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The Tragedy of Hiroshima, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
61 × 51 in. (154.9 × 129.5 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
Figure group\female  Search this
Japanese  Search this
History\Japan\Hiroshima  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk77ebb155c-fe22-420e-9802-6992c5562c4e
EDAN-URL:
edanmdm:saam_2022.48.2

The First Major Blow, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
60 7/8 × 50 7/8 in. (154.6 × 129.2 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
Figure group  Search this
Architecture\vehicle\automobile  Search this
History  Search this
History\United States\President  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk759459bde-4f27-4d06-8994-e864ef9ea1ee
EDAN-URL:
edanmdm:saam_2022.48.3

Mourning, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
61 × 51 1/8 in. (154.9 × 129.9 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
State of being\emotion\sorrow  Search this
History  Search this
African American  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk75639474f-9402-4612-8cc5-9dc9870b79d6
EDAN-URL:
edanmdm:saam_2022.48.4

Suspended Belief, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
60 7/8 × 50 7/8 in. (154.6 × 129.2 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
Figure group  Search this
History  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk79c8d2c9c-024a-42f3-9447-cd2ada817357
EDAN-URL:
edanmdm:saam_2022.48.5

A Class Ponders the Future, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
61 × 51 1/4 in. (154.9 × 130.2 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
Figure group  Search this
History  Search this
Occupation\education\student  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk70a56cb30-3b0b-4bd9-8205-24ee8271a092
EDAN-URL:
edanmdm:saam_2022.48.6

Assassin's Bullet, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
61 × 51 1/8 × 2 1/4 in. (154.9 × 129.9 × 5.7 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
Figure male  Search this
History  Search this
Object\weapon\gun  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.7
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7fe8a70e0-3798-42e6-ac2e-672776d9586d
EDAN-URL:
edanmdm:saam_2022.48.7

The Assassination of Medgar, Malcolm, and Martin, from the series Constructing History

Artist:
Carrie Mae Weems, born Portland, OR 1953  Search this
Medium:
archival pigment print
Dimensions:
61 1/2 × 51 3/8 × 3 in. (156.2 × 130.5 × 7.6 cm)
Type:
Photography-Photoprint
Date:
2008
Topic:
Figure group  Search this
History  Search this
African American  Search this
History\United States\Black History  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Object number:
2022.48.8
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk77b78bdd1-ca50-417e-9ad2-79b2e7faa268
EDAN-URL:
edanmdm:saam_2022.48.8

The Poetry of Light: A Survey of Contemporary Lighting (2004), Savannah College of Art and Design

Collection Creator:
Bennett, Garry Knox, 1934-  Search this
Container:
Box 3, Folder 51
Type:
Archival materials
Date:
2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Garry Knox Bennett papers
Garry Knox Bennett papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995f4cadc-6a7b-48d4-a831-ec2b5996a2a7
EDAN-URL:
ead_component:sova-aaa-benngarr-ref200

Paul Ryan papers

Creator:
Ryan, Paul, 1943-  Search this
Names:
Dalton School (New York, N.Y.)  Search this
Earth Environmental Group  Search this
Earthscore Foundation  Search this
Gaia Institute  Search this
New School for Social Research (New York, N.Y.)  Search this
Raindance Corporation  Search this
Savannah College of Art and Design  Search this
Anderson, Myrdene, 1934-  Search this
Berg, Peter, 1937-2011  Search this
Berman, Morris  Search this
Berry, Thomas, 1914-2009  Search this
Bianchi, Lois  Search this
Bijvoet, Marga, 1948-  Search this
Dunn, David  Search this
Johnson, Avery  Search this
Kevelson, Roberta  Search this
Lansing, Gerrit  Search this
Lira, Aldo  Search this
Lord, Chip  Search this
Lowenstein, Oliver  Search this
Ponsol, Claude  Search this
Procter, Jody, 1943-1998  Search this
Robbins, Al  Search this
Segura, Phyllis Gershuny  Search this
Shamberg, Michael  Search this
Sibert, Jodi  Search this
Sturken, Marita, 1957-  Search this
Zerella, Lida  Search this
Extent:
19.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Illustrations
Video recordings
Writings
Date:
1931-2009
Summary:
The Paul Ryan papers measure 19.7 linear feet and document Ryan's education and career as a pioneering video artist, theorist, writer, and educator. Records include school records, family papers, correspondence, writings, project files, video recordings, teaching files, printed materials, scattered photographs, and artwork by others. Organizational records are also found for the Earthscore Foundation, Earth Environmental Group, the Gaia Institute, and the Raindance Corporation, among others. The bulk of Ryan's professional work is documented in his writings and project files.
Scope and Contents:
The Paul Ryan papers measure 19.7 linear feet and document Ryan's education and career as a pioneering video artist, theorist, writer, and educator. Records include school records, family papers, correspondence, writings, project files, video recordings, teaching files, printed materials, scattered photographs, and artwork by others. Organizational records are also found for the Earthscore Foundation, Earth Environmental Group, the Gaia Institute, and the Raindance Corporation, among others. The bulk of Ryan's professional work is documented in his writings and project files.

Biographical materials include family papers, early correspondence among Ryan family members, school records, selective service records, photographs of Paul Ryan, and career documentation such as résumés, CVs, recommendation letters, and narratives written by Ryan describing his career. Records related to Ryan's time in the seminary and monastery include letters home during this period, and his letter of resignation from 1965.

Correspondence is mainly professional in nature, and spans Ryan's career. Correspondence between Ryan and family members is also found. Professional correspondence is found with Myrdene Anderson, Peter Berg of Planet Drum, Morris Berman, Avery Johnson, Marga Bijvoet, Thomas Berry, Lois Bianchi, David Dunn, Roberta Kevelson, Gerrit Lansing, Aldo Lira, Oliver Lowenstein, Chip Lord, Claude Ponsol, Jody Procter, Jodi Sibert, Phyllis Gershuny Segura, Michael Shamberg, and Marita Sturken. Corporate correspondence is found regarding job applications, manuscript submissions to publishers, and video submissions to museums and broadcasters.

Writings include mainly articles and notebooks by Ryan, but also drafts of books, lectures, poetry, short stories, a treatment for a television show, and writings by others in various genres. Most of Ryan's prose writing is theoretical in nature, although personal writings and notes from projects are also found. Articles include both published and unpublished writings, with some published multiple times under different titles. Over one hundred notebooks spanning forty years contain a variety of content including drafts of letters, articles, grant proposals, lectures, and other writings. Ryan's two major publications, Cybernetics of the Sacred and Video Mind, Earth Mind, are documented with drafts, contracts, correspondence with publishers, layout documents, and notes.

Organizational records include writings, correspondence, printed material, financial records, grant proposals, and other records concerning various organizations, collectives, and companies in which Ryan participated, mostly having to do with environmental advocacy, video production, or a combination of the two. Organizations with substantial records in this series include the Earth Environmental Group, the Earthscore Foundation, Environment '89 (and '90, '91, and '92), the Gaia Institute, and the Raindance Corporation, among others. Documentation is most comprehensive for The Earthscore Foundation, including by-laws, grant proposals, extensive writings, financial records, and printed materials.

Project files contain video recordings, production notes, photographs, proposals, correspondence, a computer program designed by Ryan, prints for exhibition, illustrations and designs, posters, circulars, contracts, and scripts. Many of the projects documented in this series relate to Ryan's many explorations of the use of video to monitor and interpret two seemingly different subjects, environmental change and human behavior in relationships, expressed through a ritual of interaction among three persons designed by Ryan and called "Threeing," or "Triadic Behavior." The most thoroughly documented projects in this series include "Nature in New York City," "New York City Eco-Channel for Sustainable Television (NEST)," Talking Wood (a publication that incorporated the project "Watershed Watch"), "Inventing Triadic Behavior" (also known as the "Triadic Tapes"), "Tethys"(with artist Bob Schuler), and "Video Wake for my Father," a performance for video that saw many iterations, including a private performance, a public performance, an edited video program, and a published script.

Video recordings are found for three projects, including "Nature in New York City," "Inventing Triadic Behavior," and a threeing workshop held at the Kitchen entitled "Video Variations on Holy Week." A printout of records in a videotape database kept by Ryan is found in this series, with a proposal for video preservation; the list of tapes includes those found in the collection as well as tapes not extant.

Teaching files include documentation of Ryan's work at Dalton School, Hudson School, the New School for Social Research, and Savannah College of Art and Design, and many other workshops and training programs Ryan taught. Included are grade books, correspondence, curricula, training materials, and reports. Two of his programs, the Black Rock Rangers at the Dalton School, and the Urban Conservation Corps Pilot Video Program involve the implementation of the Earthscore Notational System in school curricula.

Printed material includes books, newspaper clippings, conference programs and published proceedings, exhibition catalogs and announcements, film and video programs, flyers, periodicals, poetry publications, posters, and materials relating to the artist Al Robbins, which includes an obituary written by Ryan. Also found are publications of the Raindance Corporation, which include the book, Guerrilla Television (1971), and four issues of their magazine, Radical Software (1971-1972). Most of the printed material was either written by Paul Ryan, contains articles by Paul Ryan, or documents activities of Paul Ryan. Other materials found contain works by Ryan's associates and collaborators.

Artwork contains artists' books, doodles, illustrations, prints, and photographs by named and unnamed artists. None of the artwork in this series appears to be by Ryan. Notable is an artist's book entitled "Patterns" by Lida Zerella, which incorporates still images from Ryan's Triadic Tapes in a small album. Two illustrations are found by Claude Ponsot, who also illustrated many of Ryan's publications relating to Kleinform and threeing.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1931-2003 (0.8 linear feet; Boxes 1, 20)

Series 2: Correspondence, 1965-2007 (2 linear feet; Boxes 1-3)

Series 3: Writings, 1955-2001 (6.8 linear feet; Boxes 3-10, 20)

Series 4: Organizational Records, 1968-1996 (1.2 linear feet; Boxes 10-11, 20, OV 21)

Series 5: Project Files, 1968-2008 (6.5 linear feet; Boxes 11-17, 20, OV 21-22, 24, RD 26)

Series 6: Teaching Files, 1967-2008 (0.7 linear feet; Box 17)

Series 7: Printed Materials, 1968-2009 (1.6 linear feet; Boxes 18-20, OV 23, 25)

Series 8: Artwork, 1965-2003 (0.1 linear feet; Boxes 19-20, OV 22)
Biographical / Historical:
Paul Ryan was a pioneering video artist, writer, teacher, and theoretician based in New York City and the Hudson Valley of New York State. Born in 1943, Ryan spent his early adulthood as a seminarian and later a member of the Roman Catholic order of Passionist monks, which he left in 1965. He eventually received a B.A. from New York University. During the Vietnam War, Ryan received conscientious objector status and studied with Marshall McLuhan at Fordham University as alternative service. It was McLuhan's influence that led Ryan to begin to explore the possibilities of the medium of video.

In 1969, Ryan participated in the landmark exhibition "TV as a Creative Medium" curated by Howard Wise, which served to link the kinetic art movement of the 1960s with the emergent medium of video art. The first exhibition in the United States devoted to video, "TV as a Creative Medium" signaled radical changes and defined an emerging artistic movement. In 1969 Ryan co-founded the Raindance Corporation along with Ira Schneider, Michael Shamberg, David Cort, Beryl Korot, Phyllis Gershuny, and others. Raindance was an influential media collective that proposed radical theories and philosophies of video as an alternative form of cultural communication. Influenced by the communications theories of Marshall McLuhan and Buckminster Fuller, the collective produced tapes and writings that explored the relation of cybernetics, media, and ecology. From 1970-1974, Raindance published the seminal video journal Radical Software, which provided a network of communications for the fledgling alternative video movement. In 1971, Shamberg published Guerrilla Television, a summary of the group's principles and a blueprint for a decentralization of television through access to public and cable programming. The original Raindance collective dispersed in the mid-1970s; the nonprofit Raindance Foundation continued into the 1990s. Ryan's core writings from the Raindance era were gathered into his 1973 publication Birth and Death and Cybernation, republished in 1974 as Cybernetics of the Sacred.

Ryan's work to develop alternative uses of video technology continued long after his involvement with Raindance. He began to implement his theories about the use of video monitoring and feedback within dynamic systems with the work that came to be known as the Earthscore Notational System. With Steve Kolpan and Bob Schuler, he founded the Earthscore Foundation, through which he raised money for the exploration and development of this applied practice. Earthscore, based largely on the writings of philosopher Charles Sanders Pierce and Gregory Bateson's work on cybernetics, provided the theoretical and logical underpinnings of both the ecosystem documentation and interpretation process, and the triadic rituals of interpersonal behavior, that became the core of Ryan's work for much of his life. These ideas were implemented in a wide variety of projects such as eco-channel design, video scores specific to certain locations, threeing projects exploring interpersonal behavior with video and computer technology, and a curriculum for combining media production training with environmental education.

Ryan later worked with organizations such as Talking Wood, The Earth Environmental Group, and Environment '89, (re-named in later years Environment '90, '91, and '92) to implement Earthscore systems and prototypes. He co-founded The Gaia Institute, hosted at Cathedral of St. John the Divine, and co-directed it from 1985-1991. The Institute fostered dialogs between science, religion, and art through workshops, lectures, exhibitions and events. He was an artist-in-residence for Earth Environmental Group in 1988 via a grant from the New York State Council on the Arts, and used the residency to carry out his video project "Nature in New York City," documenting city ecosystems and demonstrating how an eco-channel might work. Environment '89 organized a coordinated campaign for a cable channel devoted to the environment, the New York City Eco-channel for a Sustainable Tomorrow (NEST).

Ryan spent his later years as a professor of media production and theory at Savannah College of Art and Design, and then at the New School for Social Research. His work has been exhibited widely in the United States, including "The Primitivism Show" in The Museum of Modern Art (1984), "The American Century Show" at the Whitney Museum of American Art (1999-2000), and the Venice Biennale (2002). He died in 2013.
Provenance:
The papers of Paul Ryan were donated to the Archives of American Art by Ryan in 2008.
Restrictions:
Use of original papers and archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Monasticism and religious orders  Search this
Genre/Form:
Photographs
Prints
Illustrations
Video recordings
Writings
Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ryanpaul
See more items in:
Paul Ryan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989287f33-5086-40f3-bd04-a4e270afabb3
EDAN-URL:
ead_collection:sova-aaa-ryanpaul
Online Media:

Anne Swartz interviews with artists

Creator:
Swartz, Anne  Search this
Names:
Jaudon, Valerie, 1945-  Search this
Kozloff, Joyce  Search this
Kushner, Robert, 1949-  Search this
Lanigan-Schmidt, Thomas  Search this
Lowe, Jean, 1960-  Search this
MacConnel, Kim  Search this
Patkin, Izhar  Search this
Perreault, John, 1937-2015  Search this
Perrone, Jeff  Search this
Schapiro, Miriam, 1923-2015  Search this
Smyth, Ned, 1948-  Search this
Solomon, Holly  Search this
Zakanitch, Robert, 1935-  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1998-1999
Summary:
The Anne Swartz interviews with artists measure 2.3 linear feet and contain video interviews with contributors to the Pattern and Decoration movement, conducted in 1998 for the production of the documentary Pattern and Decoration: The Great Untold Story (1999). Additional video of exhibitions and studio space are included, as well as the final version of the documentary.
Scope and Contents:
The Anne Swartz interviews with artists measure 2.3 linear feet and contain video interviews with contributors to the Pattern and Decoration movement, conducted in 1998 for the production of the documentary Pattern and Decoration: The Great Untold Story (1999).

Video interviews are conducted with artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, Thomas Lanigan-Schmidt, Jean Lowe, Kim MacConnel, Izhar Patkin, Jeff Perrone, Miriam Schapiro, Ned Smyth, and Robert Zakanitch. Also found are interviews with curators John Perreault of Urban Glass and Holly Solomon of the Holly Solomon Gallery, both of New York City. Interviewees discuss the development, features, and success of the Pattern and Decoration movement from the mid-1970s to the early 1980s, particularly as it relates to the feminist art movement. Unedited footage is found on camera original DVCPRO videocassettes, and all cassettes containing interviews also have duplicate VHS videocassettes. Five additional DVCPRO videocassettes contain b-roll production video. The final version of the documentary Pattern and Decoration: The Untold Story is found on both a DVCPRO dub master and a VHS distribution copy.
Arrangement:
The collection is arranged as 2 series.

Series 1: Unedited Video for Documentary, 1998-1999 (Boxes 1-3; 23 folders)

Series 2: Pattern and Decoration: The Great Untold Story, 1998-1999 (Box 4; 1 folder)
Biographical / Historical:
Anne Swartz is an art historian and art history professor at the Savannah College of Art and Design. Swartz created the interviews while working on a documentary project commissioned by the school.
Provenance:
The collection was donated in 2011 by Anne Swartz.
Restrictions:
This collection is open for research. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
Copyright for video interviews retained by the donor, Anne Swartz.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Georgia -- Savannah  Search this
Educators -- Georgia  Search this
Topic:
Feminists  Search this
Women art historians  Search this
Women educators  Search this
Genre/Form:
Interviews
Video recordings
Citation:
Anne Swartz interviews with artists, 1998-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.swaranne
See more items in:
Anne Swartz interviews with artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996905d5a-575f-4d4e-8af0-df1fe3de9f91
EDAN-URL:
ead_collection:sova-aaa-swaranne

Guthrie Foster papers

Creator:
Foster, Guthrie  Search this
Names:
Atlanta College of Art  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hofmann, Maria, 1885-1963  Search this
Lionni, Leo, 1910-  Search this
Motherwell, Robert  Search this
Rand, Paul, 1914-  Search this
Shahn, Ben, 1898-1969  Search this
Wildenhain, Marguerite  Search this
Extent:
0.2 Linear feet ((36 items))
Type:
Collection descriptions
Archival materials
Date:
1959-1966
Scope and Contents:
Letters, 1959-1960, from Anni Albers, Josef Albers, Adolph Gottlieb, Maria Hofmann (for Hans Hofmann), Leo Lionni, Robert Motherwell, Paul Rand, Ben Shahn, and Marguerite Wildenhain each responding to Foster's invitation to be a guest instructor at the Atlanta Art Institute. Most declined the invitation. Robert Motherwell wrote that he would not teach in a segregated school.
Also included are writings and printed material on and by Josef Albers, ca. 1960-1966.
Biographical / Historical:
Gurtherie Foster was Director of the Atlanta Art Institute, which evolved along with the High Museum of Art out of the historic Atlanta Art Association formed in 1905. There was a later name change to the Atlanta College of Art, followed by it being absorbed by the Savannah College of Art and Design (SCAD) when it merged with Woodruff Arts Center in 2005.
Provenance:
Donated 1985 by Guthrie Foster.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art teachers  Search this
Painters  Search this
Identifier:
AAA.fostguth
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91aff0906-6458-4108-8391-026db92e28bc
EDAN-URL:
ead_collection:sova-aaa-fostguth

Savannah College of Art and Design

Container:
Box 33 of 87
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 11-001, Warren M. Robbins Papers
See more items in:
Warren M. Robbins Papers
Warren M. Robbins Papers / Series 5: Subject and Information Files, 1927-2005 / Box 33
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa11-001-refidd1e15628

The Savannah College of Art and Design

Collection Creator:
André Emmerich Gallery  Search this
Extent:
2 Folders
Container:
Box 10, Folder 84-85
Type:
Archival materials
Date:
1996-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920c179d7-c855-4232-a926-18472fe32554
EDAN-URL:
ead_component:sova-aaa-andremmg-ref733

Exhibition of Works by Margaret Taylor Burroughs (2010)

Collection Creator:
Parish Gallery  Search this
Container:
Box 6, Folder 13
Type:
Archival materials
Date:
1995-2000
2005-2011
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Parish Gallery records, 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Parish Gallery records
Parish Gallery records / Series 1: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99adb7f73-bd1d-48ed-b9de-1727c7b199c0
EDAN-URL:
ead_component:sova-aaa-parigall-ref225
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  • View Exhibition of Works by Margaret Taylor Burroughs (2010) digital asset number 1

SCAD - Savannah College of Art and Design Lecture

Collection Creator:
Haas, Richard, 1936-  Search this
Container:
Box 4, Folder 21
Type:
Archival materials
Date:
2005
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard Haas papers, 1937-2012, bulk 1970-2012. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Haas papers
Richard Haas papers / Series 4: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c1a246d8-9c17-4e03-9bcb-f0a7e037e742
EDAN-URL:
ead_component:sova-aaa-haasrich-ref111

Teaching Files

Collection Creator:
Ryan, Paul, 1943-  Search this
Extent:
0.7 Linear feet (Box 17)
Type:
Archival materials
Date:
1967-2008
Scope and Contents:
Series contains contracts, syllabi, course descriptions, teacher evaluations, workshop descriptions, notes in development of courses, grant proposal for course development, student work, correspondence related to academic job hunting. Records in this series relate to teaching jobs Ryan held at The Hudson School, the Dalton School, Ramapo College, and Savannah college of Art and Design, as well as teaching projects and workshops supported by various organizations and government agencies. Course subjects include media, communications, video production, environment, theory, semiotics, and the Earthscore system applied in various educational contexts. Multiple curricula are found combining video production training with environmental education, particularly the Black Rock Rangers at Dalton School, and the Urban Conservation Corps Video Pilot Program.
Arrangement:
Additional material related to Ryan's teaching is found in Biographical Material and Correspondence.
Collection Restrictions:
Use of original papers and archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ryanpaul, Series 6
See more items in:
Paul Ryan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92024da49-7015-4f4d-acd2-a92419f376e0
EDAN-URL:
ead_component:sova-aaa-ryanpaul-ref11

Savannah College of Art and Design

Collection Creator:
Ryan, Paul, 1943-  Search this
Container:
Box 3, Folder 17
Type:
Archival materials
Date:
1991-1995
Collection Restrictions:
Use of original papers and archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Ryan papers
Paul Ryan papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw964dbe987-88f1-49f0-921a-e8d0a42b81f3
EDAN-URL:
ead_component:sova-aaa-ryanpaul-ref163

Savannah College of Art and Design

Collection Creator:
Ryan, Paul, 1943-  Search this
Container:
Box 17, Folder 33-34
Type:
Archival materials
Date:
1992-1994
Collection Restrictions:
Use of original papers and archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Ryan papers
Paul Ryan papers / Series 6: Teaching Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c560bcb7-2a84-4749-bdf9-5fab7cd39e22
EDAN-URL:
ead_component:sova-aaa-ryanpaul-ref577

Art Bank, Savannah College of Art and Design

Collection Creator:
New York Artists Equity Association  Search this
Container:
Box 19, Folder 9-14
Type:
Archival materials
Date:
1998-2002
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
See more items in:
New York Artists Equity Association records
New York Artists Equity Association records / Series 10: Project and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ecd7499-b440-4a7d-a634-8f3e9dbedc98
EDAN-URL:
ead_component:sova-aaa-nyarteqa-ref376

Zig Jackson, Citizen of the Mandan, Hidatsa, and Arikara Nation, Professor of Photography, Savannah College of Art and Design

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
Will Wilson, Diné (Navajo), b. 1969  Search this
Seller:
Will Wilson, Diné (Navajo), b. 1969  Search this
Subject:
Zig Jackson, Numakiki (Mandan)/Minitari (Hidatsa)/Sahnish (Arikara), b. 1957  Search this
Title:
Zig Jackson, Citizen of the Mandan, Hidatsa, and Arikara Nation, Professor of Photography, Savannah College of Art and Design
Object Name:
Photograph
Media/Materials:
Paper, platinum
Techniques:
Photographically reproduced (platinum process)
Dimensions:
76.1 x 56.3 cm
Object Type:
Painting/Drawing/Print
Place:
Santa Fe; Santa Fe County; New Mexico; USA
Date created:
2012
Catalog Number:
26/9272
Barcode:
269272.000
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws61ac437c9-001e-4e82-9b06-b8e0027bba11
EDAN-URL:
edanmdm:NMAI_409874

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