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Frederic Remington papers

Creator:
Remington, Frederic, 1861-1909  Search this
Names:
Beveridge, Albert Jeremiah, 1862-1927  Search this
Bigelow, Poultney, b. 1855  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Clarke, Powhatan Henry, 1862-1893  Search this
Clemens, Samuel Langhorne, 1835-1910  Search this
Cortissoz, Royal, 1869-1948  Search this
Davenport, Homer, 1867-1912  Search this
Davis, Richard Harding, 1864-1916  Search this
Forsyth, George A.  Search this
Hassam, Childe, 1859-1935  Search this
Hepburn, A. Barton (Alonzo Barton), 1846-1922  Search this
Hoeber, Arthur, 1854-1915  Search this
Howells, William Dean, 1837-1920  Search this
Johnson, Carter Page  Search this
Kipling, Rudyard, 1865-1936  Search this
Lamont, Daniel Scott, 1851-1905  Search this
Miles, Nelson Appleton, 1839-1925  Search this
Pyle, Howard, 1853-1911  Search this
Ralph, Julian, 1853-1903  Search this
Roosevelt, Theodore, 1858-1919  Search this
Wister, Owen, 1860-1938  Search this
Wood, Leonard, 1860-1927  Search this
Extent:
320 Items (on 3 partial microfilm reels)
Type:
Collection descriptions
Archival materials
Date:
1880-1908
Scope and Contents:
Correspondence, printed material, and writings.
REEL NOR 1: Correspondence, including letters and cards from Remington to his wife, Eva Adele Caten Remington, and with admirers and associates, including Edwin Austin Abbey, Albert J. Beveridge, Poultney Bigelow, Frederick Stuart Church, Powhatan Clark, Samuel L. Clemens, Royal Cortissoz, Homer Davenport, Richard H. Davis, Gen. George A.Forsyth, Childe Hassam, John Hay, A. Barton Hepburn, Arthur Hoeber, W. D. Howells, Carter P. Johnson, Rudyard Kipling, Daniel S. Lamont, Nelson A. Miles,W.L. Palmer, Howard Pyle, Julian Ralph, Theodore Roosevelt, Owen Wister, Gen. Leonard Wood, admirers and associates; and catalogs.
REEL 902: 11 brief letters from Remington to his friend Julian Ralph, and 1 letter from Theodore Roosevelt to Daniel W. Lord regarding Lord's apparent interest in New Mexico; a poem in Remington's hand; an autographed menu from a dinner of the Authors Club, New York City; and dedications in books written by Remington.
REEL 3470: A photocopy of a letter from Remington to "My Dear Colonel," March 21, 1903.
Biographical / Historical:
Painter, sculptor, etcher, and illustrator New Rochelle, New York and Ridgefield, Connecticut.
Provenance:
Material on reel NOR 1 lent for microfilming by the Ogdenburg Public Library and Remington Memorial, 1956. Material on reel 902 lent for microfilming by Mr. & Mrs. Robert Benkert and Louis Fisher, 1974. Material on reel 3470 donated by Mrs. Miles Reber, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- West (U.S.)  Search this
Sculptors -- West (U.S.)  Search this
Topic:
Painting, Modern -- 19th century -- West (U.S.)  Search this
Sculpture, Modern -- 19th century -- West (U.S.)  Search this
Identifier:
AAA.remifrep
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-remifrep

Arthur d'Arazien Industrial Photographs

Creator:
d'Arazien, Arthur  Search this
Extent:
11 Cubic feet (28 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Dye destruction process
Photographic prints
Transparencies
Cibachrome (tm)
Tear sheets
Color negatives
Color prints (photographs)
Dye destruction photoprints
Silver-dye bleach process
Type c color prints
Chromogenic processes
Place:
Canada -- Industry -- 1940-1980
Date:
circa 1930-2002
Scope and Contents:
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and some Canadian) business and industry during a period of expansion a golden age of American industry. Although it represents the photographer's creative and artistic style and skill, the subject matter is appropriate to the National Museum of American History from several viewpoints the visual documentation of industry and technology, as well as advertising, public relations, and business history.

The photographs include black and white negatives and prints from the negatives, as well as color negative and transparency materials, up to 8" x 10" in size. Probably the majority of the transparencies were made in the large size. The black and white materials include pictures of d'Arazien at work some made by famous Life magazine photographer Alfred Eisenstaedt, a colleague at the Famous Photographers School. A number of Dye Transfer prints mounted on illustration board were made by master color printer Don Browning.

In addition to frequently extensive caption information on all of d'Araziens original envelopes and enclosures, many enclosures for color negatives and transparencies bear d'Arazien labels with technical information or instructions for color printing, such as filter pack designations and local printing controls. These enclosures therefore have been retained in the collection, although usually they are not of archival quality.

Of secondary significance are 62 large color prints, mostly Type C, with a few Cibachromes, which were made from the original transparencies for exhibition purposes. Most were made either by K & L laboratories, New York City (stickers on back) or Eastman Kodak professional laboratories, Rochester, N.Y., and have been wet mounted to non archival Masonite. At the time of acquisition, several had faded and/or changed color. These are available for research and exhibition purposes, but are not expected to survive as long as the original transparencies.

The collection contains Mr. d'Arazien's files of printed materials. These include reproductions which indicate how his photographs were used by clients. Included are annual reports, promotional pieces, magazine tearsheets from advertising and editorial uses, and other biographical items.

Series 1: Professional industrial photographs.

Photographs document primarily American business and industry (including some taken in Canada). Black-and-white negatives with prints from these negatives, also color negative and transparency materials. Most transparencies are 8" x 10". The photographs demonstrate the photographer's reputation as a master of dramatic lighting and the coordination of large-scale, complex industrial setups in factories, steel mills, and even outdoor settings. Also 65 color prints, mostly Type C with a few Cibachromes, made from the original transparencies for exhibition purposes, mostly wet-mounted to Masonite. Black-and-white photographs include pictures of d'Arazien at work--some by Life magazine photographer Alfred Eisenstaedt.

Series 2: D'Arazien's files of printed materials, some of which include photomechanical reproductions of his work, indicating how the photographs were used by clients; also annual reports, magazine tearsheets from advertising and editorial uses, and other promotional items, in addition to biographical materials.

2007 addendum: Transparencies, slides, prints and negatives of additional photographs by Arthur d'Arazien, including industrial subjects as well as travel, architectural, agricultural, portrait, art, still life and personal photographs. Also included are miscellaneous papers, mostly relating to d'Arazien's photographic work.
Arrangement:
The collection is divided into three series.

Series 1: Paper Documents

Subseries 1.1: Publications and Reproductions.

Subseries 1.2: Photographer's Labels, Envelopes, Etc.

Series 2: Photographs

Subseries 2.1: Color Phototransparencies

Subseries 2.2: Color Photonegatives and Color Photoprints

Subseries 2.3: Black and White Photonegatives and Photoprints

Subseries 2.4: Color Photoprints: Enlargements Mounted on Masonite

Material is arranged in each sub-series primarily by client names, in alphabetical order.

Series 3: Oversize prints
Biographical / Historical:
Arthur d'Arazien began his photographic career as an assistant to a famous theatrical photographer, documenting Broadway shows. A distinctive emphasis on dramatic lighting in his later work suggests the heavy influence of the theater. He did fashion and commercial photography, as well as photographing the 1939 World's Fair, for Underwood & Underwood Illustration Studios, East 44th St., New York City, in 1938 1939. He was described in a U.S. Camera Annual article as Aan architect whose interest in photography has caused him to make a profession of it.

D'Arazien taught aerial photography for the U.S. Air Corps Technical Training Command at Lowry Field, Denver, during World War II. He began his career in industrial photography with the De Laval Separator Company, New York City. His energy and creativity led to assignments which often were judged too difficult for lesser photographers. His growing reputation as an industrial photographer kept pace with the dynamic growth of the industrial and technological activities he was photographing during the 1950s through the 1980s.

Robert Vogel, former Curator of Mechanical and Civil Engineering for the National Museum of American History, wrote that d'Arazien: ...became internationally known for his dramatic color views of the American industrial scene at a time when our industry can be said to have been at the height of its powers....He was commissioned by the giants of steel, paper, chemicals, machinery, transportation, automobiles, mining, metal refining, textiles, and the other heavy (and medium) industries. ...He developed a number of special techniques for obtaining the grand, sweeping views that became his trademark, including multiple exposures to achieve dramatic lighting effects, elaborate lighting setups involving multiple flashes from several vantages employing a number of assistants intercommunicating by radio, complex arrangements with transportation lines and the various departments of the subject organization to produce the desired juxtaposition of elements in the photograph, and the like. His MO was anything but that of simply walking onto the scene and snapping the shutter; for many of his breathtaking views he appears to have been more producer and impresario than photographer.

Arthur d'Arazien describes the growth of his spectacular style as an eager response to new subjects, challenges, and photographic materials:

...knowing that color was the coming thing in corporate advertising, I pursued that line. I did lots of experimenting; every assignment gave me an opportunity to try something new, such as combination day and night exposures on a single sheet of film, multiple flash bulbs to light large interiors, multiple exposures on the same film, such as...moving objects ...automobiles, trains...to build up excitement in a picture. Colored gels to change colors. I even used old fashioned flash powder to light ...steel mills, because there were no flashbulbs powerful enough to light these dark, cavernous interiors: this idea was borrowed from the Air Corps night time aerial photography with magnesium flash powder.

A skilled painter and metal sculptor as well as photographer, d'Arazien came from a family of artists. His photographs were made primarily on assignment from industrial corporations for advertising, editorial, and public relations purposes, but have been exhibited and collected as works of art in the Smithsonian Institution (Division of Photographic History), the Metropolitan Museum of Art, and the Cleveland Museum. His work was included in the Photography in the Fine Arts exhibitions organized by Ivan Dimitri, and he was a founding faculty member of the Famous Photographers School, Westport, Connecticut, in the early 1960's.

D'Arazien married Margaret Scott and has two sons. He had a studio in Waterside Plaza, New York, and made his home in New Canaan, Connecticut, until moving to Naples, Florida, upon his retirement in 1988. The collection was brought to the Smithsonian's attention by his son Steven, and was donated to the Archives Center before this move. In anticipation of this gift, Mr. d'Arazien spent several months inspecting his collection, eliminating duplicate and technically unsuccessful images, and captioning photographs.

Sources American Aces, U.S. Camera Annual 1939. Clipping in scrapbook no. 1, box 24, first page.

Robert M. Vogel, memorandum, undated, but written after a December 1987 visit to d'[Arazien's home. In Archives Center collection control file.

Letter to the author, 26 February 1992, in collection control file.
Provenance:
Collection donated by Arthur d'Arazien, December 24, 1988.
Restrictions:
Collection is open for research but the majority of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Industry -- Photographs -- 1940-1980 -- Canada  Search this
Industry -- Photographs -- 1940-1980 -- United States  Search this
Steel industry and trade -- 1940-1980  Search this
Agriculture -- Photographs -- 20th century  Search this
Travel -- Photographs -- 1930-2000  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Acetate film
Photographs -- Chromogenic -- 1900-2000
Dye destruction process
Photographic prints
Transparencies
Cibachrome (TM)
Tear sheets
Color negatives
Color prints (photographs)
Dye destruction photoprints
Silver-dye bleach process
Photographs -- Color prints -- 20th century
Type C color prints
Chromogenic processes
Citation:
Arthur d'Arazien Industrial Photographs, ca. 1930-2002, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0314
See more items in:
Arthur d'Arazien Industrial Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0314
Online Media:

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Artists Talk on Art records digital asset number 1
Online Media:

Alexander Calder, Roxbury, Connecticut letter to Ben Shahn, New York, New York

Creator:
Calder, Alexander, 1898-1976  Search this
Shahn, Ben, 1898-1969  Search this
Calder, Alexander, 1898-1976  Search this
Type:
Correspondence
Date:
1949 February 24
Record number:
(DSI-AAA)504
See more items in:
Ben Shahn papers, 1879-1990, bulk 1933-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_504
Online Media:

Olin Levi Warner papers, 1857-1962, bulk 1857-1899

Creator:
Warner, Olin Levi, 1844-1896  Search this
Warner, Olin Levi, 1844-1896  Search this
Subject:
Cook, Clarence  Search this
Warner, Sylvia Martinache  Search this
Eaton, Wyatt  Search this
Devens, Charles  Search this
Ryder, Albert Pinkham  Search this
Weir, Julian Alden  Search this
Fine Arts Federation of New York  Search this
World's Columbian Exposition  Search this
France  Search this
Jno. Williams, Inc.  Search this
Smithsonian Institution  Search this
Type:
Photographs
Place:
Paris (France) -- History -- Commune, 1871
Topic:
Artists' studios -- Photographs  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Art -- Study and teaching -- France -- Paris  Search this
Sculpture, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6781
(DSI-AAA_SIRISBib)208907
AAA_collcode_warnolin
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208907
Online Media:

Heinz Warneke papers, 1928-1987

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Subject:
Archer, Edmund  Search this
Diederich, William Hunt  Search this
Hancock, Walker Kirtland  Search this
Hopper, Inslee  Search this
Zigrosser, Carl  Search this
Corcoran School of Art (Washington, D.C.)  Search this
United States  Search this
Type:
Drawings
Sketchbooks
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6951
(DSI-AAA_SIRISBib)209080
AAA_collcode_warnhein
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209080

Louis Schanker papers, circa 1920-1981

Creator:
Schanker, Louis, 1903-1981  Search this
Schanker, Louis, 1903-1981  Search this
Type:
Drawings
Scrapbooks
Sketchbooks
Topic:
Mural painting and decoration, American -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8425
(DSI-AAA_SIRISBib)210599
AAA_collcode_schaloui
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210599

H. C. Westermann postcard, 1977

Creator:
Westermann, H. C. (Horace Clifford), 1922-1981  Search this
Westermann, H. C. (Horace Clifford), 1922-1981  Search this
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10471
(DSI-AAA_SIRISBib)213882
AAA_collcode_westhcpa
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213882

Mahonri Young sketchbook, 1930-1937

Creator:
Young, Mahonri Mackintosh, 1877-1957  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Subject:
Manship, Isabelle  Search this
Type:
Sketchbooks
Topic:
Watercolorists. -- Connecticut -- Ridgefield  Search this
Theme:
Sketches & Sketchbooks  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)6367
(DSI-AAA_SIRISBib)215200
AAA_collcode_younmaho
Theme:
Sketches & Sketchbooks
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215200

Art: [videorecording] theme and variations / produced by Bonnie Behar; camera and editing by Victor Cromwell; interviewer, Lisa Lindsay Daugherty, 1984

Creator:
Westport-Weston Arts Council  Search this
Westport-Weston Arts Council  Search this
Subject:
Cadmus, Paul  Search this
Nakian, Reuben  Search this
Chernow, Ann  Search this
Woodham, Jean  Search this
Howard, Lila  Search this
Behar, Bonnie  Search this
Cadmus, Paul  Search this
Chernow, Ann  Search this
Cromwell, Victor  Search this
Daugherty, Lisa Lindsay  Search this
Howard, Lila  Search this
Nakian, Reuben  Search this
Woodham, Jean  Search this
Topic:
Artists -- Connecticut -- Interviews.  Search this
Record number:
(DSI-AAA_CollID)6202
(DSI-AAA_SIRISBib)216484
AAA_collcode_westarts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216484

Richard Tuttle papers, circa 1935-2019

Creator:
Tuttle, Richard, 1941-  Search this
Tuttle, Richard, 1941-  Search this
Subject:
Berssenbrugge, Mei-mei  Search this
Betty Parsons Gallery  Search this
Type:
Drawings
Video recordings
Record number:
(DSI-AAA_CollID)17429
(DSI-AAA_SIRISBib)385210
AAA_collcode_tuttrich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_385210
Online Media:

Oral history interview with Inslee Hopper, 1981 July 28

Interviewee:
Hopper, Inslee  Search this
Hopper, Inslee  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Bruce, Edward  Search this
Force, Juliana  Search this
Shahn, Ben  Search this
Watson, Forbes  Search this
Type:
Sound recordings
Interviews
Topic:
Art and state  Search this
Preservationists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12623
(DSI-AAA_SIRISBib)211952
AAA_collcode_hopper81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211952
Online Media:

Oral history interview with Heinz Warneke, 1982 November 8

Interviewee:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Art and state  Search this
Sculpture -- Washington (D.C.)  Search this
Sculpture -- Missouri -- Saint Louis  Search this
Sculptors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11605
(DSI-AAA_SIRISBib)212204
AAA_collcode_warnek82
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212204
Online Media:

Oral history interview with Margaret Bensco, 1976 September 7

Interviewee:
Bensco, Margaret Lawson, 1895-1989  Search this
Bensco, Margaret Lawson, 1895-1989  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Lawson, Ernest  Search this
Type:
Sound recordings
Interviews
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13187
(DSI-AAA_SIRISBib)212290
AAA_collcode_bensco76
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212290
Online Media:

Oral history interview with Peter Blume, 1983 August 16-1984 May 23

Interviewee:
Blume, Peter, 1906-1992  Search this
Blume, Peter, 1906-1992  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)12962
(DSI-AAA_SIRISBib)212545
AAA_collcode_blume83
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212545

Oral history interview with Reuben Nakian, 1981 June 9-17

Interviewee:
Nakian, Reuben, 1897-1986  Search this
Nakian, Reuben, 1897-1986  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Brancusi, Constantin  Search this
Duchamp, Marcel  Search this
Dudensing, F. Valentine  Search this
French, Daniel Chester  Search this
Halpert, Edith Gregor  Search this
Hague, Raoul  Search this
Lachaise, Gaston  Search this
Manship, Paul  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Zorach, William  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Sculpture -- Technique  Search this
Sculptors -- Connecticut -- Stamford -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11707
(DSI-AAA_SIRISBib)212940
AAA_collcode_nakian81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212940
Online Media:

Oral history interview with Merrell Gage, 1964 May 27

Interviewee:
Gage, Merrell, 1892-1981  Search this
Gage, Merrell, 1892-1981  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Armitage, Merle  Search this
Borglum, Gutzon  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Sculpture -- United States  Search this
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12185
(DSI-AAA_SIRISBib)213473
AAA_collcode_gage64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213473

Oral history interview with Louis Schanker, circa 1963

Interviewee:
Schanker, Louis, 1903-1981  Search this
Schanker, Louis, 1903-1981  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- Connecticut -- Stamford -- Interviews  Search this
Printmakers -- Connecticut -- Stamford -- Interviews  Search this
Theme:
Lives of American Artists  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12390
(DSI-AAA_SIRISBib)213821
AAA_collcode_schank63
Theme:
Lives of American Artists
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213821

Oral history interview with Anna Hyatt-Huntington, circa 1964

Interviewee:
Huntington, Anna Hyatt, 1876-1973  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Huntington, Archer M.  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Women sculptors -- United States -- Interviews  Search this
Animal sculpture  Search this
Animal sculptors -- United States -- Interviews  Search this
Sculptors -- United States -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11738
(DSI-AAA_SIRISBib)214109
AAA_collcode_huntin64
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214109

Oral history interview with Monica Borglum Davies, 1990 May 8-August 27

Interviewee:
Davies, Monica Borglum, 1903-1997  Search this
Davies, Monica Borglum, 1903-1997  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Borglum, Solon Hannibal  Search this
Borglum, Emma Vignal  Search this
Borglum, Gutzon  Search this
Brinley, Putnam  Search this
Cole, Alphaeus Philemon  Search this
Manship, Paul  Search this
Millar, Addison T. (Addison Thomas)  Search this
School for American Sculpture  Search this
Type:
Interviews
Sound recordings
Topic:
Sculpture, Modern -- 19th century -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- United States -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11636
(DSI-AAA_SIRISBib)214553
AAA_collcode_davies90
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214553
Online Media:

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