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Albert Christ-Janer papers

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Names:
Michigan State University -- Faculty  Search this
New York University -- Faculty  Search this
Pennsylvania State University -- Faculty  Search this
Pratt Institute -- Faculty  Search this
Stephens College  Search this
University of Chicago -- Faculty  Search this
University of Georgia -- Faculty  Search this
Bingham, George Caleb, 1811-1879  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
Robinson, Boardman, 1876-1952  Search this
Saarinen, Eliel, 1873-1950  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
54.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Date:
1915-circa 1993
bulk 1930-1981
Summary:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.
Scope and Contents:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.

Biographical material includes address books; awards, certificates and diplomas; chronologies, biographies, and resumes; material relating to Albert Christ-Janer's death, including memorial services and a sound tape reel memorial; and information and blueprints for residences, among other materials.

Correspondence includes Christmas cards from other artists and professional correspondence, much of it relating to his work at various institutions, including Michigan State University, New York University, Pennsylvania State University, Pratt Institution, and foundations. Also included is Virginia Christ-Janer's correspondence regarding Christ-Janer's artwork and career, his death in Italy, as well as general correspondence and letters between Virginia and Albert. Additional correspondence is found within the Professional Files, Project Files, and Teaching Files.

Writings by Christ-Janer include articles, book reviews, essays, notes, and eleven notebooks. There are also a few miscellaneous articles and writings about Christ-Janer written by others. There are 38 annotated appointment notebooks and five of Virginia Christ-Janer's annotated appointment books. Annotations are about meetings, travel, and general thoughts.

Albert Christ-Janer's book projects are documented in the Project Files series. There are drafts, manuscripts, research, and correspondence relating to the research, writing, and publication of five of his books, including George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962), and Modern Hymns (1980). Project files also include files regarding proposed projects.

Professional files document Christ-Janer's work at various institutions, as a consultant, on juried art exhibitions, memberships in arts associations, activities at conferences and committees, and the development of art centers in cities and educational institutions. There is significant documentation of his work planning and developing an arts center in New York City and at New York University, as well as his positions at Pennsylvania State University, Pratt Institute, University of Chicago, and University of Georgia. Also found are materials relating to professional trips taken to El Paso, Italy, Scandinavia, and other parts of Europe.

Teaching files consist of syllabi, lecture notes and course materials, class record books, and other documents for positions at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Exhibition files are comprised of lists, prizes and awards, and other scattered documentation of Christ-Janer's solo and group exhibitions.

Financial and estate records include five account books, miscellaneous bills and receipts, a will and estate taxes and financial papers, and files for gallery transactions, lists of galleries representing Christ-Janer, lists of museum and private collectors of Christ-Janer's artwork. Printed materials include exhibition catalogs and announcements, published versions of Christ-Janer's books, books written by others and annotated by Christ-Janer, clippings, magazines, reviews, and printed material relating to Pratt Institute. There is one bound scrapbook and several files of loose scrapbook materials.

The scrapbooks series consists of one completed scrapbook concerning Christ-Janer's book on George Caleb Bingham, as well as several folders of general scrapbook files.

Photographs and slides depict Albert Christ-Janer, family, friends, artists, colleagues, exhibitions, and also include photographs compiled for published books.

Artwork includes numerous drawings, sketches, one sketchbook, and 111 lithographs by Albert Christ-Janer. There are also sketches and drawings by Charles Massey, John D. Whiting, Edwin Zoller, and others. Miscellaneous artifacts include a business card die, exhibition medals and trophy, handmade paperweight, a block-printed piece of fabric, and three graduation hoods.
Arrangement:
This collection is arranged as 14 series:

Series 1: Biographical Material, circa 1930-circa 1986 (Boxes 1-2, 51, 53, 67, OV 54, OV 57; 2.1 linear feet)

Series 2: Correspondence, circa 1937-1990 (Boxes 2-16, 51, 67, OV 55; 15.1 linear feet)

Series 3: Writings, circa 1930s-1972 (Boxes 16-18, 51; 1.5 linear feet)

Series 4: Appointment Books, 1939-1973 (Boxes 18-21; 2.9 linear feet)

Series 5: Professional Files, circa 1933-circa 1986 (Boxes 21-28, 51-52, 67-69; 10 linear feet)

Series 6: Project Files, 1937-circa 1981 (Boxes 28-34, 51, 69; 6.1 linear feet)

Series 7: Teaching Files, circa 1939-circa 1973 (Boxes 34-35; 0.6 linear feet)

Series 8: Exhibition Files, circa 1938-circa 1992 (Boxes 35-38; 2.7 linear feet)

Series 9: Financial and Estate Records, circa 1947-1992 (Boxes 38-40; 2.4 linear feet)

Series 10: Printed Material, 1915-circa 1993 (Boxes 40-49, 51-52, 69; 8.7 linear feet)

Series 11: Scrapbooks, circa 1936-circa 1952 (Boxes 49, 51; 0.5 linear feet)

Series 12: Photographs, circa 1937-circa 1986 (Boxes 49-51, OV 56; 0.7 linear feet)

Series 13: Artwork, circa 1933-circa 1970s (Boxes 50-52, 69, OV 58-66; 1.1 linear feet)

Series 14: Artifacts, 1923-circa 1986 (Boxes 50, 53; 0.9 linear feet)
Biographical / Historical:
Albert Christ-Janer (1910-1973) was a painter, printmaker, art historian, writer, and educator active at colleges and universities across the U.S.

Albert Christ-Janer was born in Appleton, Minnesota in 1910 and studied at the Art Institute of Chicago, Yale University, and Harvard University. Christ-Janer wrote about American artists Boardman Robinson and John Caleb Bingham, and taught at a variety of institutions, including Stephens College, Cranbrook Academy, Pratt Institute Art School, and the University of Georgia. He was also an artist-in-residence at Tamarind Lithography Workshop in 1972.

Christ-Janer began his teaching career at Stephens College in Columbia, Missouri in 1934, and soon became head of the art department. He moved to Michigan to accept the position of head of the art department and professor of art at Michigan State University in 1942. In 1945, he began working for the Cranbrook Academy in Bloomfield Hills, Michigan, serving as director of the educational program, director of the museum and library, and professor of art history.

In 1947, Christ-Janer moved to Chicago and worked at the University of Chicago and the Arts Center Association, Inc. In the 1950s, he served as director of Arts Center Development at New York University, director of the School of Arts at Pennsylvania State University, and on the Lake Erie College Board of Trustees. In 1958, he moved to New York and become dean of the School of Art and Design at the Pratt Institute in Brooklyn, later becoming director. He left Pratt in 1970 to accept the position of Fuller E. Callaway Professor of Art at the University of Georgia, where he remained until his tragic death in 1973.

Christ-Janer was the author of several books: Art in Child Life (University of Iowa Press, 1938), George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962).

Albert Christ-Janer was a Guggenheim Fellow in 1950, awarded the Rockefeller Award in 1954, and the Guggenheim Award in 1960. He was also awarded multiple grants from the American Philosophical Society and the J. M. Kaplan Fund for research and work in lithography, as well as multiple Arthur Judson grants. In 1972 Christ-Janer was the Tamarind artist-in-residence at the University of New Mexico in Albuquerque.

Christ-Janer traveled often. In 1962 he was a guest of the Bonn government for two months to visit museums and schools of design in Germany. And in 1964, he was a guest of the governments of Denmark, Norway, Finland, and Sweden for two months to study schools, museums, and cultural centers. In July of 1973, Christ-Janer was the official NASA artist for the Skylab III launch, and in October of 1973, he was the studio guest of the Norway-America Association and the Norwegian government in Oslo. From November to December of 1973, Christ-Janer was the scholar-in-residence at the Study and Conference Center of the Rockefeller Foundation (Centro Culturale delle Fondazione Rockefeller), at the Villa Serbelloni in Bellagio (Como), Italy.

Albert Christ-Janer was killed in an automobile accident in Bellagio (Como), Italy on December 12, 1973.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Albert Christ-Janer conducted by Dorothy Seckler, March 21, 1964.

Albert Christ-Janer's research materials for his book American Hymns Old and New (1980) are found at the St Olaf College in Northfield, Minnesota, a center for the study of hymns.
Provenance:
The Albert Christ-Janer papers were donated by Virginia Christ-Janer in 1980-1981 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Albert Christ-Janer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Printmakers -- Georgia  Search this
Painters -- Georgia  Search this
Art historians -- Georgia  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chrialbe

Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lilian Swann Saarinen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
Online Media:

Oral history interview with Niels Diffrient

Interviewee:
Diffrient, Niels  Search this
Interviewer:
McQuaid, Matilda, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Bassett, Chuck  Search this
Dreyfuss, Henry, 1904-1972  Search this
Hernmarck, Helena, 1941-  Search this
King, Bob  Search this
Knoll, Florence, 1917-  Search this
Knoll, Hans  Search this
Loewy, Raymond  Search this
Magnusson, Carl G., 1940-  Search this
Rowland, David Lincoln, 1924-2010  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Whelan, Elizabeth  Search this
Wolf, Henry, 1852-1916  Search this
Extent:
55 Pages (Transcript)
4 Items (Sound recording: 4 sound files (2 hr., 58 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Italy -- description and travel
Michigan -- Detroit -- Description and Travel
Mississippi -- Description and Travel
Date:
2010 July 28-August 31
Scope and Contents:
An interview of Niels Diffrient conducted 2010 July 28 and August 31, by Matilda McQuaid, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Diffrient's home and studio, in Ridgefield, Connecticut.
Diffrient speaks of growing up in Detroit while spending his summers with his mother's family in Mississippi; the value of growing up on a farm; attending Cass Technical High School in Detroit; realizing that he did not want to work in a factory; learning about crafts at Cranbrook Academy; travelling to Italy on a Fulbright Grant; working with Italian versus American designers; designing office chairs; the state of education in America. Diffrient's wife, Helena Hernmarck, contributes to the discussion of craft, weaving, and textiles. Diffrient also recalls Hans and Florence Knoll, Eero Saarinen, Eliel Saarinen, Chuck Bassett, David Rowland, Henry Dreyfuss, Bob King, Carl Magnusson, Raymond Loewy, Henry Wolf, Elizabeth Whelan, and others.
Biographical / Historical:
Niels Diffrient (1928-2013) is an industrial designer in Ridgefield, Connecticut. Matilda McQuaid (1958-) is deputy curatorial director, Cooper Hewitt, National Design Museum in New York, New York.
General:
Originally recorded on 2 memory cards. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Industrial designers -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.diffri10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-diffri10

Oral history interview with Marianne Strengell

Interviewee:
Strengell, Marianne, 1909-1998  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Cranbrook Academy of Art  Search this
Bertoia, Harry  Search this
Eames, Charles  Search this
Knoll, Florence, 1917-  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 January 8-December 16
Scope and Contents:
An interview of Marianne Strengell conducted 1982 January 8-1982 December 16, by Robert F. Brown, for the Archives of American Art.
Strengell speaks of colleagues and students at the Cranbrook Academy of Art, including Eliel and Loja Saarinen, Charles Eames, Florence Knoll, and Harry Bertoia. She also speaks of her training in hand weaving in Helsinki; her interest in texture and new materials; the rejection of vogue in Scandinavia in the 1930s for folk art motifs; her close association with the Saarinen family at Cranbrook and in Finland; and her work with industry, 1940s-1970s.
Biographical / Historical:
Marianne Strengell (1909-1998) was a weaver, textile designer, and educator.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 5 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on-line at the Archives of American Art's website.
Occupation:
Weavers  Search this
Topic:
Textile fabrics  Search this
Educators -- Massachusetts -- Interviews  Search this
Textile designers -- Massachusetts -- Interviews  Search this
Weavers -- Massachusetts -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.streng82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-streng82

Oral history interview with Ray Eames

Interviewee:
Eames, Ray  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Names:
Eames, Charles  Search this
Grotell, Maija  Search this
Hofmann, Hans, 1880-1966  Search this
Milles, Carl, 1875-1955  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Strengell, Marianne, 1909-1998  Search this
Extent:
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 July 28-August 20
Scope and Contents:
An interview of Ray Kaiser Eames conducted 1980 July 28-1980 August 20, by Ruth Bowman, for the Archives of American Art, in Venice, California.
Eames speaks of her childhood; her education at Cranbrook Academy; meeting Charles Eames; methods and styles in furniture design and architecture; and teaching design at the University of California, Los Angeles. She recalls Hans Hofmann, Eliel and Eero Saarinen, Maija Grotell, Marianne Strengell, and Carl Milles.
Biographical / Historical:
Ray Eames (1916-1988) was a designer from Venice, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav file. Duration is 3 hr., 56 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Design  Search this
Designers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.eames80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-eames80

Oral history interview with Olav Hammarstrom

Interviewee:
Hammarstrom, Olav, 1906-2002  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Architects Collaborative, Inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Yale University -- Faculty  Search this
Aalto, Alvar, 1898-1976  Search this
Roche, Kevin  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Extent:
146 Pages (Transcript)
9 Items (Sound recording: 9 sound files (6 hr., 14 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1982 October 21-1983 March 10
Scope and Contents:
Interview of Olav Hammarstrom, conducted by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Wellfleet, Massachusetts, on October 21, 1982, December 16, 1982, and March 10, 1983.
Hammarstrom speaks of his architectural education in Helsinki; his wartime and post-war experience with pre-fabricated building and town planning; his work as assistant to Alvar Aalto on the construction of a dormitory at M.I.T.; his work as a member of Eero Saarinen's firm; his experiences as a teacher at Yale and M.I.T.; his work as a draftsman and project manager for the Architect's Collaborative in Cambridge; and private, ecclesiastical and residential design in architecture. Hammarstrom also recalls Alvar Aalto, the Saarinens, Kevin Roche, and others.
Biographical / Historical:
Olav Hammarstrom (1906-2002) was an architect and designer.
General:
Originally recorded on 5 audio cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 6 hr., 14 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Architects -- Massachusetts -- Interviews  Search this
Architecture -- Massachusetts  Search this
Architecture -- Study and teaching  Search this
City planning -- Massachusetts  Search this
Designers -- Massachusetts -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.hammar82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hammar82

Oral history interview with Zoltan Sepeshy

Interviewee:
Sepeshy, Zoltan, 1898-1974  Search this
Interviewer:
Barrie, Dennis  Search this
Names:
Cranbrook Academy of Art  Search this
Booth, George G. (George Gough), b. 1864  Search this
Milles, Carl, 1875-1955  Search this
Saarinen, Eliel, 1873-1950  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 April 26
Scope and Contents:
An interview of Zoltan Sepeshy conducted 1973 April 26, by Dennis Barrie, for the Archives of American Art. Sepeshy speaks of his early years at Cranbrook Academy and describes the scene at Cranbrook in 1930, its staff, and nucleus of creative artists. He discusses the prevailing philosophy of freedom and independence for students at Cranbrook. He recalls George Booth, Eliel Saarinen, and Carl Milles.
Biographical / Historical:
Zoltan Sepeshy (1898-1974) was a painter.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 18 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- Michigan -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sepesh73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sepesh73

[Louis Sullivan and Bertram Grosvenor Goodhue eulogy]

Creator:
Saarinen, Eliel, 1873-1950  Search this
Names:
Goodhue, Bertram Grosvenor, 1869-1924  Search this
Sullivan, Louis H., 1856-1924  Search this
Extent:
4 Pages ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Pages
Date:
1924
Scope and Contents:
Typescript of a eulogy for Louis Sullivan and Bertram Grosvenor Goodhue delivered by Eliel Saarinen, April 27, 1924.
Biographical / Historical:
Eliel Saarinenn was an architect of Bloomfield Hills, Michiga and father of architect Eero Saarinen. Architect Louis Sullivan died April 14, 1924 and architect Bertram Grosvenor Goodhue died on April 23, 1924.
Provenance:
Donated by Henry Scripps Booth, 1962, who found it among his files.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Architects  Search this
Topic:
Architecture  Search this
Identifier:
AAA.saarelie
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarelie

Florence Knoll Bassett papers

Creator:
Knoll, Florence, 1917-  Search this
Names:
Cranbrook Academy of Art  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Hans G. Knoll Furniture Company  Search this
Knoll Associates, inc.  Search this
Knoll International, inc.  Search this
Cheek, Leslie, 1908-  Search this
Eames, Charles  Search this
Gandhi, Indira, 1917-1984  Search this
Graham, Katharine, 1917-  Search this
Helm, John  Search this
Johnson, Philip, 1906-2005  Search this
Knoll, Walter C.  Search this
Miller, R. Craig  Search this
Milles, Carl, 1875-1955  Search this
Raseman, Rachel de Wolfe  Search this
Reagan, Nancy, 1923-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Slavin, Maeve  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Photographs
Sketchbooks
Date:
1932-2000
Summary:
The papers of architect and designer Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. Through correspondence, sketches, drawings, designs, subject files, photographs, and printed material, the collection selectively documents Knoll Bassett's education, her work with Knoll Associates from the 1940s until her resignation in 1965, and projects undertaken since her retirement. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s.
Scope and Content Note:
The papers of architect, and interior designer and planner Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. The collection selectively documents Knoll Bassett's education and her career at Knoll Associates, Inc. from the 1940s until her resignation in 1965, in addition to personal design projects and other activities after leaving the company. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s, chronicling the Knoll mission to synthesize space, furniture, and design by creating interiors based on practical use, comfort, and aesthetics.

The collection documents the growth of Knoll's international reputation for its modern furnishings and interiors and the impact of a business philosophy that encompassed design excellence, technological innovation, and mass production. The material includes a chronology of Knoll Bassett's career; a portfolio of sketches, drawings and designs; photographs of Knoll Bassett and others; subject files containing sketches and photographic material; letters from friends, colleagues, clients and others; awards received by Knoll Bassett throughout her career; and printed material.

Much of the material is annotated with historical and biographical notes written by Knoll Bassett which provide invaluable contextual information for the materials found therein. The notes are dated 1999 in the Container Listing, under the assumption that they were written by Florence Knoll Bassett as she was arranging her archival papers.
Arrangement:
Before donating her papers to the Archives of American Art, Knoll Bassett organized the material in portfolios and color-coded files and designed four containers for them. Because the method of arrangement in itself provides insight into Knoll Bassett's style and creativity the collection has been minimally processed with the addition of acid-free materials for preservation reasons and the transcription of labels which may, over time, become detached. The original order of the collection has been retained throughout.

The collection was organized into what Bassett termed "storage units," the first container being divided into three units and the collection as a whole being divided into six units. Knoll Bassett supplied a detailed inventory of the contents of each container and the subjects represented in each porfolio or folder. Subject headings from this inventory have been used in the Series Description/Container Listing. Knoll Bassett also supplied a vita summarizing her career and copies of this, and her original container inventory are enclosed with the collection and can be consulted at AAA's research center in Washington D.C.

The collection is arranged as seven series. These series represent the categories into which Knoll Bassett organized the material, with the exception that Letters and Awards are presented as two series in the finding aid. Most of the items in Series 1 to 4 are presented as portfolios in spiral-bound notebooks and the remainder of the collection is organized in folders.

Series 1: Biographical Material, 1932-1999 (Box 1; 1 portfolio)

Series 2: Selected Publications, 1946-1990, 1999 (Box 1; 1 portfolio)

Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999 (Boxes 1-2; 2 portfolios)

Series 4: Photographs and Printed Material, 1956-1997, 1999 (Box 2; 1 portfolio)

Series 5: Subject Files, circa 1930s-1999 (Box 3; 1.0 linear ft.)

Series 6: Letters, circa 1930s-2000 (Box 4; 7 folders)

Series 7: Awards, 1954-1999 (Box 4; 6 folders)
Biographical Note:
Florence Knoll Bassett was born Florence Schust in 1917 and was affectionately known as Shu by her colleagues and friends. She was orphaned at age 12 and then cared for by Emile Tessin, a friend of the family whom her mother had appointed as Florence's legal guardian in the event of her death. When arrangements were being made for Florence to attend boarding school she was given the opportunity to make the selection. Kingswood School in Bloomfield Hills, Michigan, held a strong aesthetic appeal for her and she "made an immediate decision that it was the right place for me," beginning her architectural studies under the school's art director, Rachel de Wolfe Raseman.

At Kingswood Knoll Bassett met the Saarinen family, studying under Eliel Saarinen and developing her interest in texture and color through her friendship with Loja Saarinen who supervised the school's weaving studio. Following Florence's graduation from Kingswood in 1934, Eliel Saarinen encouraged her to spend some time at Cranbrook Academy of Art before attending an accredited architecture school. She spent the next two years at Cranbrook working closely with advanced students and artists such as the Saarinens and Carl Milles, and gaining experience in all aspects of design.

Knoll Bassett then studied for two years at the Architectural Association in London, spending summers with the Saarinens in Europe. She completed her formal training at the Illinois Institute of Technology where she studied under Mies van der Rohe, whom she credits with having "a profound effect on my design approach and the clarification of design."

After graduation Knoll Bassett worked for architecture firms in Boston and New York where she met Hans Knoll who was then in the process of establishing a furniture business. In 1943 she began working for him in her spare time as an interior space planner and designer. In 1946 the two were married and formed Knoll Associates, Inc.

As director of the Knoll Planning Unit, Knoll Bassett established herself as one of the most important and influential interior planners and designers of the second half of the twentieth century. Believing that intelligent design "strikes at the root of living requirements and changing habits," she established the practice of working closely with the corporate sector to determine the needs of the people who would actually use the spaces that her company designed. Her connections with leading contemporary architects and designers, and the company's commitment to crediting designers by name and paying them royalties, laid the foundations for the strong working relationships upon which the commercial success of Knoll Associates was built. Drawing on a pool of top architects and designers, many of whom were personal friends, Knoll Bassett directed the company's Bauhaus approach, incorporating design excellence, technological innovation, and mass production in a seamless package of "total design."

While Knoll Bassett oversaw the creative process of the Planning Unit's operations in its entirety, she was also directly responsible for many of the individual elements used in the Unit's projects. During the war years, she worked with her designers to overcome the scarcity of materials, establishing Knoll Textiles in response to the dearth of available fabrics and textile colors, and developing the company's hallmark style of spare clean lines and vibrant colors in a functional, comfortable, and aesthetically appealing space. Finding that much of the "fill-in" furniture, primarily cabinetry, that she envisaged in many of her plans was not available, Knoll Bassett designed the pieces herself. She used the Knoll showrooms as "experimental laboratories" to convince clients to use modern ideas and materials, showcasing and putting into production the classic designs of people such as Eero Saarinen, Mies van der Rohe, Jens Risom, Harry Bertoia, Isamu Noguchi, and Marcel Breuer.

After the war Knoll Associates expanded to Europe through a series of government contracts which resulted ultimately in the formation of Knoll International. When Hans Knoll died suddenly in an automobile accident in 1955 Florence became president of the company. She married Harry Hood Bassett in 1958 and began to divide her time between New York and Florida. In 1959 she sold her interest in Knoll Associates to Art Metal and retired as President of the company the following year, while continuing to work as a consultant and serving as Design Director. In 1961 she became the first woman to be awarded the Gold Medal for Industrial Design by the American Institute of Architects, one of many awards received over the course of her career. In 1965 she resigned from Knoll Associates entirely after completing the interior design for the CBS headquarters in New York.

Following her retirement Knoll Bassett devoted more time to private commissions and other interests such as her campaign against billboards in Miami in the mid 1980s. She spent summers in Vermont and winters in Florida with her husband, until his death in 1991. In July 2001, Metropolis magazine published a rare interview with Knoll Bassett in which she reflects upon the life she so skillfully documented in the extraordinary gift of her archival papers to the Archives of American Art.
Provenance:
The collection was donated to the Archives of American Art by Florence Knoll Bassett in 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Florence Knoll Bassett papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Interior decoration firms  Search this
Interior decorators  Search this
Furniture designers  Search this
Architects  Search this
Women architects  Search this
Interior decoration  Search this
Design, Industrial  Search this
Women designers  Search this
Designers  Search this
Genre/Form:
Sketches
Drawings
Photographs
Sketchbooks
Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.knolflor
See more items in:
Florence Knoll Bassett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knolflor
Online Media:

J. Davidson Stephen papers

Creator:
Stephen, J. Davidson (James Davidson), 1900-  Search this
Names:
Cranbrook Academy of Art  Search this
Booth, Henry Scripps, 1897-1988  Search this
Milles, Carl, 1875-1955  Search this
Saarinen, Eliel, 1873-1950  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1942-1945
Scope and Contents:
Biographical material; correspondence, including almost daily letters to his wife while enrolled in the Cranbrook Academy of Art, 1944-1944; letters from Henry S. Booth, Carl Milles, and Eliel Saarinen; photographs of Stephen and others; financial records; and printed material including clippings, announcements and magzines containing articles written or contributed to by Stephen.
Biographical / Historical:
Architect.
Provenance:
Donated 1982 by Margaret W. Stephen, widow of J. Davidson Stephen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Architects  Search this
Identifier:
AAA.stepj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stepj

[Louis Sullivan and Bertram Grosvenor Goodhue eulogy], 1924

Creator:
Saarinen, Eliel, 1873-1950  Search this
Subject:
Goodhue, Bertram Grosvenor  Search this
Sullivan, Louis H.  Search this
Topic:
Architecture  Search this
Record number:
(DSI-AAA_CollID)5676
(DSI-AAA_SIRISBib)208510
AAA_collcode_saarelie
Theme:
American Art and Artists in a Global Context
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208510

Eliel Saarinen

Creator:
Saarinen, Eliel, 1873-1950  Search this
Type:
Correspondence
Date:
1932 Aug. 7
Record number:
(DSI-AAA)1117
See more items in:
Marianne Strengell papers, 1904-1980s
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1117
Online Media:

Eliel Saarinen to Marianne Strengell

Creator:
Saarinen, Eliel, 1873-1950  Search this
Subject:
Strengell, Marianne  Search this
Type:
Correspondence
Date:
1931 Mar. 28
Record number:
(DSI-AAA)1118
See more items in:
Marianne Strengell papers, 1904-1980s
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1118
Online Media:

Louis Sullivan; Bertram Grosvenor Goodhue; in memoriam

Creator:
Saarinen, Eliel, 1873-1950  Search this
Subject:
Goodhue, Bertram Grosvenor  Search this
Sullivan, Louis H.  Search this
Type:
Writings
Date:
1924 Apr. 27
Topic:
Death  Search this
Record number:
(DSI-AAA)13578
See more items in:
[Louis Sullivan and Bertram Grosvenor Goodhue eulogy], 1924
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13578
Online Media:

The Saarinen door: Eliel Saarinen, architect and designer at Cranbrook. [Compiled and edited by the Public Relations Office, the Cranbrook Institutions]

Publisher:
Cranbrook Academy of Art  Search this
Contributor:
Saarinen, Eliel 1873-1950  Search this
Writer of foreword:
Booth, Henry Scripps 1897-1988  Search this
Writer of introduction:
Gatling, Eva Ingersoll 1912-2000  Search this
Author:
Saarinen, Eliel 1873-1950 My point of view of our contemporary architecture  Search this
Printer:
Cranbrook Press  Search this
Subject:
Saarinen, Eliel 1873-1950  Search this
Cranbrook Academy of Art  Search this
Cranbrook House & Gardens (Organization)  Search this
Physical description:
63 pages illustrations, portraits 28 cm
Type:
Books
Date:
1963
Topic:
Decoration and ornament--Art nouveau  Search this
Call number:
NA737.S3 A5 1963
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1099875

The View From the Castle: After a delayed start, the Institution has at last fulfilled its charter to encompass achievements of U.S. art

Author:
Ripley, Sidney Dillon 1913-2001  Search this
Subject:
Saarinen, Eero 1910-1961  Search this
Saarinen, Eliel 1873-1950  Search this
Davies, Arthur B  Search this
Woolfenden, William E (William Edward) 1918-1995  Search this
Archives of American Art  Search this
National Collection of Fine Arts  Search this
National Portrait Gallery (U.S.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
National Gallery of Art of the Smithsonian  Search this
Museum of Modern Art  Search this
Whitney Museum  Search this
United States Commission of Fine Arts  Search this
Physical description:
p. 6
Place:
United States
Date:
April 1976
Topic:
Art--History  Search this
Castle View  Search this
New York Armory Show of 1913  Search this
SI, Early History  Search this
Smithsonian Institution  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_2905

Search for form; a fundamental approach to art

Author:
Saarinen, Eliel 1873-1950  Search this
Physical description:
xxi, 354 p. illus. 24 cm
Type:
Books
Date:
1948
[1948]
Topic:
Art--Philosophy  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_771173

Kleinhans Music Hall : the Saarinens in Buffalo, 1940, a streamline vision / essay by Peter C. Papademetriou

Author:
Papademetriou, Peter C  Search this
Burchfield Art Center  Search this
Subject:
Saarinen, Eliel 1873-1950  Search this
Saarinen, Eero 1910-1961  Search this
Kleinhans Music Hall  Search this
Physical description:
1 v. (unpaged) : ill. ; 28 cm
Type:
Books
Place:
New York (State)
Buffalo
Date:
1990
C1990
Topic:
Music-halls  Search this
Call number:
NA737.S106 P2 1990
NA737.S106P2 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_410264

Eliel Saarinen : projects, 1896-1923 / Marika Hausen ... [et al. ; translated by Desmond O'Rourke, Michael Wynne-Ellis, and the English Centre]

Author:
Saarinen, Eliel 1873-1950  Search this
Hausen, Marika  Search this
Subject:
Saarinen, Eliel 1873-1950 Criticism and interpretation  Search this
Physical description:
355 p. : ill. (some col.) ; 33 cm
Type:
Books
Place:
Finland
Date:
1990
20th century
Topic:
Architecture--History  Search this
Call number:
NA1455.F53S24413 1990X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_412416

Saarinen House and garden : a total work of art / Gregory Wittkopp, editor ; introduction by Roy Slade ; essays by Gregory Wittkopp and Diana Balmori ; color photography by Balthazar Korab

Author:
Wittkopp, Gregory  Search this
Balmori, Diana  Search this
Subject:
Saarinen, Eliel 1873-1950 Criticism and interpretation  Search this
Saarinen, Eliel 1873-1950 Homes and haunts  Search this
Saarinen House (Bloomfield Hills, Mich.)  Search this
Cranbrook Academy of Art  Search this
Physical description:
176 p. : ill. (some col.), plans ; 30 cm
Type:
Books
Place:
Michigan
Bloomfield Hills
Saarinen House Garden (Bloomfield Hills, Mich.)
Bloomfield Hills (Mich.)
Date:
1995
Topic:
Architecture, Domestic--Conservation and restoration  Search this
Buildings, structures, etc  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_476524

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