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Marie Romero Cash papers, 1981-2021

Creator:
Cash, Marie Romero, 1942-  Search this
Type:
Sketchbooks
Citation:
Marie Romero Cash papers, 1981-2021. Archives of American Art, Smithsonian Institution.
Topic:
Santeros  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17505
(DSI-AAA_SIRISBib)390313
AAA_collcode_cashmari
Theme:
Latino and Latin American
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_390313

Marie Romero Cash papers

Creator:
Cash, Marie Romero  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1981-2021
Summary:
The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".
Scope and Contents:
The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".
Arrangement:
The collection is arranged into one series

Series 1: Marie Romero Cash papers, 1981-2021 (0.7 linear feet; Box 1, OV 2-3, Artifact 4)
Biographical / Historical:
Marie Romero Cash (1942- ) is an artist and Santera (saint artist) living in Santa Fe, New Mexico. Cash has completed commissions for St. Francis Cathedral in Santa Fe, New Mexico, the Cathedral Church of St. John in Albuquerque, and for various other churches in New Mexico.
Provenance:
Donated 2017 and 2022 by Marie Romero Cash.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New Mexico -- Santa Fe  Search this
Topic:
Santeros  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sketchbooks
Citation:
Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cashmari
See more items in:
Marie Romero Cash papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw932a73bb7-31b8-4b14-90df-87ce718f9f3c
EDAN-URL:
ead_collection:sova-aaa-cashmari

Meet Nicholas Herrera

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-03T20:37:14.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_EhvmYFR0hY0

Chuck and Jan Rosenak research material, circa 1938-2008

Creator:
Rosenak, Chuck, 1927-  Search this
Subject:
Rosenak, Jan  Search this
Type:
Audiotapes
Photographs
Interviews
Slides (photographs)
Citation:
Chuck and Jan Rosenak research material, circa 1938-2008. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Navajo Indians -- Art  Search this
Folk art  Search this
Navajo Indians -- Social life and customs  Search this
Artists -- New Mexico -- Interviews  Search this
Santeros  Search this
Theme:
Latino and Latin American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5540
(DSI-AAA_SIRISBib)216437
AAA_collcode_rosechuc
Theme:
Latino and Latin American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216437
Online Media:

B/w photo of Zoilo Cajigas cutting wood from a tree. Written on the back: "El santero Zoilo Cajigas cortando madera para sus trabajos de taller."

Collection Collector:
Vidal, Teodoro  Search this
Container:
Box 14, Folder 7
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Teodoro Vidal Collection, 1592-1992, Archives Center, National Museum of American History.
See more items in:
Teodoro Vidal Collection
Teodoro Vidal Collection / Series 7: General Photographs / 7.12: Paper Mask
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep810a86393-3584-4c61-908c-8417ed1f3d67
EDAN-URL:
ead_component:sova-nmah-ac-0712-ref1155

Serigraphy "Cuarto Concurso de Santeros" by Lorenzo Homar. The print is a picture of a sculpture of the "Virgen de la Monserrate de Hormigueros". The contest was in 1955 at the Ateneo Puertorriqueño in San Juan, Puerto Rico on December 16th.

Collection Collector:
Vidal, Teodoro  Search this
Extent:
5 Items (Total items in this folder: 1 print, 1 certificate, 2 proof sheets, 1 poster)
Container:
Map-folder 10
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Teodoro Vidal Collection, 1592-1992, Archives Center, National Museum of American History.
See more items in:
Teodoro Vidal Collection
Teodoro Vidal Collection / Series 7: General Photographs / 7.15: Photos of Paper Masks / Ponce Carnival. Note: all these photos are attached to a cardboard and smaller copies are in box 7.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep892a5b595-e7c0-4b6a-a20a-4537577a8d0d
EDAN-URL:
ead_component:sova-nmah-ac-0712-ref1277

New Mexico

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Before the people there was the land. High mountains in northern New Mexico fork southward, forming arms. One curls westward to embrace the high mesa and plateau land, while the other thrusts directly south to separate the dry grasslands of the east from the fertile valley carved by the Rio Grande. Stories tell that the First People found this land when they emerged onto its surface, born from the womb of Mother Earth.

The Spanish and later the Mexicans also found this land, as they wound their way north on horseback or in carretas, following the course of the long, wild river, and establishing a permanent connection - the Camino Real - between northern New Mexico and Mexico. Then, from Texas, California, Oklahoma, came still others, determined to transform the land and tame the river. And today people still come, on family odysseys that began in Italy, Lebanon, Iran, Czechoslovakia, India, Poland, Japan, or Germany. In one short stretch, the Rio Grande recounts this history as it passes near old communities like San Juan Pueblo and Embudo, then the new atomic city, Los Alamos, and then Albuquerque, a city of a half-million people.

Five hundred years after Columbus, the complex engagement between Europe and America, which his voyage has come to symbolize, continued to produce patterns of accommodation and resistance that were presented in the 1992 Festival program. Conflicting uses and meanings for the same land seem inevitable in New Mexico, where more than 70% of the land is managed by the state or federal government, and where a significant percentage of local income is derived from tourism. Cultural traditions of New Mexico's diverse communities were not seen, at the Festival, as immutable heirlooms passed down from one generation to the next. Rather, visitors could see how today's New Mexicans shape traditions by the conflicted choices they make today, weaving a design that can never be wholly foreseen.

José Griego and Andrew Wiget were Curators, with Philippa Jackson as Research & Program Coordinator and Francesca McLean as Program Assistant.

The New Mexico program was made possible with the support of the State of New Mexico, Bruce King, Governor; with the collaboration of the Department of Tourism, the Office of Cultural Affairs, the New Mexico Arts Division, and the Museum of International Folk Art; and with the assistance of the Tourism Association of New Mexico.
Fieldworkers and consultants:
Fieldworkers

Tomás Atencio, Charles Carillo, Beaumont Chrisner, Patricia D'Andrea, Tobias Duran, Judith Goldberg, José Griego, Jim Harris, Stanley Hordes, Theodore Jojola, Kenneth Keppeler, Gina L'Acqua; Enrique Lamadrid, Katherine Liden, Jack Loeffler, Felix Lopez, Helen Lucero, Gwendolyn Mintz, Lynn Moncus, Stephan Moore, Pat Music, A. Rudy Padilla, Patricia Ruiz, Marilee Schmit, Glenda Sours, Elizabeth Taliman, Soge Track, Sandra Turner, Maria Varela, Marta Wiegle, Peter White

Consultants

Olivia Cadaval, Richard Kennedy
Presenters:
Charles Carrillo, Andrew Connors, José Griego, Kenneth Keppeler, Enrique Lamadrid, Felix Lopez, Tessie Naranjo, Gilbert Sanchez, Maria Varela, Andrew Wiget
Participants:
New Mexico Crafts

Charles Carrillo, santero, Santa Fe, New Mexico

Cordelia Coronado, 1933-, weaver, Medanales, New Mexico

Frances Naranjo Dennis, 1949-, potter, Santa Clara Pueblo, New Mexico

Austin "Slim" Green, saddle maker, Tesuque, New Mexico

Sam Leyba, 1950-, muralist, Santa Fe, New Mexico

Felix Lopez, 1942-, santero, Santa Fe, New Mexico

Irene E. Lopez, 1949-, weaver, Española, New Mexico

José Benjamin Lopez, 1947-, santero, Española, New Mexico

Jerome Lujan, santero, Santa Fe, New Mexico

Deana McGuffin, 1950-, bootmaker, Clovis, New Mexico

Wilberto Miera, adobe worker, furniture maker, Santa Fe, New Mexico

Patricio Mora, 1937-, -- paño -- artist, Albuquerque, New Mexico

Madelyn Naranjo, 1915-, potter, Santa Clara Pueblo, New Mexico

Felipe Ortega, potter, cook, La Madera, New Mexico

Alberto Parra, 1954-, adobe worker, Albuquerque, New Mexico

Carolina Paz, potter, -- quiote -- maker, Tortugas, New Mexico

Lydia Pesata, 1942-, basket maker, storyteller, Dulce, New Mexico

Eliseo Rodriguez, 1915-, straw applique, Santa Fe, New Mexico

Paula Rodriguez, 1915-, straw applique, Santa Fe, New Mexico

Timothy P. Roybal, 1947-, furniture maker, Española, New Mexico

Bonifacio Sandoval, 1922-, tin worker, Santa Fe, New Mexico

Thelma Sheche, 1928-, fetish carver, Zuni Pueblo, New Mexico

Ada Suina, potter, Cochiti Pueblo, New Mexico

Elizabeth Taliman, 1953-, bead worker, cook, Santa Fe, New Mexico

Carmen Romero Velarde, 1928-, adobe worker, cook, Ranchos de Taos, New Mexico

Priscilla Vigil, 1919-2001, potter, cook, storyteller, Tesuque, New Mexico

Maria Vergara Wilson, -- colcha -- embroiderer, La Madera, New Mexico

Home and Garden

Paulette Atencio, 1947-, storyteller, Chama, New Mexico

Alice Hoppes, 1939-2003, cook, Albuquerque, New Mexico

Edward Kretek, 1927-1997, cook, Deming, New Mexico

Geraldine Kretek, 1929-, cook, Deming, New Mexico

Gertrude Kretek, cook, Deming, New Mexico

Consuela Martinez, 1948-, curandera, Mora, New Mexico

Elizabeth Taliman, cook, bead worker, Santa Fe, New Mexico

Maclovia Zamora, 1931-, cook, Albuquerque, New Mexico

Range

Ganados del Valle -- Ganados del ValleEstafanita Martinez, 1968-, weaver, Tiera Amarilla, New MexicoNorma Martinez, 1963-, weaver, Chama, New MexicoSophie Martinez, 1959-, weaver, Tierra Amarilla, New MexicoNena Russan, 1964-, weaver, Chama, New Mexico

Ramah Navajo Sheep Camp -- Ramah Navajo Sheep CampKatie C. Henio, Ramah, New MexicoSamuel Henio, 1952-, Pine Hill, New MexicoAnnie L. Pino, 1925-2006, Ramah, New MexicoLorraine Wayne, Ramah, New Mexico

Mountain Spirit Dancers -- Mountain Spirit DancersFreddy Apache, 1963-, dancer, Mescalero, New MexicoAbraham Chee, 1959-, dancer, drum maker, Mescalero, New MexicoNathaniel Chee, Sr., 1936-2004, drummer, singer, Mescalero, New MexicoNathaniel Chee, Jr., dancer, Mescalero, New MexicoSamuel Chee, 1970-, dancer, drum maker, Mescalero, New MexicoJoseph Geronimo, 1949-, drummer, singer, drum maker, Mescalero, New Mexico

Philip Pike, dancer, Mescalero, New Mexico

Jose Castro, charro, La Mesa, New Mexico

Thelma Castro, charro, La Mesa, New Mexico

Banjo Garcia, camp cook, Continental Divide, , New Mexico

Cindy Jo Gainer Graham, 1959-, ranch skills, Tatum, New Mexico

R.W. Hampton, 1957-, ranch skills, guitarist, vocalist, Sedan, New Mexico

James Keith, farrier, blacksmith, Tucumcari, New Mexico

Pete Lewis, 1938-, ranch skills, fiddler, Dell City, New Mexico

Musicians

Antonia Apodaca, 1923-, accordion, vocals, Rociada, New Mexico

Fernando Cellicion, flute, Zuni Pueblo, New Mexico

Vodra Dorn, 1957-, vocals, Albuquerque, New Mexico

William Dorn, 1952-, vocals, sermon traditions, Albuquerque, New Mexico

Juan Manuel Flores, guitar, Las Cruces, New Mexico

J.P. Lewis, 1950-, guitar, Dell City, New Mexico

Charla Nettleton, 1955-, bass, Mesilla Park, New Mexico

Cleofes Ortiz, fiddle, Albuquerque, New Mexico

Buster Payne, 1915-, fiddle, Eunice, New Mexico

Floyd Trujillo, 1934-, vocals, bone carver, Abiquiu, New Mexico

Gretchen Van Houton, 1963-, fiddle, Albuquerque, New Mexico

Cipriano Vigil, 1941-, guitar, fiddle, vocals, Tesuque Pueblo, New Mexico

Johnny Whelan, 1946-, guitar, poetry, Las Cruces, New Mexico

Luther Whelan, 1975-, harmonica, bass, poetry, Las Cruces, New Mexico

Los Alegres -- Los AlegresFrank Jaramillo, 1950-, bass, Ranchos de Taos, New MexicoJulia Jaramillo, 1922-, mandolin, Ranchos de Taos, New MexicoPablo Trujillo, 1916-, bass, Ranchos de Taos, New Mexico

Los Reyes de Albuquerque -- Los Reyes de AlbuquerqueMiguel Archibeque, 1938-, guitar, vocals, Albuquerque, New MexicoIsidro Chavez, 1921-, guitar, Albuquerque, New MexicoRay Flores, trumpet, Albuquerque, New MexicoLorenzo Martinez, violin, Albuquerque, New MexicoRoberto Martinez, 1929-, vihuela, guitar, vocals, Albuquerque, New MexicoAngela Perez, 1970-, violin, Albuquerque, New Mexico

Plaza Dancers

Los Bernalillo Matachines -- Los Bernalillo MatachinesTheresa Acosta, 1952-, dancer, Bernalillo, New MexicoCharles J. Aguilar, 1946-, violin, Bernalillo, New MexicoRalph Chavez, dancer, Bernalillo, New MexicoJohn Crespin, 1952-, dancer, Bernalillo, New MexicoJocelyn Duran, dancer, Bernalillo, New MexicoJoseph R. Garcia, 1950-, dancer, Bernalillo, New MexicoEddie D. Gutierrez, dancer, Bernalillo, New MexicoLeroy J. Lovato, 1955-, dancer, Bernalillo, New MexicoLaurence Lucero, 1966-, dancer, Bernalillo, New MexicoPhillip Montano, 1961-, dancer, Albuquerque, New MexicoLeonard Prairie, dancer, Bernalillo, New MexicoMelanie Wiggins, dancer, Bernalillo, New Mexico

Los Comanches de la Serna -- Los Comanches de la SernaDavid Antonio Gonzales, 1965-, dancer, Ranchos de Taos, New MexicoFrancisco Gonzales, 1941-, singer, dancer, Ranchos de Taos, New MexicoMoises Romero, dancer, Ranchos de Taos, New MexicoJulian Struck, dancer, Ranchos de Taos, New Mexico

Concha Dancers -- Concha DancersAdeline Concha, 1973-, dancer, bead worker, Taos Pueblo, New MexicoBenito Concha, 1965-, drummer, flautist, dancer, Taos Pueblo, New MexicoCelestina Concha, 1937-, dancer, bead worker, Taos Pueblo, New MexicoJodie Concha, dancer, bead worker, Taos Pueblo, New MexicoMichelle Concha, dancer, bead worker, Taos Pueblo, New MexicoMike Concha, 1932-, vocals, drummer, dancer, Taos Pueblo, New MexicoNicolas Concha, dancer, Taos Pueblo, New MexicoDonna Sandoval, 1964-, dancer, bead worker, Taos Pueblo, New MexicoSonny Spruce, dancer, Taos Pueblo, New MexicoBransen Velarde, dancer, Taos Pueblo, New Mexico
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Series 4
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ae5a762a-85e4-4dcf-bfd0-a37ac001006a
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref34

Festival Recordings: Learning Center/Camp Fire: Coloring Tradition; Santeros, Potters, Muralists & Weavers

Creator:
Smithsonian Institution. Festival of American Folklife. New Mexico Program 1992 Washington, D.C.  Search this
Walker, Tracy (recorder)  Search this
Fortescue, Susan (recorder)  Search this
Performer:
Ortega, Felipe V.  Search this
Henio, Samuel, 1952-  Search this
Leyba, Samuel, 1950-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New Mexico
Date:
1992 June 29
Local Numbers:
FP-1992-CT-0147
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Weaving  Search this
Santeros  Search this
Colcha embroidery  Search this
Mural painting and decoration  Search this
Pottery  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0147
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 4: New Mexico / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58d2b62d1-53bb-456b-be4f-fd2ea2a2e4eb
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref695

Festival Recordings: Learning Center/Camp Fire: Preserving Traditions; Economic Strategies: Santeros; Carving for Faith

Creator:
Smithsonian Institution. Festival of American Folklife. New Mexico Program 1992 Washington, D.C.  Search this
Sanders, Sallie (recorder)  Search this
Performer:
Ortega, Felipe V.  Search this
Lewis, Pete, 1938  Search this
Henio, Samuel, 1952-  Search this
Carillo, Charles  Search this
Lopez, Felix, 1942-  Search this
Lopez, José, 1959-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Apache Indians  Search this
Navajo Indians  Search this
Hispanic Americans  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New Mexico
Pine Hill (N.M.)
Dell City (N.M.)
La Madera (N.M.)
Santa Fe (N.M.)
Espanola (N.M.)
Date:
1992 July 2
Track Information:
101 Preserving Traditions: Economic Strategies / Felipe V. Ortega, Pete Lewis, Samuel Henio.

102 Santeros: Carving for Faith / Charles Carillo, Felix Lopez, José Lopez.
Local Numbers:
FP-1992-CT-0148
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
American Indian  Search this
Oral history  Search this
Agriculture  Search this
Folklore  Search this
Ranch life  Search this
Santeros  Search this
Wood-carving  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0148
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 4: New Mexico / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a3f5d9c3-87cd-4aa7-873f-a1b9b2711436
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref696

Festival Recordings: Learning Center/Camp Fire: Images of New Mexico; Art: Taos Pueblo Traditions

Creator:
Smithsonian Institution. Festival of American Folklife. New Mexico Program 1992 Washington, D.C.  Search this
Mitchell, John N. (recorder)  Search this
Performer:
Carrillo, Charles M.  Search this
Mora, Patricio, 1937-  Search this
Leyba, Samuel, 1950-  Search this
Concha, Benito, 1965-  Search this
Concha, Mike, 1932-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Indians of North America  Search this
Hispanic Americans  Search this
Taos Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New Mexico
Albuquerque (N.M.)
Santa Fe (N.M.)
Taos (N.M.)
Date:
1992 July 4
Track Information:
101 Images of New Mexico / Charles M. Carrillo, Patricio Mora, Samuel Leyba.

102 Taos Pueblo Traditions / Benito Concha, Mike Concha.
Local Numbers:
FP-1992-CT-0160
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
American Indian  Search this
Mural painting and decoration  Search this
Wood-carving  Search this
Santeros  Search this
Pano weaving  Search this
Dwellings  Search this
Religion  Search this
Weaving  Search this
language  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0160
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 4: New Mexico / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5608a31a2-80e6-497a-b3ea-0b359cccf2cd
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref708

Caribbean Americans

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
Three programs at the 1980 Festival focused attention on immigrant communities, two of which involved what was called the "New Immigration", subsequent to passage of the 1965 Immigration and Naturalization Act. The 1965 Act represented an effort to equalize opportunity for immigrants to the United States without favoring the traditional Western-Northern European or Western Hemispheric source countries. The new immigrants tended to be largely urban located and oriented. Because of their visibility and the discrimination against visible minorities, they often suffered multiple levels of disregard by the larger population. The life styles, cultures, and languages of the new immigrants were perceived to be little known, appreciated, or regarded by the general American public as the decade began.

American cities were seen as the frontiers of the new immigrants; the arenas where the wills, interests, and cultures of each group came into contest with those of other ethnic groups; and the settings where competition or coalescence took place among them. It was cities that saw scenes of confrontation between traditions and of adjustments from both sides - natives and immigrants. The cities were also the sites of the celebrations and the contributions of most new immigrants. This was true both for the Southeast Asian Americans program and for the Caribbean Americans program.

Many factors, including the growing acceptance of "cultural pluralism" rather than "Anglo-conformity" as a model for the United States, imbued the contemporary Caribbean immigrant community with the confidence to proclaim and practice openly their Caribbean heritage. An obvious example was the proliferation in many North American cities of the Caribbean festival of Carnival that had been featured in the 1979 Festival. In Boston, Hartford, New York, Montreal, Toronto, and Los Angeles, this festival has emerged as a full-scale annual community celebration, while in Philadelphia, Washington, D.C., Miami, and other cities, some aspects of Carnival can be seen on a smaller scale. One function of these carnivals was the impetus they give to the internal unification of the Caribbean communities themselves. Considerations of class and island origin have tended to divide members of the American Caribbean community from each other, but the carnivals have emerged as Caribbean, and their acceptance by the community as such held the potential for even greater unification in the future.

In addition to Carnival, the Caribbean immigrant community contributed to the American scene in sports, religion, music, dance, literature, and the arts. Cricket, once considered an elite British game, is the sport that every child is introduced to in the Caribbean. West Indians have been credited with bringing to a game that was once considered stylish but stuffy a spirit of fun and fete that can now be enjoyed any Saturday or Sunday afternoon in West Indian communities in such cities as Hartford, Boston, and New York.

In Miami, New York, and Washington, the distindly Caribbean religions of Santeria, the worship of Vodun (Voodoo), and Rastafarianism can be found. Santeria, practiced by many Cubans, is a synthesis of Catholicism with the Yoruba religion of West Africa. Vodun, a Haitian religion, is a similar blend of Christianity and the religious worship of ancient Dahomey. Rastafarianism, however, is a modern religion that originated in Jamaica in the 1930s based on belief in the divinity of the former Emperor of Ethiopia, Haile Selassie, and the perception of Ethiopia as the original homeland to which blacks in the Western Hemisphere should repatriate. Caribbean music was part of the sound of many an American city - whether the Yoruba drumming of Santeria, the reggae rhythms that originated with the Rastafarians, or the rumba, the samba, and the calypso - and likewise part of the 1980 Festival. Syncretism between these Caribbean rhythms and the rhythm-and-blues beat of the United States was demonstrated in such new dance beats as the "salsa" and "soca" (soul-calypso).

Caribbean contributions to American community life featured at the 1980 Festival thus included an impressive record of achievement and an infusion of cultural forms adding to the vitality and diversity of American life through the contributions of immigrant communities.

Katherine Williams was Caribbean Americans Program Coordinator, and Roy Bryce-LaPorte was Special Consultant
Participants:
Miguel Alpizar, Santero, Silver Spring, Maryland

George Andre, 1946-, Brazilian music discussant, Washington, D.C.

Ruthven John Blake, 1947-, publicist & M.C., Silver Hill, Maryland

Elliott P. Boisdore, Mardi Gras discussant, New Orleans, Louisiana

Brightwood Elementary School, Hispanic American games, Washington, D.C.

Marie Brooks & Claude Brooks, dancer and drummer, New York, New York

William Brown, Umbanda discussant leader, Brazilian costumed band, Washington, D.C.

Selwyn Callendar, stick fighter, Washington, D.C.

Isolina Campbell, Botanica, Washington, D.C.

Caribbean American Carnival Day Association (Edward Harry, leader), costume band, Boston, Massachusetts

Carifolk Singers (Augustus Howell, 1944-, leader), Caribbean folk singers, Washington, D.C.

Lucy Carvajal, 1923-2002, craftsperson, Washington, D.C.

Mildred Catuy, Cornelia Cotillion Square Dance Club, New York, New York

Byron Chambers, Cricket discussant, Teaneck, New Jersey

Hector Corporan, 1945-, presenter, Washington, D.C.

Ruben O. Davis, Cornelia Cotillion Square Dance Club, New York, New York

Joan Dupigny, 1941-, Ole Mas & Kiddies costume band, Washington, D.C.

Camboy Estevez, Dominican costume band, Washington, D.C.

Sylvia Fisher, Cornelia Cotillion Square Dance Club, New York, New York

Winston T. Fleary, 1943-, leader, Afro-Caribbean Dancers, Big Drum Nation, Brooklyn, New York

Iona Forbes, Cornelia Cotillion Square Dance Club, New York, New York

Randolph Forbes, Cornelia Cotillion Square Dance Club, New York, New York

Henry Frank, Vodun discussant, New York, New York

Paul Greenhall, kite flyer, Washington, D.C.

Marjorie Hall, 1955-, Rastafari discussant, Washington, D.C.

Errol Hosein, 1936-, Cricket discussant, Bloomfield, Connecticut

Oscar Anstey Hunte, 1942-, fire, eater, Montreal, Quebec

Image (John Roseman, leader), Calypso Band, Rockville, Maryland

Lucille Jacob, costume band, Hartford, Connecticut

Edgar King, 1909-1993, Cornelia Cotillion Square Dance Club, New York, New York

Allen Labertis, costumed individual (Moko Jumbie), Baltimore, Maryland

Urban Lane, costume band, Washington, D.C.

Steve LaRoche, costumed individual (bat), Washington, D.C.

Hollis Lashley, Master of Ceremonies, Washington, D.C.

Sylvie S. Lee Kin, 1945-1995, kite flyer, Silver Spring, Maryland

Vernon Lee Kin, kite flyer, Silver Spring, Maryland

Elliott Mannette, 1929-, steelpan tuner, Long Island, New York

Godfrey Marchand, 1940-, costume designer, Miami, Florida

Dianne Marshall, dancer, Washington, D.C.

Von Martin, publicist & M.C., Seabrook, Maryland

Maryland Pacesetters (Pasley Graham, 1937-, agent), steelband, Baltimore, Maryland

Sandra Mendoza, Cuban costume band dancer, Washington, D.C.

Stephenson Michael, 1952-, leader, Duro Ladipo Theatre Ensemble, costume band, Silver Spring, Maryland

Will Morris, 1948-, stick fighter, Washington, D.C.

Loline F. Payne, 1918-1990, Cornelia Cotillion Square Dance Club, New York, New York

Winston Peters ("Gypsy"), 1952-, extemporaneous calypsonian, Brooklyn, New York

James Porter, Cornelia Cotillion Square Dance Club, New York, New York

Premier International (Nadine Howell, leader), Reggae band, Silver Spring, Maryland

Rosalie Roman, Puerto Rican costume band, Washington, D.C.

Ralph Roper, Cornelia Cotillion Square Dance Club, New York, New York

Samba Batucada Group (William Brown, leader), Samba workshop, Washington, D.C.

Silver Stars Steel Orchestra (Kelvin Griffith, captain), steel band, Boston, Massachusetts

Sons of His Majesty (Satta Blue, 1954-, leader), Nyabingi drummers, Rastafari discussants, Washington, D.C.

Triangle Systems (Linda Phifer, leader), kiddies and costume band, Washington, D.C.

The Trinidad and Tobago Baltimore Steel Orchestra (Paul Gervais, 1941-, leader), steelband, Baltimore, Maryland

The Trinidad and Tobago Steelband of Washington, D.C. (Franklin Harding, 1941-, leader), steelband, Washington, D.C.

Brian Walker, 1957-, dancer, costume band, Washington, D.C.

Levi Warren, Cornelia Cotillion Square Dance Club, New York, New York

Reginald Warren, Cornelia Cotillion Square Dance Club, New York, New York

The West Indian American Labor Day Association (Carlos Lezama, 1923-, leader), carnival organizer, New York, New York

Peter Whiteman, 1944-, costume designer, costume band leader, Washington, D.C.

The Wild Tchoupitoulas (Jason Berry, agent), Mardi Gras krewe, New Orleans, Louisiana

Connie Williams, cook, Brooklyn, New York
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1980, Series 3
See more items in:
Smithsonian Folklife Festival records: 1980 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51e991f8c-e944-4f8c-b8ab-4399b82cc006
EDAN-URL:
ead_component:sova-cfch-sff-1980-ref25

Retablo del Santo Niño de Atoche

Title:
Retablo of El Santo Niño de Atoche
Artist:
Aragon, Rafael  Search this
Physical Description:
wood (overall material)
paint (overall material)
gesso (overall material)
Measurements:
overall: 25.1 cm x 16 cm x 1.4 cm; 9 7/8 in x 6 5/16 in x 9/16 in
Object Name:
retablo
Place Made:
United States: New Mexico
Date made:
1840 - 1850
Subject:
Jesus Christ  Search this
West  Search this
Santo Nino de Atocha  Search this
Credit Line:
Mrs. William C. F. Robards
ID Number:
CL.67.806
Accession number:
269937
Catalog number:
67.806
See more items in:
Home and Community Life: Religion
Mexican America
Religion
Art
Exhibition:
¡Presente!
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-f298-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1058854
Online Media:

Chuck and Jan Rosenak research material

Creator:
Rosenak, Chuck  Search this
Names:
Rosenak, Jan  Search this
Extent:
17.6 Linear feet
Type:
Collection descriptions
Archival materials
Audiotapes
Photographs
Interviews
Slides (photographs)
Date:
circa 1938-2008
Summary:
The Chuck and Jan Rosenak research material dates from circa 1938-2008 and measures 17.6 linear feet. The collection contains research files for four books by the Rosenaks and includes letters, writings, notes, printed matter, tape-recorded interviews with artists, and photographic material.
Scope and Content Note:
The Chuck and Jan Rosenak research material dates from circa 1938-2008 and measures 17.6 linear feet. The collection contains correspondence, writings, notes, printed matter, tape-recorded interviews of artists, and photographs and slides of artists and artwork. The records document the Rosenak's research and collecting trips in the United States, often to isolated locales, in pursuit of new art and insights for their writing projects. The collection relates primarily to their research for Museum of American Folk Art Encyclopedia of Twentieth-Century American Folk Art and Artists, The People Speak: Navajo Folk Art, Contemporary American Folk Art: A Collector's Guide, The Saint Makers: Contemporary Santeras y Santeros, and are an important source of information on twentieth-century folk art.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Research Files, circa 1938-1999 (Boxes 1-9, 19; 9.2 linear ft.)

Series 2: Loans to Exhibitions, circa 1991-1997, undated (Box 10; 0.4 linear ft.)

Series 3: Miscellaneous Files, circa 1969-2003 (Boxes 10-12; 2.0 linear ft.)

Series 4: Interviews of Artists, circa 1990s (Box 12-13; 1.5 linear ft.)

Series 5: Photographs and Slides, circa 1990s (Boxes 13-18; 4.5 linear ft.)
Biographical Note:
Chuck and Jan Rosenak are widely regarded as authorities in the field of American folk art. They amassed one of the finest collections of contemporary folk art in the United States and authored four books: Museum of American Folk Art Encyclopedia of Twentieth-Century American Folk Art and Artists (New York: Abbeville, 1990), The People Speak: Navajo Folk Art (Flagstaff, Arizona: Northland Publishing, 1994), Contemporary American Folk Art: A Collector's Guide (New York: Abbeville, 1996), and The Saint Makers: Contemporary Santeras y Santeros (Flagstaff, Arizona: Northland Publishing, 1998).
Provenance:
The collection was donated by Chuck and Jan Rosenak, 1998-1999.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Folk artists -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Navajo Indians -- Art  Search this
Folk art  Search this
Navajo Indians -- Social life and customs  Search this
Artists -- New Mexico -- Interviews  Search this
Santeros  Search this
Genre/Form:
Audiotapes
Photographs
Interviews
Slides (photographs)
Citation:
Chuck and Jan Rosenak research material, circa 1938-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosechuc
See more items in:
Chuck and Jan Rosenak research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eebe4f0f-a4bf-441f-91a1-f8182d84d06e
EDAN-URL:
ead_collection:sova-aaa-rosechuc
Online Media:

Los Todos Santeros a family album of Mam Indians in the village of Todos Santos Cuchumatán, Guatemala, C.A. 1947-1987 Hans Namuth

Author:
Namuth, Hans  Search this
Physical description:
127 pages illustrations, portraits 29 cm
Type:
Books
Illustrated books
Illustrated works
Ouvrages illustrés
Place:
Guatemala
Date:
1989
Topic:
Mayas--Social life and customs  Search this
Social life and customs  Search this
Indians of Central America--Social life and customs  Search this
Mayas--Mœurs et coutumes  Search this
Indiens d'Amérique--Mœurs et coutumes  Search this
Guatemala--Maya--Social life  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155226

Oral history interview with Chuck and Jan Rosenak, 1998 December 10

Interviewee:
Rosenak, Chuck, 1927-  Search this
Interviewer:
Kirwin, Liza, 1957-  Search this
Subject:
Rosenak, Jan  Search this
Museum of American Folk Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Chuck and Jan Rosenak, 1998 December 10. Archives of American Art, Smithsonian Institution.
Topic:
Folk art -- Collectors and collecting -- Interviews  Search this
Art -- Collectors and collecting -- Interviews  Search this
Navajo Indians -- Art  Search this
Folk art  Search this
Navajo Indians -- Social life and customs  Search this
Santeros  Search this
Record number:
(DSI-AAA_CollID)12137
(DSI-AAA_SIRISBib)216567
AAA_collcode_rosena98
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216567
Online Media:

The artist as collector : selections from four California collections of the arts of Africa, Oceania, the Amerindians and the Santeros of New Mexico : catalogue and exhibition / prepared by James B. Byrnes

Author:
Byrnes, James B  Search this
Newport Harbor Art Museum  Search this
Physical description:
96 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
California
Date:
1975
Topic:
Indigenous art  Search this
Art--Private collections  Search this
Call number:
N5215 .B99
N5215.B99
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_82786

Oral history interview with Chuck and Jan Rosenak

Interviewee:
Rosenak, Chuck  Search this
Rosenak, Jan  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Museum of American Folk Art  Search this
Extent:
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 December 10
Scope and Contents:
Oral history interview of Chuck and Jan Rosenak conducted 1998 December 10, by Liza Kirwin, for the Archives of American Art.
Kirwin conducted the interview in preparation for an exhibit in AAA's New York Regional Center, "In Sight: Portraits of Folk Artists," by Chuck Rosenak, January 22- April 30, 1999. The interview was conducted in Tesuque, N.M. The Rosenaks speak about their involvement with the American folk art world; their collecting interests; their relationship with Robert Bishop, Herbert Waide Hemphill, Jr., Michael Hall, Jeffrey Camp, Lee Kogan, and others; and their books, including the Museum of American Folk Art Encyclopedia of American Folk Art and Artists (1990), Contemporary American Folk Art: A Collector's Guide (1996), The People Speak: Navajo Folk Art (1994), and The Saint Makers: Contemporary Santeras Y Santeros (1998).
Chuck Rosenak also discusses his photographs of folk artists with emphasis on his images of Leroy Archuleta, Loy A. Boslin (The Rhinestone Cowboy), Raymond Coins, Rowell Darmafall ("Glassman"), Gerald "Creative") DePrie, Mamie Deschillie, Bertha Halozon, Bessie Harvey, Bruce Hathale, Nicholas Herrera, Rev. John "J.L." Hunter, Elizabeth Willeto Ignacio, Clyde Jones, Mark Casey Milestone, Louise Nez, Florence Riggs, Rodney Rosebrrok, Herbert Singleton, Q.J. Stevenson, David Strickland, Jimmy Lee Sudduth, Horacio Valdez, and Rose Williams.
Biographical / Historical:
Chuck Rosenak (1927- ) is a collector and author from Tesuque, N.M.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 51 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Folk artists -- United States  Search this
Topic:
Folk art -- Collectors and collecting -- Interviews  Search this
Art -- Collectors and collecting -- Interviews  Search this
Navajo Indians -- Art  Search this
Folk art  Search this
Navajo Indians -- Social life and customs  Search this
Santeros  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rosena98
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e85e5b3b-d215-469d-90a7-8e89c5d520c9
EDAN-URL:
ead_collection:sova-aaa-rosena98
Online Media:

Senora de San Juan de los Lagos

Artist:
Calligraphic Santero  Search this
Sitter:
Sra. de San Juan de los Lagos  Search this
Medium:
Tempera on wood
Dimensions:
14cm x 10.8cm (5 1/2" x 4 1/4"), Estimate
Type:
Painting
Date:
early 19th century
Topic:
Sra. de San Juan de los Lagos: Female  Search this
Portrait  Search this
Credit Line:
Owner: American Museum in Britain, Claverton Manor
Object number:
UK010012
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4b94d79ee-0f20-4a09-a821-69bcf1320602
EDAN-URL:
edanmdm:npg_UK010012

The Santero

Artist:
Bert Greer Phillips, 1868 - 1956  Search this
Sitter:
Unidentified Man  Search this
Medium:
Oil on canvas
Dimensions:
76.8 x 63.5cm (30 1/4 x 25")
Type:
Painting
Place:
United States\New Mexico\Taos\Taos
Date:
1918
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Artwork\Painting  Search this
Container\Vase  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Interior\Domestic  Search this
Personal Attribute\Facial Hair\Beard  Search this
Home Furnishings\Furniture\Cabinets  Search this
Container  Search this
Unidentified Man: Male  Search this
Portrait  Search this
Credit Line:
Owner: Anschutz Collection
Object number:
CO090049
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm48630033c-e103-43fd-8fd8-7d13f4d61cec
EDAN-URL:
edanmdm:npg_CO090049

Fish

Artist:
Felipe Archuleta, born Santa Cruz, NM 1910-died Tesuque, NM 1991  Search this
Medium:
carved and painted tree limb and plywood, wood pulp, and adhesive
Dimensions:
7 1/2 x 26 1/8 x 8 1/4 in. (18.9 x 66.5 x 21.1 cm.)
Type:
Sculpture
Folk Art
Date:
1974
Topic:
Animal\fish  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson
Object number:
1986.65.230
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 27B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7fb868715-e566-4e34-aaf0-eeac5b141f31
EDAN-URL:
edanmdm:saam_1986.65.230

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