NMc3: 645)

Feb. 21-Mar. 6, 1933 -- Group Exhibition (NMc3: 646)

Mar. 1933 -- Paintings and Etchings by Living American Artists (NMc3: 647-648)

Mar. 7-20, 1933 -- Paintings by Robert Henri (NMc3: 649)

Mar. 21-Apr. 3, 1933 -- Watercolors by Sanford Ross (NMc3: 652)

Mar. 21-Apr. 10, 1933 -- Brackman (NMc3: 652-653)

Apr. 4-17, 1933 -- Opportunity Exhibition (NMc3: 661)

Apr. 4-18, 1933 -- Drawings by Adolf Dehn (NMc3: 661)

Apr. 11-24, 1933 -- The Sea at Monhegan by Jay Connaway (NMc3: 662)

Apr. 18-May 1, 1933 -- Watercolor Exhibition (NMc3: 663)

Apr. 25-May 8, 1933 -- Paintings by A. T. Hibbard, Hayley Lever and Ivan G. Olinsky (NMc3: 664)

May 2-22, 1933 -- Mono-Etchings by Bernard Sanders (NMc3: 664)

May 9-29, 1933 -- Child Portraits by Margery Ryerson (NMc3: 669)

May 16-29, 1933 -- Exhibition of Figures and Still Lifes, Macbeth Gallery Extension (NMc3: 669)

June 1933 -- American Art Past and Present (NMc3: 671)

Oct. 17-30, 1933 -- Paintings and Watercolors by a Group of American Artists Under 35 (NMc3: 672)

Oct. 31-Nov. 13, 1933 -- Drawings by Robert Henri (NMc3: 673)

Oct.-Nov. 1933 -- Mexico as Seen by American Printmakers (NMc3: 674)

Nov. 4-27, 1933 -- Brackman Portraits: Figures in Pastel (NMc3: 675, 678)

Nov. 4-27, 1933 -- American Sport and Other Subjects by Percy Crosby (NMc3: 675-677)

Nov. 28-Dec. 11, 1933 -- Paintings by Ogden M. Pleissner (NMc3: 684, 686)

Nov. 28-Dec. 11, 1933 -- Figures and Fantacies by Ralph Rowntree (NMc3: 684-685)

Nov. 28-Dec. 11, 1933 -- Paintings by Horace Day (NMc3: 681)

Nov. 28-Dec. 11, 1933 -- Drawings by Jerome Myers (NMc3: 682-683)

Dec. 12-23, 1933 -- Paintings by Janet Scudder (NMc3: 687)

Dec. 12-23, 1933 -- The New York Scene in Watercolor by Hamilton A. Wolf (NMc3: 688-689)

Dec. 26-Jan. 8, 1934 -- Group Exhibition, Members of the Louis Comfort Tiffany Foundation (NMc3: 692)

Jan. 9-27, 1934 -- Paintings by Herbert Meyer (NMc3: 692)

Jan. 24-Feb. 6, 1934 -- Oils, Watercolors, Drawings, Etchings by Harrison Cady (NMc3: 696-697)

Jan. 30-Feb. 19, 1934 -- Paintings and Drawings by Lintott (NMc3: 699-700)

Feb. 20-Mar. 12, 1934 -- Paintings by C. K. Chatterton (NMc3: 703-704)

Feb. 27-Mar. 12, 1934 -- Golinkin (NMc3: 707-708)

Mar. 6-20, 1934 -- Drawings by Meyer Bernstein (NMc3: 709)

Mar. 13-36, 1934 -- Paintings by Jonas Lie (NMc3: 710)

Mar. 20-Apr. 2, 1934 -- Watercolors of South America by Eliot O'Hara (NMc3: 712)

Mar. 27-Apr. 16, 1934 -- Memorial Exhibition, Paintings by Charles H. Davis, 1856-1933 (NMc3: 715-722)

Apr. 3-16, 1934 -- Drawings by Hetty Beatty, Sculptor (NMc3: 726)

Apr. 10-23, 1934 -- Oils and Watercolors by Gertrude Schweitzer (NMc3: 726)

Apr. 17-May 1, 1934 -- Monhegan Marines by Jan Connaway (NMc3: 727)

May 1-14, 1934 -- Watercolors and Pastels by H. Amaird Oberteuffer and Karl Oberteuffer (NMc3: 728)

May 1-21, 1934 -- Review of the Season (NMc3: 729)

May 7-14, 1934 -- Paintings by John C. E. Taylor, William Luther King, Stuyvesant van Veen (NMc3: 730)

May 1934? -- Third Exhibition and Sale of American Paintings at $100 (NMc3: 731)

June 4-15, 1934 -- Our Glorious Navy: Paintings by Arthur Beaumont, Lieut. U.S.N.R. (NMc3: 732-733)

Oct. 1-15, 1934 -- Opening Exhibition, Season of 1934-1935, Paintings by Nelson A. Moore, 1924-1902 (NMc3: 735-736)

Oct. 16-30, 1934 -- Collectors Examples of American Painting (NMc3: 739-740)

Nov. 7-19, 1934 -- Greenland and Other Subjects by Rockwell Kent (NMc3: 742-743)

Nov. 20-Dec. 3, 1934 -- Southern New Mexico: Drawings and Lithographs by Peter Hurd (NMc3: 748-749)

Nov. 20-Dec. 11, 1934 -- Brackman (NMc3: 742-743)

Dec. 4-31, 1934 -- Lithographs and Drawings of Stow Wengenroth (NMc3: 750)

Dec. 11-31, 1934 -- Robert Hallowell, Mostly Portraits (NMc3: 751-752)

Jan. 2-14, 1935 -- Leopold Seyffert, Subjects from Guatemala and Flowers (NMc3: 754-755)

Jan. 22-Feb. 4, 1935 -- Group of Paintings by Younger Artists (NMc3: 756)

Apr. 10-30, 1935 -- After St. Ives by Hayley Lever (NMc3: 761-762)

date unknown -- Mr. Jonas Lie: Brittany and Other Recent Paintings (NMc3: 764)

Sept. 30-Oct. 7, 1930 -- Watercolors by Carolyn G. Bradley and Marion L. Simmons (NMc3: 764-765)

March 28-April 19, 1932 -- Small Paintings of Museum Importance on Exhibition (NM3: 764-767)

Scrapbook 16, February 1935-January 1938

Feb. 5-19, 1935 -- Robert Strong Woodward, "Landscapes of New England" (NMc4: 401-402)

Feb. 19-28, 1935 -- Portraits by Leonebel Jacobs (NMc4: 404)

Mar. 5-18, 1935 -- Loan Exhibition (NMc4: 408-409)

Apr. 23-May 13, 1935 -- Still Lifes by Emil Carlsen, 1853-1932 (NMc4: 411-413)

May 14-June 3, 1935 -- Watercolors and Pastels (NMc4: 414)

Summer 1935 -- Summer Exhibition (NMc4: 415)

Oct. 8-21, 1935 -- Recent Paintings by Frederick C. Frieseke (NMc4: 416-417)

Nov. 19-Dec. 3, 1935 -- Drawings by Lintott (NMc4: 418-419)

Dec. 3-31, 1935 -- Drawings and Lithographs by Stow Wengenroth (NMc4: 420)

Dec. 9-31, 1935 -- Oils, Watercolors, Drawings by Gertude Schweitzer (NMc4: 421)

Jan. 14-Feb. 3, 1936 -- Herbert Meyer (NMc4: 422-423)

Feb. 1936 -- Group Exhibition (NMc4: 429)

Feb. 1936 -- Drawings by Eastman Johnson (NMc4: 430)

Feb. 4-17, 1936 -- Homer D. Martin, 1836-1897, Centennial Exhibition (NMc4: 426-427)

Mar. 10-23, 1936 -- Contemporary Americans (NMc: 430)

Mar. 10-23, 1936 -- Watercolors by Steven Donahos (NMc4: 430)

Mar. 24-Apr. 16, 1936 -- Brackman (NMc4: 431)

Apr. 7-27, 1936 -- Paintings and Watercolors by C. K. Chatterton (NMc4: 433-434)

Apr. 28-May 11, 1936 -- Group Exhibition (NMc4: 435)

Apr. 28-May 11, 1936 -- Watercolors by Mary S. Powers (NMc4: 435)

May 19-June 1, 1936 -- Drawings by Richard Guggenheimer (NMc4: 436)

May 27-June 3, 1936 -- Pastel Portraits by Frank Root McCreery (NMc4: 437-438)

Oct. 5-26, 1936 -- Opening Exhibition, 45th Season, New Paintings by Fourteen American Painters (NMc4: 447-448)

Nov. 4-16 1936 -- Paintings by Elliot Orr (NMc4: 444-445)

Nov. 17-30, 1936 -- Recent Paintings by Ogden M. Pleissner (NMc4: 447-448)

Dec. 1936 -- Lester D. Boronda: Paintings from Mason's Island (NMc4: 449)

Dec. 15, 1936-Jan. 18, 1937 -- An Introduction to Homer (NMc4: 451-460)

Jan. 19-Feb. 1, 1937 -- Exhibition of Portraits by Stuart, Copley, West, Allston, Badger, Jarvis, Morse, Sully, Peale, Smibert and Waldo (NMc4: 478-479)

Jan. 19-Feb. 1, 1937 -- Group of Watercolors (NMc4: 480)

Feb. 2-15, 1937 -- John C. E. Taylor: Flower Arrangements and Other Oils (NMc4: 481)

Feb. 16-Mar. 1, 1937 -- Paintings and Watercolors by Horace Day (NMc4: 482)

Mar. 2-15, 1937 -- Hayley Lever, Paintings New and Old (NMc4: 485)

Mar. 2-15, 1937 -- Paintings by Josef Presser (NMc4: 485)

Mar. 16-Apr. 5, 1937 -- Recent Work by Jon Corbino (NMc4: 487-490)

Apr. 13-26, 1937 -- Memorial Exhibition of Paintings, Crayon Drawings and Dry Points by the late Alexander Shilling (NMc4: 499)

Apr. 30-May 17, 1937 -- Edna Reindel (NMc4: 503)

Oct. 5-19, 1937 -- American Paintings Dedicating the Art Gallery Woman's Club Art Building, Montana State University (NMc4: 505-514)

Oct. 6-18, 1937 -- Opening Exhibition, Paintings by a Group of Contemporary Artists (NMc4: 517)

Oct. 19-Nov. 1, 1937 -- First Exhibition, Watercolors by Andrew Wyeth (NMc4: 518-519)

Nov. 2-15, 1937 -- Marine and Other Subjects from the Canary Islands by Cadwallader Washburn (NMc4: 524-525)

Nov. 16-29, 1937 -- Paintings by Lorenzo James Hatch (NMc4: 524-525)

Nov. 30-Dec. 14, 1937 -- Monhegan Island, Maine, Marines by Jay Connaway (NMc4: 527)

Jan. 4-17, 1938 -- "The Eight" Thirty Years Later (NMc4: 529-530)

Scrapbook 17, January 1938-July 1941

Jan. 18-Feb. 1, 1938 -- Paintings by Dale Nichols (NMc4: 538-540)

Feb. 8-21, 1938 -- Vermont in Watercolors by Stanford Stevens (NMc4: 541-542)

Feb. 8-21, 1938 -- Modern American Interior: Prizewinning Design and Selected Drawings from a Competition Sponsored by James H. Blauvet and Associates, Interior Designers (NMc4: 543)

Feb. 23-Mar. 7, 1938 -- Herbert Dickens Ryman (NMc4: 546)

Mar. 1-14, 1938 -- Paintings and Watercolors by Anne Goldthwaite (NMc4: 546-547)

Mar. 8-21, 1938 -- Recent Watercolors of Woodstock, Charleston, New England by John W. Taylor (NMc4: 548-549)

Mar. 22-Apr. 11, 1938 -- Jon Corbino (NMc4: 554-561)

Apr. 12-25, 1938 -- Paintings by Ohio Artists (NMc4: 580-571)

Apr. 26-May 9, 1938 -- Paintings by Furman Joseph Finck (NMc4: 572-573)

May-June 1938 -- Winslow Homer: Watercolors and Early Oils from the Estate of Mrs. Charles S. Homer and Other Sources (NMc4: 574-579)

Oct. 4-28, 1938 -- Opening Exhibition (NMc4: 581)

Nov. 1-23, 1938 -- Dale Nichols, Watercolors and Tempera of Alaskan Subjects (NMc4: 582-583)

Nov. 29-Dec. 19, 1938 -- Sea Island Country Watercolors by Horace Day (NMc4: 584)

Jan. 10-30, 1939 -- Herbert Meyer (NMc4: 588-589)

Feb. 7-27, 1939 -- American Watercolors Past and Present (NMc4: 592-597

Mar. 7-Apr. 3, 1939 -- Monhegan by Jay Connaway (NMc4: 602-603)

Apr. 5-24, 1919 -- Oils and Watercolors by Ogden M. Pleissner (NMc4: 606-607)

May 2-22, 1939 -- Paintings by Francis Chapin, Antonio P. Matino, and Moses Soyer and Drawings by Jon Corbino (NMc4: 609-611)

Oct. 10-30, 1939 -- Andrew Wyeth (NMc4: 614)

Nov. 1-30, 1939 -- Americana Paintings, Watercolors, Prints, Drawings (NMc4: 616-617)

Dec. 5-30, 1939 -- In the Georges Islands, Maine: Paintings by N.C. Wyeth (NMc4: 618)

Dec. 5-30, 1939 -- Dry Brush Drawings by Stow Wengenroth (NMc4: 618-619)

Jan. 2-27, 1940 -- Brackman (NMc4: 623-624)

Jan. 30-Feb. 19, 1940 -- Paintings by Moses Soyer (NMc4: 630-631)

Feb. 20-Mar. 11, 1940 -- Watercolors by Emil J. Kosa, Jr. (NMc4: 637)

Mar. 12-30, 1940 -- Paintings by Edna Reindel (NMc4: 636)

April 1940 -- Paintings and Drawings by Jon Corbino (NMc4: 639-640)

May 7-18, 1940 -- "Star Boat Races," by Gerald Foster (NMc4: 640)

Summer 1940 -- Summer Exhibition (NMc4: 641)

Oct. 1940 -- October Exhibition (NMc4: 642)

Nov. 12-Dec. 2, 1940 -- Paintings by Antonio P. Martino (NMc4: 645)

Dec. 10-30, 1940 -- Monhegan Paintings and Sketches by Jay Connaway (NMc4: 648)

Dec. 31, 1940-Jan. 13, 1941 -- Oils and Watercolors by Contemporary Artists (NMc4: 649)

Jan. 14-Feb. 3, 1941 -- Paintings and Drawings by Augustus Vincent Tack (NMc4: 650-651)

Feb. 4-24, 1941 -- Recent Paintings by Peter Hurd (NMc4: 652)

Feb. 18-Mar. 3, 1941 -- Earl Gross Watercolors (NMc4: 654-655)

Feb. 25-Mar. 16, 1941 -- Recent Paintings by Herman Maril (NMc4: 656-657)

Mar. 18-Apr. 5, 1941 -- Joseph de Martini Gouache Paintings (NMc4: 656)

Mar. 25-Apr. 7, 1941 -- Men of Moment: Drawings by Ivan Opffer (NMc4: 660)

Apr. 8-28, 1941 -- Paintings by Orland Campbell (NMc4: 661-662)

Apr. 29-May 12, 1941 -- Small Paintings by Moses Soyer (NMc4: 667-668)

May 1941 -- Group Exhibition (NMc4: 667)

May 13-24, 1941 -- The 1941 Showing of Blauvelt Interiors (NMc4: 669-671)

May-June 1941 -- Group Exhibition (NMc4: 669)

Scrapbook 18, July 1941-October 1945

Sept. 1941 -- Group Exhibition: Oils (NMc4: 682)

Oct. 7-27, 1941 -- Third Exhibition of Watercolors by Andrew Wyeth (NMc4: 685)

Oct. 28-Nov. 17, 1941 -- Recent Oils and Watercolors by Ogden M. Pleissner (NMc4: 685-686)

Oct. 28-Nov. 17, 1941 -- Watercolors by Merrill A. Bailey (NMc4: 685)

Nov. 18-Dec. 1, 1941 -- Drawings and Watercolors by Carl Newland Werntz (NMc4: 688-689)

Nov. 18-Dec. 1, 1941 -- Hymn to the Sun: A Sculpture in Bronze by Emily Winthrop Miles (NMc4: 688)

Dec. 1941 -- Group Exhibition (NMc4: 690)

Dec. 2-22, 1941 -- Original Dolls by Edith Flack Ackley and their Portraits in Watercolor by Telka Ackley (NMc4: 690)

Jan. 5-24, 1942 -- Paintings by Furman Joseph Finck (NMc4: 694)

Jan. 5-24, 1942 -- Watercolors of Maine and Florida by Maurice Becker (NMc4: 694-695)

Jan. 19-Feb. 14, 1942 -- Watercolors, Pastels, Drawings by Jerome Myers, 1867-1940 (NMc4: 696)

Feb. 16-28, 1942 -- Watercolors by Cory Kilvert (NMc4: 697-698)

Feb. 16-Mar. 7, 1942 -- Paintings by Deceased American Masters (NMc4: 697-698)

Mar. 9-28, 1942 -- Paintings by Marsden Hartley (NMc4: 700-701)

Mar. 9-28, 1942 -- Watercolors by Karl Mattern (NMc4: 700)

Apr. 13-30, 1942 -- Fiftieth Anniversary Exhibition, 1892-1942 (NMc4: 703-704)

May 4-29, 1942 -- Group Exhibition (NMc4: 707)

June 1942 -- June Exhibition (NMc4: 708)

June 15-27, 1942 -- War Bond Exhibitions of Contemporary American Art (NMc4: 708)

Sept. 1942 -- September Exhibition (NMc4: 709)

Nov. 16-28, 1942 -- Watercolors by Jean Paul Slusser (NMc4: 710)

Nov. 24-Dec. 12, 1942 -- T. Chambers, First American Modern (NMc4: 711-714)

Dec. 1-14, 1942 -- Watercolors by Red Robin (NMc4: 715-716)

Dec. 15, 1942-Jan. 2, 1943 -- Leaves From a Soldier's Sketchbook by Pvt. Olin Dows, U. S. Army (NMc4: 717)

Jan. 4-23, 1943 -- Paintings by Sprinchorn (NMc4: 717-718)

Feb. 1-13, 1943 -- Group Exhibition (NMc4: 719)

Feb. 15-Mar. 6, 1943 -- Small Paintings by Moses Soyer (NMc4: 720)

Mar. 15-27, 1943 -- Ellen du Pont Wheelwright (NMc4: 721)

Mar. 15-27, 1943 -- Watercolors by Cory Kilvert (NMc4: 721)

Mar. 29-Apr. 17, 1943 -- Recent Paintings by Joseph De Martini (NMc4: 722)

Mar. 29-Apr. 17, 1943 -- Watercolor Exhibition (NMc4: 722)

Apr. 19-May 1, 1943 -- Corp. Herman Maril (NMc4: 728)

Apr. 19-May 8, 1943 -- Theodore Robinson (NMc4: 723-725)

May-June 1943 -- Group Exhibition (NMc4: 729)

Sept. 1943 -- Group Exhibition (NMc4: 731)

Oct. 11-30, 1943 -- Watercolors by Henry Gasser (NMc4: 723-733)

Nov. 1-20, 1943 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 735-736)

Nov. 22-Dec. 4, 1943 -- Portraits of Children by Barnard Lentott (NMc4: 741-742)

Dec. 1943 -- Group Exhibition (NMc4: 741)

Dec. 6-24, 1943 -- Rural Vermont: Watercolors by Sylvia Wright (NMc4: 743-744)

Jan. 3-15, 1944 -- Watercolors of War by Red Robin (NMc4: 743-744)

Jan. 31-Feb. 19, 1944 -- Loan Exhibition, Worthington Whittredge, 1825-1910 (NMc4: 745-746)

Feb. 21-Mar. 11, 1944 -- Paintings by Constance Richardson (NMc4: 749-750)

Mar. 13-Apr. 1, 1944 -- Watercolors by Vanessa Helder (NMc4: 751, 753)

Mar. 13-Apr. 1, 1944 -- Temperas and Watercolors by Peter Hurd (NMc4: 751-753)

Apr. 3-22, 1944 -- American Paintings of the Early 19th Century (NMc4: 754-755)

Apr. 24-May 13, 1944 -- Brackman (NMc4: 756-757)

May 15-June 3, 1944 -- Two Vermont Artists: Clay Bartlett and Arthur K. D. Healy (NMc4: 758-759)

June 5-24, 1944 -- Women at War by Edna Reindel (NMc4: 760)

July 1944 -- Group Exhibition (NMc4: 762)

Sept. 25-Oct. 15, 1944 -- Group Exhibition (NMc4: 763)

Oct. 16-Nov. 4, 1944 -- Paintings by Felicia Meyer (NMc4: 764-765)

Nov. 15-Dec. 2, 1944 -- The Aleutian Air Force: Paintings by Ogden M. Pleissner (NMc4: 766-767)

Dec. 4-23, 1944 -- Paintings by John W. Taylor (NMc4: 769-770)

Jan. 8-27, 1945 -- Paintings by Carl Gaertner (NMc4: 771-772)

Jan. 29-Feb. 10, 1945 -- Contemporary American Watercolors (NMc4: 772)

Feb. 19-Mar. 10, 1945 -- Paintings and Watercolors by Maurice Becker (NMc4: 773-774)

Mar. 12-31, 1945 -- Some Early 19th Century Americans (NMc4: 777-778)

Apr. 2-21, 1945 -- Paintings by Joseph De Martini (NMc4: 778-779)

Apr. 23-May 12, 1945 -- Gouaches by Herman Maril (NMc4: 781)

Apr. 23-May 12, 1945 -- Paintings by Molly Luce (NMc4: 781-782)

May-June 1945 -- Group Exhibition: Contemporary Oils and Watercolors (NMc4: 783)

July, Sept., 1945 -- Group Exhibition (NMc4: 783)

Oct. 1-7, 1945 -- Group Exhibition (NMc4: 784)

Scrapbook 19, October 1945-November 1949

Oct. 26-Nov. 17, 1945 -- Tempera and Watercolors by Andrew Wyeth (NMc4: 787-788)

Nov. 26-Dec. 15, 1945 -- Marsden Hartley: Paintings and Drawings (NMc4: 791-792)

Dec. 1945 -- Christmas Exhibition (NMc4: 793)

Jan. 7-26, 1946 -- New York in Watercolors by James Lechay (NMc4: 794)

Jan. 28-Feb. 16, 1946 -- Herbert Meyer (NMc4: 795)

Feb. 18-Mar. 19, 1946 -- Ary Stillman (NMc4: 797-798)

Mar. 11-30, 1946 -- Watercolors by Arthur K. D. Haley (NMc4: 800-801)

Apr. 1-20, 1946 -- Albert P. Ryder (NMc4: 802-805)

Apr. 22-May 11, 1946 -- Paintings by Constance Richardson (NMc4: 809-810)

May 13-31, 1946 -- Furman Jospeh Finck (NMc4: 811-812)

June 1946 -- Group Exhibition (NMc4: 813)

July 1946 -- Group Exhibition (NMc4: 813)

Sept. 1946 -- Group Exhibition (NMc4: 814)

Sept. 30-Oct. 19, 1946 -- Gouaches by Charles Schucker (NMc4: 815)

Oct. 2-Nov. 9, 1946 -- Watercolors and Drawings by Olin Dows (NMc4: 816-817)

Nov. 4-30, 1946 -- Ogden M. Pleissner (NMc4: 818)

Dec. 2-28, 1946 -- Oils and Watercolors by Emil J. Kosa, Jr. (NMc4: 819-820)

Jan. 6-26, 1947 -- Carl Gaertner (NMc4: 821-822)

Jan. 27-Feb. 15, 1947 -- Carl Sprinchorn (NMc4: 823)

Mar. 3-22, 1947 -- Dorothy Hoyt (NMc4: 825-826)

Mar. 24-Apr. 12, 1947 -- Joseph De Martini (NMc4: 827-828)

Apr. 14-May 10, 1947 -- Whistler Loan Exhibition (NMc4: 828-834)

June-July, 1947 -- Summer Exhibition (NMc4: 840)

Sept. 1947 -- Group Exhibition (NMc4: 841)

Oct. 13-Nov. 1, 1947 -- Paintings by Allen Tucker (NMc4: 842-844)

Nov. 3-22, 1947 -- Watercolors by Henry Gasser (NMc4: 846-847)

Nov. 24-Dec. 13, 1947 -- James Lechay (NMc4: 849-850)

Dec. 15, 1947-Jan. 3, 1948 -- Watercolor Exhibition (NMc4: 851)

Jan. 5-24, 1948 -- Clay Bartlett (NMc4: 852-853)

Jan. 26-Feb. 14, 1945 -- Exhibition (NMc4: 854)

Jan. 26-Feb. 14, 1948 -- Oils and Watercolors by Contemporary Artists (NMc4: 854)

Feb. 16-Mar. 6, 1948 -- Herman Maril (NMc4: 855-856)

Mar. 22-Apr. 3, 1948 -- American Art: A Multiple Exhibition arranged by the Associated Dealers in American Art (NMc4: 857-858)

Apr. 5-24, 1948 -- Raphael Gleitsmann (NMc4: 866-867)

Apr. 26-May 15, 1948 -- Oils and Watercolors by John La Farge (NMc4: 864)

May-Sept. 1948 -- Group Exhibitions (NMc4: 867)

Oct. 4-23, 1948 -- Watercolors by Charles Culver (NMc4: 869-870)

Oct. 26-Nov. 13, 1948 -- Ogden M. Pleissner (NMc4: 872)

Nov. 15-Dec. 4, 1948 -- Andrew Wyeth (NMc4: 874-875)

Nov. 21-Dec. 4, 1948 -- Oils and Gouaches by Charles Schucker (NMc4: 332-333)

Dec. 6-31, 1948 -- Watercolors and Drawings by Hermann Gross (NMc4: 877-878)

Jan. 4-22, 1949 -- Electra Bostwick (NMc4: 879, 882)

Jan. 27-Feb. 19, 1949 -- Paintings by Edna Reindel (NMc4: 880-881)

Feb. 28-Mar. 19, 1949 -- Thomas Doughty (NMc4: 885-887)

Mar. 21-Apr. 9, 1949 -- Watercolors by Arthur K. D. Healy (NMc4: 889)

Apr. 12-30, 1949 -- Drawings by Olin Dows (NMc4: 890)

May 1949 -- Group Exhibition (NMc4: 894)

Oct. 10-29, 1949 -- Clay Bartlett: Paintings of North and South America (NMc4: 895-896)

Nov. 1-19, 1949 -- Watercolors by Henry Gasser (NMc4: 897-898)

Scrapbook 20, 1949-1952

Nov. 21-Dec. 10, 1949 -- Oils and Gouaches by Charles Shucker (NMc4: 332-333)

Dec. 1949 -- Watercolor Exhibition (NMc4: 334)

Jan. 3-21, 1950 -- Carl Gaertner (NMc4: 335-356)

Jan. 23-Feb. 11, 1950 -- Constance Richardson (NMc4: 337-338)

Mar. 6-25, 1950 -- John Taylor (NMc4: 339-340)

Apr. 1950 -- Joseph De Martini (NMc4: 341)

May 8-27, 1950 -- Carl Sprinchorn (NMc4: 342-343)

Summer 1950 -- Summer Exhibition (NMc4: 345)

Oct. 9-28, 1950 -- Caseins by James Lechay (NMc4: 345-346)

Oct. 31-Nov. 18, 1950 -- Ogden M. Pleissner: Paris and the Provinces (NMc4: 347-348)

Nov. 21-Dec. 9, 1950 -- Andrew Wyeth (NMc4: 349-350)

Jan. 2-20, 1951 -- Nat Koffman (NMc4: 356-357)

Jan. 22-Feb. 10, 1951 -- Watercolors by Hermann Gross (NMc4: 358)

Feb. 12-Mar. 3, 1951 -- Watercolors (D55:390-391; NMc4: 359)

Mar. 5-24, 1951 -- Paintings by Francis Colburn (NMc4: 360)

Mar. 27-Apr. 14, 1951 -- Paintings by Herman Maril (NMc4: 361)

Apr. 16-May 5, 1951 -- Raphael Gleitsmann (NMc4: 362-363)

Summer 1951 -- Summer Exhibition (NMc4: 364)

July 7-Aug. 4, 1951 -- Paintings and Drawings by Andrew Wyeth (NMc4: 364-381)

Nov. 26-Dec. 15, 1951 -- Watercolors by Arthur K. D. Healy (NMc4: 387)

Feb. 4-Mar. 1, 1952 -- Italian Landscapes by George Inness (NMc4: 388-389)

June-July, Sept. 1952 -- Summer Exhibition (NMc4: 392)

Nov. 6-29, 1952 -- Andrew Wyeth (NMc4: 391-392)

Restrictions:

Fragile original scrapbooks are closed to researchers. For more information, please contact Reference Services.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.

Identifier:

AAA.macbgall, Series 5

See more items in:

Macbeth Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92653096a-424e-4227-a661-9a1b02109acc

EDAN-URL:

ead_component:sova-aaa-macbgall-ref13377

Creator:

Ramsburg, Charles, 1942-  Search this

Type:

Video recordings

Citation:

Charles Ramsburg papers, 1959-2020. Archives of American Art, Smithsonian Institution.

Theme:

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)17528

(DSI-AAA_SIRISBib)391839

AAA_collcode_ramschar

Theme:

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_391839

Correspondent:

Fenton, William N. (William Nelson), 1908-2005  Search this

Blegan, Carl W.  Search this

Blumberg, Baruch  Search this

Boaz, Noel T.  Search this

Bonin, Gerhardt von  Search this

Borst, Lyle B.  Search this

Bostanci, Enver  Search this

Boulter, Cedric  Search this

Bouton, Katherine  Search this

Auel, Jean M.  Search this

Aufderheide, Arthur C.  Search this

Bird, Junius  Search this

Birdsell, Joseph B.  Search this

Bisel, Sara C.  Search this

Bishop, Philip W.  Search this

Blackburn, Tucker  Search this

Blakely, Robert L.  Search this

Brooks, Sheilagh T.  Search this

Broneer, Oscar  Search this

Brown, Thorton  Search this

Brothwell, Donald R.  Search this

Brozek, Josef  Search this

Brownstein, Elizabeth S.  Search this

Bruch, Hilde  Search this

Bruce-Chwatt, L.J.  Search this

Brace, C. Loring  Search this

Boyd, William C.  Search this

Brett-Smith, Sarah  Search this

Breitinger, Emil  Search this

Brieger, Heinrich  Search this

Brew, J. O. (John Otis), 1906-1988  Search this

Brodkin, Henry A.  Search this

Briggs, Lloyd Cabot  Search this

Cappieri, Mario  Search this

Carpenter, Rhys  Search this

Campbell, T.N.  Search this

Canby, Courtlandt  Search this

Caskey, John L.  Search this

Cavalli-Saforz, L.L.  Search this

Carter, George F.  Search this

Carter, L. Clyde  Search this

Buettner-Janusch, John, 1924-1992  Search this

Buikstra, Jane E.  Search this

Brues, Alice M.  Search this

Buck, Rodger L.  Search this

Caldwell, Margaret Catherine  Search this

Campbell, John M.  Search this

Burdo, Christopher  Search this

Burns, Peter E.  Search this

Chardin, P. Teilhard de  Search this

Chapman, Florence E.  Search this

Clark, George Arthur  Search this

Chiarelli, B.  Search this

Chattopadhyay, Prasanta Kumar  Search this

Chase, George H.  Search this

Cobb, W. Montague  Search this

Cobb, Stanley  Search this

Clement, Paul A.  Search this

Clark, Grahame  Search this

Coleman, John E.  Search this

Cockburn, Thomas Aidan, 1912-1981  Search this

Cockburn, Eve  Search this

Conant, James B.  Search this

Conant, Francis P.  Search this

Comas, Juan, 1900-1979  Search this

Colt, H. Dunscombe  Search this

Beardsley, Richard K. (Richard King), 1918-1978  Search this

Becker, Howard  Search this

Bear, John C.  Search this

Beardsley, Grace  Search this

Beilicki, Tadeusz  Search this

Benedict, Ruth, 1887-1948  Search this

Becker, Marshall Joseph  Search this

Becker, R. Frederick  Search this

Bennett, Linda A.  Search this

Benoist, Jean  Search this

Bennett, George A.  Search this

Bennett, Kenneth A.  Search this

Betsch, William F.  Search this

Charles, Robert P.  Search this

Benson, John L.  Search this

Berger, Susanne  Search this

Adelmann, Howard B.  Search this

Ackerknecht, Erwin H.  Search this

Allison, Marvin J.  Search this

Ahlborn, Richard E., 1933-2015  Search this

Anderson, James E.  Search this

Anderson, Harriet  Search this

Ayers, Hester Merwin, 1902-1975  Search this

Angel, Elizabeth  Search this

Bach, Julian S.  Search this

Baby, Raymond S.  Search this

Baker, Paul T.  Search this

Bakalakis, George  Search this

Barnicot, N.A.  Search this

Ballard, Mary W.  Search this

Bastian, Tyler  Search this

Bass, William Martston  Search this

Armstrong, P. Livingstone  Search this

Armelagos, George J.  Search this

Arensburg, Baruch  Search this

Arensberg, Conrad M. (Conrad Maynadier), 1910-1997  Search this

Angel, Steven  Search this

Angel, Margaret  Search this

Angel, J. Lawrence (John Lawrence)  Search this

Angel, Henry  Search this

Aberle, Donald F.  Search this

Acheson, Roy  Search this

Eisenhart, Luther P.  Search this

Elderkin, Roland D.  Search this

El-Najjar, Mahmoud Y.  Search this

Eggan, Fred, 1906-1991  Search this

Eiben, O.G.  Search this

Ehrich, Robert W.  Search this

Dupree, Louis Benjamin  Search this

Dupertuis, C. Wesley  Search this

Edwards, Roger  Search this

Eberhart, Sylvia  Search this

Dow, Sterling  Search this

Domurad, Melodie R.  Search this

Duong, Chho L.  Search this

Dunn, L.C.  Search this

Ferembach, Denise  Search this

Ferguson, C.L.  Search this

Collins, Henry B. (Henry Bascom), 1899-1987  Search this

Fawcett, Don W.  Search this

Fedele, Francesco G.  Search this

Fejos, Paul, 1897-1963  Search this

Felts, William J.L.  Search this

Fairservis, Walter Ashlin, 1921-1994  Search this

Farfan, Harry F.  Search this

Farrell, Corinne  Search this

Fitzhugh, William W., 1943-  Search this

Farris, Edmond J.  Search this

Ely, John  Search this

Endicott, Kenneth M.  Search this

Eyman, Charles E.  Search this

Danson, Edward B.  Search this

Danby, Patricia M.  Search this

Damon, Albert  Search this

Dahlgerg, Albert A.  Search this

Cutter, Margot  Search this

Cummins, Harold, 1893-1976  Search this

Crawford, Michael H.  Search this

Cowan, Richard S., 1921-1997  Search this

Courbain, Paul  Search this

Count, Earl W.  Search this

Corwin, Arthur H.  Search this

Corruccini, Robert S.  Search this

Cook, Della Collins  Search this

Constantoulis, Nestor C.  Search this

Constable, Giles  Search this

Dinsmoor, William B.  Search this

Dobzhansky, Theodosius  Search this

Dietz, Soren  Search this

Dikaios, Porphyrios  Search this

Desmond, Waldo Fairfield  Search this

Dibennardo, Robert  Search this

DePalma, Anthony F.  Search this

Derousseau, C. Jean  Search this

Deflakis, Evangelia Protonotariou  Search this

Demerec, M.  Search this

De Villiers, Hertha  Search this

De Vries, Keith  Search this

De Lumley, Henry  Search this

De Vasto, Michael A.  Search this

Daux, Georges  Search this

Davis, Jefferson D.  Search this

Coon, Carleton S. (Carleton Stevens), 1904-1981  Search this

Fox, Dorothy  Search this

Foster, Giraud V.  Search this

Forziati, Florence H.  Search this

Fiske, Barbara  Search this

Finkel, David J.  Search this

Fierro, Marcella F.  Search this

Forde, Cyril Daryll, 1902-  Search this

Flick, John B.  Search this

Flander, Louise  Search this

Field, Henry  Search this

Evans, Clifford, Jr.  Search this

Ford, James Alfred, 1911-1968  Search this

Creator:

United States. Department of the Interior  Search this

Ashley-Montagu, Montague Francis  Search this

Angel, J. Lawrence (John Lawrence)  Search this

Eiseley, Loren C., 1907-1977  Search this

Edynak, Gloria Jean  Search this

United States. Department of the Navy  Search this

United States. Dept. of State  Search this

United States. Department of Commerce  Search this

United States. War Department  Search this

United States. Department of the Army  Search this

Names:

American Academy of Forensic Sciences  Search this

American Anthropological Association  Search this

American Association for the Advancement of Science  Search this

American Association of Physical Anthropologists  Search this

Extent:

70 Linear feet (Approximately 70 linear feet of textual materials and over 30,000 photographic items.)

Type:

Collection descriptions

Archival materials

Date:

1930s-1980s

Summary:

The papers of John Lawrence Angel present a complete portrait of the professional life of one of the most important and influential physical anthropologists in the United States. Angel was best known for his work with cultures in the eastern Mediterranean and for his work in forensic anthropology; but his contributions were widespread. His influence was felt in studies of human microevolution, the relationship between environment and disease, human evolution, and paleopathology. His research was said to be ten years ahead of its time.

The papers include correspondence with many of the leading anthropologists of the time; honors and awards bestowed on Angel; materials on Angel's educational career, both as an undergraduate and as a teacher; extensive photographs; a virtually complete collection of his writings; materials concerning his research and his work in forensic anthropology; and his activities in professional organizations. The bulk of the papers reflect Angel's life-long interest in examining the relationship between culture and biology in human groups through time. There are a few records on Angel's administrative involvement in the Department of Anthropology of the United States National Museum/National Museum of Natural History.

Scope and Contents:

Angel began his undergraduate studies at Harvard University in the classics, following in the footsteps of his American mother (who trained as a classicist and was the daughter of a Yale University professor of Greek) and his British father, who was a sculptor. While still an undergraduate, Angel came under the influence of Clyde Kluckhohn, Carleton S. Coon, and Earnest A. Hooton, and his interest turned to anthropology. The combination of anatomy and classicist training developed into a life-long interest and work in the social biology of the peoples of Greece and the Near East.

In addition to his work in Greece and the Near East, the papers include Angel's studies of American populations of colonial peoples and slaves; his forensic anthropology analyses of skeletal remains for law enforcement groups and the United States military; his studies of obesity and other diseases and the possible genetic link behind them; Angel's analysis of the skeletal remains of James Smithson; his involvement in early reburial issues concerning American Indians, particularly the return of the remains of Captain Jack and other Modocs; and Angel's concern and involvement in civil liberty matters and in community affairs.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

(1) Miscellaneous personal papers, 1933-1986; (2) correspondence, 1936-1986; (3) research in the eastern Mediterranean, 1936-1986; (4) anthropology of chronic disease, 1943-1965; (5) Harvard University-Johns Hopkins University Hospital anthropology study, 1959-1964; (6) five generation study, 1962-1985; (7) skull thickness project, 1968-1976; (8) biological and cultureal microdifferential among rural populations of Yugoslavia, 1981-1986; (9) First African Baptist Church, Philadelphia, 1983-1987; (10) other research projects (bone density change, Catoctin Furnace site, Virginia colonial sites), 1945-1986; (11) education, 1940-1986; (12) legal matters, 1962-1986; (13) reference materials, 1930-1986; (14) writing of J. Lawrence Angel, 1932-1988; (15) Smithsonian Department of Anthropology, Division of Physical Anthropology, 1961-1968; (16) professional organizations and meetings, 1942-1987; (17) writings by other authors, 1950-1985; (18) grants, 1951-1962; (19) miscellany, 1937-1985; (20) photographs, 1936-1986

Biographical Note:

J. Lawrence Angel was educated in the classics in his native England and at The Choate School in Connecticut. He studied anthropology at Harvard University (A.B., 1936; Ph.D., 1942). He was an instructor at the University of California at Berkeley in 1941-1942 and at the University of Minnesota in 1942-1943. In 1943-1962, he was on the staff of the Daniel Baugh Institute of Anatomy at the Jefferson Medical College in Philadelphia, starting as an assistant and rsising to a professor. In 1962, he became the curator for physical anthropology in the Smithsonian Institution's Department of Anthropology and continued in that position until he died. Angel was also a research associate with the University Museum of the University of of Pennsylvania, 1946-1962; civil consultant in surgical anatomy of the United States Naval Hospital in Philadelphia, 1957-1962; visiting professor of anatomy, Howard University, 1962-1986; and professorial lecturer at the George Washington University, 1962-1986. He was also a lecturer in forensic pathology at the department of Public Health, Johns Hopkins University, Baltimore, Maryland, and visiting professor at the University of California at Berkeley in 1962.

Angel summarized his research interests as (1) human social biology, involving the "interrrelations of health, disease, body build, longevity, genetic mixture and variability with each other, with climate and ecology, and with level of culture, nutrition and achievement as seen in history, in evolution, or clinically"; (2) palaeodemography as related to the rise and decline of disease (falciparum malaria)"; and (3) "relation of structure to function and to genetic determinants as seen in form of joints and in density, mineral historology and muscularity of bones, or in process of 'arthritic' change in relation to aging."

The single most enduring interest in Angel's career was the pre- and proto-history of the population of Greece and nearby areas of the eastern Mediterranean. Beginning in 1937, Angel made repeated trips to the region, only highlights of which are provided here. In 1938, he studied skeletal material from Troy which W.T. Semple, of the University of Cincinnati had deposited in the Archaeological Museum at Istanbul. In 1938, he studied skeletal material mostly excavated in the area of Corinth. He worked at the Cyprus Museum in 1949, studying skulls from Vasa and skeletal material from Bamboula. During that year, he also studied living people at a Cypriote village. In 1952, he worked with Carleton S. Coon on skeletal material from Hotu Cave. In 1954, he studied materials from the Agora excavations and from Eleusis. During the same year, he also visited the British Museum and many sites in Greece studying Myceanean skeletons excavated by George E. Mylonas, John Papadimitrious, and A.J.B. Wace. In 1954, he again studied skeletal material excavated at Bamboula and, in 1957, skeletons from Eleusis. In 1965, he studied human bones from twenty-two sites in Greece and Turkey that dated from the paleolithic to moderntimes, including material from a Bryan Mawr College excavation at Elmali, an excavation at Karatas-Semeyuk in Lycia, and collections in the Archaeological Museum of Ankara and in the museum at Verroia in Macedonia. In 1969, he worked on material from Kephala, and in 1972, skeletons from Asine in Greece. In 1984, he studied upper paleolithic skeletons from Wadi Kubbaniya.

Angel also carried out work on American populations--prehistoric, historic, and contemporary. In 1944, he worked on skeletal remains from excavations at Tranquillity, California, that were deposited in the University Museum of the University of Pennsylvania and in the Museum of Anthropology at the University of California at Berkeley. In the same year, he was one of several researchers involved in an endocrinological, anthropological, and psychological study ofobesity initiatec by the Jefferson School of Medicine.

The first hase of the study lasted until 1948 and was followed by restudy of the subjects in 1954-1957. Around 1959-1961, with Carl Seltzer, he was involved in a study of the relation between constitution and health of students at Harvard University and Johns Hopkins Unviersity, Angel primarily taking care of the work in Baltimore at Johns Hopkins. In the late 1970s and early 1980s, he studied skeletal material from Matin's Hundred and other sites of colonia Virginia which resulted, in part, in comparisons with the modern American population. In the 1980s, with Jennifer O. Kelly, he worked on skeletons of African American slaves from Catoctin Furnace, Maryland, and on remains of free African American from the First African Baptist Church in Philadelphia.

Angle was highly regarded for his keen seight and other senses which he used with great effect in examining human remains. Consequently, he was frequently sought as a consultant and regularly carried out forensic work for the United States Federal Bureau of Investigation and other law enforcement authorities. In addition, military authorities, archeologists involved in both the study of history and prehistory, and museum people sent him specimens for examination. At the Smithsonian, he not only used and improved the excellent skeletal collection, he had the opportunity to exmaine the bones of Smithsonian benefactor James Smithson and was involved ine arly studies connected with the return of American Indian skeltal materials to appropriate receipents.

Active with several professional organizations, Angel was president of the Philadelphia Anthropological Society in 1956-1958 and associate editor of the American Anthropologist. In 1952-1956, he was the secretary-treasurer of the American Association of Physical Anthropologists and, in 1959-1960, vice president of that organization. In 1952-1956, he was an association editor of the American Journal of Physical Anthropology. He was president of the American Board of Forensic Anthropology in 1980-1985. For his active professional life, he received the Pomerance Medal of the Archaeological Institute of American in 1983 and the distinguished service medal of the American Anthropological Association in 1986.

1915 -- Born March 21 in London, England to John Angel and Elizabeth Day Seymour.

1928 -- Emigrated to the United States from England.

1934 -- Summer field school, University of New Mexico.

1935 -- Summer field work, Museum of Northern Arizona.

1936 -- A.B., Anthropology, Harvard College; summer field work at the Sante Fe Laboratory of Anthropology (Macon, Georgia expedition).

1937 -- Became a naturalized American citizen, 15 June; married Margaret (Peggy) Seymour Richardson, 1 July.

1937-1939 -- Field work in Greece: worked in Greece from early November 1937 until the end of January 1939 when illness forced his return in April; in the winter of 1937-1938, Angel worked in the American excavations in the Agora at Athens, in the American excavations at Old Corinth, and in the Greek National Museum in Athens; in the spring of 1938, Angel worked in the Greek Anthropological Museum in the Athens University Medical School in Goudi, and at the Agora excavations; from May to June, Angel measured villagers and excavated over 100 burials from the Riverside cemetery under David M. Robinson at the American excavations at Olynthus, Macedonia; Angel then worked in Athens and Corinth for a short time; from July to August Angel worked on skeletons from Troy (which W.T. Semple of the University of Cincinnati had deposited) and Babokoy, Anatolia, as well as on skulls from Nippur and Sidon in the Archeological Museum at Istanbul, Turkey; from mid-August to early September Angel studied skeletal material from southwestern Cephallenia in the museum at Argostoli; Angel then measured skulls in the museum at Thebes and at Schematari (Tanagra) in Boeotia; from October to November Angel studied skulls from Corinth; Angel then returned to Athens to study skeletons from the German excavations at the Kerameikos and the material in the Athens Anthropological Museum and National Museum; in 1939 Angel measured people at the Agora excavations north of the Acropolis and studied skulls excavated by T.L. Shear in Athens and Corinth. During these years, Angel made one day trips to many places, including Nauplia, Tolon, Mycenae, Nemea, Aigosthina, Parnos, Aigina, Marathon, Therikos, and Sounion; support was from traveling fellowships from the departments of Anthropology and Classics of Harvard University, half of a Sheldon fellowship, the Albert and Anna Howard fellowship (Harvard), the Guggenheim Foundation, the Viking Fund, the American School of Classical Studies in Athens, the Jefferson Medical College, and the American Philosophical Society.

1939-1941 -- Assistant in Anthropology, Harvard University.

1940 -- Elected to membership in the American Association of Physical Anthropologists.

1941-1942 -- Instructor in Anthropology, University of California, Berkeley.

1942 -- Doctor of Philosophy Degree, Anthropology, Harvard University.

1942-1943 -- Instructor in Anthropology, University of Minnesota.

1943-1950 -- Associate, Daniel Baugh Institute of Anatomy of the Jefferson Medical College in Philadelphia.

1944 -- Studied skeletal remains from excavations at Tranquillity, California, at the University Museum of the University of Pennsylvania and in the [Hearst] Museum of Anthropology at the University of California at Berkeley.

1944-1948 -- Research for the anthropological study of chronic disease at the Jefferson Medical College.

1946-1948 -- President, Philadelphia Anthropological Society; Associate Editor, American Anthropologist.

1946-1962 -- Research Associate, University Museum of the University of Pennsylvania-Philadelphia.

1947 -- Organized the Viking Fund summer seminar on growth and evolution.

1949 -- Field work in the Near East: In the spring, studied skulls from Kampi near Vasa in Central Cyprus at the Department of Antiquities museum in Nicosia on a visit to Cyprus and Greece; studied skeletons and living Cypriote villagers at the University of Pennsylvania's Museum headquarters in Episkopi, and skeletal material from Bamboula at the Cyprus Museum; support was from Harvard University, the Guggenheim Foundation (Guggenheim Fellowship), Wenner-Gren Foundation, Viking Fund, American School of Classical Studies, and Jefferson Medical School.

1949-1950 -- President, Philadelphia Society of the Archeological Institute of America.

1950-1951 -- Assistant Professor, Daniel Baugh Institute of Anatomy of the Jefferson Medical College in Philadelphia. 1950-1952

1950-1952 -- Executive Committee member, American Association of Physical Anthropologists.

1951 -- Troy: The Human Remains. Supplemental monograph to Troy excavations conducted by the University of Cincinnati 1932-1938.

1951-1954 -- Associate editor, American Journal of Physical Anthropology.

1951-1962 -- Associate Professor, Daniel Baugh Institute of Anatomy of the Jefferson Medical College in Philadelphia.

1952 -- Worked with Carleton Coon on skeletal material from Hotu Cave, Iran.

1952-1956 -- Secretary-treasurer, American Association of Physical Anthropologists.

1953-1966 -- Trustee for the Council for Old World Archaeology.

1954 -- Field work in the Near East: visited the British Museum (Natural History); studied skeletal material from Eleusis (Greece), at the Anthropological Museum of the Medical School of the University of Athens, and at the Agora Excavations Headquarters; studied Myceanean skeletons (excavated by George E. Mylonas, John Papadimitriou, and A.J.B. Wace), Corinthian skeletons, Bronze Age Lernaean skeletons, and Bronze Age Pylian skeletons; again studied skeletal material excavated at Bamboula; supported by grants from the Harvard graduate school, the American Philosophical Society [Grant No. 1714], and the National Institutes of Health Grant No. A-224, the Jefferson Medical College, the University Museum of the University of Pennsylvania, the American School of Classical Studies at Athens, and the Agora excavations; helped by Anastasios Pantazopoulous and Nikos Thiraios.

1954-1957 -- Restudy of subjects for the anthropological study of chronic disease originally performed at the Jefferson Medical College from 1944-1948.

1954-1970 -- Associate editor, Clinical Orthopaedics.

1956-1958 -- Council member of the American Society of Human Genetics.

1957 -- Field work in the Near East: visited the Laboratory of Anthropology in the Department of Anatomy at Oxford University; again studied skeletons from Eleusis in Greece; studied skeletons from Lerna, from the French excavations at Argos, from Pylos, from Corinthian sites near the Diolkos at the Isthmus and at Klenia, and from the Athenian Agora; supported by Grant No. 2150 from the American Philosophical Society and the National Institutes of Health; sponsored by Jefferson Medical College and the University Museum of the University of Pennsylvania; helped by Argyris Marinis and Panayotis Yannoulatos.

1957-1962 -- Civilian consultant in surgical anatomy to the United States Naval Hospital, Philadelphia.

1959-1960 -- Vice-President, American Association of Physical Anthropologists.

1960-1962 -- Member of the advisory panel on Anthropology and the History and Philosophy of Science for the National Science Foundation; consultant for the Harvard University-Johns Hopkins Hospital project on constitution and disease.

1960-1963 -- Associate editor, American Journal of Physical Anthropology.

1962 -- Professor, Daniel Baugh Institute of Anatomy of the Jefferson Medical College in Philadelphia; Chairman of Schools Committee of West Mt. Airy Neighbors; organized the thirty-first annual meeting of the American Association of Physical Anthropologists.

1962-1986 -- Curator, Division of Physical Anthropology, Department of Anthropology, United States National Museum (later the National Museum of Natural History), Smithsonian Institution, Washington, D.C.

1962-1965 -- Advisory panel for evaluating NSF Graduate Fellowships, National Academy of Sciences-National Research Council.

1962-1986 -- Professorial Lecturer in Anthropology at George Washington University, Washington, D.C.

1963-1986 -- Lecturer in forensic pathology, The Johns Hopkins University School of Public Health.

1965 -- Field work in the Near East: studied human bones from 22 sites in Greece and Turkey, including Petralona in eastern Macedonia (Palaeanthropic skull), the Peneios River open sites (Theocharis and Miloicic), Tsouka cave on Mt. Pelion in Thessaly, Nea Nikomedeia near the Haliakmon River in Macedonia, Kephala on the coast of the Aegean island of Kea (Caskey), Hagios Stephanos in Laconia (Taylour), Kocumbeli near Ankara (Turkey), the Bryn Mawr College excavation at Elmali (working with Machteld Mellink), Karatas-Semeyuk in Lycia, Catal Huyuk (in the Korya Plain in Turkey) in the Archaeological Museum of Ankara, Argos, Agora Excavation, Attica, Mycanae, Corinth, Sparta, Alepotrypa (Foxes' Hole) in Mani, and in the museum at Verroia in Macedonia; supported through the SI Hrdlička Fund, the American Philosophical Society, and the Wenner-Gren Foundation.

1965-1970 -- Visiting Professor of Anatomy, Howard University Medical School, Washington, D.C.

1966 -- Summer Visiting Professor, University of California, Berkeley; Early skeletons from Tranquillity, California.

1967 -- Field work in the Near East: Turkey, studied skeletal remains from Catal Huyuk at the University of Ankara, and skeletons from Antalya, Elmali, and Karatas; Greece, studied skeletal remains from Franchthi cave, Athens, Kea, Nauplion, Corinth, and Asine; supported by the Hrdlička Fund. Organized a symposium on paleodemography, diseases and human evolution at the 66th meeting of the American Anthropological Association in Washington, D.C.

1969 -- Field work in the Near East: studied material from Kephala, Karatas, and Franchthi cave; supported by the Hrdlička Fund and the Wenner-Gren Foundation.

1970 -- Visiting Professor, Harvard University (Spring). Organized the 39th meeting of the American Association of Physical Anthropologists held in Washington, D.C.

1971 -- The People of Lerna: Analysis of a Prehistoric Aegean Population.

1972 -- Field work in the Near East: studied skeletons from Asine and Agora in Greece; supported by the Hrdlička Fund. 1974

1974 -- Organized a symposium in honor of Albert Damon, a medical anthropologist, at the 43rd meeting of the American Association of Physical Anthropologists held in Amherst, Massachusetts.

1974-1975 -- President, Anthropological Society of Washington.

1975 -- Field work in the Near East: studied skeletons at Asine and Agora in Greece and at Elmali, helped by David C. Fredenburg, and supported by the Hrdlička Fund; joined the American Academy of Forensic Sciences as a Provisional Member; published Human skeletons from Eleusis, in The south cemetery of Eleusis; worked on the organizing committees for meetings in Washington, D.C. for the Archaeological Institute of America.

1976 -- Studied skeletons at Colonial Williamsburg, Virginia, with the help of David Fredenburg (3 trips); organized a symposium in honor of T. Dale Stewart at the 45th meeting of the American Association of Physical Anthropologists held in St. Louis, Missouri.

1977 -- Field work in the Near East: worked in Thessaloniki, Istanbul, Ankara, Elmali, and Athens; field visit to Colonial Williamsburg.

1978 -- Field work in the Near East: studied skeletons from Byzantium and Turkey; skeletons were in Ankara and from Kalinkaya in the Hittite Territory of Central Anatolia; Byzantium specimens came from Kalenderhane Camii in Istanbul; field visit to Colonial Williamsburg.

1979 -- Published symposium in Angel's honor by the American Association of Physical Anthropologists; three days of field work at the British Museum (Natural History) during which he studied Egyptian and Greek skulls.

1979 -- Studied skeletons of African American slaves from Catoctin Furnace, Maryland.

1980 -- Field visit to Colonial Williamsburg.

1980-1985 -- President, American Board of Forensic Anthropology. 1982

1982 -- Field visit to Colonial Williamsburg.

1983 -- Awarded the Pomerance Medal for Scientific Contributions to Archaelogy by the Archaeological Institute of America.

1984 -- Studied upper paleolithic skeletons from Wade Kubbaniya; award from the Physical Anthropology Section of the American Academy of Forensic Sciences.

1986 -- Died November 3; award from the Physical Anthropology Section of the American Academy of Forensic Sciences; was chosen to receive the Distinguished Service Award of the American Anthropological Association at their annual meeting in December.

1987 -- Memorial session in Angel's honor held at the annual meeting of the American Anthropological Association.

Related Materials:

Additional materials in the National Anthropological Archives relating to Angel are in the papers of Marcus Solomon Goldstein, Raoul Weston LaBarre, and Waldo Rudolph and Mildred Mott Wedel; the records of the American Anthropological Association, the Central States Anthropological Society, the River Basin Surveys, and the Department of Anthropology of the United States National Museum/National Museum of Natural History; Photographic Lots 7D (photograph taken at the meeting of the American Anthropological Association at Denver in 1965) and 77-45 (group portrait of Smithsonian physical anthropologists); and MS 4822 (photographs of anthropologists in the Division of Physical Anthropology, Department of Anthropology of the United States National Museum/National Museum of Natural History). There are also materials on Angel in the non-archival reference file maintained by the NAA. The names used for ethnic groups were selected to maintain consistency among the archival holdings and are used without regard to modern preferences.

Provenance:

Angel contracted hepatitis following coronary by-pass surgery in 1982 and died of the effects four years later. His papers were obtained by the National Anthropological Archives shortly thereafter. Some papers were obtained as the result of a bequest by Angel's wife, Margaret. The papers date from 1930 to 1987.

Restrictions:

The John Lawrence Angel papers are open for research. Access to some materials is restricted to maintain privacy or confidentiality.

Access to the John Lawrence Angel papers requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Biological anthropology  Search this

Citation:

John Lawrence Angel papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.XXXX.0033

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34a20e740-6dd9-4558-885b-4199b64008dc

EDAN-URL:

ead_collection:sova-naa-xxxx-0033

Creator:

Suttman, Paul, 1933-1993  Search this

Names:

American Academy in Rome  Search this

Cranbrook Academy of Art  Search this

Extent:

7.1 Linear feet

8 Items (rolled docs)

Type:

Collection descriptions

Archival materials

Sketchbooks

Video recordings

Date:

1947-1998

Scope and Contents:

Biographical material, correspondence, subject and teaching files, photographs, works of art, financial records, motion picture film and video recordings, and printed material concerning Suttman and his career as a sculptor and educator.

Biographical material includes address books, resumes, diplomas, awards, academic records, health records, obitutaries for Paul Suttman and a guest book from his funeral, 1993. Correspondence is with dealers, galleries and artists. Included are one illustrated letter from Mimi Gross and Red Grooms to Elisse and Paul Suttman and Edward C. Flood, ca. 1968 and one illustrated letter from Mimi Gross and Red Grooms to Elisse and Paul Suttman, Sept. 19, 1971. Subject and teaching files concern Cranbrook Academy of Art, the University of Michigan, Italy (1962-1965), the American Academy in Rome (1965-1968), Roswell, Rome and Pieve (1970-1975), University of New Mexico (1975-1979), Texas A & M, Columbia University.

Photographs are of Suttman as well as slides of works of art. Works of art include studies, sketches and sketcbhooks. Financial material includes expense and income records. Motion picture and videos consist of 3 reels of 16mm film by Paul Suttman, 1965, including one untitled art film shot at the American Academy of Rome, and 1 VHS copy of the 16mm film; 1 VHS tape of an exhibition and the Suttman house and studio; and 1 VHS biography of Suttman composed by his son Mark Bertin, 1993-1995. Printed material includes press books, 1958-1995, exhibition catalogs, brochures and newspaper clippings. Also found are material regarding the Paul Suttman memorial fund, memorial projects, and the Paul Suttman catalog raisonné, organized by Virginia Bush Suttman.

Biographical / Historical:

Sculptor and educator. b. 1933; d. 1993 Suttman studied at the Cranbrook Academy of Art, The American Academy in Rome.

Provenance:

Donated 2005 by Virginia Bush Suttman, Suttman's widow.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Sculptors -- New York (State)  Search this

Genre/Form:

Sketchbooks

Video recordings

Identifier:

AAA.suttpaul

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93a069c59-9e8d-40ce-b3a8-2e456e74bb9f

EDAN-URL:

ead_collection:sova-aaa-suttpaul

Creator:

Faulkner, Barry, 1881-1966  Search this

Names:

MacDowell Colony  Search this

Beal, Gifford, 1879-1956  Search this

Brush, George de Forest, 1855-1941  Search this

Bynner, Witter, 1881-1968  Search this

Fraser, James Earle, 1876-1953  Search this

Gibran, Kahlil, 1922-  Search this

Grimes, Frances, 1869-1963  Search this

Gugler, Eric, 1889-1974  Search this

Hosmer, Harriet Goodhue, 1830-1908  Search this

Kent, Rockwell, 1882-1971  Search this

Kroll, Leon, 1884-1974  Search this

Manship, Paul, 1885-1966  Search this

Parrish, Maxfield, 1870-1966  Search this

Platt, Charles A. (Charles Adams), 1861-1933  Search this

Powers, Hiram, 1805-1873  Search this

Redfield, Edward Willis, 1869-1965  Search this

Saint-Gaudens, Augustus, 1848-1907  Search this

Saint-Gaudens, Homer, b. 1880  Search this

Smith, Joseph Lindon, 1863-1950  Search this

Sweeney, James Johnson, 1900-  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Tonetti, Mary Lawrence  Search this

Twain, Mark, 1835-1910  Search this

White, Lawrence Grant  Search this

Young, Mahonri Sharp, 1911-1996  Search this

Extent:

2.82 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Diaries

Scrapbooks

Sketches

Writings

Photographs

Travel diaries

Photograph albums

Place:

New Hampshire

Date:

circa 1858-1973

Summary:

The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Scope and Content Note:

The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.

Arrangement:

The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)

Biographical Note:

Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.

Related Material:

Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.

Provenance:

The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.

Restrictions:

The bulk of this collection has been digitized and is available online via AAA's website.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New Hampshire -- Keene  Search this

Topic:

World War, 1914-1918  Search this

Artist colonies -- New Hampshire -- Peterborough  Search this

Artists' studios in art  Search this

Educators -- New Hampshire  Search this

Artists' studios -- New Hampshire  Search this

Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this

Muralists -- New Hampshire -- Keene  Search this

Mural painting and decoration -- 20th century -- United States  Search this

Artists -- New Hampshire  Search this

Function:

Artist colonies -- New Hampshire

Genre/Form:

Sketchbooks

Diaries

Scrapbooks

Sketches

Writings

Photographs

Travel diaries

Photograph albums

Citation:

Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.faulbarr

See more items in:

Barry Faulkner papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7

EDAN-URL:

ead_collection:sova-aaa-faulbarr