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Oral history interview with Peter Hutchinson, 1967 July 27

Interviewee:
Hutchinson, Peter A., 1930-  Search this
Hutchinson, Peter A., 1930-  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Kuwayama, Tadaaki  Search this
Judd, Donald  Search this
Morris, Robert  Search this
LeWitt, Sol  Search this
Smithson, Robert  Search this
McLuhan, Marshall  Search this
Type:
Sound recordings
Interviews
Topic:
Humanism in art  Search this
Sculptors -- Massachusetts -- Provincetown -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13123
(DSI-AAA_SIRISBib)215661
AAA_collcode_hutchi67
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215661

Oral history interview with Peter Busa, 1965 September 5

Interviewee:
Busa, Peter, 1914-1985  Search this
Busa, Peter, 1914-1985  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Gorky, Arshile  Search this
Type:
Interviews
Sound recordings
Topic:
Art, Abstract  Search this
Painters -- Minnesota -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Painters -- Massachusetts -- Provincetown -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11686
(DSI-AAA_SIRISBib)214092
AAA_collcode_busa65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214092
Online Media:

Oral history interview with Martin Friedman, 1965 Sept. 3-Sept. 5

Interviewee:
Friedman, Martin, 1896-1980  Search this
Friedman, Martin, 1896-1980  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Ryder, Albert Pinkham  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Painting, Modern -- 20th century  Search this
Art and music  Search this
Painters -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12467
(DSI-AAA_SIRISBib)214100
AAA_collcode_friedmm65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214100
Online Media:

Oral history interview with Michael Mazur, 1993 Jan. 12-1995 Feb. 3

Interviewee:
Mazur, Michael, 1935-2009  Search this
Mazur, Michael, 1935-2009  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Harvard University  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Massachusetts -- Interviews  Search this
Prints -- Technique -- Study and teaching  Search this
Prints -- 20th century  Search this
Prints, American  Search this
Painting, American  Search this
Graphic artists -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12731
(DSI-AAA_SIRISBib)215791
AAA_collcode_mazur93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215791
Online Media:

Oral history interview with Nassos Daphnis, 1964 September 6

Interviewee:
Daphnis, Nassos, 1914-2010  Search this
Daphnis, Nassos, 1914-2010  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Art -- Philosophy  Search this
Art -- Technique  Search this
Artists' materials  Search this
Record number:
(DSI-AAA_CollID)13230
(DSI-AAA_SIRISBib)214094
AAA_collcode_daphni64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214094
Online Media:

Oral history interview with Jackie Ferrara, 2009 January 16-February 13

Interviewee:
Ferrara, Jackie, 1929-  Search this
Ferrara, Jackie, 1929-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Forst, Miles  Search this
Bellamy, Richard  Search this
Smithson, Robert  Search this
Oldenburg, Claes  Search this
Protetch, Max  Search this
Ferrara, Don  Search this
Gross, Sally  Search this
Beauchamp, Robert  Search this
Frank, Mary  Search this
Hofmann, Hans  Search this
Marcus, Marcia  Search this
Motherwell, Robert  Search this
Rockburne, Dorothea  Search this
LeWitt, Sol  Search this
Frankenthaler, Helen  Search this
Samaras, Lucas  Search this
Eisenhauer, Lette  Search this
Addams, Charles  Search this
Hesse, Eva  Search this
DeLap, Tony  Search this
Gallo, Frank  Search this
Rosenquist, James  Search this
Graves, Nancy Stevenson  Search this
Judd, Donald  Search this
Andre, Carl  Search this
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Michigan State University  Search this
Wayne State University  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15678
(DSI-AAA_SIRISBib)282758
AAA_collcode_ferrar09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282758
Online Media:

April Kingsley and Budd Hopkins papers, circa 1945-2017

Creator:
Hopkins, Budd, 1931-  Search this
Kingsley, April, 1941-  Search this
Hopkins, Budd, 1931-  Search this
Subject:
Motherwell, Robert  Search this
Pindell, Howardena  Search this
Diebenkorn, Richard  Search this
Rosenblum, Robert  Search this
Long Point Gallery (Provincetown, Mass.)  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Women art critics  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7799
(DSI-AAA_SIRISBib)209965
AAA_collcode_kingapri
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209965
Online Media:

Oral history interview with Henry Hensche, 1971 June 14

Interviewee:
Hensche, Henry, 1901-1992  Search this
Hensche, Henry, 1901-1992  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Massachusetts -- Provincetown -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11828
(DSI-AAA_SIRISBib)212728
AAA_collcode_hensch71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212728

Michael Mazur papers, circa 1936-2016

Creator:
Mazur, Michael, 1935-2009  Search this
Mazur, Michael, 1935-2009  Search this
Subject:
Mazur, Gail  Search this
Provincetown Fine Arts Work Center  Search this
Type:
Drawings
Sketchbooks
Diaries
Interviews
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7863
(DSI-AAA_SIRISBib)210030
AAA_collcode_mazumich
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210030
Online Media:

Fritz Bultman papers, 1928-2010

Creator:
Bultman, Fritz, 1919-1985  Search this
Bultman, Fritz, 1919-1985  Search this
Subject:
Kees, Weldon  Search this
Krasner, Lee  Search this
Hofmann, Maria  Search this
Windham, Donald  Search this
Tworkov, Jack  Search this
Vevers, Tony  Search this
Simon, Sidney  Search this
Hofmann, Hans  Search this
Drexler, Sherman  Search this
Graham, John  Search this
Cicero, Carmen  Search this
Cornell, Joseph  Search this
Boghosian, Varujan  Search this
Bultman, Jeanne  Search this
Motherwell, Robert  Search this
Manso, Leo  Search this
Newman, Annette  Search this
Ponsold, Renate  Search this
Ossorio, Alfonso  Search this
Rothschild, Judith  Search this
Reynal, Jeanne  Search this
Smith, Tony  Search this
Fromboluti, Sideo  Search this
Sills, Thomas  Search this
Speyer, Nora  Search this
Newman, Barnett  Search this
Type:
Photographs
Interviews
Paintings
Drawings
Sketches
Sketchbooks
Diaries
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
New York school of art  Search this
Abstract expressionism  Search this
Theme:
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6839
(DSI-AAA_SIRISBib)208966
AAA_collcode_bultfrit
Theme:
Art Theory and Historiography
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208966
Online Media:

Evan R. Firestone interview with Fritz Bultman, 1979

Creator:
Firestone, Evan R.  Search this
Firestone, Evan R.  Search this
Subject:
Bultman, Fritz  Search this
Record number:
(DSI-AAA_CollID)16232
(DSI-AAA_SIRISBib)369881
AAA_collcode_fireevan
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_369881

Henry Botkin papers, 1917-1979

Creator:
Botkin, Henry, 1896-1983  Search this
Botkin, Henry, 1896-1983  Search this
Subject:
Arlen, Harold  Search this
Botkin, Benjamin Albert  Search this
Brice, Fanny  Search this
Brice, William  Search this
Gershwin, George  Search this
Gershwin, Ira  Search this
Godowsky, Frances  Search this
Gross, Chaim  Search this
Hasegawa, Saburò„  Search this
Hofmann, Hans  Search this
Knaths, Karl  Search this
Laurent, Toinette Botkin  Search this
Mocsanyi, Paul  Search this
Motherwell, Robert  Search this
Nevelson, Louise  Search this
Newman, Barnett  Search this
Picasso, Pablo  Search this
Putnam, Wallace  Search this
Schoenberg, Arnold  Search this
Siqueiros, David Alfaro  Search this
Shadbolt, Jack  Search this
Von Wicht, John  Search this
Rattner, Abraham  Search this
Robus, Hugo  Search this
American Abstract Artists  Search this
Artists Equity Association  Search this
Federation of Modern Painters and Sculptors  Search this
Gallery 256 (Provincetown, Mass.)  Search this
Type:
Drawings
Scrapbooks
Topic:
Art, Abstract  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7456
(DSI-AAA_SIRISBib)209614
AAA_collcode_botkhenr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209614

Oral history interview with Peter Busa

Interviewee:
Busa, Peter, 1914-1985  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Gorky, Arshile, 1904-1948  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1965 September 5
Scope and Contents:
An interview of Peter Busa conducted 1965 September 5, by Dorothy Seckler, for the Archives of American Art. Busa speaks of family background; influences on his work; and his work on the WPA. He recalls Arshile Gorky, Stuart Davis, Jackson Pollock, William Baziotes, Kamrowski, and discusses his work being purchased by art patron Walter Chrysler in the late 1950's.
Biographical / Historical:
Peter Busa (1914-1985) was a painter and sculptor from Minneapolis, Minnesota.
General:
Originally recorded as 2 sound tapes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 37 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, Abstract  Search this
Painters -- Minnesota -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Painters -- Massachusetts -- Provincetown -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.busa65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ae8c60e-3092-4cbc-8c93-b9ef0cb0a222
EDAN-URL:
ead_collection:sova-aaa-busa65
Online Media:

Oral history interview with Martin Friedman

Interviewee:
Friedman, Martin, 1896-1980  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Ryder, Albert Pinkham, 1847-1917  Search this
Extent:
2 Sound tape reels (Sound recording, 5 in.)
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1965 Sept. 3-Sept. 5
Scope and Contents:
An interview of Martin Friedman in Provincetown, Mass. conducted 1965 Sept. 3-Sept. 5, by Dorothy Seckler, for the Archives of American Art.
Friedman discusses his background and education; Albert Pinkham Ryder's work and the influence it had on him; his artistic development; the importance of music to his life and work; exhibitions; and painting techniques.
Biographical / Historical:
Martin Friedman (1896-1980) was a painter from Budapest, Hungary.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculptors -- United States -- Interviews  Search this
Painting, Modern -- 20th century  Search this
Art and music  Search this
Painters -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.friedmm65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cb23b565-22f4-411b-b83a-7d700611cd8d
EDAN-URL:
ead_collection:sova-aaa-friedmm65
Online Media:

Oral history interview with Jackie Ferrara

Interviewee:
Ferrara, Jackie  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
Michigan State University -- Students  Search this
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Wayne State University -- Students  Search this
Addams, Charles, 1912-1988  Search this
Andre, Carl, 1935-  Search this
Beauchamp, Robert, 1923-  Search this
Bellamy, Richard  Search this
DeLap, Tony, 1927-2019  Search this
Eisenhauer, Lette  Search this
Ferrara, Don  Search this
Forst, Miles, 1923-  Search this
Frank, Mary, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gallo, Frank, 1933-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Gross, Sally  Search this
Hesse, Eva, 1936-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Marcus, Marcia, 1928-  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Protetch, Max  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Samaras, Lucas, 1936-  Search this
Smithson, Robert  Search this
Extent:
3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 16-February 13
Scope and Contents:
An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.
Ferrara speaks of growing up in Detroit, Michigan; her early interest in mathematics and its ever present role in her work; attending Michigan State University for one year; taking fashion drawing classes at Wayne State University and her supposed lack of drawing skills; an early interest in pottery and leather making; moving to New York City in 1951 on a night train from Detroit; working at the Henry Street Playhouse and its influential role on her art; her relationship with Robert Beauchamp and her friendship with many artists in Provincetown, Massachusetts; early works, including the cotton batting works and the rope works, most of which were destroyed; her dislike of traveling and her use of imagination for inspiration; participating in the performances and happenings of Claes Oldenburg; her friendship with Robert Smithson and his influence on her later works; working with Max Protetch; never teaching art because she herself did not attend art school; her creation process of her wood and stone pieces, including their conception in early drawings; having a positive attitude towards her pieces being rebuilt because of decay; quickly moving into public art in the late 1970s, early 1980s; living and working in the same loft in New York for over 40 years; the helpful role the women's movement played in her successful career though she did not participate; receiving art grants to enable her to work for a year or two without having to find an odd job to support herself; various public art projects around the country, how they came to be, creating the works and their significance to her. Ferrara also recalls Charlotte Tokayer, Don Ferrara, Alvin Nikolai, Richard Bellamy, Mary and Paul Frank, Miles and Barbara Forst, Sally Gross, Hans Hofmann, Robert Motherwell, Helen Frankenthaler, Nat Halprin, Lucas Samara, Letty Lou Eisenhauer, James Rosenquist, Marcia Marcus, Charles Addams, Eva Hesse, Frank Gallo, Tony DeLap, Dorothea Rockburne, Time Doyle, Sol LeWitt, Donald Judd, Carl Andre, Nancy Graves, Marty Greenbaum, Abe Sachs, Mel Bochner, Jan Groover, Alice Aycock, Alice Adams, Jackie Windsor, Scott Burton, Siah Armajani, Michelle Stuart, Lucy Lippard, Zaha Hadid, Max Hutcinson, Andrea Blum, and others.
Biographical / Historical:
Jackie Ferrara (1929- ) is a sculptor. Ferrara works with the built environment in her designs for courtyards and architectural structures.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Audio: ACCESS RESTRICTED; Use requires written permission.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Draftsmen (artists) -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ferrar09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9efd0b315-7933-452d-945c-e6f5dc917f90
EDAN-URL:
ead_collection:sova-aaa-ferrar09
Online Media:

Oral history interview with Peter Hutchinson

Interviewee:
Hutchinson, Peter A., 1930-  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Judd, Donald, 1928-1994  Search this
Kuwayama, Tadaaki, 1932-  Search this
LeWitt, Sol, 1928-2007  Search this
McLuhan, Marshall, 1911-1980  Search this
Morris, Robert, 1931-2018  Search this
Smithson, Robert  Search this
Extent:
1 Cassette (Sound recording (ca. 30 min.), analog)
17 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Cassettes
Pages
Sound recordings
Interviews
Date:
1967 July 27
Scope and Contents:
An interview of Peter Hutchinson conducted 1967 July 27, by Dorothy Seckler, for the Archives of American Art.
Hutchinson speaks of his childhood and early education in the English countryside; his subsequent time spent in the army; his decision to move to the states and attend college in Illinois; his artistic destiny realized during his first year in college; his seven year experience working his way through college; his time spent in Italy in the early 60's; his early mathematic, Nevelson-like wood works; his relationship to the Jack Daniels Gallery and the "nucleus of thought" consisting of Sol LeWitt , Robert Smithson, Tadaaki Kuwayama; his feelings as to the blurred line between art and writing; the stimulation process involved in all art forms; his creative process consisting primarily of thought; his progression from construction, to painting, to painting on shaped canvas and wood; the requisite direct relationship between art and the artist; his position on the contemporary debate over the supremacy of painting or sculpture; his prediction that Judd and Morris are painting themselves into a corner; the importance of artistic dialogue; the possibility of a redefinition of humanism; his interest in Science Fiction and his recent publication of "Is there Life on Earth;" the importance of "thinking in reverse;" his decision in recent years to replace personal references with personal shapes; his opposition to the term creativity; his similar position to McLuhan with his belief in every man as an artist; his foresight of an eventual "devaluation of monetary attainment;" and his belief that art (self-expression) will always exist in one form or another. Hutchinson discusses his work and its development, and he comments upon the aesthetic climate of the day. He discourses on science fiction.
Biographical / Historical:
Peter A. Hutchinson (1930- ) is a sculptor from Provincetown, Mass.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Humanism in art  Search this
Sculptors -- Massachusetts -- Provincetown -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hutchi67
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a77b53c-2dfe-493a-bfd0-0a98dca97342
EDAN-URL:
ead_collection:sova-aaa-hutchi67
Online Media:

Michael Mazur papers

Creator:
Mazur, Michael, 1935-2009  Search this
Names:
Provincetown Fine Arts Work Center  Search this
Mazur, Gail  Search this
Extent:
22.2 Linear feet
22.83 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Sketchbooks
Diaries
Interviews
Date:
circa 1936-2016
Summary:
The papers of artist Michael Mazur measure 22.2 linear feet and 22.83 gigabytes, and date from circa 1936 to 2016, documenting a studio and exhibition practice in addition to teaching and activism activities in both paper and digital formats in the following series: biographical materials, correspondence, studio records, gallery records, project records, affiliations, exhibition records, writings, printed materials, photographic materials, and artwork.
Scope and Contents:
The papers of artist Michael Mazur measure 22.2 linear feet and 22.83 gigabytes, and date from circa 1936 to 2016, documenting a studio and exhibition practice in addition to teaching and activism activities.

Biographical materials include documents related to Mazur's early education, trips to Europe, and development as an artist, as well as biographies, degrees and awards, with some materials in digital formats.

Correspondence is primarily professional in nature with institutions and fellow artists, including letters requesting Mazur's participation in exhibitions and other projects. Also included are extensive correspondence advocating for ecological preservation of the Massachusetts Cape Cod where Mazur had a home in Provincetown. Earlier correspondence includes letters with family members and friends. Some correspondence is digital.

Studio records include artwork inventories and documents regarding donations, appraisal and tax deduction information, as well as the artist's website. Gallery records contain correspondence and business documents with various commercial art galleries, including artwork images, mailing lists, price lists and guest books. Project records document various commissions and collaborations including perhaps Mazur's longest ongoing project, artwork, publications and exhibitions engaging with Dante's Inferno. Many of Mazur's professional records are in digital format.

The Affiliations series includes faculty appointments as well as ongoing board service for Fine Arts Work Center in Provincetown and other professional advising and project participation, including a Tamarind Lithography Workshop Fellowship in 1968. Many of the Fine Arts Work Center documents are digital.

Exhibition records document select exhibitions including Mazur's traveling print retrospective. In addition to correspondence and documents and agreements, select digital installation images and documents are also included.

The Writings series includes various essays, letters to the editor, and lectures by Mazur including student work, as well as essays and films discussing the artist's career and contributions, many in digital form. Also included are Mazur's journals kept for the entirety of his career.

Printed materials include exhibition announcements, catalogs and press, select published journals (some of which include contributions by Mazur), and publications for which Mazur has provided the cover artwork.

Photographic materials are both print and digital in nature and capture the breadth of Mazur's art production, organized by medium, genre, artwork series, subject and time period. The arrangement of digital photographs reflects the categories represented on the artist's website archive.

Artwork includes drawings, sketchbooks and watercolor pads, as well as artwork by others including a photographic portrait portfolio of Mazur by Brigitte Durer. Computer study images and source material in digital formats, are also included.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1953-2006 (0.5 Linear Feet: Boxes 1, 21; 0.014 Gigabytes: ER001-ER002)

Series 2: Correspondence, circa 1940-2011 (3.8 Linear Feet: Boxes 1-4, 21, OV23; 0.008 Gigabytes: ER003)

Series 3 : Studio Records, circa 1962-2009 (1 Linear Feet: Box 5; 0.082 Gigabytes: ER004-ER006)

Series 4: Gallery Records, circa 1967-2009 (2 Linear Feet: Boxes 6-7; 0.028 Gigabytes: ER007-ER009)

Series 5: Project Records, circa 1983-2008 (1.3 Linear Feet: Boxes 8-9; 0.3 Gigabytes: ER010-ER015)

Series 6: Affiliations, circa 1966-2008 (0.7 Linear Feet: Box 9; 0.101 Gigabytes: ER016-ER019)

Series 7: Exhibition Records, circa 1958-2008 (0.7 Linear Feet: Box 10; 1.07 Gigabytes: ER020-ER032)

Series 8: Writings, circa 1952-2009 (2.7 Linear Feet: Boxes 10-13; 4.75 Gigabytes: ER033-ER052)

Series 9: Printed Material, circa 1945-2016 (2.1 Linear Feet: Boxes 13-15; 0.114 Gigabytes: ER053-ER054)

Series 10: Photographic Material, circa 1936-2016 (5.9 Linear Feet: Boxes 15-22, OV25-28; 14.26 Gigabytes: ER055-ER114)

Series 11: Artwork, circa 1941-2009 (0.4 Linear Feet: Boxes 20, 22; 2.1 Gigabytes: ER115-ER116)
Biographical / Historical:
Michael Mazur (1935-2009) was a prolific printmaker, painter, draughtsman, sculptor, and educator in Cambridge, Massachusetts, who beyond working across media, treated an equally diverse set of subjects in abstract and figurative traditions.

As a child in New York City's Upper East Side Mazur received an early art education at the Bronx's Horace Mann School. He received a bachelor's degree from Amherst College, as well as a bachelor's and master's degrees at the Yale School of Art. Mazur has held teaching positions at Rhode Island School of Design and Brandeis University, as well as a recurring visiting artist position at Harvard University's Carpenter Center. While attending Yale Mazur met his wife, poet Gail Mazur.

Mazur's work is held in museums and private collections throughout the world and has been exhibited widely at institutions including MoMA, The Whitney Museum of American Art, The Brooklyn Museum, and the Metropolitan Museum of Art. In 2000 the Museum of Fine Arts, Boston launched a retrospective of Michael Mazur's prints traveling to various institutions including the the Minneapolis Art Institute and Stanford's Cantor Center. On the occasion of the show Hudson Hills Press published The Prints of Michael Mazur including a catalogue raisonné. A notable collaboration in Mazur's career drew from his career-long fascination with Dante. In 1993, Farrar, Straus and Giroux published The Inferno of Dante, translated by Robert Pinsky and illustrated with reproductions of monotypes by Michael Mazur. Later Mazur published an editioned suite of forty-one etchings, which was shown in various locations in Italy and throughout the United States.

In addition to their home in Cambridge, Michael and Gail maintained a home in Provincetown, Massachusetts, where they were deeply involved in the artistic community including the Fine Arts Work Center, as well as environmental issues impacting the region of Cape Cod. He is survived by his wife and his two children Kathe and Dan.
Provenance:
Papers were lent for microfilming 1977 and 1998 by Michael Mazur. Material on microfilm and additional papers donated 2018 by Gail Mazur, Michael Mazur's widow.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Educators -- Massachusetts  Search this
Genre/Form:
Drawings
Sketchbooks
Diaries
Interviews
Citation:
Michael Mazur Papers, circa 1936-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mazumich
See more items in:
Michael Mazur papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw956eb3553-0c70-493e-8d1a-52a377138f53
EDAN-URL:
ead_collection:sova-aaa-mazumich

April Kingsley and Budd Hopkins papers

Creator:
Hopkins, Budd, 1931-2011  Search this
Kingsley, April  Search this
Names:
Long Point Gallery (Provincetown, Mass.)  Search this
Diebenkorn, Richard, 1922-1993  Search this
Motherwell, Robert  Search this
Pindell, Howardena, 1943-  Search this
Rosenblum, Robert  Search this
Extent:
11 Linear feet
0.209 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Date:
circa 1945-2017
Summary:
The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins' papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.
Scope and Contents:
The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, with contents ranging from correspondence to printed material, including invitations and catalogs and press clippings, as well as notes and manuscript material including reviews. Project files include various topics of interest and research for tentative and actualized exhibitions, as well as writing projects and committee work related to Kingsley's tenure at the American Craft Museum and the Kresge Museum at Michigan State University. Also found are recorded interviews with artists and other figures conducted by April Kingsley between the years of 1988 and 1990, most of which are affiliated with the Abstract Expressionist movement. The subject file index cards are comprised of various sets of notes and citations regarding themes, movements, and artists central to Kingsley's ongoing research throughout her career. Also included are various biographical materials and miscellaneous correspondence that comprise the personal papers subseries.

Hopkins' papers are comprised of biographical material including biographies and a chronology, correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Personal business records include correspondence and sale and consignment information related to particular galleries, as well as records regarding the Long Point Gallery co-founded by Hopkins and twelve other artists on Cape Cod in 1977. His writings include manuscript material regarding one of Hopkins' titles on UFO abductions, as well as various typescripts for reviews and essays written by Hopkins, as well as one audio recording for a lecture regarding his essay "Modernism and the Collage Aesthetic." Printed material including exhibition invitations and catalogs and press clippings are also found. Photographic materials include images of Hopkins, exhibition installations, and artwork in various formats, such as photographic prints, negatives, slides, and transparencies.
Arrangement:
The collection is arranged in two series:

Series 1: April Kingsley papers, circa 1960s-2017 (7.7 Linear Feet; Boxes 1-8, 0.209 Gigabytes; ER01)

Series 2: Budd Hopkins papers, circa 1945-2010 (3.3 Linear Feet; Boxes 7, 9-11)
Biographical / Historical:
April Kingsley (1941- ) is an art historian, critic, and curator living in Harwich, Massachusetts. Budd Hopkins (1931-2011) was an Abstract Expressionist artist and writer of both art criticism and UFO and abduction phenomena accounts, who lived primarily in New York City and Cape Cod.

Following a short-lived career as a nurse while married to her first husband, Kingsley completed a Masters of Fine Arts from New York University, and later a PhD in Art History from the City University Graduate Center. Kingsley studied in depth the Abstract Expressionist art movement, and also focused heavily on women artists and contemporary craft art. Kingsley held curatorial positions at a range of institutions including at The Museum of Modern Art, The American Craft Museum, and at the Pasadena Art Museum. She has written major monographs on numerous artists including Jean Miotte and Alice Dalton Bown, and contributed to the catalogs of more than 75 artists. Among her most notable publications are The Turning Point: The Abstract Expressionists and the Transformation of American Art (1992) and Emotional Impact: American Figurative Expressionism (2013). Kingsley and Hopkins were married from 1973-1991, and had one daughter, Grace Hopkins-Lisle. Kingsley currently resides in Harwich, Massachusetts with her husband Donald Spyke, who she married in 2005.

Born Elliott Budd Hopkins in 1931 in Wheeling West Virginia, Hopkins survived an early battle with polio as a toddler, following which a period of convalescence made an early engagement with drawing possible. He graduated from Oberlin College with an art history degree where he heard a lecture from a future mentor Robert Motherwell. After college Hopkins moved to New York City and became a fixture of the Abstract Expressionist circle, and by 1956 had his first solo show of paintings. In 1976 he earned a Guggenheim Fellowship as well as a grant from the National Endowment for the Arts in 1979. His paintings, which range from gestural Abstract Expressionism to color plane geometric compositions are held in major museum collections ranging from the Metropolitan Museum of Art, the Museum of Modern Art in New York, and the British Museum. In the 1980s Hopkins turned to making large scale sculptures evocative of ancient ritualist architecture, an addition to his well-known painting practice. Hopkins also published a number of reviews of the work of other artists which were very well received at the time. As much as his art career perhaps, Budd Hopkins is known for spreading the word about alien abduction in his popular books on the subject, following a UFO sighting he recounts in Cape Cod in 1964. While Hopkins does not claim to have been abducted he regularly held support groups for others to share their stories. He passed in 2011 in his home in New York City.
Provenance:
The bulk of April Kingsley and Budd Hopkins papers was donated in 2018 by Grace Hopkins, their daughter. Portions of the Budd Hopkins papers were donated by Budd Hopkins between 1980 and 1983.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Abstract expressionism  Search this
Women art critics  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
April Kingsley and Budd Hopkins Papers, circa 1945-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kingapri
See more items in:
April Kingsley and Budd Hopkins papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94156d765-6914-437a-9d3b-e520ab367d30
EDAN-URL:
ead_collection:sova-aaa-kingapri
Online Media:

Henry Hensche letters to Frederick W. Wackerle

Creator:
Hensche, Henry, 1901-  Search this
Names:
Hensche, Henry, 1901-  Search this
Wackerle, Frederick W., 1939-  Search this
Extent:
7 Items
Type:
Collection descriptions
Archival materials
Date:
1973-1986
Scope and Contents:
7 letters from Hensche to Wackerle seeking help in publishing his manuscript, The Art of Seeing and Painting.
Biographical / Historical:
Hensche: painter, instructor; Provincetown, Mass. Wackerle: collector and friend of Hensche; Chicago, Ill. Hensche's book The Art of Seeing and Painting was published in 1988. Died 1992.
Provenance:
Donated 1986 by Frederick Wackerle. A photocopy of the mss., "The Art of Seeing and Painting" received with the letters was discarded due to its poor quality and the fact that it was published in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Sculptors -- United States -- Interviews  Search this
Visual perception  Search this
Identifier:
AAA.henshenl
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cab38949-d119-447b-b202-4f87be77ac9b
EDAN-URL:
ead_collection:sova-aaa-henshenl

Evan R. Firestone interview with Fritz Bultman

Creator:
Firestone, Evan R.  Search this
Names:
Bultman, Fritz, 1919-1985  Search this
Extent:
2 Items
Type:
Collection descriptions
Archival materials
Date:
1979
Scope and Contents:
Two audio cassettes of an interview conducted by Evan R. Firestone with Fritz Bultman in Provincetown, Massachusetts, as preparation for Firestone's essay, "Fritz Bultman Collages," Arts Magazine, 1981. The interview, conducted in three sessions from July 23-26, mostly concerns Bultman's collages.
Biographical / Historical:
Evan R. Firestone is a curator in Mount Pleasant, South Carolina, who studied and wrote about painter, sculptor, and collage artist, Fritz Bultman.
Provenance:
Donated 2015 by Evan R. Firestone.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Identifier:
AAA.fireevan
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92fb46740-58de-4684-9659-6dd0d284b2bd
EDAN-URL:
ead_collection:sova-aaa-fireevan

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