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Jane Sabersky papers, 1940-1972

Creator:
Sabersky, Jane, 1911?-1983  Search this
Subject:
Mies van der Rohe, Ludwig  Search this
Davis, Charles H. (Charles Harold)  Search this
Berman, Eugene  Search this
Albers, Josef  Search this
Valentin, Curt  Search this
Type:
Drawings
Topic:
Women art critics  Search this
Women art historians  Search this
Art, Modern -- 20th century  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)5690
(DSI-AAA_SIRISBib)208525
AAA_collcode_sabejane
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208525

Jane Sabersky papers

Creator:
Sabersky, Jane, 1911-1983  Search this
Names:
Albers, Josef  Search this
Berman, Eugene, 1899-1972  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Valentin, Curt, 1902-1954  Search this
Extent:
0.2 Linear feet ((on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1940-1972
Scope and Contents:
Letters from and material on Curt Valentin and Eugene Berman; and photographs of artists and others.
REEL 1617: 67 photographs of artists, 1940-1970, collected by Sabersky, including photos of Sabersky, Perry Rathbone, Curt Valentin, Jean Arp, Alexander Calder, Harry Grier, Karl Kup, Henry Moore, Mies Van der Rohe, Andrew Ritchie, David Smith, Marion Willard, Max Beckmann, Hedda Sterne, Haus Sur, Mary Callery, Quappi Kaulbach, Peter Humphries, Dan Johnson, Marini, Sert.
REEL 3471: Nineteen letters from Eugene Berman, 1965-1970, and 1 letter from Leonid Berman, 1972 Dec. 28, thanking her for her letter of sympathy on Eugene's death. Eugene writes lengthy letters about such matters as: his feelings about breaking with Knoedler Gallery and where to go next; the relationship between the gallery and the artists; arrangements for exhibitions of his work; the works of Christian Berard; the proposed Neoromantic exhibition at Princeton; personal matters; requests for her assistance in various matters; and his unsuccessful show at Larcada Gallery. He refers to Joseph Kelleher, Robert Tobin, Nathan Cummings, Frank Lloyd and Harry Brooks.
REEL 3589: 35 letters from Curt Valentin; 9 drawings by Valentin; letters of condolence sent to Sabersky upon Valentin's death; typescripts of Sabersky's memorial tribute to Valentin, 1954; 10 handwritten poems written by Josef Albers; and letters from Alexander Calder, Henry Dreyfuss, Karl Kup, Constantino Nivola, Erwin Panofsky, and Saul Steinberg.
Biographical / Historical:
Art historian, curator, and writer.
Provenance:
Donated 1974-1981 by Sabersky.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Drawings
Identifier:
AAA.sabejane
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97bb64a49-867b-498c-bb52-d5de36a162f8
EDAN-URL:
ead_collection:sova-aaa-sabejane

Perry Townsend Rathbone papers

Creator:
Rathbone, Perry Townsend, 1911-2000  Search this
Names:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Christie, Manson & Woods International Inc.  Search this
City Art Museum of St. Louis  Search this
Museum of Fine Arts, Boston  Search this
Beckmann, Max, 1884-1950  Search this
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Gonzalez, Xavier, 1898-1993  Search this
Howe, Thomas Carr, 1904-1994  Search this
Moore, Lamont  Search this
Parkhurst, Charles  Search this
Ritchie, Andrew Carnduff  Search this
Sabersky, Jane, 1911-1983  Search this
Stout, George L. (George Leslie)  Search this
Swarzenski, Hanns, 1903-1985  Search this
Valentin, Curt, 1902-1954  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Willard, Marian, 1904-  Search this
Wittmann, Otto, 1911-2001  Search this
Extent:
4.3 Linear feet (5 boxes, 1 OV)
Type:
Collection descriptions
Archival materials
Transcripts
Photographs
Interviews
Date:
1929-1985
Summary:
The papers of museum director Perry Townsend Rathbone measure 4.3 linear feet and date from 1929 to 1985. The papers document Rathbone's career as museum director of the City Art Museum of St. Louis and the Boston Museum of Fine Arts, and his later work with Christie's New York office. Found within the papers are biographical materials, correspondence with friends and colleagues, writings, professional and project files, printed materials, and photographs, mostly of exhibitions.
Scope and Contents:
The papers of museum director Perry Townsend Rathbone measure 4.3 linear feet and date from 1929 to 1985. The papers document Rathbone's career as museum director of the City Art Museum of St. Louis and the Boston Museum of Fine Arts, and his later work with Christie's New York office. Found within the papers are biographical materials, correspondence with friends and colleagues, writings, professional and project files, printed materials, and photographs, mostly of exhibitions.

Biographical materials contain curriculum vitae, biographical sketches, citations for honorary degrees and for Rathbone's appointment as Chevalier of the French Legion of Honor, a passport, a transcript of an interview with Rathbone and articles written by others about Rathbone, including one by S. Lane Faison.

Correspondence is with Rathbone's friends and colleagues. Notable correspondents include Max Beckmann, Xavier Gonzalez, Hanns Swarzenski, Curt Valentin, Jane Sabersky, William R. Valentiner, and Marian Willard, among others. Rathbone knew several art historians and conservators who served in the U.S. Army as members of the Monuments, Fine Arts and Archives Section, also known as the Monuments Men. Correspondence with these colleagues is arranged together as a subseries and includes correspondence with S. Lane Faison, Thomas Carr Howe, Lamont Moore, Charles Parkhurst, Andrew Ritchie, George Leslie Stout, and Otto Wittman. Most of the correspondence with other Monuments Men is post World War II.

Writings by Rathbone consist of student papers, typescript drafts of articles and entries for exhibition catalogs, notes and notebooks from European trips, and lectures.

Professional files encompass a range of documents related to Rathbone's museum directorships, projects, travels and professional affiliations. The folders about his work at the City Art Museum of St. Louis and the Museum of Fine Arts in Boston include correspondence, reports, meeting minutes, press releases and notes. There are also folders on specific projects such as the renovation of the historic Dederer-Blodgett House and Rathbone's membership on various art commissions and committees. Also found within this series are correspondence, notebooks, receipts, itineraries and vouchers for Rathbone's business trips to Europe and other locations while working for the Boston Museum of Fine Arts.

Printed materials include news clippings, articles, press releases, a few art magazines and exhibition catalogues, and invitations to events. There are also black and white photographs of exhibitions, including a Max Beckmann exhibit, and a few images of Rathbone.
Arrangement:
The collection is arranged as 6 series.

Missing Title

Series 1: Biographical Materials, 1930-1982 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1940-1985 (1.1 linear feet; Box 1-2)

Series 3: Writings, 1929-1967 (0.8 linear feet; Box 2)

Series 4: Professional Files, 1938-1984 (2 linear feet; Box 2-4, OV 6)

Series 5: Printed Materials, 1954-1975 (0.2 linear feet; Box 4-5, OV 6)

Series 6: Photographs, 1936-1972 (0.1 linear feet; Box 5)
Biographical / Historical:
Perry Townsend Rathbone (1911-2000) was a prominent museum director who worked primarily in Boston and New York City. He was an early supporter of German Expressionism in America.

Rathbone was director of the City Art Museum of St. Louis from 1940-1955, moving on to direct the Museum of Fine Arts, Boston from 1954-1972, where he led a period of extensive reform. After retiring from the museum, he worked for one year for the Chase Manhattan Bank as an art consultant. Rathbone worked as director and senior vice president of Christies USA auction house from 1973-1987. After 1987, he continued working at Christies as a consultant.

Rathbone was born in Germantown, Pennsylvania on July 3, 1911 and grew up in New Rochelle, New York. He attended Harvard College, majoring in Art History and graduating in 1933. He then completed the graduate "museum course" taught by Professor Paul Sachs in 1934. The Paul Sachs museum course was famous for cultivating future directors at some of this country's most prestigious museums. After Harvard, Rathbone was appointed as curator of Alger House (later renamed the Grosse Pointe War Memorial), a branch of the Detroit Institute of Arts. Rathbone directed the ''Masterpieces of Art'' exhibit at the 1939 New York World's Fair. The success of the exhibit led to his appointment as director of the City Art Museum of St. Louis, Missouri in 1940 at the age of 29, making him the youngest American museum director at the time.

During World War II, Rathbone served in the U.S. Navy from late 1942-1945. He was a commissioned officer in charge of the Navy Art and Poster Section, Office of Public Relations in Washington, D.C. He supervised five Navy "combat artists," who painted naval battles and depicted the daily lives of soldiers. He also served as an officer in New Calcedonia. He separated from service as a Lieutenant Commander in late 1945. This collection does not contain records directly related to his military service. In 1945 Rathbone married Euretta de Cosson while on leave in Washington, D.C. They had three children together: Peter, Eliza, and Belinda.

Rathbone resumed his position as the director of the City Art Museum of St. Louis after the war. The Detroit Institute of Arts director William R. Valentiner introduced Rathbone to German Expressionism. Rathbone helped the German Expressionist painter Max Beckmann, labeled a ''degenerate artist'' by Hitler, and his wife immigrate to America and then arranged a teaching position for Beckmann at Washington University. Rathbone and Beckmann became close, and in 1948, Rathbone organized a Beckmann retrospective at the City Art Museum. Beckmann made a portrait of Rathbone and one of his wife Euretta. Rathbone gave the eulogy at Beckmann's funeral in 1950.

In 1955 Rathbone became the director of the Museum of Fine Arts (MFA) in Boston. During his tenure there he expanded the museum by 80,000 square feet, doubled the staff, and oversaw the renovations of 57 of the Museum's 189 galleries. He mounted exhibitions of Rembrandt, Matisse, Modigliani, Cezanne, van Gogh and Courbet. The Boston Museum's first acquisitions of Pablo Picasso, Alexander Calder, Constantine Brancusi, Paul Klee, Alberto Giacometti and other works by 20th-century artists occurred under Rathbone's directorship. Rathbone also served as curator of paintings and wrote the catalog essays for many of the museum's exhibitions. Working with Frances Weeks Hallowell, he established the first "Ladies Committee" for the museum, which substantially increased membership. He was appointed as Chevalier de L├ęgion d'Honneur by the French government in 1964.

In 1969, the Museum of Fine Arts purchased what was believed to be a Raphael portrait of Eleonora Gonzaga, 1505, from a Genoa art dealer. The work was meant to be the highlight of the museum's centennial celebration. However controversy arose when the Italian government alleged that the work was smuggled out of the country and the museum was forced to return the painting to the Italian government. The situation caused Rathbone to resign in 1972.

At the request of David Rockefeller, Rathbone became an art consultant to Chase Manhattan Bank for one year. In 1973, he became director of Christie's auction house in New York and senior vice president in 1977, working there until 1987, when he retired but still worked as a consultant.

Perry Townsend Rathbone died on January 22, 2000 at the age of 88.
Related Materials:
The Archives of American Art also holds an oral history interview of Perry Townsend Rathbone conducted in 1975-1976 by Paul Cummings for the Archives of American Art's oral history program.
Provenance:
Perry Townsend Rathbone donated his paper to the Archives of American Art in 1977 and 1988.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Museum directors -- Massachusetts -- Boston  Search this
Genre/Form:
Transcripts
Photographs
Interviews
Citation:
Perry Townsend Rathbone papers, 1929-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rathperr
See more items in:
Perry Townsend Rathbone papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99ceffd13-4519-4277-b68d-2369944ef893
EDAN-URL:
ead_collection:sova-aaa-rathperr
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