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Oral history interview with Walker Hancock, 1977 July 22-August 15

Interviewee:
Hancock, Walker Kirtland, 1901-1998  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Manship, Paul  Search this
Grafly, Charles  Search this
American Academy in Rome  Search this
Type:
Interviews
Sound recordings
Topic:
Sculptors -- Massachusetts -- Gloucester -- Interviews  Search this
Sculpture, Modern -- 20th century  Search this
Art criticism  Search this
Sculpture -- Technique  Search this
Record number:
(DSI-AAA_CollID)13287
(DSI-AAA_SIRISBib)215193
AAA_collcode_hancoc77
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215193
Online Media:

Walker Hancock papers, 1911-1995

Creator:
Hancock, Walker Kirtland, 1901-1998  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Subject:
Beaux, Cecilia  Search this
Crouse, Timothy  Search this
Jennewein, Carl Paul  Search this
Kreis, Henry  Search this
Manship, Paul  Search this
Tarkington, Booth  Search this
Zorach, William  Search this
Stone Mountain Confederate Monumental Association  Search this
Stone Mountain Memorial (Ga.)  Search this
Type:
Interviews
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7236
(DSI-AAA_SIRISBib)209377
AAA_collcode_hancwalk
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209377

Alfred Milton Duca papers, 1940-1997

Creator:
Duca, Alfred Milton, 1920-1997  Search this
Duca, Alfred Milton, 1920-1997  Search this
Subject:
Bernstein, Leonard  Search this
Levine, Jack  Search this
Stravinsky, Igor  Search this
Brook, John  Search this
Topic:
Painting, American -- Massachusetts -- Gloucester  Search this
Sculpture  Search this
Sculpture -- Conservation and restoration -- Massachusetts -- Gloucester  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9342
(DSI-AAA_SIRISBib)211538
AAA_collcode_ducaalfr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211538

Charles Grafly photographs

Creator:
Grafly, Charles, 1862-1929  Search this
Names:
Edwin A. Ulrich Museum of Art  Search this
Extent:
0.3 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1890-1950]
Scope and Contents:
Photographs of Charles Grafly's plaster cast collection at the Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kan.; family photographs; photographs of the Grafly home in Philadelphia; and photographs of Grafly's studio in Gloucester, Mass.
Provenance:
Microfilmed in 1986 as part of AAA's Philadelphia Arts Documentation Project. Lent by Charles Drummond, widower of Dorothy Grafly Drummond and son-in-law of Charles Grafly. Dorothy G. Drummond gave the plaster cast collection and most of her father's papers to Wichita State University, Wichita, Kan. Charles Drummond will give any remaining papers and photographs to the university upon his death.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors -- Pennsylvania -- Philadelphia  Search this
Topic:
Plaster casts -- Photographs  Search this
Function:
Artists' studios -- Massachusetts
Identifier:
AAA.grafchar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grafchar

Oral history interview with Walker Hancock

Interviewee:
Hancock, Walker Kirtland, 1901-1998  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
American Academy in Rome -- Students  Search this
Grafly, Charles, 1862-1929  Search this
Manship, Paul, 1885-1966  Search this
Extent:
125 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1977 July 22-August 15
Scope and Contents:
An interview of Walker Hancock conducted 1977 July 22-August 25, by Robert Brown, for the Archives of American Art.
Hancock discusses his early education and studying with Charles Grafly at the American Academy in Rome; studying at the Pennsylvania Academy and later teaching there; early work with Lorado Taft; fellow sculptors; and sculptural commissions vs. freelance work.
Biographical / Historical:
Walker Kirtland Hancock (1901-1998) was a sculptor from Gloucester, Massachusettes. Hancock was born in 1901 in St. Louis, Missouri. He studied at Washington University for one year before moving on to the Pennsylvania Academy of the Fine Arts, where he studied under Charles Grafly. He taught at PAFA from 1929 to 1967.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 6 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculptors -- Massachusetts -- Gloucester -- Interviews  Search this
Sculpture, Modern -- 20th century  Search this
Art criticism  Search this
Sculpture -- Technique  Search this
Function:
Art commissions
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.hancoc77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hancoc77

Walker Hancock papers

Creator:
Hancock, Walker Kirtland, 1901-1998  Search this
Names:
Stone Mountain Confederate Monumental Association  Search this
Stone Mountain Memorial (Ga.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Crouse, Timothy  Search this
Jennewein, Carl Paul, 1890-  Search this
Kreis, Henry, 1899-1963  Search this
Manship, Paul, 1885-1966  Search this
Tarkington, Booth, 1869-1946  Search this
Zorach, William, 1887-1966  Search this
Extent:
21.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1911-1995
Scope and Contents:
Correspondence with artists including Cecilia Beaux, Timothy Crouse, Carl Paul Jennewein, Henry Kreis, Paul Manship, Booth Tarkington, William Zorach, and others; project and commission files including the Stone Mountain Confederate Memorial in Georgia among others; committee files; personal business records; writings; sketches; photographs and negatives of Hancock, works of art, and political figures taken in preparation of portrait busts; printed material; and an interview transcript relating to Hancock's career as a sculptor.
Biographical / Historical:
Walker Hancock (1901-1998) was a sculptor from Gloucester, Massachusetts. Hancock was born in 1901 in St. Louis, Missouri. He studied at Washington University for one year before moving on to the Pennsylvania Academy of the Fine Arts, where he studied under Charles Grafly. He taught at PAFA from 1929 to 1967. During his career, he produced hundreds of realistic works, ranging from a 39 foot bronze angel in the 30th St. Station in Philadelphia, to a bust of former President Geroge H.W. Bush in the Capitol, to a monumental statue of James Madison in the Library of Congress, to a Christ figure in the central altar in the National Cathedral in Washington. Hancock first visited Gloucester in 1921, built a studio there, and later moved there permanently. He died at home at age 97.
Provenance:
Donated 1974-1996 by Walker Hancock and in 2017 by Deane French Hancock, Hancock's daughter and executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- Massachusetts -- Gloucester  Search this
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Interviews
Identifier:
AAA.hancwalk
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hancwalk

Leon Kroll papers

Creator:
Kroll, Leon, 1884-1974  Search this
Names:
Beal, Gifford, 1879-1956  Search this
Biddle, George, 1885-1973  Search this
Bishop, Isabel, 1902-1988  Search this
Bruce, Edward, 1879-1943  Search this
Faulkner, Barry, 1881-1966  Search this
Glackens, William J., 1870-1938  Search this
Henri, Robert, 1865-1929  Search this
Langsam, Julie  Search this
Manship, Paul, 1885-1966  Search this
Nichols, Hobart, 1869-1962  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Sterne, Maurice, 1878-1957  Search this
Williams, Esther, 1907-1969  Search this
Extent:
8.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Interviews
Drawings
Date:
circa 1900-1988
Summary:
The papers of realist painter, muralist, and educator Leon Kroll date from circa 1900 to 1988 and measure 8.7 linear feet. The collection documents Kroll's painting career, teaching, and active participation in numerous art organizations. Over one-half of the collection is correspondence with artists, schools, galleries, museums, patrons, arts organizations, and others. Also found are scattered biographical material, writings and notes, legal and financial records, exhibition catalogs, clippings, other printed material, photographs of Kroll and colleagues, loose drawings and nine sketchbooks.
Scope and Content Note:
The papers of realist painter, muralist, and art instructor Leon Kroll date from circa 1900 to 1988 and measure 8.7 linear feet. The collection documents Kroll's painting career, teaching, and active participation in numerous art organizations. Over one-half of the collection is correspondence with artists, schools, galleries, museums, patrons, arts organizations, family members, and others. Also found are scattered biographical material, writings and notes, legal and financial records, exhibition catalogs, clippings, other printed material, photographs of Kroll and colleagues, loose drawings, and nine sketchbooks.

Biographical material contains chronologies, biographical essays, awards, price lists, interview transcripts, and a file about the Committee on Government and Art. More than one-half of the collection consists of Kroll's personal and professional correspondence with artists such as Gifford Beal, George Biddle, Isabel Bishop, Barry Faulkner, William Glackens, Robert Henri, Paul Manship, Hobart Nichols, Eugene Speicher, Maurice Stern, Esther Williams, and many others. Additional correspondence is with art critics, curators, dealers, students, patrons, schools, museums, and numerous arts organizations. There is also extensive correspondence with arts administrators regarding government art projects, especially his friend and fellow artist Edward Bruce, Director of the U. S. Treasury Department's Section for Fine Arts.

Writings and notes by Leon Kroll including autobiographical essays, drafts of lectures and speeches, lists, and other scattered notes. Also found is a small amount of writings by others, including an essay by Julia Langsam describing her experience as an artist's model for Kroll. Legal and financial records include contracts, loan agreements, art sales receipts, and several ledgers recording consignments and monthly receipts and expenditures. One ledger specifically documents financial transactions for Kroll's mural commissions for the Justice Department and the Worcester War Memorial.

Printed material contains numerous news clippings about Kroll and his work and includes several articles written by Kroll. Also found are exhibition announcements and catalogs for Kroll's solo exhibitions, material about the Worcester War memorial, and miscellaneous printed items.

Photographs include one of Kroll with his family, Kroll in his studio and working on murals, and several of him with other artists as jurors for art exhibitions. Artists pictured include Isabel Bishop, Reginal Marsh, John Sloan, Raphael Soyer, Eugene Speicher, and others. Also found are photographs of Edward Bruce, as well as photographs of exhibitions, artwork by Leon Kroll, and artwork by others. All of the original artwork in this collection is by Leon Kroll and includes loose drawings and ten sketchbooks containing drawings of landscapes, figures, portraits, and animals.
Arrangement:
The collection is arranged into 7 series:

Series 1: Biographical Material, 1906-1977 (Boxes 1, 7; 0.4 linear feet)

Series 2: Correspondence, 1905-1988 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Writings and Notes, circa 1920s-1972 (Box 4-5, 7; 0.7 linear feet)

Series 4: Legal and Financial Records, circa 1914-1985 (Boxes 5, 7; 1.0 linear feet)

Series 5: Printed Material, circa 1920s-1987 (Boxes 5-6, 8-9; 0.7 linear feet)

Series 6: Photographs, circa 1900-1979 (Boxes 6, 8-10; 1.7 linear feet)

Series 7: Artwork, circa 1910-1950s (Boxes 6, 8; 0.4 linear feet)
Biographical Note:
Leon Kroll (1884-1974) was a leading realist painter during the 1920s and 1930s.

Born in New York City, Kroll attended classes at the Art Students League as a teenager, and studied painting with John Henry Twachtman. In the early 1900s he began taking classes at the National Academy of Design, where he won student prizes, and had his first major exhibition in 1906. In 1908 he won a scholarship to study art in Paris and attended the Académie Julian, studying at the atelier of Jean-Paul Laurens. Through he practiced realism, Kroll was also influenced by French impressionist painters, specifically Paul Cézanne. While in Paris he also met Genevieve (Viette) Domec. They married later in 1923 and had one daughter, Marie-Claude.

Upon his return to New York in 1910, Kroll had a one man show of his Paris work at the National Academy where he received critical acclaim. The next year he began teaching at the National Academy of Design. During his career, he also taught at the Maryland Institute, Art Institute of Chicago, the Pennsylvania Academy of Fine Arts, and was a guest instructor and lecturer at several other schools.

Kroll was part of a circle of New York artists that included several members of "The Eight", and he was especially close with Robert Henri, William Glackens, George Bellows, and Eugene Speicher. During his time in Europe he also became friends with Marc Chagall and Robert and Sonia Delaunay. He exhibited at the Armory Show in 1913 and during the next few decades won numerous major national and international prizes in painting, including first prize at the 1936 Carnegie International Exhibition. He had his first retrospective exhibition at the Worcester Art Museum in 1937. Kroll was especially known for his paintings of female nudes, but also painted New York City street scenes, New England landscapes, and portraits. Beginning in the late 1930s he was commissioned to paint murals at public buildings including, among others, the U. S. Department of Justice Building, the war memorial in Worcester, Massachusetts, and the auditorium at Johns Hopkins University.

Throughout his career Kroll was a very active member of professional arts organizations. He was an Associate and later a Academician at the National Academy of Design, and his memberships included the New Society of Artists; American Society of Painters, Sculptors, and Gravers; Artists Equity Association; Four Arts Aid Association; and the National Institute of Arts and Letters among others. He also served as a board officer for many of these organizations. Kroll was active in the federal arts programs from the 1930s to the 1950s and close friends with Edward Bruce, director of the U.S. Treasury Department's Section for Fine Arts.

Kroll maintained a studio in New York City and spent summers at his home and studio at Folly Cove, Gloucester, Massachusetts. Leon Kroll died in 1974 at the age of 89.
Provenance:
Leon Kroll donated a portion of his papers in 1968. His widow, Genevieve Kroll, donated the rest of the papers in 1976. Two additions were donated in 2019, via Cory Churches and the Estate of Grace Pugh, both descendants of Kroll.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Sketchbooks
Interviews
Drawings
Citation:
Leon Kroll papers, circa 1900-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.krolleon
See more items in:
Leon Kroll papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-krolleon
Online Media:

George Manuel Aarons papers

Creator:
Aarons, George Manuel, 1896-1980  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1927-1981
Scope and Contents:
A curriculum vitae; diplomas; list of commissions executed, 1919-1937; correspondence with foundries and the Naples Art Gallery, Provincetown, Mass; several personal letters; foundry bills; photographs of Aarons, his home, his studio, and his work; and printed material; copyright documents; essays on art; financial data; files on the Boston Hebrew Congregation, the National Sculpture Society, the Gloucester Anniversary Medal, and the Savin Hillel House; ten signed pencil sketches of sculpture and reliefs submitted to Temple Israel, Boston, Mass. (43 x 35 cm. or smaller) of Moses, Isaiah, a menorah, and other subjects; five sketchooks, undated, containing pen and pencil studies for Temple Israel and some portrait sketches.
Biographical / Historical:
Sculptor; Gloucester, Mass.
Provenance:
Donated 1978-1979 by Aaron's widow, Gertrude (d. 1989), and in 1991 by Gertrude's sister, Mrs. Spartaco Monello, who received the papers from her sister's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors -- Massachusetts  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Art, Jewish  Search this
Jewish art and symbolism  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.aarogeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-aarogeor

Alfred Milton Duca papers

Creator:
Duca, Alfred Milton, 1920-  Search this
Names:
Bernstein, Leonard, 1918-1990 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Stravinsky, Igor, 1882-1971  Search this
Photographer:
Brook, John, 1924-  Search this
Extent:
6.8 Linear feet ((partially microfilmed on 1 reel))
2.1 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1940-1997
Scope and Contents:
Correspondence; project files; lists; biographical material; photographs; and exhibition catalogs and announcements.
REEL 2027: Photographs of Duca at work, his studio, and his works of art.
UNMICROFILMED: Correspondence; project files on the "Gloucester Experiment" and "Channel One" containing correspondence, reports, drawings, notes, printed material, and photographs; lists of collections, price lists, and lists of works of art; exhibition catalogs and announcements; clippings; biographical material; and miscellany. Among the photographs are one of Jack Levine, one of Leonard Bernstein with Irving Fein, and one of Igor Stravinsky and his son, taken by John Brook, ca. 1950.
ADDITION: Biographical material, including vital documents; correspondence; writings; business records; exhibition materials; clippings; printed material; photographs of Duca, sculpture, and paintings; and most significantly, files on Duca's commissions and projects.
Biographical / Historical:
Painter, sculptor; Annisquam, Massachusetts. Duca died Jan. 13, 1997.
Provenance:
Material on reel 2027 lent for microfilming 1980 by Alfred Duca; he donated the unmicrofilmed material in 1980. In 1998, an additional 2.4 ft. was donated 1998 by Veronique Duca, widow of Alfred Duca.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Topic:
Painting, American -- Massachusetts -- Gloucester  Search this
Sculpture  Search this
Sculpture -- Conservation and restoration -- Massachusetts -- Gloucester  Search this
Identifier:
AAA.ducaalfr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ducaalfr

Peter A. Juley & Son collection

Photographer:
Ward, De Witt  Search this
Peter A. Juley & Son  Search this
Juley, Peter A., 1862-1937  Search this
Juley, Paul, 1890-1975  Search this
Extent:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
circa 1896-1975
Summary:
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
Scope and Contents:
This collection is comprised of 127,000 negatives from the Peter A. Juley & Son firm documenting the American art scene from 1896 up until 1975.

The Juleys photographed the work of turn-of-the-century painters such as Childe Hassam, Thomas Eakins, and Albert Pinkham Ryder; ash can school artists such as Robert Henri and John Sloan; the avant-garde group associated with Alfred Stieglitz; regionalists of the 1930 and 1940s such as Thomas Hart Benton and Grant Wood; abstract expressionists such as Hans Hoffman and Robert Motherwell; and sculptors such as Daniel Chester French and William Zorach.

The Juley collection also holds some 4,700 photographic portraits of artists. These images capture some of the best-known artists of the twentieth century, including Thomas Hart Benton, Alexander Calder, Stuart Davis, Edward Hopper, Frida Kahlo, Jacob Lawrence, Barnett Newman, Diego Rivera, and Grant Wood. Many of the portraits depict artists at work in their studios or at home with their families and offer glimpses into the artistic and social climate of the period.

Group photography by the Juley firm records the histories of the National Academy of Design and Art Students League and documents important summer art colonies at Provincetown, Massachusetts; Woodstock, New York; Old Lyme, Connecticut; and Ogunquit, Maine.

In addition to the negatives produced by the Juley's, the firm also acquired valuable negatives from other fine arts photographers, including Myra Albert, A. B. Bogart, George C. Cox, Walter Russell, A. E. Sproul, and De Witt Ward, to broaden its holdings.
Arrangement:
The collection is arranged in two series:

Series I: Photographs of art works, arranged alphabetically by artist, then by assigned negative number (673 linear feet)

Series II: Photographical portraits, arranged alphabetically by sitter name (26 linear feet)
Biographical / Historical:
Peter A. Juley (1862-1937) came to the United States in 1888 from the small German town of Alf, on the Mosel, where he was a telegrapher for the post office. How he first became interested in photography and fine arts is not known, but around 1896 he opened a small portrait studio in Cold Spring, New York, where he also worked as a staff news photographer for Harper's Weekly between 1901 and 1906. His assignments included photographing the funeral of President William McKinley and President Theodore Roosevelt's national tours. Around 1907 Juley moved the business to New York, where his son Paul P. Juley (1890-1975) joined him. A few years later they hired an assistant, Carlton Thorpe, who remained for the life of the firm.

Throughout the firm's long history from 1896 to 1975, Peter A. Juley and Son became the largest and most respected fine-art photography studio in New York, serving museums, galleries, art dealers, private collectors, corporations, conservators and many prominent artists. As members of New York's Salmagundi Club of artists, the Juleys served as official photographers for the National Academy of Design, the New York Public Library, and the Society of American Artists. In the summers, when many artists left the city to teach at colonies in Woodstock, New York, Old Lyme and Mystic, Connecticut, and Gloucester, Massachusetts, the Juleys joined them to take photographs. Combining business with pleasure, they even traveled to the West Coast, where they recorded Diego Rivera completing the murals of the San Francisco Stock Exchange, and on one of their trips they photographed artists of New Mexico's Taos and Santa Fe colonies.

When Peter died in 1937, Paul moved the studio to 225 West 57th Street, a few doors down from the Art Students League and across the street from Carnegie Hall, where many artists had studios. Throughout the 1950s and 1960s, Paul continued photographing the works of art associated with the Art Students League and the National Academy of Design. He retired in 1975, at the age of eighty-five.
Provenance:
Purchased from Paul Juley, 1966.
Restrictions:
Researchers may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Rights:
Copyright to photographs from the Juley Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Topic:
Artists -- United States -- Portraits  Search this
Portrait photography  Search this
Art, American -- Photographs  Search this
Genre/Form:
Photographs
Negatives
Citation:
Peter A. Juley & Son Collection, Smithsonian American Art Museum.
Identifier:
SAAM.Photo.JUL
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_collection:sova-saam-photo-jul
Online Media:

Joan of Arc, (sculpture)

Sculptor:
Huntington, Anna Vaughn Hyatt 1876-1973  Search this
Hall, Frederick G. 1879-1946  Search this
Founder:
Gorham Manufacturing Company  Search this
Medium:
Sculpture: bronze; Base: Cape Ann granite
Culture:
French  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Gloucester Community Development 22 Poplar Street Gloucester Massachusetts 01930
Located Main & Washington Streets Gloucester Massachusetts
Date:
Modeled 1910. Dedicated July 4, 1921. Rededicated Sept. 2, 2001
Topic:
Religion--Saint--St. Joan of Arc  Search this
Equestrian  Search this
Occupation--Military  Search this
Dress--Historic--Armor  Search this
Ethnic  Search this
Object--Weapon--Sword  Search this
Control number:
IAS 87740199
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_299798

Stage Fort Settlement, (sculpture)

Sculptor:
Pike, Morgan Faulds  Search this
Founder:
Paul King Foundry  Search this
Medium:
Relief plaque: cast bronze with brown patina; Base: Rockport granite
Type:
Sculptures-Outdoor Sculpture
Sculptures-Relief
Sculptures-Boulder
Sculptures
Owner/Location:
Administered by City of Gloucester Community Development 22 Poplar Street Gloucester Massachusetts 01930
Located Stage Fort Park Hough Street, half-way up hill toward playground Gloucester Massachusetts
Date:
1985
Topic:
History--United States--Massachusetts  Search this
Landscape--Massachusetts--Stage Fort  Search this
Waterscape--Coast  Search this
Architecture--Boat--Sailing Ship  Search this
Control number:
IAS MA000047
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_327291

Sea Harvest, (sculpture)

Sculptor:
Demetrios, Aristides 1932-  Search this
Medium:
Sculpture: bronze; Basin: granite
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures
Owner/Location:
Sawyer Free Library 2 Dale Avenue Gloucester Massachusetts 01930
Date:
Dedicated Sept. 22, 1976
Topic:
Animal--Fish  Search this
Control number:
IAS MA000487
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_341160

The Gloucester Fishermen's Wives Memorial, (sculpture)

Sculptor:
Pike, Morgan Faulds  Search this
Medium:
Sculpture: bronze; Base: Cape Ann granite
Type:
Sculptures
Owner/Location:
Located Stacy Boulevard & Western Avenue Gloucester Massachusetts
Date:
Copyrighted 2001. Dedicated Aug. 5, 2001
Topic:
Figure group--Family--Mother & Child  Search this
Control number:
IAS 71500537
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_352378

A. Piatt Andrew Bridge Door: A. Piatt Andrew Portrait Door, Northeast Pylon, (sculpture)

Sculptor:
Paramino, John Francis 1888/89-1956  Search this
Founder:
T. F. McGann & Sons Company  Search this
Subject:
Andrew, A. Piatt  Search this
Medium:
Bronze
Type:
Sculptures-Door
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
A Piatt Andrew Bridge Route 128 northeast pylon Gloucester Massachusetts
Date:
Cast 1950
Topic:
Portrait male--Profile  Search this
Portrait male--Bust  Search this
Occupation--Political--Congressman  Search this
Emblem--Shield  Search this
Control number:
IAS 71501264
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_459855

A. Piatt Andrew Bridge Door: A. Piatt Andrew Portrait Door, Southwest Pylon, (sculpture)

Sculptor:
Paramino, John Francis 1888/89-1956  Search this
Founder:
T. F. McGann & Sons Company  Search this
Subject:
Andrew, A. Piatt  Search this
Medium:
Bronze
Type:
Sculptures-Door
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
A Piatt Andrew Bridge Route 128 southwest pylon Gloucester Massachusetts
Date:
Cast 1950
Topic:
Portrait male--Profile  Search this
Portrait male--Bust  Search this
Occupation--Political--Congressman  Search this
Emblem--Shield  Search this
Control number:
IAS 71501265
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_459856

A. Piatt Andrew Bridge Door: History of Cape Ann, Northwest Pylon, (sculpture)

Sculptor:
Paramino, John Francis 1888/89-1956  Search this
Founder:
T. F. McGann & Sons Company  Search this
Medium:
Bronze
Type:
Sculptures-Door
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
A Piatt Andrew Bridge Route 128 northwest pylon Gloucester Massachusetts
Date:
Cast 1950
Topic:
Landscape--Massachusetts--Cape Ann  Search this
Waterscape--Harbor  Search this
Architecture--Boat--Sailboat  Search this
Figure group--Male  Search this
Occupation--Industry--Fishing  Search this
Control number:
IAS 71501266
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_459857

A. Piatt Andrew Bridge Door: History of Cape Ann, Southeast Pylon, (sculpture)

Sculptor:
Paramino, John Francis 1888/89-1956  Search this
Founder:
T. F. McGann & Sons Company  Search this
Medium:
Bronze
Type:
Sculptures-Door
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
A Piatt Andrew Bridge Route 128 southeast pylon Gloucester Massachusetts
Date:
Cast 1950
Topic:
Landscape--Massachusetts--Cape Ann  Search this
Waterscape--Harbor  Search this
Architecture--Boat--Sailboat  Search this
Figure group--Male  Search this
Occupation--Industry--Fishing  Search this
Control number:
IAS 71501267
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_459858

Little Triton, (sculpture)

Title:
Triton, (sculpture)
Sculptor:
Hancock, Walker 1901-1998  Search this
Medium:
Figure: cast bronze; Base: Rockport granite
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Gloucester Community Development 22 Poplar Street Gloucester Massachusetts 01930
Located Elizabeth Gordon Smith Park Hough Street, about 300 feet from where it intersects Western Avenue Gloucester Massachusetts
Date:
1989. Dedicated May 27, 1990
Topic:
Mythology--Classical--Triton  Search this
Object--Other--Shell  Search this
Control number:
IAS MA000045
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_327289

Riverdale Martyrs, (sculpture)

Sculptor:
Unknown  Search this
Medium:
Sculpture: granite, hammered and polished; Base: granite
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Gloucester Community Development 22 Poplar Street Gloucester Massachusetts 01930
Located Corner of Hodgkins & Washington Streets Gloucester Massachusetts
Date:
Dedicated June 17, 1886
Topic:
History--United States--Civil War  Search this
Emblem  Search this
Control number:
IAS MA000083
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_329566

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