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Design Talk | Nature of Color, Color of Nature

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2019-10-29T15:16:02.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_8ToIwnP2a-g

Savannah College of Art and Design Donation

Collection Creator:
Zabriskie Gallery  Search this
Container:
Box 79, Folder 13
Type:
Archival materials
Date:
2002-2003
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Zabriskie Gallery records
Zabriskie Gallery records / Series 6: Artist Files / Turku Trajan
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9330482dd-a03f-41cf-a4ca-49694fd28557
EDAN-URL:
ead_component:sova-aaa-zabrgall-ref2909

Groundbreaking- The Past as Inspiration

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2011-04-24T03:19:26.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_Li45BAWLO_w

Paul Ryan papers

Creator:
Ryan, Paul, 1943-  Search this
Names:
Dalton School (New York, N.Y.)  Search this
Earth Environmental Group  Search this
Earthscore Foundation  Search this
Gaia Institute  Search this
New School for Social Research (New York, N.Y.)  Search this
Raindance Corporation  Search this
Savannah College of Art and Design  Search this
Anderson, Myrdene, 1934-  Search this
Berg, Peter, 1937-2011  Search this
Berman, Morris  Search this
Berry, Thomas, 1914-2009  Search this
Bianchi, Lois  Search this
Bijvoet, Marga, 1948-  Search this
Dunn, David  Search this
Johnson, Avery  Search this
Kevelson, Roberta  Search this
Lansing, Gerrit  Search this
Lira, Aldo  Search this
Lord, Chip  Search this
Lowenstein, Oliver  Search this
Ponsol, Claude  Search this
Procter, Jody, 1943-1998  Search this
Robbins, Al  Search this
Segura, Phyllis Gershuny  Search this
Shamberg, Michael  Search this
Sibert, Jodi  Search this
Sturken, Marita, 1957-  Search this
Zerella, Lida  Search this
Extent:
19.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Illustrations
Video recordings
Writings
Date:
1931-2009
Summary:
The Paul Ryan papers measure 19.7 linear feet and document Ryan's education and career as a pioneering video artist, theorist, writer, and educator. Records include school records, family papers, correspondence, writings, project files, video recordings, teaching files, printed materials, scattered photographs, and artwork by others. Organizational records are also found for the Earthscore Foundation, Earth Environmental Group, the Gaia Institute, and the Raindance Corporation, among others. The bulk of Ryan's professional work is documented in his writings and project files.
Scope and Contents:
The Paul Ryan papers measure 19.7 linear feet and document Ryan's education and career as a pioneering video artist, theorist, writer, and educator. Records include school records, family papers, correspondence, writings, project files, video recordings, teaching files, printed materials, scattered photographs, and artwork by others. Organizational records are also found for the Earthscore Foundation, Earth Environmental Group, the Gaia Institute, and the Raindance Corporation, among others. The bulk of Ryan's professional work is documented in his writings and project files.

Biographical materials include family papers, early correspondence among Ryan family members, school records, selective service records, photographs of Paul Ryan, and career documentation such as résumés, CVs, recommendation letters, and narratives written by Ryan describing his career. Records related to Ryan's time in the seminary and monastery include letters home during this period, and his letter of resignation from 1965.

Correspondence is mainly professional in nature, and spans Ryan's career. Correspondence between Ryan and family members is also found. Professional correspondence is found with Myrdene Anderson, Peter Berg of Planet Drum, Morris Berman, Avery Johnson, Marga Bijvoet, Thomas Berry, Lois Bianchi, David Dunn, Roberta Kevelson, Gerrit Lansing, Aldo Lira, Oliver Lowenstein, Chip Lord, Claude Ponsol, Jody Procter, Jodi Sibert, Phyllis Gershuny Segura, Michael Shamberg, and Marita Sturken. Corporate correspondence is found regarding job applications, manuscript submissions to publishers, and video submissions to museums and broadcasters.

Writings include mainly articles and notebooks by Ryan, but also drafts of books, lectures, poetry, short stories, a treatment for a television show, and writings by others in various genres. Most of Ryan's prose writing is theoretical in nature, although personal writings and notes from projects are also found. Articles include both published and unpublished writings, with some published multiple times under different titles. Over one hundred notebooks spanning forty years contain a variety of content including drafts of letters, articles, grant proposals, lectures, and other writings. Ryan's two major publications, Cybernetics of the Sacred and Video Mind, Earth Mind, are documented with drafts, contracts, correspondence with publishers, layout documents, and notes.

Organizational records include writings, correspondence, printed material, financial records, grant proposals, and other records concerning various organizations, collectives, and companies in which Ryan participated, mostly having to do with environmental advocacy, video production, or a combination of the two. Organizations with substantial records in this series include the Earth Environmental Group, the Earthscore Foundation, Environment '89 (and '90, '91, and '92), the Gaia Institute, and the Raindance Corporation, among others. Documentation is most comprehensive for The Earthscore Foundation, including by-laws, grant proposals, extensive writings, financial records, and printed materials.

Project files contain video recordings, production notes, photographs, proposals, correspondence, a computer program designed by Ryan, prints for exhibition, illustrations and designs, posters, circulars, contracts, and scripts. Many of the projects documented in this series relate to Ryan's many explorations of the use of video to monitor and interpret two seemingly different subjects, environmental change and human behavior in relationships, expressed through a ritual of interaction among three persons designed by Ryan and called "Threeing," or "Triadic Behavior." The most thoroughly documented projects in this series include "Nature in New York City," "New York City Eco-Channel for Sustainable Television (NEST)," Talking Wood (a publication that incorporated the project "Watershed Watch"), "Inventing Triadic Behavior" (also known as the "Triadic Tapes"), "Tethys"(with artist Bob Schuler), and "Video Wake for my Father," a performance for video that saw many iterations, including a private performance, a public performance, an edited video program, and a published script.

Video recordings are found for three projects, including "Nature in New York City," "Inventing Triadic Behavior," and a threeing workshop held at the Kitchen entitled "Video Variations on Holy Week." A printout of records in a videotape database kept by Ryan is found in this series, with a proposal for video preservation; the list of tapes includes those found in the collection as well as tapes not extant.

Teaching files include documentation of Ryan's work at Dalton School, Hudson School, the New School for Social Research, and Savannah College of Art and Design, and many other workshops and training programs Ryan taught. Included are grade books, correspondence, curricula, training materials, and reports. Two of his programs, the Black Rock Rangers at the Dalton School, and the Urban Conservation Corps Pilot Video Program involve the implementation of the Earthscore Notational System in school curricula.

Printed material includes books, newspaper clippings, conference programs and published proceedings, exhibition catalogs and announcements, film and video programs, flyers, periodicals, poetry publications, posters, and materials relating to the artist Al Robbins, which includes an obituary written by Ryan. Also found are publications of the Raindance Corporation, which include the book, Guerrilla Television (1971), and four issues of their magazine, Radical Software (1971-1972). Most of the printed material was either written by Paul Ryan, contains articles by Paul Ryan, or documents activities of Paul Ryan. Other materials found contain works by Ryan's associates and collaborators.

Artwork contains artists' books, doodles, illustrations, prints, and photographs by named and unnamed artists. None of the artwork in this series appears to be by Ryan. Notable is an artist's book entitled "Patterns" by Lida Zerella, which incorporates still images from Ryan's Triadic Tapes in a small album. Two illustrations are found by Claude Ponsot, who also illustrated many of Ryan's publications relating to Kleinform and threeing.
Arrangement:
This collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1931-2003 (0.8 linear feet; Boxes 1, 20)

Series 2: Correspondence, 1965-2007 (2 linear feet; Boxes 1-3)

Series 3: Writings, 1955-2001 (6.8 linear feet; Boxes 3-10, 20)

Series 4: Organizational Records, 1968-1996 (1.2 linear feet; Boxes 10-11, 20, OV 21)

Series 5: Project Files, 1968-2008 (6.5 linear feet; Boxes 11-17, 20, OV 21-22, 24, RD 26)

Series 6: Teaching Files, 1967-2008 (0.7 linear feet; Box 17)

Series 7: Printed Materials, 1968-2009 (1.6 linear feet; Boxes 18-20, OV 23, 25)

Series 8: Artwork, 1965-2003 (0.1 linear feet; Boxes 19-20, OV 22)
Biographical / Historical:
Paul Ryan was a pioneering video artist, writer, teacher, and theoretician based in New York City and the Hudson Valley of New York State. Born in 1943, Ryan spent his early adulthood as a seminarian and later a member of the Roman Catholic order of Passionist monks, which he left in 1965. He eventually received a B.A. from New York University. During the Vietnam War, Ryan received conscientious objector status and studied with Marshall McLuhan at Fordham University as alternative service. It was McLuhan's influence that led Ryan to begin to explore the possibilities of the medium of video.

In 1969, Ryan participated in the landmark exhibition "TV as a Creative Medium" curated by Howard Wise, which served to link the kinetic art movement of the 1960s with the emergent medium of video art. The first exhibition in the United States devoted to video, "TV as a Creative Medium" signaled radical changes and defined an emerging artistic movement. In 1969 Ryan co-founded the Raindance Corporation along with Ira Schneider, Michael Shamberg, David Cort, Beryl Korot, Phyllis Gershuny, and others. Raindance was an influential media collective that proposed radical theories and philosophies of video as an alternative form of cultural communication. Influenced by the communications theories of Marshall McLuhan and Buckminster Fuller, the collective produced tapes and writings that explored the relation of cybernetics, media, and ecology. From 1970-1974, Raindance published the seminal video journal Radical Software, which provided a network of communications for the fledgling alternative video movement. In 1971, Shamberg published Guerrilla Television, a summary of the group's principles and a blueprint for a decentralization of television through access to public and cable programming. The original Raindance collective dispersed in the mid-1970s; the nonprofit Raindance Foundation continued into the 1990s. Ryan's core writings from the Raindance era were gathered into his 1973 publication Birth and Death and Cybernation, republished in 1974 as Cybernetics of the Sacred.

Ryan's work to develop alternative uses of video technology continued long after his involvement with Raindance. He began to implement his theories about the use of video monitoring and feedback within dynamic systems with the work that came to be known as the Earthscore Notational System. With Steve Kolpan and Bob Schuler, he founded the Earthscore Foundation, through which he raised money for the exploration and development of this applied practice. Earthscore, based largely on the writings of philosopher Charles Sanders Pierce and Gregory Bateson's work on cybernetics, provided the theoretical and logical underpinnings of both the ecosystem documentation and interpretation process, and the triadic rituals of interpersonal behavior, that became the core of Ryan's work for much of his life. These ideas were implemented in a wide variety of projects such as eco-channel design, video scores specific to certain locations, threeing projects exploring interpersonal behavior with video and computer technology, and a curriculum for combining media production training with environmental education.

Ryan later worked with organizations such as Talking Wood, The Earth Environmental Group, and Environment '89, (re-named in later years Environment '90, '91, and '92) to implement Earthscore systems and prototypes. He co-founded The Gaia Institute, hosted at Cathedral of St. John the Divine, and co-directed it from 1985-1991. The Institute fostered dialogs between science, religion, and art through workshops, lectures, exhibitions and events. He was an artist-in-residence for Earth Environmental Group in 1988 via a grant from the New York State Council on the Arts, and used the residency to carry out his video project "Nature in New York City," documenting city ecosystems and demonstrating how an eco-channel might work. Environment '89 organized a coordinated campaign for a cable channel devoted to the environment, the New York City Eco-channel for a Sustainable Tomorrow (NEST).

Ryan spent his later years as a professor of media production and theory at Savannah College of Art and Design, and then at the New School for Social Research. His work has been exhibited widely in the United States, including "The Primitivism Show" in The Museum of Modern Art (1984), "The American Century Show" at the Whitney Museum of American Art (1999-2000), and the Venice Biennale (2002). He died in 2013.
Provenance:
The papers of Paul Ryan were donated to the Archives of American Art by Ryan in 2008.
Restrictions:
Use of original papers and archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Monasticism and religious orders  Search this
Genre/Form:
Photographs
Prints
Illustrations
Video recordings
Writings
Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ryanpaul
See more items in:
Paul Ryan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989287f33-5086-40f3-bd04-a4e270afabb3
EDAN-URL:
ead_collection:sova-aaa-ryanpaul
Online Media:

Stephen Antonakos papers, 1932-2014, bulk 1960-2014

Creator:
Antonakos, Stephen, 1926-2013  Search this
Subject:
Spector, Naomi  Search this
Bladen, Ronald  Search this
Kitagawa, Fram  Search this
Adler, Sebastian  Search this
Kokkinos, George  Search this
Marzona, Egidio  Search this
Koshalek, Richard  Search this
Allentown Art Museum  Search this
Ileana Tounta Contemporary Art Center  Search this
John Weber Gallery  Search this
Ādo furondo gyararī  Search this
Rose Art Museum  Search this
Mouseio Benakē  Search this
Galleriaforma  Search this
The Drawing Room  Search this
Galleria Bonomo  Search this
Fischbach Gallery  Search this
Savannah College of Art and Design  Search this
Kalfayan Galleries  Search this
Galerie Bernier  Search this
Konrad Fischer Gallery  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Ethniko Mouseio Synchronēs Technēs (Greece)  Search this
Lori Bookstein Fine Art  Search this
La Jolla Museum of Contemporary Art  Search this
Type:
Transcripts
Interviews
Photographs
Sketchbooks
Drawings
Blueprints
Obituaries
Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Neon sculpture  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5861
(DSI-AAA_SIRISBib)208701
AAA_collcode_antostep
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208701
Online Media:

Guthrie Foster papers, 1959-1966

Creator:
Foster, Guthrie  Search this
Subject:
Hofmann, Hans  Search this
Hofmann, Maria  Search this
Lionni, Leo  Search this
Motherwell, Robert  Search this
Rand, Paul  Search this
Shahn, Ben  Search this
Wildenhain, Marguerite  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Gottlieb, Adolph  Search this
Atlanta College of Art  Search this
Citation:
Guthrie Foster papers, 1959-1966. Archives of American Art, Smithsonian Institution.
Theme:
Art instruction and services  Search this
Record number:
(DSI-AAA_CollID)5960
(DSI-AAA_SIRISBib)208805
AAA_collcode_fostguth
Theme:
Art instruction and services
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208805

Paul Ryan papers, 1931-2009

Creator:
Ryan, Paul Louis, 1943-  Search this
Subject:
Bianchi, Lois  Search this
Dunn, David  Search this
Bijvoet, Marga  Search this
Johnson, Avery  Search this
Kevelson, Roberta  Search this
Lansing, Gerrit  Search this
Lira, Aldo  Search this
Lord, Chip  Search this
Robbins, Al  Search this
Procter, Jody  Search this
Ponsol, Claude  Search this
Lowenstein, Oliver  Search this
Anderson, Myrdene  Search this
Berg, Peter  Search this
Berman, Morris  Search this
Berry, Thomas  Search this
Zerella, Lida  Search this
Sibert, Jodi  Search this
Sturken, Marita  Search this
Segura, Phyllis Gershuny  Search this
Shamberg, Michael  Search this
Gaia Institute  Search this
Earth Environmental Group  Search this
Savannah College of Art and Design  Search this
New School for Social Research (New York, N.Y.)  Search this
Raindance Corporation  Search this
Earthscore Foundation  Search this
Dalton School (New York, N.Y.)  Search this
Type:
Photographs
Prints
Illustrations
Video recordings
Writings
Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Monasticism and religious orders  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)15614
(DSI-AAA_SIRISBib)281416
AAA_collcode_ryanpaul
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_281416
Online Media:

Anne Swartz interviews with artists, 1998-1999

Creator:
Swartz, Anne K.  Search this
Subject:
Solomon, Holly  Search this
Jaudon, Valerie  Search this
Kozloff, Joyce  Search this
Kushner, Robert  Search this
Lanigan-Schmidt, Thomas  Search this
Lowe, Jean  Search this
MacConnel, Kim  Search this
Patkin, Izhar  Search this
Perrone, Jeff  Search this
Schapiro, Miriam  Search this
Smyth, Ned  Search this
Zakanitch, Robert  Search this
Perreault, John  Search this
Type:
Interviews
Video recordings
Citation:
Anne Swartz interviews with artists, 1998-1999. Archives of American Art, Smithsonian Institution.
Topic:
Feminists  Search this
Women art historians  Search this
Women educators  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)15984
(DSI-AAA_SIRISBib)305430
AAA_collcode_swaranne
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305430

The Savannah College of Art and Design

Collection Creator:
André Emmerich Gallery  Search this
Extent:
2 Folders
Container:
Box 10, Folder 84-85
Type:
Archival materials
Date:
1996-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920c179d7-c855-4232-a926-18472fe32554
EDAN-URL:
ead_component:sova-aaa-andremmg-ref733

Guthrie Foster papers

Creator:
Foster, Guthrie  Search this
Names:
Atlanta College of Art  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hofmann, Maria, 1885-1963  Search this
Lionni, Leo, 1910-  Search this
Motherwell, Robert  Search this
Rand, Paul, 1914-  Search this
Shahn, Ben, 1898-1969  Search this
Wildenhain, Marguerite  Search this
Extent:
0.2 Linear feet ((36 items))
Type:
Collection descriptions
Archival materials
Date:
1959-1966
Scope and Contents:
Letters, 1959-1960, from Anni Albers, Josef Albers, Adolph Gottlieb, Maria Hofmann (for Hans Hofmann), Leo Lionni, Robert Motherwell, Paul Rand, Ben Shahn, and Marguerite Wildenhain each responding to Foster's invitation to be a guest instructor at the Atlanta Art Institute. Most declined the invitation. Robert Motherwell wrote that he would not teach in a segregated school.
Also included are writings and printed material on and by Josef Albers, ca. 1960-1966.
Biographical / Historical:
Gurtherie Foster was Director of the Atlanta Art Institute, which evolved along with the High Museum of Art out of the historic Atlanta Art Association formed in 1905. There was a later name change to the Atlanta College of Art, followed by it being absorbed by the Savannah College of Art and Design (SCAD) when it merged with Woodruff Arts Center in 2005.
Provenance:
Donated 1985 by Guthrie Foster.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art teachers  Search this
Painters  Search this
Identifier:
AAA.fostguth
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91aff0906-6458-4108-8391-026db92e28bc
EDAN-URL:
ead_collection:sova-aaa-fostguth

The Poetry of Light: A Survey of Contemporary Lighting (2004), Savannah College of Art and Design

Collection Creator:
Bennett, Garry Knox, 1934-  Search this
Container:
Box 3, Folder 51
Type:
Archival materials
Date:
2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Garry Knox Bennett papers
Garry Knox Bennett papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995f4cadc-6a7b-48d4-a831-ec2b5996a2a7
EDAN-URL:
ead_component:sova-aaa-benngarr-ref200

Zig Jackson, Citizen of the Mandan, Hidatsa, and Arikara Nation, Professor of Photography, Savannah College of Art and Design

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
Will Wilson, Diné (Navajo), b. 1969  Search this
Seller:
Will Wilson, Diné (Navajo), b. 1969  Search this
Subject:
Zig Jackson, Numakiki (Mandan)/Minitari (Hidatsa)/Sahnish (Arikara), b. 1957  Search this
Title:
Zig Jackson, Citizen of the Mandan, Hidatsa, and Arikara Nation, Professor of Photography, Savannah College of Art and Design
Object Name:
Photograph
Media/Materials:
Paper, platinum
Techniques:
Photographically reproduced (platinum process)
Dimensions:
76.1 x 56.3 cm
Object Type:
Painting/Drawing/Print
Place:
Santa Fe; Santa Fe County; New Mexico; USA
Date created:
2012
Catalog Number:
26/9272
Barcode:
269272.000
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws61ac437c9-001e-4e82-9b06-b8e0027bba11
EDAN-URL:
edanmdm:NMAI_409874

To Sleep

Maker:
Christine Dixie, born 1966, South Africa  Search this
Medium:
Etching on paper
Dimensions:
Framed: 217.5 x 145.3 x 7.1 cm (85 5/8 x 57 3/16 x 2 13/16 in.)
Type:
Print
Geography:
South Africa
Date:
2009-2010
Topic:
male  Search this
Credit Line:
Purchased with funds provided by the Annie Laurie Aitken Endowment
Object number:
2011-6-10
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 2009-2010 Christine Dixie
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7920de508-868a-4d0f-8eb7-86d07259fefe
EDAN-URL:
edanmdm:nmafa_2011-6-10

Bind

Maker:
Christine Dixie, born 1966, South Africa  Search this
Medium:
Etching on paper
Dimensions:
Framed: 217.5 x 145.3 x 7.1 cm (85 5/8 x 57 3/16 x 2 13/16 in.)
Type:
Print
Geography:
South Africa
Date:
2009
Topic:
male  Search this
Credit Line:
Purchased with funds provided by the Annie Laurie Aitken Endowment
Object number:
2011-6-5
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 2009-2010 Christine Dixie
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7d016b1a9-ad7f-4e8c-8086-8bb99f53f8e1
EDAN-URL:
edanmdm:nmafa_2011-6-5

Burning

Maker:
Christine Dixie, born 1966, South Africa  Search this
Medium:
Etching on paper
Dimensions:
Framed: 217.5 x 145.3 x 7.1 cm (85 5/8 x 57 3/16 x 2 13/16 in.)
Type:
Print
Geography:
South Africa
Date:
2009
Topic:
male  Search this
Credit Line:
Purchased with funds provided by the Annie Laurie Aitken Endowment
Object number:
2011-6-6
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 2009-2010 Christine Dixie
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys72efb9f73-a925-4a7b-b880-cad4fe70a8a4
EDAN-URL:
edanmdm:nmafa_2011-6-6

Blind

Maker:
Christine Dixie, born 1966, South Africa  Search this
Medium:
Etching on paper
Dimensions:
Framed: 217.5 x 145.3 x 7.1 cm (85 5/8 x 57 3/16 x 2 13/16 in.)
Type:
Print
Geography:
South Africa
Date:
2009
Topic:
male  Search this
Credit Line:
Purchased with funds provided by the Annie Laurie Aitken Endowment
Object number:
2011-6-7
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 2009-2010 Christine Dixie
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys735c4d6da-c509-4e03-b3bb-1959c66137f7
EDAN-URL:
edanmdm:nmafa_2011-6-7

Offering

Maker:
Christine Dixie, born 1966, South Africa  Search this
Medium:
Etching on paper
Dimensions:
Framed: 217.5 x 145.3 x 7.1 cm (85 5/8 x 57 3/16 x 2 13/16 in.)
Type:
Print
Geography:
South Africa
Date:
2009-2010
Topic:
male  Search this
Credit Line:
Purchased with funds provided by the Annie Laurie Aitken Endowment
Object number:
2011-6-8
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 2009-2010 Christine Dixie
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7f48dbcce-2bfc-4689-90a4-e0993f46c854
EDAN-URL:
edanmdm:nmafa_2011-6-8

To Dream

Maker:
Christine Dixie, born 1966, South Africa  Search this
Medium:
Etching on paper
Dimensions:
Framed: 217.5 x 145.3 x 7.1 cm (85 5/8 x 57 3/16 x 2 13/16 in.)
Type:
Print
Geography:
South Africa
Date:
2009-2010
Topic:
male  Search this
Credit Line:
Purchased with funds provided by the Annie Laurie Aitken Endowment
Object number:
2011-6-9
Restrictions & Rights:
Usage conditions apply
Copyright:
(c) 2009-2010 Christine Dixie
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7599b9f4a-88fd-4271-b554-b4737723601b
EDAN-URL:
edanmdm:nmafa_2011-6-9

Savannah College of Art and Design [Folder]

Additional name:
SCAD  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Savannah (Ga.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_98367

Teaching Files

Collection Creator:
Ryan, Paul, 1943-  Search this
Extent:
0.7 Linear feet (Box 17)
Type:
Archival materials
Date:
1967-2008
Scope and Contents:
Series contains contracts, syllabi, course descriptions, teacher evaluations, workshop descriptions, notes in development of courses, grant proposal for course development, student work, correspondence related to academic job hunting. Records in this series relate to teaching jobs Ryan held at The Hudson School, the Dalton School, Ramapo College, and Savannah college of Art and Design, as well as teaching projects and workshops supported by various organizations and government agencies. Course subjects include media, communications, video production, environment, theory, semiotics, and the Earthscore system applied in various educational contexts. Multiple curricula are found combining video production training with environmental education, particularly the Black Rock Rangers at Dalton School, and the Urban Conservation Corps Video Pilot Program.
Arrangement:
Additional material related to Ryan's teaching is found in Biographical Material and Correspondence.
Collection Restrictions:
Use of original papers and archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Ryan papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ryanpaul, Series 6
See more items in:
Paul Ryan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92024da49-7015-4f4d-acd2-a92419f376e0
EDAN-URL:
ead_component:sova-aaa-ryanpaul-ref11

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