Search Results

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2019-12-19T16:10:39.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_1hN3YbQMBao

Creator:

National Museum of the American Indian  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-10-25T16:17:42.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_pb-52zLV1aM

Creator:

Parrott, Alice Kagawa, 1929-2009  Search this

Citation:

Alice Kagawa Parrott papers, circa 1950-2010. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Asian American artists  Search this

Asian American art  Search this

Japanese American art  Search this

Asian American fiber artists  Search this

Asian American ceramicists  Search this

Theme:

Asian American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)21722

(DSI-AAA_SIRISBib)398595

AAA_collcode_parralic

Theme:

Asian American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_398595

Creator:

Parrott, Alice Kagawa, 1929-2009  Search this

Extent:

7.1 Linear feet

Type:

Collection descriptions

Archival materials

Date:

circa 1950-2010

Summary:

The papers of Japanese American fiber artist and ceramicist Alice Kagawa Parrott measure 7.1 linear feet and date from circa 1950 to 2010. The papers document Parrott's career as a textile artist and weaver based in Santa Fe, New Mexico. There is a small amount of biographical material; correspondence with family, friends, and art institutions; personal business records mostly of financial records related to Parrott's business The Market later known as Parrott Fabrics Inc.; studio practice files related to equiment, materials, and designs for wall hangings, clothes, and tapestries; printed material such as exhibition catalogs and clippings mostly on Parrott and her arwork but also on other artists; and photographs and slides of Parrott, her weavings, family and friends, and her studio and home.

Scope and Contents:

The papers of Japanese American fiber artist and ceramicist, Alice Kagawa Parrott, measure 7.1 linear feet and date from circa 1950 to 2010. The collection mainly documents Parrott's work as a fiber artist based in Santa Fe, New Mexico. There is a small amount of biographical material; correspondence with family, friends, and colleagues; personal business records mostly of financial records related to Parrott's business The Market later known as Parrott Fabrics Inc.; studio practice files related to equiment, materials, and designs for wall hangings, clothes, and tapestries; printed material such as exhibition catalogs and clippings mostly on Parrott and her arwork but also on other artists; and photographs and slides of Parrott, her weavings, family and friends, her studio and home, and dyeing process.

Arrangement:

The collection is arranged as 6 series.

Series 1: Biographical Material, circa 1957-2009 (0.3 linear feet; Box 1)

Series 2: Correspondence, 1953-2009 (1.2 linear feet; Boxes 1-2)

Series 3: Personal Business Records, circa 1957-2009 (1.9 linear feet; Boxes 2-4, 9)

Series 4: Studio Practice Files, 1951-2005 (2.2 linear feet; Boxes 4-6, 9)

Series 5: Printed Material, 1954-2008 (0.8 linear feet; Boxes 6-7, 9)

Series 6: Photographic Material, circa 1950-2010 (0.7 linear feet; Boxes 7-9)

Biographical / Historical:

Alice Kagawa Parrott (1929-2009) was a Japanese American fiber artist and ceramicist based in Santa Fe, New Mexico.

Parrott was born in Honolulu, Hawaii, in 1929 to Takato and Isono Kagawa who were Japanese immigrants. She graduated from the University of Hawaii at Manoa in 1952, then studied weaving at Cranbrook Academy of Art, where she met ceramicist Toshiko Takaezu, who became a lifelong friend. After graduating from Cranbrook in 1954, she taught weaving and ceramics at the University of New Mexico in Albuquerque, New Mexico.

In 1956, she married Allen Morgan Parrott and they moved to Santa Fe, New Mexico, where they bought a home and adopted their sons Ben and Tim. Also that year, she opened a weaving and craft shop called The Market, which later became Parrott Fabrics Inc. Parrott had many commissions and customers, such as the woodworker Sam Maloof. A notable early commission was from the Santa Fe Opera. From 1971-1972, Parrott was an artist-in-residence in Maui, where she taught workshops and created tapestries for several public commissions. In 1977, she became an American Craft Council Fellow. Parrott participated in numerous exhibitions over the course of her career. Parrott passed away in 2009 in Santa Fe.

Provenance:

The Alice Kagawa Parrott papers were donated in 2019 by Paul Kagawa and Diane Leavitt, trustees of the Alice Kagawa Parrott Family Trust.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Artists -- New Mexico -- Santa Fe  Search this

Ceramicists -- New Mexico  Search this

Topic:

Women artists  Search this

Asian American artists  Search this

Asian American art  Search this

Japanese American art  Search this

Asian American fiber artists  Search this

Asian American ceramicists  Search this

Citation:

Alice Kagawa Parrott papers, circa 1950-2010. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.parralic

See more items in:

Alice Kagawa Parrott papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9288e78de-5af2-41d7-a866-c6c2f8e67ec0

EDAN-URL:

ead_collection:sova-aaa-parralic

Editor:

Mithlo, Nancy Marie  Search this

Writer of foreword:

Martin, Robert  Search this

Subject:

Museum of Contemporary Native Arts  Search this

Institute of American Indian Arts  Search this

Physical description:

xvii, 196 pages, 76 unnumbered pages of plates illustrations (chiefly color), portraits 26 cm

Type:

Books

Place:

United States

États-Unis

Date:

2020

Topic:

Indian art--Study and teaching  Search this

Art criticism--Study and teaching  Search this

Critique d'art--Étude et enseignement  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1159621

Artist:

CYJO (Cindy Hwang), born 13 Jun 1974  Search this

Sitter:

Dana Tai Soon Burgess, born 26 Feb 1968  Search this

Medium:

Inkjet print

Dimensions:

Image: 41.9 × 27.9 cm (16 1/2 × 11")

Sheet: 48.3 × 32.9 cm (19 × 12 15/16")

Mat: 71.1 × 55.9 cm (28 × 22")

Type:

Photograph

Date:

December 16, 2007 (printed April 1, 2014)

Topic:

Interior  Search this

Costume\Jewelry\Watch  Search this

Costume\Dress Accessory\Belt  Search this

Dana Tai Soon Burgess: Male  Search this

Dana Tai Soon Burgess: Performing Arts\Performer\Dancer  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery; Smithsonian Institution; acquired through the generosity of Ms. Gie Kim and Mr. Rich Chang

Object number:

C/NPG.2015.30

Restrictions & Rights:

Usage conditions apply

Copyright:

© 2007 CYJO

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm43f60afdf-5387-4584-a036-5bd3df18254c

EDAN-URL:

edanmdm:npg_C_NPG.2015.30

Creator:

Sauer, Jane, 1937-  Search this

Subject:

Larsen, Jack Lenor  Search this

Jane Sauer Gallery  Search this

American Craft Council  Search this

Type:

Drawings

Sketchbooks

Citation:

Jane Sauer Papers and Gallery records, 1898-2013. Archives of American Art, Smithsonian Institution.

Topic:

Women art dealers  Search this

Theme:

Art Market  Search this

Record number:

(DSI-AAA_CollID)16327

(DSI-AAA_SIRISBib)379672

AAA_collcode_janesaug

Theme:

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_379672

Creator:

Sauer, Jane, 1937-  Search this

Names:

American Craft Council  Search this

Jane Sauer Gallery  Search this

Larsen, Jack Lenor  Search this

Extent:

16.1 Linear feet

2.08 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Sketchbooks

Date:

1898-2013

Summary:

The papers and gallery records of fiber artist Jane Sauer measure 16.1 linear feet and date from 1898 to 2013. The papers document her career as a fiber artist through awards, family histories, and other biographical material; correspondences with family, friends, and art colleagues; journals, notebooks, and other writings; workshops, committee work, exhibitions, consignments, and other professional activity; artist files; sketchbooks and other artwork; personal photographs and slides, photographs of artwork, and photographs of exhibitions; and administrative files, artist files, and exhibition materials of the Jane Sauer Gallery.

Scope and Contents:

The papers and gallery records of fiber artist Jane Sauer measure 16.1 linear feet and date from 1898 to 2013. The papers document her career as a fiber artist through awards, family histories, and other biographical material; correspondences with family, friends, and art colleagues; journals, notebooks, and other writings; workshops, committee work, exhibitions, consignments, and other professional activity; artist files; sketchbooks and other artwork; personal photographs and slides, photographs of artwork, and photographs of exhibitions; and administrative files, artist files, and exhibition materials of the Jane Sauer Gallery.

Biographical material includes a family tree and history of Sauer's family. awards, legal documents concerning divorce, and documents and correspondence related to her children and grandchildren.

Correspondence is mainly between Sauer and either family or colleagues. Among some of the material is a file of correspondence with Jack Larsen.

Writings consist of a journal, notecards, notebooks, and some speeches by Sauer and other artists.

Professional material consists of event files related to knotting workshops Sauer held and basketry trips that she organized. There are also files related to work Sauer did while serving on committees for organizations such as the American Craft Council. Also included are files for exhibitions that Sauer either participated in or curated from the 1980s through the early 2000s; these files consist of correspondence, loan forms, photographs, and some printed material. Finally, there are other business related materials such as tax documents, consignments, and grant applications.

Artist files consist of material on artists that Sauer gathered while researching artists for the various exhibitions she curated between 1980 and 2003. These files consist of resumes, photographs of artist works, and some printed material such as exhibition announcments.

Printed material consists of clippings, articles and reviews, andd exhibition announcements and catalogs for exhibitions that Sauer either participated in or curated between 1979 and 2003.

Artwork consists of one file of sketches and a number of sketchbooks.

Photographic material consists of photographs, slides, negatives, and transparencies of personal material, artwork, and exhbitions. Included among the personal photographs are those of family members from the 1890s through 1920s, some of which are in fragile condition.

Gallery records consists of material related to the Jane Sauer Gallery which was in operation between 2005 and 2013. Materials include some administration files such as leases and budget material, artist files on artists represented by the gallery, exhibitions held at the gallery, and articles and catalogs related to gallery exhibitions. Also included among the exhibition files are unbound binders for Sculpture Objects and Functional Art (SOFA) fairs held annually in Chicago, New York, and on the West Coast.

Arrangement:

The collection is arranged into nine series.

Series 1: Biographical Material, 1942-2003 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1970-2003 (0.4 linear feet; Box 1)

Series 3: Writings, 1976-2001 (0.6 linear feet; Boxes 1-2)

Series 4: Professional Activity, 1967-2006 (5.5 linear feet; Boxes 2-7)

Series 5: Artist Files, 1981-2004 (0.2 linear feet; Box 8)

Series 6: Printed Material, 1979-2003 (0.8 linear feet; Box 8)

Series 7: Artwork, circa 1987-2000 (0.9 linear feet; Box 9)

Series 8: Photographic Material, 1898-2002 (2.2 linear feet; Boxes 9-11, OV 17)

Series 9: Jane Sauer Gallery Records, 1991-2013 (5.0 linear feet; Boxes 12-16)

Biographical / Historical:

Jane Sauer (1937-) is a fiber artist based in New Mexico. Sauer was born in St. Louis, Missouri in 1937, and she earned a BFA from Washington University in St. Louis in 1959. Sauer initially focused on painting, but shifted to fiber art. She is known for her basket forms, made with knotted waxed-linen. Sauer moved to New Mexico in the 1990s and founded the Textile Art Alliance. She also served as artistic director of Thirteen Moons Gallery until 2005 when she took over management and renamed it the Jane Sauer Gallery. In addition to her gallery work, Sauer has served on committees for organizations such as the American Craft Council. The Jane Sauer Gallery (established 2005; closed 2013) was a gallery owned and operated by artist Jane Sauer in Santa Fe, New Mexico and specialized in fine arts and crafts. The gallery was purchased by Mike and Jennifer Tansey in 2013 and is now called the Tansey Contemporary.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Jane Sauer conducted by Paul J. Smith, July 11, 2005.

Provenance:

Donated 2016 by Jane Sauer.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Fiber artists  Search this

Topic:

Women art dealers  Search this

Function:

Art galleries, Commercial -- New Mexico

Genre/Form:

Drawings

Sketchbooks

Citation:

Jane Sauer papers and gallery records, 1898-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.janesaug

See more items in:

Jane Sauer Papers and Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ae868fa-6695-45b2-8d5e-fe259f4d142c

EDAN-URL:

ead_collection:sova-aaa-janesaug

Creator:

Inverarity, Robert Bruce, 1909-1999  Search this

Names:

Federal Art Project (Calif.)  Search this

Federal Art Project (Ill.)  Search this

Federal Art Project (Iowa)  Search this

Federal Art Project (N.Y.)  Search this

Federal Art Project (Or.)  Search this

Federal Art Project (Utah)  Search this

Federal Art Project (Wash.)  Search this

Museum of International Folk Art (N.M.)  Search this

Deutsch, Hilda, 1911-  Search this

Duchamp, Marcel, 1887-1968 -- Photographs  Search this

Graves, Morris, 1910- -- Photographs  Search this

Morris, Carl, 1911-1993  Search this

Ray, Man, 1890-1976 -- Photographs  Search this

Tobey, Mark  Search this

Extent:

13.8 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Sound recordings

Sketchbooks

Interviews

Photographs

Drawings

Place:

United States -- Economic conditions, 1918-1945 -- Washington (State)

Date:

circa 1840s-1997

Summary:

The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.

Scope and Content Note:

The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 13.8 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.

Among the biographical information are awards and certificates, biographical and genealogical notes, and educational records. Correspondence concerns Inverarity's activities as Director of the WPA Federal Arts Project in Washington State, 1936-1941. Additional personal and professional correspondence, 1929-1993, documents his activities as a museum director, consultant, collector, and writer. Among the friends and colleagues with whom he corresponded are: Max Ernst and Dorothea Tanning, Rockwell and Sally Kent, Stanton MacDonald-Wright, Wolfgang Palen, Juliet and Man Ray, Mark Tobey, Edward Weston, and various individuals associated with the WPA.

Manuscripts of a few of Inverarity's many articles on topics such as anthropology, museology, and information storage and retrieval are among his writings and notes. Also included are the manuscript of an unpublished book, Tobey Remembered, along with drafts, notes, correspondence, research materials, and photocopies of Tobey's letters to him and others. Other writings consist of book reviews, children's books, a catalog of the Inverarity Collection, and a copy of his 1946 master's thesis, "The Social-Economic Position of the American Artist." Several journals, 1928-1966, survive, including one that records his 1932 trip to study the Haida Indians of the Queen Charlotte Islands.

Subject files include general subjects such as "Folk Art" and "Preservation." Files on the museums where Inverarity was the director contain some official records as well as general information. Art work by Inverarity includes eight volumes of sketch books, 1928-1942, commercial work for Boeing, notes and drawings for book designs. Among the work by other artists are drawings, paintings and prints by friends. Of particular interest are display panels for a small exhibit on airbrush stencil prints produced by the Washington State WPA Federal Art Project. Other noteworthy items are pencil sketches and a watercolor by Mark Tobey, and prints by Hiroshige and Jan Matulka.

Five scrapbooks, 1928-1979, contain newspaper clippings, miscellaneous printed items, and a small number of photographs and letters. Three volumes document his career as an artist and museum director. One consists of biographical information and items designed by Inverarity, and another concerns publication and marketing of his monograph Art of the Northwest Coast Indians.

Sound recordings consist of interviews and conversations. An extensive interview with Inverarity about his life and career was conducted by Craig Gilborn in 1990. Bruce and Jane Inverarity in conversation with former colleague Ernie Johnson and his wife Helen about his departure from the Museum of International Folk Art were recorded in 1980. Also included is a 1981 conversation with Grace T. Stevenson containing references to Mark Tobey and Morris Graves.

Printed material includes many items about or produced by the WPA Federal Art Project. Among the items written by Inverarity are many articles on a wide variety of topics, his book Art of the Northwest Coast Indians, and two published portfolios. Printed material by other authors includes articles, books and reports about or mentioning Inverarity, and books designed or illustrated by him. Among the miscellaneous printed items are catalogs and brochures of the schools where Inverarity taught and studied, and a few ephemeral items designed by him.

Photographs are of art work, people, places, the Washington State WPA Federal Art Project, and miscellaneous subjects. All photographs known to be by Inverarity are clearly marked. Art work includes views of Inverarity's collection of his own work and that of other artists hanging in his home. Photographs of people include artists, friends, colleagues, and various groups. Of special interest are Inverarity's portraits of artists, among them Marcel Duchamp, Max Ernst, Morris Graves, Hilaire Hiler, Rico Le Brun, Stanton Macdonald-Wright, Man Ray, Dorothea Tanning, and Mark Tobey. Photographs of places include the museums where Inverarity was director, places in which he lived, and travel pictures. Of note are a large group of photographs (copy prints) taken in 1932 while studying the Haida Indians in British Columbia. Nineteenth century photographs of family homes, Europe, and South America may have been taken by his father. Photographs of the Washington State WPA Federal Arts Project are of individual works of art, exhibition installations, mosaic procedures and local art centers. Many, probably intended for display, are mounted in groups on large cardboard panels. Miscellaneous subjects include art photographs by Inverarity and the microreader he invented.

Arrangement:

The collection is arranged as nine series. Correspondence is in chronological order, Biographical Information and Subject Files are arranged alphabetically by folder title. Other series have been organized into subseries and arrangement is as described in the Series Descriptions/Container List below. Unless noted otherwise, material within folders is arranged chronologically.

Missing Title

Series 1: Biographical Information, 1934-1997, undated (Box 1, OV 18; 0.25 linear ft.)

Series 2: Correspondence, 1928-1993, undated (Box 1; 0.75 linear ft.)

Series 3: Writings and Notes, 1928-1993, undated, (Boxes 2-3; 1.5 linear ft.)

Series 4: Subject Files, 1938-1990, undated (Boxes 3-6, OV 19-20; 2.5 linear ft.)

Series 5: Art Work, circa 1840s-1969, undated (Boxes 6, 12, 16, OV 21; 1.3 linear ft.)

Series 6: Scrapbooks, 1928-1991, undated (Boxes 7-8; 1.1 linear ft.)

Series 7: Sound Recordings, 1980-1990 (Box 8; 3 folders)

Series 8: Printed Material, 1902-1995, undated (Boxes 8-13, OV 22; 3.4 linear ft.)

Series 9: Photographs, circa 1870s-1990, undated (Boxes 11, 14-17, OV 23; 3.0 linear ft.)

Biographical Note:

Robert Bruce Inverarity (1909-1999) showed artistic leanings as a boy, and from an early age was fascinated by puppetry and Northwest Coast native culture. During much of his youth, Inverarity's family lived in Canada, but returned to their native Seattle when he was a teenager. After graduating from high school, he made a 500 mile journey on foot along the coasts of the Vancouver Islands, collecting Indian artifacts and studying the area's tribal legends.

He studied briefly with Mark Tobey in Seattle, where the two shared a studio; when Tobey departed for Chicago, Inverarity succeeded him as an art teacher at the Cornish School. He spent the next few years in California working as an artist, exhibiting, and occasionally teaching. From there, he moved to Vancouver where he was Director of the School of Creative Art. In 1932, Inverarity made a three month trip to the Queen Charlotte Islands, British Columbia, for the purpose of studying the Haida Indians.

Upon his return to the United States in 1933, Inverarity joined the University of Washington Drama School as a puppetry instructor; in 1938 he published a highly regarded Manual of Puppetry. During 1936-37, he took a leave of absence from the university to assume the position of State Director of the Federal Art Project, where he remained until 1939. He then became State Director of the Art and Crafts Project (1939-1941). The U.S. Navy appointed Inverarity Chief of Design for Camouflage (1941-1943) and he later served as an Official Navy War Artist (1943-1945).

During his early years as a teacher and administrator, Inverarity continued making art and participated in a wide variety of exhibitions. He published a portfolio, 12 Photographs by R. B. Inverarity (1940). In the following year, Movable Masks and Figures of the North Pacific Coast Indians, a portfolio of his watercolors reproduced as silkscreen prints, appeared. Although Inverarity stopped exhibiting in 1941, he continued to produce art; notable work of this period includes photographic portraits of a number of artist friends (Max Ernst, Dorothea Tanning, Marcel Duchamp, and Man Ray).

After World War II, Inverarity completed his formal education. He earned a Bachelor's degree in art and anthropology from the University of Washington (1946), and then studied with Hilaire Hiler at Freemont University in Los Angeles, where he was awarded a Master's degree in fine arts (1947) and a Ph.D. (1948).

Inverarity began his museum career in 1949 when he was appointed the first director of the Museum of International Folk Art in Santa Fe, New Mexico, a position that combined his interest in, and knowledge of, anthropology and art. While in Santa Fe, he published Art of the North West Coast Indians (1950). During his five year tenure as director, the museum participated in a pilot study for coding visual files, a project of the anthropological group, Human Resources Area Files, Inc. When Inverarity was dismissed from the Museum of International Folk Art in 1954, most of the staff resigned in protest, and the American Association of Museums investigated the situation.

Inverarity then became the first director of the Adirondack Museum, Blue Mountain Lake, New York, where he remained for eleven years. In addition to planning the museum's building, and developing collections and programs, Inverarity continued his involvement with the visual files project of the Human Resources Area Files, Inc., studying information storage and retrieval, developing a "microreader," and publishing Visual Files Coding Index (1960). In addition, he published many articles on a variety of topics and was active in organizations for anthropologists and museum professionals.

After his 1965 departure from the Adirondack Museum, Inverarity went to California and worked as an illustrator and book designer at the University of California Press. He returned to the east coast in 1969 to assume the directorship of the Philadelphia Maritime Museum. During this period, he remained active in professional associations and traveled to study museums abroad. He retired in 1976 and moved to La Jolla, California.

Robert Bruce Inverarity died in 1999.

Separated Material:

Originals of most of the drawings and sketches loaned by Mr. Inverarity were returned to him after filming and were not subsequently donated. This material is available on 35 mm microfilm reel D/NDA/I, frames 392-409.

Provenance:

Robert Bruce Inverarity donated his papers to the Archives in several installments between 1965 and 1993. Additional papers were received from his estate in 1999. He also loaned a small number of additional drawings and sketches for microfilming which were returned to him. A few of these drawings were included with the papers he subsequently donated to the Archives of American Art.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Arts administrators  Search this

Painters  Search this

Topic:

Puppet theater  Search this

New Deal, 1933-1939 -- Washington (State)  Search this

Works of art  Search this

Federal aid to the arts -- Washington (State)  Search this

Art and state -- Washington (State)  Search this

Genre/Form:

Scrapbooks

Sound recordings

Sketchbooks

Interviews

Photographs

Drawings

Citation:

Robert Bruce Inverarity papers, circa 1840s-1997. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.inverobe

See more items in:

Robert Bruce Inverarity papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9460b503e-0657-430a-9244-ead53bd5066f

EDAN-URL:

ead_collection:sova-aaa-inverobe

Creator:

Hill, Richard W., Sr.  Search this

Extent:

25 Prints (silver gelatin)

Culture:

Iroquois  Search this

Tuscarora  Search this

Seminole  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Northeast  Search this

Type:

Collection descriptions

Archival materials

Prints

Photographs

Date:

circa 1972-1978

Scope and Contents note:

Informal photographic portraits depicting Iroquois, Seminole, and other Native American people. Images document the preparation of fry bread, a lacrosse player, a corn-husk doll maker, an Iroquois dancer, a longhouse wedding party, a Seneca wood carver making a water drum, a Seneca basketmaker, and a Seneca flute maker.

Biographical/Historical note:

Richard W. Hill, Sr. is a Tuscarora artist, writer, educator, curator, and museum consultant. He studied art at the Art Institute of Chicago and earned a masters degree from the State University of New York (SUNY), Buffalo. He taught at McMaster University, Mohawk College, Six Nations Polytechnic and SUNY Buffalo, and he served as director of the American Indian Art Museum in Santa Fe, New Mexico. He was also Assistant Director for Public Programs and an exhibition catalog writer for the National Museum of the American Indian. Hill's artwork includes photography, painting, carving, beading, and basketweaving.

Local Call Number(s):

NAA Photo Lot 83-35

Location of Other Archival Materials:

The Canadian Museum of Civilizations in Quebec, the Woodland Indian Cultural Center in Brantford, Ontario, the Cleveland Museum of Art, the Philbrook Museum of Art in Tulsa, Oklahoma, the Indian Arts and Crafts Board in Washington, DC, and the Seneca Iroquois National Museum in Salamanca, New York, hold artwork by Hill.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Cooking  Search this

Artisans  Search this

Dolls  Search this

Lacrosse  Search this

Weddings  Search this

Dance  Search this

Flute makers  Search this

Wood-carving  Search this

Genre/Form:

Photographs

Citation:

Photo lot 83-35, Richard Hill photographs of Native Americans, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.83-35

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw345890964-e5ff-449d-941c-8a5b93daa694

EDAN-URL:

ead_collection:sova-naa-photolot-83-35

Collection Creator:

De Forest, Roy, 1930-2007  Search this

Container:

Box 3, Folder 17

Type:

Archival materials

Date:

1985

Scope and Contents:

Includes born-digital records, see ER04

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.

Collection Citation:

Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Gerald and Bente Buck. Funding for the digitization of this collection was provided by Gloria Marchant.

See more items in:

Roy De Forest papers

Roy De Forest papers / Series 3: Writings

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw997198e68-ed83-46bb-b9aa-1dec70e96fb2

EDAN-URL:

ead_component:sova-aaa-deforoy-ref47

Creator:

Burlin, Paul, 1886-1969  Search this

Names:

Burlin, Natalie Curtis, 1875-1921  Search this

Extent:

5.1 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Interviews

Sketchbooks

Scrapbooks

Drawings

Date:

1884-1974, bulk 1910s-1968

Summary:

The papers of painter Paul Burlin measure 5.1 linear feet and date from 1884-1974, with the bulk of the records dating from the 1910s-1968. The records document Burlin's career through biographical material including sound recordings of interviews, general correspondence, writing files, personal business records, printed material, photographs, and some artwork.

Scope and Contents:

The papers of painter Paul Burlin measure 5.1 linear feet and date from 1884-1974, with the bulk of the records dating from the 1910s-1968. The records document Burlin's career through biographical material including sound recordings of interviews, general correspondence, writing files, personal business records, printed material, photographs, and some artwork.

Biographical materials consist of address books, transcripts and recorded interviews, biographical summaries, and identification cards. General correspondence is with family and friends, other artists, art critics, and museums and galleries. Correspondence discusses the sale and delivery of Burlin's artwork, modern and abstract art, exhibitions, and a variety of other topics.

Writing files include drafts and notes for Burlin's speeches, lectures, and talks, as well as drafts of Burlin's published writings and an autobiographical essay. Burlin's personal business records include price lists, inventories, mailing lists, shipping information, expenses, and other materials.

Printed material found in the collection includes news clippings, exhibition ephemera, Burlin's published writings and reproductions, and ephemera from lectures and panel discussions. Photographs are of Burlin, his family and friends, studios, travel, exhibitions, and his artwork. The collection also includes seven sketchbooks (one disbound) and some loose sketches.

Arrangement:

The collection is arranged as 7 series.

Series 1: Biographical Material, 1884, bulk 1910s-1968 (Box 1; .6 linear feet)

Series 2: Correspondence, 1920s-1974 (Box 1-2; 1.4 linear feet)

Series 3: Writing Files, circa 1918-1969 (Box 3; .4 linear feet)

Series 4: Personal Business Records,1940s-1968 (Box 3; 8 folders)

Series 5: Printed Material, 1916-1973 (Box 3-4, OV 6; 1.5 linear feet)

Series 6: Photographs, 1886, bulk 1910s-1960s (Box 4-5; 1 linear feet)

Series 7: Artwork, circa 1940s-1960s (Box 5; 5 folders)

Biographical / Historical:

Painter Paul Burlin (1884-1969) was active in New York City, Santa Fe, New Mexico, and Paris, France and was regarded as one of the first modern artists to represent the American southwest.

Burlin was born in New York and spent his childhood traveling between New York City and London. He moved to Santa Fe, New Mexico in 1912 to work on his art full time and began exhibiting his work at the Daniel Gallery in New York around the same time. His work was selected for the New York Armory Show in 1913.

Burlin met his future wife, ethnomusicologist Natalie Curtis, in 1916. They were married from 1917 until Curtis's death in France in 1921. After Natalie's death Burlin remained in Paris until the early 1930s, exhibiting his work in France, New York, and Munich. He returned to New York in 1932 where he lived for the rest of his life.

Burlin's one man exhibitions included shows at the Downtown Gallery, University of Minnesota, Washington University, St. Louis, Union College, Art Institute of Chicago, the American Federation of Arts, which circulated a Burlin retrospective, and many others. His work can be found in the permanent collections of the Brooklyn Museum, Museum of Modern Art, Whitney Museum of American Art, Encyclopedia Britannica, and elsewhere. Burlin also served as a visiting artist and lecturer at various universities including University of Wyoming, Union College, School of the Art Institute of Chicago, and University of Colorado.

Provenance:

The collection was donated in several installments by Margaret T. Burlin, Burlin's widow, in 1974-1975, Irving Sandler in 1974, and Syracuse University in 1984.

Restrictions:

The collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Landscape painters -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Sketchbooks

Scrapbooks

Drawings

Citation:

Paul Burlin papers, 1884-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.burlpaul

See more items in:

Paul Burlin papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9267aeb15-1b0e-4416-8bdb-ab3169e0a796

EDAN-URL:

ead_collection:sova-aaa-burlpaul

Maker:

Harvey, Fred  Search this

Diamond Match Co.  Search this

Physical Description:

offset lithograph (cover production method/technique)

paper (cover material)

ink (cover material)

potassium chlorate (match tips material)

sulphur (match tips material)

wood pulp (matches material)

phosphorus (striking surface material)

wire, steel (staple material)

Measurements:

overall: 3/8 in x 2 1/8 in x 1 5/8 in; .9525 cm x 5.3975 cm x 4.1275 cm

Object Name:

matchbook

Place given away:

United States: New Mexico

Place made:

United States: New York, New York City

Date made:

1925

Subject:

Tourist trade  Search this

ID Number:

1991.3112.03B

Catalog number:

1991.3112.03B

Nonaccession number:

1991.3112

See more items in:

Home and Community Life: Domestic Life

Domestic Furnishings

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a9-db89-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1142521

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

E. Buhr  Search this

E. Call  Search this

T. Cain  Search this

Microhabitat Description:

Gravelly, clay loam. Juniper grassland along mesa top. With Krameria erecta, Yucca elata, Ephedra torreyana, Opuntia sp., etc.  Search this

Min. Elevation:

1906  Search this

Place:

Mesa top at La Cieneguilla, Santa Fe, New Mexico, United States, North America

Collection Date:

3 Jun 2020

Taxonomy:

Plantae Monocotyledonae Poales Poaceae Pooideae

Published Name:

Hesperostipa neomexicana (Thurb.) Barkworth

Barcode:

03478202

USNM Number:

3753589

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/36baa4228-7cf9-4fb5-805a-a6271f829e01

EDAN-URL:

edanmdm:nmnhbotany_16710816

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

E. Buhr  Search this

A. Wolf  Search this

E. Call  Search this

T. Cain  Search this

Microhabitat Description:

Sandy Clay Loam. Juniper grassland. With Artemisia tridentata, Heterotheca villosa, Plantago patagonica, etc.  Search this

Min. Elevation:

1843  Search this

Place:

Arroyo Seco off state road 503., Santa Fe, New Mexico, United States, North America

Collection Date:

14 Jun 2020

Taxonomy:

Plantae Dicotyledonae Solanales Hydrophyllaceae

Published Name:

Phacelia integrifolia Torr.

Barcode:

03478207

USNM Number:

3753584

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/30a865dbb-4d0e-4475-8abc-6be62acef6b7

EDAN-URL:

edanmdm:nmnhbotany_16710841

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

L. Holloway  Search this

Min. Elevation:

1890  Search this

Place:

Old Buckman Rd. near Santa Fe., Santa Fe, New Mexico, United States, North America

Collection Date:

13 Sep 2016

Taxonomy:

Plantae Dicotyledonae Asterales Asteraceae Asteroideae

Published Name:

Machaeranthera tanacetifolia (H.B.K.) Nees

Barcode:

03474155

USNM Number:

3751404

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/317777995-1648-4343-83db-f87073c61f69

EDAN-URL:

edanmdm:nmnhbotany_16356126

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

C. Weber  Search this

Microhabitat Description:

Pinon Juniper woodland  Search this

Min. Elevation:

1433  Search this

Place:

La Cieneguilla Petroglyphs, Santa Fe, New Mexico, United States, North America

Collection Date:

1 Jun 2016

Taxonomy:

Plantae Dicotyledonae Asterales Asteraceae Asteroideae

Published Name:

Chaetopappa ericoides (Torr.) G.L. Nesom

Barcode:

03474152

USNM Number:

3751409

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3527a8c8c-f636-489a-a473-d7da5df4df40

EDAN-URL:

edanmdm:nmnhbotany_16356133

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

C. Weber  Search this

Microhabitat Description:

Historic Pinyon-Juniper woodland.  Search this

Min. Elevation:

2134  Search this

Place:

Nava Ade Housing Area in Santa Fe., Santa Fe, New Mexico, United States, North America

Collection Date:

27 Sep 2016

Taxonomy:

Plantae Dicotyledonae Malvales Malvaceae

Published Name:

Sphaeralcea angustifolia (Cav.) G. Don

Barcode:

03474147

USNM Number:

3751418

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3981af589-f5e7-4499-b95d-4bba1aeb4fb8

EDAN-URL:

edanmdm:nmnhbotany_16356143

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

E. Samuel  Search this

Microhabitat Description:

Loamy  Search this

Min. Elevation:

2134  Search this

Place:

29 Fire Lizard Lane, Edgewood, Santa Fe, New Mexico, United States, North America

Collection Date:

9 Sep 2016

Taxonomy:

Plantae Dicotyledonae Caryophyllales Chenopodiaceae

Published Name:

Krascheninnikovia lanata (Pursh) A. Meeuse & A.Smit

Barcode:

03474146

USNM Number:

3751420

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3a328ae31-7dd9-4080-b2a3-2cc5c0737ebd

EDAN-URL:

edanmdm:nmnhbotany_16356145

Biogeographical Region:

77 - South-Central U.S.A.  Search this

Collector:

L. Holloway  Search this

Microhabitat Description:

Pinon Juniper woodland mixed with grassland  Search this

Min. Elevation:

2246  Search this

Place:

FS 324 off NM 34 on Glorieta Mesa, about 1 mile in., Santa Fe, New Mexico, United States, North America

Collection Date:

22 Jul 2016

Taxonomy:

Plantae Dicotyledonae Asterales Asteraceae Asteroideae

Published Name:

Thelesperma filifolium (Hook.) A. Gray

Barcode:

03474145

USNM Number:

3751423

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/35f6ebcf4-ef00-490c-ad53-e7b5572e77ef

EDAN-URL:

edanmdm:nmnhbotany_16356148