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Samuel Doggett

Artist:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
Samuel Doggett, 1751 - 1831  Search this
Medium:
Oil on panel
Dimensions:
72cm x 59cm (28 3/8" x 23 1/4"), Accurate
Type:
Painting
Date:
1815
Topic:
Samuel Doggett: Male  Search this
Samuel Doggett: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
Samuel Doggett: Law and Crime\Prison warden  Search this
Portrait  Search this
Credit Line:
Owner: Santa Barbara Museum of Art
Object number:
41.7.1 SBMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm400e99a8e-a52b-4347-8467-574a7fea5914
EDAN-URL:
edanmdm:npg_41.7.1_SBMA

The Gloria and Donald B. Marron Collection of American Prints / catalogue edited, with an introduction by Burr Wallen

Author:
Wallen, Burr  Search this
Santa Barbara Museum of Art  Search this
Subject:
Marron, Gloria Art collections  Search this
Marron, Donald B Art collections  Search this
Physical description:
159 p. : ill. ; 23 cm
Type:
Exhibitions
Place:
United States
Date:
1981
19th century
20th century
Topic:
Prints, American  Search this
Prints  Search this
Call number:
NE507 .G56X
NE507.G56X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_144377

Jud Fine Drawings, Santa Barbara Museum of Art (may-June 1978)

Collection Creator:
Fine, Jud  Search this
McCarren, Barbara  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Date:
circa 1977-1978
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jud Fine and Barbara McCarren papers, circa 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Jud Fine and Barbara McCarren papers
Jud Fine and Barbara McCarren papers / Series 3: Personal Business / Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9391b838b-627d-4ff6-81ed-e2ec3aa5a774
EDAN-URL:
ead_component:sova-aaa-finejud-ref90

Catherine Viviano Gallery records

Creator:
Catherine Viviano Gallery  Search this
Names:
American Academy of Arts and Letters  Search this
American Federation of Arts  Search this
Art Club of Chicago  Search this
Art Institute of Chicago  Search this
Barnes Foundation  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
City Art Museum of St. Louis  Search this
Colorado Springs Fine Arts Center  Search this
Dallas Museum of Fine Arts  Search this
Des Moines Art Center  Search this
Detroit Institute of Arts  Search this
Fogg Art Museum  Search this
Harvard University  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Los Angeles County Museum  Search this
Mary Washington College  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Fine Arts, Houston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Art Alliance  Search this
Santa Barbara Museum of Art  Search this
University of Virginia  Search this
Wadsworth Atheneum  Search this
Walker Art Center  Search this
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts  Search this
World House Galleries  Search this
Yale University. Art & Architecture Library  Search this
Afro, 1912-1976  Search this
Ashton, Dore  Search this
Baker, Richard Brown  Search this
Bareiss, Walter  Search this
Barker, Walter  Search this
Birolli, Renato, 1905?-1959  Search this
Bishop, Elizabeth, 1911-1979  Search this
Broderson, Robert M, 1920-  Search this
Callery, Mary, 1903-1977  Search this
Chaet, Bernard  Search this
Cox, Jan, 1919-1980  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dubuffet, Jean, 1901-  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Eisendrath, William N., 1903-  Search this
Ernst, Dallas  Search this
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Fleischman, Barbara  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Genauer, Emily, 1910-2002  Search this
Giacometti, Alberto, 1901-1966  Search this
Glasco, Joseph, 1925-1996  Search this
Goodhue, Bertram Grosvenor, 1869-1924  Search this
Graves, Morris, 1910-  Search this
Guerrero, José, 1914-  Search this
Göpel, Barbara  Search this
Göpel, Erhard  Search this
Hirschhorn, Joseph  Search this
Lerner, Abe, 1908-  Search this
Ludgin, Earle, 1898-1981  Search this
Mabe, Manabu  Search this
Manrique, César, 1920-  Search this
McCray, Porter A., 1908-2000  Search this
Meltzer, Doris, 1908-1977  Search this
Menil, Dominique de  Search this
Miller, Stephen Robeson  Search this
Minguzzi, Luciano, 1911-  Search this
Miró, Joan, 1893-  Search this
Morlotti, Ennio, 1910-1992  Search this
Moyens, H. Marc  Search this
Myers, John Bernard  Search this
Ossorio, Alfonso, 1916-1990  Search this
Perlin, Bernard, 1918-  Search this
Price, Vincent, 1911-1993  Search this
Pulitzer, Joseph, 1913-1993  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Ribicoff, Belle Krasne, 1924-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rosenthal, Bernard M.  Search this
Sage, Kay  Search this
Seeger, Stanley J.  Search this
Shapiro, Meyer  Search this
Stout, George L. (George Leslie)  Search this
Tanning, Dorothea, 1910-2012  Search this
Valentin, Curt, 1902-1954  Search this
Van Veen, Stuyvesant  Search this
Viviano, Catherine, 1899-1992  Search this
Wakabayashi, Kazuo  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
11.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Notes
Date:
1930-1990
bulk 1949-1978
Summary:
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Scope and Contents note:
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

Artists' files include biographical material; artists' statements; correspondence; sales and expense reports; lists and notes; guest lists; writings by others; receipts, invoices, and statements; printed material, including press releases, exhibition announcements, brochures, catalogues, clippings; and photographs of artwork and artists. Included are extensive files on Afro Basaldella, Renato Birolli, Robert Broderson, Anselmo Franesconi, Joseph Glasco, Manabu Mabe, César Manrique, Luciano Minguzzi, Ennio Morlotti, Bernard Perlin, Daniel Rice, and Bernard Rosenthal. There are also files on Jan Cox, Kay Sage, and Kazuo Wakabayashi.

Correspondence comprises the largest series in the collection and consists of general correspondence; correspondence with museums, galleries, and art-related institutions in the United States; and correspondence with museums, galleries, and art-related institutions abroad. Letters focus on routine business matters, e.g., appraisals and sales, acquisitions, and organizing exhibitions at the Catherine Viviano Gallery and other venues.

General correspondence includes letters between Catherine Viviano and artists and their family members. Among the correspondents are: Mary Callery, Bernard Chaet, Piero and Virginia Dorazio, Jean Dubuffet, Dallas Ernst, Karl Fortress, Alberto Giacometti, Henry Sage Goodwin, Morris Graves, José Guerrero, Earle Ludgin, Joan Miro, Alfonso Ossorio, Dorothea Tanning, Stuyvesant Van Veen, Adja Yunkers and his wife, Dore Ashton, among others. Also found is Viviano's correspondence with clients, many of whom were prominent collectors, e.g., Richard Brown Baker, Carl and Joan Fisher, Lawrence and Barbara Fleischman, Joseph Hirschhorn, Marc Moyens, Vincent Price, Joseph Pulitzer, Jr., Nelson Rockefeller, Stanley Seeger, and Frederick and Dorothy Zimmerman. Of interest, are letters from Elizabeth Bishop inquiring about the purchase of a work of art from the gallery. Included are letters from art historians, museum directors, curators, representatives at other art-related institutions, and publishers including Walter Bareiss, Walter Barker, Dominque De Menil, Valentine Dudensing, William Eisendrath, S. Lane Faison, Emily Genauer, Bertram Goodhue, Erhard and Barbara Göpel, James Laughlin, Porter McCray, Abram Lerner, Doris Meltzer, Stephen Robson Miller, John Bernard Myers, Perry Rathbone, Belle Krasne Ribicoff, Meyer Shapiro, George Stout, and Curt Valentin.

Correspondence with museums, galleries, and art-related institutions in the United States contains letters between Viviano and museum directors, curators, dealers, artists, and collectors pertaining to loans, shipping and delivery of artwork, appraisals and sales, and acquisitions. Files include substantive correspondence with the American Academy of Arts and Letters, American Federation of the Arts, Art Institute of Chicago, Arts Club of Chicago, the Barnes Foundation, Bristol Art Museum, Brooklyn Museum, Bundy Art Gallery, Carnegie Institute, City Art Museum of St. Louis, Cleveland Museum of Art, Colorado Springs Fine Arts Center, Dallas Museum of Fine Arts, Denver Art Museum, Des Moines Art Center, Detroit Institute of Arts, Fogg Art Museum, Harvard University, Hirshhorn Museum and Sculpture Garden, Institute of Contemporary Art, Los Angeles County Art Museum, Massachusetts Institute of Technology, Metropolitan Museum of Art, Museum of Fine Arts, Boston, Museum of Fine Arts of Houston, Museum of Modern Art, Pennsylvania Academy of the Fine Arts, Philadelphia Art Alliance, Santa Barbara Museum of Art, University of Nebraska Art Galleries, University of Virginia, Mary Washington College, Wadsworth Atheneum, Walker Art Center, William Rockhill Nelson Gallery of Art, Atkins Museum of the Fine Arts, World House Gallery, and Yale University Art Library.

Correspondence with museums, galleries, and art-related institutions abroad primarily concerns the lending of artwork for exhibitions, acquisition and sales; also included are letters requesting biographical information on artists. Letters between Catherine Viviano and representatives of Max Beckmann Gesellschaft Archiv and Galerie Gunther Franke contain provenance-related information on Beckmann's work.

Business records document the routine business operations of the gallery. Printed material includes an incomplete run of Catherine Viviano Gallery exhibition catalogues; invitations and announcements from other galleries and institutions; and miscellaneous printed material.

Photographs include three images of miscellaneous artwork used for art reference.
Arrangement note:
Records are generally arranged by material type and in chronological order thereafter. Artists' files and correspondence files are arranged in alphabetical order and materials within the folders are arranged chronologically

The collection is arranged as 5 series:

Missing Title

Series 1: Artists' Files, 1945-1986 (Boxes 1-3; 3.5 linear feet)

Series 2: Correspondence, 1939-1985 (Boxes 3-6; 5.5 linear feet)

Series 3: Business Records, 1949-1972 (Boxes 10-11; 1.0 linear feet)

Series 4: Printed Material, 1930-1990 (Boxes 11-13; 1.6 linear feet)

Series 5: Photographs (1948-1954), undated (Box 14; 1 folder)
Biographical/Historical note:
Catherine Viviano (1889-1992) opened her gallery in 1949 on 42 East 57th Street in New York City. Specializing in contemporary American paintings and sculpture, the gallery featured younger American and European artists, e.g., Robert Broderson, Carlyle Brown, Jan Cox, Joseph Glasco, Peter Lanyon, Manabu Mabe, César Manrique, Bernard Perlin, Joseph Rollo, Bernard Rosenthal, and Kay Sage, among others. The gallery was also notable for introducing the work of Italian artists, who had been cut off from the American art scene during World War II, including Afro Basaldella and his brother Mirko Basaldella, Renato Birolli, Leonardo Cremonini, and Luciano Minguzzi.

Born in Italy in 1899 and raised in Chicago, Catherine Viviano came to New York in the early 1930's to work at the Pierre Matisse Gallery, where she remained for sixteen years before founding the Catherine Viviano Gallery.

In 1970, Catherine Viviano closed the gallery, though she continued to work from her home as an art dealer and consultant. She died of a stroke at the age of ninety-two in 1992.
Related Archival Materials note:
Among the other resources relating to Catherine Viviano Gallery in the Archives of American Art are the Kay Sage papers, 1925-circa 1985, bulk 1950-1965.
Provenance:
The Catherine Viviano Gallery records were donated in 2003 on behalf of Margaret Viviano, Catherine Viviano's sister, by her grandnephew, Peter C. Salerno, who had Power of Attorney for Margaret Viviano.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- New York (State)  Search this
Topic:
Women art dealers  Search this
Art -- Collectors and collecting  Search this
Sculpture  Search this
Painting  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Notes
Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cathvivi
See more items in:
Catherine Viviano Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c8eeb213-b1d5-43e4-8478-bc79ba634773
EDAN-URL:
ead_collection:sova-aaa-cathvivi
Online Media:

Santa Barbara Museum of Art, 1997

Container:
Box 4 of 17
Type:
Archival materials
Collection Rights:
Boxes 2, 13-14 contain materials restricted indefinitely; see finding aid; Transferring office; 06/05/2008 memorandum, Toda to Drummond; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 08-092, National Portrait Gallery (Smithsonian Institution), Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa08-092-refidd1e2507

Museum - Santa Barbara Museum of Art, 1993-1994

Container:
Box 31 of 87
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 11-001, Warren M. Robbins Papers
See more items in:
Warren M. Robbins Papers
Warren M. Robbins Papers / Series 5: Subject and Information Files, 1927-2005 / Box 31
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa11-001-refidd1e14998

Charles Garabedian : A Retrospective / Essays by Julie Joyce, Michael Duncan, Christopher Miles, and Nevin Schreiner

Author:
Joyce, Julie 1964-  Search this
Duncan, Michael 1953-  Search this
Miles, Christopher (Associate professor))  Search this
Schreiner, Nevin  Search this
Author:
Garabedian, Charles  Search this
Santa Barbara Museum of Art  Search this
Subject:
Garabedian, Charles  Search this
Physical description:
197 pages : illustrations (chiefly color) ; 29 cm
Type:
Books
Exhibitions
Date:
2011
2011, ©2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_965102

Personal Business Records

Collection Creator:
Cowin, Eileen  Search this
Extent:
0.6 Linear feet (Boxes 27-28)
Type:
Archival materials
Date:
1972-2017
Scope and Contents:
The series consists of Cowin's contact lists, equipment insurance lists and receipts, gallery files documenting Cowin's business with the Jayne Baum Gallery and the Fralin Museum of Art, and artwork donation files for the Brooklyn Museum, J.Paul Getty Museum, Los Angeles County Museum of Art, and and the Santa Barbara Museum of Art.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

One box of correspondence with Michael Dorris and Louise Erdrich and one box of correspondence with Robert Fichter are ACCESS RESTRICTED; use requires written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eileen Cowin papers, circa 1900-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cowieile, Series 10
See more items in:
Eileen Cowin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99bffac5e-b333-453f-a373-f8369f6e6faf
EDAN-URL:
ead_component:sova-aaa-cowieile-ref990

Artwork Donation, Santa Barbara Museum of Art

Collection Creator:
Cowin, Eileen  Search this
Container:
Box 28, Folder 4
Type:
Archival materials
Date:
2014
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

One box of correspondence with Michael Dorris and Louise Erdrich and one box of correspondence with Robert Fichter are ACCESS RESTRICTED; use requires written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eileen Cowin papers, circa 1900-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Eileen Cowin papers
Eileen Cowin papers / Series 10: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915848ded-e58c-454b-8ea5-5e923e3ef0a7
EDAN-URL:
ead_component:sova-aaa-cowieile-ref997

B, General

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 34, Folder 11
Type:
Archival materials
Date:
1950
Scope and Contents note:
(Donald Bear, director of the Santa Barbara Museum of Art, regarding some of his drawings sent to Kraushaar Galleries on consignment)
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw936ca3b5f-9bce-491c-a804-27a298a549c2
EDAN-URL:
ead_component:sova-aaa-kraugall-ref2564

Santa Barbara Museum of Art

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 37, Folder 48
Type:
Archival materials
Date:
1953
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9266150ae-c688-4f57-991a-82f235c72459
EDAN-URL:
ead_component:sova-aaa-kraugall-ref2830

Santa Barbara Museum of Art

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 41, Folder 13
Type:
Archival materials
Date:
1956
Scope and Contents note:
(Carl Morris exhibition with a letter from Morris thanking the museum and expressing pleasure at the sale of River Night)
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b2602840-2fb8-43b7-8f53-d376d1df3f27
EDAN-URL:
ead_component:sova-aaa-kraugall-ref3065

Santa Barbara Museum of Art

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 45, Folder 1
Type:
Archival materials
Date:
1959
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d92d2eb6-65c2-43c8-b5d3-2e7581784885
EDAN-URL:
ead_component:sova-aaa-kraugall-ref3292

Tour Venues: Santa Barbara Museum of Art

Container:
Box 2 of 8
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 00-083, National Museum of American Art, Office of Registration and Collections Management, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 2
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa00-083-refidd1e1483

Jules Langsner papers

Creator:
Langsner, Jules, 1911-1967  Search this
Names:
Art Institute of Chicago  Search this
Art in America  Search this
California Watercolor Society  Search this
Ford Foundation  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
International Association of Art Critics  Search this
Los Angeles County Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York Times  Search this
Pasadena Art Museum  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
University of Southern California -- Faculty  Search this
Adams, Clinton, 1918-2002  Search this
Brice, William, 1921-  Search this
Feitelson, Lorser, 1898-1978  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Guston, Musa  Search this
Guston, Philip, 1913-1980  Search this
Harwood, June  Search this
Kadish, Reuben, 1913-1992  Search this
Lebrun, Rico, 1900-1964  Search this
Lundeberg, Helen, 1918-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Perls, Frank, 1910-1975  Search this
Ray, Julie  Search this
Ray, Man, 1890-1976  Search this
Turnbull, William, 2002  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Date:
circa 1910s-1998
bulk 1950-1967
Summary:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.
Scope and Contents note:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings by Langsner; exhibition files; printed materials; photographs of Langsner, others, travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

Biographical materials consist of an address book and file, committee files, scattered financial statements, and documents related to the Ford Foundation and other foundations, teaching, and traveling.

The 0.9 linear feet of correspondence is of both a personal and professional nature. A significant portion of the correspondence is between Langsner and publications for which he wrote such as Art News, the New York Times, Meridian Books, Craft Horizons, Art International, and Art in America; galleries and museums where he lectured or curated exhibitions including the Art Institute of Chicago, California Water Color Society, Los Angeles County Museum of Art, Pasadena Art Museum, Santa Barbara Museum of Art, Museum of Modern Art, Guggenheim Museum, and the Fine Arts Patrons of Newport Harbor; colleges and organizations where he taught or was involved with such as the Graham Foundation, University of Southern California, International Association of Art Critics, and Ford Foundation; and artists that he worked with or knew personally including Rico Lebrun, William Turnbull, Man & Julie Ray, Lorser Feitelson, Helen Lundeberg, Adelaide Fogg, and Clinton Adams.

Letters to June Harwood were written while Langsner was traveling in 1964 and 1965 and discuss his travels and their relationship which culminated in marriage in Italy in 1965.

Among the 2.8 linear feet of the writings of Jules Langsner are articles for Art News, Art in America, Art International, Arts & Architecture, Aware, Beverly Hills Times, Craft Horizons, Creative Crafts, Goya Revista De Arte, Yomiuri, and Zodiac. There are also essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.

Exhibition files concern "Black and White" (1958), "California Hard-Edge Painting" (1964), the Man Ray Exhibition (1966), and the William Turnbull Exhibition (1966).

Printed materials include miscellaneous flyers, brochures, and news bulletins, and press releases.

Photographs are of people, places, works of art, and exhibitions. There are photographs of Jules Langsner, June Harwood, Philip Guston, Musa Guston, William Brice, Eddy Feldman, Rube Kadish, Stanton MacDonald-Wright, Frank Perls, and unidentified individual people and groups. Photographs of Langsner's travels are of Japan, Korea, Taiwan, and other locations. Photographs of exhibitions include California Art Club, "Black and White," "California Painters & Sculptors, 35 & Under," and unidentified exhibitions. Photographs of works of art are by William Turnbull, Jack Zajac, Walter Mix, Marion Aldrich, Roger Majorowicz, and Jasper Johns.

Audio recordings include four untranscribed 7" reel-to-reel audio recordings and one cassette tape. The reel-to-reel tapes are of two lectures by Langsner, You & Art/Berlin Party, and of eulogies given at Langsner's funeral by Clement Greenberg, Henry Seldis, Peter Selz, Richard Brown, Donald Brewer, Tom Leavitt, Lorser Feitelson, Sam Francis, June Wayne, Gifford Phillips, and others. The cassette tape is a copy of eulogies.
Arrangement note:
The collection is arranged as 7 series. Photographs are arranged by subject, otherwise each series is generally arranged chronologically.

Missing Title

Series 1: Biographical Materials, 1957-circa 1960s (Box 1; 9 folders)

Series 2: Correspondence, 1948-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1934-circa 1960s (Boxes 2-4; 2.8 linear feet)

Series 4: Exhibition Files, 1919, circa 1958-1966 (Box 4; 4 folders)

Series 5: Printed Materials, circa 1960s (Box 5; 2 folders)

Series 6: Photographs, circa 1910s-1960s (Box 5; 0.25 linear feet)

Series 7: Audio Recordings, 1954-1967 (Box 5; 0.25 linear feet)
Biographical/Historical note:
Jules Langsner (1911-1967) worked primarily in the Los Angeles area as a contemporary art critic, historian, and curator. He curated several seminal exhibitions of contemporary art, including the 1959-1960 show "Four Abstract Classicists" featuring the work of Southern California artists Lorser Feitelson, Karl Benjamin, Frederick Hammersley, and John McLaughlin.

Born Julius Harold Langsner in New York City on May 5, 1911, his family moved to Ontario, California in 1922. The family lived on a farm and opened the Paradise Health Resort which was run by Langsner's father, chiropractor Isadore Langsner, and was popular in Jewish and intellectual circles. In Ontario, Langsner became friends with three of the Pollack family sons, Jackson, Frank, and Sanford, as well as Philip Guston, Reuben Kadish, Leonard Stark, and Don Brown as a teenager. Guston, Kadish, and Jackson Pollock were later mentored by Lorser Feitelston which helped to foster in Langsner an interest in avant-garde painting.

Langsner went on to study philosophy at the University of California, Los Angeles. In the early 1940s, Langsner married and had a son, Drew Langsner. He divorced in 1946. In 1944, he enlisted in the United States Army and served as a psychiatric social worker and psychologist during World War II in the United States.

Art & Architecture magazine was the first to publish Langsner's art criticism in 1948. Throughout the 1950s and 60s his work was published widely in Art & Architecture as well as Art News, Art in America, Craft Horizons, Beverly Hills Times, Zodiac, and others. Langsner wrote extensively about art history in both published and unpublished manuscripts, including Painting in the Modern World which he worked on until his death. Additionally, he taught art history classes at the Chouinard Art Institute and University of Southern California and lectured for a variety of organizations and occasions.

Langsner curated several influential exhibitions in southern California, including the "Four Abstract Classicists" exhibition for the Los Angeles County Museum of Art in 1959 and in whose catalog he and Peter Selz coined the term "Hard-Edge painting." He curated the first full-scale retrospective of Man Ray in the United States at the Los Angeles County Museum of Art in 1966.

Langsner received a grant from the Ford Foundation in 1964 that allowed him to travel throughout Asia, the Middle East, and Europe for a year studying regional art and architecture. He wrote notes on his travels and corresponded frequently with June Harwood, a Hard-Edge painter, whom he married in Italy in 1965.

Jules Langsner died unexpectedly of a heart attack on September 29, 1967, in Los Angeles.
Related Archival Materials note:
The papers of Lorser Feitelson and Helen Lundeberg at the Archives of American Art contain a significant amount of writings by Jules Langsner, including exhibition catalog essays.

Papers of Jules Langsner, 1941-1967, are also located at the University of California, Los Angeles.
Provenance:
The Jules Langsner papers were donated to the Archives of American Art in several installments from 1973-1996, and in 2004 by June Harwood Langsner, widow of Jules Langsner. Notes for a lecture given at the Art Institute of Chicago in 1966 and 39 pieces of correspondence were donated in 1982 by the University of California Art Library, Los Angeles, via Librarian Virginia Steele.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ca20c0c-5a91-42e5-9ff4-d5217f7fd266
EDAN-URL:
ead_collection:sova-aaa-langjule
Online Media:

Chronological General Correspondence

Collection Creator:
Wood, Beatrice  Search this
Type:
Archival materials
Date:
1910-1998
Scope and Contents note:
This subseries contains both personal and professional correspondence from the early years of Wood's career as an actress and artist until the end of her life. Included in this series are letters to and from friends, family, clients, other artists, gallery owners, museums, and editors. An an avid writer, Wood maintained lifelong relationships through her letters. Correspondents include John Estenza, Anna Bing Arnold, Ruth Maitland, Ruth Dayan, Reginald Pole, Anais Nin, Dorothy Liebes, Rue McClanahan, Elizabeth Reynolds Hapgood, Rupert Pole, Esther Rosencrantz, Michael Weightman-Smith, and Geesche Ninke. Wood also formed many personal and professional relationships with individuals she met during her three trips to India in 1961, 1966, and 1971. Among these correspondents are Kamaladevi Chattopadhyay, N. Suri Ram, P. K. Vyas, Srimali Rukmini Devi, and N. Kumar Das.

Several art museums are represented in this subseries, including DeYoung Memorial Museum, Hirshhorn Museum and Sculpture Garden, Pasadena Art Museum, Phoenix Art Museum, San Francisco Museum of Art, and Santa Barbara Museum of Art.

See Appendix for a list of correspondents from Series 2.1.
Arrangement note:
Material is arranged chronologically by date. Undated letters can be found at the end of the subseries, arranged by last name of correspondent. Note that Wood's correspondence with the galleries is found in Series 3: Personal Business Records. Additional correspondence with publishers is found in Series 4: Notes and Writings.
Appendix: Correspondents in Series 2.1.:
Agrawal, Satyendra Narayan: 1966

America House: 1943-1944, 1952-1953, 1956-1957, 1962-1967, 1969

Archipenko, Gela: 1938

Armitage, Merle: 1933, 1957-1958

Arnold, Anna Bing: 1973, 1981-1983, 1987-1988

Bleazby, Leah: 1946-1948, 1951-1952

Bailey, Clayton: 1931

Bok, Ecke: 1986-1987, 1989-1990

Bryan, Robert: 1969, 1972, 1978, 1991

Cabaniss, Adelaide: 1947-1951

Case, Francis: 1943

Chattopadhyay, Kamaladevi: 1961-1973, 1975

Clark, Iris: 1988-1990

Clark, Susan: 1991

Colino, Jose: 1986-1989, 1991

Corle, Helen Freeman: 1951, 1955

Cummins, Harry: 1985

d'Harnoncourt, Anne: 1987

Das, N. Kumar: 1966-1968

Dayan, Ruth: 1971, 1976, 1978-1985, 1987, 1992

Devi, Srimali Rukmini: 1961, 1965, 1967-1968, 1977

DeYoung Memorial Museum: 1952-1954

Dillingham, Rich: 1987-1989

Dove, Tom and Marge: 1972-1973, 1977, 1981, 1983-1985, 1987-1988

Duchamp, Teeny: 1968, 1976

Erazo, Victor: 1984-1985

Estenza, John: 1950

Feinberg, Lillian and Len: 1985-1987, 1989

Gandhi, Indira: 1983

Gateff, Elisabeth: 1977, 1980, 1982-1983, 1985-1986, 1988, 1991-1992

Gibson, Marga: 1959

Hall, Denise: 1978

Hammond, Vera: 1945, 1986

Hapgood, Benie: 1976-1977, 1982, 1986-1987, 1992

Hapgood, Elizabeth Reynolds: 1923, 1930-1932, 1935-1942, 1944, 1947-1948, 1950-1973

Harlan, Loren Clyde and Hermine (Wood's aunt): 1930, 1938-1947

Hathaway, Michael: 1980, 1988-1989, 1991

Hinkhouse, F. M.: 1957-1960

Hirshhorn Museum and Sculpture Garden: 1977

Hoag, Paul Sterling: 1983

Hoag, Steve: 1944-1948, 1951

Hooper, Peter Lawrence: 1976-1977

Huckaby, Grover: 1945, 1947, 1951

Huglin, Henry: 1964-1965, 1977

Huyler, Steven: 1978-1982, 1985, 1987, 1989-1991

Jesch, Klement: 1985-1992

Jones, Barbara: 1977

Kaplan, Connie: 1989

Kaye, Caren: 1988-1991

Lee Nordness Galleries: 1968-1969, 1972, 1977

Liebes, Dorothy: 1941, 1948, 1953, 1958, 1961-1963, 1971

Logan, Robert and Mabel: 1939, 1952, 1954

Look, Heartie Anne: 1958-1960

Lukens, Glen: 1935-1936, 1938

McClanahan, Rue: 1980, 1985

McCloskey, Helen Hooper: 1979-1985

Maitland, Ruth: 1938, 1945

Martin, Olavee: 1989-1990

Morrow, Margo: 1935, 1937-1939, 1946

Murchie, Guy: 1980-1982, 1984-1986, 1988

Murphy, Bob and Ginny: 1965, 1981-1985, 1991

Natzler, Otto and Gertrude: 1983

Ninke, Geesche: 1985, 1987-1990, 1992

Nin, Anais: 1971, 1974-1975

Noyes, Frank: 1950-1952

Palmer, Herbert: 1973-1974

Padadena Art Museum: 1952, 1957

Patch, Margaret: 1971

Peterson, Susan: 1989

Phoenix Art Museum: 1960, 1967, 1973

Pole, Reginald: 1950, 1952, 1970-1971

Pole, Rupert: 1977

Ragan, Nell: 1971-1972

Rajagopal, D.: 1938, 1951, 1975, 1985

Rajagopal, Roselind: 1936-1937, 1940, 1955, 1972-1974, 1977

Reynolds, Wallace: 1937-1938

Rhodes, Lillyan and Daniel: 1983, 1986, 1989

Rosencranz, Esther: 1935-1948, 1950

San Francisco Museum of Art: 1953, 1956-1958, 1971

Santa Barbara Museum of Art: 1950, 1954, 1958, 1967-1968, 1972

Sasaki, George: 1981, 1983, 1989, 1992-1993

Skiles, Bob: 1951-1952, 1982

Sipprell, Texana: 1947, 1958-1960

Stern Evelyn: 1977, 1992

Story, Ala: 1965, 1967

Takaezu, Toshiko: 1988

Taylor, June: 1949-1951, 1952-1953, 1958

Tibbitt, Laurence: 1926

Tomlin, Lily: 1984, 1987

Vyas, P. K.: 1962-1965, 1967-1968

Wallace, Marlene: 1977, 1989

Warrington, A. P. and Betty: 1929-1930, 1932-1934, 1939

Wash, Connie: 1961

Watson, Steven: 1988-1989

Webb, Aileen: 1947, 1950-1951, 1965, 1967-1968

Webster, Win: 1990, 1992

Weidemann, William: 1945, 1947

Weightman-Smith, Michael (Michael O'Shaughnessy): 1930, 1933-1934, 1936-1948, 1950, 1956, 1982

Wilkie, Margo: 1980, 1986-1986, 1989, 1991-1992

Wood, Carrara R. (Wood's mother): 1930-1936

Wright, Lloyd: 1947, 1969

Zook, Edgar: 1926, 1936-1943, 1947, 1967
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

The unprocessed addtion to this collection is currently closed for processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beatrice Wood papers, 1906-1998, bulk 1930-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodbeat, Subseries 2.1
See more items in:
Beatrice Wood papers
Beatrice Wood papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90f6da702-9494-4690-bec3-5c947875c15c
EDAN-URL:
ead_component:sova-aaa-woodbeat-ref41

Inventory - Exhibition of Indian Craft and Tribal Art at Santa Barbara Museum of Art

Collection Creator:
Wood, Beatrice  Search this
Container:
Box 10, Folder 21
Type:
Archival materials
Date:
1967
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

The unprocessed addtion to this collection is currently closed for processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beatrice Wood papers, 1906-1998, bulk 1930-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Beatrice Wood papers
Beatrice Wood papers / Series 3: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d6c93f16-f1a1-4c2c-afdc-2a90ad8740f3
EDAN-URL:
ead_component:sova-aaa-woodbeat-ref544

Loan - Indian Crafts and Tribal Art to Santa Barbara Museum of Art

Collection Creator:
Wood, Beatrice  Search this
Container:
Box 10, Folder 30
Type:
Archival materials
Date:
1967
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

The unprocessed addtion to this collection is currently closed for processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beatrice Wood papers, 1906-1998, bulk 1930-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Beatrice Wood papers
Beatrice Wood papers / Series 3: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928cf1da5-6019-49c9-a902-b4300695eabe
EDAN-URL:
ead_component:sova-aaa-woodbeat-ref554

Academic Painting

Artist:
Rufino Tamayo, Mexican, b. Oaxaca, 1899–1991  Search this
Medium:
Oil on canvas
Dimensions:
25 3/4 x 21 7/8 in. (65.4 x 55.5 cm)
Type:
Painting
Date:
1935
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4873
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2b85ceefe-0ae9-45a6-aa46-1c451b0a1ee7
EDAN-URL:
edanmdm:hmsg_66.4873

Beach Life

Artist:
Karel Appel, Dutch, b. Amsterdam, 1921–2006  Search this
Medium:
Oil on canvas
Dimensions:
63 3/8 × 51 1/8 in. (161 × 130 cm)
Type:
Painting
Date:
1958
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.62
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Postwar European
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2da722d8a-55aa-428a-9be8-b16225872512
EDAN-URL:
edanmdm:hmsg_66.62

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