Search Results

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2018-05-13T16:28:22.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_HPBWsuXFadU

Biogeographical Region:

35 - Arabian Peninsula  Search this

Collector:

W. Schimper  Search this

Place:

In montibus vallis Fatme Arabiae felicis., Saudi Arabia, Asia-Temperate

Collection Date:

Transcribed d/m/y: 27/2/36

Taxonomy:

Plantae Dicotyledonae Caryophyllales Aizoaceae

Published Name:

Trianthema sheilae A.G. Mill. & J.A. Nyberg

Barcode:

03611876

USNM Number:

2496408

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3a5f3cd8c-9d6f-4001-b830-0d3d530fa8ec

EDAN-URL:

edanmdm:nmnhbotany_15110662

Biogeographical Region:

35 - Arabian Peninsula  Search this

Collector:

J. P. Mandaville  Search this

Place:

Arabia: Sultanate of Oman. Muscat-Al Hajar track., Saudi Arabia, Asia-Temperate

Collection Date:

14 Mar 1972

Taxonomy:

Plantae Dicotyledonae Rosales Urticaceae

Published Name:

Forsskaolea griersonii A.G. Mill. & J.A. Nyberg

Barcode:

03647066

USNM Number:

2653899

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3cd9baec6-1ca4-412b-92d5-48140ecc5ef5

EDAN-URL:

edanmdm:nmnhbotany_15298171

Collector:

Donald S. Erdman  Search this

Ocean/Sea/Gulf:

Indian, Persian Gulf, Tarut Bay  Search this

Depth (m):

0 - 0

Place:

Saudi Arabia, Persian Gulf, Tarut Bay, sand spit 2 miles north of Ras Tanura, west pier, Eastern Province, Saudi Arabia, Indian

Collection Date:

1 May 1948 to 2 May 1948

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Osteoglossomorpha, Clupeiformes, Clupeoidei, Clupeidae

Published Name:

Herklotsichthys lossei

Herklotsichthys

Accession Number:

178732

USNM Number:

148047

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/3a8ec4782-71c8-4890-9fa7-cf318d78f9c7

EDAN-URL:

edanmdm:nmnhvz_5045865

Collector:

Donald S. Erdman  Search this

Ocean/Sea/Gulf:

Indian, Persian Gulf, Tarut Bay  Search this

Depth (m):

0 - 0

Place:

Saudi Arabia, Persian Gulf, Tarut Bay, sand spit 2 miles north of Ras Tanura, west pier, Eastern Province, Saudi Arabia, Indian

Collection Date:

1 May 1948 to 2 May 1948

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Osteoglossomorpha, Clupeiformes, Clupeoidei, Clupeidae

Published Name:

Dussumieria acuta

Dussumieria

Accession Number:

178732

USNM Number:

212088

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/3e89c8b55-3b5c-42e1-9849-907a7ec2c562

EDAN-URL:

edanmdm:nmnhvz_5070758

Collector:

Donald S. Erdman  Search this

Ocean/Sea/Gulf:

Indian, Persian Gulf, Tarut Bay  Search this

Depth (m):

0 - 0

Place:

Saudi Arabia, Persian Gulf, Tarut Bay, sand spit 2 miles north of Ras Tanura, west pier, Eastern Province, Saudi Arabia, Indian

Collection Date:

1 May 1948 to 2 May 1948

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Osteoglossomorpha, Clupeiformes, Clupeoidei, Clupeidae

Published Name:

Sardinella gibbosa

Sardinella

Accession Number:

178732

USNM Number:

212089

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/35923576b-7efd-490d-8df1-87e817e17b95

EDAN-URL:

edanmdm:nmnhvz_5070759

Collector:

Donald S. Erdman  Search this

Ocean/Sea/Gulf:

Indian, Red Sea  Search this

Depth (m):

0 - 1

Preparation:

Dry Osteological Specimen

Place:

Saudi Arabia, Red Sea, Jidda [sic] Harbor, outer reef, mouth of channel entrance, Mecca Province, Saudi Arabia, Indian

Collection Date:

3 Jul 1948

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Acanthopterygii, Atheriniformes, Atherinoidei, Atherinidae, Atherininae

Published Name:

Hypoatherina

Accession Number:

178732

USNM Number:

147459

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/3635a79af-fdb4-4c85-8f12-5498e08e80a6

EDAN-URL:

edanmdm:nmnhvz_5208667

Artist:

Frederic Edwin Church, American, 1826–1900  Search this

Medium:

Graphite, brush and white gouache on gray paper; verso: graphite

Dimensions:

12.2 x 20.7 cm (4 13/16 x 8 1/8 in.)

Type:

landscapes

Drawing

Object Name:

Drawing

Place depicted:

Yemen or Saudi Arabia

Made in:

United States

Date:

February 1868

Credit Line:

Gift of Louis P. Church

Accession Number:

1917-4-173

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq473458990-cdd4-4044-927c-efd01fb637bc

EDAN-URL:

edanmdm:chndm_1917-4-173

Artist:

Frederic Edwin Church, American, 1826–1900  Search this

Medium:

Graphite on gray paper

Dimensions:

12.2 x 20.8 cm (4 13/16 x 8 3/16 in.)

Type:

landscapes

Drawing

Object Name:

Drawing

Place depicted:

Yemen or Saudi Arabia

Made in:

United States

Date:

February 20, 1868

Credit Line:

Gift of Louis P. Church

Accession Number:

1917-4-174

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq45055dcf3-573a-48a5-987d-6d38a4d265e5

EDAN-URL:

edanmdm:chndm_1917-4-174

Artist:

Frederic Edwin Church, American, 1826–1900  Search this

Medium:

Graphite on gray paper

Dimensions:

Sheet: 12.2 x 20.8 cm (4 13/16 x 8 3/16 in.)

Type:

landscapes

Drawing

Object Name:

Drawing

Place depicted:

Yemen or Saudi Arabia

Made in:

United States

Date:

February 20, 1868

Credit Line:

Gift of Louis P. Church

Accession Number:

1917-4-175

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq463432826-557c-404d-a24f-374bace31bd3

EDAN-URL:

edanmdm:chndm_1917-4-175

Artist:

Frederic Edwin Church, American, 1826–1900  Search this

Medium:

Recto: Graphite on gray paper Verso: Graphite, brush and white gouache on gray paper

Dimensions:

Sheet: 12.2 x 20.3 cm (4 13/16 x 8 in.)

Type:

landscapes

Drawing

Object Name:

Drawing

Place depicted:

Yemen or Saudi Arabia

Made in:

United States

Date:

February 20, 1868

Credit Line:

Gift of Louis P. Church

Accession Number:

1917-4-176

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq4d429e21c-1621-493e-97f8-70122aa1fcdf

EDAN-URL:

edanmdm:chndm_1917-4-176

Artist:

Frederic Edwin Church, American, 1826–1900  Search this

Medium:

Recto: Graphite on gray paper Verso: Graphite, brush and white gouache on gray paper

Dimensions:

Sheet: 12.2 x 20.7 cm (4 13/16 x 8 1/8 in.)

Type:

landscapes

Drawing

Object Name:

Drawing

Place depicted:

Yemen or Saudi Arabia

Made in:

United States

Date:

February 20, 1868

Credit Line:

Gift of Louis P. Church

Accession Number:

1917-4-177

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq44960fcf1-8f46-439d-948f-bb2e4767c264

EDAN-URL:

edanmdm:chndm_1917-4-177

Artist:

Frederic Edwin Church, American, 1826–1900  Search this

Medium:

Graphite, brush and white gouache on gray paper

Dimensions:

Sheet: 12.2 x 20.7 cm (4 13/16 x 8 1/8 in.)

Type:

landscapes

Drawing

Object Name:

Drawing

Place depicted:

Yemen or Saudi Arabia

Made in:

United States

Date:

February 20, 1868

Credit Line:

Gift of Louis P. Church

Accession Number:

1917-4-178

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq432cf2add-f0c3-4eab-8570-fb9757730321

EDAN-URL:

edanmdm:chndm_1917-4-178

Artist:

Diana Walker, born 1942  Search this

Sitter:

George Herbert Walker Bush, 12 Jun 1924 - 30 Nov 2018  Search this

Medium:

Chromogenic print

Dimensions:

Image: 27.2 x 40.6cm (10 11/16 x 16")

Sheet: 40.4 x 50.7cm (15 7/8 x 19 15/16")

Mat: 55.9 x 71.1cm (22 x 28")

Type:

Photograph

Place:

Saudi Arabia

Date:

1990

Topic:

Costume\Headgear\Hat  Search this

Vehicle  Search this

Exterior\Landscape\Desert  Search this

Costume\Jewelry\Watch\Wrist watch  Search this

George Herbert Walker Bush: Male  Search this

George Herbert Walker Bush: Politics and Government\Vice-President of US  Search this

George Herbert Walker Bush: Politics and Government\President of US  Search this

George Herbert Walker Bush: Military and Intelligence\Intelligence agent\CIA director  Search this

George Herbert Walker Bush: Politics and Government\US Congressman\Texas  Search this

George Herbert Walker Bush: Military and Intelligence\Navy\Naval aviator  Search this

George Herbert Walker Bush: Politics and Government\Diplomat\Ambassador\United Nations  Search this

George Herbert Walker Bush: Business and Finance\Businessperson\Business executive\Oil  Search this

George Herbert Walker Bush: Presidential Medal of Freedom  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; gift of Diana Walker

Object number:

NPG.95.108

Restrictions & Rights:

Usage conditions apply

Copyright:

© 1900 Diana Walker

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4e296f553-7e99-44fa-b919-9d2802f8a3f7

EDAN-URL:

edanmdm:npg_NPG.95.108

Creator:

Liebes, Dorothy  Search this

Names:

Bigelow-Sanford Carpet Company  Search this

E.I. du Pont de Nemours & Company. Textile Fibers Department  Search this

Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this

Morin, Relman, 1907-1973  Search this

Wright, Frank Lloyd, 1867-1959  Search this

Extent:

24.7 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Scrapbooks

Diaries

Drawings

Interviews

Date:

circa 1850-1973

bulk 1922-1970

Summary:

The papers of weaver, textile designer, and consultant Dorothy Liebes date from circa 1850-1973 (bulk 1922-1970) and comprise 24.7 linear feet. Through biographical material including a sound recording of an interview, family and general correspondence, writings including a draft of Liebes's autobiography, subject files providing detailed records of her influential consulting work, financial and legal files, printed material, scrapbooks, artwork, textile samples, and photographic material picturing a wide variety of career and personal activities, the collection provides rich and extensive documentation of Liebes's career and personal life.

Scope and Content Note:

The papers of weaver, textile designer, and consultant Dorothy Liebes date from circa 1850-1973 (bulk 1922-1970) and comprise 24.7 linear feet. Through biographical material including a sound recording of an interview, family and general correspondence, writings including a draft of Liebes's autobiography, subject files providing detailed records of her influential consulting work, financial and legal files, printed material, scrapbooks, artwork, textile samples, and photographic material picturing a wide variety of career and personal activities, the collection provides rich and extensive documentation of Liebes's career and personal life.

Biographical material consists of awards, biographical notes, membership and identification cards, passports, a will, and a sound recording of a 1945 interview with Liebes.

Correspondence is personal with family and friends, and general with friends and colleagues including artists, and fellow weavers and designers. Notable correspondents include Dorr Bothwell, Daren Pierce, Beatrice Wood, and Frank and Olgivanna Lloyd Wright.

Diaries and calendars record Liebes's busy professional and personal life, with notations on daily activities and, beginning in 1952, detailed notes by staff recording activities at the studio on days when Liebes was absent.

Writings by Dorothy Liebes include notes, drafts, and manuscripts of published and unpublished writings, including an autobiography, speeches, and drafts for an unpublished book on weaving.

Subject files contain correspondence, printed material, photographs, and miscellaneous items in varying combinations, and focus heavily on Liebes's consulting work for businesses in the textile industry, including her work with DuPont, Bigelow-Sanford, Goodall, Dow, and others. The files document the importance of her work as a colorist and show how she successfully adapted craft weaving to machine methods. Furthermore, they record how Liebes used her marketing instincts and broad media appeal to rebrand the image of companies such as DuPont from one of chemistry and utility, to one that represented high style and glamor in durable and practical fabrics that were affordable and desirable in home furnishings. Other subject files document organizations, individuals, and topics of interest to Liebes, including files recording her involvement with arts and crafts organizations, her role as director for the Decorative Arts Display at the Golden Gate Exposition in 1939, her work as director of the Red Cross's Arts and Skills workshop, scattered exhibition records, and files on weavers and weaving. Files on Liebes's extensive promotional work for multiple clients are also included here, as are files documenting Liebes's relationship with Relman Morin, such as correspondence and scattered records of Morin's career as a Pullitzer Prize winning journalist.

Financial and legal records are comprised of accounting records from the 1930s-1940s, financial summaries, investment statements, personal and business inventories, personal and business tax returns, and some legal records.

Printed material includes advertisements, articles, and exhibition announcements and catalogs, recording Liebes's career. This material is supplemented by thirty-three bound scrapbooks of printed publicity material, photographs, and documents recording Liebes's career in substantial depth.

Artwork by Dorothy Liebes consists of designs, feather weavings, a small hooked composition, and tapestry samples. Artwork by others includes prints by Dorr Bothwell, designs by Lawrence J. Colwell, and painted sketches of clothing designs by Daren Pierce. Two linear feet of samples consist primarily of textile swatches primarily designed by Dorothy Liebes Studio, Inc.

Photographic material includes professional portraits of Liebes and others, photos of Liebes at events and parties, with staff and other weavers, at work in her studio, and traveling. Of note are a series of pictures taken at Taliesin West with Frank and Olgivanna Wright, Relman Morin, and others. Photographic material also provides examples of Liebes's design work in homes, hotels, offices, and elsewhere, and shows her work pictured in exhibitions and showrooms. Photographs of other subjects include portraits of unidentified women by Man Ray and Consuela Canaga.

Arrangement:

The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, circa 1934-circa 1970 (Box 1, OV 23; 0.28 linear feet)

Series 2: Correspondence, 1922-1973 (Boxes 1-2; 1.5 linear feet)

Series 3: Diaries and Calendars, 1948-1971 (Boxes 2-4; 1.5 linear feet)

Series 4: Writings, 1920-circa 1971 (Boxes 4-5; 1.05 linear feet)

Series 5: Subject Files, circa 1933-1971 (Boxes 5-13, 20, OVs 23, 59; 8.43 linear feet)

Series 6: Financial and Legal Records, circa 1935-1972 (Box 13, 20; 0.6 linear feet)

Series 7: Printed Material, 1897-1971 (Boxes 14, 20-21, OV 38; 1.1 linear feet)

Series 8: Scrapbooks, 1933-1972 (Box 21-22, 24-36; 5 linear feet)

Series 9: Artwork, circa 1920s-circa 1960s (Boxes 14, 22, OVs 23, 39, 42, RD 37; 1.24 linear feet)

Series 10: Samples, circa 1850-1855, circa 1930s-circa 1970 (Boxes 15-16; 2.0 linear feet)

Series 11: Photographic Material, circa 1875, circa 1897-circa 1970 (Boxes 17-19, 36, OVs 38, 40-41; 2.0 linear feet)

Biographical Note:

California and New York weaver, textile designer, and consultant Dorothy Wright Liebes (1899-1972) was known for distinctive textiles featuring bold color combinations and unusual textures achieved through the use of materials such as glass rods, sequins, bamboo, grass, leather, ribbon, wire, and ticker tape. Her work with companies in the synthetic fiber industry to make craft weaving compatible with man-made fabrics and machine looms, produced an innovative and exciting new aesthetic in interior design that was both functional and affordable, and made Liebes a mid-century household name.

Born Dorothy Wright in Santa Rosa, California, Liebes was the daughter of chemistry professor Frederick L. Wright and teacher Bessie Calderwood Wright. She studied art, education, and anthropology at San Jose State Teachers College and the University of California, Berkeley. During her college years, a teacher encouraged her to experiment with weaving and textile design since many of her paintings resembled textiles.

Liebes was a teacher for several years before deciding to pursue a career in textile design. She then studied weaving at Hull House in Chicago and traveled to France, Italy, Guatemala, and Mexico to learn the traditional weaving forms of those cultures. Upon her return to the United States, Liebes opened her first professional studio for weaving and textile design on Powell Street in San Francisco; Dorothy Liebes Design, Inc. was established in 1934, and eventually employed a staff of weavers. Liebes moved her studio to 545 Sutter Street in 1942.

Her first client in the industry was Goodall-Sanford Mills, with whom Liebes worked as a consultant for more than a decade. As her client base expanded, she decided to open a New York studio and maintained both studios until 1948 when she closed her San Francisco operation and relocated to New York City.

Liebes became a color and design consultant to corporations such as DuPont, Dow, and Bigelow-Sanford and tested and promoted newly developed synthetic fibers. She advised textile chemists in the development of fibers that were versatile enough to produce many different textures and worked with engineers and technicians to develop new machines that could reproduce the irregularities of hand-loomed fabrics. Liebes became a sought-after speaker by textile industry and consumer groups, and sometimes taught workshops on color and design.

Liebes's commissions included the United Nations Delegates Dining Room, the Persian Room at the Plaza Hotel and the King of Saudi Arabia's traveling royal throne room. Between 1937 and 1970, Liebes participated in more than thirty solo and group exhibitions at the San Francisco Museum of Art, Museum of Modern Art, de Young Museum, Cranbrook Museum, Detroit Institute of Art, Massachusetts Institute of Technology, Museum of Contemporary Crafts, and other venues. She received prizes and awards from institutions and corporations such as Lord and Taylor, Neiman-Marcus, the Paris Exposition, the American Institute of Decorators, the American Institute of Architects and the Architectural League. She was also awarded the Elsie de Wolfe Award and an honorary degree from Mills College in 1948.

Liebes's other notable activities included her work a director of the Decorative Arts Display for the 1939 San Francisco World's Fair, which she credited with establishing her as an authority in the field, and her work as organizer and director of "Arts and Skills," a Red Cross occupational therapy project that included training in weaving for soldiers injured in World War II. In the 1950s, she worked with the Bureau of Indian Affairs, journeying though the southwest to study Indian schools and weaving techniques.

Liebes was married to businessman Leon Liebes from 1928 until their divorce in 1940 and continued to use the name Liebes for the remainder of her life. In 1948, she married Pulitzer prize winning Associated Press special correspondent Relman "Pat" Morin.

During the last year of her life, Dorothy Liebes was semi-retired due to a heart ailment. She died in New York City on 10 September 1972.

Provenance:

Gift of the Estate of Dorothy Liebes through Relman Morin, 1972, and Ralph Higbee, 1973-1974.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Textile designers -- California -- San Francisco  Search this

Textile designers -- New York (State) -- New York  Search this

Weavers -- California -- San Francisco  Search this

Weavers -- New York (State) -- New York  Search this

Art consultants -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women textile designers  Search this

Genre/Form:

Sound recordings

Scrapbooks

Diaries

Drawings

Interviews

Citation:

Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of the Dorothy Liebes papers was provided by the Terra Foundation for American Art. Funding for the digitization of the collection was provided by the Coby Foundation.

Identifier:

AAA.liebdoro

See more items in:

Dorothy Liebes papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9512b8d71-3c95-4e72-96be-0af0437f2a5f

EDAN-URL:

ead_collection:sova-aaa-liebdoro

Creator:

McGrath, James A.  Search this

Names:

Rauschenberg, Robert, 1925-2008  Search this

Tobey, Mark  Search this

Wiley, William T., 1937-2021  Search this

Extent:

5.4 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Poems

Prints

Postcards

Paintings

Sketches

Illustrated letters

Christmas cards

Photographs

Date:

1950-2011

Summary:

The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.

Scope and Content Note:

The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.

James McGrath's papers regarding his artist's residencies and workshops are currently unprocessed.

Wiley's high school student files consist of exams and two Columbia High School yearbooks with contributions from Wiley. Correspondence includes mostly letters written from Wiley to McGrath, some of which are illustrated. There are also Christmas cards, postcards, prints and a wedding invitation and photograph of Wiley and his wife Mary. Wiley writes about his artwork, family, travels and his mother's death. There are also letters to McGrath from Wiley's first and second wives, Dorothy and Mary, his mother, and artists Robert Rauschenberg and Mark Tobey.

Printed materials include exhibition catalogs and announcements, news and magazine clippings, and the books Distraction, Lyrica and Almost Old/New Poems, all illustrated by Wiley.

Artwork by Wiley includes block prints, sketches and drawings, poems, paintings, prints and posters. Photographs are of Wiley's high school yearbook staff, art work and exhibitions, and a dinner honoring Wiley. There is a signed high school photograph of Wiley and a booklet of photographs of an exhibition of McGrath's art. There are also slides of artwork by Wiley, Bob Hudson and Bill Allan.

Arrangement:

The papers are arranged as 2 series.

Missing Title

Series 1: James A. McGrath Papers Concerning William T. Wiley (Box 1-3, OVs 4-6; 2.0 linear feet)

Series 2: Unprocessed James A. McGrath Papers, circa 1990-1995 (Boxes 7-9, OVs 10-12)

Biographical Note:

Arts educator James A. McGrath was a high school art teacher at Columbia High School in Richland, Washington where he taught William T. Wiley in the mid-1950s. They remained life-long friends. Later, McGrath worked at the Institute of American Indian Arts in Santa Fe as Director of Arts, Professor of Painting, and Dean. In 1973 he became Director of Arts, Humanities and Culture in the Department of Defense and was stationed in Japan, Korea, Okinawa, Taiwan and the Philippines. He also worked for the United States Information Agency in Yemen, Saudi Arabia and the Republic of the Congo. He continues to be active as an arts education specialist.

William T. Wiley (b. 1937)is a contemporary artist painting and teaching primarily in the San Francisco area. His artwork is associated with the Bay area Funk Movement. Wiley studied at the California School of Fine Arts and completed his MFA in 1962. One year later he joined the faculty of the UC Davis art department along with artists Robert Arneson and Roy DeForest. Wiley's students included Bruce Nauman and Deborah Butterfield.

Wiley's first solo exhibition was held at the San Francisco Museum of Modern Art in 1960, and he had works in the Venice Biennial (1980) and Whitney Biennial (1983), as well as major exhibitions at the San Francisco Museum of Modern Art and the M.H. de Young Memorial Museum in San Francisco. His artwork is in the collections of the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden and the Los Angeles County Museum of Art, among many others. Wiley was the recipient of the Guggenheim Fellowship Award in 2004 and, in 2009, the Smithsonian American Art Museum presented a retrospective exhibition of Wiley's career.

Related Material:

The Archives of American Art also holds several collections related to William T. Wiley including an oral history interview conducted by Paul J. Karlstrom, October 8-November 20, 1997 and the William T. Wiley illustrated journals on microfilm reel 910. The University of Washington also holds papers of James A. McGrath.

Separated Material:

Six Documenta catalogs, originally donated to AAA with the James A. McGrath Papers Concerning William T. Wiley, were transferred to the Smithsonian Institution Libraries.

Provenance:

The papers were donated by James A. McGrath in five accessions between 2010-2015. A drawing on tree bark was donated by William T. Wiley in 2016.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- California -- San Francisco  Search this

Painters -- California -- San Francisco  Search this

Topic:

Performance artists -- California -- San Francisco  Search this

Illustrators -- California -- San Francisco  Search this

Genre/Form:

Drawings

Poems

Prints

Postcards

Paintings

Sketches

Illustrated letters

Christmas cards

Photographs

Citation:

James A. McGrath papers, 1950-2011. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.mcgrjame

See more items in:

James A. McGrath papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f46f5e33-d56b-4f72-9bdc-6c6a5de8071b

EDAN-URL:

ead_collection:sova-aaa-mcgrjame

Creator:

Walinska, Anna  Search this

Names:

Guild Art Gallery  Search this

Avery, Milton, 1885-1965  Search this

Beata, Welsing  Search this

Hacohen, Bracha  Search this

Littlefield, William Horace, 1902-1969  Search this

Nevelson, Louise, 1899-1988  Search this

Walinsky, Louis Joseph, 1908-2001  Search this

Extent:

2.1 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Interviews

Photographs

Scrapbooks

Sketchbooks

Sketches

Transcripts

Travel diaries

Place:

Europe -- description and travel

Israel -- Description and Travel

Date:

1927-2002

bulk 1935-1980

Summary:

The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Scope and Contents:

The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.

Arrangement:

The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)

Biographical / Historical:

Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.

Related Materials:

The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.

Provenance:

The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.

Occupation:

Gallery directors -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Topic:

Drawing--Study and teaching  Search this

Holocaust, Jewish (1939-1945), in art  Search this

Painting -- New York (State) -- New York  Search this

Asia--Description and travel  Search this

Middle East--Description and travel  Search this

Trinidad and Tobago--Description and travel  Search this

Women painters  Search this

Women artists  Search this

Women educators  Search this

Genre/Form:

Drawings

Interviews

Photographs

Scrapbooks

Sketchbooks

Sketches

Transcripts

Travel diaries

Citation:

Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by Rosina Rubin.

Identifier:

AAA.walianna

See more items in:

Anna Walinska papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9995d1f6a-668f-4e1e-8abe-bb24edfb016b

EDAN-URL:

ead_collection:sova-aaa-walianna

Creator:

Van Beek, Gus W. (Gus Willard), 1922-  Search this

Names:

Smithsonian Institution. Department of Anthropology  Search this

Extent:

53.5 Linear feet (106 document boxes 6 record storage boxes and 4 small boxes)

Type:

Collection descriptions

Archival materials

Papers

Drawings

Notes

Contact prints

Reports

Photocopies

Grant proposals

Negatives (photographic)

Correspondence

Press releases

Speeches

Photographs

Drafts (documents)

Newsletters

Articles

Photographic prints

Memorandums

Clippings

Resumes

Reviews (documents)

Slides (photographs)

Exhibit scripts

Place:

Arabian Peninsula

Hajar Āl Ḥumayd

Ḥaḍramawt (Yemen : Province)

Maʻrib (Yemen)

Tunisia

Yemen

Egypt

Date:

circa 1959-2008

Summary:

This collection consists of the professional papers of Dr. Gus Van Beek, Curator of Old World Archaeology, Division of Archaeology, Department of Anthropology, Smithsonian Institution. Included is the overall body of field logs and notebooks, correspondence, administrative work, research for and about exhibits, photographs, drawings, work on a variety of Departmental committees, and work leading toward the publication of a number of manuscripts and papers. These materials cover roughly the period from 1959 when Dr. Van Beek was hired as an Associate Curator in the Department until 2008 when he actively ceased work in his office at NMNH.

Scope and Contents:

This collection consists of the professional papers of Dr. Gus Van Beek, Curator of Old World Archaeology, Division of Archaeology, Department of Anthropology, Smithsonian Institution. Included is the overall body of field logs and notebooks, correspondence, administrative work, research for and about exhibits, photographs, drawings, work on a variety of Departmental committees, and work leading toward the publication of a number of manuscripts and papers. These materials cover roughly the period from 1959 when Dr. Van Beek was hired as an Associate Curator in the Department until 2008 when he actively ceased work in his office at NMNH.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

Collection is organized into 8 series: 1) Correspondence; 2) South Arabia; 3) Exhibits; 4) Publications; 5) Administrative; 6) Photographs; 7) Vertical file.

Biographical Note:

March 21, 1922 -- Born in Tulsa, Oklahoma

1943 -- Bachelor of Arts with honors from University of Tulsa 

1945 -- Bachelor of Divinity from McCormick Theological Seminary, Chicago

1947-49 -- Louis J. and Mary E. Horowitz Christian Fellow, Hebrew Union College, Cincinnati

1951 -- Field research with the American Foundation for the Study of Man at Hajar Bin Humeid, Wadi Beihan, East Aden Protectorate, Arabia

1952 -- Archeological Fellow, American Schools of Oriental Research, Jerusalem, Jordan. Completed field research in the cities of Jericho, Qumran and Dhiban, Jordan.

1953 -- Doctor of Philosophy in Near Eastern Archaeology, History and Semitic Languages from the John Hopkins University

1959-1967 -- Associate Curator, Old World Archeology, Smithsonian Institution, National Museum of Natural History

1961-62 -- Intensive archaeological reconnaissance field research in Wadi Hadhramaut and East Aden Protectorate [South Yemen]

1962-65 -- Worked on Hall 26: Old World Archeology permanent exhibit at the National Museum of Natural History, Smithsonian Institution

1964 -- Archaeological reconnaissance in Yemen and Axum

1965 -- Producing curator of the Dead Sea Scrolls Exhibit at National Museum of Natural History, Smithsonian Institution

1966-67 -- Completed archaeological survey of early Phoenician sites in Tunisia

1967-[2008] -- Curator, Old World Archeology, Smithsonian Institution, National Museum of Natural History

1967 -- Field research to survey Tigre Province, Ethiopia and the Beq'a of Lebanon

1967 -- Curator of the Tunisian Mosaic Exhibit at the National Museum of Natural History, Smithsonian Institution

1968 -- Archaeological survey of Wadi Negran, Saudi Arabia

1968 -- Guest Curator of the South Arabian Art Exhibit at the Metropolitan Museum of Art, New York City

1969 -- Surveyed sites in Israel for possible excavation

1969 -- Curator of the Masada Exhibit at the National Museum of Natural History, Smithsonian Institution

1970-78 -- Organized and directed major archaeological excavations at Tel Jemmeh, Israel. [Annually]

1972 -- Producing Curator of the Arabia Felix exhibit at the National Museum of Natural History, Smithsonian Institution

1982 -- Directed excavation at Tell Jemmeh and researched terre pise, pise de terre construction in Morocco

1984 -- Excavation at Tel Jemmeh to increase the area of the 10th-9th centuries B.C. exposure

1987 -- Excavation at Tel Jemmeh

1989 -- Researched mud construction in Madras, Pondicherry and Kerala, Indian and in Punjab, Pakistan to determine if highland mud construction was sufficiently adapted environmentally to justify intensive study

1989 -- Researched mud construction (adobe) in Sante Fe, Abiquiu and Taos, New Mexico to compare construction methods and design elements with those of the Middle East

1990 -- Investigated layered mud construction and design in vicinity of Quetta, Baluchistan, Pakistan and directed small excavation at Tel Jemmeh

1991 -- Field research in vicinity of Quetta, Baluchistan, Pakistan; Gujarat State, India and across newly unified Yemen

1992 -- Advised the Israel Antiquities Authority on mud construction

1994 -- Field research in eastern architecture in Syria

1995 -- Participated in Adobe Workshop, sponsored by New Mexico State Monuments and J. Paul Getty Conversation organization

1997 -- Research on rammed earth (terre pise) construction and design in Dauphine Province, France and in the states of Hesse, Baden, and Wurtemburg, Germany

1999 -- Research on minimizing earthquake damage in ancient mud brick construction at Tel Rehov in the Jordan Valley, Israel

Related Materials:

See also Gus Van Beek's papers related to the Tel Jemmeh expedition.

Provenance:

These papers were donated to the National Anthropological Archives by the Department of Anthropology at the Smithsonian Institution National Museum of Natural History.

Restrictions:

The Gus Van Beek papers are open for research.

Access to the Gus van Beek papers requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Archeological excavations  Search this

Dead sea scrolls  Search this

Museum exhibits  Search this

Archaeology  Search this

Genre/Form:

Papers

Drawings

Notes

Contact prints

Reports

Photocopies

Grant Proposals

Negatives (photographic)

Correspondence

Press releases

Speeches

Photographs

Drafts (documents)

Newsletters

Articles

Photographic prints

Memorandums

Clippings

Resumes

Reviews (documents)

Slides (photographs)

Exhibit scripts

Citation:

Gus Van Beek papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.2008-28

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3fd7c8d93-99c7-47e4-a58a-8c5024d74981

EDAN-URL:

ead_collection:sova-naa-2008-28

Creator:

Wiseman, Frederick J., 1875-1961  Search this

Names:

Early Birds of Aviation (Organization).  Search this

Wiseman-Peters (Fred Wiseman and J. W. Peters) (Aircraft manufacturer)  Search this

Extent:

0.59 Cubic feet (1 flatbox)

Type:

Collection descriptions

Archival materials

Photographs

Tickets

Correspondence

Clippings

Date:

1909-1968

bulk [ca. 1910s, 1950s]

Summary:

Fred Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan. On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. After the 1911 season, Wiseman gave up flying.

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Scope and Contents:

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.

Arrangement:

Materials are in the order the donor attached them to the scrapbook. Correspondence is often located within the envelope that is attached to the scrapbook. Some materials are loose and have been left in the arrangement in which they were found, unless a portion of a newspaper article could be matched to its other parts.

Biographical / Historical:

Fred Wiseman (1875-1961) was born in Santa Rosa, California, and after attending local schools he engaged in both the bicycle and automotive businesses. Wiseman won considerable fame racing Stoddard-Dayton cars on the West Coast as well as in the Chicago area. He became interested in aviation after attending the Wright brothers' homecoming celebration in 1909 and the first Los Angeles aviation meet at Dominguez Field in 1910.

After these two events, Wiseman was convinced he wanted to learn to fly and so he returned to his home in Santa Rosa and persuaded Ben Noonan to put up $10,000 to build a plane. Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan.

On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. (The first air mail flight sanctioned by the U.S. Post Office in Washington, D.C., took place on September 23, 1911, when Earle Ovington carried mail from Garden City, Long Island, to Mineola; and the first continuously scheduled U.S. air mail service began on May 15, 1918, with routes between Washington, Philadelphia, and New York.)

During 1911, Wiseman had an active season of exhibition work, including flying for one week at the California State Fair. However, after this season Wiseman gave up flying because he thought there was no future in it. He sold his plane and returned to the automobile business. He later worked for Standard Oil Company of California. Wiseman was a member of the Early Birds of Aviation, an organization of pilots who flew solo in an aircraft prior to December 17, 1916.

Weldon Cooke, another pioneer aviator from California, bought and modified the Wiseman-Peters aircraft, renaming it the Wiseman-Cooke. Cooke flew the Wiseman-Cooke for exhibition and air mail flights. The Wiseman-Cooke aircraft is currently part of the Smithsonian Institution's collections.

Provenance:

No donor information, Gift?, unknown, XXXX-0618, unknown

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Automobile racing  Search this

Air mail service  Search this

Aeronautics, Commercial  Search this

Aeronautics -- Exhibitions  Search this

Airplane racing  Search this

Aeronautics -- Competitions  Search this

Aeronautics -- 1903-1916  Search this

Aeronautics  Search this

Air pilots  Search this

Wiseman-Peters #2 Biplane (1910)  Search this

Genre/Form:

Photographs

Tickets

Correspondence

Clippings

Citation:

Fred Wiseman Scrapbook, Acc. NASM.XXXX.0618, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.XXXX.0618

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2b1a6ef9c-06ed-414f-adc3-98f31de066e0

EDAN-URL:

ead_collection:sova-nasm-xxxx-0618

Geologic Age:

Miocene

Preparation:

Dry

Place:

Arabian Desert, Wadi Ramlich, Saudi Arabia

Published Name:

Calamophyllia crenaticosta Reuss, 1865

USNM Number:

M156891

See more items in:

Invertebrate Zoology

Cnidaria

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/3ba96a4fd-0877-4510-bf5e-6d235b3197fb

EDAN-URL:

edanmdm:nmnhinvertebratezoology_72439