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Doll & Richards gallery records

Creator:
Doll & Richards (Gallery)  Search this
Names:
Azeez Khayat Gallery  Search this
Kleemann Galleries  Search this
Macbeth Gallery  Search this
Museum of Fine Arts, Boston  Search this
Chetcuti, John  Search this
Freiman, Robert  Search this
Goodrich, Lloyd, 1897-1987  Search this
Haseltine, William Stanley, 1835-1900  Search this
Homer, Winslow, 1836-1910  Search this
Lindenmuth, Tod  Search this
Meyerowitz, William, 1887-1981  Search this
Shepler, Dwight, 1905-  Search this
Verner, Elizabeth O'Neill, 1883-1979  Search this
Woodward, Stanley Wingate, 1890-1970  Search this
Wyeth, Andrew, 1917-2009  Search this
Zoehler, Wendell H., 1907-1989  Search this
Extent:
87.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Financial records
Date:
1863-1978
bulk 1902-1969
Summary:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.
Scope and Content Note:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.
Arrangement:
The collection is arranged as nine series:

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.
Historical Note:
The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.
Related Material:
Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.
Separated Material:
A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.
Provenance:
The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Doll & Richards gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Genre/Form:
Photographs
Scrapbooks
Financial records
Citation:
Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dollrich
See more items in:
Doll & Richards gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dollrich

Irving & Casson-A.H. Davenport Co. records, 1875-1974

Creator:
Irving & Casson-A.H. Davenport Co  Search this
Subject:
McGrath, Frank P.  Search this
National Shrine of the Immaculate Conception (Washington, D.C.)  Search this
Doten-Dunton Desk Co.  Search this
Irving & Casson (Firm)  Search this
Topic:
Furniture  Search this
Furniture design  Search this
Desks  Search this
Furniture -- Drawings -- Massachusetts -- Boston  Search this
Furniture -- Drawings -- New York (State) -- New York  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)9283
(DSI-AAA_SIRISBib)211478
AAA_collcode_irvicass
Theme:
Ephemera, Miscellany, and General Art Related
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211478

Doll & Richards gallery records, 1863-1978, bulk bulk 1902-1969

Creator:
Doll & Richards (Gallery)  Search this
Subject:
Meyerowitz, William  Search this
Shepler, Dwight  Search this
Verner, Elizabeth O'Neill  Search this
Homer, Winslow  Search this
Lindenmuth, Tod  Search this
Woodward, Stanley Wingate  Search this
Wyeth, Andrew  Search this
Zoehler, Wendell H.  Search this
Haseltine, William Stanley  Search this
Goodrich, Lloyd  Search this
Freiman, Robert  Search this
Chetcuti, John  Search this
Museum of Fine Arts, Boston  Search this
Kleemann Galleries  Search this
Macbeth Gallery  Search this
Azeez Khayat Gallery  Search this
Type:
Photographs
Scrapbooks
Financial records
Topic:
Art, American  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Record number:
(DSI-AAA_CollID)9315
(DSI-AAA_SIRISBib)211510
AAA_collcode_dollrich
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211510
Online Media:

Irving & Casson-A.H. Davenport Co. records

Creator:
Irving & Casson-A.H. Davenport Co  Search this
Names:
Doten-Dunton Desk Co.  Search this
Irving & Casson (Firm)  Search this
National Shrine of the Immaculate Conception (Washington, D.C.)  Search this
McGrath, Frank P.  Search this
Extent:
25 Linear feet ((partially microfilmed on 7 reels))
Type:
Collection descriptions
Archival materials
Date:
1875-1974
Scope and Contents:
Company records for Irving & Casson, Irving & Casson-A.H. Davenport Co., and Doten-Dunton Desk Co., including photographs, correspondence, sales records, sketches, and printed material.
REELS 150-151: Renderings (many in color), photographs, line drawings of furniture designed by Irving & Casson of Boston, ca. 1910-1960. Most of the designs are from the 1920s and 1930s.
REELS 1260-1264: Business correspondence and memoranda; financial records; subject files about furniture design projects for the Shrine of the Immaculate Conception, Washington, D.C., Eastern S.S. Lines, Inc., and others; clippings and printed material; sketches and blueprints of furniture designs; and photographs of furniture. Included are files and records of the Doten-Dunton Desk Co.
UNMICROFILMED: Sales records of Frank P. McGrath, Sr., chief salesman of Irving & Casson-A.H. Davenport Co. Included are records of sales to restaurants, shipping lines, hotels, colleges, and private residences; correspondence; watercolor and pencil designs; blueprints; photographs of works; fabric samples; invoices; order forms; packing lists; estimates; receiving slips; employee health and disability records; furniture catalogs; announcements; invitations; and calling cards.
Biographical / Historical:
Furniture designers; Boston, Mass., and New York, N.Y. Originally Irving & Casson. Eventually merged with A.H. Davenport Co. of New York City. Doten-Dunton Desk Co. is a related firm, using the same address as Irving & Casson.
Provenance:
Materials on reels 150-151 donated by the Misner Corp. doing business as Irving & Casson. Materials on reels 1260-1264 lent for microfilming 1977 by Douglas Clarke. Unmicrofilmed material donated 1978 by Frank P. McGrath.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Furniture  Search this
Furniture design  Search this
Desks  Search this
Furniture -- Drawings -- Massachusetts -- Boston  Search this
Furniture -- Drawings -- New York (State) -- New York  Search this
Decorative arts  Search this
Identifier:
AAA.irvicass
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-irvicass

American Scale and Service Company Records

Source:
Physical Sciences, Division of (NMAH, Smithsonian Institution).  Search this
Creator:
American Scale and Service Company  Search this
Former owner:
Physical Sciences, Division of (NMAH, Smithsonian Institution).  Search this
Extent:
0.66 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Sales records
Specifications
Invoices
Quantity surveys
Records
Place:
Kansas City (Mo.) -- 1910-1960
Date:
1912-1956
Scope and Contents note:
These records of this company, located in Kansas City, Missouri, include invoices; bills of material (quantity surveys); sales records with model name, number, date, customer; and promotional literature and specifications.
Arrangement:
1 series: 6 notebooks.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Scalemakers  Search this
Scales (Weighing instruments) -- 1910-1960  Search this
Scientific apparatus and instruments  Search this
Manufacturing -- 1910-1960  Search this
Genre/Form:
Sales records -- 1910-1960
Specifications
Invoices -- 20th century
Quantity surveys -- 1910-1960
Records -- 1910-1960
Citation:
American Scale and Service Company Records, 1912-1956, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0010
See more items in:
American Scale and Service Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0010

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