Search Results

Creator:

Liberman, Alexander, 1912-1999  Search this

Names:

André Emmerich Gallery  Search this

Bennington College  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Solomon R. Guggenheim Museum  Search this

Barr, Alfred H., Jr., 1902-1981  Search this

Beaton, Cecil Walter Hardy, Sir, 1904-  Search this

Cartier-Bresson, Henri, 1908-  Search this

Chernow, Burt  Search this

Dalí, Salvador, 1904-1989  Search this

De Kooning, Willem, 1904-1997  Search this

Dietrich, Marlene  Search this

Emmerich, André  Search this

Frankenthaler, Helen, 1928-2011  Search this

Greenberg, Clement, 1909-1994  Search this

Hopps, Walter  Search this

Klein, William  Search this

Kline, Franz, 1910-1962  Search this

Leibovitz, Annie, 1949-  Search this

Motherwell, Robert  Search this

Mulas, Ugo  Search this

Namuth, Hans  Search this

Newman, Barnett, 1905-1970  Search this

Newton, Helmut, 1920-  Search this

Parks, Gordon, 1912-2006  Search this

Parsons, Betty  Search this

Penn, Irving  Search this

Picasso, Pablo, 1881-1973  Search this

Ritts, Herb  Search this

Snowdon, Antony Armstrong-Jones, Earl of, 1930-  Search this

Steichen, Edward, 1879-1973  Search this

Vogel, Lucien  Search this

Vreeland, Diana  Search this

Extent:

59 Linear feet

Type:

Collection descriptions

Archival materials

Drafts (documents)

Drawings

Scrapbooks

Interviews

Photographs

Sketches

Sound recordings

Transcripts

Video recordings

Date:

circa 1912-2003

Summary:

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Scope and Contents:

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Biographical materials include awards, biographies and chronologies, family history materials, membership cards, writings by Liberman's mother, and a scrapbook about his father.

Correspondence is extensive and concerns both personal and professional affairs. It is with artists and photographers, art magazines, organizations and museums, art collectors, businesses, and family. Notable correspondents include Cecil Beaton, Henri Cartier-Bresson, Burt Chernow, Salvador Dali, Robert Motherwell, Helen Frankenthaler, Barnett and Annalee Newman, Additional correspondence is found within the subject files compiled and organized by Liberman (series 6).

There are sound and video recordings and transcripts of interviews with and by Liberman, most completed for broadcast television and radio shows. Of particular interest are sound cassettes, a sound tape reel, and a transcript of an interview with Walter Hopps by Liberman.

Writings by Liberman include essays, short stories, and a play entitled 2+1. Writing project files were organized by Liberman for writing projects for which he was the author, collaborator, or subject. There are numerous files concerning Barbara Rose's book about Liberman Alexander Liberman that also include recorded interviews with Liberman and transcripts. Other books for which there are files include The Art and Technique of Color Photography, The Artist in His Studio, Vogue: The First 100 Years, Vogue History of Fashion Photography, and others.

Subject files were organized by Liberman for a wide variety of work projects, activities, topics, and entities of interest. Files cover commissions, the filming and distribution of the 1981 documentary film Alexander Liberman: A Lifetime Burning, Liberman's personal collection of art, gifts of artwork, and his relationship with galleries and dealers, particularly André Emmerich Gallery.

Exhibition files document exhibitions of Liberman's artwork, and include those held at André Emmerich Gallery, Bennington College, the Guggenheim, Museum of Modern Art, among other venues. Files contain correspondence, contracts, photographs, plans and drawings, notes, etc. Also found are inventory records of Liberman's artwork in the form of lists, index cards, bound registers, and notes.

Ten linear feet of printed materials include exhibition announcements and catalogs, books and book flyers, brochures, calendars, clippings, postcards, posters, press releases, and other materials.

There are scattered drawings and sketches found within the papers, some of which are sketches of sculpture pieces.

Nearly one-half of the collection is comprised of photographs of Liberman and his artwork, and of artists and colleagues, many of which were taken by noted photographers, including Cecil Beaton, Henri Cartier-Bresson, William Klein, Henri Lartique, Annie Leibowitz, Inge Morath, Ugo Mulas, Hans Namuth, Helmut Newton, Gordon Parks, Irving Penn, Herb Ritts, and Lord Snowden, among others. Subjects of note found in the photographs include Alfred Barr, Salvador Dali, Marlene Dietrich, Willem de Kooning, Andre Emmerich, Helen Frankenthaler, Clement Greenberg, Franz Kline, Robert Motherwell, Barnett Newman, Betty Parsons, Pablo Piccaso, Edward Steichen, Lucien Vogel, and Diana Vreeland, among many others.

Arrangement:

The collection is arranged into twelve series. Photographs retain Liberman's original numerical and alpha schemas and the corresponding indexes are found in the Inventory Records in Series 8.

Missing Title

Series 1: Biographical Materials, circa 1930s-1999 (1 linear foot; Box 1, 56)

Series 2: Correspondence, 1944-1997 (4 linear feet; Boxes 1-5, 56, OV 65)

Series 3: Interviews, 1946-1996 (1.4 linear feet; Boxes 5-7, 56)

Series 4: Writings, 1948-1995 (0.9 linear feet; Boxes 7-8)

Series 5: Writing Project Files, 1951-1997 (1.8 linear feet; Boxes 8-9, 56)

Series 6: Subject Files, 1946-2000 (6 linear feet; Boxes 9-15, 56, OV 66-67)

Series 7: Exhibition Files, 1954-1991 (0.7 linear feet; Boxes 15-16, 56, OV 68)

Series 8: Inventory Records, 1938-1998 (6 linear feet; Boxes 16-22)

Series 9: Printed Materials, 1932-2003 (10 linear feet; Boxes 22-31, 56-57, OV 69)

Series 10: Artwork, circa 1940s-1990s (0.4 linear feet; Boxes 32, 57, OV 70)

Series 11: Photographic Materials, circa 1912-1999 (26 linear feet; Boxes 32-55, 57-64, OVs 71-77)

Series 12: Unidentified Sound and Video Recordings, circa 1941-1999 (0.8 linear feet; Boxes 55, 64)

Biographical / Historical:

Alexander S. Liberman (1912-1999) was a sculptor, painter, photographer, graphic designer, writer, and publishing executive who worked primarily in New York City. He held senior positions at Condé Nast Publications for 32 years.

Alexander Semeonovitch Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. He began his journalistic career in Paris at VU magazine owned by Lucien Vogel and there he befriended photographers Henri Cartier-Bresson, Brassai, Robert Capa, and André Kértesz. He served in the French army for a short time in 1940, but he and his family fled Paris in 1941 to New York City. Condé Nast hired Liberman in 1941 as an assistant to the art director of Vogue magazine. Liberman became art director in 1943 and editorial director of Condé Nast Publications in 1962, a position he held until his retirement in 1994.

Liberman was also a photographer whose subjects included Georges Braque, Alexander Calder, Alberto Giacometti, Henri Matisse, Pablo Picasso, and Marlene Dietrich, among others, many represented in his 1960 book entitled The Artist in his Studio and Marlene: An Intimate Photographic Memoir (1992). He was also the subject of the work of noted photographers Cecil Beaton, Irving Penn, Henri Cartier-Bresson, Gordon Parks, Lord Snowden, Jill Krementz, Henri Lartique, Annie Leibovitz, and Hans Namuth.

Liberman took up painting and sculpting in the 1950s. Although his first exhibition was at the Betty Parsons Gallery, he was primarily associated with the André Emmerich Gallery in New York City. His monumental sculptures were mostly assembled from industrial parts and painted and can be seen in museums and public sites worldwide.

Liberman was briefly married to Hildegarde Sturm. He married his second wife Tatiana Yacovleff du Plessix in 1942. Before their marriage, they fled occupied France together. She was a noted hat designer, working for Henri Bendel and Saks, where she became known as Tatiania of Saks. She died in 1991 and, in 1992, Liberman married Melinda Pechangco, a nurse who had earlier cared for Tatiania. Alexander Liberman died in 1999 in Miami, Florida.

Related Materials:

Related collections found at the Archives of American Art include the Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman and numerous collections of gallery records.

Provenance:

The Alexander Liberman papers were donated to the Archives of American Art by Liberman Art Partners in 2010 via Dodie Kazanjian.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Publishers -- New York (State) -- New York  Search this

Graphic designers  Search this

Topic:

Photographers -- New York (State) -- New York  Search this

Photography  Search this

Sculptors -- France -- Paris  Search this

Fashion photography  Search this

Painters -- France -- Paris  Search this

Painters -- New York (State) -- New York  Search this

Photographers -- France -- Paris  Search this

Genre/Form:

Drafts (documents)

Drawings

Scrapbooks

Interviews

Photographs

Sketches

Sound recordings

Transcripts

Video recordings

Citation:

Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.

Identifier:

AAA.libealex

See more items in:

Alexander Liberman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw942e7024f-773e-4db8-b545-31138550580a

EDAN-URL:

ead_collection:sova-aaa-libealex

Creator:

Olitski, Joan C., 1937-  Search this

Olitski, Jules, 1922-2007  Search this

Extent:

0.02 Linear feet

Type:

Collection descriptions

Archival materials

Illustrated letters

Date:

1981-2004

Summary:

The notes of painter and sculptor Jules Olitski to Joan Olitski measure 0.02 linear feet and date from 1981-2004. The collection comprises of ten humorous love notes, some illustrated, written by Jules Olitski to his wife, Joan. Olitski wrote the notes to his wife (also known as Kristina) in the morning when he left his studio after working through the night.

Scope and Contents:

The notes of painter and sculptor Jules Olitski to Joan Olitski measure 0.02 linear feet and date from 1981-2004. The collection comprises of ten humorous love notes, some illustrated, written by Jules Olitski to his wife, Joan. Olitski wrote the notes to his wife (also known as Kristina) in the morning when he left his studio after working through the night.

Arrangement:

The collection is arranged as 1 series.

Series 1: Notes, 1981-2004 (0.1 linear feet; Box 1)

Biographical / Historical:

Painter and sculptor Jules Olitski (1922-2007) lived and worked from New York City; Meredith, New Hampshire; and Islamorada, Florida and was known for his color field abstractions and painted metal sculptures. Born Jevel Demikovsky in Snovsk, Russia (now Shchors, Ukraine), Olitski's father was politically executed months after his birth, and his mother and grandmother moved with him to the United States in 1923. Showing an early propensity for art, Olitski trained at both New York's National Academy of Design and the Beaux-Arts Institute of Design and furthered his art studies in Paris. After returning to New York, Olitski received a master's in art education from NYU in 1954 and subsequently taught at C.W. Post College (1956-1963) and Bennington College (1963-1967).

His first solo show of abstract impastos at the Alexander Iolas Gallery in 1958 caught the attention of art critic Clement Greenberg, who continued to champion him throughout his career. In the 1960s, Olitski came to prominence with color field paintings that used stain and spray methods to emphasize the broad, flat plane of the canvas. By the 1970s, he began producing and painting large scale abstract aluminum sculptures and returned to painting in the more textured style he had used in the 1950s.

Olitski, along with Roy Lichtenstein, Helen Frankenthaler, and Ellsworth Kelly, was selected to represent the United States at the 1966 Venice Biennale and was also the first living artist invited to exhibit a one-person show at the Metropolitan Museum of Art in 1969. A prolific artist, he exhibited in over 150 solo shows and was elected to the National Academy of Design in 1994. Olinski continued painting and exhibiting new abstractions of monochrome landscapes late into his career and died of cancer in New York.

Related Materials:

The Archives of American Art also holds the Jules Olitski papers.

Provenance:

The notes were donated in 2014 by Olitski's wife, Joan Olitski, also known as Kristina.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Painters -- New York (State) -- New York  Search this

Genre/Form:

Illustrated letters

Citation:

Jules Olitski notes to Joan Olitski, 1981-2004. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.olitjoan

See more items in:

Jules Olitski notes to Joan Olitski

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw949c1754d-18c5-4990-b970-7e955a471580

EDAN-URL:

ead_collection:sova-aaa-olitjoan

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Crispus Attucks, American, 1723 - 1770  Search this

Sojourner Truth, American, 1797 - 1883  Search this

Harriet Tubman, American, 1822 - 1913  Search this

Sarah C. Roberts, American, born 1844  Search this

Susan McKinney Steward, American, 1847 - 1918  Search this

Dred Scott, American, ca 1800 - 1858  Search this

Frederick Douglass, American, 1818 - 1895  Search this

Booker T. Washington, American, 1856 - 1915  Search this

George Washington Carver, American, 1860s - 1943  Search this

W.E.B. Du Bois, American, 1868 - 1963  Search this

Scott Joplin, American, 1867 - 1917  Search this

Marcus Garvey, Jamaican, 1887 - 1940  Search this

James Weldon Johnson, American, 1871 - 1938  Search this

Father Divine, American, ca. 1876 - 1965  Search this

A. Philip Randolph, American, 1889 - 1979  Search this

Adam Clayton Powell Jr., American, 1908 - 1972  Search this

Rosa Parks, American, 1913 - 2005  Search this

Medgar Evers, American, 1925 - 1963  Search this

Dr. Martin Luther King Jr., American, 1929 - 1968  Search this

President Lyndon Baines Johnson, American, 1908 - 1973  Search this

Mary McLeod Bethune, American, 1875 - 1955  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Congressional Black Caucus, American, founded 1971  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Shriners International, American, founded 1870  Search this

National Pan-Hellenic Council, American, founded 1930  Search this

National Dental Association, American, founded 1913  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Democratic Party, American, founded 1828  Search this

Republican Party, American, founded 1854  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

National Urban League, American, founded 1910  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

National Medical Association, American, founded 1895  Search this

Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this

National Council of Negro Women, founded 1935  Search this

Daughters of Isis, American, founded 1910  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

369th Veterans Association, American  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Langston Hughes, American, 1902 - 1967  Search this

Paul Robeson, American, 1898 - 1976  Search this

Ezzard Mack Charles, American, 1921 - 1975  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Date:

1976

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

U.S. History, Colonial period, 1600-1775  Search this

United States History  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.10

Restrictions & Rights:

Public domain

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e57ffdd9-2ab1-46da-b6e7-10757007351f

EDAN-URL:

edanmdm:nmaahc_2012.167.10

Collection Creator:

Stable Gallery  Search this

Container:

Box 2, Folder 21

Type:

Archival materials

Date:

1954-1961

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Lichtenstein Foundation.

See more items in:

Stable Gallery records

Stable Gallery records / Series 2: Artist Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bbd38752-2cdb-4955-8100-7292de550c63

EDAN-URL:

ead_component:sova-aaa-stabgall-ref57

Creator:

Riverón, Enrique  Search this

Names:

Wichita State University -- Faculty  Search this

Baker, Josephine, 1906-1975  Search this

Bermúdez, Cundo, 1914-2008  Search this

Cantinflas, 1911-1993  Search this

Carreño, Mario  Search this

Carreño, Mario -- Photographs  Search this

Cugat, Xavier, 1900- -- Photographs  Search this

De Diego, Julio, 1900-  Search this

García Lorca, Federico, 1898-1936  Search this

Gattorno, Antonio  Search this

Gómez Sicre, José  Search this

Hughes, Langston, 1902-1967  Search this

Kiki, 1901-1953  Search this

Lozano Castro, Alfredo  Search this

Milland, Ray -- Photographs  Search this

Neruda, Pablo, 1904-1973 -- Photographs  Search this

Orozco, José Clemente, 1883-1949 -- Photographs  Search this

Peláez, Amelia, 1897-1968 -- Photographs  Search this

Picasso, Pablo, 1881-1973  Search this

Pidgeon, Walter, 1897-  Search this

Prohias, Antonio  Search this

Rebajes, Pauline  Search this

Reed, Alma M. -- Photographs  Search this

Russell, Rosalind -- Photographs  Search this

Salinas, Baruj  Search this

Sicre, Juan José -- Photographs  Search this

Siqueiros, David Alfaro -- Photographs  Search this

Tamayo, Rufino, 1899- -- Photographs  Search this

Waguermert, Luis Gomez -- Photographs  Search this

Yunkers, Adja, 1900-1983  Search this

Extent:

3.3 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Photographs

Date:

1918-1990s

Summary:

The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.

Scope and Content Note:

The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.

Arrangement:

The collection is organized into eight series.

Missing Title

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)

Biographical Note:

Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.

Related Material:

The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.

Provenance:

The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Cartoonists  Search this

Topic:

Artists -- Florida -- Miami  Search this

Illustrators  Search this

Cuban American art  Search this

Artists -- Cuba  Search this

Expatriate artists -- Florida -- Miami  Search this

Cuban American artists  Search this

Magazine illustration  Search this

Caricatures and cartoons  Search this

Sculptors -- Florida -- Miami  Search this

Latino and Latin American artists  Search this

Genre/Form:

Scrapbooks

Photographs

Citation:

Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.riveenri

See more items in:

Enrique Riverón papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f97ec4c1-ff24-4264-8862-e6c643037bb5

EDAN-URL:

ead_collection:sova-aaa-riveenri

Collection Creator:

Cinque Gallery  Search this

Container:

Box 1, Folder 21

Type:

Archival materials

Date:

1992-circa 2000

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Cinque Gallery records, 1959-2010. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Roy Lichtenstein Foundation.

See more items in:

Cinque Gallery records

Cinque Gallery records / Series 2: Artists' Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw986e2a27a-9605-436d-b786-e64a280479da

EDAN-URL:

ead_component:sova-aaa-cinqgall2-ref578

Creator:

Starr, Nina Howell, 1903-2000  Search this

Names:

International Women's Art Festival  Search this

Museum of American Folk Art  Search this

Photographic Historical Society of New York  Search this

Professional Women's Photographers, Inc.  Search this

Sharon Arts Center  Search this

Southern Regional Council  Search this

Brandt, Helene, 1936-  Search this

Cohen, Stephenie  Search this

Coke, Van Deren, 1921-  Search this

Connor, Linda  Search this

Daitz, Evelyne Z.  Search this

DiSpirito, Henry, 1898-1995  Search this

Evans, Minnie, 1892-  Search this

Evans, Walker, 1903-1975  Search this

Ghent, Henri, 1926-  Search this

Kanaga, Consuelo, 1894-  Search this

Kernan, Margo, 1927-  Search this

Kruger, Louise, 1924-  Search this

Lippard, Lucy R.  Search this

Macdonald-Wright, Stanton, 1890-1973  Search this

Mainardi, Patricia  Search this

Morgan, Barbara Brooks, 1900-1992  Search this

Putnam, Wallace, 1899-1989  Search this

Ringgold, Faith  Search this

Rose, Ruth Starr, 1887-1965  Search this

Savage, Naomi, 1927-2005  Search this

Sherwood, Maggie, 1922-1984  Search this

Siskind, Aaron  Search this

Strand, Paul, 1890-1976  Search this

Szarwarski, John  Search this

Uelsmann, Jerry, 1934-  Search this

Extent:

21.2 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Photographs

Interviews

Drawings

Sketches

Transcripts

Sound recordings

Prints

Date:

circa 1933-1996

Summary:

The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Scope and Contents:

The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.

Arrangement:

The collection is arranged as 6 series.

Missing Title

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)

Biographical / Historical:

Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.

Provenance:

The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- New York (State) -- New York  Search this

Photographers -- New York (State) -- New York  Search this

Art dealers -- New York (State) -- New York  Search this

Topic:

Folk art  Search this

Civil rights  Search this

African American art  Search this

Folk art -- Photographs  Search this

Women photographers  Search this

Photography  Search this

African American artists  Search this

Genre/Form:

Scrapbooks

Photographs

Interviews

Drawings

Sketches

Transcripts

Sound recordings

Prints

Citation:

Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian's Collections Care and Preservation Fund.

Identifier:

AAA.starnina

See more items in:

Nina Howell Starr papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dccd352c-b391-49d6-ae20-8b00e1e280d3

EDAN-URL:

ead_collection:sova-aaa-starnina

Creator:

d'Arazien, Arthur  Search this

Extent:

11 Cubic feet (28 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Dye destruction process

Photographic prints

Transparencies

Cibachrome (tm)

Tear sheets

Color negatives

Color prints (photographs)

Dye destruction photoprints

Silver-dye bleach process

Type c color prints

Chromogenic processes

Place:

Canada -- Industry -- 1940-1980

Date:

circa 1930-2002

Scope and Contents:

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and some Canadian) business and industry during a period of expansion a golden age of American industry. Although it represents the photographer's creative and artistic style and skill, the subject matter is appropriate to the National Museum of American History from several viewpoints the visual documentation of industry and technology, as well as advertising, public relations, and business history.

The photographs include black and white negatives and prints from the negatives, as well as color negative and transparency materials, up to 8" x 10" in size. Probably the majority of the transparencies were made in the large size. The black and white materials include pictures of d'Arazien at work some made by famous Life magazine photographer Alfred Eisenstaedt, a colleague at the Famous Photographers School. A number of Dye Transfer prints mounted on illustration board were made by master color printer Don Browning.

In addition to frequently extensive caption information on all of d'Araziens original envelopes and enclosures, many enclosures for color negatives and transparencies bear d'Arazien labels with technical information or instructions for color printing, such as filter pack designations and local printing controls. These enclosures therefore have been retained in the collection, although usually they are not of archival quality.

Of secondary significance are 62 large color prints, mostly Type C, with a few Cibachromes, which were made from the original transparencies for exhibition purposes. Most were made either by K & L laboratories, New York City (stickers on back) or Eastman Kodak professional laboratories, Rochester, N.Y., and have been wet mounted to non archival Masonite. At the time of acquisition, several had faded and/or changed color. These are available for research and exhibition purposes, but are not expected to survive as long as the original transparencies.

The collection contains Mr. d'Arazien's files of printed materials. These include reproductions which indicate how his photographs were used by clients. Included are annual reports, promotional pieces, magazine tearsheets from advertising and editorial uses, and other biographical items.

Series 1: Professional industrial photographs.

Photographs document primarily American business and industry (including some taken in Canada). Black-and-white negatives with prints from these negatives, also color negative and transparency materials. Most transparencies are 8" x 10". The photographs demonstrate the photographer's reputation as a master of dramatic lighting and the coordination of large-scale, complex industrial setups in factories, steel mills, and even outdoor settings. Also 65 color prints, mostly Type C with a few Cibachromes, made from the original transparencies for exhibition purposes, mostly wet-mounted to Masonite. Black-and-white photographs include pictures of d'Arazien at work--some by Life magazine photographer Alfred Eisenstaedt.

Series 2: D'Arazien's files of printed materials, some of which include photomechanical reproductions of his work, indicating how the photographs were used by clients; also annual reports, magazine tearsheets from advertising and editorial uses, and other promotional items, in addition to biographical materials.

2007 addendum: Transparencies, slides, prints and negatives of additional photographs by Arthur d'Arazien, including industrial subjects as well as travel, architectural, agricultural, portrait, art, still life and personal photographs. Also included are miscellaneous papers, mostly relating to d'Arazien's photographic work.

Arrangement:

The collection is divided into three series.

Series 1: Paper Documents

Subseries 1.1: Publications and Reproductions.

Subseries 1.2: Photographer's Labels, Envelopes, Etc.

Series 2: Photographs

Subseries 2.1: Color Phototransparencies

Subseries 2.2: Color Photonegatives and Color Photoprints

Subseries 2.3: Black and White Photonegatives and Photoprints

Subseries 2.4: Color Photoprints: Enlargements Mounted on Masonite

Material is arranged in each sub-series primarily by client names, in alphabetical order.

Series 3: Oversize prints

Biographical / Historical:

Arthur d'Arazien began his photographic career as an assistant to a famous theatrical photographer, documenting Broadway shows. A distinctive emphasis on dramatic lighting in his later work suggests the heavy influence of the theater. He did fashion and commercial photography, as well as photographing the 1939 World's Fair, for Underwood & Underwood Illustration Studios, East 44th St., New York City, in 1938 1939. He was described in a U.S. Camera Annual article as Aan architect whose interest in photography has caused him to make a profession of it.

D'Arazien taught aerial photography for the U.S. Air Corps Technical Training Command at Lowry Field, Denver, during World War II. He began his career in industrial photography with the De Laval Separator Company, New York City. His energy and creativity led to assignments which often were judged too difficult for lesser photographers. His growing reputation as an industrial photographer kept pace with the dynamic growth of the industrial and technological activities he was photographing during the 1950s through the 1980s.

Robert Vogel, former Curator of Mechanical and Civil Engineering for the National Museum of American History, wrote that d'Arazien: ...became internationally known for his dramatic color views of the American industrial scene at a time when our industry can be said to have been at the height of its powers....He was commissioned by the giants of steel, paper, chemicals, machinery, transportation, automobiles, mining, metal refining, textiles, and the other heavy (and medium) industries. ...He developed a number of special techniques for obtaining the grand, sweeping views that became his trademark, including multiple exposures to achieve dramatic lighting effects, elaborate lighting setups involving multiple flashes from several vantages employing a number of assistants intercommunicating by radio, complex arrangements with transportation lines and the various departments of the subject organization to produce the desired juxtaposition of elements in the photograph, and the like. His MO was anything but that of simply walking onto the scene and snapping the shutter; for many of his breathtaking views he appears to have been more producer and impresario than photographer.

Arthur d'Arazien describes the growth of his spectacular style as an eager response to new subjects, challenges, and photographic materials:

...knowing that color was the coming thing in corporate advertising, I pursued that line. I did lots of experimenting; every assignment gave me an opportunity to try something new, such as combination day and night exposures on a single sheet of film, multiple flash bulbs to light large interiors, multiple exposures on the same film, such as...moving objects ...automobiles, trains...to build up excitement in a picture. Colored gels to change colors. I even used old fashioned flash powder to light ...steel mills, because there were no flashbulbs powerful enough to light these dark, cavernous interiors: this idea was borrowed from the Air Corps night time aerial photography with magnesium flash powder.

A skilled painter and metal sculptor as well as photographer, d'Arazien came from a family of artists. His photographs were made primarily on assignment from industrial corporations for advertising, editorial, and public relations purposes, but have been exhibited and collected as works of art in the Smithsonian Institution (Division of Photographic History), the Metropolitan Museum of Art, and the Cleveland Museum. His work was included in the Photography in the Fine Arts exhibitions organized by Ivan Dimitri, and he was a founding faculty member of the Famous Photographers School, Westport, Connecticut, in the early 1960's.

D'Arazien married Margaret Scott and has two sons. He had a studio in Waterside Plaza, New York, and made his home in New Canaan, Connecticut, until moving to Naples, Florida, upon his retirement in 1988. The collection was brought to the Smithsonian's attention by his son Steven, and was donated to the Archives Center before this move. In anticipation of this gift, Mr. d'Arazien spent several months inspecting his collection, eliminating duplicate and technically unsuccessful images, and captioning photographs.

Sources American Aces, U.S. Camera Annual 1939. Clipping in scrapbook no. 1, box 24, first page.

Robert M. Vogel, memorandum, undated, but written after a December 1987 visit to d'[Arazien's home. In Archives Center collection control file.

Letter to the author, 26 February 1992, in collection control file.

Provenance:

Collection donated by Arthur d'Arazien, December 24, 1988.

Restrictions:

Collection is open for research but the majority of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Industry -- Photographs -- 1940-1980 -- Canada  Search this

Industry -- Photographs -- 1940-1980 -- United States  Search this

Steel industry and trade -- 1940-1980  Search this

Agriculture -- Photographs -- 20th century  Search this

Travel -- Photographs -- 1930-2000  Search this

Genre/Form:

Photographs -- Black-and-white negatives -- Acetate film

Photographs -- Chromogenic -- 1900-2000

Dye destruction process

Photographic prints

Transparencies

Cibachrome (TM)

Tear sheets

Color negatives

Color prints (photographs)

Dye destruction photoprints

Silver-dye bleach process

Photographs -- Color prints -- 20th century

Type C color prints

Chromogenic processes

Citation:

Arthur d'Arazien Industrial Photographs, ca. 1930-2002, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0314

See more items in:

Arthur d'Arazien Industrial Photographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c58b8378-f263-4065-bd66-643e070e44c1

EDAN-URL:

ead_collection:sova-nmah-ac-0314

Creator:

Polasek, Albin, 1879-1965  Search this

Subject:

Brookgreen Gardens  Search this

Citation:

Albin Polasek papers, 1937-1964. Archives of American Art, Smithsonian Institution.

Topic:

Sculpture -- Italy  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5654

(DSI-AAA_SIRISBib)208488

AAA_collcode_polaalbi

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208488

Creator:

Sambugnac, Alexander, 1888-1965  Search this

Subject:

Bourdelle, Emile Antoine  Search this

Citation:

Alexander Sambugnac papers, 1909-1964. Archives of American Art, Smithsonian Institution.

Topic:

Sculpture  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6691

(DSI-AAA_SIRISBib)208816

AAA_collcode_sambalex

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208816

Creator:

Jennewein, Carl Paul, 1890-  Search this

Subject:

Choates, Alice  Search this

Type:

Sketchbooks

Citation:

Carl Paul Jennewein papers, 1910-1977. Archives of American Art, Smithsonian Institution.

Topic:

Sculpture, American  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6753

(DSI-AAA_SIRISBib)208878

AAA_collcode_jenncarl

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208878

Creator:

Gaylor, Wood, 1883-1957  Search this

Gaylor, Adelaide Lawson, 1889-1986  Search this

Subject:

Bacon, Peggy  Search this

Brook, Alexander  Search this

Cahill, Holger  Search this

David, Hermine  Search this

Dos Passos, John  Search this

Field, Hamilton Easter  Search this

Ganso, Emil  Search this

Gwozdecki, Gustaw  Search this

Hart, George Overbury  Search this

La Guardia, Fiorello H. (Fiorello Henry)  Search this

Morrison, David H. (David Herron)  Search this

Osborn, Frank C.  Search this

Pascin, Jules  Search this

Schmidt, Katherine  Search this

Frost, A. B. (Arthur Burdett)  Search this

Frost, John  Search this

Gellert, Hugo  Search this

Halpert, Edith Gregor  Search this

Hirsch, Stefan  Search this

Howland, Isabella  Search this

Kuniyoshi, Yasuo  Search this

Laurent, Robert  Search this

Lawson, John Howard  Search this

Lie, Jonas  Search this

Mager, Gus  Search this

Newton, Alice  Search this

Strater, Henry  Search this

Schack, William  Search this

Baker, Josephine  Search this

Coady, Robert J.  Search this

Frueh, Alfred Joseph  Search this

Downtown Gallery (New York, N.Y.)  Search this

Association of American Painters and Sculptors (New York, N.Y.)  Search this

Friends of the Young Artists  Search this

Hamilton Easter Field Art Foundation  Search this

Municipal Art Committee (New York, N.Y.)  Search this

New York Society of Women Artists  Search this

Penguin Club (New York, N.Y.)  Search this

Salons of America, Inc.  Search this

Thumb Box Gallery (New York, N.Y.)  Search this

Wanamaker Gallery of Modern Decorative Art  Search this

Armory Show (1913: New York, N.Y.)  Search this

Type:

Sketchbooks

Citation:

Wood and Adelaide Lawson Gaylor papers, 1866-[circa 1986]. Archives of American Art, Smithsonian Institution.

Topic:

Quill  Search this

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Modernism (Art)  Search this

Women artists  Search this

Artist couples  Search this

Theme:

Diaries  Search this

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8195

(DSI-AAA_SIRISBib)210366

AAA_collcode_gaylwood

Theme:

Diaries

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210366

Creator:

Davis, Stuart, 1892-1964  Search this

Subject:

Picasso, Pablo  Search this

Kuniyoshi, Yasuo  Search this

Downtown Gallery (New York, N.Y.)  Search this

Federal Art Project (N.Y.)  Search this

American Artists' Congress  Search this

Citation:

Stuart Davis papers, 1934-1940. Archives of American Art, Smithsonian Institution.

Topic:

Modernism (Art)  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8336

(DSI-AAA_SIRISBib)210508

AAA_collcode_davistua

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210508

Creator:

Jacques Seligmann & Co.  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Creator:

Riverón, Enrique, 1902-1998  Search this

Subject:

Hughes, Langston  Search this

Yunkers, Adja  Search this

Sicre, Juan José  Search this

Salinas, Baruj  Search this

Russell, Rosalind  Search this

Waguermert, Luis Gomez  Search this

Neruda, Pablo  Search this

Peláez, Amelia  Search this

Pidgeon, Walter  Search this

Prohias, Antonio  Search this

Rebajes, Pauline  Search this

De Diego, Julio  Search this

García Lorca, Federico  Search this

Carreño, Mario  Search this

Gattorno, Antonio  Search this

Tamayo, Rufino  Search this

Gómez Sicre, José  Search this

Siqueiros, David Alfaro  Search this

Reed, Alma M.  Search this

Kiki  Search this

Orozco, José Clemente  Search this

Lozano Castro, Alfredo  Search this

Milland, Ray  Search this

Bermúdez, Cundo  Search this

Baker, Josephine  Search this

Cantinflas  Search this

Cugat, Xavier  Search this

Carreño, Mario  Search this

Picasso, Pablo  Search this

Wichita State University  Search this

Type:

Scrapbooks

Photographs

Citation:

Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.

Topic:

Artists -- Florida -- Miami  Search this

Illustrators  Search this

Cuban American art  Search this

Artists -- Cuba  Search this

Expatriate artists -- Florida -- Miami  Search this

Cuban American artists  Search this

Magazine illustration  Search this

Caricatures and cartoons  Search this

Sculptors -- Florida -- Miami  Search this

Latino and Latin American artists  Search this

Theme:

Latino and Latin American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5433

(DSI-AAA_SIRISBib)216020

AAA_collcode_riveenri

Theme:

Latino and Latin American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216020

Creator:

Carreño, Mario, 1913-1999  Search this

Riverón, Enrique, 1902-1998  Search this

Citation:

Letters to Mario Carreño from Enrique Riveron, 1981-1990. Archives of American Art, Smithsonian Institution.

Topic:

Latino and Latin American artists  Search this

Theme:

Latino and Latin American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)13481

(DSI-AAA_SIRISBib)216080

AAA_collcode_riveenri2

Theme:

Latino and Latin American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216080

Creator:

Scull family  Search this

Subject:

Scull, Haydée  Search this

Scull, Michael  Search this

Scull, Sahara  Search this

Type:

Photographs

Scrapbooks

Citation:

Scull family scrapbook, 1953-1996. Archives of American Art, Smithsonian Institution.

Topic:

Artists -- Florida -- Miami  Search this

Works of art  Search this

Sculptors -- Florida -- Miami  Search this

Cuban American art  Search this

Cuban American artists  Search this

Assemblage (Art)  Search this

Cuban Americans -- Florida -- Miami  Search this

Latino and Latin American artists  Search this

Theme:

Latino and Latin American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5545

(DSI-AAA_SIRISBib)216209

AAA_collcode_sculfami

Theme:

Latino and Latin American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216209

Creator:

Hanson, Duane, 1925-1996  Search this

Subject:

Bush, Martin H.  Search this

Hanson, Dewey  Search this

Karp, Ivan C.  Search this

O.K. Harris Gallery (New York, N.Y.)  Search this

Type:

Sketches

Sketchbooks

Video recordings

Visitors' books

Citation:

Duane Hanson papers, 1935-2006. Archives of American Art, Smithsonian Institution.

Topic:

Sculptors -- Florida  Search this

Theme:

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6110

(DSI-AAA_SIRISBib)216313

AAA_collcode_hansduan

Theme:

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216313

Creator:

Oliva, Tomás, 1930-1996  Search this

Subject:

Díaz Peláez, José Antonio  Search this

Levy-Angulo, Cyndee  Search this

Type:

Sketchbooks

Photographs

Sketches

Citation:

Tomás Oliva papers, circa 1969-1996. Archives of American Art, Smithsonian Institution.

Topic:

Latino and Latin American artists  Search this

Sculptors -- Cuba -- Havana  Search this

Sculptors -- Florida -- Miami  Search this

Cuban American art  Search this

Artists -- Cuba  Search this

Expatriate artists -- Florida -- Miami  Search this

Cuban American artists  Search this

Theme:

Latino and Latin American  Search this

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5515

(DSI-AAA_SIRISBib)216397

AAA_collcode_olivtoma

Theme:

Latino and Latin American

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216397

Creator:

Chambers, Elenora S. (Elenora Strasel)  Search this

Type:

Sketchbooks

Citation:

Elenora S. Chambers papers, 1955-1993. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Theme:

Sketches & Sketchbooks  Search this

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6164

(DSI-AAA_SIRISBib)216398

AAA_collcode_chamelen

Theme:

Sketches & Sketchbooks

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216398