Indians of North America -- Great Basin Search this
Type:
Archival materials
Photographs
Date:
ca 1867-69
Scope and Contents:
Standing in studio.
Biographical / Historical:
Photographer: Savage & Ottinger, Salt Lake City, Utah or E. L. Eaton, 238 Farnham Street, Omaha, Nebraska.
Nebraska became a state in March, 1867; therefore date probably between 1867 and 1869.
Local Numbers:
OPPS NEG.45247 F
Local Note:
Same photograph copied by Shindler, Washington, D. C. 1869. (Shindler Number 265.) See BAE Negative 1699-a; use 45247 F in preference to 1699-a.
Blackmore collection #: A41/2043.
See also 1699-A - same photo.
Note on NAA 1699-A (same photo - copied by Shindler) -- "Copy from old print made at Salt Lake City. (Blackmore Coll.). By Savage & Ottinger, Salt Lake City, Utah probably in the 1860s."
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
These are mostly nineteenth-century prints of some negatives in the glass negative collection. Included are a few images made from negatives that apparently have since been broken or lost. Some of the prints were acquired by the Department of Anthropology of the United States National Museum and have accession and/or catalog numbers. Others were apparently made for exhibit purposes. The collection has not been sufficiently studied to allow the positive identification of the print makers but many were probably prepared by Charles Milton Bell, De Lancey W. Gill, John K. Hillers, and Antonio Zeno Shindler. Some of the prints have been hand colored by Shindler.
Arrangement:
Roughly by tribe
Citation:
Prints of Indian Negatives, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Albums
Photographs
Date:
circa 1877
Scope and Contents note:
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.
The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
Biographical/Historical note:
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
A man sitting in a chair holds a baby. A woman leans against a wooden structure to the right. All are in European dress. The item is unnumbered but is part of the series Southern Utah.
Local Numbers:
NAA INV.09863500
Other Title:
Southern Utah
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Studio portraits
Photographs
Place:
Mariposa Grove (Calif.)
American Fork Canyon (Utah)
Hanging Rock (Colo.)
Mirror Lake (Mariposa County, Calif.)
Big Cottonwood Canyon (Salt Lake County, Utah)
Oregon
California
Utah
Witch Rocks (Utah)
Colorado
Date:
circa 1875-1890
Scope and Contents note:
Photographs made by Charles Roscoe Savage, most of which depict landscapes and natural rock formations in Utah, California, Oregon, and Colorado. The collection also includes portraits of Ute people and images of Ontario Mill and railroad tracks leading into a town. Most of the mounts are stamped with the name of Savage's studio, the Art Bazaar.
Biographical/Historical note:
Charles Roscoe Savage (1832-1909) was an English-born photographer in Salt Lake City, Utah. He immigrated to the United States around 1856, shortly after becoming a member of the Mormon Church. After spending time on assignment for the church in Nebraska, he settled in Salt Lake City in 1860 and went into partnership with Marsena Cannon, a daguerreotype photographer and studio owner. When Cannon left Salt Lake City in 1862, Savage partnered with George Martin Ottinger under the name Savage & Ottinger. When that partnership dissolved in 1870, Savage opened the Pioneer Art Gallery, which he renamed Art Bazaar in 1875. Starting in May 1869, Savage also became a photographer for the Union Pacific Railroad, a project that continued almost to his death. Most of Savage's negatives were destroyed when the Art Bazaar burned, first in 1883 and again after his death in 1911.
Local Call Number(s):
NAA Photo Lot 163, USNM ACC 24548
Location of Other Archival Materials:
Additional photographs by Savage can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 37, Photo Lot 79, Photo Lot 140, Photo Lot 90-1, and Photo Lot 92-3, and the BAE historical negatives.
Additional photographs collected by Lewis Engel can be found in the National Anthropological Archives in Photo Lot 24 and Photo Lot 37.
Artifacts collected by Lewis Engel can be found in the Anthropology collections of the National Museum of Natural History in accessions 21428, 24548, and 24232.
The Harold B. Lee Library at Brigham Young University holds a collection of Savage photographs (MSS P 24).
Additional photographs by Savage also held by Utah State University and Southern Methodist University.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Studio portraits
Photographs
Citation:
Photo lot 163, Charles Roscoe Savage photographs of Utah, California, Oregon, and Colorado landscapes and Ute people, National Anthropological Archives, Smithsonian Institution.
