Search Results

Creator:

Braunstein/Quay Gallery  Search this

Subject:

Braunstein, Ruth  Search this

Voulkos, Peter  Search this

Shaw, Richard  Search this

Kienholz, Edward  Search this

Reddin-Kienholz, Nancy  Search this

Hardy, Don Ed  Search this

32 Main St. Gallery  Search this

Braunstein Gallery (San Francisco, Calif.)  Search this

Quay Ceramics Gallery (San Francisco, Calif.)  Search this

Quay Gallery (San Francisco, Calif.)  Search this

Ruth Braunstein's Quay Gallery (San Francisco, Calif.)  Search this

Citation:

Braunstein/Quay Gallery records, 1956-2011. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women art dealers  Search this

Theme:

Women  Search this

Art Gallery Records  Search this

Craft  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)8306

(DSI-AAA_SIRISBib)210477

AAA_collcode_braugall

Theme:

Women

Art Gallery Records

Craft

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210477

Creator:

Braunstein/Quay Gallery  Search this

Names:

32 Main St. Gallery  Search this

Braunstein Gallery (San Francisco, Calif.)  Search this

Quay Ceramics Gallery (San Francisco, Calif.)  Search this

Quay Gallery (San Francisco, Calif.)  Search this

Ruth Braunstein's Quay Gallery (San Francisco, Calif.)  Search this

Braunstein, Ruth, 1923-  Search this

Hardy, Don Ed  Search this

Kienholz, Edward, 1927-  Search this

Reddin-Kienholz, Nancy  Search this

Shaw, Richard  Search this

Voulkos, Peter, 1924-2002  Search this

Extent:

36.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1956-2011

Summary:

The Braunstein/Quay Gallery records measure 36.9 linear feet and date from 1956 to 2011. The records consist of administrative records, artist files, exhibition and event files, and financial records that shed light on the gallery's operations through correspondence, price lists, inventories, printed material, born digital material, photographs, and more.

Scope and Contents:

The Braunstein/Quay Gallery records measure 36.9 linear feet and date from 1956 to 2011. The records consist of administrative papers, artist files, exhibition and event files, and financial records that shed light on the gallery's operations through correspondence, price lists, inventories, printed material, born digital material, photographs, and more.

Administrative records consist of property records, advertising files, papers related to professional organizations, non-profits, 139 Spring Street Inc., and scant personal and professional papers from Ruth Braunstein. Correspondence files include letters exchanged between Braunstein and collectors, museums and galleries, artists, conservationists, and printers. Photographs found here depict the gallery's physical space as well as images captured during events, exhibitions, and installations from the 1960s to 1980s.

Artist files mostly include resumes or biographies, correspondence, price lists, newspaper clippings, exhibition announcements, press releases, and catalogs. Folders might also include press packets, a mixture of personal and professional correspondence; CDs, DVDs, photographs, slides, and negatives of artists, artwork, and gallery installations; exhibition material such as loan agreements, announcements and catalogs, reviews, and notices of sale; shipping and transportation papers; and financial records.

Exhibition and event files shed light on group exhibitions held at Braunstein/Quay and events and exhibitions held elsewhere that involved artwork or artists with Braunstein/Quay. Folders might include contracts and agreements, loan and shipping records, correspondence, printed material, photographs, born digital materials, financial papers, and artist resumes. Also found here are press releases, catalogs, announcement cards, and scant clippings from Braunstein/Quay's exhibitions. Financial records consist of artist statements, sales records, and bills for shipping, framing, conservation, and utilities.

Arrangement:

The collection is arranged as four series.

Series 1: Administrative Records, 1961-2009 (Box 1-4; 3.5 linear feet)

Series 2: Artist Files, 1956-2011 (Box 4-29, 39; 25.2 linear feet)

Series 3: Exhibition and Event Files, 1961-2010 (Box 29-33; 4.4 linear feet)

Series 4: Financial Records, 1965-1996 (Box 33-39; 3.8 linear feet)

Biographical / Historical:

Braunstein/Quay Gallery was a contemporary art gallery founded in 1961 in San Francisco, California, by Ruth Braunstein. An early proponent of sculptural clay, fiber art, art furniture, glass, and ceramic work as fine art, the gallery dealt with contemporary art in various mediums. Some of Braunstein/Quay's most well-known artists include Peter Voulkos, Richard Shaw, Robert Brady, John Altoon, Bruce Conner, and Mary Snowden.

Ruth Braunstein and Verna Are began renting a gallery space in Tiburon, California, in July 1961 under the name Gallery 32. Verna Are's expertise was in furniture and interior design items, while Braunstein's was contemporary fine art. Later in the summer of 1961, Braunstein changed the name to The Quay Gallery. She credited architect Raphael Soriano as having come up with the name. In the early 60s, Braunstein developed relationships with others in the California art community, namely David Stuart, Jackie Anhalt, Felix Landau, and Rolf Nelson. Early artists at the gallery included Hal Riegger, Doris Aller, Igor Medvedev, Win NG, Jim Melchert, and Elton Bennet.

In May 1965, Braunstein moved the gallery to San Francisco. After fellow gallerist Jim Newman closed his gallery near Braunstein's in 1968, Braunstein began showing several of Newman's artists, including Richard Shaw, Bruce Conner, Jeremy Anderson, and Sidney Gordon. In 1968, the gallery had its first show of Peter Voulkos's work after agreeing to pay him a stipend for one year. Voulkos and Braunstein's relationship continued into the 2000s.

In 1970, Braunstein went into business with collector Rena Bransten to start Quay Ceramics Gallery. Silvia Brown was involved with the business for one year, and later, Bransten's daughter, Trish, became partners with Braunstein after her mother left. Ruth Braunstein still operated her art gallery, then named Braunstein Gallery, which had moved from its original location on Jerome Street to Sutter Street in San Francisco. Quay Ceramics Gallery was located next door. Several administrative changes and name variations occurred over the next few decades, but Braunstein kept its gallery space on Sutter Street until 1999.

In 1975, Ruth Braunstein joined gallerists Phyllis Kind from Chicago, Carl Solway from Cincinnati, and Ed Thorp from Santa Barbara to establish a gallery in New York called 139 Spring Street, Inc. They opened with a show of Peter Voulkos and Sam Tchakalian. Only Voulkos artwork sold; bought by fellow art dealer Grace Borgenicht. The partners dismantled the gallery coop four years later.

Braunstein/Quay promoted the San Francisco art scene and the careers of many artists for 50 years. In addition to the artists mentioned above, other artists influenced by Braunstein/Quay include Dominic DiMare, Gyongy Laky, Myra Block, Elin Elisofon, Robilee Frederick, Bean Finneran, David Anderson, Kimberly Austin, Arthur Okamura, Dennis Oppenheim, and Kyle Reicher. Braunstein/Quay, known to represent Braunstein's perspective on what she connotated as 'fine art,' exhibited works in the 1990s by tattoo artist Don Ed Hardy, and held a group show exhibiting works by tattoo artists, Out of Skin: Work by Tattooers (1996). Other unique shows included a group exhibition dedicated to dog imagery, The Dog Show, A Group Exhibition (1988); a group exhibition of book art, Redefining the Book (1994); and an exhibition of photographs of actress and Andy Warhol associate, Candy Darling, Candy Darling, Always a Lady (1997). In 2010, Cabrillo Gallery held a retrospective of Braunstein's career as a gallerist, Ruth Braunstein and the Braunstein Quay Gallery, 1961-Present.

Ruth Braunstein was born in Minneapolis in 1923. She pursued a career in modern dance, dancing professionally in Washington D.C. and at the Minneapolis Dance Center. She married Theodore Braunstein in 1943. They moved to San Francisco, California, in 1960 and had two children, born two years apart. Aside from her career as a gallerist, Braunstein gave lectures, juried art competitions, participated in workshops, and was involved in various professional art organizations. In the early 1970s, Ruth Braunstein, along with a group that included Michael Wallace, Jim Willis, Buzz Sawyer, and Helen Henninger, founded the San Francisco Art Dealers' Association. The association put on a series of Introductions exhibitions every July for artists who had never shown in San Francisco; these exhibitions ran until 2002. Braunstein was also a committee member for ArtTable and on the board of Fiberworks. She passed away in September, 2016.

Provenance:

The collection was donated in several installments from 1974 to 2011 by gallery director and owner Ruth Braunstein.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art dealers -- California -- San Francisco  Search this

Art dealers -- New York (State)  Search this

Topic:

Women artists  Search this

Women art dealers  Search this

Function:

Art galleries, Commercial -- California

Citation:

Braunstein/Quay Gallery records, 1956-2011. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.braugall

See more items in:

Braunstein/Quay Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94f7ea069-6662-4862-aa7b-3e2f82d90858

EDAN-URL:

ead_collection:sova-aaa-braugall

Creator:

Falkenstein, Claire, 1908-1997  Search this

Subject:

O'Donnell, May  Search this

Still, Patricia  Search this

Still, Clyfford  Search this

Sawyer, Kenneth B.  Search this

Guggenheim, Peggy  Search this

Green, Ray  Search this

Kuh, Katharine  Search this

Wildenhain, Frans  Search this

Tapie, Michel  Search this

Temko, Allan  Search this

Tobey, Mark  Search this

Pond Farm Workshop  Search this

Merging One Gallery  Search this

San Francisco Museum of Art  Search this

John Bolles Gallery (San Francisco, Calif.)  Search this

Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this

Martha Jackson Gallery  Search this

Malvina Miller  Search this

Los Angeles Museum of Art  Search this

Coos Art Museum  Search this

Galerie Anderson-Mayer  Search this

Galerie Stadler  Search this

Fresno Art Museum  Search this

Mills College  Search this

University of California, San Francisco. School of Fine Arts  Search this

Type:

Sketchbooks

Diaries

Scrapbooks

Interviews

Citation:

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.

Topic:

Art patronage  Search this

Artists' studios  Search this

Women artists  Search this

Women painters  Search this

Women designers  Search this

Women educators  Search this

Women authors  Search this

Theme:

Sketches & Sketchbooks  Search this

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6135

(DSI-AAA_SIRISBib)216351

AAA_collcode_falkclai

Theme:

Sketches & Sketchbooks

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216351

Interviewee:

López, Yolanda M., 1942-  Search this

Interviewer:

González, Jennifer, 1965-  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Yolanda M. López, 2019 Dec.7-2020 Mar. 24. Archives of American Art, Smithsonian Institution.

Topic:

Chicano movement  Search this

Women artists  Search this

Women educators  Search this

Theme:

Latino and Latin American  Search this

Women  Search this

Record number:

(DSI-AAA_CollID)21931

(DSI-AAA_SIRISBib)399156

AAA_collcode_lopez20

Theme:

Latino and Latin American

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_399156

Interviewee:

Lopez, Yolanda M., 1942-  Search this

Interviewer:

González, Jennifer, 1965-  Search this

Extent:

10 Items (sound files (7 hrs., 45 min.) Audio, digital, wav)

134 Pages (Transcript.)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2019 Dec.7-2020 Mar. 24

Scope and Contents:

An interview with Yolanda M. López conducted 2019 December 7- 2020 March 24, by Jennifer González, at López's home in San Francisco, California.

Biographical / Historical:

Interviewee Yolanda M. López (1942- ) is a political activist and artist in San Francisco, Calif. She is a prominent artist in the Chicano art movement. Interviewer Jennifer González (1965- ) is a professor of History of Art and Visual Culture at the University of California Santa Cruz.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Occupation:

Political activists -- California -- San Francisco  Search this

Topic:

Chicano movement  Search this

Women artists  Search this

Women educators  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.lopez20

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw988994971-0247-4b6c-91d5-ef17b84ec1ed

EDAN-URL:

ead_collection:sova-aaa-lopez20

Creator:

Falkenstein, Claire, 1908-1997  Search this

Names:

Coos Art Museum  Search this

Fresno Art Museum  Search this

Galerie Anderson-Mayer  Search this

Galerie Stadler  Search this

Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this

John Bolles Gallery (San Francisco, Calif.)  Search this

Los Angeles Museum of Art  Search this

Malvina Miller  Search this

Martha Jackson Gallery  Search this

Merging One Gallery  Search this

Mills College -- Faculty  Search this

Pond Farm Workshop  Search this

San Francisco Museum of Art  Search this

University of California, San Francisco. School of Fine Arts -- Faculty  Search this

Green, Ray, 1908-1997  Search this

Guggenheim, Peggy, 1898-1979  Search this

Kuh, Katharine  Search this

O'Donnell, May, 1906-2004  Search this

Sawyer, Kenneth B.  Search this

Still, Clyfford, 1904-  Search this

Still, Patricia  Search this

Tapie, Michel  Search this

Temko, Allan  Search this

Tobey, Mark  Search this

Wildenhain, Frans, 1905-1980  Search this

Extent:

42.8 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Diaries

Scrapbooks

Interviews

Date:

circa 1914-1997

bulk 1940-1990

Summary:

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Scope and Content Note:

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.

Arrangement:

The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)

Biographical Note:

Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.

Related Material:

The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.

Provenance:

The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- California  Search this

Painters -- California  Search this

Jewelers -- California  Search this

Educators -- California  Search this

Authors -- California  Search this

Topic:

Art patronage  Search this

Artists' studios  Search this

Women artists  Search this

Women painters  Search this

Women designers  Search this

Women educators  Search this

Women authors  Search this

Genre/Form:

Sketchbooks

Diaries

Scrapbooks

Interviews

Citation:

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Foundation.

Identifier:

AAA.falkclai

See more items in:

Claire Falkenstein papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9911c74ff-413b-4b54-9280-89c8b0480495

EDAN-URL:

ead_collection:sova-aaa-falkclai

Collector:

Archives Center, National Museum of American History  Search this

Collection Collector:

Archives Center, National Museum of American History  Search this

Collection Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Atlantic States Gay Rodeo Association (ASGRA)  Search this

Collection Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Extent:

176 Items

Type:

Archival materials

Letters

Date:

1945 to 1953

Scope and Contents:

These letters are clues to a secret life. This is a series of letters and addressed envelopes sent to Philip St. George (?-1997) of New York City who, from all indications, identified as being a closeted gay man. George's correspondents, who may have also have been gay or bisexual, tell of their experiences in the armed forces after World War II and their life after the war, 1945-1953.

Arrangement:

In Box 84, Folders 1 - 10.

Local Numbers:

AC1146-0000117-01 to AC1146-0000273 (AC Scan)

Restrictions:

Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

LGBT  Search this

Homosexuality  Search this

Genre/Form:

Letters

Collection Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 13: St. George, Philip / 13.1: Correspondence and envelopes

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep859ce5d95-b8bb-4f26-8d04-1541e00c1ac2

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref2773

Creator:

Siegriest, Louis Bassi, 1899-1989  Search this

United States. Works Progress Administration  Search this

Names:

Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this

Extent:

16 Posters (color silkscreen, 25 x 36 inches; 12x 18 inches)

Culture:

Anishinaabe (Chippewa/Ojibwa)  Search this

Apache  Search this

Diné (Navajo)  Search this

Haida  Search this

Eskimos  Search this

Pomo  Search this

Pueblo  Search this

Seneca  Search this

Type:

Collection descriptions

Archival materials

Posters

Works of art

Place:

San Francisco (Calif.)

North America

Date:

1939

Scope and Contents:

The collection consists of posters created for the Indian Court exhibit at the Golden Gate International Exposition. The posters were created as part of the Federal Art Project (FAP) of the Works Progress Administration (WPA). The designs were adapted by Louis Siegriest from work produced by indigenous artists. The artists who contributed resource material received limited recognition for their work; some remain unknown.

Siegriest created eight (8) posters for the Indian Court exhibit. This collection includes one complete set of all eight (8) posters and one (1) explanatory label, and one incomplete set of seven (7) posters.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Biographical Note:

Louis Bassi Siegriest (1899-1989) was an American painter and commerical artist based in California.

Historical Note:

The Golden Gate International Exposition (1939=1940) was a World's Fair celebrating "Pacific Unity" and the opening of the San Francisco–Oakland Bay Bridge and the Golden Gate Bridge.

Local Numbers:

NAA MS 4883

Related Materials:

The Archives of American Art holds the Louis Siegriest papers and an Oral history interview with Louis Siegriest.

Provenance:

The provenance of the collection is unknown. It is possible that the two sets of posters were received from different sources.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Works of art

Posters

Citation:

MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4883

See more items in:

MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw316518c2d-b47b-442f-9cc0-a919aaf05f5a

EDAN-URL:

ead_collection:sova-naa-ms4883

Subject:

Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this

Physical description:

68 pages, 34 leaves of plates illustrations 20 x 28 cm

Type:

Books

Place:

California

Lassen Co

North America

Date:

1972

1915

Topic:

Basketwork  Search this

Indian baskets  Search this

Vannerie  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1164481

Creator:

Hough, Walter (Collector)  Search this

Names:

Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this

Collection Creator:

Smithsonian Institution. Bureau of American Ethnology  Search this

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Extent:

1 Photographic print (006 in x 004 in mounted on 006 in x 004 in)

Container:

Box XV:30, Folder 1

Culture:

Diné (Navajo)  Search this

American Indian -- Pueblo  Search this

Indians of North America -- Southwest, New  Search this

Type:

Archival materials

Photographic prints

Photographs

Postcards

Date:

1915

Scope and Contents:

Woman, Child, and Man in Native Dress Outside Silversmith's Booths, Looking West Towards Pueblos

Local Numbers:

NAA INV.02290300

Local Note:

Black and white photoprint

Place:

California -- San Francisco

Topic:

Navaho  Search this

Genre/Form:

Photographs

Postcards

Citation:

Photo Lot 24 SPC Sw Navaho No # Habitations 02290300, National Anthropological Archives, Smithsonian Institution

See more items in:

Photographs of Native Americans and Other Subjects

Photographs of Native Americans and Other Subjects / Series 1: America north of Mexico / Southwest / Navaho

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3dd4d8802-1d9b-40ab-8900-a8e1de220ae1

EDAN-URL:

ead_component:sova-naa-photolot-24-ref20174

Creator:

Archives of American Art  Search this

Type:

Interviews

YouTube Videos

Uploaded:

2020-11-30T05:05:23.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

SmithsonianAAA

Data Source:

Archives of American Art

YouTube Channel:

SmithsonianAAA

EDAN-URL:

edanmdm:yt_uoWT2S7iOTg

Creator:

Cravath, Dorothy, 1901-1974  Search this

New Deal and the Arts Oral History Project  Search this

Interviewer:

Martin, Minette  Search this

Names:

New Deal and the Arts Oral History Project  Search this

University of California, San Francisco. School of Fine Arts  Search this

Rivera, Diego, 1886-1957  Search this

Extent:

11 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 May 13-27

Scope and Contents:

An interview of Dorothy Cravath conducted 1964 May 13 - 27, by Minette Martin for the Archives of American Art.

Interview conducted at the home of Leota Molten in Berkeley, California. Cravath speaks of her youth and art education at the California School of Fine Arts; painting murals for the Federal Art Project; and restoring the murals at Coit Tower. She recalls Diego Rivera and discusses his influence on muralists.

Biographical / Historical:

Dorothy Cravath (1901-1974) was a mural painter in San Francisco, California.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 55 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Muralists -- California -- San Francisco  Search this

Topic:

Federal aid to the arts  Search this

Mural painting and decoration  Search this

Coit Memorial Tower (San Francisco, Calif.)  Search this

Women artists  Search this

Women painters  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.cravat64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9393907bf-e0df-4787-bdcb-77bc9c8ae867

EDAN-URL:

ead_collection:sova-aaa-cravat64

Interviewee:

Hamlin, Edith  Search this

Cravath, Dorothy, 1901-1974  Search this

Interviewer:

Martin, Minette  Search this

Names:

Rivera, Diego, 1886-1957  Search this

Extent:

1 Sound tape reel (Sound recordings, 7 in.)

10 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound tape reels

Pages

Sound recordings

Interviews

Date:

1964 May 27

Scope and Contents:

An interview of Edith Hamlin and Dorothy Cravath conducted 1964 May 27, by Minette Martin, for the Archives of American Art.

Biographical / Historical:

Edith Hamlin (1902-1992) was a mural painter from San Francisco, Calif.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 54 min.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Occupation:

Muralists -- California -- San Francisco  Search this

Painters -- California -- San Francisco  Search this

Topic:

Art and state -- California -- San Francisco  Search this

New Deal, 1933-1939  Search this

Federal aid to the arts  Search this

Federal aid to the public welfare  Search this

Mural painting and decoration  Search this

Women artists  Search this

Women painters  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.hamlin64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a2270b1f-6ead-491c-8763-4e7df209f3ef

EDAN-URL:

ead_collection:sova-aaa-hamlin64

Subject:

James, Alexander  Search this

James, Frederika Paine  Search this

Type:

Photographs

Place:

San Francisco, Calif.

Date:

1922

Citation:

Photograph of Fredericka James with baby, 1922. Alexander Robertson James papers, circa 1885-1986. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)6261

See more items in:

Alexander Robertson James papers, circa 1885-1986

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_6261

Creator:

Hamlin, Edith  Search this

Subject:

Federal Art Project (Calif.)  Search this

Citation:

Edith Hamlin photographs of murals, 1937. Archives of American Art, Smithsonian Institution.

Topic:

Art and state -- California -- San Francisco  Search this

New Deal, 1933-1939  Search this

Federal aid to the arts  Search this

Federal aid to the public welfare  Search this

Mural painting and decoration  Search this

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

New Deal  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9826

(DSI-AAA_SIRISBib)212288

AAA_collcode_hamledit

Theme:

Women

New Deal

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212288

Interviewee:

Hamlin, Edith  Search this

Interviewer:

Martin, Minette  Search this

Subject:

Cravath, Dorothy, 1901-1974  Search this

Rivera, Diego  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Edith Hamlin and Dorothy Cravath, 1964 May 27. Archives of American Art, Smithsonian Institution.

Topic:

Art and state -- California -- San Francisco  Search this

New Deal, 1933-1939  Search this

Federal aid to the arts  Search this

Federal aid to the public welfare  Search this

Mural painting and decoration  Search this

Women artists  Search this

Women painters  Search this

Theme:

New Deal  Search this

Women  Search this

Record number:

(DSI-AAA_CollID)12280

(DSI-AAA_SIRISBib)215779

AAA_collcode_hamlin64

Theme:

New Deal

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_215779

Creator:

Sinton, Nell, 1910-1997  Search this

Sinton, Stanley H., d. 1954-  Search this

Subject:

DeFeo, Jay  Search this

Hedrick, Wally  Search this

Citation:

Nell (Eleanor) and Stanley Sinton papers, [circa 1920]-1993. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10238

(DSI-AAA_SIRISBib)213329

AAA_collcode_sintnell

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213329

Creator:

Sinton, Nell, 1910-1997  Search this

Sinton, Stanley H., d. 1954  Search this

Names:

DeFeo, Jay, 1929-1989  Search this

Hedrick, Wally, 1928-2003  Search this

Extent:

7.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

[circa 1920]-1993

Scope and Contents:

The Nell (Eleanor) and Stanley Sinton papers measure 7.9 linear feet and date from circa 1920-1993. Included are biographical material; personal and professional correspondence; a bound copy of "Nell Sinton, An Adventurous Spirit: The Life of A California Artist," (oral history, University of California, Berkeley, 1993); an album, "Happy School Days," (c. 1920s); writings; financial material; teaching material, including lecture, workshop and seminar outlines, lesson plans, writings, and notes; personal photographs and a family photo album and color slides and transparencies of Sinton's work; scrapbooks containing printed articles; works of art consisting of a portfolio of drawings, sketches, gouaches, and mixed media paintings; and an appraisal of the Sinton Art Collection; printed material consisting of exhibition catalogs and announcements for Sinton and other artists. Motion picture films include footage by Coni Beeson of Sinton at work with Delia Moon, and "Scroll: The Social Development of an American Female" (1976). A small portion of the material including letters from Jay DeFeo and Wally Hedrick (DeFeo's former husband) to Eleanor (Nell) and Stanley Sinton concerning her finances, personal and professional life (including Christmas cards and invitations to parties); and exhibition announcements can be found on microfilm reel 858.

Biographical / Historical:

Nell (Eleanor) Sinton (1910-1997) was a painter, collector and educator in San Francisco, Calif.

Related Materials:

Also in the Archives lent for microfilming on reel 860 are correspondence, some relating to the San Francisco Hall of Justice mural and the controversy surrounding the choice of John Garth as artist; a scrapbook containing correspondence, drawings, and printed material; and exhibition catalogs, announcements, and printed material

Provenance:

In 1974 Sinton donated papers on reel 858 and lent for microfilming papers on reel 860. She donated motion picture film and 0.4 feet of additional papers between 1974 and 1978. Additions were received in 1999 from the daughters of Nell Sinton, Joan Dodd and Margot Biestman.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.

Occupation:

Painters -- California -- San Francisco  Search this

Educators -- California -- San Francisco  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Identifier:

AAA.sintnell

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw910670022-7790-48ca-9d02-c445bf1e9e3a

EDAN-URL:

ead_collection:sova-aaa-sintnell

Creator:

Morgan, Nathan W.  Search this

Names:

American Bridge Company  Search this

Bureau of Public Roads  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

10 Cubic feet (29 boxes)

Type:

Collection descriptions

Archival materials

Clippings

Drawings

Pamphlets

Photographs

Reports

Road maps

Scrapbooks

Trade catalogs

Picture postcards

Place:

California

New York

San Francisco (Calif.)

Date:

1888-1972

bulk 1930s

Summary:

The papers contain materials relating to the design and construction of highway bridges.

Scope and Contents:

These papers contain materials relating to the design and construction of highway bridges in the United States. The materials consist of publications, reports, testing data, correspondence, photographs taken by Morgan depicting suspension, concrete arch, moveable, steel arch, timber, concrete, steel simple span, cantilever, and stone bridges.

Arrangement:

The collection is divided into four series.

Series 1: Bridges, 1888-1972

Series 2: Trade Literature, 1920-1959

Series 3: Photographs, 1921-1959

Series 4: Scrapbooks, 1916-1946

Biographical:

Nathan Wilson Morgan (b. 1891) was born in Downingtown, Pennsylvania and earned a B.S. in civil engineering from the University of Colorado in 1916. In 1922 he married Mabel M. Fand. He worked for the American Bridge Company from 1916-1925 and for the United States Bureau of Public Roads, Bridge Division from 1925-1961.

Related Materials:

Materials in the Archives Center

Berlin Construction Company Records, NMAH.AC.1032

Bollman Truss Bridge Collection, NMAH.AC.1064

Cummings Structural Concrete Company, NMAH.AC.0218

Foundation Company Records, NMAH.AC.0974

Modjeski and Masters Company Records, NMAH.AC.0976

The George S. Morison Collection, NMAH.AC.0978

Niagara Falls Bridge Commission Records, NMAH.AC.1060

John A. Roebling's Sons, NMAH.AC.0981

Quebec Bridge Photograph Collection, NMAH.AC.1026

Provenance:

Donated by Nathan W. Morgan to the National Museum of History and Technology (now the National Museum of American History), Division of Civil and Mechanical Engineering, in 1964.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Bridges -- Design and construction  Search this

Concrete bridges  Search this

Iron and steel bridges  Search this

Moveable bridges  Search this

Tunnels  Search this

welding  Search this

Suspension bridges -- Design and construction  Search this

Genre/Form:

Clippings -- 20th century

Drawings -- 20th century

Pamphlets -- 20th century

Photographs -- 20th century

Reports

Road maps -- United States

Scrapbooks -- 20th century

Trade catalogs

Picture postcards -- 20th century

Citation:

Nathan W. Morgan Papers, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0965

See more items in:

Nathan W. Morgan Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a3be6091-81e2-4858-acbc-529e7cfd89fd

EDAN-URL:

ead_collection:sova-nmah-ac-0965

Author:

Engelhardt, Zephyrin 1851-1934,  Search this

Subject:

San Francisco de Asís Mission (San Francisco, Calif.)  Search this

Physical description:

xv, 432 pages frontispiece, illustrations, folded plan 22 cm

Type:

Books

Publishers' advertisements

Place:

San Francisco, Calif

Illinois

Chicago

Date:

1924

Topic:

Geschichte  Search this

Katholische Kirche  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1164359