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Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-1989  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Animal sculpture  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96c1a0919-a71e-4b49-9b63-7e7e27c9052f
EDAN-URL:
ead_collection:sova-aaa-weemkath

Oral history interview with Andrew Dreselly, 1981 June 26

Interviewee:
Dreselly, Andrew, 1893-1985  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Cascieri, Arcangelo  Search this
Krichmayer, Johann  Search this
Rockefeller, John D., Jr. (John Davison)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Andrew Dreselly, 1981 June 26. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Interviews  Search this
Church decoration and ornament -- United States  Search this
Carving (Decorative arts) -- United States  Search this
Woodwork  Search this
Record number:
(DSI-AAA_CollID)13153
(DSI-AAA_SIRISBib)212229
AAA_collcode_dresel81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212229
Online Media:

Oral history interview with Andrew Dreselly

Interviewee:
Dreselly, Andrew, 1893-1985  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Cascieri, Arcangelo, 1902-1997  Search this
Krichmayer, Johann  Search this
Rockefeller, John D., Jr. (John Davison), 1874-1960  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 June 26
Scope and Contents:
An interview of Andrew Dreselly conducted 1981 June 26, by Robert F. Brown, for the Archives of American Art.
Dreselly speaks of his childhood, apprenticeship, work with several different building firms based in Boston, Massachusetts, and his work with various donors and architects. He contributed craftwork to cathedrals and churches throughout New England and the Mid-Atlantic States, as well as construction projects. He also recalls his time as a charter member of the Lexington Arts and Crafts Association. He recalls Johannes Kirchmayer, John D. Rockefeller, Jr., and Arcangelo Cascieri.
Biographical / Historical:
Andrew Dreselly (1893-1985) was a wood carver and sculptor from Cambridge, Massachusetts.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Sculptors -- Interviews  Search this
Church decoration and ornament -- United States  Search this
Carving (Decorative arts) -- United States  Search this
Woodwork  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dresel81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99ca153e6-717e-4262-9bec-bd7a479d00f8
EDAN-URL:
ead_collection:sova-aaa-dresel81
Online Media:

Oral history interview with Ernst Halberstadt, 1979 Feb. 16

Interviewee:
Halberstadt, Ernst, 1910-1987  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Rivera, Diego  Search this
Rockefeller Center  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ernst Halberstadt, 1979 Feb. 16. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- Massachusetts -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13307
(DSI-AAA_SIRISBib)212260
AAA_collcode_halber79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212260
Online Media:

Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano, 1991 May 17

Interviewee:
Castano, Josephine Marie Caruso, 1901-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Castano, Giovanni  Search this
Denhausen, Franz H.  Search this
Castano Galleries (Boston, Mass.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano, 1991 May 17. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Conservation and restoration  Search this
Painting, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)12733
(DSI-AAA_SIRISBib)214655
AAA_collcode_castan91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214655
Online Media:

Oral history interview with Dimitri Hadzi, 1981 Jan. 2-1990 Mar. 9

Interviewee:
Hadzi, Dimitri, 1921-2006  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Moore, Henry, 1898-1986  Search this
Manzù, Giacomo  Search this
Harvard University  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dimitri Hadzi, 1981 Jan. 2-1990 Mar. 9. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- United States -- Interviews  Search this
Sculptors -- Italy -- Interviews  Search this
Sculpture, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)13080
(DSI-AAA_SIRISBib)214657
AAA_collcode_hadzi81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214657
Online Media:

Oral history interview with Ralph Rosenthal, 1997 February 10-April 7

Interviewee:
Rosenthal, Ralph, 1912-2003  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Hale, Philip Leslie  Search this
Museum of Fine Arts, Boston. School  Search this
Harvard University  Search this
Alfred University  Search this
Boston University  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ralph Rosenthal, 1997 February 10-April 7. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Ceramicists -- Massachusetts -- Boston -- Interviews  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12560
(DSI-AAA_SIRISBib)216050
AAA_collcode_rosent97
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216050
Online Media:

Oral history interview with Margret Craver Withers

Interviewee:
Withers, Margret Craver, 1907-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Handy & Harman (Firm)  Search this
Fleming, Erik, Baron  Search this
Heinrich, Leonard  Search this
Kirk, Arthur Neville  Search this
Stone, Arthur J., 1847-1938  Search this
Weir, Wilson  Search this
Withers, Charles C.  Search this
Extent:
5 Sound cassettes
35 Color slides
115 Pages (Transcript (1983-1984))
12 Pages (Transcript (1985))
Type:
Collection descriptions
Archival materials
Sound cassettes
Color slides
Pages
Sound recordings
Interviews
Date:
1983-1985
Scope and Contents:
An interview with Margret Craver Withers conducted 1983-1985, by Robert F. Brown, for the Archives of American Art.
Withers discusses her childhood in Kansas; early education; and aptitude for drawing.Education in art and design, including studying crafts at the University of Kansas, 1925-29; her position as a grade school teacher in Kansas and as a crafts instructor at Wichita Art Association, 1930s; study with various master metalworkers, including Arthur Nevill Kirk, Arthur J. Stone, Leonard Heinrich and Wilson Weir in the USA, and Baron Erik Fleming in Sweden.Development of Hospital Service Program, with the support of Handy and Harman, precious metal refiners, during World War II, to train army therapists in metalworking for disabled soldiers; supervision in post-War period of Handy and Harman's Craft Service Department, producing films on hand-wrought silver, a traveling exhibition of outstanding contemporary silver, instructional brochures, and a series of workshops for American silversmiths, taught by European masters.Marriage in 1950 to Charles Withers, president of Towle Silver, and that company's policy of employing top designers; Towle's commissioning of works in silver from top modern sculptors; her making of silver holloware and jewelry for private clients; her re-invention of the en resille process for enameling (1959) and in the early 1980s her invention of a process for combining enamel, glass, and silver and gold leaf in jewelry; and her involvement in crafts organizations.She discusses her en resille enameling technique. [The 1985 session is transcribed, and is accompanied by slides of the work discussed].
Biographical / Historical:
Margret Craver Withers (1907-2010) was a silversmith in Boston, Massachusetts.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 6 hr., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Silversmiths -- Interviews  Search this
Jewelers -- Interviews  Search this
Metal-workers -- Interviews  Search this
Silverwork  Search this
Enamel and enameling  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wither83
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fcb25d4d-e914-4cf9-94db-5ed1a62f8f7c
EDAN-URL:
ead_collection:sova-aaa-wither83
Online Media:

Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano

Interviewee:
Castano, Josephine Marie Caruso, 1901-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Castano Galleries (Boston, Mass.)  Search this
Castano, Giovanni, 1896-1978  Search this
Denhausen, Franz H., 1911-  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 May 17
Scope and Contents:
An interview of Josephine Marie Caruso Castano regarding her husband, painter and art dealer Giovanni (John) Castano, conducted by Robert Brown for the Archives of American Art.
Castano discusses her childhood and marriage to Giovanni (John) Castano; his career in Cincinnati as a scene painter for the local opera company; moving to Boston circa 1930; his career there as an art dealer, owner of Castano Galleries, and an agent for Wildenstein and Knoedler's; his work as a teacher and painting restorer; the sculptor Franz Denghausen; and passing references to various painters, museum personnel, and art dealers.
Biographical / Historical:
Josephine Marie Caruso Castano is the widow of painter and art dealer Giovanni (John) Castano.
General:
Originally recorded on 1 sound tape cassette. Reformatted in 2010 as 1 digital wav file. Duration is 41 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Topic:
Art -- Conservation and restoration  Search this
Painting, Modern -- 20th century  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.castan91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91b2ecdd7-3a20-46a8-bef0-7df3bc89e321
EDAN-URL:
ead_collection:sova-aaa-castan91
Online Media:

Oral history interview with Ralph Rosenthal

Interviewee:
Rosenthal, Ralph, 1912-2003  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Alfred University -- Students  Search this
Boston University -- Students  Search this
Harvard University -- Students  Search this
Museum of Fine Arts, Boston. School  Search this
Hale, Philip Leslie, 1865-1931  Search this
Extent:
65 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 February 10-April 7
Scope and Contents:
An interview of Ralph Rosenthal conducted 1997 February 10-April 7, by Robert F. Brown, for the Archives of American Art, at Rosenthal's home, in Brookline, Mass.
Rosenthal discusses his childhood in the South End of Boston; first art training at age of 10 under Bill Tate, Dudley Pratt, and Anthony DiBona; attending the Boston public schools' Saturday art classes at the Museum of Fine Arts, Boston, headed by Alma LeBrecht, Blanche Brink, and Alice Morse, 1924-29; his years at the School of the MFA (1929-35) and the dominant influence there of Philip Hale; his further training in education at Boston University (Ed.M., 1936); his early teaching career; receiving a Carnegie Fellowship in 1938 to study at the Fogg Museum, Harvard University; studying ceramics at Alfred University in 1940; and his founding with Herbert Kahn in 1941 of ROKA, a ceramics supply company.
Teaching in the Boston public schools, 1936-1976, rising from teacher of sculpture to supervisor of art for the entire system in 1966; his work in sculpture, painting, drawing, and ceramics; and former students at the various places he has taught.
Biographical / Historical:
Ralph Rosenthal (1912-2003) was a sculptor from Boston, Mass.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art teachers -- Massachusetts -- Boston -- Interviews  Search this
Art students -- Massachusetts  Search this
Topic:
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Ceramicists -- Massachusetts -- Boston -- Interviews  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rosent97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ef2c09fe-861f-4c53-9bae-4ae1c735e991
EDAN-URL:
ead_collection:sova-aaa-rosent97
Online Media:

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
26.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Manuscript
Date:
circa 1876-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 26.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 26.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1895-1996 (Boxes 1-23, 28; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24, 28; 1 linear feet)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-27; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
Reels 3936-3940: Authorization to publish, quote or reproduce requires written permission from an officer of the Vose Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Function:
Art galleries, Commercial -- Massachusetts
Art galleries, Commercial -- Rhode Island
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b560897e-b32f-45cc-9f36-548879006396
EDAN-URL:
ead_collection:sova-aaa-vosegall
Online Media:

Oral history interview with Arcangelo Cascieri, 1972 November 21-1974 January 24

Interviewee:
Cascieri, Arcangelo, 1902-1997  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Gropius, Walter  Search this
Boston Architectural Center  Search this
Massachusetts College of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arcangelo Cascieri, 1972 November 21-1974 January 24. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Philosophy  Search this
Church decoration and ornament  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11850
(DSI-AAA_SIRISBib)213369
AAA_collcode_cascie72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213369
Online Media:

Oral history interview with Tommy Simpson, 2004 May 6-July 2

Interviewee:
Simpson, Tommy, 1939-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Subject:
Castle, Wendell  Search this
Maloof, Sam  Search this
Maruyama, Wendy  Search this
McKie, Judy Kensley  Search this
Newman, Richard, (Artist)  Search this
Sepeshy, Zoltan  Search this
Smith, Paul J.  Search this
Zucca, Edward  Search this
Boston University. Program in Artisanry  Search this
Cranbrook Academy of Art  Search this
Museum of Arts and Design (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University  Search this
University of Hartford  Search this
Type:
Interviews
Sound recordings
Place:
China -- description and travel
Europe -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tommy Simpson, 2004 May 6-July 2. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Furniture making -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11632
(DSI-AAA_SIRISBib)248743
AAA_collcode_simpso04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_248743
Online Media:

Oral history interview with Arcangelo Cascieri

Interviewee:
Cascieri, Arcangelo, 1902-1997  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston Architectural Center -- Students  Search this
Massachusetts College of Art -- Students  Search this
Gropius, Walter, 1883-1969  Search this
Extent:
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 November 21-1974 January 24
Scope and Contents:
An interview of Arcangelo Cascieri conducted 1972 November 21-1974 January 24, by Robert F. Brown, for the Archives of American Art.
Cascieri speaks of his childhood in Italy; his art education, beginning with his apprenticeship to a wood sculptor; his early sculpture for churches; attending Massachusetts College of Art; early commissions; definitions and standards of beauty; studying at the Boston Architectural Center (BAC); meeting and becoming acquainted with Walter Gropius; becoming the administrator of the BAC; teaching experiences; changes in the BAC over the years; and his artistic philosophy.
Biographical / Historical:
Arcangelo Cascieri (1902-1997) was a sculptor, educator, and administrator at the Boston Architectural Center (BAC) of Boston, Massachusetts.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 15 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Arts administrators -- Massachusetts -- Boston -- Interviews  Search this
Topic:
Art -- Philosophy  Search this
Church decoration and ornament  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cascie72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ca85140-586e-4c27-a02d-0478ce8fa5f3
EDAN-URL:
ead_collection:sova-aaa-cascie72
Online Media:

Oral history interview with Tommy Simpson

Interviewee:
Simpson, Tommy  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Boston University. Program in Artisanry -- Faculty  Search this
Cranbrook Academy of Art -- Students  Search this
Museum of Arts and Design (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University -- Students  Search this
University of Hartford -- Faculty  Search this
Castle, Wendell, 1932-2018  Search this
Maloof, Sam  Search this
Maruyama, Wendy, 1952-  Search this
McKie, Judy Kensley, 1944-  Search this
Newman, Richard, (Artist)  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Smith, Paul J., 1931-  Search this
Zucca, Edward  Search this
Extent:
6 Items (Sound recording: 6 sound files (3 hr., 54 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
China -- Description and Travel
Europe -- description and travel
Date:
2004 May 6-July 2
Scope and Contents:
An interview of Tommy Simpson conducted 2004 May 6-July 2, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Simpson speaks of growing up in rural Illinois; making things as a child; discovering his interest in art at Northern Illinois University; getting an MFA in painting at Cranbrook Academy of Art; using the wood shop at Cranbrook; exhibiting at various galleries in New York City and moving to Connecticut; showing work in the "Fantasy Furniture" exhibit at the Museum of Arts & Design; visiting Europe; the New York studio furniture market in the 1960s; writing the book, "Fantasy Furniture"; exhibiting in "Objects USA;" working as artist in residence at the Fairtree Gallery; teaching at the University of Hartford; his work ethic and productivity; living and working in Greenwich, Connecticut; the constraints of being classified as a furniture maker; teaching briefly at the Program In Artisanry and other schools; the increased public interest in fine woodworking in the 1980s; changes in the craft market; writing the book, "Two Looks to Home"; the influence of events on his work; his current interest in making whole interiors; working on commission; the current public interest in craft; expressing themes in his work; his working process in his studio; the future of fine woodworking; the difficulties of working with galleries; designing rugs; and visiting China. Simpson also recalls Zoltan Sepeshy, Wendell Castle, Paul Smith, Sam Maloof, Edward Zucca, Wendy Maruyama, Richard Newman, Judy McKie, and others.
Biographical / Historical:
Tommy Simpson (1939- ) is a furniture maker and sculptor from Washington Depot, Connecticut. Edward S. Cooke, Jr. is a professor from Newtonville, Massachusetts.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Cabinetmakers  Search this
Sculptors -- Connecticut  Search this
Topic:
Decorative arts  Search this
Furniture making -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.simpso04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95d21c644-be78-4a66-83ff-e67f648199b8
EDAN-URL:
ead_collection:sova-aaa-simpso04
Online Media:

Alan R. Solomon papers

Creator:
Solomon, Alan R., 1920-1970  Search this
Names:
Albright-Knox Art Gallery  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Art Gallery of Ontario  Search this
Artforum  Search this
Biennale di Venezia  Search this
Centro de Artes Visuales (Asunción, Paraguay)  Search this
Cornell University -- Faculty  Search this
Expo 67 (Montréal, Québec)  Search this
Harvard University -- Students  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Jewish Museum (New York, N.Y.)  Search this
Leo Castelli Gallery  Search this
Los Once (Artists' group)  Search this
Pasadena Art Museum  Search this
San Francisco Art Institute  Search this
University of California (System)  Search this
Velvet Underground (Musical group)  Search this
Bontecou, Lee, 1931-  Search this
Castelli, Leo  Search this
Chamberlain, John, 1927-2011  Search this
Childs, Lucinda  Search this
Dine, Jim, 1935-  Search this
Duchamp, Marcel, 1887-1968  Search this
Dunn, Judith  Search this
Fahlström, Öyvind, 1928-1976  Search this
Finkelstein, Nat  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Greenberg, Jeanine  Search this
Grisi, Laura  Search this
Hay, Alex  Search this
Hay, Deborah  Search this
Johns, Jasper, 1930-  Search this
Kron, Joan  Search this
Lichtenstein, Roy, 1923-1997  Search this
Louis, Morris, 1912-1962  Search this
MacElroy, Robert R.  Search this
Moore, Peter  Search this
Morris, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-2010  Search this
Novick, Elizabeth  Search this
Oldenburg, Claes, 1929-  Search this
Oldenburg, Patty  Search this
Paxton, Steve  Search this
Picasso, Pablo, 1881-1973  Search this
Poons, Larry  Search this
Provinciali, Michele  Search this
Rainier, Yvonne  Search this
Rauschenberg, Robert, 1925-2008  Search this
Redon, Odilon, 1840-1916  Search this
Reed, Lou  Search this
Rosenquist, James, 1933-  Search this
Sabol, Audrey, 1922-  Search this
Schute, Terry  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Segal, George, 1924-2000  Search this
Sisler, Mary  Search this
Sonnabend, Ileana  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-  Search this
Whitman, Robert  Search this
Extent:
9.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Date:
1907-1970
bulk 1944-1970
Summary:
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
Scope and Contents:
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

Biographical material includes résumés, an engagement book, and a monthly planning book from 1965, identification cards, and educational transcripts.

Correspondence documents Solomon's education at Harvard College and Harvard University, and his teaching appointments at Cornell University. Correspondence also provides some documentation of his involvement with museums and arts organizations, including the Jewish Museum, Stedlijk Museum, the San Francisco Art Institute, the University of California, and Centro de Artes Visuales; his submission of writings for publications including Artforum, Art International, and Konstrevy; and his relationships with artists and colleagues including Jim Dine, Joan Kron, Audrey Sabol, and Ileana Sonnabend. Also found is correspondence related to Solomon's work for Mary Sisler, who employed Solomon to sell her collection of artwork by Marcel Duchamp in the late 1960s.

One series comprises transcripts of interviews with many of the artists who were central to the transition from Abstract Expressionism to later modern movements that occurred in the 1950s and 1960s, such as Neo-Dada and Pop art. Artists represented in the interviews include Jim Dine, Helen Frankenthaler, Jasper Johns, Barnett Newman, Kenneth Noland, Claes Oldenburg, Robert Rauschenberg, Frank Stella, and Andy Warhol.

Solomon's writings include many of his essays for exhibition catalogs, magazines, and journals, and are in a combination of annotated manuscript and published formats. There are writings on Jim Dine, Barnett Newman, Robert Rauschenberg, and Jasper Johns, and on the new movements in theater and performance art of the 1960s. His writings also document the art history education which informed all of his later work, with the inclusion of papers written as a student and teacher, his honors thesis on Odilon Redon, and his dissertation on Pablo Picasso. This material is supplemented by notes, and teaching and study files, documenting courses taken and taught at Harvard and Cornell universities. Also found is the manuscript of the text for New York: The New Art Scene, accompanied by a partial published copy of the book and photographs by Ugo Mulas.

Solomon's subject files augment several of the other series, comprising material on various art related subjects and individual painters and sculptors, arranged alphabetically. Material found here includes printed matter documenting exhibitions and other events, scattered letters from artists, related writings, and photographs.

One series documents Solomon's involvement with the First New York Theater Rally, which he co-produced with Steve Paxton in 1965. This material includes a drawing each by Jim Dine and Alex Hay, pieces of a combine by Robert Rauschenberg, and photographs of the group including Dine, Hay, and Rauschenberg, as well as Lucinda Childs, Judith Dunn, Deborah Hay, Robert Morris, Claes Oldenburg, the Once Group, Steve Paxton, Yvonne Rainier, Alan Solomon, and Robert Whitman. The series includes multiple contact sheets of photos of First New York Theater Rally events, by Peter Moore, Elizabeth Novick, and Terry Schute.

Exhibition files document Solomon's role as an organizer and curator for some of his most well-known exhibitions, including American Painting Now (1967) for Expo '67 in Montreal; Andy Warhol (1966) at the Institute of Contemporary Art in Boston; Dine-Oldenburg-Segal (1967) at the Art Gallery of Ontario and Albright-Knox Gallery; the American exhibition at the 1964 Venice Biennale; Young Italians (1968) at the Institute of Contemporary Art; and Painting in New York 1944-1969, a major retrospective installed for the opening of the new Pasadena Art Museum in fall, 1969. Records include correspondence, lists and notes, financial records, printed material, and photographs of artists and installations, including a series by Ugo Mulas taken at the Venice Biennale.

Solomon's business records include lists, notes, contracts, expense forms, vouchers, purchase orders, and receipts. They provide scattered documentation of exhibition-related expenses and purchases of artwork, as well as Solomon's income from teaching appointments, lectures, honorariums, and writings. Amongst Solomon's general business records is an American Federation of Musicians agreement between the Institute of Contemporary Art and "Louis Reed," with booking agent Andy Warhol, for a performance by the Velvet Underground and Nico, performing as The Exploding Plastic Inevitable on October 29, 1966. This seemingly mundane item documents an event that accompanied Solomon's landmark Warhol exhibition of nearly forty iconic works, and the accompanying show by The Exploding Plastic Inevitable was hailed by the Boston Phoenix newspaper as one of the greatest concerts in Boston history.

Printed material includes announcements, catalogs, and posters for exhibitions and art related events, including two Jasper Johns lithographs for a 1960 exhibition at Galerie Rive Droite, and a 1963 exhibition at Leo Castelli Gallery. Also found are news clippings, press releases, and other publications.

Photographs are of Solomon, artists, friends and colleagues, exhibitions and other events, and artwork. They include snapshots of Solomon, and a series of photographs of him at various events and parties, many taken by Ugo Mulas, as well as a photo taken by Robert Rauschenberg of Ugo Mulas, Michele Provinciali, and Solomon. Additional photos by Ugo Mulas include some which were probably taken for New York: The New Art Scene, and a series of photos of Robert Rauschenberg and others at the Venice Biennale. Photos of artists include Lee Bontecou, John Chamberlain, Jim Dine, Marcel Duchamp, Öyvind Fahlström, Laura Grisi, Jasper Johns, Roy Lichtenstein, Morris Louis, Barnett Newman, Kenneth Noland, Claes and Patty Oldenburg, Larry Poons, James Rosenquist, George Segal, Frank Stella, and Andy Warhol and The Factory. Photos of others include Leo Castelli, Clement and Jeanine Greenberg, and Ethel and Robert Scull. Also found are photos of the exhibition Toward a New Abstraction (1963), at The Jewish Museum, photos of Venice, and photos of artwork by many of the above named, and other, artists. In addition to Ugo Mulas, photographers represented in this series include Nat Finkelstein, Robert R. McElroy, and Hans Namuth.
Arrangement:
The collection is arranged as eleven series.

Missing Title

Series 1: Biographical Material, 1938-1968 (5 folders; Box 1)

Series 2: Correspondence, 1930-1970 (0.66 linear feet; Box 1)

Series 3: Interviews, 1965-1969 (0.25 linear feet; Box 1)

Series 4: Writings and Notes, 1945-1969 (1.35 linear feet; Boxes 1-3, 11)

Series 5: Teaching and Study Files, 1944-1958 (0.25 linear feet; Box 3)

Series 6: Subject Files, 1907-1969 (2.92 linear feet; Boxes 3-6, 1, OV 12)

Series 7: First New York Theater Rally, 1963-1965 (0.15 linear feet; Boxes 6, 11)

Series 8: Exhibition Files, 1954-1969 (1.42 linear feet; Boxes 6-7, 11, OV 12)

Series 9: Business Records, 1945-1970 (0.3 linear feet; Boxes 7-8)

Series 10: Printed Material, 1914-1970 (0.8 linear feet; Boxes 8-9, OV 12)

Series 11: Photographs, circa 1951-circa 1970 (1.7 linear feet; Boxes 9-11, OV 13)
Biographical / Historical:
New York art historian, museum director, art consultant, educator, writer, and curator, Alan R. Solomon (1920-1970), organized over two hundred exhibitions in the course of his career. He was known for his skill in exhibition design, and for bringing the perception and understanding of an art historian to the field of contemporary art.

Solomon was born in Quincy, Massachusetts, and educated at Harvard College and Harvard Graduate School. In 1953, during his 1952-1962 tenure with the Cornell University department of art history, he established the Andrew Dickson White Museum of art. Solomon served as the museum's first director until 1961, whilst simultaneously pursuing his doctorate, which he received from Harvard University in 1962.

In 1962 Solomon was hired by the Jewish Museum in New York, New York, and immediately began to take the institution in a more contemporary direction, mounting Robert Rauschenberg's first retrospective in 1963, and a major Jasper Johns retrospective in 1964. Also, in 1963, Solomon was appointed the United States Commissioner for the 1964 Venice Biennale. He was determined to show "the major new indigenous tendencies, the peculiarly America spirt of the art" in works by two consecutive generations of artists, including Jasper Johns, Morris Louis, Kenneth Noland, and Robert Rauschenberg. With this in mind, and given the inadequacy of the existing space to house the installation he envisaged, Solomon secured a verbal agreement from Biennale officials to approve additional space for the American exhibition in an annex at the former American Consulate. The agreement was never formalized, however, and a series of administrative problems and controversies over the eligibility of the American submissions threatened to undermine Solomon's efforts. Nevertheless, Robert Rauschenberg became the first American to take the Grand Prize for foreign artist, and the attention garnered by the American exhibition monopolized press coverage of the Biennale. In response, Solomon stated publicly that "it is acknowledged on every hand that New York has replaced Paris as the world art capital."

Solomon subsequently left the Jewish Museum, having engendered resistance to leading the museum in a more experimental direction, away from the traditional Jewish educational aspects of its mission. In the mid-sixties he worked as a consultant and writer for a National Educational Television series entitled "U. S. A. Artists," which drew on artist interviews, many conducted by Solomon. He also wrote the text for Ugo Mulas's classic photographic study, New York: The New Art Scene (1967: Holt Rinehart and Winston).

In 1966 Solomon was hired by the United States Information Agency to organize the United States contribution to the Canadian World Exhibition in Montreal, known as Expo '67. His stunning American Painting Now installation placed large scale paintings by twenty-three artists, including Jim Dine, Ellsworth Kelly, Roy Lichtenstein, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist, inside Buckminster Fuller's twenty-story Biosphere of Montreal.

Other important exhibitions organized by Solomon included Andy Warhol (1966) at the Institute of Contemporary Art, Boston, which was only the second of two exhibitions dedicated to the artist; Dine-Oldenburg-Segal (1967) at the Art Gallery of Ontario and the Albright-Knox Art Gallery; and Young Italians (1968) at the Institute of Contemporary Art.

Solomon was also interested in contemporary theater and organized the First New York Theater Rally with Steve Paxton in 1965, a series of performances which combined new dance and a revival of the Happenings of the early 1960s, in which Claes Oldenburg, Jim Dine and others were involved.

Following a six-week appointment as a senior lecturer at the University of California, Irvine, in spring 1968, Solomon became chairman of the University's art department and director of the art gallery. His last exhibition, Painting in New York, 1944-1969 (1969-1970), was held at the Pasadena Art Museum and closed in January 1970, just a few weeks before Solomon's sudden death at the age of forty-nine.
Provenance:
The Leo Castelli Gallery served as executor of Solomon's estate, and donated his papers to the Archives of American Art in 1974 and 2007.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Painters  Search this
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.soloalan
See more items in:
Alan R. Solomon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw943b0f6a7-bfde-4a32-8bcc-4c9a200251d4
EDAN-URL:
ead_collection:sova-aaa-soloalan
Online Media:

Henry Botkin papers, 1917-1979

Creator:
Botkin, Henry, 1896-1983  Search this
Subject:
Arlen, Harold  Search this
Botkin, Benjamin Albert  Search this
Brice, Fanny  Search this
Brice, William  Search this
Gershwin, George  Search this
Gershwin, Ira  Search this
Godowsky, Frances  Search this
Gross, Chaim  Search this
Hasegawa, Saburō  Search this
Hofmann, Hans  Search this
Knaths, Karl  Search this
Laurent, Toinette Botkin  Search this
Mocsanyi, Paul  Search this
Motherwell, Robert  Search this
Nevelson, Louise  Search this
Newman, Barnett  Search this
Picasso, Pablo  Search this
Putnam, Wallace  Search this
Schoenberg, Arnold  Search this
Siqueiros, David Alfaro  Search this
Shadbolt, Jack  Search this
Von Wicht, John  Search this
Rattner, Abraham  Search this
Robus, Hugo  Search this
American Abstract Artists  Search this
Artists Equity Association  Search this
Federation of Modern Painters and Sculptors  Search this
Gallery 256 (Provincetown, Mass.)  Search this
Type:
Drawings
Scrapbooks
Citation:
Henry Botkin papers, 1917-1979. Archives of American Art, Smithsonian Institution.
Topic:
Art, Abstract  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7456
(DSI-AAA_SIRISBib)209614
AAA_collcode_botkhenr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209614

Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Subject:
Pershing, John J. (John Joseph)  Search this
Manship, Paul  Search this
Loring, Charles Greely  Search this
James, Henry  Search this
Smith, Corinna Lindon  Search this
Sargent, John Singer  Search this
Ross, Denman Waldo  Search this
Alma-Tadema, Lawrence, Sir  Search this
Thayer, Abbott Handerson  Search this
Beaux, Cecilia  Search this
Benson, Frank Weston  Search this
Brush, George de Forest  Search this
Carson, Kit  Search this
Gardner, Isabella Stewart  Search this
Académie Julian  Search this
Type:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt -- Antiquities
Egypt -- description and travel
Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8473
(DSI-AAA_SIRISBib)210649
AAA_collcode_smitjose
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210649
Online Media:

Katharine Lane Weems papers, 1865-1989

Creator:
Weems, Katharine Ward Lane, 1899-  Search this
Subject:
Cornell, Katharine  Search this
Cresson, Margaret French  Search this
Grafly, Charles  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Manship, Paul  Search this
Monjo, Enric  Search this
Putnam, Brenda  Search this
Wong, Anna May  Search this
Gildersleeve, Basil L. (Basil Lanneau)  Search this
Lane, Gardiner M.  Search this
Hancock, Walker Kirtland  Search this
Kroll, Leon  Search this
Marans, Moissaye  Search this
Weinman, Adolph A. (Adolph Alexander)  Search this
Lane, Katharine Ward  Search this
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Type:
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Citation:
Katharine Lane Weems papers, 1865-1989. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Animal sculpture  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8603
(DSI-AAA_SIRISBib)210783
AAA_collcode_weemkath
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210783

Vose Galleries of Boston records, circa 1876-1996, bulk 1920-1940

Creator:
Vose Galleries of Boston  Search this
Subject:
Vose, Robert Churchill  Search this
Hassam, Childe  Search this
Hoffman, Malvina  Search this
Jonniaux, Alfred  Search this
Ladd, Anna Coleman (sculptor)  Search this
Thayer, Abbott Handerson  Search this
Norton, William E.  Search this
Sargent, John Singer  Search this
Vose, Robert C. (Robert Churchill)  Search this
Arthur U. Newton Galleries  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Type:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876-1996, bulk 1920-1940. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9272
(DSI-AAA_SIRISBib)211467
AAA_collcode_vosegall
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211467
Online Media:

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