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Backgrounds for Better Living

Manufacturer:
Foto Murals of California  Search this
Medium:
Photomurals
Type:
Wallcoverings
Sample book
Object Name:
Sample book
Made in:
USA
Date:
1948
Credit Line:
Gift of Various Donors
Accession Number:
1980-78-1
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Wallcoverings Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1980-78-1
Online Media:

Milch Gallery records, 1911-1995

Creator:
Milch Gallery  Search this
Subject:
Barmore, Charles  Search this
Barr, Charles H.  Search this
Ballin, Hugo  Search this
Barlow, Myron  Search this
Baer, Martin  Search this
Ascher, Mary G. (Mary Goldman)  Search this
Azzaretti, Faust  Search this
Biddle, George  Search this
Blackburn, Morris  Search this
Bellows, George  Search this
Benson, Frank Weston  Search this
Baumann, Gustave  Search this
Barr, Norman  Search this
Barrymore, Lionel  Search this
Acheson, Alice  Search this
Aiken, Charles Avery  Search this
Albee, Grace  Search this
Twachtman, John Henry  Search this
Tryon, Dwight William  Search this
Trebilcock, Paul  Search this
Thayer, Abbott Handerson  Search this
Anderson, Karl  Search this
Warneke, Heinz (Heinrich)  Search this
Varian, Dorothy  Search this
Ufer, Walter  Search this
Weir, Julian Alden  Search this
Weir, John F. (John Ferguson)  Search this
Watkins, Franklin Chenault  Search this
Wiles, Irving Ramsay  Search this
Laufman, Sidney  Search this
Wiggins, Carleton  Search this
Appel, Marianne  Search this
Wickey, Harry  Search this
White, Henry Cooke  Search this
Zucker, Jacques  Search this
Woodward, Robert Strong  Search this
Waugh, Frederick Judd  Search this
Gonzalez, Xavier  Search this
Bacon, Peggy  Search this
Arms, John Taylor  Search this
Moffett, Ross  Search this
Milch, Edward  Search this
Moran, Thomas  Search this
Mora, F. Luis (Francis Luis)  Search this
Meyerowitz, William  Search this
Milch, Albert  Search this
Manship, Paul  Search this
Archipenko, Alexander  Search this
MacRae, Emma Fordyce  Search this
Beal, Reynolds  Search this
Metcalf, Willard Leroy  Search this
Melchers, Gari  Search this
Low, Will Hicok  Search this
Linde, Ossip L.  Search this
Lutz, Dan  Search this
Lucioni, Luigi  Search this
Woodward, Stanley Wingate  Search this
Lawson, Ernest  Search this
Lever, Hayley  Search this
Lie, Jonas  Search this
Kingman, Dong  Search this
Kroll, Leon  Search this
Kronberg, Louis  Search this
Wyeth, Andrew  Search this
Kupferman, Lawrence Edward  Search this
Ireland, Leroy  Search this
Judson, Alice  Search this
Kalish, Max  Search this
Katz, A. Raymond (Alexander Raymond)  Search this
Sheets, Millard  Search this
Heinz, Charles  Search this
Hennings, E. Martin  Search this
Henri, Robert  Search this
Hopkinson, Charles  Search this
Tanner, Henry Ossawa  Search this
Sterner, Albert  Search this
Sterne, Maurice  Search this
Speight, Francis  Search this
Speicher, Eugene Edward  Search this
Shuster, Will  Search this
Sharp, Joseph Henry  Search this
Shapiro, David  Search this
Schofield, Walter Elmer  Search this
Sawyer, Wells  Search this
Sample, Paul  Search this
Ryerson, Margery  Search this
Ryder, Chauncey F.  Search this
Rungius, Carl  Search this
Romano, Umberto  Search this
Redfield, Edward Willis  Search this
Ritschel, William  Search this
Pousette-Dart, Nathaniel  Search this
Pugh, Mabel  Search this
Pleissner, Ogden M.  Search this
Pollet, Joseph C.  Search this
Perrine, Van Dearing  Search this
Pittman, Hobson Lafayette  Search this
Parshall, DeWitt  Search this
Pearson, Ralph M.  Search this
Oberteuffer, Karl A. (Karl Amiard)  Search this
Ochtman, Leonard  Search this
Myers, Jerome  Search this
Adams, Charles L.  Search this
Nagler, Edith Kroger  Search this
Adams, Wayman  Search this
Murphy, Hermann Dudley  Search this
Murphy, John Francis  Search this
Curran, Charles C. (Charles Courtney)  Search this
Crane, Bruce  Search this
Davey, Randall  Search this
Daingerfield, Elliott  Search this
DeCamp, Joseph  Search this
De Groot, Adelaide Milton  Search this
Dessar, Louis Paul  Search this
Dehn, Adolf  Search this
Calder, Alexander Stirling  Search this
Butler, Howard Russell  Search this
Chamberlain, Samuel  Search this
Carroll, John  Search this
Christy, Howard Chandler  Search this
Cheffetz, Asa  Search this
Congdon, William  Search this
Cole, Alphaeus Philemon  Search this
Breckenridge, Hugh H. (Hugh Henry)  Search this
Bridgman, Frederick Arthur  Search this
Browne, George Elmer  Search this
Bruce, Edward  Search this
Brush, George de Forest  Search this
Buck, Claude  Search this
Burlin, Paul  Search this
Burr, George Elbert  Search this
Blakelock, Ralph Albert  Search this
Blanch, Arnold  Search this
Blanch, Lucile  Search this
Bluemner, Oscar  Search this
Pène Du Bois, Guy  Search this
Blumenschein, Ernest Leonard  Search this
Bohm, Max  Search this
Bohrod, Aaron  Search this
Bosa, Louis  Search this
Hart, George Overbury  Search this
Halpert, Samuel  Search this
Grosz, George  Search this
Gregory, Waylande  Search this
Heerman, Norbert Leo  Search this
Hassam, Childe  Search this
Haskell, Ernest  Search this
Hartmann, Sadakichi  Search this
Gaspard, Leon  Search this
Ganso, Emil  Search this
Gallagher, Sears  Search this
Fuchs, Emil  Search this
Gregory, John  Search this
Greenwood, Marion  Search this
Genth, Lillian Mathilde  Search this
Fechin, Nikolai Ivanovich  Search this
Fenton, Beatrice  Search this
Etnier, Stephen  Search this
Farnsworth, Jerry  Search this
Fredenthal, David  Search this
French, Daniel Chester  Search this
Fitzgerald, James  Search this
Flagg, James Montgomery  Search this
Dike, Phil  Search this
Donoho, Gaines Ruger  Search this
Dewing, Thomas Wilmer  Search this
Diederich, William Hunt  Search this
Eakins, Susan Macdowell  Search this
Duncan, Charles  Search this
Vonnoh, Robert William, 1858-1933  Search this
Milch Galleries  Search this
E. & A. Milch, Inc.  Search this
Type:
Gallery records
Photographs
Topic:
Gallery owners  Search this
Art -- Collectors and collecting  Search this
Art, American  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8207
(DSI-AAA_SIRISBib)210378
AAA_collcode_milcgall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210378
Online Media:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
Fitzgerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Painters -- New York (State)  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
World War, 1939-1945 -- Civilian relief  Search this
Labor unions  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Antikamnia Chemical Company, Antikamnia Tablets

Measurements:
overall: 5/8 in x 4 3/4 in x 2 1/8 in; 1.5875 cm x 12.065 cm x 5.3975 cm
Object Name:
Drug Kit, Sample
drug kit
medicine case, pocket
Date made:
before 1932
Credit Line:
Mr. Calvert L. Richardson
ID Number:
MG.M-14122
Catalog number:
M-14122
Accession number:
297970
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-5e7b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_724386
Online Media:

Crude (decolourised) Penicillin (Sodium Salt)

Physical Description:
penicillin, crude (drug active ingredients)
Measurements:
overall: 1 7/8 in x 7/8 in; 4.7625 cm x 2.2225 cm
Object Name:
Penicillin, Sample
antibiotic, sample
biological
Place Made:
United Kingdom: England, Oxford
Date made:
1941-03-28
Credit Line:
Sir William Dunn School of Pathology, University of Oxford, through Dr. N. G. Heatley; Accession 199422 (1953)
ID Number:
MG.M-06696
Catalog number:
M-06696
Accession number:
199422
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-4ecf-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_730404
Online Media:

biological; penicillin assay standards

Physical Description:
penicillin (drug active ingredients)
Measurements:
overall, large ampoule: 2 1/2 in x 1/4 in; 6.35 cm x .635 cm
overall, small ampoule: 2 in x 1/4 in; 5.08 cm x .635 cm
Object Name:
biological
penicillin assay standards
Place made:
United Kingdom: England, Oxford
Date made:
1940
Credit Line:
Sir William Dunn School of Pathology, University of Oxford, through Dr. N. G. Heatley; Accession 199422 (1953)
ID Number:
MG.M-06698
Catalog number:
M-06698
Accession number:
199422
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-68e1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_730418
Online Media:

penicillin, assay cylinder

Physical Description:
metal (overall material)
Object Name:
Penicillin, Assay Cylinder
Place made:
United Kingdom: England, Oxford
Date made:
1940
Credit Line:
Sir William Dunn School of Pathology, University of Oxford, through Dr. N. G. Heatley; Accession 199422 (1953)
ID Number:
MG.M-06697
Catalog number:
M-06697
Accession number:
199422
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-68e2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_730419

Doctor Dan the Bandage Man

Publisher:
Simon & Schuster  Search this
Printer:
Western Publishing Co., Inc.  Search this
Author:
Gaspard, Helen  Search this
Illustrator:
Malvern, Corinne  Search this
Physical Description:
paper (overall material)
ink (overall material)
Object Name:
book and drawing
Date made:
1950
Subject:
Children's Literature  Search this
Credit Line:
Gift of Western Publishing Company, Inc. (through Richard Bernstein)
ID Number:
COLL.GOLDNBK.000004
Accession number:
1992.0634
See more items in:
Cultural and Community Life: Entertainment
Popular Entertainment
Little Golden Books
Family & Social Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-b26e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1436626
Online Media:

Nurse Nancy

Publisher:
Simon & Schuster  Search this
Printer:
Western Publishing Co., Inc.  Search this
Illustrator:
Malvern, Corinne  Search this
Author:
Jackson, Kathryn  Search this
Physical Description:
paper (overall material)
ink (overall material)
Object Name:
book and drawings
Date made:
1952
Subject:
Entertainment, general  Search this
Children's Literature  Search this
Credit Line:
Gift of Western Publishing Company, Inc. (through Richard Bernstein)
ID Number:
COLL.GOLDNBK.000025
Accession number:
1992.0634
See more items in:
Cultural and Community Life: Entertainment
Popular Entertainment
Little Golden Books
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-e6de-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1444821
Online Media:

Doctor Dan the Bandage Man

Maker:
Simon and Schuster  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 8 in x 6 5/8 in x 3/8 in; 20.32 cm x 16.8275 cm x .9525 cm
Object Name:
Book
Place made:
United States: New York, New York City
Date made:
1950
Credit Line:
Gift of Western Publishing Company, Inc. (through Richard Bernstein)
ID Number:
1992.0634.024
Accession number:
1992.0634
Catalog number:
1992.0634.024
See more items in:
Cultural and Community Life: Entertainment
Popular Entertainment
Family & Social Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-5839-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1250769

Doctor Dan the Bandage Man

Maker:
Malvern, Corinne  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 8 5/8 in x 7 in; 21.9075 cm x 17.78 cm
Object Name:
Illustration
Date made:
1950
Credit Line:
Gift of Western Publishing Company, Inc. (through Richard Bernstein)
ID Number:
1992.0634.078
Accession number:
1992.0634
Catalog number:
1992.0634.078
See more items in:
Cultural and Community Life: Entertainment
Popular Entertainment
Family & Social Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-9b0b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1252869

Doctor Dan the Bandage Man

Author:
Gaspard, Helen  Search this
Illustrator:
Malvern, Corinne  Search this
Publisher:
Simon and Schuster  Search this
Maker:
Simon and Schuster  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 8 in x 6 5/8 in x 1/4 in; 20.32 cm x 16.8275 cm x .635 cm
Object Name:
Book
Place made:
United States: New York, New York City
Date made:
1950
ID Number:
1990.0375.07
Accession number:
1990.0375
Catalog number:
1990.0375.07
See more items in:
Cultural and Community Life: Entertainment
Popular Entertainment
Family & Social Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-4c7e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1289233

A Closer Look, Interactive Sample, undated

Collection Creator::
National Museum of African American History and Culture. Office of the Director  Search this
Container:
Box 3 of 7
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2032; Transferring office; 12/17/2015 memorandum, Milhoan to Thomas; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 19-201, National Museum of African American History and Culture. Office of the Director, Administrative Records
See more items in:
Administrative Records
Administrative Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa19-201-refidd1e1255

Folder 8 Circulars (sampled)

Collection Creator::
Smithsonian Institution. Office of the Secretary  Search this
Container:
Box 83 of 192
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 31, Smithsonian Institution, Office of the Secretary, Correspondence
See more items in:
Correspondence
Correspondence / Series 3: Records and Correspondence Relating to the Hodgkins Bequest and Prizes Subsequently Allocated from its Income, 1866-1916. / Box 83
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0031-refidd1e12943

Demi and Arturo Rodríguez papers

Creator:
Rodríguez, Arturo, 1956-  Search this
Demi, 1955-  Search this
Names:
Goldman, Shifra M., 1926-2011  Search this
Hassold, Cris  Search this
Kohen, Helen L.  Search this
Verdecia, Carlos, 1955-  Search this
Wojnarowicz, David  Search this
Extent:
6.42 Linear feet
12.79 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
circa 1957-2016
Summary:
The papers of Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.
Scope and Contents:
The papers of Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.

Personal and professional correspondence is with artists, curators, galleries, museums, art historians, and collectors, including Shifra M. Goldman, Cris Hassold, Helen L. Kohen, collectors Judith and Bill Ladner, Minuca Villaverde, and others. Interviews include video and sound recordings of Demi and Arturo discussing lives and artwork, as well as one interview with Carlos Verdecia Jr. about Arturo. Writings include statements on artwork and autobiographical essays, lectures and talks, and notes. Project files concern the exhibitions The Rage of Children (1991), Walls & Murals: Mike Glier, Arturo Rodríguez & David Wojnarowitz, and Far from Cuba. Other documentation includes a project overview for the Joan Mitchell Foundation, artwork for music album covers, and plans for a retrospective of Demi and Arturo's work that was cancelled due to lack of support.

Personal business records consist of files for donations, financial investments, gallery consignments, receipts, sales lists, and collector information. Printed material includes clippings, exhibition announcements and catalogs, journal and magazines, posters, programs, and several children's books illustrated by Arturo using the pseudonym Hieronimus Fromm. Artwork includes drawings and comics by Arturo, collages, drawings and sketches, and 30 sketchbooks belonging to Demi and Arturo. Photographic materials depict Demi and Arturo together and with others, Demi and Arturo's home and studio, exhibitions, still lives, travel, and works of art.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, circa 1957-2013 (Box 1; 4 folders)

Series 2: Correspondence, 1978-2015 (Box 1; 0.8 linear feet, ER01; 0.023 GB)

Series 3: Interviews, 1991-2010 (Boxes 1-2; 0.5 linear feet, ER02-ER07; 6.01 GB)

Series 4: Writings, circa 1975-2015 (Box 2; 0.3 linear feet, ER08; 0.012 GB)

Series 5: Project and Exhibition Files, 1986-2015 (Box 2; 0.8 linear feet, ER09-ER11; 0.607 GB)

Series 6: Personal Business Records, 1988-2012 (Boxes 2-3; 0.4 linear feet; ER12; 0.007 GB)

Series 7: Printed Material, 1979-2016 (Boxes 3-4, 7, OV 8; 0.5 linear feet)

Series 8: Artwork, 1963-2016 (Boxes 4-5, 7, OV 8; 1.5 linear feet)

Series 9: Photographic Material, 1977-2012 (Boxes 5-7; 1.5 linear feet, ER13-ER29; 6.13 GB)
Biographical / Historical:
Demi (1955- ) and Arturo Rodríguez (1956- ) are painters in Miami, Florida.

Demi was born in Camagüey, Cuba. In 1961, her father was executed by the Cuban government. Demi's mother struggled to take care of Demi and her sisters alone and Demi was sent to live with relatives in Puerto Rico in 1962. She came to the U.S. in 1971 where she was able to join her sisters and mother. Eventually Demi settled in Miami in 1978. She attended Miami-Dade College where she studied drama with the Prometeo Theater Group. In 1980, she met Arturo at one of his exhibitions. They married in 1984. Demi worked as a bookkeeper before she knew she could draw and paint. Her first attempts at creating art were in 1984 using a wedding photograph of herself and Arturo as her subject. Her first exhibition was in 1987 at the Cuban Museum in Miami. As she developed as an artist, children became the prime subjects in Demi's paintings. She was the recipient of the Florida State Visual Artist Grant for 1992 to 1993.

Arturo Rodríguez was born in Ranchuelo, Cuba, and showed an interest in art as a small child. Arturo and his family were exiled to Spain in 1971. While in Spain, his visits to see the paintings of Goya and Velázquez at the Prado Museum helped solidify his interest in art. Rodríguez settled in Miami with his family in 1973 where he eventually attended Miami Dade College. Arturo's works are often influenced by his relationship with Demi. In 1995, he created a series of collages using images of Demi as a way to deal with her cancer diagnosis. He has been the recipient of numerous awards including the prestigious Cintas Foundation Fellowship, Florida Arts Council Fellowships, and a Joan Mitchell Foundation grant.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Demi conducted on November 20, 1997 and an oral history interview with Arturo Rodríguez conducted on November 14, 1997 at Demi and Arturo's home/studio in Miami, F.L. by Juan A. Martínez for the Archives of American Art.
Provenance:
The papers were donated by Demi and Arturo Rodríguez in increments from 1997 to 2016.
Restrictions:
One folder of samples of payments for sales is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Authorization to reproduce a photograph of Demi by Ramon Guerrero for the purposes of publication requires written permission from Demi.
Occupation:
Painters -- Florida -- Miami  Search this
Topic:
Women artists  Search this
Cuban American artists  Search this
Genre/Form:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Demi and Arturo Rodríguez papers, circa 1957-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rodrartu
See more items in:
Demi and Arturo Rodríguez papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rodrartu

Howard W. and Jean Lipman papers

Creator:
Lipman, Howard, 1905-1992  Search this
Names:
Calder, Alexander, 1898-1976  Search this
Gaylor, Wood, 1883-1957  Search this
Huge, Jurgan Frederick, 1809-1878  Search this
Lipman, Jean, 1909-1998  Search this
Porter, Rufus, 1792-1884  Search this
Smith, David, 1906-1965  Search this
Extent:
46.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1848, 1916-2000
Summary:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.
Scope and Content Note:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000. A copy of an 1848 brochure, retained by Jean Lipman in her research and writings files accounts for the early span date listed in the title of the collection. The bulk dates for the collection are 1932 to 1992. The records include correspondence, notes and printed material that served as research and reference material, along with some financial material that documents the art collecting activities and interests of the Lipmans. The collection also contains writing and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected author.

The Personal Files describe the social activities and associations of the Lipmans and include biographical information, personal and family correspondence, gift giving activities, the art career of Jean Lipman, and relationships maintained by the Lipmans with various art organizations.

The Howard and Jean Lipman Art Collection Files describe the art collecting activities and interests of the Lipmans throughout their lifetime. The General Files section consists of reference files on art organizations and galleries with whom the Lipmans maintained relationships. Also included are particular topics or exhibitions of interest to the Lipmans. The Sculptors and Painters of Interest section served as reference files about the activities of artists in whom the Lipmans were interested and whose works they owned, or considered owning. The Folk Art Collection section documents the collecting and purchasing activities of the Lipmans as they amassed and then subsequently sold their two significant folk art collections.

The Artists Files document the friendship and projects that developed between the Lipmans and three major American artists: Alexander Calder, Louise Nevelson, and David Smith. Of special interest to researchers will be some original Calder artwork mixed into the correspondence between the Lipmans and Calder, as well as drawings, sketches, prints, and posters found in the associated oversize folder. Also found in the Calder subseries are some proofs from Calder's Circus, edited by Jean Lipman.

The Research and Writing Files is divided into five sections dealing with research and writing projects undertaken by Jean Lipman. The first three sections deal with biographical projects that resulted in books or articles about three significant American primitive artists: Jurgan Frederick Huge, Rufus Porter, and Samuel Wood Gaylor. The fourth section deals with writing projects that resulted in the publication of several generalized books on the topic of American folk art. The final section consists of materials associated with the published articles and other authored works of Jean Lipman on a variety of American art topics.

The Art in America Editorial Files consists of editorial material maintained by Jean Lipman during her tenure (1941-1971) as editor of Art in America. The Financial Files reflect the early financial activities of the magazine during the brief period when the Lipmans owned it.

During the period that Jean Lipman served as editor, a variety of distinguished art historians, artists, architects, novelists, and poets contributed articles, columns, or artwork to the magazine. A sampling of correspondents that can be found in the general correspondence of this series include: Joseph Albers, Marcel DuChamp, John Dos Passos, Nelson Rockefeller, Charles Sheeler, and Andrew Wyeth. The General Correspondence Files also document the two subsequent changes of ownership and the growth of subscribers that occurred during the period of Lipman's editorship.

Editorial material related to individual magazine issues is found within this series, as well as information pertaining to the innovative advertising and special projects undertaken by the magazine as it sought to expand its readership and prestige. The Art in America series also chronicles the changes at the magazine that led to Lipman's resignation as editor in 1971.
Arrangement:
The collection is arranged as five series. Arrangement is generally alphabetical by subject heading or type of material. Items within folders are arranged chronologically by year.

Series 1: Personal Files (Boxes 1-3; 3 linear ft.)

Series 2: Howard and Jean Lipman Art Collection (Boxes 3-15; 12 linear ft.)

Series 3: Artists Files (Boxes 15-18, 46-47, OV 50-52; 3.6 linear ft.)

Series 4: Research and Writings Files (Boxes 18-28, 48; OV 50, 53; 10.3 linear ft.)

Series 5: -- Art in America -- Editorial Files (Boxes 28-45; 49, OV 50; 17.3 linear ft.)
Biographical Note:
Howard W. and Jean Lipman shared a lifetime sponsorship of art. The Lipmans' personal art collection, acquired throughout their marriage, was eventually divided into three separate parts: The Howard W. Lipman Foundation collection that was donated and merged into the modern sculpture holdings of the Whitney Museum of American Art; an American folk art collection that was later sold through two separate auctions in 1950 and 1981 and is now part of the holdings of the New York Historical Association and the Museum of American Folk Art; and a personal collection that was retained and displayed in the Lipmans' various residences in Connecticut, New York, and Arizona.

Married in 1933, the Lipmans began jointly collecting American folk art at a time when few art museums or institutions recognized the historical and artistic value of early primitive, self-taught artists. By the late 1940s, the Lipmans had amassed a large, significant collection that was highly regarded for its quality and scope.

During the early 1950s, the Lipmans also began actively collecting sculpture, focusing upon American contemporary sculptors. In the late 1950s they created the Howard W. Lipman Foundation, with an initial inventory of forty sculptures and three paintings by contemporary American artists. The purpose of the foundation was to acquire significant works by emerging American sculptors and to make them available through loans or donations to various art institutions.

In 1965 the Howard W. Lipman Foundation approached the Whitney Museum of American Art with a proposal to coordinate the foundation's efforts and goals with the museum's contemporary sculpture program. The foundation offered a majority of its growing collection of sculpture and acquisition funds towards the development of the evolving permanent collection of the Whitney Museum of American Art. Thereafter, the Howard W. Lipman Foundation served in an advisory role to the museum's acquisitions, and the foundation supplied the necessary funds to acquire works of sculpture desired by the Whitney for its permanent collection.

In addition to their folk art and foundation collections, the Lipmans also acquired important works by Alexander Calder, Louise Nevelson, and David Smith, through their lifelong association and friendship with these artists. Many of these pieces were retained in the Lipmans' personal collection throughout their lives.

Individually the Lipmans also expressed their interest in art through various means. Jean Lipman served as editor of Art in America magazine from 1940 to 1970, which provided her with continuous exposure to emerging artists and trends in American art. Jean Lipman's abiding interest in folk and contemporary art was also expressed through her voluminous writings. Throughout her life she wrote and edited highly acclaimed books and articles about major themes and artists in American art, and she was a recognized folk art authority and connoisseur. Some of her best known works include: The Flowering of American Folk Art; Rufus Porter, Yankee Wall Painter; and Calder's Universe.

Jean Lipman, born in 1909, was also an amateur artist in her later years, creating paintings and assemblages that often dealt with the theme of "art about art." She was represented by a gallery in New York City, as well as one in Arizona, and she had several solo exhibitions.

Howard W. Lipman, born in 1905, showed an early interest in art. By the mid 1920s he had gone to Paris to study painting, but Lipman found himself more attracted to sculpture and he began studying with a German wood carver. In the late 1930s, after returning to the New York City area, Lipman began stone carving with the Clay Club on Eighth Street, adjacent to the Whitney Museum of American Art. He was represented by a New York City gallery and participated in local exhibitions.

Deciding that his sculptural talent was not sufficient for professional pursuit, Lipman began his business career as a stockbroker in Neuberger and Berman, a prominent New York investment management firm that he helped to establish in 1939. Lipman subsequently channeled his artistic endeavors toward collecting and supporting the work of established and emerging American sculptors. He also served on the boards of both the Whitney Museum of American Art and the Archives of American Art.

Howard and Jean Lipman maintained long and close relationships with three prominent American artists: Alexander Calder, Louise Nevelson, and David Smith. Jean Lipman, in particular, was involved in promoting and documenting Calder and his works through numerous articles, books, and exhibitions that she helped produce as editor of the magazine Art in America and publications director for the Whitney Museum of American Art. Calder's Universe, which she edited to accompany a major Whitney Museum of American Art retrospective exhibition of his works in 1976, was considered by Calder to be his "official" biography. The book went to fourteen printings, one of the largest ever, in the history of art books.

The Lipmans were also great admirers of Louise Nevelson and her work. They purchased her artwork for their own collection, as well as donating pieces to various art museums and institutions. Jean Lipman wrote articles about Nevelson and edited the book, Nevelson's World.

David Smith and the Lipmans established a friendship in the late 1950s that lasted until Smith's untimely death in May 1965. The Lipmans purchased several Smith sculptures, which they placed on the grounds of their Wilton, Connecticut, home. They also purchased Smith works for donation to public institutions, such as the Lincoln Center for the Performing Arts.

The Lipmans retired to Carefree, Arizona, a private residential community renowned for its sensitivity to ecologically-based, architectural design. Howard Lipman died in 1992. Jean Lipman remained active in art and community affairs until her death in 1998.
Provenance:
The papers of Howard and Jean Lipman were initially donated to the Archives of American Art by Howard and Jean Lipman from 1965-1989. Subsequent additions to the original gift were made by Jean Lipman in 1998 and by Peter and Beverly Lipman in 2001. Several small portions of these early accessions were microfilmed.

An associated gift that was originally accessioned as the Art in America Magazine Records was made by Howard and Jean Lipman from 1970-1973. This group, which largely consisted of Jean Lipman's editorial files from her years as editor of the magazine, was subsequently merged with the Howard W. and Jean Lipman records in 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Howard W. and Jean Lipman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, Primitive  Search this
Art -- Collectors and collecting  Search this
Folk art -- United States  Search this
Sculptors  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipmhowa
See more items in:
Howard W. and Jean Lipman papers
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Archives of American Art
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ead_collection:sova-aaa-lipmhowa
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