Search Results

Creator:

Smithsonian Institution  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2014-04-26T16:50:52.000Z

YouTube Category:

Education  Search this

Topic:

Art  Search this

See more by:

SmithsonianArt

Data Source:

Smithsonian Institution

YouTube Channel:

SmithsonianArt

EDAN-URL:

edanmdm:yt_t9O9Iu9rh4o

Sculptor:

Wilson, Ed 1925-1996  Search this

Medium:

Bronze

Type:

Sculptures

Owner/Location:

San Francisco Museum of Modern Art 151 Third Street San Francisco California 94103 Accession Number: 77.4 A-G

Date:

1966

Topic:

State of Being--Disabled--Physical Disability  Search this

Allegory--Quality--Ignorance  Search this

Abstract  Search this

Control number:

IAS 04280340

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_303946

Creator:

Fine, Jud  Search this

McCarren, Barbara  Search this

Extent:

16.7 Linear feet

0.345 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Interviews

Date:

circa 1968-2009

Summary:

The papers of sculptors Jud Fine and Barbara McCarren measure 16.7 linear feet and 0.345 Gigabytes, and date from circa 1968-2009. The majority of the collection falls into project files, with other series including correspondence, writings, personal business, printed material, photographic material, and artwork.

Scope and Contents:

The papers of sculptors Jud Fine and Barbara McCarren measure 16.7 linear feet and 0.345 Gigabytes, and date from circa 1968-2009. The majority of the collection falls into project files, with other series including correspondence, writings, personal business, printed material, photographic material, and artwork.

Correspondence is mostly professional in nature and is largely from Jud Fine's early career in the late sixties through the 1970s. There is also come McCarren/Fine correspondence starting in the 1990s as well as some correspondence regarding Barbara McCarren's solo career.

The writings series is comprised primarily of Jud Fine's writing practice associated with his earlier career, including notes and journal entries, lectures by Fine, as well as manuscripts for catalog essays and artist publications, an interview from 1984, and writings on Fine by others.

The personal business series includes exhibition files as well as gallery files containing sale and consignment paperwork, as well as daily business of the studio, primarily pertaining to Jud Fine's earlier career, with some documents pertaining to Barbara McCarren's solo career from the 1990s on.

Project files document various public art works and commissions taken on or applied for by McCarren/Fine, as well as solo projects that date before and after their formal collaboration in 1996. These documents include correspondence, contracts, reports, meeting minutes, renderings and other plans, notes, photographic material and research material, some of which is in digital formats.

Printed material includes various promotional materials for McCarren/Fine and solo projects for Barbara McCarren and Jud Fine, as well as a graphic design magazine publication, and a monographic catalog for a Jud Fine exhibition from 1974. Photographic material includes miscellaneous snapshots and snapshot albums, some of Fine and McCarren, in the studio and with artist friends, as well as an untitled album with study images of a strelitzia plant.

Artwork includes a single, unsigned painted work on canvas that has been cut awat from the frame or support.

Arrangement:

The collection is arranged as seven series:

Series 1: Correspondence, circa 1970-2001 (0.5 Linear feet: Box 1)

Series 2: Writings, circa 1968-2003 (0.5 Linear feet: Box 1)

Series 3: Personal Business, circa 1969-2001 (1 Linear foot: Box 2)

Series 4: Project Files, circa 1988-2009 (14.4 Linear feet: Boxes 2-20; Oversize 21; 0.345 Gigabytes: ER0001-ER0005)

Series 5: Printed Material, circa 1974-1992 (0.2 Linear feet: Box 16)

Series 6: Photographic Material, circa 1970s-2000 (0.1 Linear feet: Box 16)

Series 7: Artwork, circa 1980s (1 Folder: Box 16)

Biographical / Historical:

Jud Fine (1944- ) is a sculptor and educator in Venice, California, as well as former director of the University of Southern California Roski School of Fine Arts. Jud Fine is married to fellow artist, sculptor and installation artist Barbara McCarren (1958-), born in Washington, D.C., and they maintain a studio where they work on projects and commissions both individually and collaboratively.

Born in Los Angeles, Fine received a BA in History from the University of California, Santa Barbara. With a limited artwork portfolio he was lucky enough to be accepted into the Masters of Fine Arts program at Cornell University. Fine's reputation as an artist took hold firmly in the late 1960s and early 1970s, becoming particularly well known for sculpture and mixed media drawings, which established a recognizable style and conceptual framework. He has been represented by Ronald Feldman Gallery in New York City since 1972. He has participated in solo and group exhibitions internationally at institutions including Museum of Contemporary Art, Los Angeles, Los Angeles County Museum of Art, Chicago Art Institute, Museum of Contemporary Art, Chicago, Guggenheim Museum, New York, Yale University Art Museum, Museum Stuki, Poland, University of Sidney, Power Art Institute, Australia and the Pushkin State Museum of Fine Art, Moscow. McCarren received her bachelors of arts degree at UCLA in1980 and would meet Fine during work towards her masters of fine arts at USC in 1986. After nearly a decade of pursuing solo career opportunities including public art commissions, they decided to join forces making collaborative project proposals as McCarren Fine.

As Mccarren/Fine they have executed several works including Waterline a two square block mixed use development in Huntington Beach, CA, Split Mound for the San Francisco Zoo, Mais a 23-acre interactive park in Long beach, CA, Modestopo, the civic center plaza for the City of Modesto and Stanislaus County, CA and both the Central Library and Pershing Square in downtown Los Angeles. Beyond public art commissions, their collaboration has extended to their studio practice, with collaborative exhibitions including a 2002 show in Bangkok, Thailand, that was later expanded with new work for the 2005 show, Currency, at Ronald Feldman Gallery, New York. Together McCarren/Fine have completed around thirty public work projects, and numerous studio projects.

Provenance:

Donated in 2022 by Jud Fine and Barbara McCarren.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- California -- Los Angeles  Search this

Educators -- California -- Los Angeles  Search this

Installation artists -- California -- Los Angeles  Search this

Topic:

Public art -- United States  Search this

Genre/Form:

Interviews

Citation:

Jud Fine and Barbara McCarren papers, circa 1968-2009. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.finejud

See more items in:

Jud Fine and Barbara McCarren papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c608732e-9329-442c-a514-56242b3018e9

EDAN-URL:

ead_collection:sova-aaa-finejud

Creator:

Russell, Morgan, 1886-1953  Search this

Names:

Alvarez, Mabel, 1891-1985  Search this

Henri, Robert, 1865-1929  Search this

Huston, Walter, 1884-1950  Search this

Kikoïne, Michel, 1892-1968  Search this

Macdonald-Wright, Stanton, 1890-1973  Search this

Stein, Leo, 1872-1947  Search this

Stravinsky, Igor, 1882-1971  Search this

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Extent:

6.8 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1891-1977

Summary:

The Morgan Russell papers, 1891-1977, present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence, biographical material, transcripts of lectures given by Russell, illustrated notebooks and sketches, printed material and photographs.

Scope and Content Note:

The Morgan Russell papers present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence with many prominent individuals who played a role in Russell's artistic development; biographical material primarily documenting his activities in Europe; transcripts of lectures given by Russell; illustrated notebooks and sketches documenting his interest in, and development of, color theory, music and Synchromism; printed material such as exhibition announcements, catalogs and clippings; and photographs of Russell, his wife, friends and artwork.

Arrangement:

The collection is arranged as 7 series according to record type and reflecting the lender's arrangement. With the exception of Series 1: Correspondence, all series are arranged chronologically.

Missing Title

Series 1: Correspondence, 1909-1964 (Reels 4524-4527)

Series 2: Biographical Material, 1925-1941 (Reel 4527)

Series 3: Business Records, 1911-1946 (Reel 4527)

Series 4: Writings, 1931-1953 (Reel 4527)

Series 5: Unbound Notes and Sketches, 1891-1977 (Reels 4528-4538)

Series 6: Printed Material, 1908-1963 (Reels 4539-4541)

Series 7: Photographs, 1908-1948 (Reel 4542)

Biographical Note:

Painter and sculptor Morgan Russell was born in New York City. He studied at the Art Students League and the New York School of Art with James Earle Fraser, Andrew Dasburg and Robert Henri from 1906 to 1907, before settling in Paris in 1909 where he remained for almost forty years. After meeting Stanton Macdonald-Wright in 1911, he became interested in Synchromism and studied with Canadian color theorist Ernest Tudor-Hart. In 1913 Russell produced the first abstract Synchromies and in 1917 developed a series of Synchromies entitled EIDOS. He visited California in the early 1930s, teaching at the Chouinard School of Art in Los Angeles from 1931-1932, in addition to lecturing at museums in Los Angeles and San Francisco. Russell left France permanently in 1946 and died in Pennsylvania in 1953.

Provenance:

The Morgan Russell papers were lent to the Archives of American Art for microfilming by the Montclair Art Museum in 1991. The material was returned to the lender in 1992.

Restrictions:

The collection is open for research. Patrons must use microfilm copy.

Topic:

Synchromism (Art)  Search this

Painters -- New York (State) -- New York  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Citation:

Morgan Russell papers, 1891-1977. Microfilm reels 4524-4542. Originals in the Montclair Art Museum.

Identifier:

AAA.russmorg

See more items in:

Microfilm of the Morgan Russell papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw978433968-7693-4610-a726-1f731d84a594

EDAN-URL:

ead_collection:sova-aaa-russmorg

Creator:

Tatti, Benedict, 1917-1993  Search this

Names:

American Medallic Sculpture Association  Search this

American Numismatic Association  Search this

Anthology Film Archives  Search this

Audubon Artists (New York, N.Y.)  Search this

Galerie Claude Bernard  Search this

Mercer Arts Center (Organization: New York, N.Y.)  Search this

Roko Gallery (New York, N.Y.)  Search this

Canfield, Jane  Search this

Goodrich, Lloyd, 1897-1987  Search this

Noguchi, Isamu, 1904-1988  Search this

Slobodkin, Louis, 1903-  Search this

Zorach, William, 1887-1966  Search this

Extent:

1.8 Linear feet

Type:

Collection descriptions

Archival materials

Notes

Awards

Lists

Christmas cards

Photographs

Designs

Sketches

Date:

1936-2011

bulk 1945-1993

Summary:

The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

Scope and Contents note:

The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

Biographical materials include curriculum vitae, Who's Who in American Art, memberships, and awards. Correspondence is primarily from colleagues, dealers, collectors, and representatives of museums, galleries, and arts organizations. There are a few outgoing letters from Benedict Tatti, including a handmade holiday card. Among the notable correspondents are Jane Canfield, Lloyd Goodrich, Louis Slobodkin, and William Zorach. Also found is a small portion of Adele Tatti's correspondence relating to her late husband's artwork.

Project files contain Tatti's commissions for Eutectic-Castolin Institute, Staten Island Community College, Statue of Liberty Restoration, and the Usdan Center for the Creative and Performing Arts; application proposals to Creative Artists Public Service program (CAPS); and the artist's invention of the rewind reel adapter. Subject files include Tatti's memberships and activities in professional associations, e.g., American Medallic Sculpture Association, American Numismatic Society, and Audubon Artists; Tatti's Artist-in-Residence proposals for the Television Lab, WNET 13; and his involvement in educational video presentations. Exhibition files consist of scattered materials on Tatti's shows at the Anthology Film Archives; Burr Galleries; Galerie Claude Bernard; The Kitchen, Mercer Arts Gallery; Northeast Harbor Gallery; and Roko Gallery.

Writings, notes, and lists include writings by Benedict Tatti; writings about Benedict Tatti, including a statement on the artist by Isamu Noguchi; and lists compiled by Adele Tatti relating to her late husband's work. Artwork contains Tatti's sketch of a sculpture for the Northeast Harbor Museum and sketches of medal designs. Printed material consists of announcements, brochures, invitations, exhibition catalogues and checklists, clippings, periodicals, newsletters, reproductions, other printed matter, and monographs. Photographs include black and white prints of portrait shots of Benedict Tatti, Tatti in his studio and with others, video equipment and Tatti's video art; also found are color photographs of Tatti's sculptures and design maquettes.

Arrangement note:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1936-1993 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1945-2008 (Box 1; 0.1 linear feet)

Series 3: Project Files, 1966-2005 (Box 1; 0.1 linear feet)

Series 4: Subject Files, circa 1950s-2008 (Box 1; 0.1 linear feet)

Series 5: Exhibition Files, 1945-1992 (Box 1; 0.1 linear feet)

Series 6: Writings, Notes, and Lists, circa 1940s-2009 (Box 1; 4 folders)

Series 7: Artwork, 1970-circa 1990s (Box 1; 3 folders)

Series 8: Printed Material, 1937-1976 (Boxes 1-2; 0.8 linear feet)

Series 9: Photographs (circa 1936-1970s), circa 1964-2010 (Box 3; 0.4 linear feet)

Biographical/Historical note:

Benedict Tatti (1917-1993) worked in New York as a sculptor, painter, educator, and video artist.

Born in New York in 1917, Tatti began his art education at Haaren High School. He continued his studies at the Roerich Museum with Louis Slobodkin, the Art Students League with William Zorach and Ossip Zadkine, and the Leonardo da Vinci School of Art under Attillio Piccirelli. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City.

Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage sculptures, using bronze metal and other industrial materials. During this period, Tatti spent summers on Monhegan Island in Maine, where he developed his water coloring techniques. In 1963, Tatti was hired to teach sculpture at the High School of Art and Design in New York, a position that he held for fifteen years.

In the 1970s, Tatti, with no previous background in video work developed technology for video imaging. He became an associate member of the Kitchen at the Mercer Arts Center exhibiting his video sculptures along with other early innovators of this new art form. In 1975, he invented a rewind reel adapter device. Despite health problems, Tatti continued to work and exhibit into the 1980s. He assisted his brother, Alexander Tatti and his nephew, Steven Tatti on the restoration of the Statue of Liberty on Ellis Island, which was completed in 1985.

Benedict Tatti received solo and group exhibitions at museums and galleries in the United States and abroad, including the Burr Gallery, Claude Bernard Galleries, Metropolitan Museum of Art, under the Artists for Victory Program, Museum of Modern Art, National Gallery of Art, Northeast Gallery, Pennsylvania Academy of the Fine Arts, and the Roko Gallery. Also, Tatti's work was regularly featured in annual exhibitions of several arts organizations: American Society of Contemporary Artists, Annual Avant Garde Festival, Audubon Artists, Brooklyn Society of Artists, and Painters and Sculptors Society of New Jersey. His awards included the National Soldier Art Competition at the National Gallery of Art (1945); Artist-in-Residence, National Center of Experiments TV, San Francisco, California, (1969); and the Creative Artists Public Service (CAPS), (1972). Tatti's artwork is in the permanent collections of the American Numismatic Society, Art Students League, Dumbarton Oaks, Monhegan Museum, Smithsonian Institution, and the Usdan Center for the Creative and Performing Arts.

Benedict Tatti died on July 30, 1993.

Provenance:

The Benedict Tatti papers were donated by Adele Tatti, widow of Benedict Tatti, in 2010.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Video artists -- New York (State) -- New York  Search this

Topic:

Educators -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Genre/Form:

Notes

Awards

Lists

Christmas cards

Photographs

Designs

Sketches

Citation:

Benedict Tatti, 1936-2011, bulk 1945-1993. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.tattbene

See more items in:

Benedict Tatti papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b58b3ec4-c37d-49b9-8159-5cff7c512cf1

EDAN-URL:

ead_collection:sova-aaa-tattbene

Creator:

Kadish, Reuben, 1913-1992  Search this

Names:

Ashton, Dore  Search this

Cherry, Herman  Search this

Conant, Howard  Search this

De Kooning, Willem, 1904-1997  Search this

Guston, Philip, 1913-1980  Search this

Hiler, Hilaire, 1898-1966  Search this

Langsner, Jules, 1911-1967  Search this

Neininger, Urban  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Pollock, Charles C.  Search this

Pollock, Jackson, 1912-1956  Search this

Siqueiros, David Alfaro  Search this

Tully, Judd  Search this

Extent:

7.9 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Photographs

Date:

1851-1995

bulk 1913-1995

Summary:

This collection, which measures 7.9 linear feet and dates from 1851 to 1995 (bulk 1913-1995), documents the life and career of muralist, sculptor, and educator Reuben Kadish. The papers contain biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.

Scope and Content Note:

The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.

Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.

Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition Reuben Kadish: Works from 1930 to the Present at the New Jersey State Museum in 1990.

Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.

Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.

Arrangement:

The collection is arranged into ten series, based on type of material. Although acquired as a gift before the rest of the collection was loaned to the Archives of American Art in 1998, eight photographs are described in Series 9: Photographs, with those included in the 1998 loan.

Each series is arranged chronologically, except Series 2: Letters and Series 6: Writings, which are arranged alphabetically according to the surname of the writer.

Missing Title

Series 1: Biographical Material, 1938-1992 (box 1, 3 folders)

Series 2: Letters, 1934-1995, undated (boxes 1-3, 2.5 linear ft.)

Series 3: Personal Business Records, 1952-1995 (boxes 3-4, 37 folders)

Series 4: Exhibition File, 1989-1991 (box 4, 1 folder)

Series 5: Notes, 1851-1853, 1937-1992, undated (boxes 4-5, 35 folders)

Series 6: Writings, 1963-1992, undated (box 5, 14 folders)

Series 7: Artwork, 1981-1992, undated (boxes 5, 10, 8 folders)

Series 8: Printed Material, 1934-1993, undated (boxes 5-7, 76 folders)

Series 9: Photographs, 1913-1992, undated (boxes 7-9, sol 10, 2.0 linear ft.)

Series 10: Artifacts, undated (box 9, 1 folder)

Biographical Note:

Reuben Kadish was born in Chicago on January 29, 1913. His father and mother were from Latvia and the Ukraine respectively.

In 1921, the family moved to East Los Angeles, California, where Kadish studied painting under Lorser Feitelson. During this time, he befriended Jackson Pollock and Philip Guston, who attended the Manual Arts High School.

During a trip to New York City in 1930, Kadish was impressed with the modern art, especially the work of the Surrealists, which he saw there. Upon his return to Los Angeles the following year, Kadish attended the Otis Art School, the Stickney School of Art in Pasadena, and Los Angeles City College. He also shared a studio with Philip Guston.

In 1933, Kadish, Guston and Jules Langsner were apprenticed to Mexican muralist, David Alfaro Siqueiros. Their most notable work being the mural "Triumph of Good Over Evil", at the University of Morelia in Mexico. During the next three years, the three young artists collaborated on painting murals in California and Mexico. After another visit to New York, Kadish was invited to San Francisco by Bill Gaskin to head the art division of the WPA project there, a position he occupied until 1940.

From 1940, Kadish worked as a coppersmith and welder at the Bethlehem Steel Works in San Francisco until 1942, when he joined the Army as a member of the War Artist Unit, serving in India and Southeast Asia during World War II. In 1944, he rejoined his wife Barbara in the Bay Area, but they soon returned to New York City, where Kadish worked for Stanley William Hayter at Atelier 17. In the summer of 1945, the Kadish painted with Jackson Pollock and Lee Krasner in a shared Long Island house on Slow's Point in Amagansett.

In 1946, the Kadishes moved to a dairy farm in Vernon, New Jersey, where they supported themselves by farming until 1957. A catastrophic fire in the studio destroyed most of Kadish's paintings in 1947, causing him to turn his interest to creating sculpture.

After teaching art and design at the Newark School of Fine and Industrial Art in 1957, Kadish taught sculpture at the Brooklyn Museum Art School from 1958-1959. In 1960, he began his thirty-year teaching career at Cooper Union, which ended only a few months before his death on September 20, 1992 in Manhattan.

Related Material:

Other resources relating to Reuben Kadish in the Archives of American Art include an oral history interview with Kadish, April 15, 1992.

Provenance:

The eight photographs on Reel 5660 were donated to the Archives of American Art in 1984 by Reuben Kadish. The other material on Reels 5655-5660 was lent for filming in 1998 by Morris and Ruth Kadish, brother and sister-in-law of Reuben Kadish, and executors of his estate, and subsequently donated to the Archives of American Art in 2002.

Restrictions:

The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Sculptors -- New York (State) -- New York -- Interviews  Search this

Muralists -- California  Search this

Sculptors -- California  Search this

Genre/Form:

Drawings

Photographs

Citation:

Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kadireub

See more items in:

Reuben Kadish papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8

EDAN-URL:

ead_collection:sova-aaa-kadireub

Creator:

McGrath, James A.  Search this

Names:

Rauschenberg, Robert, 1925-2008  Search this

Tobey, Mark  Search this

Wiley, William T., 1937-2021  Search this

Extent:

5.4 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Poems

Prints

Postcards

Paintings

Sketches

Illustrated letters

Christmas cards

Photographs

Date:

1950-2011

Summary:

The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.

Scope and Content Note:

The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.

James McGrath's papers regarding his artist's residencies and workshops are currently unprocessed.

Wiley's high school student files consist of exams and two Columbia High School yearbooks with contributions from Wiley. Correspondence includes mostly letters written from Wiley to McGrath, some of which are illustrated. There are also Christmas cards, postcards, prints and a wedding invitation and photograph of Wiley and his wife Mary. Wiley writes about his artwork, family, travels and his mother's death. There are also letters to McGrath from Wiley's first and second wives, Dorothy and Mary, his mother, and artists Robert Rauschenberg and Mark Tobey.

Printed materials include exhibition catalogs and announcements, news and magazine clippings, and the books Distraction, Lyrica and Almost Old/New Poems, all illustrated by Wiley.

Artwork by Wiley includes block prints, sketches and drawings, poems, paintings, prints and posters. Photographs are of Wiley's high school yearbook staff, art work and exhibitions, and a dinner honoring Wiley. There is a signed high school photograph of Wiley and a booklet of photographs of an exhibition of McGrath's art. There are also slides of artwork by Wiley, Bob Hudson and Bill Allan.

Arrangement:

The papers are arranged as 2 series.

Missing Title

Series 1: James A. McGrath Papers Concerning William T. Wiley (Box 1-3, OVs 4-6; 2.0 linear feet)

Series 2: Unprocessed James A. McGrath Papers, circa 1990-1995 (Boxes 7-9, OVs 10-12)

Biographical Note:

Arts educator James A. McGrath was a high school art teacher at Columbia High School in Richland, Washington where he taught William T. Wiley in the mid-1950s. They remained life-long friends. Later, McGrath worked at the Institute of American Indian Arts in Santa Fe as Director of Arts, Professor of Painting, and Dean. In 1973 he became Director of Arts, Humanities and Culture in the Department of Defense and was stationed in Japan, Korea, Okinawa, Taiwan and the Philippines. He also worked for the United States Information Agency in Yemen, Saudi Arabia and the Republic of the Congo. He continues to be active as an arts education specialist.

William T. Wiley (1937-2021) was a contemporary artist painting and teaching primarily in the San Francisco area. His artwork is associated with the Bay area Funk Movement. Wiley studied at the California School of Fine Arts and completed his MFA in 1962. One year later he joined the faculty of the UC Davis art department along with artists Robert Arneson and Roy DeForest. Wiley's students included Bruce Nauman and Deborah Butterfield.

Wiley's first solo exhibition was held at the San Francisco Museum of Modern Art in 1960, and he had works in the Venice Biennial (1980) and Whitney Biennial (1983), as well as major exhibitions at the San Francisco Museum of Modern Art and the M.H. de Young Memorial Museum in San Francisco. His artwork is in the collections of the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden and the Los Angeles County Museum of Art, among many others. Wiley was the recipient of the Guggenheim Fellowship Award in 2004 and, in 2009, the Smithsonian American Art Museum presented a retrospective exhibition of Wiley's career.

Related Material:

The Archives of American Art also holds several collections related to William T. Wiley including an oral history interview conducted by Paul J. Karlstrom, October 8-November 20, 1997 and the William T. Wiley illustrated journals on microfilm reel 910. The University of Washington also holds papers of James A. McGrath.

Separated Material:

Six Documenta catalogs, originally donated to AAA with the James A. McGrath Papers Concerning William T. Wiley, were transferred to the Smithsonian Institution Libraries.

Provenance:

The papers were donated by James A. McGrath in five accessions between 2010-2015. A drawing on tree bark was donated by William T. Wiley in 2016.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- California -- San Francisco  Search this

Painters -- California -- San Francisco  Search this

Topic:

Performance artists -- California -- San Francisco  Search this

Illustrators -- California -- San Francisco  Search this

Genre/Form:

Drawings

Poems

Prints

Postcards

Paintings

Sketches

Illustrated letters

Christmas cards

Photographs

Citation:

James A. McGrath papers, 1950-2011. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.mcgrjame

See more items in:

James A. McGrath papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f46f5e33-d56b-4f72-9bdc-6c6a5de8071b

EDAN-URL:

ead_collection:sova-aaa-mcgrjame

Sculptor:

Segal, George 1924-2000  Search this

Medium:

Sculpture: bronze, painted; Base: concrete

Culture:

Hebrew  Search this

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Administered by City and County of San Francisco San Francisco Arts Commission 25 Van Ness Avenue, Suite 240 San Francisco California 94102

Located Lincoln Park Next to Palace of Legion of Honor San Francisco California 94121

Date:

Installed Nov. 8, 1984

Topic:

History--Europe--Holocaust  Search this

History--Europe--World War II  Search this

Figure group  Search this

Ethnic  Search this

State of Being--Death--Execution  Search this

State of Being--Other--Imprisonment  Search this

Control number:

IAS CA000007

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_15736

Creator:

Kent, Adaline Dutton, 1900-1957  Search this

Subject:

Howard, Robert Boardman  Search this

Howard, Charles  Search this

Type:

Sketchbooks

Citation:

Adaline Kent papers, 1937-1958. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women sculptors  Search this

Theme:

Sketches & Sketchbooks  Search this

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9138

(DSI-AAA_SIRISBib)211332

AAA_collcode_kentadal

Theme:

Sketches & Sketchbooks

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211332

Owner:

Donohue, Marcia  Search this

Garden designer:

Donohue, Marcia  Search this

Sculptor:

Donohue, Marcia  Search this

Tool, Sara  Search this

Bulwinkle, Mark, 1946-  Search this

Designer:

Forristt, Cevan  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Marcia Donahue's Garden (Berkeley, California)

United States of America -- California -- Alameda -- Berkeley

Scope and Contents:

The folder includes worksheets and photocopies of articles.

General:

A 60 by 100 foot urban lot with an 1880's Victorian house has been the site of a unique artist's garden for 36 years. The garden areas in front of and behind the house are densely planted and packed with sculptures, salvage and donated articles, a life's work described by the owner as "Planting Sculpture, Sculpting Plants". Important symbols are repeated, including a wooden gate shaped like a hand and a hand-shaped koi pond with plants growing between the fingers, mythological figures that pertain to gardens, Flora and Demeter, and sculpted poles that suggest bamboo, painted in colors and inscribed with lettering to complement nearby plants. There is a poultry pavilion made from salvage for the 20 bantam chickens that freely range in the garden during the day. The dense planting succeeds because the soil was dug deeply and is amended with organic materials, from the chickens and the other compost, kept at the end of a path of discarded gravestones. The garden is tended by hand and vigorous plants are pruned back so others can thrive. The plant selection is broad and diverse, including sub-tropical varieties and since the garden is watered by hand it may evolve to feature more drought tolerant selections.

Some of the inorganic items the owner has worked into her garden design include bowling balls set in pots or piled up as mulch, reflective obelisks set among silvery leaves, old flatware planted in the soil, ceramic bulbs also planted in pots, necklaces of sculpted and carved spheres draped in trees and ceramic eggs draped on the chicken coop, and industrial cast-offs such as a giant spring used as a plant support. Artworks contributed by others include a statuesque figure known as "The Big Beauty" set among bamboo and giant horsetail and cut-out steel figures and heads suspended from trees or poles.

Marcia Donohue (owner, garden designer and sculptor, 1978- ); Sara Tool (sculptor); Cevan Forristt (koi pond designer); Mark Bulwinkle (sculptor).

Cevan Forristt designed the koi pond.

Related Materials:

Marcia Donahue's Garden related holdings consist of 2 folder (4 35mm. slides and 238 transparencies)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- California -- Berkeley  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File CA154

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6c8211135-5d60-49c4-8e1b-f983c2de9eb1

EDAN-URL:

ead_component:sova-aag-gca-ref24165

Creator:

Kent, Adaline Dutton, 1900-1957  Search this

Names:

Howard, Charles, 1899-1978  Search this

Howard, Robert Boardman, 1896-1983  Search this

Extent:

1 Linear foot

Type:

Collection descriptions

Archival materials

Sketchbooks

Date:

1937-1958

Summary:

The papers of California-based sculptor Adaline Dutton Kent measure 1.0 linear feet and date from 1937 to 1958. The collection focuses on the latter half of Kent's professional career documented through biographical materials, scattered correspondence, two notebooks, personal business records, photographs, printed material, four sketchbooks and loose sketches, and writings and notes. Also found is a project file regarding a design for an opera with sketches, a script, and printed material, and printed material on painter Charles Howard, who was Kent's brother-in-law.

Scope and Contents:

The papers of California-based sculptor Adaline Dutton Kent measure 1.0 linear feet and date from 1937 to 1958. The collection focuses on the latter half of Kent's professional career documented through biographical materials, scattered correspondence, two notebooks, personal business records, photographs, printed material, four sketchbooks and loose sketches, and writings and notes. Also found is a project file regarding a design for an opera with sketches, a script, and printed material, and printed material on painter Charles Howard, who was Kent's brother-in-law.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Adaline Kent (1900-1957) was a sculptor in San Francisco, California who began her career creating figure-based sculpture and whose later works were inspired by nature and the landscape of California. Kent, who was married to artist Robert Boardman Howard, died in 1957 in a car accident along the Pacific Coast Highway.

Provenance:

Robert Boardman Howard, Kent's widower, donated the papers to the Archives of American Art in 1974.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- California -- San Francisco  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Genre/Form:

Sketchbooks

Citation:

Adaline Kent papers, 1937-1958. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.kentadal

See more items in:

Adaline Kent papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92f690ca8-7668-43ba-87d5-649148eec893

EDAN-URL:

ead_collection:sova-aaa-kentadal

Photographer:

Jacobs, Mimi  Search this

Names:

Adams, Ansel, 1902-1984 -- Photographs  Search this

Adams, Mark, 1925-2006 -- Photographs  Search this

Allan, William George, 1936- -- Photographs  Search this

Anderson, Jeremy, 1921-1982 -- Photographs  Search this

Armer, Ruth, 1896-1977 -- Photographs  Search this

Arneson, Robert, 1930-1992  Search this

Arnoldi, Charles, 1946- -- Photographs  Search this

Asawa, Ruth -- Photographs  Search this

Beall, Dennis Ray, 1929- -- Photographs  Search this

Beasley, Bruce, 1939- -- Photographs  Search this

Bechtle, Robert, 1932-2020 -- Photographs  Search this

Bengston, Billy Al -- Photographs  Search this

Benton, Fletcher, 1931- -- Photographs  Search this

Berlant, Anthony -- Photographs  Search this

Bischoff, Elmer, 1916-1991 -- Photographs  Search this

Blunk, J. B., 1926- -- Photographs  Search this

Brice, William, 1921-2008 -- Photographs  Search this

Brown, Joan, 1938-1990  Search this

Celmins, Vija, 1938- -- Photographs  Search this

Chicago, Judy, 1939- -- Photographs  Search this

Conner, Bruce, 1933-2008 -- Photographs  Search this

Cunningham, Imogen, 1883-1976 -- Photographs  Search this

De Forest, Roy, 1930-2007 -- Photographs  Search this

DeFeo, Jay, 1929-1989 -- Photographs  Search this

DeLap, Tony, 1927-2019 -- Photographs  Search this

Dickinson, Eleanor, 1931- -- Photographs  Search this

Diebenkorn, Richard, 1922-1993 -- Photographs  Search this

Dill, Guy, 1946- -- Photographs  Search this

Falkenstein, Claire, 1908-1997 -- Photographs  Search this

Francis, Sam, 1923- -- Photographs  Search this

Gilhooly, David -- Photographs  Search this

Goldyne, Joseph R.  Search this

Gooch, Gerald -- Photographs  Search this

Gordon, Russell Talbert, 1936- -- Photographs  Search this

Graham, Robert, 1938- -- Photographs  Search this

Hedrick, Wally, 1928-2003 -- Photographs  Search this

Holland, Tom, 1936- -- Photographs  Search this

Hopkins, Henry, 1928-2009  Search this

Howard, Robert Boardman, 1896-1983 -- Photographs  Search this

Hudson, Robert, 1938- -- Photographs  Search this

Ihle, John Livingston, 1925- -- Photographs  Search this

Irwin, Robert, 1928- -- Photographs  Search this

Johnson, Robert E. (Robert Emory), 1932- -- Photographs  Search this

Kauffman, Craig, 1932-2010  Search this

Light, Alvin, 1931- -- Photographs  Search this

Lobdell, Frank, 1921- -- Photographs  Search this

Martin, Bill, 1943- -- Photographs  Search this

McLean, Richard Thorpe, 1934- -- Photographs  Search this

Mullican, Lee, 1919-1998 -- Photographs  Search this

Nauman, Bruce, 1941- -- Photographs  Search this

Neri, Manuel, 1930- -- Photographs  Search this

Noguchi, Isamu, 1904-1988 -- Photographs  Search this

Oliveira, Nathan, 1928-2010 -- Photographs  Search this

Paris, Harold, 1925-1979 -- Photographs  Search this

Raffael, Joseph, 1933- -- Photographs  Search this

Ramos, Mel, 1935-2018 -- Photographs  Search this

Reichman, Fred, 1925- -- Photographs  Search this

Richardson, Sam, 1934- -- Photographs  Search this

Ruscha, Edward -- Photographs  Search this

Saar, Betye -- Photographs  Search this

Saunders, Raymond, 1934- -- Photographs  Search this

Shaw, Richard, 1941 Sept. 12- -- Photographs  Search this

Siegriest, Louis B., 1899- -- Photographs  Search this

Sinton, Nell, 1910-1997 -- Photographs  Search this

Thiebaud, Wayne -- Photographs  Search this

Todd, Mike, 1935- -- Photographs  Search this

Valledor, Leo, 1936-1989 -- Photographs  Search this

Villa, Carlos, 1936-2013 -- Photographs  Search this

Voulkos, Peter, 1924-2002 -- Photographs  Search this

Wasserstein, Julius -- Photographs  Search this

Wiley, William T., 1937-2021  Search this

Woelffer, Emerson, 1914- -- Photographs  Search this

Wonner, Paul, 1920-2008 -- Photographs  Search this

Zammitt, Norman, 1931- -- Photographs  Search this

Extent:

140 Items (photographic prints, b&w)

Type:

Collection descriptions

Archival materials

Date:

1971-1981

Scope and Contents:

Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.

Artists photographed: Ansel Adams, Robert Arneson, Ruth Asawa, Billy Al Bengston, Fletcher Benton, Robert Bechtle, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert B. Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Raymond Saunders, Richard Shaw, Louis Siegriest, Nell Sinton, Wayne Thiebaud, DeWain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William T. Wiley, Emerson Woelffer.

Photographs of Mark Adams, William Allan, Jeremy Anderson, Ruth Armer, Charles Arnoldi, Dennis Beall, Bruce Beasley, Tony Berlant, Elmer Bischoff, Vija Celmins, Judy Chicago, Bruce Conner, Roy de Forest, Tony DeLap, Guy Dill, Claire Falkenstein, Gerald Gooch, Russell Gordon, Wally Hedrick, Tom Holland, Robert Hudson, Robert Emory Johnson, Frank Lobdell, Robert Craig Kaufman, Richard McLean, Bill Martin, Manuel Neri, Bruce Nauman, Nathan Oliveira, Mel Ramos, Sam Richardson, Michael Todd, Julius Wasserstein, Paul Wonner and Norman Zammitt.

In 1999, additional photographs were donated including many duplicates of the previous donations. These include 50 mounted photographs of West Coast artists, twenty-four of which were exhibited in 1980 at the Museum of Contemporary Art, Los Angeles, and published in 50 West Coast Artists: A Critical Selection of Painters and Sculptors (1981, Chronicle Books). Photographs are of Ansel Adams, Robert Arneson, Billy Al Bengston, Robert Bechtle, Fletcher Benton, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Richard Shaw, Louis Siegrist, Nell Sinton, Wayne Thiebaud, De Wain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William Wiley, and Emerson Woeffer.

Biographical / Historical:

Photographer; Kentfield, Calif.; b. 1911; d. April 1, 1999. Known in the San Francisco Bay Area for her portraits of prominent local figures, many of whom were artists. She eventually expanded her scope beyond Northern California to included artists in the Los Angeles region as well. These images were widely reproduced in books and in exhibitions and in many cases became the portraits by which the individuals were best known. Among her subjects were Ed Ruscha, Robert Graham, Peter Voulkos, Joan Brown, Isamu Noguchi, Jay DeFeo, Wayne Thiebaud, Imogen Cunningham, and Richard Diebenkorn. Several exhibitions were devoted to the photographs as independent works of art, an acknowledgement of their pictorial qualities as well as their value as documents.

Provenance:

Donated 1976-1992 by Mimi Jacobs. Additional photos, many of them duplicates of previous donations, were donated in 1999 by Leslie Fleming, Jacobs' daughter, for the Estate.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Photographers -- California  Search this

Topic:

Artists -- California -- Portraits  Search this

Artists -- California -- Photographs  Search this

Identifier:

AAA.jacomimi

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99e52eeab-c8aa-437c-9967-ac2af528c69f

EDAN-URL:

ead_collection:sova-aaa-jacomimi

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Creator:

San Francisco Park Dept.  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

05/01/1992

General:

In Golden Gate Park there is a Japanese Tea Garden founded in 1894 by George Turner who assisted in the design and planting by Scotsman John McLaren and Makoto Hagiwara. San Francisco Recreation and Park Department.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Japanese gardens  Search this

Cherry  Search this

Walkways  Search this

Pavilions  Search this

Pagodas  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096004

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb612f8171f-38c9-4cb4-af3c-0e0f3ad26a7c

EDAN-URL:

ead_component:sova-aag-gca-ref25706

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Creator:

San Francisco Park Dept.  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

05/01/1992

General:

In Golden Gate Park there is a Japanese Tea Garden founded in 1894 by George Turner who assisted in the design and planting by Scotsman John McLaren and Makoto Hagiwara. San Francisco Recreation and Park Department.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Teahouses  Search this

Japanese gardens  Search this

Stone lanterns  Search this

Azaleas  Search this

Flowering shrubs  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096005

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6068b1f58-22bd-4e9b-af59-5c73679dd905

EDAN-URL:

ead_component:sova-aag-gca-ref25707

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Creator:

San Francisco Park Dept.  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

05/01/1992

General:

In Golden Gate Park there is a Japanese Tea Garden founded in 1894 by George Turner who assisted in the design and planting by Scotsman John McLaren and Makoto Hagiwara. San Francisco Recreation and Park Department.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Japanese gardens  Search this

Bridges  Search this

Stone lanterns  Search this

Walkways  Search this

Bollards  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096007

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6b36a3342-3821-46a6-8b09-e385ac436782

EDAN-URL:

ead_component:sova-aag-gca-ref25708

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Creator:

San Francisco Park Dept.  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

07/01/1990

General:

In Golden Gate Park there is a Japanese Tea Garden founded in 1894 by George Turner who assisted in the design and planting by Scotsman John McLaren and Makoto Hagiwara. San Francisco Recreation and Park Department.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Arboretums  Search this

Conservatories  Search this

Dahlias  Search this

Stairs  Search this

Palms  Search this

Lawns  Search this

Benches  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096010

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6679ec7b8-43d7-40bf-be4b-32b9ff1dffdc

EDAN-URL:

ead_component:sova-aag-gca-ref25709

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Creator:

San Francisco Park Dept.  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

04/01/1986

General:

The Golden Gate Park was built in 1870 on 1,000 acres of reclaimed sand barrens. Dutch Windmill was built in 1902. The windmill was designed to pump water to a reservior on Strawberry Hill. Restored in 1981.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Windmills  Search this

People  Search this

Flower beds  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096017

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6f72981c4-199c-4778-86ff-fb4b247cd788

EDAN-URL:

ead_component:sova-aag-gca-ref25710

Creator:

Gilpin, Phoebe  Search this

San Francisco Park Dept.  Search this

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

05/15/1993

General:

McLaren Lodge was built in 1896. The Moorish-Gothic building serves as the headquarters for the Recreation and Park Department. Archives at McLaren Lodge.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Lodges  Search this

Automobiles  Search this

Driveways  Search this

Lawns  Search this

Foundation planting  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096018

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60d38fa0d-aa79-4d8b-85f9-30df8ff27f06

EDAN-URL:

ead_component:sova-aag-gca-ref25711

Creator:

Gilpin, Phoebe  Search this

San Francisco Park Dept.  Search this

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

06/15/1993

General:

The Golden Gate Park was built in 1870 on 1,00 acres of reclaimed sand barrens. Lloyd Lake.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Lakes  Search this

Follies (Architecture)  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096021

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb683a14d76-2468-49e6-aa3f-fb15941a784d

EDAN-URL:

ead_component:sova-aag-gca-ref25712

Creator:

Gilpin, Phoebe  Search this

San Francisco Park Dept.  Search this

Engineer:

Hall, William Hammond  Search this

Landscape architect:

McLaren, John  Search this

Sculptor:

Huntington, Clara  Search this

Grossoni, Grazio  Search this

Tildon, Douglas  Search this

Provenance:

J. Horace McFarland Company  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

California -- San Francisco

United States of America -- California -- San Francisco County -- San Francisco

Date:

06/15/1993

General:

The Golden Gate Park was built in 1870 on 1,00 acres of reclaimed sand barrens. Garden Design Magazine, p. 69. Summer Italianate villa reminscent of Villa Tusculana at Frascati. New official residence of President of Berkeley University.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Lawns  Search this

Ivy  Search this

Foundation planting  Search this

Houses  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item CA096022

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California / CA096: San Francisco -- Golden Gate Park

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6912a8b7a-6813-488c-aebb-6bfb05b93208

EDAN-URL:

ead_component:sova-aag-gca-ref25713