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Christ curing the Blind, (painting)

Artist:
Unknown  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Religion--New Testament--Christ  Search this
Figure group  Search this
State of Being--Disabled--Blind  Search this
State of Being--Phenomenon--Miracle  Search this
Control number:
AECI 03390078
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_70049

Untitled, (sculpture)

Title:
Strollers, (sculpture)
Sculptor:
Unknown  Search this
Medium:
Concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures-Relief
Sculptures
Owner/Location:
Administered by High Industries 1835 William Penn Way Lancaster Pennsylvania 17605
Located Greenfield Corporate Center William Penn Way & Greenfield Road Lancaster Pennsylvania
Date:
Installed April 14, 1989
Topic:
Figure group  Search this
Dress--Historic--Victorian Dress  Search this
Recreation--Leisure--Strolling  Search this
State of Being--Disabled--Physical Disability  Search this
Object--Toy--Balloon  Search this
Control number:
IAS PA001713
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_342353

Sea Anchor, Lockheed Sirius "Tingmissartoq"

Materials:
Canvas and hemp rope
Dimensions:
3-D (Flat): 102.2 × 48.3 × 3.8cm (40 1/4 × 19 × 1 1/2 in.)
3-D: 96.5 x 45.7cm, 0.9kg (38 x 18 in., 2lb.)
Type:
EQUIPMENT-Mission Support
Date:
1931-1933
Credit Line:
Transferred from the USAF Museum
Inventory Number:
A20030068012
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9dfcd7b0c-2db0-48b0-9544-c985687a09e9
EDAN-URL:
edanmdm:nasm_A20030068012
Online Media:

A Conversation with Chris Smither: The Influence of Folkways [Interview Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-11-30T18:19:11.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_ZKMhPwX6_I4

Dillard Chandler - "The Sailor Being Tired" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2009-04-02T20:01:27.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_nrVr5TpkfWE

Les Anxovetes — “El Meu Avi”

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-07-20T19:04:27.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_1YF4BBNvrMg

W.E.B. Du Bois: Recharting Modern Design

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2022-02-10T18:59:27.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_PZ0eCq_vKUg

Here's Your Letter Sailor

Creator:
National Postal Museum  Search this
Type:
YouTube Videos
Uploaded:
2009-06-02T23:28:41.000Z
YouTube Category:
Education  Search this
Topic:
Postal service;Letter mail handling;Stamp collecting  Search this
See more by:
SmithsonianNPM
Data Source:
National Postal Museum
YouTube Channel:
SmithsonianNPM
EDAN-URL:
edanmdm:yt_3UGmhH7QVXc

Firefighting on an Aircraft Carrier

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-12-14T19:00:01.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_5Sc9VcCQTVw

Time and Navigation - STEM in 30

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2015-09-09T20:37:01.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_geUwZ1gmrH4

This Sailor Got Sucked Inside a Fighter Jet Engine

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2018-05-11T15:30:01.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_AF55oyAJDBk

The Revolutionary Sailors of Kronshtadt

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2017-06-15T18:15:11.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_evpXz_-X6zs

The Mediterranean Was Not a Friendly Place for the Ancient Greeks | Smithsonian Channel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2023-01-23T17:00:25.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_mb_yAa0OzVo

The Lighthouse of Chania was a Beacon for Greek Ships 🇬🇷 Greek Island Odyssey | Smithsonian Channel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2023-03-16T16:00:37.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_rtEC5ifUCT4

Matching Songs of the British Isles and America

Performer:
MacColl, Ewan  Search this
Seeger, Peggy, 1935-  Search this
Producer:
Goldstein, Kenneth S., 1927-1995  Search this
Artist:
Seeger, Peggy, 1935-  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
British  Search this
Type:
Archival materials
Phonograph records
Place:
England
Great Britian
Contents:
The sweet kumadee -- The Golden Vanity -- His old gray beard kept waggin' -- Overshoes and leggins's --The gypsy laddie -- The black Jack Davy -- The Sheffield apprentice -- I was brought up in Cornwall --There was a puggie in a well -- Froggie went-courtin' -- My sailor boy -- Sweet William -- The fishes song --The fish of the sea -- Scarborough fair -- The cambric shirt.
Track Information:
101 The Sweet Kumadee / Ewan MacColl, Peggy Seeger.

102 The Golden Vanity (Child No. 286) / Ewan MacColl, Peggy Seeger.

103 His Grey Old Beard Kept Waggin' / Ewan MacColl, Peggy Seeger.

104 Overshoes and Leggins / Ewan MacColl, Peggy Seeger.

105 The Gypsy Laddie (Child No. 200)/ Ewan MacColl, Peggy Seeger.

106 The Black Jack Davy (Child No. 200)/ Ewan MacColl, Peggy Seeger.

107 The Sheffield Apprentice / Ewan MacColl, Peggy Seeger.

108 I Was Brought Up in Cornwall / Ewan MacColl, Peggy Seeger.

201 There Was a Puggie in the Wall / Ewan MacColl, Peggy Seeger.

202 Froggie Went A-Courtin' / Ewan MacColl, Peggy Seeger.

203 My Sailor Boy / Ewan MacColl, Peggy Seeger.

204 Sweet William / Ewan MacColl, Peggy Seeger.

205 The Fishes Song / Ewan MacColl, Peggy Seeger.

206 The Fish of the Sea / Ewan MacColl, Peggy Seeger.

207 Scarborough Fair (Child No. 2)/ Ewan MacColl, Peggy Seeger.

208 The Cambric Shirt (Child No. 2) / Ewan MacColl, Peggy Seeger.
Local Numbers:
FP-RINZ-LP-1134

Riverside.12637
Publication, Distribution, Etc. (Imprint):
New York Riverside
General:
Program notes by the editor on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Ballads  Search this
British Isles -- Songs and music  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-1134
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk56869e18d-168a-45c3-9b87-9afc64790173
EDAN-URL:
ead_component:sova-cfch-rinz-ref6629

Minstrel of the Appalachians

Performer:
Lunsford, Bascom Lamar, 1882-1973  Search this
Creator:
Goldstein, Kenneth S., 1927-1995  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
Appalachian Region, Southern -- Songs and music
United States
North Carolina
Date:
1959
Contents:
Poor Jesse James --Go to Italy --The merry golden tree (Child #286) --I shall not be moved --The derby ram --The old man from the North country --The miller's will --Sundown --Fly around, my blue-eyed girl --Black Jack Davy (Child #200) -- Weeping willow tree --Swing low, chariot --The sailor on the deep blue sea --John Henry.
Track Information:
101 Poor Jesse James / Banjo.

102 Go to Italy / Banjo.

103 Merry Golden Tree (Golden Vanity) (Child No. 286) / Banjo.

104 I Shall Not Be Moved / Banjo.

105 The Derby Ram / Banjo.

106 Old Man from the North Country (Child No. 10) / Banjo.

107 The Miller's Will / Banjo.

201 Sundown / Banjo.

202 Fly Around My Blue Eyed Girl / Banjo.

203 Black Jack Davy (Child No. 200) / Banjo.

204 Weeping Willow Tree / Banjo.

205 Swing Low Sweet Chariot / Banjo.

206 The Sailor on the Deep Blue Sea / Banjo.

207 John Henry / Banjo.
Local Numbers:
FW-ASCH-LP-2399

Riverside.12645
Publication, Distribution, Etc. (Imprint):
New York Riverside 1959
General:
Program notes by Kenneth S. Goldstein and Bascom Lamar Lunsford on slipcase. Performer(s): Sung by Bascom Lamar Lunsford, assisted by Mrs. Freda English, with guitar acc. by the latter. Production notes: Recorded Sept. 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Banjo music  Search this
Folk songs -- United States  Search this
Gospel music  Search this
Banjo  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-2399
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk56e365a35-aa60-4191-a27f-6a4377a1c00e
EDAN-URL:
ead_component:sova-cfch-asch-ref17278

Smoky Mountain Ballads: A Rare Collection of Early Folk Recordings

Creator:
Kahn, Ed, 1938-2002  Search this
Performer:
Macon, Uncle Dave, 1870-1952  Search this
Ledford, Steve  Search this
Mainer, Wade, 1907-2011  Search this
Morris, Zeke, 1916-1999  Search this
Smith, Arthur, 1898-1971  Search this
Puckett, Riley, 1894-1946  Search this
Tanner, Gid  Search this
Dixon Brothers  Search this
Monroe Brothers  Search this
Carter Family (Musical group)  Search this
J.E. Mainer's Mountaineers (Musical group)  Search this
Skillet Lickers  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
Appalachian Region, Southern -- Songs and music
United States
North Carolina
Tennessee
Texas
South Carolina
Kentucky
Virginia
Georgia
Date:
1964
Contents:
Cumberland Mountain deer race (Uncle Dave Macon) -- Riding on that train forty-five (Wade Mainer, Zeke Morris, Steve Ledford) -- Down with the old canoe (Dixon Brothers) -- Chittlin' cookin' time in Cheatham County (Arthur Smith Trio) -- Where is my sailor boy? (Monroe Brothers) -- Worried man blues (Carter Family) -- On a cold winter's night (J.E. Mainer's Mountaineers) -- On Tanner's farm (Gid Tanner and Riley Puckett) -- Darling Corey (Monroe Brothers) -- I'm bound to ride (Arthur Smith Trio) -- Intoxicated rat (Dixon Brothers) -- Railroadin' and gamblin' (Uncle Dave Macon) -- The East Virginia blues (Carter Family) -- Ida Red (Gid Tanner and His Skillet Lickers) -- Down in the willow (Wade Mainer and Zeke Morris) -- There's more pretty girls than one (Arthur Smith Trio).
Track Information:
101 Cumberland Mountain Deer Race / Uncle Dave Macon. Banjo.

102 Train 45 / Steve Ledford, Wade Mainer, Zeke Morris. Banjo.

103 Down with the Old Canoe / Dixon Brothers. Banjo.

104 Chittlin' Cooking Time in Cheatham County / Arthur Smith. Fiddle.

105 Where is My Sailor Boy? / Monroe Brothers. Mandolin,Guitar.

106 Worried Man Blues / Carter Family.

107 On a Cold Winter's Night / J.E. Mainer's Mountaineers (Musical group). Banjo.

108 On Tanner's Farm / Riley Puckett, Gid Tanner. Banjo.

201 Darling Corey / Monroe Brothers. Mandolin,Guitar.

202 I'm Bound to Ride / Arthur Smith. Fiddle.

203 Intoxicated Rat / Dixon Brothers. Banjo.

204 Railroadin' and Gamblin' / Uncle Dave Macon. Banjo.

205 East Virginia / Carter Family.

206 Ida Red / Riley Puckett, Gid Tanner, Skillet Lickers. Banjo.

207 Down in the Willow Garden (Rose Connolly) / Wade Mainer, Zeke Morris. Banjo.

208 There's More Pretty Girls Than One / Arthur Smith. Fiddle.
Local Numbers:
FP-RINZ-LP-0540

RCA Victor.507
Publication, Distribution, Etc. (Imprint):
New York RCA Victor 1964
Date/Time and Place of an Event Note:
Recorded in: Texas, Tennessee, North Carolina, United States.
General:
Program notes by Ed Kahn on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Ballads  Search this
Folk songs -- United States  Search this
Bluegrass music  Search this
String band  Search this
Banjo  Search this
Violin  Search this
Mandolin  Search this
Guitar  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0540
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5564a606d-a904-4be4-b43f-fb2b3814dcac
EDAN-URL:
ead_component:sova-cfch-rinz-ref6097

Records of the Assistant Commissioner for the State of Texas Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869

Extent:
32 Reels
Type:
Collection descriptions
Archival materials
Reels
Date:
1865–1869
Summary:
The collection is comprised of digital surrogates previously available on the 32 rolls of microfilm described in the NARA publication M821. These digital surrogates reproduced the records of the Assistant Commissioner for the State of Texas, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869. The records consist of 10 volumes and some unbound documents. The volumes include letters and endorsements sent, orders issued, registers of letters received, and a "record of criminal offenses." The unbound documents consist primarily of letters and reports received.
Historical Note:
[The following is reproduced from the original NARA descriptive pamphlet for M821.]

HISTORY AND ORGANIZATION

The Freedmen's Bureau, as the Bureau was commonly known, was established in the War Department by an act of March 3, 1865 (13 Stat. 507), and extended twice by the acts of July 16, 1866 (14 Stat. 173), and July 6, 1868 (15 Stat. 83). Maj. Gen. Oliver Otis Howard, appointed Commissioner by the President in May 1865, served in that position throughout the life of the Bureau. In January 1869, in accordance with an act of July 25, 1868 (15 Stat. 193), its operations in the States were terminated except for educational functions and collection of claims. Remaining activities were terminated June 30, 1872, as required by an act of June 10, 1872 (17 Stat. 366).

Although the Bureau was part of the War Department, its work was primarily social and economic in nature. It cooperated with benevolent societies in issuing supplies to destitute persons and in maintaining freedmen's schools; supervised labor contracts between black employees and white employers; helped black soldiers and sailors to collect bounty claims, pensions, and backpay; and attended to the disposition of confiscated or abandoned lands and other property. In Texas, much of the Bureau's time and effort was expended in protecting freedmen from persecution, intimidation, and physical violence at the hands of whites or other freedmen.

The act of March 3, 1865, authorized the appointment of assistant commissioners to aid the Commissioner in supervising the work of the Bureau in the States. In Texas, operations began in September 1865 when Brig. Gen. Edgar M. Gregory took command as Assistant Commissioner and established headquarters at Galveston. Brig. Gen. Joseph Kiddoo relieved Gregory in May 1866 and was himself succeeded by Maj. Gen. Charles Griffin in January 1867, When Griffin died in office in September 1867, Maj. Gen. Joseph J. Reynolds assumed the duties of Assistant Commissioner but was absent from actual duty until November 1867; in the interim Lt. Charles Garretson, the Acting Assistant Adjutant General, acted as Assistant Commissioner. Upon his arrival, Reynolds moved the headquarters from Galveston to Houston, where it remained until the Bureau ended its operations in the State. In January 1869 Maj. Gen. Edward R. S. Canby succeeded Reynolds who subsequently resumed office in April and served until the Bureau, except for the Superintendent of Education, withdrew from Texas in May 1869.

Beginning in 1867 the Assistant Commissioners of Texas also served as the military commanders of Texas. The dual function of the Assistant Commissioners resulted in a succession of changes in the official headings used on correspondence and issuances. The title "Headquarters, Bureau R. F. & A. L." was changed in December 1867 to "Headquarters, Dist. Texas, Bureau R. F. & A. L." The heading "Headquarters, 5th Military Dist., Bureau R. F. & A. L." was used from August to December 1868, when the original heading was readopted. Although the Assistant Commissioners created and received records in both aspects of their dual capacities, they appear to have maintained separate sets of records for each.

The records that they created and received as military commanders of Texas are among Records of United States Army Continental Commands, 1821–1920, Record Group 393, and are not reproduced in this microfilm publication. The Assistant Commissioner's staff at various times consisted of an Assistant Adjutant General (or Acting Assistant Adjutant General), a Quartermaster and Disbursing Officer (or Assistant Quartermaster and Disbursing Officer, or Acting Assistant Quartermaster and Disbursing Officer), a Surgeon–in–Chief (or Chief Medical Officer), an Acting Assistant Inspector General (or Inspector), an Inspector of Schools, a Superintendent of Schools (or Superintendent of Education), and an Assistant Superintendent of Education. Upon occasion several of the offices were performed simultaneously by a single individual.

Subordinate to the Assistant Commissioner and his staff were the assistant superintendents, or subassistant commissioners as they later became known, who commanded the local field offices into which the state was divided for administrative purposes. Before 1867, one or more subassistant commissioners were assigned to particular county offices as was deemed appropriate by the Assistant Commissioner. On February 12, 1867, however, a circular letter issued by the Bureau headquarters in Washington directed that the states be divided into subdistricts consisting of counties designated by the Assistant Commissioner. Accordingly, on April 1, 1867, Assistant Commissioner Griffin issued a circular dividing Texas into 50 numbered districts (later called subdistricts); the number of these field offices was expanded to the maximum of 59 by August 1867.

Before this time, the activities of the Bureau had centered in the southeastern part of the state, but the numbered subdistricts represented an effort to distribute personnel and resources systematically throughout Texas. Each subdistrict was headed by a subassistant commissioner, some of whom had assistant subassistant commissioners as subordinates. The subassistant commissioners and their assistants were generally military officers or former military officers. At the outset of Bureau operations in Texas a number of Civil War Volunteer officers were utilized to fill the subordinate positions and were continued in office after they were mustered out of service. Other civilians, including citizens of Texas, also served in the subdistricts.

GENERAL RECORDKEEPING PRACTICES

The Assistant Commissioner corresponded extensively with his superior, Commissioner Howard, in the Washington Bureau headquarters, and with his subordinate officers in the field. Reports submitted to him by the subassistant commissioners and other subordinate staff officers provided the basis for reports to the Commissioner concerning Bureau activities in Texas. The Assistant Commissioner also corresponded with Bureau officials in other states, Army officers attached to the military commands in Texas, state officials and white citizens, and freedmen and other non–Bureau personnel. The letters varied in nature from complaints and reports of conditions to applications for jobs in the Bureau. Because the Assistant Adjutant General (or Acting Assistant Adjutant General) handled much of the mail for the Assistant Commissioner's office, outgoing letters often bore his signature and incoming communications were frequently addressed to him instead of the Assistant Commissioner.

The correspondence of the Assistant Commissioner was handled in accordance with typical 19th–century recordkeeping practices. Fair copies of outgoing letters were transcribed in letter books. Replies to incoming letters were frequently written on the letters themselves or on specially prepared wrappers. The replies, known as endorsements, were then copied into endorsement books, and the endorsed letter was returned to the sender or forwarded to another office. Endorsement books usually included a summary of the incoming letter and sometimes previous endorsements that were recorded on it. Incoming correspondence was frequently entered in registers of letters received. In addition to a summary of the contents of the incoming letters, the registers usually included such identifying information as the name and sometimes the office of the writer, the date of receipt, the date of the communication, the place of origin, and the entry number assigned at the time of receipt. The registered letters were folded for filing, generally in three segments, and the information recorded in the registers was transcribed on the outside flap of the letters.

The letters and endorsements sent, registers of letters received, and registered letters received, which are reproduced in this publication, are cross–referenced to each other by the use of various symbols. Letters sent are designated L. S. or L. B. followed by the page and sometimes the volume number. Endorsement books are variously designated E. B., E. M. B., E. & M., and E. & M. B. Registers of letters received are referenced as L. R. or R. L. R. followed by the appropriate file number and sometimes the volume number, or simply by the file number. Frequently the letter itself can be located among the series of registered letters received. Letters sent and endorsements are also cross–referenced to the previous and subsequent entries in their respective series by the use of a fractional symbol. The numerator denotes the previous letter to or endorsement by a particular individual and the denominator refers to the subsequent one. The symbols generally appear in the left margins of the pages, but sometimes within the space allotted for the entry.

The Assistant Commissioner utilized various types of issuances to convey information to staff and subordinate officers. General orders and circulars or circular letters related matters of general interest, including the implementation of Bureau policies throughout the state, duties of subordinate personnel, administrative procedures to be followed, relevant acts of Congress or issuances from Bureau headquarters in Washington, and the appointment or relief of staff officers. Special orders were used to communicate information of less general interest, such as duty assignments of individual field officers.

The letters sent, endorsements, registers of letters received, and issuances all have name indexes in the front of the volumes. These finding aids provide references mainly to personal names but also include a few other citations to places, groups, and titles of organizations.

The volumes reproduced in this publication were originally arranged by type of record and thereunder by volume number. Originally no numbers were assigned to series consisting of single volumes; later all volumes were arbitrarily assigned numbers by the Adjutant General's Office of the War Department after the records passed into its custody. In this microfilm publication the set of numbers last assigned are in parentheses and are useful as an aid in identifying the volumes. In some volumes, particularly in indexes and alphabetical headings of registers, there are a number of blank numbered pages that have not been filmed.
Related Materials:
See also Freedmen's Bureau Digital Collection
Provenance:
Acquired from FamilySearch International in 2015.
Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Topic:
American South  Search this
Freedmen's Bureau  Search this
Reconstruction, U.S. history, 1865-1877  Search this
Slaves -- Emancipation  Search this
Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M821
See more items in:
Records of the Assistant Commissioner for the State of Texas Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io34d7aea38-8b72-4c64-b7ce-259db86c8d1e
EDAN-URL:
ead_collection:sova-nmaahc-fb-m821
Online Media:

Folk and Primitive: Ireland

Producer:
Lomax, Alan, 1915-2002  Search this
Performer:
McDonagh, Sean  Search this
Ennis, Seamus (liner notes)  Search this
O'Sullivan, Maire  Search this
Moriarty, Sean  Search this
Cronin, Elizabeth, 1879-1956  Search this
Gallagher, Kitty  Search this
Doherty, Mickey, 1894-1970  Search this
Cronin, Mickey  Search this
Joyce, Mary  Search this
Keane, Colm  Search this
Barry, Margaret, 1917-1989  Search this
McDonagh, Johnny  Search this
Folan, Steven  Search this
Moynihan, Kate  Search this
Keohane, Maire  Search this
Cronin, Gubnait  Search this
Ballinakill Ceili Band  Search this
Creator:
Roberts, Robin (liner notes)  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Irish  Search this
Type:
Archival materials
Phonograph records
Place:
Ireland
Great Britian
Contents:
An cailirn aerach (Maire O'Sullivan (Marire Nir Shurilleabharin)) -- The banks of the roses / Seamus Ennis -- An binnsirn luachra (Maire O'Sullivan (Marire Nir Shurilleabharin)) -- The brown thorn (Sean Moriarty -- Sack of potatoes & maid of Mount Kisco (Ballinakill Ceilidhe Band) -- Dance to your daddy ; Cucanandy (Elizabeth Cronin) -- An Mhaighdean Mhara (Kitty Gallagher (Citir Nir Ghallchorir)) -- The fairy lullaby (Maire O'Sullivan (Marire Nir Shurilleabharin)) -- The fox chase (Mickey Doherty) -- The rocks of Bawn (Seamus Ennis) -- Amhrarn fosuirochta (Maggie McDonagh, Maigir Nir Dhonchadha)) -- The bold tenant farmer (Mickey Cronin) -- The lark in the morning (Ballinakill Ceilidhe Band) -- Connla (Mary Joyce (Marire Seoighe)) -- Bean Pharidirn (Colm Keane (Colm Or Caoidhearn)) -- She moved through the fair (Margaret Barry) -- Morrissey and the Russian sailor (Johnny McDonagh (Searn 'ac Dhonnchadha) -- The copperplate reel (Seamus Ennis, Steven Folan (Stiofan Or Cualarin) -- Whiskey in the jar (Seamus Ennis) -- Mo ghrardh-sa an jug morr is er Larn (Kate Moynihan (Carit Nir Mhuimhneacharin)) -- The woman of the house (Seamus Ennis) -- Cois abhainn na serad (Maire Keohane (Marire Nir Cheocharin)) -- Innsin Bheril Artha 'n Ghaorthaidh (Gubnait Cronin, Gobnait Nir Chronirn)) -- Citir na gcumann (Maire O'Sullivan (Marire Nir Shurilleabharin)) -- Molly Bawn (Seamus Ennis) -- The lament for Una Bharn (Sean McDonagh (Searn. Mac Donnchadha)) -- Keen for a dead child (Kitty Gallagher (Citir Nir Ghalchorir)) -- Where you at the rock? (Seamus Ennis) -- Soldier, soldier (Colm Keane (Colm Or Caoidhearn)) -- What would you do? (Elizabeth Cronin) -- Mrs. McGrath (Seamus Ennis) -- The death of Brugh (Johnny McDonagh (Searn 'ac Dhonnchadha)) -- The Bucks of Oranmore / (Seamus Ennis).
Track Information:
101 Cailin Aerach, An (The Airy Girl) / Maire O'Sullivan. Vocals. Scottish Gaelic language.

101 The Banks of the Roses / Seamus Ennis. Vocals. English language.

101 Binnsin Luachra, An (The Little Bench of Rushes) / Maire O'Sullivan. Vocals. Scottish Gaelic language.

101 The Brown Thorn / Sean Moriarty. Fiddle. English language.

101 Sack of Potatoes / Ballinakill Ceili Band. Fiddle,Flute,Accordion. English language.

102 Dance to Your Daddy / Elizabeth Cronin. Vocals. English language.

102 Cucanandy / Elizabeth Cronin. Vocals. Scottish Gaelic language.

102 Maighdean Mhara, An (The Mermaid's Song) / Kitty Gallagher. Vocals. Scottish Gaelic language.

102 The Fairy Lullaby / Maire O'Sullivan. Vocals. Scottish Gaelic language.

103 The Fox Chase / Mickey Doherty. Fiddle.

103 The Rocks of the Bawn / Seamus Ennis. Vocals.

103 The Bold Tenant Farmer / Mickey Cronin. Vocals.

103 The Lark in the Morning / Ballinakill Ceili Band.

103 Connla / Mary Joyce. Vocals. Scottish Gaelic language.

103 Bean Phaidin (Pat's Wife) / Colm Keane. Vocals. Scottish Gaelic language.

103 She Moved Through the Fair / Margaret Barry. Vocals,Banjo. English language.

201 Morrissey and the Russian Sailor / Johnny McDonagh. Vocals. English language.

201 The Copperplate Reel / Seamus Ennis, Steven Folan. Penny whistle. English language.

201 Whiskey in the Jar / Seamus Ennis. Vocals. English language.

201 Mo Ghradh-sa an Jug Mor is E (I Love a Big Full Jug) / Kate Moynihan. Vocals. Scottish Gaelic language.

201 The Woman of the House / Seamus Ennis.

201 Cois Abhainn na Sead (By the River of Gems) / Maire Keohane. Vocals. Scottish Gaelic language.

201 Innsin Bheil Atha'n Ghaorthaidh (The Little Inchof Ballingeary) / Gubnait Cronin. Vocals. Scottish Gaelic language.

201 Citi na gCumann (Kitty of Loves) / Maire O'Sullivan. Vocals. Scottish Gaelic language.

201 Molly Bawn / Seamus Ennis. Vocals. English language.

202 The Lament for Una Bhan / Sean McDonagh. Vocals. Scottish Gaelic language.

202 Keen for a Dead Child / Kitty Gallagher. Vocals. Scottish Gaelic language.

202 Were You at the Rock / Seamus Ennis.

202 Solider, Solider / Colm Keane. Vocals. English language.

202 What Would You Do / Elizabeth Cronin. Vocals. English language.

202 Mrs.McGrath / Seamus Ennis. Vocals. English language.

202 The Death of Brugh / Johnny McDonagh. Vocals. English language.

202 The Bucks of Oranmore / Seamus Ennis.
Local Numbers:
FW-ASCH-LP-1681

Columbia.204
Publication, Distribution, Etc. (Imprint):
New York Columbia
Date/Time and Place of an Event Note:
Recorded in: Ireland.
General:
Compiled and edited by Alan Lomax. Program notes by Alan Lomax and Seamus Ennis, with an introduction by Nicholas Carolan, and essay, "Recording in Ireland with Alan Lomax" by Robin Roberts ([38] p. : ports.) inserted in container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Ireland -- Songs and music  Search this
British Isles -- Songs and music  Search this
Vocals  Search this
Violin  Search this
Flute  Search this
Accordion  Search this
Banjo  Search this
Penny whistle  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-1681
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5df27cc3e-7788-4d06-8a27-b4ec9a7db767
EDAN-URL:
ead_component:sova-cfch-asch-ref16929

Ballad Record

Performer:
McCurdy, Ed, 1919-2000  Search this
Creator:
Leach, MacEdward, 1896-1967  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Pennsylvania
Date:
1955
Contents:
Sir Patrick Spens. Three ravens. Twa corbies. Get up and bar the door. Son Davie, son Davie. Unquiet grave. Bitter withy. Crow song. Black Jack Davie. Old bangum. High barbary. Brennan on the moor. William Glen. Butcher boy. Poor and single sailor. Springfield Mountain. John Henry. Canada I.O. Naomi Wise.
Track Information:
101 Sir Patrick Spens (Child No. 58) / Guitar.

102 Three Ravens, The (Child No. 26) / Guitar.

103 Twa Corbies, The (Child No. 26) / Guitar.

104 Get Up and Bar the Door (Child No. 275) / Guitar.

105 Son Davie, Son Davie (Child No. 13) / Guitar.

106 Unquiet Grave, The (Child No. 78) / Guitar.

107 The Bitter Withy / Guitar.

108 Crow Song (Child No. 26) / Guitar.

109 Black Jack Davy (Child No. 200) / Guitar.

110 Old Bangum (Child No. 18) / Guitar.

111 High Barbary / Guitar.

201 Brennan on the Moor / Guitar.

202 William Glen / Guitar.

203 The Butcher Boy / Guitar.

204 The Poor and the Single Sailor / Guitar.

205 Springfield Mountain / Guitar.

206 Springfield Mountain / Guitar.

207 John Henry / Guitar.

208 Canada I.O / Guitar.

209 Omie Wise / Guitar.
Local Numbers:
FW-ASCH-LP-1751

Riverside.12601
Publication, Distribution, Etc. (Imprint):
New York Riverside 1955
General:
Autobiographical note by Ed McCurdy and program notes by MacEdward Leach on container. Texts and editors's note (23 p.) inserted in container. Performer(s): Folk songs; sung, with guitar acc., by Ed McCurdy. Production notes: Recorded in NYC, Mar, 21 & 29, 1955.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folksong revival  Search this
Guitar  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-1751
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk573e51c46-1642-4956-a868-638cb9d11a65
EDAN-URL:
ead_component:sova-cfch-asch-ref16983

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